architecture history and theory 2009 (uk)

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Architecture History and Theory CatalogueNew Titles and Key Backlist 2010

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ConTenTsArchitecture in Context . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Vernacular Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Classical Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6Landscape Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9Architectural Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11Urban Design. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13Architectural History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16Architectural Theory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26Digital Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32Interior Architecture. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34Modern Hospice Design. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36Catalogue Questionnaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38Order Form . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Back Page

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Architecture in Context Series

’A grand survey of the whole of the world ofarchitecture.’ – The Times

Architecture in Context is a series of five booksdescribing and illustrating all the seminal traditions ofarchitecture from the earliest settlements in theEuphrates and Jordan valleys to the stylistically andtechnologically sophisticated buildings of the secondhalf of the 20th century.

NEW

The WestFrom the Advent of Christendom to the Eve ofReformation

Christopher Tadgell

Christopher Tadgell covers the majorarchitectural traditions of the MiddleAges, from the Romanesquearchitecture of the 9th and 10thcenturies, built on the legacy ofancient Rome and including elementsfrom Carolingian, Ottonian, Byzantineand northern European traditions,through to the evolution of the Gothicwhich heralded new, structurally

daring architecture. The book ends with the Italian rediscoveryof Classical ideas and ideals and the emergence of the greatRenaissance theorists and architects, including Brunelleschi,Alberti, and Bramante. As well as the palazzos, villas andchurches of Renaissance Italy, this period saw the building ofgreat chateaux in France, palaces in Germany and the golden-domed cathedrals of Russia.

With more than 2000 images, including many plans, The Westis a beautiful, single-volume guide to the history of architecturein this period, covering the whole of Europe from Ireland toRussia and placing architectural developments within theirpolitical, technological, artistic and intellectual contexts.

Selected Contents: Part 1: Renovation of Gravitas1. Prologue 2. Empire Regained and Relapsed 3. The Centre:Holy Roman Empire 4. The East: Towards the Third Rome 5. The West: Post Carolingian Diversity Part 2: Refraction ofLight 6. Introductions to the Gothic Age 7. Light Into Stone:The Gothic Cathedral 8. Secular Building in the Gothic AgePart 3: Revival of Classicism 9. Introduction 10. Cataclysmand Classicism at Large Epilogue: From Medieval Towards Neo-Classical Abroad. Conclusion. Glossary. Further Reading.Maps. IndexMay 2009: 210x180: 928ppHb: 978-0-415-40754-0: £65.00

1ARCHITECTURE IN CONTEXT

E-mail: [email protected] www.ebookstore.tandf.co.ukfor more information eBooks are only available to order online

Above: Images taken from The West.

http://www.routledge.com/9780415407540

AntiquityOrigins, Classicism and the New Rome

Christopher Tadgell

Lavishly illustrated with over 1,000colour photographs and 400drawings, this impressive volumebrings to life architectural history invivid form. Having taught extensivelyin the field for almost 30 years, authorChristopher Tadgell traces the subjectfrom its very beginnings until the timewhen the traditions that shape today’senvironments began to flourish.

The first in a series of 5 books that describe and illustrate theseminal architectural traditions of the world, Tadgell exploreskey points of interest.

Antiquity: Origins, Classicism and the New Rome functionsequally as a detailed and comprehensive narrative, acollection of the world’s great buildings and as an archive ofthemes across time and place.

Selected Contents: Part 1: West Asia and the EasternMediterranean Part 2: Pre-Columbian Part 3: The ClassicalWorld Part 4: Christianity and Empire. Epilogue: The Last HalfMillennium of Byzantium2007: 210x180: 876ppHb: 978-0-415-40750-2: £65.00

The EastBuddhists, Hindus and the Sons of Heaven

Christopher Tadgell

’The East is truly one of thosebooks that change your life andplans. Christopher Tadgelldelivers brilliantly in linkingcontext, structures and highideals, climate and materials,nature and technology. He givesus a powerful but faithful andfinely paced compression ofcomplex interlocked traditions.

Few historians have related landscape and meaningwith such like success. Impressive learning is wornlightly.’ – Sir John Boyd

Selected Contents: Part 1: Buddhist and Brahmanical1.1 The Indian Subcontinent 1.2 South-East Asia Part 2: Heaven’s Empires 2.1 China and its Orbit 2.2 Japan 2007: 210x180: 924ppHb: 978-0-415-40752-6: £65.00

IslamFrom Medina to the Magreb and from the Indes toIstanbul

Christopher Tadgell

’The greatest value of this finestudy lies in its enormous anddetailed range, encompassingnot only the Islamic heartlands,but traditions as diverse as thoseof the sultanates of North Africa,the earliest Moslem dynasties ofIndia and the legacy ofTamerlane. A prodigious labourof love.’ – Colin Thubron

This book examines the architectural tradition whichdeveloped with the religious culture of Islam. Essentially heirto the Roman development of space, it had its source in theubiquitous courtyard house, while the development of themosque as both a place of worship and the centre of thecommunity, its form a response to the requirements ofprayer set out in the Koran, was given a range of forms asthe conquests of Islam came up against the traditions ofEgypt, Persia, India and China. The tradition developedfurther in tombs, palaces and fortifications, all of which aredescribed and illustrated here.

Selected Contents: Part 1: Dar Al-Islam Part 2: Beyond theWestern Pale Part 3: Dar Al-Islam Divided Part 4: Beyond TheEastern Pale. Epilogue: Hindustani Syncretism. Glossary.Further Reading. Maps2008: 210x180: 674ppHb: 978-0-415-43609-0: £65.00

NEW FOR 2011

ModernityAfter Enlightenment

Christopher TadgellApril 2011: 210x180: 960pp: 1200 colour illustrations,400 line drawingsHb: 978-0-415-40756-4: £65.00

ARCHITECTURE IN CONTEXT2

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Atlas of Vernacular Architecture of theWorldMarcel Vellinga, Paul Oliver, both at Oxford BrookesUniversity, UK and Alexander Bridge, Cartographer, UK

’This is an invaluable guide tothe global scatter of folkarchitectural traditions thatshape today’s most bracingsustainable designs.’ – TheChristian Science Monitor

’The AVAW is an enthralling read,even if your knowledge of thesubject is limited.’ – ReferenceReviews

The first world atlas ever compiled on vernaculararchitecture, this comprehensive work illustrates the varietyand ingenuity of the world’s vernacular building traditionsfrom a multi-disciplinary, cross-cultural and comparativeapproach, using over 60 world and regional maps.

Selected Contents: Introduction Part 1: Contexts 1. Nations 2. Topography 3. Water 4. Climate 5. Vegetation6. Soils 7. Economy 8. Population 9. Language 10. Religion11. Cultural Areas Part 2: Cultural and Material Aspects12. Materials and Resources 13. Structural Systems andTechnologies 14. Forms, Plans and Types 15. Services andFunctions 16. Symbolism and Decoration 17. Developmentand Sustainability 2008: 276x219: 160ppHb: 978-0-415-41151-6: £49.99 US $92.95

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Above: Pages taken from Atlas of Vernacular Architecture of the World.



Encyclopedia of VernacularArchitecture of the WorldPaul Oliver, Oxford Brookes University, UK

Vernacular – or traditional – architecture encompasses mostof the buildings of the world. This encyclopedia is the first toshow the remarkable diversity of the buildings constructedand lived in by the people of over a thousand cultures.Originally published as three volumes, the first focused onthe theories, principles and philosophy that underpintraditional architecture. The other two volumes consideredthese principles within specific cultural and societal contexts.

As building traditions vary widely within some countries andextend across the political boundaries of others, theencyclopedia considers vernacular architecture within itscultural rather than its national contexts. Richly illustratedwith numerous photographs, line drawings and maps, thework is also supported by a glossary, a lexicon, and a largebibliography on the subject.

The Encyclopedia of Vernacular Architecture of the World isan inspiration and resource for architects, anthropologists,folklorists and geographers, and important for all who helpshape housing and conservation policies.

2007 eBook: 978-0-203-92766-3: £900.00 US $1700.00

Vernacular Architecture in the 21st CenturyTheory, Education and Practice

Edited by Lindsay Asquith and Marcel Vellinga2005: 234x156: 312ppHb: 978-0-415-35781-4: £89.99 US $154.95

Pb: 978-0-415-35795-1: £31.99 US $54.95

eBook: 978-0-203-00386-2

PrimitiveOriginal Matters in Architecture

Edited by Jo Odgers, Flora Samuel and Adam Sharr

This innovative, illustrated edited edition brings together acollection of authors to chart the rise, fall and possiblefutures of the word primitive.

2006: 234x156: 304ppHb: 978-0-415-38538-1: £96.99 US $169.95

Pb: 978-0-415-38539-8: £39.99 US $69.95

eBook: 978-0-203-96744-7

NEW

Rural and Urban: ArchitectureBetween Two CulturesEdited by Andrew Ballantyne, University of Newcastle-Upon-Tyne, UK

Original essays in this book writtenby an international range ofrecognized theorists investigate howthe cultures of the town and thecountryside interact in architecture.

Selected Contents: 1. Rural andUrban Milieux Andrew Ballantyne andGillian Ince 2. Villeggiatura in theUrban Context of Renaissance Rome:Paul III Farnese’s Villa-Tower on theCampidoglio Antonella De Michelis3. Rural Urbanism Dana Arnold4. Anti-Urban Utopia in the German

Aufklarung: The Ideology of Friedrich Wilhelm vonErdmannsdorff’s Architecture Marc Brabant 5. Urban MeetsRural: A Study of Three Eighteenth-Century Retreats on theIsle of Wight Stewart Abbott 6. The Picturesque BourgeoisHouse at the Edges of the Neo-Classical City Philippe Gresset7. Rural Buildings and the Search of a ’Regional’ Architecturein Belgium Leen Meganck and Linda van Santvoort 8. Natureand the City in 1920s America: Sunnyside Gardens, Queens,New York Bruce Thomas 9. Rurality as a Locus of Modernity:Romanian Interwar Architecture Carmen Popescu 10. Is theKibbutz a ’Radiant Village’?: Le Corbusier and the ZionistMovement Marina Epstein-Pliouchtch and Tzafrir Fainholtz11. An Unlikely Influence: Le Corbusier and the Garden CityMovement Emma Dummett 12. From the ’Model Village’ to aSatellite Town: Reading Change in Temelli through theTransformation of its Residential Landscape Ali Cengizkan andDidem KilickiranNovember 2009: 234x156: 240ppHb: 978-0-415-55212-7: £80.00 US $130.00

Pb: 978-0-415-55213-4: £29.99 US $53.95

eBook: 978-0-203-86547-7

VERNACULAR ARCHITECTURE4


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NEW

Modern Architecture and theMediterraneanVernacular Dialogues and Contested Identities

Edited by Jean-Francois Lejeune, University of Miami,USA and Michelangelo Sabatino, University ofHouston, USA

This book considers the influence ofthe forms and tectonics of theMediterranean vernacular on modernarchitectural practice and discoursefrom the 1920s to the 1960s. This isthe first study to address thecomprehensive influence of theMediterranean on the work andwritings of major figures of modernarchitecture. This essay collection canbe read as an alternative history ofthe modern architecture and

urbanism of a critical period in the 20th century.

Selected Contents: Preface Barry Bergdoll. Introduction:North vs South Jean-François Lejeune and MichelangeloSabatino Part 1: South 1. From Schinkel to Le Corbusier:The Myth of the Mediterranean in Modern ArchitectureBenedetto Gravagnuolo 2. The Politics of Mediterraneità inItalian Modernist Architecture Michelangelo Sabatino 3. Sert,Coderch, Bohigas, de la Sota, Del Amo: The Modern, theVernacular and the Mediterranean in Spain Jean-FrançoisLejeune 4. Mediterranean Dialogues: Le Corbusier, FernandPouillon, and Roland Simounet Sheila Crane 5. Nature andthe People: The Vernacular and The Search for a ’True’ GreekArchitecture Ioanna Theocaropoulou 6. The Legacy of anIstanbul Architect: Type, Context, and Urban Identity in theWork of Sedad Eldem Sibel Bozdogan Part 2: North 7. TheAnti-Mediterranean in the Literature of Architecture: PaulSchultze-Naumburg’s ’Kulturarbeiten’ Kai K. Gutschow8. Erich Mendelsohn’s Mediterranean Longings: The EuropeanMediterranean Academy and Beyond Ita Heinze-Greenberg9. Toward a Cosmopolitan Ethics in Architecture: Bruno Taut’sTranslations Out of Germany Esra Akcan 10. Tradition, Colourand Surface: Mediterranean Resonances in the Work of ErikGunnar Asplund Francis E. Lyn 11. Bernard Rudofsky and theSublimation of the Vernacular Andrea Bocco-Guarneri12. Between Dogon and Bidonville: CIAM, Team X and theRediscovery of African Settlements Tom AvermaeteOctober 2009: 246x174: 336ppHb: 978-0-415-77633-2: £85.00 US $140.00

Pb: 978-0-415-77634-9: £30.00 US $53.95

eBook: 978-0-203-87190-4

5VERNACULAR ARCHITECTURE


Above: Pages taken from Modern Architecture and the Mediterranean.



The Classical Tradition inArchitecture Series

Series Editor: Caroline van Eck

This series provides a forum for interdisciplinary studyof classical architecture from antiquity to the presentday. It publishes first-class and groundbreakingscholarship that re-examines, reinterprets or revaluesthe classical tradition in the widest sense.

NEW

François BlondelArchitecture, Erudition, and The Scientific Revolution

Anthony Gerbino, Oxford University, UK

First director of the Académie royaled’architecture, François Blondelestablished a lasting model forarchitectural education that helpedtransform a still largely medievalprofession into the one we recognizetoday.

Most well known for his 1676 urbanplan of Paris, Blondel is alsocelebrated as a mathematician,scientist, and scholar. Few figures aremore representative of the closeaffinity between architecture and the

’new science’ of the 17th century.

The first full-length study in English to appear on thispolymath, this book adds to the scholarship on early modernarchitectural history and particularly on French classicismunder Louis XIV and his minister Jean-Baptiste Colbert. Itstudies early modern science and technology, Baroque courtculture, and the development of the discipline ofarchitecture.

Selected Contents: Introduction 1. Mathematician, Engineer,Courtier 2. The Rebirth of French Classicism I: The Académie3. The Rebirth of French Classicism II: Paris 4. Architects andMathematicians 5. Architecture versus Erudition: The Perrault-Blondel Debate Revisited 6. Reading and CollectingConclusion: Blondel’s Nachleben. AppendicesDecember 2009: 234x156: 320ppHb: 978-0-415-49199-0: £75.00

The City RehearsedObject, Architecture, and Print in the Worlds of HansVredeman de Vries

Christopher Heuer, Princeton University, New Jersey, USA

The City Rehearsed offers an entirelynew perspective on printedarchitecture in early modern Europethrough the lens of Hans Vredemande Vries. It probes the geographicalencounters of dozens of engravingswith contemporary texts onarchitecture, theatre, urbanism, artcollecting, even ethnography.

The Netherlandish polymath HansVredeman de Vries (1526-1609)devoted his entire career to the

production of imaginary architecture. Painter, architect,rhetorician, perspective theorist, festival designer, anddraughtsman, Vredeman was active in Antwerp, Amsterdam,and Prague, where he designed a mysterious body ofarchitectural prints, works which by the 17th century hadinfluenced buildings from Tallinn to Peru. IncludingScenographiae (1560), and Perspective (1604-5), Vredeman’sstrange publications were among the most widely-distributed ’Renaissance’ books on building andvision, shipped to England, Spain and even Mexico by 1600.

This book, the first sustained study of Vredeman in English,shifts the focus of inquiry to look at the active role his printsplayed in the life of urban readers outside of a narrowly-defined ’Flemish’ architectural history. This is astudy with clear interest for historians of art and the builtenvironment, and one with broader contemporaryresonances for changing definitions of ’European’ cultureand identity in the present day.

Selected Contents: Introduction: Iconoclasm’s Faces Part 1:Performances of Order 1. Unbuilt Architecture in the Worldof Things 2. Antwerp: The City Rehearsed 3. Guidebooks toChaos Part 2: Perspective and Exile 4. The Vanishing Self5. Hidden Terrors: The Perspective (1604-5) Epilogue: Vredeman de Vries and the Modern 2008: 246x174: 312ppHb: 978-0-415-43306-8: £55.00

CLASSICAL ARCHITECTURE6


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Architecture, Print Culture and the PublicSphere in Eighteenth-Century FranceRichard Wittman, University of California at SantaBarbara, USA

This book offers the first study of how architectural practice,theory, patronage, and experience became modern with therise of a mass public and a reconfigured public sphere.Depicting architecture’s passage into a mediatized publicculture as a historic turning point, and interrogating it as asymptom of a changing configuration of individual, society,and space, this study will interest readers well beyond thediscipline of architectural history.

2007: 234x156: 304ppHb: 978-0-415-77463-5: £79.99

Power and VirtueArchitecture and Intellectual Change in England 1660–1730

Shiqiao Li, Chinese University of Hong Kong

This is the first full-length study on the connections betweenEnglish architecture and intellectual change between 1660 and1730. As new ideas developed in post-Restoration Englandacross the realms of politics, culture, academia and morality, sotoo did architectural expression of these ideas. Power andVirtue articulately engages English architecture with notions ofpower and virtue in terms of empirical knowledge on the onehand and humanism and virtuosi on the other.

2006: 234x156: 256ppHb: 978-0-415-37424-8: £94.99Pb: 978-0-415-37427-9: £27.99

The PicturesqueArchitecture, Disgust and Other Irregularities

John Macarthur, University of Queensland, Australia

In this fresh and authoritative account John Macarthurpresents the 18th century idea of the picturesque – when itwas a risky term concerned with a refined taste for everydaythings, such as the hovels of the labouring poor – in thelight of its reception and effects in modern culture.

2007: 246x174: 312ppHb: 978-1-84472-141-2: £79.99Pb: 978-1-84472-011-8: £29.99

Festival ArchitectureEdited by Sarah Bonnemaison and Christine Macy,both at Dalhousie University, Canada

Festival Architecture is arranged in historical periods – fromAntiquity to the modern era – and divided between analysesof specific festivals, set in relation to contemporaryarchitecture and urban design ideas and theories.

Illustrated with a wealth of unusual and rarely-seen imagesfrom the European festival tradition, this is a fascinatingoutline of the history of festival architecture ideal forpostgraduate architecture and urban design students.

2007: 234x156: 344ppHb: 978-0-415-70128-0: £75.00Pb: 978-0-415-70129-7: £29.99eBook: 978-0-203-79950-5

The Florentine VillaArchitecture History Society

Grazia Gobbi Sica, University of Florence, Italy

Scholarly and innovative with visually stunning line drawingsand photographs, this volume provides readers with acompelling record of the unbroken pattern of reciprocal useand exchange between the countryside and the walled cityof Florence, from the 13th century up to the present day.

Selected Contents: 1. Origins and Development of the Villa2. The Ideology of Villa Life in Florentine Culture and Society3. Typological Research and Renaissance Treatises 4. TheGarden: Origin and Development 5. Villas in the 19th Century6. The Shape of the Landscape 7. The History of the Area 8. Mapping the Area. Villas in the Castello: Sesto FlorentinoArea. Appendix: Six Villas to Visit2007: 276x219: 224ppHb: 978-0-415-44397-5: £55.00eBook: 978-0-203-93925-3

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Landscapes of TasteThe Art of Humphry Repton’s Red Books

André Rogger, College of Art and Design, Lucerne,Switzerland

’Beautifully produced and both apleasure and a stimulation toread. [Landscapes of Taste] isclearly essential reading for allthose interested in Repton, thePicturesque, and gardens andlandscapes of the time and how

they were viewed.’ – Journal of the Garden HistorySociety, Spring 2008

Humphry Repton’s Red Books have long been the subject ofscholarly interest for their unique contribution to Britishlandscape discourse around 1800. Lavishly illustrated withRepton’s own watercolours, the notorious Red Bookmanuscripts were used to suggest improvements to familyestates all over England, Scotland and Wales.

Assembling a comprehensive and descriptive catalogue of123 original volumes, Landscapes of Taste: The Art ofHumphry Repton’s Red Books guides the reader through afascinating part of the rich texture and legacy of Georgianlandscape aesthetics.

Selected Contents: Acknowledgements. Foreword.Introduction Part 1: Humphry Repton in His Times Part 2: Humphry Repton’s Position in the History of EnglishGardening Part 3: The Red Book as a Genre: Form andArgument Part 4: The Red Books in Context: Sources andModels Part 5: Reading Landscape Between Drawing andTopography: Repton’s Key Principle of Appropriation Part 6: Paintings Recollected: The Fate of the Picturesque inthe Red Books Part 7: The Rule of Taste in Repton’s Work.Appendix 1: Catalogue of Humphry Repton’s 123 Red Books.Appendix 2: Transcripts of Selected Red Books. Notes.Bibliography and Sources. Index 2007: 219x276: 320ppHb: 978-0-415-41503-3: £75.00

CLASSICAL ARCHITECTURE8


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Above: Pages taken from Landscapes of Taste.


Aeolian Winds and the Spirit inRenaissance ArchitectureAcademia Eolia Revisited

Edited by Barbara Kenda, Notre Dame University,Indiana, USA

Written by scholars of internationalstature, Aeolian Winds and the Spiritin Renaissance Architecture presentsstudies of Renaissance pneumatologyexploring the relationship betweenarchitecture and the disciplines of artand science.

One of the principle goals ofRenaissance architects was toaugment the powers of pneuma soas to foster the art of well-being.Central to the study of pneumatic

architecture are six Italian villas connected together by aventilating system of caves and tunnels, including Eolia, inwhich Trento established an academic circle of scholars thatincluded Palladio, Tazzo and Ruzzante.

Picking up on current interest in environmental issues,Aeolian Winds and the Spirit in Renaissance Architecturereintroduces Renaissance perspectives on the keyrelationships in environmental issues between architectureand art and science. This beautifully illustrated andunprecedented study will illuminate the studies of anyarchitecture or Renaissance student or scholar.

2006: 234x156: 192ppHb: 978-0-415-39803-9: £96.99 US $169.95

Pb: 978-0-415-39804-6: £34.99 US $59.95

eBook: 978-0-203-96714-0

NEW

Spatial RecallMemory in Architecture and Landscape

Edited by Marc Treib, University of California atBerkeley, USA

Architecture and designedlandscapes serve as grand mnemonicdevices that record and transmit vitalaspects of culture and history. SpatialRecall casts a broad net over theconcept of memory and gives avariety of perspectives from 12internationally noted scholars,practicing designers, and artists suchas Juhani Pallasmaa, Adriaan Geuze,Susan Schwartzenberg, GeorgesDescombes and Esther da CostaMeyer.

Essays range from broad topics of message and audience tospecific ones of landscape production. Beautifully illustrated,Spatial Recall is a comprehensive view of memory in the builtenvironment, how we have read it in the past, and how wecan create it in the future.

Selected Contents: Yes, Now I Remember: An IntroductionMarc Treib Part 1: Body 1. Space, Place, Memory, andImagination: The Temporal Dimension of Existential SpaceJuhani Pallasmaa 2. Re-Creating the Past: Notes on theNeurology of Memory Susan Schwartzenberg 3. The Place ofMemory Donlyn Lyndon 4. Indelible Marker, Palimpsest, ThinAir Alice Aycock Part 2: Landscapes 5. Rivers, Meanders,and Memory Matt Kondolf 6. Displacements: Canals, Rivers,and Flows Georges Descombes 7. Land, Cows and PyramidsAdriaan Geuze 8. The Mediterranean Cemetery: Landscape asCollective Memory Luigi Latini Part 3: Buildings 9. The Placeof Place in Memory Esther da Costa Meyer 10. RememberingRuins, Ruins Remembering Marc Treib 11. The MemoryIndustry and its Discontents: The Death and Life of a KeywordAndrew Shanken 12. Mnemonic Value and HistoricPreservation Jorge Otero-PailosMay 2009: 234x156: 272ppHb: 978-0-415-77735-3: £85.00 US $140.00

Pb: 978-0-415-77736-0: £30.00 US $53.95

9CLASSICAL ARCHITECTURE LANDSCAPE ARCHITECTURE





Drawing/ThinkingConfronting an Electronic Age

Marc Treib, University of California at Berkeley, USA

This book addresses the question’Why draw?’ by examining thevarious dynamic relationshipsbetween media, process, thoughtand environment.

Highly illustrated, the book bringstogether authors from the fields ofarchitecture, landscape architectureand art and demonstrates thatdesigning through drawing isfundamentally different from

designing on a screen.

Selected Contents: 1. Paper or Plastic? Drawing Conclusions2. Thoughts on the Immediacy of Drawing 3. There’s No Way to Make a Drawing – There’s Only Drawing4. From Concept to Object: The Artistic Practice of Drawing 5. Drawing and the Feel of Sight 6. More than Wiggling theWrist (or the Mouse) 7. Architects, Drawings and Modes ofConception 8. Telling Untold Stories 9. Thinking on Paper10. Observations: Life Drawings; Digital Translations 11. Paintand Pixels 12. Graphite and Pixels 2008: 250x200: 192ppHb: 978-0-415-77560-1: £80.00 US $149.95

Pb: 978-0-415-77561-8: £30.00 US $53.95

Settings and Stray PathsWritings on Landscapes and Gardens

Marc Treib, University of California at Berkeley, USA

These collected works represent 25 years of study of thedesigned landscape which the author here takes to includegardens, cemeteries, plazas and other shared spaces. Askingessential questions about the nature of order and itsperception, this book includes in its impressive scopeanalyses of both historic and modern works with ageographical distribution that extends across Europe, Asiaand North America. With unique depth in many areas ofstudy, Treib brings his expertise to bear on a range of inter-related and mutually influential issues within thesubject, taking in an assessment of the lives andcontributions of a number of leading figures in the field, thecontents of a landscape and the meanings ascribed to it,and a theoretical formulation of the ideas from which or bywhich landscape architecture is produced.

2005: 234x156: 240ppHb: 978-0-415-70046-7: £90.00 US $150.00

Pb: 978-0-415-70047-4: £27.99 US $50.95

NEW

Overlooking the VisualDemystifying the Art of Design

Kathryn Moore, University of Central England inBirmingham, UK

Connecting the theory of design toits practice, this book encouragesrigorous debate about the artistic,conceptual, and cultural significanceof the way things look. What are themetaphysical concepts at the heartof design education, theory, andphilosophy? Why do we assume thatdesign is impossible to teach?

Overlooking the Visual challengesthe traditional foundations of designtheory and takes an imaginative,

radical approach, setting itself apart from the traditions ofanalytical philosophy, evolutionary psychology, andphenomenology which underpin much of current designdiscourse. This groundbreaking new take on design isinteresting reading for professionals and advanced studentsin the architecture and design fields as well as public policymakers. This is an innovative, fresh view on design and howwe can improve it for both practitioners and pupils.

December 2009: 234x156: 272ppHb: 978-0-415-30869-4: £90.00 US $150.00

Pb: 978-0-415-30870-0: £24.99 US $44.95

eBook: 978-0-203-16765-6

Garden HistoryPhilosophy and Design 2000 BC – 2000 AD

Tom Turner, University of Greenwich, UK

’The apt choice of quotations will provide aninvaluable reference for garden historians andillustrates that garden design is so much more thanplants and drawings ... Although this book will not fitin your pocket, put it in your suitcase as an essentialreference for serious garden expeditions.’ – HistoricGardens Review

Covering 4000 years, this beautifully illustrated book givesthe reader a thorough history of the influences on gardensand their socio-political context, from the principles ofgarden design philosophy to international modern designs.

2004: 258x249: 304ppHb: 978-0-415-31748-1: £65.00 US $110.00

Pb: 978-0-415-31749-8: £27.99 US $50.95

eBook: 978-0-203-58933-5

LANDSCAPE ARCHITECTURE10


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The Cultured LandscapeDesigning the Environment in the 21st Century

Edited by Sheila Harvey, Landscape Institute, UK andKen Fieldhouse

’An ideal starting point for an understanding of thecontemporary debates about the role which publiclandscapes now play in people’s lives ... Thephotographs are very helpful, and give a flavour ofcontemporary design and master planning issues.’– Green Places

A team of eminent practitioners and writers contribute to anassessment of the philosophy of landscape, and collectivelyform a new approach to creative design.

2005: 234x156: 208ppHb: 978-0-419-25030-2: £90.00 US $150.00

Pb: 978-0-419-25040-1: £27.99 US $50.95

eBook: 978-0-203-64225-2

The Frightened LandLand, Landscape and Politics in South Africa in theTwentieth Century

Jennifer Beningfield

An investigation into the spatialpolitics of separation and division inSouth Africa, principally during theapartheid years, and the effects ofthese physical and conceptualbarriers on the land. In contrast tothe weight of literature focusing onpost-apartheid South Africa, thefocus of this book includes thespatial, political and culturallandscape practices of the apartheidgovernment and also refers to

contemporary work done in Australia, England and the US. Itprobes the uncertainty and ambiguity of identities andcultures in post-apartheid society in order to gain a deepunderstanding of the history that individuals and societynow confront.

2006: 246x174: 352ppHb: 978-0-415-36593-2: £100.00 US $165.00

Pb: 978-0-415-36555-0: £29.99 US $53.95

eBook: 978-0-203-01691-6

NEW FOR 2010

Dictionary of EcodesignAn Illustrated Reference

Edited by Lillian Woo and Ken Yeang, Llewelyn DaviesYeang, London, UK

The first guide to the terminology ofsustainable design. Written by aninternationally renowned expert inthe field, this illustrated dictionaryprovides over 600 definitions andexplanations of ecodesign terms.

Providing a unique resource for thepractitioner and student, this bookleaves the reader free to ’dip’ in andout of the book allowing for ’bite-sized’ learning at their own

convenience. It is an essential reference for all architects,engineers, planners and environmentalists involved indesigning and planning projects and schemes in the builtenvironment.

January 2010: 246x189: 304ppHb: 978-0-415-45899-3: £40.00 US $71.95

eBook: 978-0-203-86440-1

11LANDSCAPE ARCHITECTURE ARCHITECTURAL EDUCATION


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The ACSA Architectural Education Series

The intent of the Architectural Education Series isto produce Readers for use across the curriculum inarchitecture and design programmes. Each Readerfocuses on a thematic topic and is composed ofchapters presented originally at ACSA conferencesalong with invited chapters. Both design work andtraditional scholarship are included to offer faculty,students, and professional’s resources for the studioand classroom.

Writing UrbanismA Design Reader

Edited by Douglas Kelbaugh and Kit McCullough,both at University of Michigan, USA

Urban design continues to grow asan increasingly important andexpanding field of study, researchand professional endeavour.

Distinguished by its broad scope andcomprehensiveness on the subject ofurban design, this new collectioncombines selected essays from bothpractitioners and academia.

Writing Urbanism is the ideal volumefor both students, architects and urban designers.

Foreword. Preface Part 1: Urban Process 1. Introduction 2. Observations 3. Preservation, Re-Use and Sustainability 4. Community Part 2: Urban Form 5. Introduction 6. Everyday Urbanism, Landscape Urbanism, and Infrastructure7. New Urbanism 8. Post Urbanism Part 3: Urban Society10. Introduction 11. The Public Realm 12. Globalism andLocal Identity 13. Technology2008: 246x189: 424ppHb: 978-0-415-77438-3: £80.00Pb: 978-0-415-77439-0: £26.99

The Green BraidTowards an Architecture of Ecology, Economy and Equity

Edited by Kim Tanzer, University of Florida, USA andRafael Longoria, University of Houston, Texas, USA

This volume presents the discipline’s bestthinking on sustainability in written,drawn, and built form, drawing on over15 years of peer-reviewed essays andnational design awards.

Part 1: The Green Braid: NetworkedWays of Knowing 1. The Green Braid:Networked Ways of Knowing 2. Architecture, Ecology Design andHuman Ecology 3. A New Social

Contract: Equity and Sustainable Development 4. EconomicSustainability in the Post-Industrial Landscape 5. Models, Lists andthe Evolution of Sustainable Architecture Part 2: Meta-Discoursesin Pedagogy and Practice 6. Introduction 7. Cyborg Theoriesand Situated Knowledges: Some Speculations on a CulturalApproach to Technology 8. We Are Now Here: A Social Critique ofContemporary Theory 9. The Hidden Influence of HistoricalScholarship on Design 10. Culture and the Recalibration of FirstRing Suburbs 11. Portable Construction Training Centre 12. OneWeek, Eight Hours Part 3: Phenomena and Technology 13. Introduction 14. From l’Air Exact to l’Aérateur: Ventilation andits Evolution in the Architectural Work of Le Corbusier 15. Unhealthy Energy Conservation Practices 16. Good-Bye WillisCarrier 17. The Compass House 18. Scupper Houses or theDogtrot House and the Shotgun House Reconsidered 19. AnAffordable, Sustainable House 20. Phenomenal Surface: Fog HousePart 4: Building Practices 21. Introduction 22. PoeticEngineering and Invention: Arthur Troutner, Architect, and theDevelopment of Engineered Lumber 23. Terunobu Fujimori:Working with Japan’s Small Production Facilities 24. MakingSmartwrap: From Parts to Pixels 25. Quilting with Glass, Cedar andFir: A Workshop and Studio in Rossland, BC and NavyDemonstration Project 26. Modernism Redux: A Study in Light,Surface, and Volume 27. Solar Sails: An Installation Part 5: Settlement Patterns 28. Introduction 29. Economy=Ecology: A Scenario for Chicago’s Lake Calumet 30. Sarajevo: Ecological Reconstruction after the ‘Urbicide’ 31. TheSuburban Critique at Mid-Century: A Case Study 32. I-10 The GulfCoast States/Mall Housing 33. Community Redevelopment for aSmall Town in Florida and Drifting Urbanism 34. The Role ofInfrastructure in the Production of Public Spaces for the City ofMiami Part 6: The Shared Realm 35. Introduction 36. Architectural Intervention and the Post-Colonial Era: The TjibaouCultural Center in New Caledonia by the Renzo Piano BuildingWorkshop 37. History, Tradition, and Modernity: Urbanism andCultural Change in Chanderi, India 38. Global Constructions, OrWhy Guadalajara wants a Home Depot while Los Angeles WantsConstruction Workers 39. A Raptor Enclosure for the Zuni Pueblo40. Garden of Time; Landscape of Change: Women SuffrageMemorial St. Paul, Minnesota 4 1. Unmasking Urban Traces2007: 246x189: 400ppHb: 978-0-415-41499-9: £89.99Pb: 978-0-415-41500-2: £27.99eBook: 978-0-203-96488-0

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To ScaleOne Hundred Urban Plans

Eric Jenkins, Catholic University of America,Washington DC, USA

The book contains 100 figure-ground plans from 78 citiesaround the world, describing anidentical area (half a kilometersquare) for each urban space.Accompanying each plan arephotographs, diagrams and text thatillustrate essential aspects of the planor urban space for the designer.

Selected Contents: Introduction. Amsterdam. Arras.Athens. Baltimore. Barcelona. Bath. Beijing. Bergen. Berlin.Bern. Bologna. Bordeaux. Boston. Bras’lia. Bruges. BuenosAires. Cairo. Ceske Budejovice. Chandigar. Chicago.Cincinnati. Cleveland. Copenhagen. Cuzco. Denver.Detroit. Dresden. Dublin. Dubrovnik. Edinburgh. Florence.Genoa. Indianapolis. Isfahan. Istanbul. Jerusalem. Krakow.Lisbon. London. Los Angeles. Lucca. Madrid. Mexico City.Milan. Montreal. Moscow. Nancy. New Haven. NewOrleans. New York. Oslo. Paris. Philadelphia. Portland.Prague. Rome. Saint Petersburg. Salamanca. Salzburg. SanFrancisco. Santiago. Savannah. Seattle. Seville. Siena.Stockholm. Tallinn. Telc. Tokyo. Tokyo. Torino. Trieste.Tunis. Vancouver. Venezia. Verona. Vienna. Vigevana.Washington2007: 250x250: 240ppHb: 978-0-415-95400-6: £90.00 US $150.00

Pb: 978-0-415-95401-3: £27.99 US $50.95

13URBAN DESIGN


Above: Pages taken from To Scale.


NEW

Making the Metropolitan LandscapeStanding Firm on Middle Ground

Edited by Jacqueline Tatom, Washington University, St. Louis, USA and Jennifer Stauber, Trivers Associates,St. Louis, USA

The American landscape is anextremely complex terrain born froma history of collective and individualexperiences. These createdenvironments, which all may becalled metropolitan landscapes,constantly challenge students andprofessionals in the fields ofarchitecture, design and planning toconsider new ways of making livelypublic places. This book bringstogether varied voices in urban

design theory and practice to explore new ways ofunderstanding place and our position in it.

Selected Contents: Introduction Jacqueline Tatom. PhotoEssay: Identity in the Middle Ground Part 1: Towards aMetropolitan Landscape: Interpreting American Cities Part 2:Towards a Metropolitan Urbanism – Democratic Aspirations,American Pragmatism and Design Practice Part 3: Making theMetropolitan Landscape: Action Through Practice Part 4:Programs for a Metropolitan LandscapeApril 2009: 246x174: 256ppHb: 978-0-415-77410-9: £85.00 US $140.00

Pb: 978-0-415-77411-6: £27.99 US $49.95

Sitte, Hegemann and the MetropolisModern Civic Art and International Exchanges

Edited by Charles Bohl and Jean-François Lejeune,both at University of Miami, USA

These essays, from leading names inthe field, weave together theparallels and differences betweenthe past and present of civic art.Offering prospects for the firstdecades of the 21st century, theauthors open up a broadinternational dialogue on civic art,which relates historical practice tothe contemporary meaning of civicart and its application to community

building within today’s multi-cultural modern cities.

2008: 246x189: 336ppHb: 978-0-415-42406-6: £85.00 US $150.00

Pb: 978-0-415-42407-3: £30.00 US $53.95

Intimate MetropolisUrban Subjects in the Modern City

Edited by Vittoria Di Palma, Columbia University, USA,Diana Periton, Mackintosh School of Architecture, GlasgowSchool of Art, UK and Marina Lathouri, ArchitecturalAssociation School of Architecture, London, UK

Intimate Metropolis exploresconnections between the moderncity, its architecture, and its citizens,by questioning traditionalconceptualizations of public andprivate.

Providing authoritative newperspectives on individual citizenshipas it relates to both public andprivate space, in-depth case studiesof major European, American andother world cities, and written by an

international set of contributors, this volume is key readingfor all students of architecture.

2008: 234x156: 288ppHb: 978-0-415-41506-4: £90.00 US $150.00

Pb: 978-0-415-41507-1: £29.99 US $53.95

2ND EDITION

Architecture, Power and National IdentityLawrence Vale, Massachusetts Institute of Technology, USA

The first edition of Architecture,Power, and National Identity,published in 1992, has become aclassic, winning the prestigious SpiroKostof award for the best book inarchitecture and urbanism. LawrenceVale has fully updated the book,which focuses on the relationshipbetween the design of nationalcapitals across the world and theformation of national identity inmodernity. Tied to this, it explains the

role that architecture and planning play in the forcefulassertion of state power. The book is truly international inscope, looking at capital cities in the United States, India,Brazil, Sri Lanka, Kuwait, Bangladesh, and Papua New Guinea.

2008: 246x174: 400ppHb: 978-0-415-95514-0: £84.99 US $149.95

Pb: 978-0-415-95515-7: £24.99 US $44.95

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Cinematic UrbanismA History of the Modern from Reel to Real

Nezar AlSayyad

The city and the cinema havebecome inextricably intertwined overthe last century, with the identitiesof places becoming bound up intheir cinematic portrayals. We haveseen the landmarks of New York,London and Tokyo turn into iconicsymbols of wealth, power, status,style and culture, and for themajority of people the images andsounds of movies form the only

experience they will ever have of distant cities.

Cinematic Urbanism presents an urban history of modernityand postmodernity through the lens of cinema. AlSayyadtraces the dissolution of the boundary between real and reelthrough time and space via a series of films that representdifferent modernities.

2006: 246x174: 256ppHb: 978-0-415-70048-1: £89.99 US $154.95

Pb: 978-0-415-70049-8: £29.99 US $54.95

Heterotopia and the CityPublic Space in a Postcivil Society

Edited by Michiel Dehaene, Eindhoven University ofTechnology, the Netherlands and Lieven De Cauter,Katholiek Universitat, Leuven, Belgium

Heterotopia, literally meaning ‘otherplace’, is a rich concept in urban designthat describes a space that is on themargins of ordered or civil society, andone that possesses multiple,fragmented or even incompatiblemeanings. The term has had an impacton architectural and urban theory sinceit was coined by Foucault in the late1960s but it has remained a source ofconfusion and debate since.Heterotopia and the City seeks toclarify this concept and investigates the

heterotopias which exist throughout our contemporary world: inmuseums, theme parks, malls, holiday resorts, gatedcommunities, wellness hotels and festival markets.

Selected Contents: Part 1: Heterotopology: ‘A Science in theMaking’ Part 2: Heterotopia Revisited Part 3: The Mall asAgora: The Agora as Mall Part 4: Dwelling in a PostcivilSociety Part 5: Terrains Vagues: Transgression and UrbanActivism Part 6: Heterotopia in the Splintering MetropolisPart 7: Heterotopia After the Polis2008: 234x156: 360ppHb: 978-0-415-42288-8: £75.00 US $125.00

eBook: 978-0-203-08941-5

NEW2ND EDITION

Becoming PlacesUrbanism / Architecture / Identity / Power

Kim Dovey, Melbourne University, Australia

About the practices and politics ofplace and identity formation – theslippery ways in which who we arebecomes wrapped up with wherewe are – this book exposes therelations of place to power. It linkseveryday aspects of place experienceto the social theories of Deleuze andBourdieu in a very readable manner.This is a book that takes the socialcritique of built form another stepthrough detailed fieldwork and

analysis in particular case studies.

Through a broad range of case studies from nationalistmonuments and new urbanist suburbs to urban lanewaysand avant garde interiors, questions are explored such as:What is neighbourhood character? How do squattersettlements work and does it matter what they look like?Can architecture liberate? How do monuments and publicspaces shape or stabilize national identity?

Selected Contents: Part 1: Ideas 1. Making Sense of Place2. Place as Assemblage 3. Silent Complicities 4. Limits ofCritical Architecture Part 2: Places 5. Slippery Characters:Defending and Creating Place Identities (with Ian Woodcockand Stephen Wood) 6. Becoming Prosperous: InformalUrbanism in Yogyakarta (with Wiryono Rhajo) 7. UrbanisingArchitecture: Koolhaas and Spatial Segmentarity 8. OpenCourt: Transparency and Legitimation in the Courthouse 9. Safety Becomes Danger: Drug-Use in Public Space (withJohn Fitzgerald) 10. New Orders: Monas and Merdeka Square(with Eka Permanasari) 11. Urban Slippage: Smooth andStriated Streetscapes in Bangkok (with Kasama Polakit)July 2009: 246x174: 204ppHb: 978-0-415-41636-4: £80.00 US $130.00

Pb: 978-0-415-41637-5: £26.00 US $46.95

eBook: 978-0-203-87500-1

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Architext Series

Series Editors: Anthony D. King and Thomas A. Markus

NEW

Re-Shaping CitiesHow Global Mobility Transforms Architecture andUrban Form

Michael Guggenheim, University of Zurich, Switzerlandand Ola Sôderstrôm, University of Neuchatel, Switzerland

This original collection examines howarchitectural ideas, social models andbuilding forms circulate around theworld and become mediated andadapted to local conditions. Thebook shows how types such asskyscrapers, mosques or livinghistory museums are imported,adapted and contested in differentsocieties and how urban landscapesare reshaped by the globalcirculation of models drawn fromelsewhere.

Written by scholars from different disciplinary backgrounds – architecture, anthropology, geography, linguistics, sciencestudies and sociology – the book draws its inspiration from aseries of different approaches and offers both originaltheoretical reflection and carefully crafted case-studies.

Selected Contents: Part 1: Travelling Cities1. Introduction: Mobility and the Transformation of Built Form 2. Notes Towards a Global Historical Sociology of BuildingTypes Part 2: Mediations and Mediators 3. Travelling Typesand the Law: Minarets, Caravans and Suicide Hospices 4. TheHigh-Rise Office Tower as a Global ’Type’: Exploring theArchitectural World of Getty Images and Co. Part 3: Circulating Types 5. Factories, Office Suites, Defunctand Marginal Spaces: Mosques in Stuttgart, Germany 6. Dakshina Chitra: Translating the Open-Air Museum inSouthern India 7. Tropicalising Technologies of Environmentand Government: The Singapore General Hospital and theCirculation of the Pavilion Plan Hospital in the British Empire,1860-1930 8. International Models, Regional Politics and theArchitecture of Psychiatric Institutions in the Austro-HungarianMonarchy Part 4: Shaping Places 9. Trajectories ofLanguage: Orders of Indexical Meaning in Washington, DC’sChinatown 10. Forms and Flows in the ContemporaryTransformations of Palermo’s City Centre 11. Building Stone inManchester: Networks of Materiality, Circulating Matter andthe Ongoing Constitution of the City 12. Conclusion: SeeingThrough: Types and the Making and Unmaking of the WorldDecember 2009: 246x174: 256ppHb: 978-0-415-49290-4: £85.00Pb: 978-0-415-49291-1: £29.99

NEW

Moderns AbroadArchitecture, Cities and Italian Imperialism

Mia Fuller

‘The immense value of this book[is] as a comprehensive catalogueof Italian colonial construction,augmented by the author’snuanced analysis of Italianpolitics, society, thought, andperception in the first half of thetwentieth century.’ – Journal ofthe Society of ArchitecturalHistorians

‘This beautifully nuanced andfinely illustrated work represents

a major contribution to the scholarship of Italiancolonial history; at the same time, its richinterdisciplinary framework offers a model of researchpractice of much broader import.’ – Modern Italy

Moderns Abroad is the first book to present an overview ofItalian colonial architecture and city planning. In chroniclingItalian architects’ attempts to define a distinctly Italiancolonial architecture that would set Italy apart from Britainand France, it provides a uniquely comparative study ofItalian colonialism and architecture that will be of interest tospecialists in modern architecture, colonial studies, andItalian studies alike.

Selected Contents: Part 1: Contexts 1. History: 1869 –1943 2. Geographies 3. The Colonial Built EnvironmentUntheorized, 1880s – 1920s Part 2: Theories 4. ModernItalian Architecture, 1910s – 1930s 5. Colonial Modern,1920s – 1940s 6. Imperial Urbanism, 1936 – 1937 Part 3: Practices 7. The Italian Colonial City: Tripoli 8. Islandsof Ethnicity: Planned Agricultural Settlements 9. The ImperialCity: Addis Ababa. EpilogueOctober 2009: 246x174: 288ppHb: 978-0-415-19463-1: £64.99Pb: 978-0-415-77985-2: £29.99eBook: 978-0-203-96886-4

WINNER OF 2008IPHS AWARD

ARCHITECTURAL HISTORY16


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Visualizing the CityEdited by Alan Marcus, University of Aberdeen, UK andDietrich Neumann, Brown University, Rhode Island, USA

‘Astonishing in its quality.’ –Focus on German Studies

This anthology presents a range ofinterdisciplinary explorations into theurban environment, through film,photography, digital imagery, mapsand signage.

2008: 246x174: 264ppHb: 978-0-415-41970-3: £75.00Pb: 978-0-415-41971-0: £29.99

2ND EDITION

Framing PlacesMediating Power in Built Form

Kim Dovey, Melbourne University, Australia

’Dovey has produced a mostuseful and incisive analysis ofmeaning in built form, of howplaces and buildings can beappropriated as tools of eitheroppression or emancipation ...Challenging and thought-provoking in equalmeasures.’ – Environment andPlanning B: Planning and Design2000 Vol 27, June 2000

Explored through a range of theoriesand case studies, this account shows how our lives are’framed’ within the clusters of rooms, buildings, streets, andcities we inhabit.

2008: 246x174: 256ppHb: 978-0-415-41634-4: £75.00Pb: 978-0-415-41635-1: £26.00

Indigenous ModernitiesNegotiating Architecture and Urbanism

Jyoti Hosagrahar

’[An] intelligent, well-organized,and well-illustratedinvestigation.’ – The ArchitecturalReview

’I was immediately captivated ...A beautifully written book ... andsome fine illustrations.’ – UrbanDesign

Challenging conventional andWestern approaches to Urbanism,this book examines the case of Delhiand how it has evolved from a

traditional to a modern city, whilst asking what these termsmean in the context of the built environment.

2005: 246x174: 256ppHb: 978-0-415-32375-8: £89.99Pb: 978-0-415-32376-5: £29.99eBook: 978-0-203-02273-3

Colonial ModernitiesBuilding, Dwelling and Architecture in British Indiaand Ceylon

Peter Scriver and Vikramaditya Prakash

’From vernacular to monumentalarchitecture, numerous examplesof legacies of colonial practicesare found throughout South Asiaand this book takes the firststeps toward introducing theirideological underpinnings,theorizing and narrating theminto a particular intellectualspace.’ – Cities

International experts present anillustrated collection of essays

exploring the societal impact of colonial architecture andengineering on the colonized and the colonizers.

2007: 246x174: 294ppHb: 978-0-415-39908-1: £90.99Pb: 978-0-415-39909-8: £29.99eBook: 978-0-203-96426-2

WINNER OF 2006IPHS AWARD

17ARCHITECTURAL HISTORY






Desire LinesSpace, Memory and Identity in the Post-ApartheidCity

Noëleen Murray, Nick Shepherd and Martin Hall

Ground-breaking multi-disciplinarystudy of heritage practice in SouthAfrica from native practitioners andscholars following theimplementation of the NationalHeritage Resources Act.

2007: 246x174: 328ppHb: 978-0-415-70130-3: £89.99Pb: 978-0-415-70131-0: £29.99eBook: 978-0-203-79949-9

NEW FOR 2010

Bauhaus Dream-HouseModernity and Globalization

Katerina Rüedi-Ray, Bowling Green State University,Ohio, USA

April 2010: 246x174: 192ppHb: 978-0-415-47581-5: £80.00Pb: 978-0-415-47582-2: £27.50

NEW

Bauhaus ConstructFashioning Identity, Discourse and Modernism

Edited by Jeffrey Saletnik, Columbia University, USAand Robin Schuldenfrei, University of Illinois atChicago, USA and Humboldt University, Berlin

Reconsidering the status andmeaning of Bauhaus objects inrelation to the multiple re-tellings ofthe school’s history, this bookaddresses connections between textand object, protagonist and object,collective identity and object, andother relationships key to the historyof the Bauhaus.

Divided into 3 parts: Agents,Transference and Object Identity, thisbook features contributions fromsome of the most brilliant scholars

writing in the field today. It offers an entirely new treatmentof the Bauhaus school and through a strong thematicstructure, the questions and subsequent conclusionspresented by the contributors re-examine the history of theBauhaus and its continuing legacy. Essential reading foranyone studying the Bauhaus.

Selected Contents: Introduction Jeffrey Saletnik and RobinSchuldenfrei Part 1: Agents Part 2: Transference Part 3:Object Identity. Coda Alina PayneSeptember 2009: 234x156: 304ppHb: 978-0-415-77835-0: £85.00 US $140.00

Pb: 978-0-415-77836-7: £29.99 US $49.95

eBook: 978-0-203-86867-6

Mediating ModernismArchitectural Cultures in Britain

Andrew Higgott2006: 246x171: 224ppHb: 978-0-415-40178-4: £84.99 US $154.95

Pb: 978-0-415-40177-7: £34.99 US $64.95

eBook: 978-0-203-96898-7

Re-Forming BritainNarratives of Modernity before Reconstruction

Elizabeth Darling2006: 234x156: 288ppHb: 978-0-415-33407-5: £84.99 US $145.95

Pb: 978-0-415-33408-2: £29.99 US $54.95

eBook: 978-0-203-41462-0



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Beyond ArchigramThe Structure of Circulation

Hadas A. Steiner, University at Buffalo, State Universityof New York, USA

Beyond Archigram is the first studyof the prehistory of digitalrepresentation to focus on themagazine Archigram, the magazinepublished in London irregularlybetween 1961 and 1970 and thename of the group that created it.Archigram is among the mostsignificant phenomena to emerge inpost-war architectural culture. Thewired environments first advertised

on its pages formulated an architectural vocabulary ofmetamorphosis and obsolescence that cross-pollinatedindustrial and digital technology at the same time ascomplex systems were becoming commercially available.

Through archival, theoretical and visual analysis, HadasSteiner explores the process through which this model wasenvisaged and disseminated within an international networkof practitioners and shows how the assimilation ofArchigram imagery set the course for the visual output ofwhat are now commonplace tools in architectural practice.This book will provide a foundation for further inquiry intothe integration of digital technology at every level of design.

Selected Contents: Preface Part 1: The ArchigramNetwork 1. The Image of Change 2. Modern Architecture inEngland 3. City Synthesis Part 2: Bathrooms, Bubbles andSystems 4. Bathrooms 5. Bubbles 6. Systems 7. TheTechnological Picturesque2008: 210x178: 272ppPb: 978-0-415-39477-2: £24.99 US $43.95

Form Follows FunModernism and Modernity in British PleasureArchitecture 1925–1940

Bruce Peter, Glasgow School of Art, UK2007: 246x189: 224ppHb: 978-0-415-42818-7: £84.99 US $164.95

Pb: 978-0-415-42819-4: £35.00 US $64.95

NEW FOR 2010

EngineersA Study of Structural Design

Matthew Wells, Techniker, London, UKJanuary 2010: 246x174: 176ppHb: 978-0-415-32525-7: £65.00 US $113.75

Pb: 978-0-415-32526-4: £22.50 US $39.38

Le Corbusier and BritainAn Anthology

Irena Murray, Julian Osley, both at Royal Institute ofBritish Architects, London, UK

Introduction by Alan Powers

Le Corbusier (1887-1965) is arguablythe most influential architect of the20th century. Despite the fact thathe designed no permanent buildingsin the United Kingdom, more thanany other individual he wasresponsible for shaping British post-war architecture.

Le Corbusier and Britain traces thegrowing awareness of work by thisvisionary figure in contemporary

architecture journals and the popular press. Contributions bysuch prominent architects and critics as Edwin Lutyens,Herbert Read, Evelyn Waugh, Peter Smithson, Jane Drew,Basil Spence and Christopher Booker are accompanied by150 illustrations, together with writings and drawings by LeCorbusier himself.

Also featuring the most comprehensive bibliography ofBritish writings by and about Le Corbusier ever published,this book is an invaluable addition to the study ofarchitecture.

2008: 276x219: 360ppHb: 978-0-415-47994-3: £34.99 US $62.95



Above: Pages taken from Le Corbusier and Britain.





NEW

James StirlingEarly Unpublished Writings on Architecture

Edited by Mark Crinson, Manchester University, UK

James Stirling (1924-1992) was,arguably, the most influential andcontroversial post-war Britisharchitect. Stirling’s reputation isbased primarily on such seminalbuildings as the Leicester UniversityEngineering Building (1959-63, withJames Gowan), at one end of hiscareer, and the Neue StaatsgalerieStuttgart (1977-83, with MichaelWilford) at the other. Although hedenied both labels, his work is seen

as central to New Brutalism and Post-Modernism and hisbuildings attracted commentary and theory from the leadingarchitectural thinkers of the day (including Frampton, Tafuri,Eisenman and Banham). Despite his significance, however,there has been very little recent research or creative re-interpretation of his work.

This fascinating insight into Stirling’s work presentspreviously unavailable writings by him as well as newresearch on his early career, including:

•’The Black Notebook’ – the journal he kept in the mid-1950s

•the recorded talk he gave to the ’Team 10’ group in 1962, as well as the discussion that followed that talk

•three sets of notes for lectures he gave

•an interview with Stirling and Gowan

•essays by the editor placing the texts in the context of Stirling’s early work and discussing Stirling’s relation to Le Corbusier.

September 2009: 234x156: 160ppHb: 978-0-415-55058-1: £80.00 US $130.00

Pb: 978-0-415-55059-8: £24.99 US $44.95

NEW

P.V. Jensen-KlintThomas Bo Jensen, Royal Danish Academy of Fine Arts,Copenhagen, Denmark

Peder Vilhelm Jensen-Klint (1853-1930) is one of the most importantbackground figures for 20th centuryDanish architecture and design. Hisserious and profoundly reflectiveapproach to his work instilledcourage in a new generation ofarchitects that wanted to work in anidiom for their own age, withoutadding any superfluous decorationfrom the past.

Selected Contents: Foreword 1. Toward Architecture 2. The Poet, the Educator and theCastigator 3. Introversive Buildings 4. Buildings with Faces 5. Memory’s Knot 6. Captivated bythe Idea of the Church 7. The Dream of the Flawless Church8. The Grundvtig Church 9. Competition Projects 10. LastWork 11. Furniture, Graphics, Stone. Biography. List ofWorksMay 2009: 279x211: 504ppHb: 978-0-415-55318-6: £75.00 US $125.00



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Above: Pages taken from P.V. Jensen-Klint.

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Rem Koolhaas / OMARoberto Gargiani, Federal Institute of Technology,Lausanne (EPFL), Switzerland

In this book, the projects, buildings andtheories of Koolhaas, as well as theother members of the Office forMetropolitan Architecture, areexamined in chronological andthematic sequence, beginning with theperiod of Koolhaas’ education at theArchitectural Association School ofArchitecture of London in the culturalcontext of the neo-avant-gardes at theend of the 1960’s and at the beginningof the 1970’s.

Selected Contents: Part 1: Experimentation of the Paranoiac-Critic Method Part 2: New Sobriety Against thePost-Modern and Contextualism Part 3: The Century of theMerveilles Part 4: S,M,L,XL, 1995. ’Typical Plan’, ’Bigness’,’Last Apples’, ’Generic City’: Principles for a Theory ofArchitecture Part 5: Generic Volume, Informal PolyhydricSolids and Functional Diagrams 2008: 246x174: 352ppHb: 978-0-415-46145-0: £45.00 US $82.95

Nordic Architects WriteA Documentary Anthology

Edited by Michael Asgaard Andersen, Royal DanishAcademy of Fine Arts, Denmark

This anthology gathers together forthe first time the most influentialarchitectural texts from the Nordiccountries: Denmark, Finland,Norway, and Sweden. Many of thetexts appear for the first time inEnglish, making them available to aworldwide readership.

These texts were written between1920 and 2007 by architects wholived and worked in the Nordiccountries. The book is structured in

sections by country with supportive introductions by regionalexperts. The reader can seek out common themes of space,place, materials, etc across nations or approach the materialchronologically.

2008: 246x174: 432ppHb: 978-0-415-46351-5: £80.00 US $149.95

Pb: 978-0-415-46352-2: £30.00 US $53.95

NEW

Walter Benjamin and ArchitectureEdited by Gevork Hartoonian, University of Canberra,Australia

Drawing from Walter Benjamin’s ideas, the essays compiledin this book contribute to a critical understanding ofcontemporary architectural theories.

Selected Contents: 1. Introduction Gevork Hartoonian 2.Tafuri and the Age of Historical Representation Andrew Leach3. Looking Backward, Looking Forward: Delightful DelaysGevork Hartoonian 4. Porosity at the Edge: Working throughWalter Benjamin’s ‘Naples’ Andrew Benjamin 5. FromBaldwin’s Paris to Benjamin’s: The Architectonics of Race andSexuality in Giovanni’s Room Magdalena J. Zaborowska 6.Architecture Under the Gaze of Photography: Benjamin’sActuality and Consequences Nadir Lahiji 7. The Art of War:Mario Sironi and the Exhibition of the Fascist Revolution LiberoAndreotti 8. Mimesis Neil Leach 9. Daniel Among thePhilosophers: The Jewish Museum, Berlin, and ArchitectureAfter Auschwitz Terry Smith 10. Port Bou and Two Grains ofWheat: In Remembrance of Walter Benjamin Renee TobeOctober 2009: 246x174: 192ppHb: 978-0-415-48292-9: £75.00 US $125.00

eBook: 978-0-203-86592-7



Above: Pages taken from the Rem Koolhaas / OMA.




Cedric Price: Potteries ThinkbeltSupercrit #1

Kester Rattenbury and Samantha Hardingham

The Supercrit series revisits some ofthe most influential architecturalprojects of the recent past andexamines their impact on the waywe think and design today. Based onlive studio debates betweenprotagonists and critics, the booksdescribe, explore and criticize thesemajor projects.

This first book in the unprecedentedseries examines Cedric Price’sgroundbreaking Potteries Thinkbelt

project from the 1960s, an innovative high-tech educationalfacility in the North Staffordshire Potteries. Highly illustratedand with contemporary criticism, this is a book not to bemissed!

In Cedric Price: Potteries Thinkbelt you can hear thearchitect’s project definition, see the drawings and join in thecrit. This innovative and compelling book is an invaluableresource for any architecture student.

2008: 297x210: 138ppHb: 978-0-415-43411-9: £84.99 US $149.95

Pb: 978-0-415-43412-6: £26.00 US $49.95

Robert Venturi and Denise ScottBrown: Learning from Las VegasSupercrit #2

Kester Rattenbury and Samantha Hardingham

This second book in theunprecedented series examinesRobert Venturi and Denise ScottBrown’s infamous book whichoverturned the barriers separatinghigh architecture from thecommercial architecture of the Strip.

In Robert Venturi and Denise ScottBrown: Learning from Las Vegas youcan hear the couple’s projectdescription, see the drawings andjoin in the crit. This innovative and

compelling book is an invaluable resource for anyarchitecture student.

Selected Contents: Project Data. Introduction to Project.Architect’s Own Project Definition. Contemporary Criticism.Section of Drawings. Supercrit Transcript. Crit Sheets andCritics Comments. Selected and Edited Press Reviews.Author’s Own Project Review. Further Reading2007: 297x210: 160ppHb: 978-0-415-43413-3: £84.99 US $149.95

Pb: 978-0-415-43414-0: £26.00 US $49.95



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Above: Pages taken from Cedric Price: Potteries Thinkbelt.Above: Pages taken from Robert Venturi and DeniseScott Brown: Learning from Las Vegas.




NEW

Brunelleschi, Lacan, Le CorbusierArchitecture, Space and the Construction ofSubjectivity

Lorens Holm, Dundee University, UK

This well-argued, analytic textprovides a greater understanding ofspatial issues in the field ofarchitecture. Re-interpreting the 15thcentury demonstration ofperspective, Lorens Holm puts it inrelation to today’s theories ofsubjectivity and elaborates for thefirst time the theoretical linkbetween architecture andpsychoanalysis.

Divided into three sections,Brunelleschi, Lacan, Le Corbusier

argues that perspective remains the primary and mostsatisfying way of representing form, because it is theparadigmatic form of spatial consciousness. Well-illustratedwith over 100 images, this compelling book is a valuablestudy of this key aspect of architectural study and practice,making it an essential read for architects in their 1st year ortheir 50th.

November 2009: 246x174: 344ppHb: 978-0-415-41968-0: £90.00 US $150.00

Pb: 978-0-415-41969-7: £29.99 US $53.95

Disclosing HorizonsArchitecture, Perspective and Redemptive Space

Nicholas Temple

This study examines the influence of perspective onarchitecture, highlighting how critical historical changes inthe representation and perception of space continue toinform the way architects design.

Since its earliest developments, perspective was conceived asan exemplary form of representation that served as an idealmodel of how everyday existence could be measured andultimately judged. Temple argues that underlying thesymbolic and epistemological meanings of perspective thereprevails a deeply embedded redemptive view of the worldthat is deemed perfectible.

Temple explores this idea through a genealogicalinvestigation of the cultural and philosophical contexts ofperspective throughout history, highlighting how thesedevelopments influenced architectural thought. This broadhistorical enquiry is accompanied by a series of case-studiesof modern or contemporary buildings, each demonstrating aparticular affinity with the accompanying historical model ofperspective.

2006: 234x156: 320ppHb: 978-0-415-41653-5: £89.99 US $149.95

Pb: 978-0-415-28357-1: £34.99 US $64.95

eBook: 978-0-203-96810-9

Perspective, Projections and DesignTechnologies of Architectural Representation

Edited by Mario Carpo, Ecole d’architecture de Paris-LaVillette, Paris, France and Frédérique Lemerle,University François-Rabelais, Tours, France

This book discusses various aspects of image-makingtechnologies, geometrical knowledge, and tools forarchitectural design, focusing in particular on historicalperiods marked by comparable patterns of technological andcultural change.

2007: 246x189: 208ppHb: 978-0-415-40204-0: £89.99 US $170.00

Pb: 978-0-415-40206-4: £35.99 US $64.95



Above: Pages taken from Brunelleschi, Lacan, Le Corbusier.




NEW FOR 2010

Material and Meaning inContemporary Japanese ArchitectureTradition and Today

Dana Buntrock, University of California, USA

In this beautiful and perceptivebook, Dana Buntrock examines, forthe first time, how tradition isincorporated into contemporaryJapanese architecture. Looking at thework of 5 architects – FumihikoMaki, Terunobu Fujimori, RyojiSuzuki, Kengo Kuma, and Jun Aoki –Buntrock reveals the aims influencingmany wonderful works barely knownin the West; the sensual side of

Japanese architecture borne out of approaches often lessconcerned with professionalism than with people and place.

The buildings described in this book illustrate an architecturethat embraces uniqueness, expressing unusual stories in therough outlines of rammed earth and rust, anddemonstrating new paths opening up for architecturalpractice today.

January 2010: 276x219: 288ppHb: 978-0-415-77890-1: £85.00 US $140.00

Pb: 978-0-415-77891-6: £34.99 US $62.95

NEW

Nothingness: Tadao Ando’s ChristianSacred SpaceJin Baek, Pennsylvania State University, USA

Based round an interview with TadaoAndo, this book explores theinfluence of the Buddhist concept ofnothingness on Ando’s Christianarchitecture, and sheds new light onthe cultural significance of thebuildings of one the world’s leadingcontemporary architects.

Specifically, this book situates Ando’schurches, particularly his world-renowned Church of the Light

(1989), within the legacy of nothingness expounded byKitaro Nishida (1870–1945), the father of the KyotoPhilosophical School.

Linking Ando’s Christian architecture with a philosophyoriginating in Mahayana Buddhism illuminates therelationship between the two religious systems, as well astying Ando’s architecture to the influence of Nishida on post-war Japanese art and culture.

June 2009: 246x189: 224ppHb: 978-0-415-47853-3: £85.00 US $140.00

Pb: 978-0-415-47854-0: £29.99 US $53.95

eBook: 978-0-203-64281-8



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Above: Pages taken from Material and Meaning in ContemporaryJapanese Architecture.

Above: Pages taken from Nothingness: TadaoAndo’s Christian Sacred Space.





Architecture of Modern ChinaA Historical Critique

Jianfei Zhu, University of Melbourne, Australia

A collection of essays on architectureof modern China, arrangedchronologically covering a periodfrom 1729 to 2008, focusing mainlyon the 20th century. The distinctivefeature of this book is a blending of‘critical’ and ‘historical’ research,taking a long-range perspectivetranscending the current scene andthe Maoist period. This is a short,elegant book that condenses thewide subject matter into key topics.

Selected Contents: 1. Modern Chinese Architecture 2. Perspective as Symbolic Form: Beijing, 1729-35 3. TheArchitect and a Nationalist Project: Nanjing, 1925-37 4. ASpatial Revolution: Beijing, 1949-59 5. The 1980s and 90s:Liberalization 6. Criticality in between China and the West,1996-2004 7. A Global Site and a Different Criticality 8. Beijing, 2008: A History 9. Geometries of Life andFormlessness 10. Twenty Plateaus, 1910s-2010s 2008: 246x174: 336ppHb: 978-0-415-45780-4: £85.00 US $150.00

Pb: 978-0-415-45781-1: £34.99 US $62.95

NEW

Architecture, Ethics and GlobalizationEdited by Graham Owen, Tulane School ofArchitecture, New Orleans, USA

Bridging the gap betweenarchitectural theory and professionalpractice studies, this book offerscritical inquiry into the shiftingground of ethical thought in thechanging climate of the globaleconomy. Looking at issues ofcontemporary significance toarchitectural critics, practitioners,educators, and students, the bookalso examines the role of thearchitectural academy in providingan education in ethical judgement.

Including transcripts of responses and discussions among itscontributors, a broad interdisciplinary set of perspectives aredebated and often controversial points of view are putforward.

May 2009: 234x156: 256ppHb: 978-0-415-32373-4: £85.00 US $140.00

Pb: 978-0-415-32374-1: £29.99 US $53.95

eBook: 978-0-203-35677-7

NEW

Architecture, Participation and SocietyEdited by Paul Jenkins, Heriot-Watt University,Edinburgh, UK and Leslie Forsyth, Edinburgh Collegeof Art, UK

How can architects best increasetheir engagement with buildingusers and wider society to providebetter architecture?

Since the mid 1990s governmentpolicy has promoted the idea ofgreater social participation in theproduction and management of thebuilt environment but there hasbeen limited direction to thepractising architect.

Reviewing international cases andpast experiences to analyze what lessons have been learnt,this book argues for participation within other relateddisciplines, and makes a set of recommendations forarchitectural practices and other key actors.

September 2009: 234x156: 240ppHb: 978-0-415-54723-9: £85.00 US $140.00

Pb: 978-0-415-54724-6: £29.99 US $53.95

eBook: 978-0-203-86949-9

NEW FOR 2010

Quality Out of ControlStandards for Measuring Architecture

Edited by Allison Dutoit, Juliet Odgers and Adam Sharr, all at The Welsh School of Architecture,Cardiff University, UK

There is widespread disagreementabout what quality in architectureis, and how it can be measuredand achieved. This book exploresissues of quality in terms ofappreciation, production, beliefand value. It will help architectsand others understandarchitectural quality and considerits measurement.

January 2010: 234x156: 240ppHb: 978-0-415-55365-0: £90.00 US $150.00

Pb: 978-0-415-55366-7: £29.99 US $53.95

eBook: 978-0-203-86184-4







Architecture and the ’Special Relationship’The American Influence on Post-War BritishArchitecture

Murray Fraser, University of Westminster, UK and Joe Kerr, Royal College of Art, UK

Focusing upon architecture, this textinvestigates the economic andpolitical impact for Britain of the post-war Anglo-American ’specialrelationship’, providing an incisive andinnovative re-analysis of the usualthemes of post-colonial studies.

2007: 276x219: 608ppHb: 978-0-419-20910-2: £55.00 US $100.00

Critiques: Critical Studies inArchitectural Humanities

Series Editor: Jonathan Hale

This original series of books publishes editedcollections of the best papers presented at the AHRAAnnual International Conference. Each year the eventhas its own thematic focus, while also being linkedby a shared preoccupation with new and emergingcritical research in the areas of architectural history,theory, culture, design and urbanism.

NEW

Curating Architecture and the CityEdited by Sarah Chaplin, University of Greenwich, London,UK and Alexandra Stara, Kingston University, UK

Addressing the collection,representation and exhibition ofarchitecture and the builtenvironment, this book explorescurrent practices, historicalprecedents, theoretical issues andfuture possibilities arising from themeeting of a curatorial ‘subject’ andan architectural ‘object’.

Striking a balance betweentheoretical investigations and casestudies, the chapters cover a broad

methodological as well as thematic range. Examining theinfluential role of architectural exhibitions, the contributorsalso look at curatorship as an emerging attitude towards theinvestigation and interpretation of the city. International inscope, this collection investigates curation, architecture andthe city across the world, opening up new possibilities forexploring the urban fabric.

April 2009: 246x174: 272ppHb: 978-0-415-48982-9: £85.00Pb: 978-0-415-48983-6: £29.99eBook: 978-0-203-87638-1

WINNER OF RIBA PRESIDENTS AWARD FORUNIVERSITY LOCATED RESEARCH 2008

ARCHITECTURAL HISTORY ARCHITECTURAL THEORY26


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NEW

Agency: Working With UncertainArchitecturesEdited by Florrian Kossak, Doina Petrescu, TatjanaSchneider, Renata Tyszczuk and Stephen Walker, allat University of Sheffield, UK

While the potential of agency is most frequently taken to bethe power and freedom to act for oneself, for thearchitectural community this also involves the power andresponsibility to act as intermediaries on behalf of others.

Presenting current thinking from practitioners and scholarsfrom around the world, this book asks for a more activerelationship between the humanities, the architecturalprofession, and society. Considering issues of architecturalresearch as an agency of transformation, this book seeks toexplore how humanities research can better contributetowards understanding current architectural needs.

Selected Contents: Introduction: The Agency On AgencyPart 1: Intervene 1. Direct Action in Appalachia: YaleArchitecture Students In Kentucky And West Virginia, 1966-9Richard W. Hayes 2. Making Connections: TakingEnvironmental and Social Action Through Design PhoebeCrisman 3. Secondary Agency. Learning from Boris GroysDana Vais 4. On Consensus, Equality, Experts and GoodDesign: Public Interview with Roberta Feldman and HenrySanoff Mathias Heyden, Andreas Miller and Sabine HorlitzPart 2: Sustain 5. Acting Up: Architectural Practice asPerformance Karin Jaschke 6. Ethics and Aesthetics: Deleuze,Diagrams and Sustainability Stefan White 7. The RadicalPotential of Architecture Richard Lister and Thomas Nemeskeri8. Assemblage, Agency, and Ecologies of the ContemporaryCity Graham Livesey Part 3: Mediate 9. AgainstDetermination, Beyond Mediation Ana Paula Baltazar and SilkeKapp 10. Agency and Automatism: Some Strategies ofIrresponsibility in Architecture Michael Chapman 11. ArchitectDissents: The Possible Architecture of the Governed InesWeizman 12. Air Rights Helen MallinsonNovember 2009: 246x174: 240ppHb: 978-0-415-56601-8: £90.00Pb: 978-0-415-56602-5: £29.99

Critical ArchitectureEdited by Jane Rendell, Jonathan Hill, both at TheBartlett School of Architecture, University CollegeLondon, UK, Murray Fraser, University of Westminster,UK and Mark Dorrian, University of Edinburgh, UK

Critical Architecture examines the relationship betweencritical practice in architecture and architectural criticism.Placing architecture in an interdisciplinary context, the bookexplores architectural criticism with reference to modes ofcriticism in other disciplines – specifically art criticism – andconsiders how critical practice in architecture operatesthrough a number of different modes: buildings, drawingsand texts. With forty essays by an international cast ofleading architectural academics, this accessible single sourcetext on the topical subject of architectural criticism is idealfor undergraduate as well as post graduate study.

2007: 246x174: 348ppHb: 978-0-415-41537-8: £89.99Pb: 978-0-415-41538-5: £30.99eBook: 978-0-203-94566-7

From Models to DrawingsImagination and Representation in Architecture

Edited by Marco Frascari, Carleton University, Ottawa,Canada, Jonathan Hale and Bradley Starkey, both atUniversity of Nottingham, UK

Addressing the vital role of the imagination in the criticalinterpretation of architectural representations, this volumechallenges the contemporary tendency for computer-aideddrawings to become mere ’models’ for imitation in theconstruction of buildings.

2007: 246x174: 312ppHb: 978-0-415-43113-2: £54.99Pb: 978-0-415-48798-6: £29.99

The Politics of MakingEdited by Mark Swenarton, Igea Troiani and HelenaWebster, all at Oxford Brookes University, UK

A unique collection of contemporary writings, this bookexplores the politics involved in the making and experiencingof architecture and cities from a cross-cultural and globalperspective.

Taking a broad view of the word ’politics’, the essays addressa range of questions, including:

A timely volume, focusing on an interdisciplinary debate onthe politics of making, this is valuable reading for allstudents, professionals and academics interested or workingin architectural theory.

2007: 246x174: 304ppHb: 978-0-415-43101-9: £54.99Pb: 978-0-415-48800-6: £29.99

27ARCHITECTURAL THEORY







NEW

Making Leisure WorkArchitecture and the Experience Economy

Brian Lonsway, MIT, Massachusetts, USA

Making Leisure Work offers a newtheoretical framework for readingcontemporary architecture.

This book explores architecture's rolein the spatial construction of themedexperience design, and provides anew architectural-theoreticalframework for its socialinterpretation. Through the study ofcognitive mapping, entertainmentcapacity design, leisure strategyplanning and other techniques it

seeks to provide a unique presentation of the detailedmechanisms of spatial control.

Selected Contents: Introduction Part 1: Stories About OurThemed Environment 1. Work, Leisure, and theArchitectural Everyday 2. The Narration of EverydayExperience 3. Space, Semiotics, and Scientism Part 2: The Experience of Experience 4. Extreme Narrative5. Différant Myths 6. Entertainment Capacity 7. TheExperience of a Lifestyle Part 3: Narrative Agitations8. Telling Practices 9. Juridical Opinion 10. Happy Potties andOther Alternative NarrativesFebruary 2009: 246x174: 272ppHb: 978-0-415-39801-5: £65.00 US $120.00

Biographies & SpacePlacing the Subject in Art and Architecture

Edited by Dana Arnold and Joanna SofaerDerevenski, both at University of Southampton, UK2007: 234x156: 224ppHb: 978-0-415-36551-2: £69.99 US $129.95

eBook: 978-0-203-01738-8

NEW

Architecture and NarrativeThe Formation of Space and Cultural Meaning

Sophia Psarra, University of Michigan, USA

Architecture is often seen as the artof a thinking mind that arranges,organizes and establishesrelationships between the parts andthe whole. It is also seen as the artof designing spaces, which weexperience through movement anduse. Conceptual ordering, spatialand social narrative are fundamentalto the ways in which buildings areshaped, used and perceived.Examining and exploring the ways inwhich these three dimensions

interact in the design and life of buildings, this intriguingbook will be of use to anyone with an interest in the theoryof architecture and architecture’s relationship to the culturalhuman environment.

Selected Contents: Part 1. Introduction 1. The Parthenonand the Erechtheion – The Spatial Formation of Place, Politicsand Myth 2. Invisible Surface – Reflections in Mies van derRohe’s Barcelona Pavilion Part 2. 3. ‘The Book and theLabyrinth Were One and the Same’ – Narrative andArchitecture in Borges’ Fictions 4. (Th) Reading the Library –Spatial and Mathematical Journeys in Borges’ Library of BabelPart 3. 5. Soane Through the Looking Glass – The House-Museum of Sir John Soane 6. Victorian Knowledge –The Natural History Museum, London and the Art Gallery andMuseum, Kelvingrove, Glasgow 7. Contemporary Experience– The Museum of Scotland, Edinburgh and the BurrellCollection, Glasgow 8. Tracing the Modern – Space, Displayand Exploration in the Museum of Modern Art, New York(MoMA) Part 4. 9. A Comparative Synthesis 10. TheFormation of Space and MeaningJanuary 2009: 234x156: 304ppHb: 978-0-415-34375-6: £75.00 US $135.00

Pb: 978-0-415-34376-3: £29.99 US $53.95

eBook: 978-0-203-63967-2

Architecture in WordsTheatre, Language and the Sensuous Space ofArchitecture

Louise Pelletier

This innovative title provides an in-depth interdisciplinary studyof the influence of theatre and fiction in defining character in18th century architecture, pushing current architects torediscover the communicative aspects of their work.

2006: 234x156: 256ppHb: 978-0-415-39470-3: £92.99 US $164.95

Pb: 978-0-415-39471-0: £39.99 US $69.95

eBook: 978-0-203-96688-4

ARCHITECTURAL THEORY28


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Topophilia and TopophobiaReflections on Twentieth-Century Human Habitat

Edited by Xing Ruan and Paul Hogben, both atUniversity of New South Wales, Australia

Topophilia and Topophobia relates our love of a place andaversion to it, to the human habitats of the 20th century,presenting a comprehensive range of case studies andphilosophical musings dealing with cities and architecture.

2007: 234x156: 248ppHb: 978-0-415-40323-8: £75.00 US $150.00

Pb: 978-0-415-40324-5: £27.99 US $49.95

Immaterial ArchitectureJonathan Hill, The Bartlett School of Architecture, UK

This fascinating argument fromJonathan Hill presents the case forthe significance and importance ofthe immaterial in architecture.

Architecture is generally perceived asthe solid, physical matter that itunarguably creates, but what of thespaces it creates? This issue drivesHill’s explorative look at theimmaterial aspects of architecture.The book discusses the pressures onarchitecture and the architectural

profession to be respectively solid matter and solid practiceand considers concepts that align architecture with theimmaterial, such as the superiority of ideas over matter,command of drawing and design of spaces and surfaces.

Focusing on immaterial architecture as the perceived absenceof matter, Hill devises new means to explore the creativity ofboth the user and the architect, advocating an architecturethat fuses the immaterial and the material and considers itsconsequences, challenging preconceptions aboutarchitecture, its practice, purpose, matter and use.

This is a useful and innovative read that encouragesarchitects and students to think beyond established theoryand practice.

2006: 246x174: 248ppHb: 978-0-415-36323-5: £94.99 US $169.95

Pb: 978-0-415-36324-2: £29.99 US $54.95

eBook: 978-0-203-01361-8

Material MattersArchitecture and Material Practice

Edited by Katie Lloyd Thomas, University of EastLondon, UK

Material Matters brings togethertexts and work by theorists andpractitioners who are makingmaterial central to their work andreflects the diverse areas of inquirywhich are expanding currentmaterial discourse. Focusing on thecultural, political, economic,technological and intellectual forceswhich shape material practices inarchitecture, the contributors draw

on disciplines ranging from philosophy, history andpedagogy to art practice and digital and low-techfabrication.

By paying critical attention to material, a wide range ofissues emerge in Material Matters which are otherwiseexcluded from architectural discourse, issues that shape anddetermine the buildings we make, the processes we use andthe ways we understand them.

Beautifully illustrated and designed, this book is a uniquecollection which will be of great interest to architecturalpractitioners and theorists who want to consider the widerimplications of material practice, and to students who aredeveloping their own approach to making buildings.

2007: 210x174: 272ppHb: 978-0-415-36325-9: £89.00 US $155.00

Pb: 978-0-415-36326-6: £32.99 US $56.95

eBook: 978-0-203-01362-5

Utopias and ArchitectureNathaniel Coleman, University of Newcastle, UK

A detailed and innovative reassessment of the work of threearchitects (Le Corbusier, Louis I Kahnand Aldo van Eyck) who sought torepresent a utopian content in theirwork.

2005: 234x156: 352ppHb: 978-0-415-70084-9: £84.99 US $149.95

Pb: 978-0-415-70085-6: £37.99 US $65.95

eBook: 978-0-203-53687-2




9780415363266



4 VOLUME SET

The Nature of OrderChristopher Alexander, University of California atBerkeley, USA2005: 278x191Set: 978-0-9726529-0-2: £150.00

Volume 1: The Phenomenon of LifeHb: 978-0-9726529-1-9: £42.50

Volume 2: The Process of Creating LifeHb: 978-0-9726529-2-6: £42.50

Volume 3: A Vision of a Living WorldHb: 978-0-9726529-3-3: £42.50

Volume 4: The Luminous GroundHb: 978-0-9726529-4-0: £42.50

Interpretation in ArchitectureDesign as Way of Thinking

Adrian Snodgrass, University of Western Sydney,Australia and Richard Coyne, University of Edinburgh, UK

To design architecture is to interpretit. This book explores the nature ofthis relationship, drawing insightsfrom a number of perspectives toilluminate the intellectual andscholarly basis of studio designpractice.

Selected Contents: Introduction:Architecture and CoherenceSection 1: Play. ArchitecturalHermeneutics. Playing by the Rules.Creativity as Commonplace. Section 2: Edification. The

Disintegrated Curriculum. Ethics and Practice. DesignAssessment. Design Amnesia. Section 3: Otherness. TheFusion of Horizons. A World of Difference. Myth, Mandalaand Metaphor. Translating Tradition. Thinking Through theGap. Random Thoughts on the Way 2005: 234x156: 344ppHb: 978-0-415-38448-3: £99.99 US $169.99

Pb: 978-0-415-38449-0: £39.99 US $69.95

The Environmental ImaginationTechnics and Poetics of the Architectural Environment

Dean Hawkes

This title, from a well-regarded andestablished expert, explores thechanging relationship between thepoetic intentions and technicalmeans of environmental design inarchitecture. Working thematicallyand chronologically from the 18thcentury to the present day, theseessays reach beyond the narrowconventional view of the purelytechnical to encompass the poetics

of architecture, redefining the historiography ofenvironmental design.

Through an assessment of the works of several leadingfigures throughout the 19th and 20th centuries, DeanHawkes deftly shows the growth of environmentalawareness and adds a consideration of the qualitativedimension of the environment to the existing, primarilytechnological, narratives. Essays on earlier buildings highlightthe response of pioneering architects to the ’new’technologies of mechanical services and their influence onthe form of buildings, while the late 20th century design isexplored in particular depth to illustrate individual strands ofthe environmental diversity of modern practice.

2007: 246x189: 272ppHb: 978-0-415-36086-9: £89.99 US $169.95

Pb: 978-0-415-36087-6: £29.99 US $54.95

eBook: 978-0-203-79941-3

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Above: Pages taken from The Environmental Imagination.








The Evolution of DesignsBiological Analogy in Architecture and the Applied Arts

Philip Steadman, University College London, UK

The Evolution of Designs tells thehistory of the many analogies thathave been made, since the end ofthe 18th century, between theevolution of organisms and thehuman production of artefacts –especially buildings.

Selected Contents: Introduction.The Organic Analogy. TheClassificatory Analogy: Building Typesand Natural Species. The AnatomicalAnalogy: Engineering Structure and

the Animal Skeleton. The Darwinian Analogy: Trial and Errorin the Evolution of Organisms and Artefacts. The Evolution ofDecoration. Tools as Organs or as Extensions of the PhysicalBody. How to Speed up Craft Evolution. Design as Process ofGrowth. Biotechnics: Plants and Animals as Inventors.Hierarchical Structure and the Adaptive Process. TheConsequences of the Biological Fallacy: FunctionalDeterminism. What Remains of the Analogy? Afterword2008: 234x156: 320ppHb: 978-0-415-44752-2: £85.00 US $150.00

Pb: 978-0-415-44753-9: £29.99 US $53.95

eBook: 978-0-203-93427-2

Architecture, Animal, HumanThe Asymmetrical Condition

Catherine T. Ingraham, Columbia University, USA

Considering the historical links between architecture and thedevelopment of life sciences, this text focuses on particular timesof great change in these disciplines and the complexrelationships between life and the environments that life creates.

2006: 234x156: 376ppHb: 978-0-415-70106-8: £89.99 US $169.95

Pb: 978-0-415-70107-5: £29.99 US $54.95

eBook: 978-0-203-79960-4

Altering PracticesFeminist Politics and Poetics of Space

Edited by Doina Petrescu, University of Sheffield, UK

This volume addresses the question of how interdisciplinaryfeminist thought and contemporary practice can informarchitectural debate on the use and meaning of space.

2007: 234x156: 328ppHb: 978-0-415-35785-2: £79.99 US $144.95

Pb: 978-0-415-35786-9: £27.99 US $49.95

eBook: 978-0-203-00393-0

NEW

Embracing Complexity in DesignEdited by Jeffrey Johnson, Katerina Alexiou andTheodore Zamenopoulos, all at The Open University, UK

Outlining state-of-the-artdevelopments in the area ofcomplexity and design, this bookcollates them into a unique andauthoritative resource for both thedesign and complex systemscommunities. The book is based onresearch which focuses on a varietyof different themes and domains,including architecture, engineering,environmental design, art, fashionand management.

A ground-breaking publication marking a new era ofappreciation of the importance of complexity on design, thisbook is essential reading for those studying complexity or design.

Selected Contents: Introduction 1. Generating Cities UsingComplexity Theory 2. Embracing Complexity in BuildingDesign 3. Complexity in Engineering Design 4. UsingComplexity Science Framework and Multi-Agent Technology inDesign 5. Complexity and Coordination in CollaborativeDesign 6. The Mathematical Conditions of Design Ability 7. The Art of Complex Systems Science 8. Performance,Complexity and Emergent Objects 9. Developments in ServiceDesign Thinking and Practice 10. Metamorphosis of theArtificial 11. Embracing Design in Complexity September 2009: 246x174: 240ppHb: 978-0-415-49700-8: £75.00 US $125.00

eBook: 978-0-203-87139-3

Crisis of the ObjectThe Architecture of Theatricality

Gevork Hartoonian, University of Canberra, Australia

This excellent contribution to currentarchitectural theory/history debatesprovides a critical analysis of threecontemporary architects, whichcombines with a vigorously heldtheoretical position to question thestate of contemporary architecture.

2006: 216x156: 216ppHb: 978-0-415-38546-6: £89.99 US $164.95

Pb: 978-0-415-38547-3: £39.99 US $69.95

eBook: 978-0-203-96899-4








Architectural Principles in the Age ofCyberneticsChristopher Hight, Rice University, Texas, USA

A theoretical history ofanthropomorphism and proportionin modern architecture, this volumebrings into focus the discoursearound proportion with currentproblems of post-humanism inarchitecture alongside the newpossibilities made available throughdigital technologies.

The book examines how the bodyand its ordering has served as acentral site of architectural discoursein recent decades, especially in

attempts to reformulate architecture’s relationship tohumanism, modernism and technology. Challenging someconcepts and categories of architectural history and situatescurrent debates within a broader cultural and technologicalcontext, Christopher Hight makes complex ideas easilyaccessible.

2007: 234x156: 248ppHb: 978-0-415-38481-0: £85.00 US $170.00

Pb: 978-0-415-38482-7: £29.99 US $49.95

eBook: 978-0-203-08656-8

SoftspaceFrom a Representation of Form to a Simulation of Space

Edited by Sean Lally and Jessica Young

This well-illustrated book unitesessayists and emerging architecturalpractices to examine how digitaltools are increasingly being used inarchitectural design, not only toshow form, structure and geometriesbut also to visualize and simulateenergies and material qualities suchas air, gas, sound, scent andelectricity.

Softspace takes stock of currentadvancements in design and research, while drawing onhistorical and ideological trajectories rooted in the past 50years. The varied contributors examine the capabilities ofsuch ’energy matters’ to act as catalysts for designinnovation today.

This well-presented and impressively authored title willprovoke architects of all levels to consider the potential forcreative and innovative design through the use of digitaldesign tools.

2006: 259x203: 224ppHb: 978-0-415-40201-9: £89.99 US $154.95

Pb: 978-0-415-40202-6: £29.99 US $49.95

eBook: 978-0-203-96713-3

Abstract SpaceBeneath the Media Surface

Therese Tierney, Media Laboratory, MIT, USA

This visually stunning, conceptuallyrich and imaginative bookinvestigates the cultural connectionbetween new media andarchitectural imaging. Through arange of material, from theoreticaltexts to experimental design projects,Tierney explores notions of what thearchitectural image means today.

Within the book’s visually imaginative design framework,Abstract Space engages discourses from architecture, visualand cultural studies to computer science andcommunications technology to present an in-depth multi-media case study. Tracing a provisional history of thetopic, the book also lends a provocative and multivalentunderstanding to the complex relations affecting thearchitectural image today.

Selected Contents: Introduction 1. Architecture andAbstraction: Topologies of New Media 2. Architectural Modesof Seeing: Visual Theory and Cognition 3. FormulatingAbstraction: Conceptual Art and the Architectural Object 4. Mapping Absence: Architectural Contingencies 5. Generative Systems: Evolving Computational Strategies 6. Formal Matters: The Virtual as a Generative Concept 7. TheStatus of the Architectural Image 2007: 210x210: 208ppHb: 978-0-415-41510-1: £94.95 US $149.95

Pb: 978-0-415-41509-5: £37.99 US $64.95

eBook: 978-0-203-96582-5

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Above: Pages taken from Abstract Space.





DigitaliaArchitecture and the Digital, the Environmental andthe Avant-Garde

Susannah Hagan, University of East London, UK

Susannah Hagan boldly discusses thefraught relationship between keydominating areas of architecturaldiscourse – digital design,environmental design, and avant-garde design.

Digitalia firstly demonstrates thatdrawing such firm lines between

architectural spheres is damaging and foolish, particularly asboth environmental and avant-garde practices areexperimenting with the digital, and secondly remonstrateswith an avant-garde that has repudiated the social/ethicalagenda of the modernist avant-garde because it failed thefirst time round. It is environmental architecture that haspicked up the social/ethical ball and is running with it, usingthe digital to very different, and more far-reaching, ends.

As the debates rage, this book is a key read for all who areinvolved or intrigued.

Selected Contents: Introduction Part 1: Deep BackgroundBinary Opposites. Binary Dependencies. NewDependencies. Melds Part 2: The Avant-Garde:Autonomous or Engaged? The Avant-Garde’s Dilemma.Manfredo Tafuri. Theodor Adorno. An Avant-Garde NowPart 3: The Autonomous Avant-Garde and the Digital:From Formalism to Nature. Procedural Innovation: Practice.Procedural Innovation: The Academy. The Parametric Past:Structuralism. Christopher Alexander and Generative Rules.The Dissenters. In Pursuit of Novelty. Nature Restored Part 4: The Engaged Avant-Garde and the Digital: FromNature to Environmental Design. Closing the Loop.Modelling Built Behaviours. Productive Form-Finding.Constructible Parametrics 5. The Avant-Garde: Meeting in theCity. The Groningen Experiment. EnGen. Conclusion2007: 210x210: 168ppHb: 978-0-415-39545-8: £89.99 US $170.00

Pb: 978-0-415-39546-5: £29.99 US $49.95

The Possibility of (an) ArchitectureCollected Essays by Mark Goulthorpe, dECOiArchitects

Mark Goulthorpe, MIT, Massachusetts, USA

Articulating a radical agenda for therethinking of the basic precepts ofthe construction industry in light ofdigital technologies, this bookexplores the profound shift that isunderway in all aspects ofarchitectural process. Essays andlectures from the last 15 yearsdiscuss these changes in relation todECOi Architects, created in 1991 asa forward-looking architecturalpractice.

Selected Contents: Foreword John McMorroughIntroduction 1. Devotio Moderna 2. Hystera Protera 3. LeBloc Fracture 4. The Inscrutable House 5. The Active Insert:Notes on Technic Praxis 6. Cut Idea: William Forsythe and anArchitecture of Disappearance 7. Post Card to Parent 8. Misericord to a Grotesque Reification 9. TechnologicalLatency 10. Gaudi’s Hanging Presence 11. From Autoplasticto Alloplastic Tendency 12. Notes on Digital Nesting 13. TheDigital Surrational 14. Praxis Interview: Precise Indeterminancy15. Rabbit K(not) Borroro 16. Sinthome: Plastik Conditional17. Epilogue2008: 217x155: 224ppHb: 978-0-415-77494-9: £85.00 US $150.00

Pb: 978-0-415-77495-6: £25.00 US $44.95

33DIGITAL ARCHITECTURE


Above: Pages taken from The Possibility of (an) Architecture.

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On Altering ArchitectureFred Scott

Bringing together interior design andarchitectural theory, this exciting textlooks at the common practices ofbuilding alteration, reconsideringestablished ideas and methods, toinitiate the creation of a theory ofthe interior or interventional design.

For those in the professions ofarchitecture and interiors, townplanners, and students inarchitecture and art schools, OnAltering Architecture forms a body

of thought that can be aligned and compared witharchitectural theory.

Selected Contents: 1. Unchanging Architecture and the Casefor Alteration 2. The Literate and the Vernacular 3. Restoration, Preservation and Alteration 4. Parody andOther Views 5. Parallels to Alteration 6. Degrees of Alteration7. Stripping Back 8. The Process of Intervention 9. Prohibitions and Difficulties 10. Some Resolutions 11. TheWider Context 12. Unfinished2007: 216x156: 240ppHb: 978-0-415-31751-1: £82.00 US $164.95

Pb: 978-0-415-31752-8: £26.99 US $44.95

eBook: 978-0-203-59059-1

Designing LinersA History of Interior Design Afloat

Anne Wealleans2006: 246x171: 224ppHb: 978-0-415-37466-8: £96.99 US $169.95

Pb: 978-0-415-37468-2: £34.99 US $69.95

eBook: 978-0-203-09917-9

The Emergence of the InteriorArchitecture, Modernity, Domesticity

Charles Rice2006: 234x156: 176ppHb: 978-0-415-38467-4: £89.99 US $154.95

Pb: 978-0-415-38468-1: £29.99 US $54.95

eBook: 978-0-203-08657-5

The Modern Period RoomThe Construction of the Exhibited Interior1870–1950

Edited by Penny Sparke, Brenda Martin and TrevorKeeble2006: 246x174: 208ppHb: 978-0-415-37469-9: £94.99 US $169.95

Pb: 978-0-415-37470-5: £34.99 US $59.95

eBook: 978-0-203-09961-2

INTERIOR ARCHITECTURE34


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Above: Pages taken from On Altering Architecture.






Interior Architecture Series

This series investigates the historical, theoretical andpractical aspects of interiors by subjecting the resultsof current design activity and historical precedents toacademic examination, discussing them both in termsof technical solutions and against a wider cultural andhistoric background. The volumes in the InteriorArchitecture series can be used as handbooks for thepractitioner and as a critical introduction to the historyof material culture and architecture.

Cafés and BarsThe Architecture of Public Display

Edited by Christoph Grafe and Franziska Bollerey,both at Delft University of Technology, the Netherlands

The design of bars and cafes hasplayed an important role in thedevelopment of architecture in the20th century. This influence has beenfelt particularly strongly over the past30 years, in a time when these socialspaces have contributed significantlyto the rediscovery and reinvention ofcities across Europe and NorthAmerica.

This volume presents and examinesthis significant urban architectural production, and discusses itagainst a background of the design of cafes and bars acrossthe 19th and 20th centuries. Major themes and developmentsare discussed and illustrated with case studies, from thefunctionalist pre-World War Two architects in Central Europerepresenting modern society through the design of publicspaces, right up to the design of sophisticated bars and cafesas part of the recent urban renaissance of Barcelona and Parisin 1980s and London in the 1990s.

2007: 246x189: 224ppHb: 978-0-415-36327-3: £79.99Pb: 978-0-415-36328-0: £26.99eBook: 978-0-203-01363-2

Boutiques and Other Retail SpacesThe Architecture of Seduction

Edited by David Vernet and Leontine de Wit, both atDelft University of Technology, the Netherlands

Presenting a critical and theoreticaldimension to retail design, Boutiquesand Other Retail Spaces links theideas behind it to real practice in thisinnovative and importantcontribution to architectural/interiortheory literature.

Retail structure has been subject to adramatic and ongoingtransformation over the past 30years, materializing in the

emergence of large-scale out-of-town shopping centres andnew specialized shops in city centres. These specializedboutiques are highly designed, involving well-knownarchitectural firms such as OMA/Rem Koolhaas, DavidChipperfield, Herzog + de Meuron, amongst others.

With case studies and over 100 black and white images,Vernet and de Wit set forth original and well-grounded theoryto accompany this popular and lucrative area of work.

2007: 246x189: 192ppHb: 978-0-415-36321-1: £79.00Pb: 978-0-415-36322-8: £25.99eBook: 978-0-203-01359-5

35INTERIOR ARCHITECTURE


Above: Pages taken from Boutiques and Other Retail Spaces.Above: Pages taken from Cafés and Bars.



NEW

Modern Hospice DesignThe Architecture of Palliative Care

Ken Worpole, The Cities Institute, London MetropolitanUniversity, UK

There is a global public debate goingon about care for the elderly and thedying, and what is meant by goodquality palliative care.

This book begins with the rise of themodern hospice movement, begun in1967. Today there are 8,500 modernhospice projects in 123 countries. Thehospice has become an iconicbuilding for this new culture. This isnot a book about hospitals as such,but about what lessons the hospicemovement has for new ideas about

buildings for healthcare across the world.

For architects and interior designers, estate and facilitymanagers involved in hospice design, healthcare professionals,hospital administrators and Healthcare Trust Boards.

Selected Contents: 1. The House at the End of Life 2. BeKind Quickly 3. The Brief is Everything 4. Public Faces andPrivate Places 5. Everything Gathered in One Room 6. In aHospice Garden 7. The Evening Land. List of Hospices andHospitals VisitedMay 2009: 234x156: 152ppHb: 978-0-415-45179-6: £85.00 US $140.00

Pb: 978-0-415-45180-2: £24.99 US $44.95

eBook: 978-0-203-87810-1

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Above: Pages taken from Modern Hospice Design.


AAgency: Working With UncertainArchitectures . . . . . . . . . . . . . . . . .27

Abstract Space . . . . . . . . . . . . . . . .32

ACSA Architectural Education Series . . . . . . . . . . . . . . . . . . . . . . .12

Aeolian Winds and the Spirit inRenaissance Architecture . . . . . . . . .9

Alexander, Christopher . . . . . . . . . .30

Alexiou, Katerina . . . . . . . . . . . . . .31

AlSayyad, Nezar . . . . . . . . . . . . . . .15

Altering Practices . . . . . . . . . . . . . .31

Andersen, Michael Asgaard . . . . . .21

Antiquity . . . . . . . . . . . . . . . . . . . . .2

Architectural Principles in the Age of Cybernetics . . . . . . . . . . . . .32

Architecture and Narrative . . . . . . .28

Architecture and the ‘SpecialRelationship’ . . . . . . . . . . . . . . . . . .26

Architecture in Context . . . . . . . . .1,2

Architecture in Words . . . . . . . . . .28

Architecture of Modern China . . . .25

Architecture, Animal, Human . . . . .31

Architecture, Ethics and Globalization . . . . . . . . . . . . . . . . .25

Architecture, Participation and Society . . . . . . . . . . . . . . . . . .25

Architecture, Print Culture and the Public Sphere in Eighteenth-Century France . . . . . . . .7

Architecture, Power and National Identity . . . . . . . . . . . . . . .14

Architext . . . . . . . . . . . . . . .16,17,18

Arnold, Dana . . . . . . . . . . . . . . . . .28

Asquith, Lindsay . . . . . . . . . . . . . . . .4

Atlas of Vernacular Architecture of the World . . . . . . . . . . . . . . . . . .3

BBauhaus Dream-House . . . . . . . . . .18

Buntrock, Dana . . . . . . . . . . . . . . .24

Baek, Jin . . . . . . . . . . . . . . . . . . . . .24

Ballantyne, Andrew . . . . . . . . . . . . .4

Becoming Places . . . . . . . . . . . . . . .15

Bauhaus Construct . . . . . . . . . . . . .18

Beningfield, Jennifer . . . . . . . . . . . .11

Beyond Archigram . . . . . . . . . . . . .19

Biographies & Space . . . . . . . . . . . .28

Bo Jensen, Thomas . . . . . . . . . . . . .20

Bohl, Charles . . . . . . . . . . . . . . . . .14

Bollerey, Franziska . . . . . . . . . . . . .35

Bonnemaison, Sarah . . . . . . . . . . . . .7

Boutiques and Other Retail Spaces . . . . . . . . . . . . . . . . .35

Bridge, Alexander . . . . . . . . . . . . . . .3

Brunelleschi, Lacan, Le Corbusier . .23

CCedric Price: Potteries Thinkbelt . . .22

Colonial Modernities . . . . . . . . . . .17

Critical Architecture . . . . . . . . . . . .27

City Rehearsed, The . . . . . . . . . . . . .6

Curating Architecture and the City .26

Cafes and Bars . . . . . . . . . . . . . . . .35

Carpo, Mario . . . . . . . . . . . . . . . . .23

Chaplin, Sarah . . . . . . . . . . . . . . . .26

Cinematic Urbanism . . . . . . . . . . . .15

Classical Tradition in Architecture . . . . . . . . . . . . . . .6,7

Coleman, Nathaniel . . . . . . . . . . . .29

Coyne, Richard . . . . . . . . . . . . . . . .30

Crinson, Mark . . . . . . . . . . . . . . . .20

Crisis of the Object . . . . . . . . . . . . .31

Critiques (series) . . . . . . . . . . . .26,27

Cultured Landscape, The . . . . . . . .11

DDesire Lines . . . . . . . . . . . . . . . . . .18

Dorrian, Mark . . . . . . . . . . . . . . . . .27

Drawing/Thinking . . . . . . . . . . . . . .10

Dutoit, Allison . . . . . . . . . . . . . . . .25

Darling, Elizabeth . . . . . . . . . . . . . .18

De Cauter, Lieven . . . . . . . . . . . . . .15

de Wit, Leontine . . . . . . . . . . . . . .35

Dehaene, Michiel . . . . . . . . . . . . . .15

Designing Liners . . . . . . . . . . . . . . .34

Di Palma, Vittoria . . . . . . . . . . . . . .14

Dictionary of Ecodesign . . . . . . . . .11

Digitalia . . . . . . . . . . . . . . . . . . . . .33

Disclosing Horizons . . . . . . . . . . . .23

Dovey, Kim . . . . . . . . . . . . . . . .15,17

EEncyclopedia of VernacularArchitecture of the World . . . . . . . . .4

Engineers . . . . . . . . . . . . . . . . . . . .19

East, The . . . . . . . . . . . . . . . . . . . . .2

Embracing Complexity in Design . .31

Emergence of the Interior, The . . . .34

Environmental Imagination, The . . .30

Evolution of Designs, The . . . . . . . .31

F

Fraser, Murray . . . . . . . . . . . . . . . .27

Festival Architecture . . . . . . . . . . . . .7

Florentine Villa, The . . . . . . . . . . . . .7

François Blondel . . . . . . . . . . . . . . . .6

Fieldhouse, Ken . . . . . . . . . . . . . . .11

Form Follows Fun . . . . . . . . . . . . . .19

Forsyth, Leslie . . . . . . . . . . . . . . . . .25

Framing Places . . . . . . . . . . . . . . . .17

Frascari, Marco . . . . . . . . . . . . . . . .27

Fraser, Murray . . . . . . . . . . . . . . . .26

Frightened Land, The . . . . . . . . . . .11

From Models to Drawings . . . . . . .27

Fuller, Mia . . . . . . . . . . . . . . . . . . .16

G

Guggenheim, Michael . . . . . . . . . .16

Garden History . . . . . . . . . . . . . . . .10

Gargiani, Roberto . . . . . . . . . . . . . .21

Gerbino, Anthony . . . . . . . . . . . . . .6

Gobbi Sica, Grazia . . . . . . . . . . . . . .7

Goulthorpe, Mark . . . . . . . . . . . . .33

Grafe, Christoph . . . . . . . . . . . . . .35

Green Braid, The . . . . . . . . . . . . . .12

HHale, Jonathan . . . . . . . . . . . . . . . .26

Hall, Martin . . . . . . . . . . . . . . . . . .18

Hardingham, Samantha . . . . . . . . .22

Hill, Jonathan . . . . . . . . . . . . . . . . .27

Heterotopia and the City . . . . . . . .15

Hagan, Susannah . . . . . . . . . . . . . .33

Hale, Jonathan . . . . . . . . . . . . . . . .27

Hartoonian, Gevork . . . . . . . . . .21,31

INDEX38


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Harvey, Sheila . . . . . . . . . . . . . . . . .11

Hawkes, Dean . . . . . . . . . . . . . . . .30

Heuer, Christopher . . . . . . . . . . . . . .6

Higgott, Andrew . . . . . . . . . . . . . .18

Hight, Christopher . . . . . . . . . . . . .32

Hill, Jonathan . . . . . . . . . . . . . . . . .29

Hogben, Paul . . . . . . . . . . . . . . . . .29

Holm, Lorens . . . . . . . . . . . . . . . . .23

Hosagrahar, Jyoti . . . . . . . . . . . . . .17

IIndigenous Modernities . . . . . . . . .17

Islam . . . . . . . . . . . . . . . . . . . . . . . .2

Immaterial Architecture . . . . . . . . .29

Ingraham, Catherine T. . . . . . . . . . .31

Interior Architecture . . . . . . . . . . . .35

Interpretation in Architecture . . . . .30

Intimate Metropolis . . . . . . . . . . . .14

JJames Stirling . . . . . . . . . . . . . . . . .20

Jenkins, Eric . . . . . . . . . . . . . . . . . .13

Jenkins, Paul . . . . . . . . . . . . . . . . . .25

Johnson, Jeffrey . . . . . . . . . . . . . . .31

KKing, Anthony D. . . . . . . . . . . . . . .16

Kossak, Florrian . . . . . . . . . . . . . . .27

Keeble, Trevor . . . . . . . . . . . . . . . .34

Kelbaugh, Douglas . . . . . . . . . . . . .12

Kenda, Barbara . . . . . . . . . . . . . . . .9

Kerr, Joe . . . . . . . . . . . . . . . . . . . . .26

LLe Corbusier and Britain . . . . . . . . .19

Lonsway, Brian . . . . . . . . . . . . . . . .28

Lally, Sean . . . . . . . . . . . . . . . . . . .32

Landscapes of Taste . . . . . . . . . . . . .8

Lathouri, Marina . . . . . . . . . . . . . . .14

Lejeune, Jean-Francois . . . . . . . . . . .5

Lemerle, Frédérique . . . . . . . . . . . .23

Li, Shiqiao . . . . . . . . . . . . . . . . . . . .7

Lloyd Thomas, Katie . . . . . . . . . . . .29

Longoria, Rafael . . . . . . . . . . . . . . .12

Luminous Ground: The Nature

of Order, Book 4, The . . . . . . . . . . .30

MMaking Leisure Work . . . . . . . . . . .28

Markus, Thomas A. . . . . . . . . . . . .16

Material and Meaning inContemporary Japanese Architecture . . . . . . . . . . . . . . . . . .24

Murray, Irena . . . . . . . . . . . . . . . . .19

Murray, Noeleen . . . . . . . . . . . . . . .18

Modern Hospice Design . . . . . . . . .36

Modernity . . . . . . . . . . . . . . . . . . . .2

Macarthur, John . . . . . . . . . . . . . . . .7

Macy, Christine . . . . . . . . . . . . . . . . .7

Making the Metropolitan Landscape . . . . . . . . . . . . . . . . . . .14

Marcus, Alan . . . . . . . . . . . . . . . . .17

Martin, Brenda . . . . . . . . . . . . . . . .34

Material Matters . . . . . . . . . . . . . . .29

McCullough, Kit . . . . . . . . . . . . . . .12

Mediating Modernism . . . . . . . . . .18

Modern Architecture and theMediterranean . . . . . . . . . . . . . . . . .5

Modern Period Room, The . . . . . . .34

Moderns Abroad . . . . . . . . . . . . . .16

Moore, Kathryn . . . . . . . . . . . . . . .10

NNature of Order, The . . . . . . . . . . .30

Neumann, Dietrich . . . . . . . . . . . . .17

Nordic Architects Write . . . . . . . . .21

Nothingness: Tadao Ando’sChristian Sacred Space . . . . . . . . . .24

OOdgers, Juliet . . . . . . . . . . . . . . . . .25

Oliver, Paul . . . . . . . . . . . . . . . . . . . .4

Osley, Julian . . . . . . . . . . . . . . . . . .19

On Altering Architecture . . . . . . . .34

Odgers, Jo . . . . . . . . . . . . . . . . . . . .4

Oliver, Paul . . . . . . . . . . . . . . . . . . . .3

Overlooking the Visual . . . . . . . . . .10

Owen, Graham . . . . . . . . . . . . . . .25

PPetrescu, Doina . . . . . . . . . . . . . . .27

Powers, Alan . . . . . . . . . . . . . . . . .19

Prakash, Vikramaditya . . . . . . . . . .17

Picturesque, The . . . . . . . . . . . . . . . .7

Power and Virtue . . . . . . . . . . . . . . .7

P.V. Jensen-Klint . . . . . . . . . . . . . . .20

Pelletier, Louise . . . . . . . . . . . . . . . .28

Periton, Diana . . . . . . . . . . . . . . . .14

Perspective, Projections and Design . . . . . . . . . . . . . . . . . . .23

Peter, Bruce . . . . . . . . . . . . . . . . . .19

Petrescu, Doina . . . . . . . . . . . . . . .31

Phenomenon of Life: The Nature of Order, Book 1, The . . . . . . . . . . .30

Politics of Making, The . . . . . . . . . .27

Possibility of (an) Architecture, The . . . . . . . . . . . . . .33

Primitive . . . . . . . . . . . . . . . . . . . . . .4

Process of Creating Life: The Nature of Order, Book 2, The . . . . .30

Psarra, Sophia . . . . . . . . . . . . . . . .28

QQuality Out of Control . . . . . . . . . .25

RRattenbury, Kester . . . . . . . . . . . . .22

Rattenbury, Kester . . . . . . . . . . . . .22

Rendell, Jane . . . . . . . . . . . . . . . . .27

Re-Shaping Cities . . . . . . . . . . . . . .16

Robert Venturi and Denise ScottBrown: Learning from Las Vegas . .22

Ruedi-Ray, Katerina . . . . . . . . . . . .18

Re-forming Britain . . . . . . . . . . . . .18

Rem Koolhaas / OMA . . . . . . . . . . .21

Rice, Charles . . . . . . . . . . . . . . . . .34

Rogger, André . . . . . . . . . . . . . . . . .8

Ruan, Xing . . . . . . . . . . . . . . . . . . .29

Rural and Urban: Architecture Between Two Cultures . . . . . . . . . . .4

SSchneider, Tatjann . . . . . . . . . . . . .27

Scriver, Peter . . . . . . . . . . . . . . . . . .17

Sharr, Adam . . . . . . . . . . . . . . . . . .25

39INDEX


Shepherd, Nick . . . . . . . . . . . . . . . .18

Soderstrom, Ola . . . . . . . . . . . . . . .16

Sabatino, Michelangelo . . . . . . . . . .5

Saletnik, Jeffrey . . . . . . . . . . . . . . .18

Samuel, Flora . . . . . . . . . . . . . . . . . .4

Schuldenfrei, Robin . . . . . . . . . . . .18

Scott, Fred . . . . . . . . . . . . . . . . . . .34

Settings and Stray Paths . . . . . . . . .10

Sharr, Adam . . . . . . . . . . . . . . . . . . .4

Snodgrass, Adrian . . . . . . . . . . . . .30

Sofaer Derevenski, Joanna . . . . . . .28

Softspace . . . . . . . . . . . . . . . . . . . .32

Sparke, Penny . . . . . . . . . . . . . . . .34

Stara, Alexandra . . . . . . . . . . . . . . .26

Starkey, Bradley . . . . . . . . . . . . . . .27

Stauber, Jennifer . . . . . . . . . . . . . . .14

Steadman, Philip . . . . . . . . . . . . . .31

Steiner, Hadas A. . . . . . . . . . . . . . .19

Swenarton, Mark . . . . . . . . . . . . . .27

TTreib, Marc . . . . . . . . . . . . . . . . . . .10

Tyszczuk, Renata . . . . . . . . . . . . . .27

Tadgell, Christopher . . . . . . . . . . .1,2

Tanzer, Kim . . . . . . . . . . . . . . . . . . .12

Tatom, Jacqueline . . . . . . . . . . . . . .14

Temple, Nicholas . . . . . . . . . . . . . .23

Tierney, Therese . . . . . . . . . . . . . . .32

To Scale . . . . . . . . . . . . . . . . . . . . .13

Topophilia and Topophobia . . . . . .29

Treib, Marc . . . . . . . . . . . . . . . . .9,10

Troiani, Igea . . . . . . . . . . . . . . . . . .27

Turner, Tom . . . . . . . . . . . . . . . . . .10

UUtopias and Architecture . . . . . . . .29

Vvan Eck, Caroline . . . . . . . . . . . . . . .6

Vale, Lawrence . . . . . . . . . . . . . . . .14

Vellinga, Marcel . . . . . . . . . . . . . . .3,4

Vernacular Architecture in the 21st Century . . . . . . . . . . . . . . .4

Vernet, David . . . . . . . . . . . . . . . . .35

Vision of a Living World: The Nature of Order, Book 3, A . . . . . .30

Visualizing the City . . . . . . . . . . . . .17

WWalker, Stephen . . . . . . . . . . . . . . .27

Wells, Matthew . . . . . . . . . . . . . . .19

West, The . . . . . . . . . . . . . . . . . . . . .1

Walter Benjamin and Architecture .21

Wealleans, Anne . . . . . . . . . . . . . .34

Webster, Helena . . . . . . . . . . . . . . .27

Wittman, Richard . . . . . . . . . . . . . . .7

Woo, Lillian . . . . . . . . . . . . . . . . . .11

Worpole, Ken . . . . . . . . . . . . . . . . .36

Writing Urbanism . . . . . . . . . . . . . .12

YYeang, Ken . . . . . . . . . . . . . . . . . . .11

Young, Jessica . . . . . . . . . . . . . . . .32

ZZamenopoulos, Theodore . . . . . . . .31

Zhu, Jianfei . . . . . . . . . . . . . . . . . . .25

a

INDEX40


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