AN ANTHOLOGY OF

RECENT COLBY

VERSE

ANTHOLOGY of

RECENT COLBY VERSE

ANTHOLOGY of

RECENT COLBY VERSE

COMPILED

BY

NORRIS POTTER, ]R. -WITH AN INTJ.()OUCTJON

BY

MERLE CROWELl~

Editor of th~ llm~rican M agazin~

COLBY ECHO ASSOCIATION

WATERVILLE, MAIN£

1929

'r H F' '< L H \'

19 0)

1 .n1

,

10

o I; r1 \'Ill

DEDICA l~EI)

to

PROFESSOR CECIL A. ROLLINS

-ruhoJe patiettce and crzticum haJ fanned many a fteh!~

lyric }lam~

A cknowledgJJzent The editor is dteP~l' gratifu/ to th~.~ contributors who nzade this

book possiblt

to MR. MERLE CRO\VELL, for lziJ kind/; zntrodulfion

to PROf. C. A. RoLLINs,for su~gestion and criticism

to THE CoLLEGE BooK STORE

to THE CoLBY EcHo

INTRODUCTION

''To take, with beauty-tortured hands, the word

.A nd mold it to a mi ~ io1t "' weet and I.Jtrong·-''

I quote from one of the verses in this volume

because the line seem to me so true to the part

a poet play · in the drama of literature. Poetry

is emotion crystallized in words. Emotionless

vel\ e wot1ld be 110 ver e at all.

Very likely thi i \vhy the bulk of the world'

poetry has been the proclt1ct of youth. In youth,

emotions are quick, re pousive, resurgent. There

i a glamour abotlt this bt1sine s of life -a

g·lamour which time tend to tarnish. Ideals

(and illusio11 ) are preciou things. Things to

fight for. Or to write for. And so we'' go to it!"

. lX

1 J y· 1 t our cl u 1 t .. a 11 c I ( tl r . .

ar 11ili-

ta11t. J.fot

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INTRODUCTION

to the poet come the econd birth. He recreates

bis emotio11s into the witchery of words.

I callllot imagine an llninteresting book of

college underg·raduate verse. It has been struck

off while the iron is hot. Imperfections it may

have, and \\rill have, but to the young, who love

life much, life ca11 'vell be lenient.

This ''Anthology of Recent Colby Verse''

merits the attention of everyone interested in

poetry-or in ColbJ. It contains, perhaps, no

great poem" ; but it contains many interesting·

ones.

'JI o -. f of the poem · are l1ort.

I take the hint.

:h{EB.LE CROWELL .

. X:l

ARRANGEMENT

Morning Verse Miriam, Amorist

Songs of Maine

Section One Poems of Nature

I Season's Bestowal-Waterville II Kennebunkport-A Sonnet III Recitative for Voice and Mandolin

(Messalonskee River) ...... . IV Kennebec River v China Lake . VI Maine Farmer

Sa tis Reverie April First Sunrise 'Vinter Night !\'larch

3 4

5

6 7

8 9

. . . . . 10 11

12 13 14 15

. . . . . . 16 . . . . . 17

Gifts . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Japanese Sonnets Japanese IIokku (Hai-Kai) A Sonnet Twilight

• • I " • I I • • • t • • •

The Prisoner Two Caricatures

xiii

19 20 21 22 23 24

Grove of Pine y llo·w RoseR Poplar F..~arly 1orn'ing Niagara Fall

tar ~· F..~n laud H r\ a

.J w I in a etting oburn Hall- After

liollda '

T

II IU I

\'\ ind

f)6 iW )

... . , "' .u•

2 2, 3

3 :l

h f· fr . 3

B

.. etlan 'f ''fl it r rv n1 ..

3

l 1

n 2

7

hi

8

6

Section Three

Poems of Love and l\firth

Trivia and 1\Iarginalia l To a Certain Maid 11 To Another l\1aid

..... - 61 62

III To Germaine . 64 IV A Plaint 65

ongs to Relieve the Tedium of Writing Left-handedly I Recriln ination 66 II Bug-House Fable 67 III cientist A.nswers HerculeR 67 IV Definition 67 V Prayer 68

Songs to Relieve th e Tedium of Polishing Brass Door-I<nohs

I II Ill

"hanson Tris t e In Suicidal Reverie All p Sonnet Conceived in a Restaurant Su blin1ation For a Baby Girl Rachel The Cr a m of a J est

To Trtunp Farewell The Charleston A Stalld Jngin The Students' Complaint

Sigh .. ,. ot T oo Grievous Kisn1et

XV

69 70 70 71 72 74 75 76 77 78 79

0

1 82 84 86 87

. . . - 8

AHR ..

B our

oug Poen1 or 'rribut .) and H fJ :.('f i~ n

of Boston "'rocuses I

I( Boston- ; \ onn l III T h l I o I · i n-th -'' a 11

To t h Blind }i iddJ ,. Olympia- Sport In t rlud :'1

"Traun1 r i''- n th Vi lin 1\ Paganini .. apric ·· 'l'h Dan ·

'rh Po t • '' ork Th \ ar· rod Lau A Sonn l li in'! '< Ill Jl U 1 1 0 U

Jucla To a .. lf- n i u tn1nhrH I o rn • yllo r( lll

. ur ' I IIane ~ Youth Th " lit Ttl .. I

o h .. r

r i u

ua 9

6

7

1 112

12

l 2

lntroduBory Sonnet

To say· the thino·! To pri on i11 'vord~ the dream r~['hat blazed ''~th g•lor3T 011 it dra,ving• nigh­.L\nd yet to save it free, ah! free to fly

011 wing· :-. of Harne, u11fett er d, 'vith tl1e g·leam And o·lamo111' of it comino·! till to . eem

A· 'vhen it btlr t upon the dreamer' eye ! That 'ver a deed too o·reat, a~ Olle hOllld try

To capture i11 a o·la a tray . unbeam.

Yet om ''rill dare it, l1appy· i11 half- ucces , \Vill --pare no effort \\7l1ile they· keep alive

To say the thing; )rea! nch a on , unle ... on ~tarve him ~. ile11t, ''hil h breathe, will

~. trive To make me11 .1 ee hi y·i ion~ ' vith hi io~bt: ThL is th poet'.. doom a11d lear delig·l1t.

Cecil A. Rollins.

SECTION ONE

POEMS OF NATURE

MORNING

Morning

t)uee I \voke up very early, Stretched and ya,vned a yawn or two;

Tiptoecl out to meet the unrise; Scampered barefoot through the dew;

'B,ou11d a fragrant virg·in morning; Found a you11g a11d tip ·y breeze

Stao·o·erin~r o-avly throuo·h mv garden o o....J O• "' '

Pelting all my flower , -w-ith bees. Found the shaven lawn beje\velled

With the ransom of a king. Where the lush gras grew the greenest,

There I found a fairy ring· . ..~. nd witl1in the pearly circlet

Lay a dainty pa11gled go\vn. Had orne fairy lady lo ,t it~

Breathle ""ly my ha11d cr pt do,vn Touched the lovely hining· o·arment­

Yes! A fairy robe no doubt! -But a bandy-legged spider

arne a-bandy-leo·o-ing out

Annie Hooper Goodwin, ~29.

3

\ .Rsr.

Verse

om time , \i l1e11 , ~r the mountain .· hazy llnP an l purJJl'

.. l1adO\Y~ Pal loud ·i11k lo\v .. n llo~ th m · lv . in t'vili ·l1t mi: 1\1 - l1ouo·ht. · .. Lik l\" 11i110' m ths\ in h ant~ . tirr d, R i . i 1 11 t l·v. -

R a ·hi ng o tl t ea · r han 1 , I . tri,- to cat h th ir frno·il( lov lin , , , 3 n t i n 1 h fl. 1 i n ,. 1 i o · h t h •) brn h rn~ a ·hin fin( •r I ip: n ] ' a niL h

I ·· 1·

1 ( Oll ·b l .

I { letz A1 itch II. '27.

MIRIAM, AMORIST

Miriam, A morts t

~iiriam walks in autumn rain A country road at night. Miriam loves a woodland lane When fro ty tars are bright.

hamele s, she eek the sun's caress And the kiss of a summer's breeze.

morist, she loves not les The loveliness of trees.

}. A. D.

6

1

Seaso1~ 's Bestorr. 'al- Wtzte'l v ille

r 1

. pr a< ' I drink t] ~" tilt · Ill

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r. r ad fi 1 <

n r I 1 h u t. .

•

SONGS OF 1.1AINE

II

Kennebunkport- A Sonnet

The un, a dying signal in the sky, Glints the pinions of a single gull. Far out, a laden ship is stealing by, An aureole of gold around its hull. Do '.YOU remember, girl, when long ago We stood upon these wave-torn rocks a11d s\vore We, too, \vould venture out in ships and kno"v Strang·e ports, far isles, the way to Singaporet

We sigh, and hand i11 hand we stumble down To patient living in a patient town And blind ourselves, by selling merchandise, To dream that once beguiled our dazzled eyes, But whe11 \Ve order brig·ht ilk for our s tore We beam-'' Perhaps thi came from Singa-

pore!''

7

I I

Recitative for Voice cznd Mandolin

( i\ i s · a l o n s k I i ,.. r . )

~[ morize tbi. 111om )n ~a\· r \Vell th 11io·ht -br ath

Tot ho'v ''at r n1i rror R .. t i ) } 111 \V hi 1 ~ t H 1\ .

Li ·htl'" 1lu k th l·~L· · .. trin >·s .

f r a i. ! h n i 'h t " i 11 l, 1 a<' inc ,. lJ th :\ ri \ r ':s b rn

\ T i 11 s i 1 '" 1 t l ; r

. lU

I i 1

. 11

ONGS OF MAINE

IV

Kennebec River

'Ti dawn! The river lies beneath a shroud

Of pearly mist; the blackbirds cry aloud

A11d bid us paddle, for enchanting· miles

Of \Vater lie before u to explore. 'Tis dawn! Come! Sleep no more. The water-lilies stare at skies of blue And '\Vait the eag·er prow of our

canoe .

.4\ spider built hi web for u to ·ee ; T'vo bull-frog· , lurking in the river

o·ras b

" Till erenade u a" 've pas~ . Ari e, 'tis time for us to be A-paddling· up the tream, Plea e God, unending·ly.

9

0 G .... OP IAI E

v China Lake

Th mo11 ,T_,vhit , ] llloon •

n 'vat r l bor ~ aucl bra11 ·b Pour d \Vll a tl tl of ui t ligl1t

~~ilen t, ilv r a' alan h l.

1 m · z l at hi~ nu n1ly p a 1\ I I a)' f u l, l on l J o on

Rai e lll a r :-tl ;- J laint 11d tak , t a k h moo11.

I hn k I l . ., . n tj n 1 1)1 u t 1 i u . I r o lin o· I) f} 1 • • ·h r

1

SONGS OF MAINE

VI

Maine Farmer

A peasant's frame, Low earthly goal,

A dullard's face, A Shelley's oul.

Raw, clumsy hands, Slow, clumsy feet,

But keen, fine eyes To find Earth sweet.

Doomed to live His whole life long,

A muted harp An unsung song.

Norris Potter, '29.

11

~ATI

Sa tis

LoY an l tl1 ,o-i ft of la ugl1t r, 11 1 ~ometim t f 1 1h sing-inn· fir(

< f l 1io-ht at th lo ' lin . . >f nrth ~ Thi ~ i. all I err a lY d ~· ir .

] . A . D .

12

REYERIE

Reverie

1lello'v moon will shilH? a~ brig~htly, Long after I have died,

The tars laugh a lightly A if I'd never cried.

The sun 'vill shed her sparkling tears, And the winds croon to the ea­

And yet I'm very ure, my dears, Mv world will die with me . ..

18

APRil., f IP. T

April First

~ii ·l1ie\"OHR rain t odu y . T r i k 1 ~ c1 0 '' 11 <lll ] " a ~ h p s Illy f r . I 1 i 11 o ·

''vav; . 1 n l 1 ) a v ) ~ ~ n1' lark h r o \ , .. n } a k ( .

ll ffilld.

UNRISE

Sunrise

J\ft r a rioton 11io·bt, th la11cer in ihe sky,

Go Htaggering· home, 1 aving their Htar-lamp fli keri11o·, 'van.

Tl1eir l1alf -filled g·oblets tip over a th }... ~ weep by ;

Tl1ey g·o-laughing· at the ~vine-red ~ tain earth-folk call the da,vn.

Grace Heffron.

16

T

Winter J\Ti~ht

rll ril u tor ' ) .

I

MARCH

March

Black and drear, the winter wood Again t the cheerless vesper sky

In barren spinsterhood, know not The bridegroom, Sprino~ i. nigh.

]. A. D.

17

Gifts

\.11otl1 -. r <lay ~ }} Yl'H}l}H d ill } rillinn1 u-Jorv b • ,

[)iamond :cl] 1 hir ', .. ] \< min o· j n J>uri t y-~ j ) '' 1 o· a j ) ~ i ) . ~ . l 1 ) l n ) ) , )( l.

~\ ]r ar fc ( · •

f_Joorn ini:·d r nud ~ pj]~ '1 l1 . n 11 ; 1llun d e r 1\ rt1111cl llH r< ]] -\ . •ttiJ ,. for ih \ .i

n 1 < d.

J _\PANESE ONNETS

Japanese Sonnets

V\T e write of fame, of Glory·, la ·ting· renow11 and Immortality; And '1 o J)roclaim our~el,,.e · th:. \ T ery prL oner of time.

Tl1e branche of th tree ()f night are weig·hecl "rith a

ingle fruit, mellow, Golden-rined, golden-hearted, Fruit of the g·ods, a ripe moon.

The pal round moon o·lide~ oftly 011 eacl1 ice- ~ h a thed t\vig

Of tl1e edging tree ; Delicatelv luminou -.,

Sil,rer lace against the night.

G. P.J )29.

19

J P A X g~ E 11 0 h. 1\ t H .\ I - Ji I )

Japanese H okku ( Hai-Kai)

I \Vrap m!· ~hill soul In a r d -,\"a rn1 ant un1n l n f Tl1a t ,,~l1i J>s tIt o·r '5 ~k~.

~ am cl bro\\"'ll, n1onkP. ·-fa , l ­

IIuno·r y r ' ·11 ' ~. JllC 11kE' - ,,-<,~-. . . . J n j n 11 t h o· a r l 11 r .

1\ :· n n-d rtl d I p p: . I~ i . l b ,,. rain \\ > o 1 1 Y 1 h h r PZ , . .

ru . h •d 1 r a I lind lt 'J. •

t

·. P. '29.

20

A I ONNET

A Sonnet

1\ tl1ousanJ year ago the . , t oic eartb., The moon' , .. oft eire, the centllried . un' broad

··phere, Thi ~ rai11 'vho e brig~htue , · q11iYer · a ~ a spear \Vhich hiY r. in a foeman'~ thigh, no dearth Thev felt. .L\. ffillch of orro'v and of mirth . They a"\v ~ a ., much of love a11cl dr~y-mo11thed

• •

fear They held; delight as kee11, and hate a dear­.A..ll passions k11ewt of life, a11d death, and birth. Time turns his \\"heel and shapes of us, his clay, The urns to hold all wrath, and joy, and pain; We serve i11 turn, in turn are laid aside; ·r.ry orro'v ye terday "\Ya your , a11d may B his tomorro\v. \V" pas. , b11t they remain; Tl1e Cllp are . l1attered, but the ~ri11e . abide.

G. P., '29.

21

T wtlight

F' r o rn 1 ' · · n ~ rn (, 111 1 < • n u . t • t . h ' l a ' · n ~I u l -.

· r t lu .. k •

THE PRI ONEH

The Prisoner

The wall are pre~ sing me in-­Thlaking me mother-

ilfy thought have filled tlp tl1e cell, 11d killed each other.

()h, I \\"'ould be out \Vhere the \vi11d

Blo\Y from the tar , ncl I rould breathe i11 deep­Healing· my car~ .

Charles 0' Flaherty.

23

T\' \11 0 Tl HE~

T'lvo Caricatures

Th s lf-: uffi ·i nt ' ll1l sprH\\l.· ('(llll llac­ntlv in fh l n ·k "ar l. . .

I , I o it r . n 11 1 l 1 111 u r ll i11 u · • < n 1 'n t -ll :v, i h n ] k ~ i 11 at o L r

cl 0 r i n 1 h \ n r 1 r 11 0 011 h p f ( I" c ) n \ -. lllg.

Th moou \ a ·a 1· l )~ f1 )r h . ha' :--; , h ( 1 : ' . c I u l­

la th r bl \\7 i no·-Th \ tar his \\1a. :r'\"l r I ofiSJ)riu

knO\Y thj : n ,~ink.

A GROVE OF PINES

A Grove of Pines

1\.. grove of pines on the hill­Au tere and dim in the twilight, Remote a11d lovely in the dusk; Like a proud woman in mourning, A 'vai ting the on laugh t of the tars.

26

I 1 a

n : 1 ..

in . Ita I(\\ ,'

· nt , 1 1 ) 1

a1 l f lad . 1a]

. 1 l

1 11 ,r 1 )\

. u

POPLARS

Poplars

() wa11to11 boug·h , a11 amorous ttade You ply with summer winds.

And \vhen at dusk you tremble there, You moan capriciou. Hin . .

27

Early Morning

Tl1e mor11iug mi~ t~ ri sP I.1ik ~·mok) fron1 an oll man : pipe­

In h oil r 1 roa hfnl li o·ht Th tr s eaL t off 1 h ) sha lo,,· ~ 'n1brae

1\.111 tl1 'v dla11l til1n .:.; is pi r e ' I B ' "r 111 rn ~ t i 11 o·, rev ;) r h 'r a 11 t ~ o u n d ~ .

•

Leonard H c;/ it .

NIAGARA FALL

Niagara Falls

Thou mig~hty cataract that holds the eye And sot1l e11thralled within thy awful pell, \\Tho e tht111drou. roar, a from the depths of

hell, Aud boom ~ 011orous broach the trembling sky; PlleilomerlOll that dost but dignify The lope precipitous that rear and well About th3r gulf; eternal pectacle, Who e noble flood no word may glorify, Iay thought llblime of thee be holine

When flesh is \Veak, and faint the spirit grown, When peace is lost in din, and cares depress ; And hearing lo\v thy thllndering monotone, iay· I know then the treno-th that I po se s

And that of thine i God'~ a11d God' alone.

R. M. Grindle.

29

Stars

- \\1 } }( '11 1 h 1 • U 11 ( r

.. \ n · k th

11 .

rknlh~

lo >r .

11UI

The New England Heritage

The freHcoed fro t upo11 the -vvi11clo'\v-pane; The half-bu ... hed Cl11\:'e of wi11d in 'vintrv

• bla ~t ·

' ThP hi s~ ing· of the :fire o·one in aile;

The Rhifti11g· of the lrift alo11g the path · The falli11g of the log, up etti110' frantic embers ·

Th rrarki11g o.f the brittle-naked bol1o·h .

Th ~· ar tl1e chilly thing~ my mi11d remembers. 'rhe.· ar the l1eritage that l\Iaine e11dows.

]. O'F.

31

.fE\\ gJ..s l '\ \ ~I· .. TTl~<:

le'7vels irz a Setti11g

I . t o 1 h •. · i d \ n I a u o · h i 11 o· I roc k. 'Ph ) j " 1 1 ) t '\"a t r I an '{ d nud g'll rg·l d i 111 ( r( Hlll.

J HrllilP . r r a el< . Pr \ jp\\, . I i ·k ld np . ·o1u \ 11 l h 1 J th '1111 pJinJtL i11 111 ltntul.

. \ 1 a. . h i r .o· I :. rn n \\ n . · l . o 11 <' .

\ n d I h l l l Hlll o·] d J , u 1 i n1 1 i d \\' « ( 1 i n n 1. • 1 a lr n .

Paulin lVau h ' .

COBURN H .:\ LL

Coburn H all-After the Fire

Forlorn a11d n~~ eles , no,~l it tand apart, ~or do our footfalL rock the 'vi11ding tair . They \vai t ; the~ lj ten. Wi tful little air ~ t al oftl~T lll) a11d doWll; when they depart 'Tis till. An] throl1o·b th nio·l1t, th dripping .

ra111

FalL 011 thi~ cl1arred and broken thi11g in o-iant tear~

.\.ncl all the .. ad-eyed gho t of former year itnr p11zzled tl1rough the doors.

Ag·ain t the ~~moke-dimmed pane, Througl1 ,,,.hirh a haft of pallid 1111-light

creep , ... \ ~.,mall bird beat. it fpeble broke11 'vi11o· , b"Jxcept at nio·ht, ancl even then it leap -'- o·aillSt the gla ' . Thi .. loYelie t of pring Ha .. quicke11ed life, and y t the bllildino~ leeps, ''Thile to i 1 s flame-~ rarred walL .. the ivy clings.

Annie Hooper Goodwin.

33

Holiriay Wi?ztls

I an1 1urniuo· to-dn' < {It, hnul< \\ nr ] '' nv~ . . I r Olll \\ 0 . . \ ( n l v ( r k r ll a t i Ill(' ~ l t f r .

I ronJ th u~11 ·nd <~], .~ h in th ~·rno1hl, f< r a. l1

r I c ' J1l j )1 ) 1 d far n ] 1 H 1

m.

I

n ''

HOLIDAY WINDS

ll thi. pace have the wind to roam \Vith the farther field , to yon hills serene,

1~nd th ) ribbon of river tl1at lie between.­Herc, in the home of th \vind ·, i my home.

ill

I have met the "\llinds in a city street, \Vh re tl1ey· \Vhined to me like a pri oned

hound ... \.s their futile rag·e 011 the barrier beat­

But never e cape from tl1eir prison found.

Is it the sig·n of the city's grace That even the \vind are shackled thert-'!-e­

H ld by a lea h to a tread-mill pace, Wino·- lipt bo11d lav ", beat r: of air~

IV

~ly lip· in fancy· take up their cry, nd my heart g·ro"T big· 'vith a g·r at i11tent:

''I'll loose my oul in its eleme11t Lettino· it fre wh re th \Vild \Yi11d fl,r."

•

Contributor.

35

SECTION TWO

LITERARY POEMS

A LITER\RY ONNET EQUEN E

I

To Robert Burns

l)lo\ving in the radiant field , he \Vov Rude, lovel)~ ·ong· and rhytl1mic \Yonder­

tales . • J oyou ~· , he dipped in I r ature '. trea ure-trove

~ 11d prai -- d tl1e '"' llll, the mic , the thunder­gale .

When \Viuter \Vind drummed di ~mal threnodies ()n cottao·e doors, he charmed the neighbor '

ear With jigR and dirges, puckish drollerie

That fired their mirth, or bl11rred tl1ei r eye with tears .

. A.y, \Vi t che~ \valked b n a th hi erie pell, Tb r oom \\'U: filled \vith leviL, o·oblin._· , lve '",

• nd el iritch folk -- prull<Y from an odorou hell, And jolly beg·g·ar diced among them elves.

In all his day~, thot1gh hara ed a11d ill-L tarred, 011 ~ i lv r pinnacle._ he Rtood-1 ru hard.

39

A LfTEHA 1\ Y ~n :\ ':\ l·:T ~BQ b N ' l~

I

1'o Francis Thot!tpsot1

' l l •

\\ill tll \

LITERARY SONNET EQUEN E

III

1ne Burial of Thomas Hardy

They loved thi ge11tle, melauchol-y man Wl1o Yoiced their orro"r and their robt1 t mirth, And they, hi o'v11 beloved, g·rieving· clan, 0 'er-laid hi ~ heart \\ritl1 fragTallt We sex earth. \Vith them, he knew a11d loved the g·leaner 's

ono· 0)

The ruddy g'lo\v flung· from the malthou e door, The lonely furro,,r, and the market-throng-, The everlasting sky, the upland moor.

Though lif be patterned after his de pair­Tile cr11 le t capering· of a callou God­Thouo·h men, de pite their acrifice a11d prayer Should 'xlin no more tha11 Ullrelenting sod, H ' till live~ ubtly 011, ·till throb~ hi 1 breath In Jude and Te , a11d on th Dor et heath.

41

Robert Louz"s Stevenson

( \ r r i H n d (} f' lt i ~ 1 J d i ll 1> 1l r n· d r.l ·' • ' I (' : de .

Ikn \v· hinl .· ir- 1 \ '\\Hl(·h ; lhis:] idtr.' l'rtUl j\

d. l •

~ ~ ·t h n t •

i ) • · r n

TTH p t/ r, 9.

2

TO KEATS' GRECIAN URN

To Keats' Grecian Urn

I bid thee live, thou ageles Grecian Urn. Thon gracious breath of lovelines half­

breathed; Thy p11l ing immobility unlearn;

Reveal thy myth half-hidden, half-conceived! In Tempe let the glade be rippled b"y

The vagrant breeze that tiptoe on the hill; The backward glance, foot raised in virgin

flig·ht, Be qt1icke11ed by the timbrels weetly shrill

With echoes that re-echo from the sky, And et the g·rove a-qt1iver 'vith delig·ht.

R\vell, :1\vell, ye pipe ! Y e timbrel madly ring! Set free the ce11turied bea11ty of thy otll!

The rna o·ic of the melody you ing Nor time, nor everla ting time COiltrol.

Y e leave , fall soft; the earth, tl1e earth is kind. Long, ao·e ha-ve ye ht1ng, lo11g ag·e h11ng ·

Forever \Va~ving·, yet foreYer calm, In fixed motion to the bortg·h have clt1ng,

And la11ted ever to the stayino· \vind . •

What god hath made thee pau e? What pagan charm!

43

~ hon vouthfnl lo\ ' r, : \viftl Y s11n1 ·b h ~r ki ,_. , . . Ti .. , .. , v ., t r for its 1 ~i11g· lo11 · d ni 1·

'l h~ ru ld ~ mou1h \\a~ sbap •cl1o kJ1 ,,, ~nch h]i~.

1.\ . o nl ~ f o o 1 s < r t h o. u n n 1 o '· t 1 I P r i 1 \. \ TludiholtD"h hPr lip. - Jjk • ~on1· 1 r11i Pd 1 nrpl ·

flO\\'" r

11 1 ·1 : ~ d n \" r . ~ 1111 )· •

vnu 1· •

th: t li 1

. h , '' ;) r . 1

• Ill

TO !{EAT ' GRECIAN U RN

() frozen bit of time, thou Grecian Urn! Thou hau11ting memory of a world gone by

Now break! And at thine n11wept breaking learn

The penalty of living i to die! But let no ' Tain reg~ret , no rain- wept tear ,

Be,vail th~T battering·, ttic va e! Tl1ou hast fulfilled the promi e thou clidst .

g1ve, ..~.~nd though the form be lo 1, the rig~id g·race,

Tl1y 'vi11d-.. itirred dtl t hall 'vhi ·p r to the years;

''There is no truth, 110 beauty, .. ave it live. ''

G. P., '29.

45

~0 ~ Nl~T TO \ l LLO ..

Sonnet to V£/loJJ

u 1 h r t . ' b l (l H n d hi tl 1 \ r t un s 111 H.:.

\ illo11~ 1 h \ 1 a v \r11 -p Pt I on o· 1 < • 1 l 'ale ... l r i ~.. u b j · t d s 1 h i. d r ·a u1 , r ~ , l' 1\ ~

I~nt in thP v nnJJ<>lt ·la h.- flll l: hi ~ (oJP··uP . . I I '\r r i t ~ < f' t h c . , " h < r ron 1 h n "" ,

BEINO A .. LICiHT Y .. \RI TION

Being a Slight Variation of a Theme Made Famous by Francois Villon

(), I \vonld hold l1igh carnival; 1\.11d I should cro\Til :von Q11een,

.1\.nd I ·hould brino· you je\veL· rare, ;\.nd then . . le t I ha 1 be n

Too nio·o·ar 1lv to coulltellance, ~

I'd all my King·dom bri11g To lay it at your litile feet,

If I vvere King!

47

]. O'F.

'/ 'he Outcast Pla_yfl. 1·ight to his Cr·uel Mistress

t o l ( nl' ~l \ 'r ] t' H r

I thinl\ I ·n \\ rit( I a . L i en '"i 1 l l

'' . ] 1 I ( I~ : \\ i 11 '"' n 1 • a

I

. .

n L · rt '' n · ~ ..

, I ri n d.

fri H •

] . F.

~ CJNG OF ~I .\RIA CHAPDEL.\INE

Song of Maria Chapdelaine

There's a sl1adow on the l1illsid bv the falls of . Peribonka,

And the bud that felt the blooming no\v has felt the blight, and blo\vn;

Spring· ha come, but come no . eepin~ of the ~ ap within the maple·

There' a mold upon the m ado'v and the '' oi eau bleu'' ha flo\V1l.

Bluebird gone, no\v it a raven h~r the banks of Peribo11l{a,

And the fall s that ang ~ o 'vildly drone a dreary dirg·e and low.

Hark! A foot .. tep on th thre ·l1old; 'ti the Rea per' tep eternal.

He ha~ berkoned · he i rallino·. '' Ah! rna cherie, mn~ t you o-o?

49

~ \ ' 11 an l h mv B raH ·oi ~ lo\ ~r. gotH' fo1·t \r .. from P ri bonk a I

~ foll i ~n! 1 h _) nigh1 i~ lHll' . ~: e rU:-\ h a U1Y

l1 art b n ath a ~ ton :.. ! In th ·: \\ >d. f ha f r la1· d lU\7 fa f h 't\ burn .. a .

b 11 forP'\ r CflH ue}d :s,

R •a,r ,, a ·ro. ~'. hut 'ti .. 11 t ,J <, us . 1 tr ·r~ 1 hbrP - Pn lnr •,' t h' er l\Vtl.

'' 10 mn t alld lind 11

< f J ri bon I u ; F'or n1 v ~ ( nl i

•

' I h IJ,. 110 p1ii j al 1 H i { · j · n 1 t ~ n1 hI i (2 r a i . · · ·

llHt idt I

I ill id ·

• ONG OF i\lARIA ,H.\PJ>ELAINE

P ace at lea ·t, but in th t V\rilio·ht, by tl1e fall of Peribonka,

Come the wind to whisper ecret of the r1orth and =" eem to ay,

''I've a me ao·e, rna nfaria- be \Va~" miling when h sent it-

~ Il y a longtemp que je t 'aime, jamai je ne t 'oublierai.' ''

R. M. Grindle.

51

Phaedra

, r · H ~ a r t.! g· r \ n '\ h 1 11 a 11 J1 :) \V a] f h n tltou ~ nnd un ~ Ela\ l uri 'ld t1H r . hill \ o· ld n throuoh: l f r Dl 0 U t h \\ a. Ill 0 • k r \ > f . \\ ~ t ( t t h i ll n· ~

•

l I a 1 f-br a h d. I h h ) II " t r

l

r ] for h i ~· ' ttl h •

f 1 hi H ' . u1 h a 11 ) \ V d I u t

G. P.

HORACE

Horace

A Sonnet

Yon never burned with \Yild, ec tatic fire Or \vinged, left the clinging· earth to oar A11d ra11g·e 'vith singing god · the heavens o'er, Nor ever felt the pain of vai11 desire. Not a appho, Shelley or Keat did you aspire To unknown beauty or in prayer implore Impas ioned gift · to trike, i11 pired, more And more celestial music from ~your lyre.

But, urba11e frie11d, most graciously you walked The earth, and left the cloud to those with .

Wings, .~.. 11d dicl not dare forbidde11 heig·hts ascend. Of peace and homely cou11try joy you talked And \visel)T .,ho"\\'"ed the \Vorth of imple things Exceeds the riche for \vhicll men contend.

]. A. D.

53

Vanity

1.) ~ t on r t a J k b ' h rn ~ ' n 1 H 1 hi g· h, l,or ·011\ r . at io11 i ~ n g·l< .. , rr 0 d I' ~: 0 U l" Ill j 1l d R H ll d ill~ 1111 <' r . h \ . .

on tributor

A FREE FOOT

A Free Foot

Homer was a pretty poet For o old a Greek; Yet if he could only know it, He was far too meek.

Bour1d he \Va).; in iron fetters, Hard hexameters;

iilto11, prisoned man of letters, Wore pentameters.

Spenser's metrical restrictions He i11vented,-so Endle miles of cramped co11strictions He 'va\. doomed to go.

~lodern imagist ·, 11ot rh)rrner ",­Heavell ·ave the mark-Freer far tha11 tho c old timers Of the Ag·es Dark,

Run from -- trophe on to strophe, Slipper less and fleet; No Victorian fiss Alfred Sta:'· those reckless feet.

55

ln~Ps, hi 1 n1\· 1 ro<·h) \ .. \Ft~ il n1, . ~ ron1 t h mad ]Pll d ru. h ; 1 ;).·~ )d nin \ ol ~ lllaid.· doll ~t rail Ill\-

I I u s l1 1 IJ ray ~ o n h u s h !

Florent E. I lliH1.

SECTION THREE

POEMS OF LOVE AND MIRTH

TRIVIA AND MARGIN ALIA

I

Trivia and Marginalia To a Certain Maid

Here' a ~er e to olace me, Again t the hurt of Spring;

orne fall i11 love and bruise their hearts-

Not I-I'lllightly ing.

I a,y· tl1e leaves in bur ts of green Deck every foolish treP.-e -

They'll die and dry-and in the fall What bonfires thev will be! .

I aw two robins build a ne t Of twrigR and wi p of hay­

Boy Rtole the eg·g , and winter'~ winds

Will .._ weep the ne~ t away.

I aw a daft man kiss a maid, To love fore'er he'll S\vear­

Tra-la, he 'lllie to many a maid Before this time next year.

61

Il

To Another Ma£d

i. n1 v d ) 1 i (J h t •

To ~11 at ui<·ht 1 11 1 o· a i I~~ r J 1< lJ : < d i z ,

.\ 11 d \\" i 1 ]l u~ r (l' (' I a i 1 L 1 0 01 r 0 . \ p 1 a t raj n ..

In honor or 'our

'I

•

ru ~

·all hi. ~h

nn

TRIVIA ~\~D lVIARGINALIA

An l rio'11t thev'd be-.. 'Ti true, you see,

A every vvise man knovvR, That love will die As day o·o by-

The thor11 urvive the ro e.

63

'f'o GerntaiJze , t

H~ T: 1\ [

\ r

III

TRIYIA A~D :l\IARGINALIA

IV

A Plaint

I could forg·ive you anything­A lie, a cruel word, breach of ta te, a mad caprice No matter how ab urd.

l conld forgi~e yottr faithle 11e And even sins much 'vor e,

ltJxcept one thing·-you 11ever a k To li ten to my ver~ e .

•

Damon, '29.

65

SO _ 0~ TO HELIErg 'l' IIr~ Tl~~J I l i\1 0}1' \VHlTIN

T.,F..FT8ANDEDL\

Songs to Relieve the Tedium of . Writing Lefthandedly

Recrri1niJ1al.io 1

~i ~r l a 1. r i " '\ \ l1 t h 0 ll ~· h t 0 r :--\ i r .t\ 11 d rna 11 ~ ~ h a Y ( ;1 u n g 1 h \ i r l o' ( t o h t t.

I:I e r h P k" a r e m o. · t d i ' i 1 1 \ J \1 r { ] -. nIna .: J, \\ j t h b ln h < f' 1 H r b ' r r 1 ~, ~ p ~~ 'ad.

~lali ·iou.· are bPr P : au1 hrO\\ n . 1\ ~ . · p r i n ). -1 i nH l a n 1 t h • 1 I '" t u r 11.

do,,.,.1 l.

I I< r b air . I h · f11

I i p:

.. 1 r .

ONG TO RELIEVE THE TEDIU M OF WRITING

LEFTHANDEDLY

IT Bug-House Fable

A collegia11 penned a ver e one day­'T,va not too bad, we 'r proud to ay, But trang·e to tell, he had the wit To neither quote nor puhli h it.

III cienti tAn zver c:.: H erculP

The trag·edy and triumph that I know Who eek to conquer earth and sea and .

a1r Is thi : that how oever far I go, I dare not write a '' N e Plll Ultra'

there. IV

Defi'nition r ou think I'm prudi h \Vhen I do not

laugh ... ~rour re .. ounding joke-.: o·ro"r coar er-~ o flinching· thi,.., but boredom, illy calf-1 too have read my J uvenal and

•

Chaucer.

67

~O~c;s T H~~l I r'\ l !J 'rUb TmiHl 1 OJ!' \\ HT'rl n

LJgJi'TflA .. I>F;J IH.J Y

\T

Prayer

F' ro·i y· mr nut n y in " lJo r I, I I o a h t h 111 n l and a 11 , .. \11d llOt h 't'H ll. <' t h r br{ kt thv Ja\\ . . But ah .- Iny ~;j u~ '' lr ~tnn ll.

Col n Cleut · 9.

' ONG TO BELIEVE THE TEDI l\1 OF POLI RING BRASS

DOOR-l{NOB~

Songs to Relieve the 1edium of Polishing Brass Door-Knobs

I \vent \Yalking Light a air,

I

()ut aero the do\Vll · ;

Left tl1e little road behind To the teepled to\Yll .

I went \Valking· Lig~h t as air,

Proud head lifted high, Didn't see the earth at all,

Onl)r 'vatched the ky.

I \Ve11t \vallcing· Lig·h t a air,

hould have had more en.. . Should have watched mv l1umble

~

feet-Damn the barbed-,vir fence !

69

•

O.LTG~ 1' HELlg\ 1• .. 'riiB ~rLIH ~I )J!, P H.Jl~ HI~TG BPA~ ~

I OOH-1~ ~ OB.

I l

"om' liv ~· ar ~lulp \ l on a 1 t 1 r '~· 'vh l,

rtlerl 7 liY s as a rul) ; •

But min:. \\H~ ·o k l jn e1 ·hnfino li h

.l \ 11d fl1 n turn '<lout 1o (' ol.

I e a 11 ~ ! \ v h \1 • t r o 11 g· 1 ' u h a ( i h , i r .

I ·an e a )·

r u u r d

,,.,n 1 oop r o d '' J.

7

CHANSON TRISTE

Chanson Triste

Mesdames a11d Freres I cry to thee ~trike off my g·yves, assoilzie me!

l11 name of l{im " rho gave in fee Hi life for yoll on Calvary Bespeak for him who makes this plea \rVhen bo,ved i11 prayer supernally. 'Fore God a orry wight I be-

'' I have no coon-skin!''

The mouruer' be11ch henceforth 't"~ll be; No more the joys of minstrelsy­Laug·hter, so11g and bonhomie,

tarry uio·ht and some belle fille; .. o adamant i · fate' decree

There' nauo·ht a bear ki11 e'en for me. nd thu~ I rry in accc11t dre~-~-e -

•

'I haYe no coor1-skin! '' Envoi:

Good frie11d ~ , rive not yollr oul for me There till i left \\eet po ~ ... To turn the dark to g·aiet~r A11d lift me from the laity •

''Who '~lear the sl1eep- kin.'' ]ames H. Woods, )29.

71

In Suictdal Re~ver·ie

~\little \\hjh nnd I ~hnll ht 1 old ·la. h n )n h 1 h \ 111 ou ;

.. nd \'Y l\ ·t-fc ot d L rnJ hj111

~ ill < a 11 · ' a r i era d o ll •

... \ n d a r g· 11 - '' j n • · 'd h · u b j 1 1

\~ i ll .. • t 1 h ' i r h a r 1 L a t u n .. \ n<i Inct k 1 ,L. t ial ar1 i\ al-

h )ll I ]oat i1 11.

L~ l ·or the J31 }~ I'll n1ak ob i

I~

' hi 1l ll

f th

h

v {

1

IN UICIDAL REVERIE

Di cour ·e I will "vith Homer \vi e, By appho be cajoled;

\. happy portrait, frie11d , it i -But the water' awful cold!

]ames H. Woods, )29.

73

LL UP

All Up

I , t o o d n t h P b r j d o· at rn i in i ~ h t , Th · a R \ v r :\ r 11 in o· high,

~\. n d the :hip h n d a It a o-j t a t i o 11

~rha1 mad m"' \vaut to di 1•

~r\\ H~- H stran J. Hll { ltlH' lJ f h r t.lillO',

That l1 ld n1 i11 its o·riJ .. \ f lin r f u1 icr a ban lou­

) h, b o ' ' I ·n r . l d t h < t ~, hip !

In th i dep1h~ o · l 1.}JHir I flound ~r I, Thinkino· 1n \1 t in1 hnd ·on ..

•

~ ·a r · · b 1 1 o k ) 1 111.. f t i 11 ·,

\\ " k a u d · > l d , n n d 1 111111 h.

ulusrd P. Hod dora .

7

SONNET CONCEIVED IN A RESTAURANT

Sonnet Conceived in a Restaurant

You are a whimsey little maiden, dear; Why do I like the prim, old-maidish set Of your red lips pressed round a cigarette ~ Why like y·our careless walk ~ Why like to hear Your confidences poured into my ear ~ Y Otlr talk is daintily profane-and yet At my rebuke you gaily pirouette And tweal{ my nose. I love you because 'tis clear That underneath your sprightly gracelessness There lies a stalwart heart, to understand, To guide me with a quaint, strong tenderness, That makes me proud to kneel and kiss your

hand. Not time, not death, not sorrow's biting brine Will shake my love, divide your heart from

• m1ne.

76

r·aT li\JATIO ~

Sublimation

I ha \ 1 arn ] T h ~ t c1 c- ) ·. • n r P t i 11 ~ '\. ) P t '' i t h o n t ~ u , 1 h \ ""1111 ~ g: r ! • t i 11 o· 11 o I

'-

T h ) b l n ) h il 1 s b c- k o 1 1 1 n1 ' nd I ·an . till a·· pt

rrh 1 ~U 1 t} • i11\·i1a1 i ll f t }H d11~k

\ T ( HI •

ontr,butor 11 •

7

FOB A BABY GIRL

For a Baby Girl

Her eye are of the lark pur, lier hair of un hine .. pun, H er ti11y hand that g·ently Rtir 1\ r e r arhi11g for the ... un.

Leonard H elie.

77

H C' lll~ 1 .J

Rachel

() to~ :\the \Vind hru: h 1 us{

D a r a r h :') 1 ~ a 1n I ( r h < 1 i r ~

'l o !-' P 1 h ) ~ · tut 1 a~ <' o1n pI i r J \ 11 t. .. ,L\.. : I 'v o u ] d 11 ,~ t r d < r

'I n '' at · h t h ) ~ ·a -s p 11111 (' or i 1u fl k <'

1 ol 1

( >r Hat ur' ~ t I'( I in~ and \\ ho11 t ) J\110\\7

I. ·~ 11r ]y 1o ]u v· l c \ . /., onard J lze.

7

THE CREAl\i OF A .JE T

The Cream of a Jest

Man is Hvvaggering and proud, ''I conquer the world' '-h think aloud. IlL mirror sees him pose. Perfert! From h ead to toes! The fete i clone, hi word he bl1ckle . God ~ it bv and chl1ckle . . . . .

•

and ch11ckle '"' .

79

NO TR1 ~IP

I n1 bor l 1 onig·ld. T i r 1 0 f l 1 t i ll o· Fa t \ p l 'l y H l 0 11 p.

It isn t :Jui1l fair ecan · 'on ~ ' I lik card~ too .

Th car 1 ~ :" h nfll in o·-

T 11. · bi ~-rrll ll 1h \ pia. ino· \\ itb throaf \nd l1eart till-

r\ •

J.cJ\r ll thong·h Ill ~ I i 1 !" la 11 l']l P a . i l) r\ t t h \ . r ". '~""}1 r tt J ~ { hi ~ .-~a 1 n l I ) In ''hi ·h ih<' f't \ V 1 ri ·k~ p·j \ Pll llH

\r fac -111 . l \7(lJ i k11 \\".

FARBWELL

Farewell

Parting Don't frown! Do11 't stare ! You ar....._e -Iam-Wbv care'

~

Let' laugh, Not cry­You are. I am. Good-bve . .

81

Grace Heffron.

The Charlestort

( m go11I1a harl · ~ t 011 hnek To m\r • lcl :hack . I11 l1arlc ·ton! )harlP~t< n! II( 11 cr m. lu t up 11 t h ) ra · k In 1harlc, ton! barl s1 11 !)

1\ \ T j ll a . :l I a I i ~ ( d ] ] l i o· h To k") 1 tt1 b •<t ~ t . tll(tt J><l <1 1 b. '-II lar 111o ~· ) (orn-fon . b :tf! Th :1 ·hi fiai11": IlJ'llhct\· ' \\On H ficrh1 \11d 1h 1 \\ill < <"J. l< br: 1' 1 )Jlio·ht .

'1 h l \7 fin l 1 h i r \ j (' 1 o r .. . ''7 , 1. . .

nu \ c

•

THE CHARLE TON

Each warrior 'H yeball · \Vhitely roll, The avage mu ic snare .. hi .. oul­J ung·le ·pectres loom. Dance-,vhipped, like young· palm· in a ·torm, They t'vi t and turn, a thin-fla11l{ed warm. Hear tho e drum -Boom ! Boom!

Deep jungle ·treaked by red fir flare, Black my ticism i11 the air,

ee them drop and sway! Far-flung· o'er miles of jung-le float Exulta11t erie from strong, free throats. Hear those drt1m ! Hey ! Hey!

(Learned to dance in C harle ton, re\v rio·ht up in Charle ton,

Found romance i11 Charle~ ton, harle. ton! Hey! Hey!)

Contributor J '29.

83

A Stalld lngin

\~ h n "o ll b )n 1 b r it \ J v· ) 1111 t h ~ 11 o •

nd \vinz U\ S\J, rt ·h ir1 p ~' 1 th \ l c·ro, Th n dutl1 mi infu11t mu~ jus]Jir ~ii' rdunt )] 2 too11 it li·lr;

'i ,,. f ) a 1 in ruth r porn -i H k 1 in d ) 1 y· P r i 1 t h · p r o 111 p 1 i 11 . 11 \ In i 1 n i n d l.

hook -,

A STALLD I TGI :T

8e\\1 lurn a le ·un frtlm mi fayte A11d heede thyss warnin, ear 2 layte, 1 theefe maye steele a miser' golde, .L\.n ejil{ashun kant bee solde. Butt hear i amm; i lo ;te mi que te · nfi Oll' a- inkin im1 thee \Ve te. I "'Pa, tward collig looki11 bak, .Nii i11g·in talld uppon the trak. Iff Gaybrill, 'vhen he bloe hi horne lT ppo11 thee rezzerek hun morne ~Ii ignrunt minde shood tri 2 te i, Ide anser hymn mi veribest, Butt heeve ann unavalin si,-lVIi spellin wood knot git mee bi.

Pauline Waugh~ '29.

5

The Student's CoJJJpiaz7t.t

1 , i l il~ ) 1 > 111 a k \ H 11 n i r \ · ' 1-. ~ <' •

T i 1 h '' · i 1 d n 11 l a r t 1 ~ s g· r a · ' "'1 t r l n1 b I i 11 o · ' i ' j d I i 1 t I t h i Ill''

\~ ith ,, .. i I\_ l ·d •

\ \'" r P 1 hn l

la11c

Paul Da'Vt 0.

A ~ TGH, ~OT TOO GRIEVOUS

A Sigh, Not Too Grevious

After you went, The da"' ''.ra o·ray A11d lack and pent.

Little thing· to do­Pick up a paper, Lace a hoe,

Clea11 a pen, Trudge for the mail, And back agai11.

The11 11othi11g· to do But tar at the wall, .£. nd long for you.

Bertram Harding, '30.

87

KISMET

Kismet I

\\em t at }Jlay·, t h' o·am. of ll •art ; Toy·ed '' ith npi<i' 1 oison l clart:o\. You a ·ted" II your littl • part, Tin, el girl.

II

Time mo\ eel t h \ pa 'v11. , \\ • tir i of pia . Our to:r \\1er tarni 'd h d-])Ut H\Va~r For ,.. omeon ~Ise-anoth r da '· . .. orry girl

p r .Jilor.: 111., b ;i<lrt i~ < . ' d. a~ not th< t 1 ]a~ ur hri b 1 rid

\ a. h; t ll t 1 \ ,,, t . 1 d a, i \ ho an ll 7

SECTION FOUR

POEMS OF TRIBUTE AND REFLECTION

ONG OF BOSTON

Crocuses I

Your Boston snns are cold and gold Along the length of Beacon Street;

And all the dainty piebald bed Of small bright flower~ lift their head

Along the length of Beacon Street. Your Bo ton suns are cold and gold

Along~ the length of Beacon treet ; A11d girl thrice bleached and carmined, too, Flaunt saucy hats of crocus-blue

Along the length of Beacon Street.

98

Boston II

1~ ~ llll )(

1\ f .. ,v of th ~n1 ar I \ft, 1 ho.·p <·ou rtl. lllPil ( ) n I3 l a ·on I i ll i 11 g· r a n d < u1 -111 o d l , l o t h h" ,

' T i 1 h lr en m., or 1 o I d ( r <lu ~ . f h n 11 t h es '- l a ~ ~ . . \\~h ll

E 1 ~ ) 1 ·1 i IJ IJ r - ~ h i p. s n i 1 d o u1 1 o I ( r 1 n do l,~ . O\\ Yani:-:h '(l ar l tlHl . P ~ JHt eiou .· ,.j, id d: ~ ~

t o 11 H r 1lt b 11 ~ 1 1 j 11 p: \\1 h a r \ < ~ 11 H fa t h r ~ knu\r

tOtl' at·· th • 'n -br, I ~" c 11 ~. 'I h rP •· ll:tttght in

<~do1 e or f \\ <. ) ) (.

SONG OF BOSTON

The Hole-in- The-Wall III

.... L\.. t ep or two off Fayette treet r s a cos~r, calldle-lit r treat, ThP tahle painted red, a11d bare, .A. })Ologie for table\\Tare, Fum of coffee black a ~ jet R\Y ep out from 111e kitcl1e11ettc . ..~.. nd La 11ra, of the lnzy eye , Pre~ idi11g over tl1is paradi e. Nonchalant, beside 1 he pai11ted door, She li ·te11 to l1 r gu ~ is' uproar . .. A.g·ainst tbe haze of cigarette Their face~ make a . harp vig·nette, Jutting· Ollt in hig·h r lief-~lll "icinn, box r, beg·gar, tl1ief. Th re Pedro \vi11ks a velvet ve .,

.l\ud fling· at n a \Ve pa by A o'Y"I sy, wry smile all l1i OWll-Part man, part child, part leprechaun. Tom L , hi ~ \Yai ~ tline tio·ht \Vith beer, >bser,Ting· all ''ith paphia11 leer­

T\vo tude11t ~ regall3r \Vithdrawn, Dchaiing \vomen, pro and ron,

96

'

1 )\\ .

h 11

rt· n 1 1 1 . •

orrtJ Potter .

ONG OF BO TON

To the Blind Fiddler

l\1echanically you scraped the strings And you \vcrc dismally off the key.

You mu t haYe thought of dead, lost things, Of thin<r, yon once had thot1o·ht could be .

•

For the tune 'vas a lilting·, dancing~ 011g, But you played it slowly off the key,

And held the minor notes o long It sounderllike a diro-e to me.

Drearily you plied your bow Amid the pa, si11g heedle throng.

I 'vonder 'vha t had adde11ed you o ~

To make a dirg·e of a danci11g· 011o· ?

97

]. D.

Olympia ( 1\ .. J o r 1 I n t P r 1u d ) )

. I The last strai11~-- o · dan<'< Inusi<', tl >·ttiH'1' int >

nothi11<r th ln . t ire 1 ki~., tbe In ~ ( lro1 of tri11,

th( n111. ician , J>a ekiucv up tb jr in 1 rurrH n1 ~ ,

t h c ) a r 1 y· n r r i ' 'd < f 1 h ~ m j 1 k111 an t l h l ~ it a 111 a ]J] > r a · h ) f n rl i 11 o· -

I . n \) r 0 l' ()' ) t 1 h i :s J a z ~ \~ 0 r I d : l I ){ l \\ i t Jl ' ~ • • llH., ll .. i 11 a ·tion-

'

,. \ • :T ( fla h--~ l < rrn

·rn . n 1

SONGS OF BO TON

b. risscro · · tactic 011 ~ moo th icc,

The gleam of speeding· ·kates, Kaleido cope--cha11g·ed in a trice, The port of 'vinter date .

c. Pent-up energ·y train at the mark, Waiting the crack of the gun,

throbbing· heart-the vi ion dark, The blindi11g dash i won.

III Night in its race has overtaken day,

the stars are powderi11g tl1e no e of Cassiope, the :first train of dance mu ic-'' Hey, hey!'' the Jazz World awake , etc.

Leonard Helie.

99

~ON:b~ OF B lsT01•

(' Traumerei'' ( Otz the Violin)

It . )em \d tc tell of plig·ht l 1 lo\rO Hlld )1){

h n 1 a s k . 1 f 0 1' n· i \ r r u t 11 r { nohl l pnrp s' \\~ ] r \in T>a~t it'; r~

mio·ht b for )·ot-.. \ u l t h ,n a .. if t b ., t h r a I o r t \\ o J i \ • ·

ha l ~u l ul ) ~ · 1111 in'" ' •n Jl r a) r o f . 11 . t ; i n 1 b a u t ~ l n u · d f rt h ' 11 l up\\ H rd.

1

SONGS OF BOSTON

A Paganini '' Capr£ce''

As wistful as the droop o± a woman's hanct waving~ farewell;

As haunting· as the sound of a drunken sea, as it lifts i11 sadness a fallen hope.

The11, in acce11ts as metallic as a moon­beat wave, magic and quivering, it mo11nts until,

As wistful as the droop of a woman's hand waving· farewell-It dies.

101

~ ) ~u:-... lF Bt • 'l C

1ne Dance

\ \\""llit·l of fl ( lort d nto tio n, th) e nn.;;tanl \\'. lfl\"" iuu o · I li{ ~·-a lllllllall kalt .. i-

(

d ~(·( } ,_ 'I] · tnnQ"i eJ1a I'll lf Illu . i< -rh~ 1 h111i (' ,

t ndnlntin• . \ itl rt ~ u

• • ~ ra 111 • (: ..

'ni ry- :-o~J>Hll 'rt < k a rd nf

, th uU

I., onard rl lr •

I 2

ONG OF BOSTON

1ne Poet's Work

To take, ''rith beauty-tortured hands, the word

..~.. nd mold it to a mi · ion ' \Veet and strong·,

r:rhat li tening· men might truly k11ow thev 've heard .,

A new r, c.l arer ono·.

Ralph L. Goddard~ '30.

103

SONO~ OF BO-. 'rO

The War-God Laughs

1\ 01111 lf

\' atcl1: I ,, .. ill pai11t th blu -g·old of tb l. k. \~~itl1 bllr t .. of 1 h ck a11d str ale· f ~n ould r­

ill o- fire. Th ~· l1 I l1 r l~' pip ~ loncl martial :oug\ · \Vill

trv-.. P or h a l b nil led lli o· h a 111 i o· h t . p y r P.

1 o,,. l1a rl{ to ... \:in n1u t rill!~":'"- t i~ h ~r ' That 1 hav l shr \\ 11'\ . 0\\ lL 'P]H 1) l ·bin .

• -run L'l

\~""ill ' ak h f cund ar h an it \Yill b~ r 131 o :-- .~ o n1 ~ o f 1 1 o o d a n 1 d a n ( i n . J\ l t o J 1 •

0

RONGR OF BOSTON

Hein?

Freddy k11ew jtlst ho'v thing went, One e)'e gll1ed to the tiny rent

omeone had made i11 the circu tent.

There \Va omething there of interest, A11d Freddy was doi11g hi level best With the ~ ' Canty· view that he possessed.

Bro,v11 s11eaker planted in the dirt; An angry bruise that must have hurt Glowed throllgh a tear in his rumpled shirt.

Hi left 'Ock had a decided t\vi t; As he moocl1ed the te11t 'vith each grimy fist He wa eein' thing· that the other~ mis ed.

Joe in the Big· Tent had a chair. Gee, tl1e un 'va hot 011 a feller's hair! Freddy took another peek-then didn't care.

Annie Hooper Goodwin.

105

l ONG:s 0~" B TO ....

Compulsion

.I ha,-e ~ \ n n1.111 rnisP an nltar, 'rh n g·o ntHl draft 1h ir d.

I h a v · en 1n 1 n r or ~, P ( h , h n lt e r ( n a h r ~ th "" n u.· · fh r 1.

But th -rod th f < tutd \\a ... lik' th( •

h ~· k p 1 l1 i n1 in < 1 • t a II \nd oul\ bY th r ·ill nnd r c I

.: ~

10uld mak ih ' ir hunl < nd hnlkinc,. J o a 11 ~ '\ or k n f nil.

Pooritrhud.

I

SONG OF BOSTON

Judas

When Judas in hi~ ag·ony pushed blindly throug·h the mob,

With sobbi11g breath; Fleeing the presence of that Friend whom he

had loved and wronged, He prayed for death.

He did not ask his pain might know an end, He onlv felt he could not live withotlt that ..,

Friend, And o dry-lipped he tumbled past the gate.

But still that brief betrayal Nor all his bitterness Could quite erase the days He spent in following Him,

A pupil.

That's whv I like to think ...

That Judas paused outside the city wall To o-ive a thi1·sting child a drink.

Annie Hooper Goodwin.

107

1'o a Seif-Consciotts Galahad

~ , h on t cl, s l1 u t . H ) p r I ~ t rat ) . · a 11 a " f ul J I a : 1 h · n1 ? : l I · q u ;- t . t l1 \ I-I l ,

n a 1 1 i u d cl h I\

11 a l a·. 1 r ligi us :-- t( lli 11.

II i. 'lankino· ·JauJ\in r , o·a l lopin~,.:

rnllo] i ) 0" HI th . lor ' >f hi. d ~ ir i·-1q thl bnrr 11

h l I ~ e r Pd i 11 ·l j 11 f t h I ~ o 1' •

I r. diant ( ohJ '1 o11 t }a' ~ tlllllni t.

nl ·

' h ll ..

harl s 1 Flah rt .

POEM

Poem

Man vvith the wriilkled brow, Under the cloudy kie ,

vVondering if he live .. After he dies.

1Ian 'vith the miling face Under the smiling un,

Knowing' hi work complete After he is done.

Charles O'Flaherty.

109

Syllogism

· l1 n -.y r ' ' ept Hn ~ 11 Y r la ug·h )<l, \ \ h 11 ) e r I au o· h d IIn s 11 '' r li\ .. d. I IJit . tho. e \ ¥h o JH \7 f' r \V \1 .

Frank. Foley 29.

1 I

SURVEILLA .,. E

Surveillance

Dawn, lightly tripping, ha ~ laill the Nig·ht, And no\v he g·ambols on the g·reen

tepping gentl~T on pearL of dew-Not kno,ving that the Noon ha.. e n.

Frank Foley) )29.

111

Y { TI

Youth

\\~atPr 1hnt f'all · froJU n heio-h t , 1\ fur 'r f fonn1 . • \\ ift a }p}jo·ht and l 1 uiT-\ 11 ~"ln I h t h H 1 d i y· · ~ ;Ill 1 i . o• 11 ;) .

• ~ tar t l1a 1 i. .. I i 11 d f r 111 1 h c r > \\1 ll

f In~ t ) r i ) u. lt i g h t­r h r ) j \ ] 10 n ~ ) ] n· () u d 1 ) \ m 1 r A 1 a ~. i 1 P •

Y U 1 J i., l l1 r ~ \\"if t ( J H ll t J1 f H Ill

'Ph · t 1 , a 1 • " f ron a 111 L11J t a i n : r h fir J. \ )lJ h ·.. ~ tl r ..

1 1 ( 1 d · dJ . ~ 1 r 1 ,. .

Flor 1c E. 1 unn .

THE RIG H HILL

The High Hill

I perched on the crest of a "\\rind- wept hill With m ·y arm around my knee ,

o full of delight that my· heart beat time "While mv soul da11ced over the tree . ..

~1y thoughts filled my head with an opal fire, And I ang so gay and free

That Life came bounding· up the slope To pay hi court to me.

High, high 011 tl1e cre~·t of that cloud-ki ed hill We sat close Life and I·

We looked on the roof8 of a tho11 and to,vns From our place i11 the upper sky.

"\V e tall\:ed-I forg·ot the thing· I had heard Of him and his love for trift-"-e -

Life gave me a ~ mile, a ~queeze, and a ki s, And I fell in love with Life.

t dusk 've climbed do'vn to the to,v11 of course, I wa Life' in heart a11d 0111-

I dreamecl of Life when I crumbed mv bread • That rtight, in my ky·-blue bowl.

113

I ,,·ai t 1 n lxt da v but h ) 1 i ln t ) In -•

( But t h _J n it '\ H .' 1 HJ ll r i 11 ,u· r H i 1l )

,. 1 t i 11 [ '\ a ·l1 d t' 0 1' 'l l ) 1 ( P r . Ill \ t 0 k · ll a f } e H ~ t

T j 11 m. T e h :\ k < )' r , \\ · o I d 11 t h J n uP. II ( 11 ) , . ~ r e u m . - ] l 11 r i P 1 tn) p rid l :

f . t d i 11 f h l Jll ark • f 1 } H ' ,

13 u t IJ j f \\ e 11 t l '.. t n 11 o t h ... r ~ i l •

J ] i ll ] 1 ru ~,. 1 ' a r-'' 1 · 'H • .

'I h n I ~r ,,... b i t t , r J 1 c 1 d i f · ~ I '' }]ld ·r<\d l1 '" l <·< nld ]j, P .

I l1 1 I 1i u k no rn o r · < r l h; t fj · k 1 P e a d I I

. Ul < 11 o- U]J

l

A . G. '2 .

THE OLD WOl\tiAN AND IIER 'ON

The Old Woman and Her Son

(An excerpt from a poem)

. . . . . . . Tl1u till they :..;tood Dim limned ag·ain t th froWiring· \vood. Harsh li11ed a11d gaunt; o'er her he towered, ..t\. hatchet face with bro,~{ that lowered ... hove eye fierc~ a a ha,vk' , llntamed, V\7herc erra11t, lambent, fiickeri11g, flamed The glo\\r that lig·hts the orb of a hound \r\Then hot cent smoke up from the ground Into his nostrils-keen, and fine, Un~wervi11g, grim, yet naug·l1t malign; Direct, primeval!)- i11ten e, ... \~ thono·h refined by the immen _, e .. "1once11tered blast of 'a titude,

That clean ed and ~ llblimized the crllde ~-\ 11d lurid flare from reeking· pyre._._ It 11ative tate to white hot fire, Essential, pure. By his lank height Grote quely dwarfed, a grue orne prite As gibber through n11eas~r ~ leep With mocking· laugh or eerie weep, The woma11 ~ eemed. No neck '"" he had-

116

THE ) I \\'0 . I \ ~ .\ N 1 l gH s T

• \. b u ll o e I~ s t r a i 11 in l' f · o 1 n t h \ g-ad '-'

' arc l m.l g h1 i e r .. h on 1 d r ~ b u 1 o· :l t h a 11 t h o 1 \t\\ ) \n ""'hi ll1 o \r-1na ·. iy·) rost' II r had. Th' c·ollar l n . . d ''n b nt \.t n1iddl ~pan '' r

To ''"' ~ i h ~- !) a k. \~ h ll 11 t fa t i n·u \ n cl 1 i f • it ~ 1 f In 11cll :s road. ) hi 1 . , or br :ll · n n '

}1 r tor '' a b li ' I 1 i k a tun ~ l1 'r, olic1 .~qnat. l ut in h r fac ) · 1 a tJ1 r bro"·n a maz tra · . .

. li11 tll z 'ul r :\"' r . ill llt nrr r ·il li l

llll

. . . . . Fr d nck . FtJr ll }r.

1

~IOTHER BURNS

Mother Burns

Beyo11d alarm, beyond surprise, With calm amuseme11t in her eyes, She 'vatches while tl1e world goes by­A \vhirling, modern pageantry.

She darn a gaping· tocking-hole, Feed her gold-fish in a bowl, Polishes her cbina,vare With vast composure in her air.

This is her well-won guerdon For bearing· 'rith life's burden: A twilight cool, sedate, .... peace inviolate.

117

N. P., '29.

SoJtnet T o ]

.. ; l v

hat I nek r h lUr \\ph ·n H · '''a. fir d an \' . •

and h 1

-

l l

A GROUP OF SONNETS

Death In September II

She must have music, and a sweeping song· To freshen her remaining· quietude.

he mu t have all her friends, a g·racious throng To join with her i11 every clo11d-like mood.

\Vheel her to the window, let her see The sun-bronzed g·rass, the d11sty g·olden-rod,

The tately fruiting of the apple-tree, The fiagsto11e path where sleepy dahlias nod.

Laug·h in COllrtosy, her comrades all, And let your merry voices ring and s'vell,

For she, like autumn, hold high carnival Before dark winter bid her ay farewell.

Let earth a11d air delio·ht thi fragile heart­(_)f eartl1 and air o 0011 to be a part.

119

A G R < tJ P l!"' ~ 0 ~ N RT

Reassurance - To Ruth Ill

I f n r t h a t l o ,. ) i s l u t n 1 "l In r a ~ ~ f do u b t , a f 1 1 i u o· J· J 1 a JI t o rn o f l . 1 ) a i r ,

~ l ra ngb t \\"l t h hit t t r d1· lo·s il1ld d •onJ( d t l c. :--i ~

\\ .. ith ~ "·iftll 1 ~ , ofafallingcom flar . .... 11 pr ·ion~ thino-~ \\rillr11 t l ·a~ ttn I ru~t

Th 1 e ,,·ill n1ourn h r I roo pi u ht...ad. T 1 a ~ · ' r a r P l. i f 1. '\'~'i ll 1 t o n1 'v· s In : ,

) i our 1 i p~ .. rn ~"' . ,, . .\ , \\ i ll I d r d.

Bui I iJ;:

I

I

12

A GROUP OF SONNETS

Sonnet to Dennis 0' Leary IV

You are 011e of the olid, hearty gifts Of life like books, or keen autumnal air,

Or glowi11g, beaded, fro ted wine that lifts The spirit of a man from lax despair.

There is a eomfort in you, like the feel Of well-worn clothes or padded easy-chairs.

You laugh, yet lies a purpose firm as steel Beneath the motley every wise man wears.

You audience our feats and laughingly, The mad g\yratio11s of our wit you coach.

Denounci11g all our sin with subtle homily, Your virtue bear · a not-too- harp reproach.

tout soul! On any road 'twould be our pride To \valk beside you, matching tride for

stride.

121

Sonnet of R enunciation

IJ i f ' i ~ t h i : a do z l lL ft u tni n o· h1 'v n ~ ~\ han lful of qui 'k-(l.:ino·~ t ·udl'l'

1\ 11tong·htfu1 st rc 11 or 1 ,,.< on ] \\' !" la\\1 11~, J:\ fp"· \\ .. l 1 t i 1\1 (all, a tj' :\ o·n \ h ll r .. . .

It i ~ JH or {\VO fri 11d~, <l }jn·bt .~ ,,iff lc v• \ 11 cl ~ o h , r 111 o ( d s , 1 J o. in t h · u '\ · l n i 11 ( d i t n

\' 11 11 c· n 8 fro 01 . · n1 ' i ru a td 1 t ~ 1 e h < i r a h > , .. P ... 11 ·alnl , a ·anti 1 a \ ~ 1 )r h .. rnn.

JJif i ~ I uilt of t ran~i n ~ ha<l v~~ tbiu,.,. : \.. a n 11 o t k 1 '' b u t ... i l I \\' l 1 i J H J ~ r l H' .

( nr <·od ':san l rn d e. nr \ n1at~d t · i ~ i 11in ts

>ur lJ arL· <: r · ra ·k d: nd \\ 1·nn r h~ hn] '. 01 , f ri ( nd~· , · nd d tl !:tfl \\· i 11 n · ~ ~ J l

cl :1 r . I i 11 ' .. . J j k ( · \V i n d - r ~ _ c k , , 1 fjl '

t \ "H .

rrrr Pott r.

122