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Ad AstraDIANEHILEY
For Large String Orchestra
Duration approx. 10 min.
June 2009
University of Birmingham Research Archive
e-theses repository This unpublished thesis/dissertation and these compositions are copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. This work may be freely downloaded for study purposes. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. If you wish to perform or record any of the pieces, please seek permission via the University Library.
Notes:
• Premuto indicates a complete scratch tone, i.e. no pitch should be heard.• Similarly, whilst sui pont. indicates that the tone should contain many harmonics, molto sui pont. indicates
that the tone should contain only harmonics and no fundamental.• Pizzicato harmonics should be played by releasing the finger of the left hand almost immediately upon
plucking the string with the right hand: this allows the note to ring. This is not necessary for DoubleBasses as their harmonics are naturally resonant.
• Artificial harmonics are notated according to manner of execution, i.e. a normal note-head showing thestopped note and a diamond note-head showing where to place the harmonic.
• Natural harmonics are shown at actual pitch.• Dynamics are extremely important and are specific to each part.• Passages marked ppp should be only just audible, and pppp at the threshold of hearing.• Slurs with lines indicate that the bow should not stop between notes, but instead a long note with pulsations
should result.• Slurs with dots as well as lines indicate that the notes should be separate, but tenuto.• Slurs with dots indicate that notes should be short and light but still on the string.• The triplet figure which appears in the celli in bar 80 should be played ricochet.• Crescendi and diminuendi from/to nothing (indicated by the small circle) should be achieved with careful
control of bow pressure and speed.
Lento Misterioso q = 45DIANE HILEY
(1985 - )
Ad Astra
Violin I
Violin II
Viola
Violoncello
Double bass
6
Vln I
Vc.
Db.
Back desk only
pp
1. solo (last desk)
pppp pp mfz-pp
gli altri (C-basses only)
senza vib.
pp ppp
5vib.
p
3
ppp
5
Back desk only
p
div. in 2
mp
1. solo3 3 3
p
5 Tutti div. in 3
gli altridivisi
mp
3
ptutti
5
p
3
mp mf
mp
3 3
p
5
C-basses only
p
3
mp mf
Tutti div. in 3
A
12
Vln I
Vla
Vc.
Db.
p
div.
3
5
mp
mp
3
mp
molto vib.
gliss.
mp
mp mf
IV
sub. p
o3
o o3 o3
cresc.
o o3 o3 o o3 o3 o o3 o3
p
mp
p
p
2
18
Vln I
Vln II
Vla
Vc.
Db.
3
mp
mf
Back 2 desks
3
mp
Back 2 desks
mf
div.
mf
p3
mp
pp p cresc.
div. in 23 6
6
3
mf mp
3
f mp f p cresc.
3
3 5 6 6
div. in 3
3mf
mf
III
3
o
3
o
mp
o
3
o
3
o o
3f p cresc.
3
3 5 6 6
3
3mf
mf p mf p p5 3
p
mf p mf p 3p
3
mf p mf p p5 3
p
3
B
23
Vln I
Vln II
Vla
Vc.
Db.
div. 3; back 3 desks tutti
3
3
Plus 3rd back desk
mf
3
f
Pizz.
mf
arco
mp cresc.
3 3 3
(f)
3
f p
Pizz.
mf
arco
mp cresc.
5 5
(f)
div.fp
mf p mp 3 3 cresc. 3 3 3 3
fp
mf p mp 5 cresc. 5 5 (f)
(f)
f mf mp3 5
ancora div. in 2
3
sub. p
f p
div. in 2
mp
ancora div. in 2
sub. p
f p
unis.
mp
sub. p
4
27
Vln I
Vln II
Vla
Vc.
Db.
mf
3
mf
3
mf
3
3
3
sfp fz f pesante
5
mf
3 3
cresc.
3 3
5
sfp fz f pesante
5
mf
3 3
cresc.
5
3 3
Pizz. arco
mp3
sfp
sul pont. ord.
cresc.5
5
Pizz. arco
mp
3 3
sfp
sul pont. ord.
cresc.
5
p cresc. molto
66
f
Pizz.
mf3
arco div.
3
3
3
3
p cresc. molto
66
f
div.
sfp mf cresc.
p cresc. molto
6
6
6
f
Tutti pizz.
mf
5
31
C
Vln I
Vln II
Vla
Vc.
Db.
mf
5 33 3 3 3 div.
f dim.
gliss.5
mf
5 5 5 div.
f dim.
gliss.
5
3
f dim.
sul pont. ord.gliss.
5
5 f dim.
sul pont. ord.gliss.
5
div.
5
5
5
5
5
5f dim.
5
5
5
5 mf
gliss.
div.
5
5
5
5
5
5 f dim.
5
5
5
5 mf
gliss.
3
3
3
3f dim.
3
3
3
3
5
5 mf
cresc.
f dim.
mp cresc.
5 55
C-basses only arco; sul pont.
p
3
mp
3
cresc.
3 5
Tutti
6
35
D
Vln I
Vln II
Vla
Vc.
Db.
5
5 mf
3
f pp
sul IV
mp mf
5
mf f pp mp mf
3
Pizz.
f
mf p
3 arco
mp mf
IV3
f dim. mp
55 5 5
div. in 4
ff
mf
3
3
3
3
p
3
3
3
3
3
3
3
3mp3 mf
IV3
f dim. mp
55 5 5
div. in 4
ff
mf
3
3
3
3
p
3
3
3
3
3
3
3
3
div. in 2
mp
(unis.)
mf
3
f dim.
molto vib.
mf
espr.
3 3 5
3f p
div. in 2
mp mf
3
3
f dim.
3
3 pesante
sul pont.
sfz
p
sfz
3
3 p sfz
5
5
Pizz.
f
mf p3
7
41
Vln I
Vln II
Vla
Vc.
Db.
pp flautando
3div. in 2
sul pont. ord.
14
f
gliss.
3
ff
3 3
sul pont. ord.
14div. in 3
f
poco premuto(unis.)
gliss.
ord.
ff
3 3
sul pont. ord.
14div. in 3
f
poco premuto(unis.)
gliss.
ff
3
div. in 3poco premuto
f
(unis.)
gliss.ord.
ff
3
div. in 3poco premuto
f
(unis.)
gliss.
ff
div. in 4
pp
gliss.
ppp
3
gliss.
div. in 2poco premuto
p
gliss.
arco
div. in 2poco premuto
p
gliss.
8
45
E
Vln I
Vln II
Vla
Vc.
Db.
div. in 4
poco forte f dim.
poco forte f dim.
poco forte f dim.
3
poco forte f dim.
div. in 4
ff
(ord.)
mf
div. in 2(ord.)
f
p
9
G.P.52
Vln I
Vln II
Vla
Vc.
div. in 2
pp cresc.
5 5 o
mp cresc. 3 3 5f
5
p
3
mp cresc. 3 3 5
div.
f5
p
3
mp cresc.
p
III III
3
III
3
III III
3
III
3
III III
3mp cresc.
sul tasto
ppp
6
6
6
6
6
6
last desk only
6
6
6
6
tutti
6
6
6
6
6
6
6
6
6
6
6
6cresc. molto
6
6
6
6
6
6
6
6
div. in 3
div. in 2
mp
( )
mp
( )
mf
mf
10
56
F
Vln I
Vln II
Vla
Vc.
Db.
5 5 5 5
5
5
5
5
sim.5
5
5
5
5
5
5
5dim.
5
5
5
5 5
5
( )
5 5 5 5
5
5
5
5
sim.5
5
5
5
5
5
5
5dim.
5
5
5
5 5
5
( )
div. in 3f
3 3 3 3 3 3 3
dim.
3 3 3 3
(div. in 3)f
3 3 3 3 3 3 3
dim.
3 3 3 3
f
3 3 3 3 3 3 3
dim.
3 3 3 3
f5
col legno33
norm.
dim.
f
5col legno
33
norm.
dim.
f
5col legno
33 norm.
dim.
f
3
3sfz
sfz
sfz
sfz3
3sfz
sfz
3
3
sfz
sfz
sfz
sfz
3
3
sfz
sfz
3
3dim.
sfz
sfz
3
3
3
3
(( )
)
col legno3
33
33
33
33
3
dim.
33
33
p
33
sfz
f
sfz sfz sfz sfz dim. sfz p
11
61
Vln I
Vln II
Vla
Vc.
Db.
pizz.
p sempre
arco pizz. col legno3
sotto voce
5 5 5
p
mf
pizz.
p
pizz. arco
con sord.
fp
5 5
p
pizz. arco con sord.
mp
3 3
fp p
p
pizz. arco con sord.
pp p
fpp deciso
12
65
G
Vln I
Vln II
Vla
Vc.
Db.
5 arco normale
pp
5
mp mpdiv. in 4
gliss.
5 arco normale
pp
5
mp mp3
gliss.
pp
arco10
mp
sul pont.
pp
6 66 6 6 6
pp
9senza sord. sul pont.
pp
6 6
6 6 6
gliss.
pp5
mp3
gliss.
pp5
mp3
p dim.
3 3
3p
3 3poco cresc.
3 3dim.
3 3
13
68
Vln I
Vln II
Vla
Vc.
Db.
prem. ord.
div. in 5
mf cantabile
3
3
f
dim.
3
3 3
3
3
prem. ord.
mf cantabile 33
f dim. 3
prem. ord.
mf cantabile
f dim.3
3
3
3
prem. ord.
prem. ord.
molto sul pont.
p
molto sul pont.
mp
molto sul pont.
dim.
5
5
3
3
cresc. (f)
5
molto dim.
3 3
pp
3
senza sord. molto sul pont.
mp
molto sul pont.
dim.5 3
cresc. (f)
5
molto dim.
3 3
pp
3
senza sord. molto sul pont.
mp
molto sul pont.
dim.5 3
div.
cresc.
(f)
5
5 molto dim.
3 3
pp
3 Pizz.
ppp
14
74
H
Vln I
Vln II
Vla
Vc.
Db.
Pizz.
f
5
arco; premuto
f
ord.gliss.
mp
3 3
p mf
div. in 2Pizz.
f
5 arco; premutodiv. in 4
f
ord.gliss.
mp
3 3
p mf
div. in 2
Pizz.
f
5arco
mp
3 3
mf
5
Pizz.
f
5 arco
mp
3 3
mf
5
Pizz.
f3
moltosul pont.
arco
f
ord.
mf mp cresc.
3
Pizz.
f3
moltosul pont.
arco
f
ord.
mf mp cresc.
3
Pizz.
mf f
moltosul pont.
arco
f ppp
ord.
mf
Pizz.
mf f
arcomoltosul pont.
f
div. in 4
ppp
ord.
mf
(Pizz.)
mp
arco
mp
15
78
Vln I
Vln II
Vla
Vc.
Db.
f mf
3
f5
div.
mf
gliss.
5mp
5 5
mf
5
mf
f mf
3
div.
f3
mf
gliss.
5mp
5 5
mf
5
f mf
33
f
3
5mf
3 3
cresc.3 3
f mf
3
f
3 5
mf3 3
cresc.3 3
f f
33 5
mpcresc.
f f
33 5
mpcresc.
f mf mp mf 33 mf
33
33
f mf mp mf3
3 mf
33
f
mf
div.
mf
16
82
I
Vln I
Vln II
Vla
Vc.
Db.
3
3f p ff
15:16 15:16
mf
3
div.
3 5 3 5
ff5 5 5 5 5 5
3
div.
f3
ff
9:8 9:8
3
div.
f3 3
ff3 3 3 3 3 3
div. in 4
mf5 5
f5 5
ff5 5 5 5 5 5
molto vib.
f
mf5 5
f5 5
ff5 5 5 5 5 5
molto vib.
f
mf f
ff
molto vib.
f5
mf f
ff
molto vib.
f5
f3
3 33
33 33 3
3 33
33
f ff
ff
f
33 div. pizz.
arco.ff
ff
17
86
G.P.
Vln I
Vln II
Vla
Vc.
Db.
div.molto vib.
fff
5unis.
3 7
5sul pont.
premutomolto
molto vib.
f cresc.
5
fff
5 unis.
7
5sul pont.
premutomolto
molto vib.
f cresc. fff
5 unis.
7
5sul pont.
premutomolto
f
molto vib.
cresc. fff
5 unis. 5sul pont.
premutomolto
cresc. fff
5 sul pont. premutomolto
cresc. fff
5 sul pont. premutomolto
cresc. fff
5 sul pont.3
premutomolto
cresc. fff
5 sul pont.3
premutomolto
molto vib.
f cresc. fff
5 7sul pont.
3premutomolto
molto vib.
f cresc. fff
5 5 7sul pont.
3premutomolto
arco
f
molto vib.
cresc.
fff
5
5
unis.
5
7
sul pont.3 premuto
molto
sfz
Solopizz.
18
92
J
Vln I
Vln II
Vla
Vc.
molto vib.
f ff gli altri
solo
ppp 5
molto vib.
f ff ppp
5
molto vib.
f ff ppp
5
molto vib.
f ff
molto vib.
f ff
molto vib.
3f ff
ppp
5
ppp
5
19
100
K
Vln I
Vln II
Vla
Vc.
Db.
sul Dsolo
p beklemmt
3
3
3
3 33
33
3
3
3 3
3 3
pp3
3 3
gli altri5 5
div.
5
5
unis.5 5 5
ppp
5 5 5 5 5 5
div.
ppp
5
5 5 5 5 5 5
div.5
5 5
5
5 5 5 5div. in 2
5 5
3 soli
5 p espr.
33
33 3 3 3
5
5 5 5 5 5 5
gli altri, div. in 2
5
Tutti pizz.
pp
20
poco meno mosso (Tempo II)
108
rit.................a tempo rit..................ancora meno mosso
L
Vln I
Vln II
Vla
Vc.
Db.
mp mf mp
3
f p
7:4
7:4 11:8
25:16
mp mf mp
3
f
5
div. in 4
p
7:4
7:4
7:4
17
p
5
mf mp
div.
f
3
p9:8
11:8
p
div. unis.5 3 5
mf mp
53
div.
f
3
div.
p
5
5
5
5
5
5
5
5
p
3 3 5
mf mp
5 3
f
3
p
5
5
3 3
p
Tutti div. in 23 5
mf mp
5 3
f
3
div. in 3
p3
arco.
p
3
pp
3 5
mp
3
f3
p3
21
116
Tempo II M
Vln I
Vln II
Vla
Vc.
Db.
3
p mp
7:4 3
unis. 3 3
p mp
9:8
11:8 3 3 3
mp p
div. 3
mp
5
5
5
55
5 5 5
mp
3
5
3 3
5
3
3 3
p
3 6
mp p
p
5
mp p mp p3
p3
mp3
22
126
Vln I
Vln II
Vla
Vc.
pp
3
pp ppp
p dolce
pp
6
6
unis.5
5 3p p dolce
o
3
o o
3
o
3
sul IIrhythmic vibrato
3 3
pp
3
3
5
5
3
3 pp p
div.
pp
pp
pp
pp
Pizz.
p
p
arco
pp
23
133 N
Vln I
Vln II
Vla
Vc.
Db.
(solo)
dim. pp
3
solo
ppp dolcissimo
dim. pp
3
div.gli altri
ppp
pp dim.
sul II
ppp
sul II
dim. ppp
dim.
ppp
dim.
ppp
sul I
p
Pizz.
pp
24
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