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This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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C
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1
J¿ ¿ J¿ J¿ ¿ J¿HelThanks
lofor leavin'
andthathow
piledy
ofand
|G
¿ ¿ ¿ ¿ ¿ ¿ ¿welpa
comepers
oneon
andyour
all.desk. Or for
|C
- - --
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3 .¿ ¿ ¿ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ¿eatin'Thanks
quickfor leav
maybeing
puttin'work,
offyour
thathome, or lo cal
|G
¿bar
fight.
|D
- -
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5 ¿ ¿ ¿ ¿ ¿ ¿ ‰ ¿ ¿ThanksThanks
forfor
thebuy
doin
zena
callstick
you madeet
toto
|G
¿ ¿ ¿ ¿ ¿ ¿ ¿getout
thatlit
sittle
tershow...set.
Thanks forWe're
|C
--
- --
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7 ¿ ¿ ¿ J¿ ¿ ¿evtruly
eryglad
thingyou're here
you've donewith
sous
| |G D
¿ Ófar.
tonight. And
|G
- -
1. The StorySugg/Posner
Piano enters at measure 68whole notes throughout.
Rehearsal Score
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No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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9 ¿ ¿ ¿ ¿ J¿ ¿ J¿Now some spe cial thank yous to
|G
¿ ¿ ¿ ¿ .¿ J¿J. P. Mor gan Chase and
| |C G
J¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿Am trak and our freinds at Wil ming ton Trust
|G
- - - - -
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12 ¿ œœœœœœ
œœœnb
Jœœœ
#nU
‰ Œ3
Wil ming ton Trust
(Full cast sings)
|D
¿ ¿ ¿ ¿ ¿ ¿ ¿Thanks to the Del a ware Di
|G
¿ ¿ ¿ ¿ .¿ J¿vis ion of the Arts with
| |C G
- - - - - - -
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15 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿out this great sup port we'd like go
|A7
¿ Œ ‰ J¿
bust. Now
|D
œ œ œ œ œ œ œ œrighttake
hereno
ispho
thatto
mopic
menttures
whereor
were
|B7
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18 œ œ œ œ œ ‰ Jœ
makecord
aon
desvi
peratedeo
pleatape
toand
|E min
œ œ œ œ œ œ œ œsire
lencesub
thingsscribe
thatand do
ring ornate all
chirp oryou
|B7
˙ Œ ‰ Jœbuzzcan
andand
|E min
--
-- - -
21. The Story
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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21 œ œ œ œ Jœ œ Jœbegif
youyou
tolike
havethe
mershow
cytonight
andplease
|C
œ œ œ œ .œ " œ œ
nego
verand
maketell
thisyour
noise...friends
Does ita
ALL (make that annoying noise)
|G
œ œ œ œ œ œ " œ œdrivebout
usthe
tothings
disthat
tracyou're
tion?all
Yesset
itto
|A7
- - - -
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24 ˙ Œ ‰ jœ
does.see. Now
Don'tre
œœœœœœ
œœœnb
jœœœ#n ‰ Œ
(es pec ially me.)
Ó . ¿ ¿CLEM
|D
¿ ‰ J¿ ¿ ¿ ‰ ¿lax, don't wor ry, you're
|G
¿ ¿ ¿ ¿ ¿ ‰ ¿ ¿in the best of hands we're pro
|C
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27 ¿ ¿ ¿ ‰ ¿ ¿ ¿ ¿ ¿fes sion als we know how these things
|G
¿ Œ ‰ J¿run. We'll
|D
¿ ¿ ¿ ¿ ¿ ¿start at the top and keep
|G
Moderate Bluegrass
- -
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30 ¿ ¿ ¿ ¿ ¿ ¿ ¿go ing till we stop and we'll
|C
¿ ¿ ¿ J¿ ¿ .¿ ¿ ¿fin ish the min ute that we're
| |D sus4
A
¿ Œ Ódone!
Û Û Û ÛD sus4 D
!
Vamp if needed
’ ’G
- - -
31. The Story
This score has been downloaded from www.dramatists.com and is for perusal only.
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34 œ œ œ œ œ
Sto ry's are like dia
’ ’
œ œ Œ œmonds, that's
’ ’
œ œ Jœ .œwhat the po ets
’ ’
˙ Œ œsay, they're
’ ’
œ œ œ œbeau ti ful and
’ ’
- - - -
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39 œ œ Jœ .œbright and use ful
’ ’
.˙ Œtoo.
’ ’D
Ó Œ œwe
’ ’
œ œ œ œ œ
see our selves re flec
’ ’G
œ œ œ œted in each
’ ’
- - - -
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44 œ œ œ œ œfa cet and each face
’ ’
˙ Œ œand
’ ’
œ œ œ œwho cares if they're
Û Œ ÓG
œ œ œ œall a lie as
!
œ œ Jœ .œlong as they are
’ ’C D
-
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49 ˙ Œ œtrue. To
’ ’G vamp if needed
œ œ œ œ œ
night is just a tall
’ ’G
Jœ .œ Œ œtale a
’ ’
œ œ œ œ œfa ble built for fun
’ ’
œ Œ Œ œBut
’ ’
- -
41. The Story
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No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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54 œ œ œ œwho can say what
’ ’
œ œ œ œwon ders lurk with
’ ’
.˙ Œin?
’ ’D
Ó Œ œA
’ ’
œ œ œ œsto ry's like an
’ ’G
- - -
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59 œ œ œ œout house or
’ ’
œ œ œ œ œa re la tion ship
’ ’
˙ Œ œthe
’ ’
¿ œ œ œ#@^& that you get
Û Œ Œ ŒG
œ œ œ œback from it's the
!
- - - -
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64 œ ¿ œ œsame #$%@ you put
!
œ Œ Œ œin. In
’ ’G
B œœœ œœœ œœœ œœœ œœœ œœœ œœœDeer Lick Mi sou ri where our
’ ’C
œœœ œœœ œœœ œœœ Œsto ry is set
’ ’G
- - -
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23
23
68
œœœ œœœ œœœ œœœ œœ œœThis is passed down as the
’ ’
œœœ œœœ œœœ ‰ Jœœ
best tale yet a
’ ’
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœhang in' and a wed din' on the
Û Œ ÓG
œœœ œœœ œœœ ‰ Jœœœ
self same day and
!
- -
51. The Story
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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23
23
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72
œœœ œœœ œœœ œœœ œœœ œœ œœ œœ œœœ œœœ œœœ œœœhow it came to hap pen is the sto ry of the
! Œ ÛD
...˙ Œplay.
|G
!
|
C
Ó Œ œThis
’ ’G vamp if needed
- -
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76 œ œ œ œ œ
sto ry ne ver hap
’ ’
œ œ Œ œpened it's
’ ’
œ œ œ œ œbunk and bal der
’ ’
˙ Ódash.
’ ’
- - - - -
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80 œ œ œ œhog wash and ma
’ ’
œ œ œ œlar key from the
’ ’
.˙ Œstart
’ ’D
Ó Œ œbut
’ ’
œ œ œ œ œ
un like po li ti
’ ’G
- - - - - - -
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85 œ ˙ Œcians
’ ’
œ œ œ œ œlaw yers and your mom
’ ’
˙ Œ œwe
’ ’
œ œ œ œne ver try to
Û Œ ÓG
œ œ œ œhide a lie in
!
- - -
61. The Story
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90 œ œ Jœ .œstead we call it
’ ’C D
˙ Œ œart. In
’ ’G
D œœœ œœœ œœœ œœœ œœœ œœœ œœœDeer Lick Mi sou ri where our
’ ’C
œœœ œœœ œœœ œœœ Œsto ry is set
’ ’G
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23
23
94
œœœ œœœ œœœ œœœ œœ œœThis is passed down as the
’ ’
œœœ œœœ œœœ ‰ Jœœ
best tale yet a
’ ’
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœhang in' and a wed din' on the
Û Œ ÓG
œœœ œœœ œœœ ‰ Jœœœ
self same day and
!
- -
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23
C
C
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98
œœœ œœœ œœœ œœœ œœœ œœ œœ œœ œœœ œœœ œœœ œœœhow it came to hap pen is the sto ry of the
! Œ ÛD
...˙ Œplay.
|G
Ó Œ œOur
’ ’
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101 œ œ œ œ œ
play has no big mo
’ ’G
Jœ .œ Œ œral no
’ ’
œ œ œ œ œles son to be learned
’ ’
œ Œ Œ œwe're
’ ’
œ œ œ œall just here to
’ ’
-
71. The Story
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106 œ œ œ œplay and dance and
’ ’
.˙ Œsing
’ ’D
Ó Œ œSo
ALL
’ ’
œ œ œ œwel come to our
’ ’G
œ œ œ Œplay ground
’ ’
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111 œ œ œ œ œwel come one and all
’ ’
˙ Œ œas
CLEM SOLO
’ ’
œ œ œ œShake speare used to
Û Œ ÓG
œ œ œ œsay the play's the
’ ’C D
˙ Œ œthing! In
ALL
’ ’G
E
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116 œœœ œœœ œœœ œœœ œœœ œœœ œœœDeer Lick Mi sou ri where our
’ ’C
œœœ œœœ œœœ œœœ Œsto ry is set
’ ’G
œœœ œœœ œœœ œœœ œœ œœThis is passed down as the
’ ’
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? # 23119 œœœ œœœ œœœ ‰ J
œœbest tale yet a
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœhang in' and a wed din' on the
œœœ œœœ œœœ ‰ Jœœœ
self same day and- -
? # 23 C122
œœœ œœœ œœœ œœœ œœœ œœ œœ œœ œœœ œœœ œœœ œœœhow it came to hap pen is the sto ry of the
...˙U Œplay.- -
81. The Story
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& # ..124
!
Fiddle plays the melody
! œ œ œ ˙G
INSTRUMENTAL
œ œ œ œ .œ jœC
œ œ œ œ œ œ œG
œ œ œ œ œ œ œG D
œ œ œ .œjœ
G
& # ..131
œ œ œ œ œ œ œC
œ œ œ œ œ œ œG
œ œ œ œ ˙G D G
˙ ..œœ Jœœ
C œœ œœ œœ œ œG œ œ œ œ œ œ œ œ
& #137
œ œ œ œ œ œ œ œD
œ œ œ œ œ œ œG
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙D G
˙ ..œœ Jœœ
C
& #143 œœ œœ œœ œ œG œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œD
œ œ œ œ œ œ œG œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙D G
& #150
¿ ¿ ¿ ¿Dance break (band out)
Solo fill (piano)
¿ ¿ ¿ ¿ ’ ’Solo fill (Banjo)
’ ’ ¿ ¿ ¿ ¿Dance break
¿ ¿ ¿ ¿
& #156 œb œœn œb œœn œ œ œ œ œ œ œ œ œ Œ ¿ ¿ ¿ ¿Dance break
¿ ¿ ¿ ¿ ’ ’Solo Fill (Fiddle)
’ ’
& #162
¿ ¿ ¿ ¿Dance break
¿ ¿ ¿ ¿ |D sus4
| | |
91. The Story
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167
Ó œ œThere's a
Ó œ œThere's a
Û Œ Œ ŒD
F
œ ˙ œmur der a
œœ ˙ œœmur der a
!
œ œ œ œ œmys tery and a mar
œœ œœ œœ œœ œœmys tery and a mar
!
jœ .˙ Jœriage
Jœœ
..˙Jœœ
riage
!
˙ Œ œThis
˙Œ œœ
This
!
p
p
pœ œ œ œti ny town won't
œœ œœ œœ œœti ny town won't
!
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173
œ œ œ œev er be the
œœ œœ œœ œœev er be the
wsame.
wwsame.
Ó œ œThere's a
Ó œ œThere's a
F
F
œ ˙ œlov er a
œœ ˙ œœlov er a
œ œ œ œ œla dy and a long
œœ œœ œœ œœ œœla dy and a long
˙ ˙ing
˙ ˙
ing
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179
˙ Ó
˙Ó
œ .˙bpas sions
œœn ..˙
pas sions
˙ ˙burst from
˙n ˙burst from
œ œ œ œem ber in to
œœ œœ œœ œœem ber in to
œ Œ œ œflame. There's a
œœ Œ œ œflame. There's a
œ ˙ œhe ro a
œœ ˙ œœhe ro a
- - - -
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101. The Story
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185
œ œ œ œ œhe ro ine a hor
œœ œœ œœ œœ œœhe ro ine a hor
˙ ˙ror
˙ ˙
ror
˙ Œ œre
˙Œ œ
re
œ œ Œ œjoic ing when
œœ œœ Œ œœjoic ing when
œ œ œ œall is said and
œœ œœ œœ œœall is said and
wdone
wwdone
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191
Ó œ œBut with
Ó œœ œœBut with
œ .˙mur der
œœ ..˙mur der
œ œ œ œmys ter y and
œœ œœ œœ œœmys ter y and
˙ ˙mar riage
˙ ˙
mar riage
Ó ˙to
Ó˙
to
˙ ˙tell you
˙nb ˙ntell you
- - -
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197
˙ ˙more would
˙n ˙more would
!
œœ ..˙ru in
œœ ..˙ru in
|D sus4Band enters
ww
ww
|
˙ Œ Œ
˙ Œ Œ
| Œ ŒD
˙ ˙half the
˙ ˙half the
!
wwfun
wwfun
’ ’G
ww
ww
’ ’
-
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111. The Story
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204 ww
wwn
’ ’F
ww
ww
’ ’
ww
ww
’ ’C
ww
ww
’ ’
ww
ww
’ ’G D
˙ Ó
˙ Ó
| Û ŒG
121. The Story
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No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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C
C
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.
.
Piano
œ œ
Note: The 2nd and 3rd cues should continue from where they were interrupted.
œ ˙ œ
G
w
www
œ œ œ œw
www
˙˙
C
w
www
.˙œ
w
www
˙˙ œ
œ
D
www
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Pno.
6
˙˙
œœ
G
˙
˙˙˙
˙˙˙
w
D
w
œ .˙
˙˙ œ
œœ
.˙ œ
www
œ ˙ œ
G
w
www
œ œ œ œw
www
˙˙
C
w
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.
Pno.
13
œœœ
bn
.
.
.
˙˙˙
F sus4
wwn
˙˙˙ ˙
F
ww
œœœ
.
.
.
˙˙˙
D sus4
www
˙˙˙ œ œ
D
www
2. The Story (outro)Sugg/Posnercue 1: applause dies down from 1. The Story
out cue 1 CLEM: "village by the name of Deer Lick."
cue 2 in: ALL: "Deer Lick"out cue 2: CLEM: "same jokes even"
cue 3 in: CLEM: "our tale commences..."out cue 3: CLEM: "and that right there is ol' John Gray."
Rehearsal Score
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& # ## # c .. ..1
œ
q q q e3
=
œÛ. ‰ Û. JÛ
E7
q»110Û Û Û ÛA G Œ Û. ‰ Û. JÛ
E7
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..
Ó Œ œ œWell, this
5
Û Û Û ÛA G
œ œ œ œ œn œ œ œ
Lifecountry's
I'vejust a
slavedburst
andin'
I'vewith
larich
Œ Û. ‰ Û. JÛE7
piano 2nd time only
A
œ Œ Œ œbored,
es, strikeI
Û Û Û ÛA G
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œ œ œn œ œ œoil,scrape
sell stocks andand
panI
gold.try.
œ œ
and I scrimp
8
Œ Û. ‰ Û. JÛE7
œ Œ ‰ œ œ œbutI've
I
Û Û Û Û/E /F# /G#Band enters
œ œ œ œ Jœ ‰ ‰ Jœcan'ttilled
makeand
aI've
dent.toiled.
canI've
’ ’ ’ ’A7 E7
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# ## #
œ œ œ œ œ ‰ œ œbarefroze
lyand
makeI've
rentboiled
andbut
I'mI've
11
’ ’ ’ ’A7 E7
œ œ œ œ œ ‰ Jœn
notfailed
getso
tin'com
richplete
erly
I'mI'm
’ ’ ’ ’A7 Bb7
œ œ œ œ œ Œjustwon
getder
tin'in'
old.why.
’ ’ ’ ’B7
- --
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3. The Curse of John GraySugg/PosnerCue: No good, money grubbin', chest thumpin', blanket hoggin' so and so!
Rehearsal Score
vamp
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No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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# ## #
# ## #
# ## #
˙ .œ Jœoldwhy
oldwhy
oldwhy˙
˙n ...œœœ
jœœœ
#oldwhy
oldwhy
oldwhy
Men
14
’ ’ ’ ’A7
B ˙ Œ Jœ( ) Jœmust
I'mit
˙˙ Ó
’ ’ ’ ’E7
œ œn œ œ œ œ œ œ#tiredbe
of bethis
in' hunway
grytil
andI
cold.die?
!
’ ’ ’ ’A7
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# ## #
# ## #
˙ Ó
Ó Ó
17
’ ’ ’ ’E7
˙ .œ œn œ JœPleasePlease
LordLord
pleaseplease˙
˙# ...
œœœ Jœœœ
PleasePlease
LordLord
pleaseplease
’ ’ ’ ’F#
7
˙ Œ ‰ Jœ( )
be˙˙ Ó &
’ ’ ’ ’B7
-
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..
..
œ œ œ œ œ œ œ œsendtween
mea
androck
myand
kinhard
aplace
litis
tlea
20
’ ’ ’ ’F#
7
œ œ Jœn .œ# œ œcom
mightforty
andtight
ease.squeeze.
All my
Û Û |UA Bb B7
œ(guitar)
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23. The Curse of John Gray
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# ## #
# ## #
# ## #
!
œœ œœ œœ œœn jœœ ..œœ#Curse of John Gray
22
’ ’ ’ ’A7
C œ œn œ œ œ œ œFam ly farm in' does n't pay
!
’ ’ ’ ’
- - -
?
&
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# # ##
# # ##
# # ##
!
œœ œœ œœ œœbn jœœ ..œœn#Curse of John Gray
24
’ ’ ’ ’E7
œ œ œ œ œ œn œEv ry day just slops and hay
!
’ ’ ’ ’
-
?
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# ## #
# ## #
# ## #
!
œœ œœ œœ œœn jœœ ..œœ#Curse of John Gray
26
’ ’ ’ ’A7
œ œn œ œ œ œ œLike a dog that's gone a stray
!
’ ’ ’ ’
-
33. The Curse of John Gray
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?
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# ## #
# ## #
# ## #
!
œœ œœ œœ œœn# Jœœ ..œœ#
Curse of John Gray
28
’ ’ ’ ’B7
œ œ œn œ œ œ œ œe ven hors es tell me neigh
!
|U
U œ" œ
Is it
!
Ó Œ œ(guitar)
- -
?
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# ## #
# ## #
œ œ œn œ œ œtoo much Lord that I'm ask
31
œÛ. ‰ Û. JÛE7
D
œ Œ Œ ‰ Jœin? I'm
Û Û Û ÛA G
Jœ œ Jœ œn œ œ œbeg gin', I'm cry in', I pray.
Œ Û. ‰ Û. JÛE7
- - -
?
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# ## #
œ Œ ‰ œ œ œLet me
34
Û Û Û Û/E /F# /G#
œ œ œ œJœ ‰ ‰ Jœ
see Ma ry Mar ried be
’ ’ ’ ’A7 E7
œ œ œ œJœ ‰ ‰ Jœ
fore I am bur ied. It's
’ ’ ’ ’A7 E7
- - - -
43. The Curse of John Gray
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
?
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&
# ## #
# ## #
# ## #
œ œ œ œ œ œ œ œn
not her fault I'm worth less, why should
!
37
’ ’ ’ ’A7 Bb7
œa œ œ œ œ Œshe have to pay?
!
?
’ ’ ’ ’B7
˙ .œ Jœpay pay pay
˙˙n ...
œœœjœœ
œ#
Pay Pay Pay
’ ’ ’ ’A7
E
-
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# ## #
# ## #
˙ Œ œ œThat's the
˙˙ Ó
40
’ ’ ’ ’E7
œ ‰ Jœ œ œ œ œcurse the curse of John Gray
!
’ ’ ’ ’A7
˙ Ó
!
’ ’ ’ ’E7
?
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&
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# ## #
# ## #
˙ .œ œn œ JœPlease Lord please
˙˙
# ...œœœ J
œœœPlease Lord please
43
’ ’ ’ ’F#
7
˙ Ó
˙˙ Ó &
’ ’ ’ ’B7
œ œ œ œ œ œ œ œsend a purse to cure my curse I'm
!
’ ’ ’ ’F#
7
53. The Curse of John Gray
This score has been downloaded from www.dramatists.com and is for perusal only.
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# ## #
# ## #
# ## #
œ œ Jœn .œ# Œdown on my knees.
!
46
’ ’ ’ ’A Bb B7
!
œœ œœ œœ œœn jœœ ..œœ#Curse of John Gray
’ ’ ’ ’A7
F œ œn œ œ œ œ œWith er in' my life a way
!
’ ’ ’ ’
- - -
?
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# ## #
# ## #
# ## #
!
œœ œœ œœ œœbn jœœ ..œœn#Curse of John Gray
49
’ ’ ’ ’E7
œ œ œ œ œ œn œtryin' to keep the wolves at bay
!
’ ’ ’ ’
?
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!
œœ œœ œœ œœn jœœ ..œœ#Curse of John Gray
51
’ ’ ’ ’A7
œ œn œ œ œ œ œday and night and night and day
!
’ ’ ’ ’
63. The Curse of John Gray
This score has been downloaded from www.dramatists.com and is for perusal only.
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# ## #
# ## #
# ## #
Ó Œ ‰ JœI
œœ œœ œœ œœn# Jœœ ..œœ#
Curse of John Gray
53
’ ’ ’ ’B7
œ œ œn œ œ œ œ œjust got one thing left to say...
!
|
œU "œ œ œ
I want my
!
Ó Œ œ(guitar)
?
&
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œ œ œ œ œn œ œ œMa ry ta ken care of for ev
56
œÛ. ‰ Û. JÛE7
D
œ Œ Œ ‰ Jœer, my
Û Û Û ÛA G
œ œ œ œn œ œ œwife with out wor ries or fears
Œ Û. ‰ Û. JÛE7
- - - - - -
?
&
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˙ ‰ .œAnd
59
Û Û Û Û/E /F# /G#
œ œ œ œJœ
U ‰ œ œme with too much. Just a
| |UA7E7
rit. œ œ œ œJœ
U ‰ ‰ "Jœlit tle too much, to
| |UA7 E7
-
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&
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œ œ œ œ œ œturn my old blues in to
62
Û Û Û Û Û Û Û Û Û Û Û Û3 3 3 3
A7 Bb7
e»q ˙ œ œ œ
my gold en years
Û Û Û Û Û Û Û Û Û Û Û Û3 3 3 3
B7
w
Œ Û |E7
w
.
Û Û Û |U
!
Û Œ Ó- -
73. The Curse of John Gray
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&
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c
c
Piano
wwwww
#bbg
gggggggggggggg
@
ww
w
b
@
œœœœœ
#bb
¨
Œ Ó
Cue: Fist down
œœ
œ
b
Ë
Œ Ó
&
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Pno.
3
U
U
&
&
&
Pno.
4 w
ww#gggggggggggggggggggggg
U
www
#b
u
4. Ominous Dave Gray musicJames Sugg/Larry Cohen
Cue: Fist raised at "Sneakypuss son of a sneakypuss father!"
other dialogue
Cue: One beat after: "...And remember: Toast only gets buttered from one side."
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&
#
43
’ ’ ’
G
’ ’ ’
C/D
’ ’ ’
G
’ ’ ’
D/F#
’ ’ ’
E min
’ ’ ’
D/F#
&
#7
’ ’ ’
G
’ ’ ’ ’ ’ ’
C
’ ’ ’
A 7/C#
’ ’ ’
G/D
’ ’ ’
E min
&
#13
’ ’ ’
F
’ ’ ’
C
’ ’ ’
F C
’ ’ ’
D
’ ’ ’
&
#18
’ ’ ’
G
’ ’ ’
C/D
’ ’ ’
G
’ ’ ’
D/F#
’ ’ ’
E min
&
#..
.
.
23
’ ’ ’
D/F#
’ ’ ’
G
’ ’ ’ ’ ’ ’
D
’ ’ ’ ’ ’ ’ ’ ’ ’
5. (underscore) Just a Love SongSugg/Posner#
Guitar only(Fingerpicked)
Cue "I love it when you talk like that."
Fade out on: "a few butterfly's flittin' around and about… that kind of thing…"
Rehearsal Score
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#
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43
43
43Piano
1
!
Country waltz
œ œ œG
.˙
q q q e3
=q»¡¡"
!
˙ œœC/D
.˙
!
œœ œ œœG
.˙
!
˙ œC/D
.˙
!
..œœ jœ œœG
.˙
!
˙˙ œœœC/D
.˙
!
...œœœ jœ œ œG
œ ˙
&
&
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#
#
#Pno.
8
Ó ‰ jœI
˙ œœC/D
œ ˙
œ Œ œ œdon't want to
’ ’ ’G
’ ’ ’
œ œ œ œsing just a love
’ ’ ’C/D
’ ’ ’
œ œ ˙song,
’ ’ ’G
’ ’ ’
!
’ ’ ’D/F#
’ ’ ’
&
&
?
#
#
#Pno.
13
œ œ œ œ œjust like ev ery
’ ’ ’E min
’ ’ ’
œ œ œ œ œlove song sung be
’ ’ ’D/F#
’ ’ ’
˙ Œfore.
’ ’ ’G
’ ’ ’
!
’ ’ ’
’ ’ ’
œ œ œ œ œe ven not
’ ’ ’C
’ ’ ’
- - -
6. Just a Love SongSugg/Posnercue: "It's tricky...I mean..."
Violin
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#Pno.
18
œ œ œ œwant ing to
’ ’ ’A7/C#
’ ’ ’
œ œ œ œsing just a love
’ ’ ’G/D
’ ’ ’
œ œ œ Œsong
’ ’ ’E min
’ ’ ’
œ œ œ œ œ œ3
must have been sung be fore,
’ ’ ’F
’ ’ ’
- -
&
&
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#
#
#Pno.
22
œ Œ œin
’ ’ ’C
’ ’ ’
œ œ œ œ œ3
some o ther lo ver's
’ ’ ’F C
’ ’ ’
˙score.
MARY: That's probably true, Hugh
’ ’ ’D
’ ’ ’
Ó œ œOh your
’ ’ ’
’ ’ ’
A
œ Œ œ œeyes, and your
’ ’ ’G
’ ’ ’
- -
&
&
?
#
#
#Pno.
27
œ œ œsighs and your
’ ’ ’C/D
’ ’ ’
œ œ œ Œkiss es
’ ’ ’G
’ ’ ’
Ó ¿ œah, now
’ ’ ’D/F#
’ ’ ’
œ œ Œ œ œhold it. it's al
’ ’ ’E min
’ ’ ’
- -
2Just a Love Song
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&
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#
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#Pno.
31
œ œ œ œ œread y gone a
’ ’ ’D/F#
’ ’ ’
˙ Œstray.
Mary: How?
’ ’ ’G
’ ’ ’
Ó œal
’ ’ ’
’ ’ ’
œ œ œ œthough I like eyes,
’ ’ ’C
’ ’ ’
œ œ œ œsighs, and
’ ’ ’A7/C#
’ ’ ’
- - -
&
&
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#
#
#Pno.
36
œ œ œ Œki sses,
MARY: Me too...
’ ’ ’G/D
’ ’ ’
Ó œthat's
’ ’ ’E min
’ ’ ’
œ œ œ œ œ œ3
not what I want to say.
’ ’ ’F
’ ’ ’
-
&
&
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#
#
#Pno.
39
Ó œ œyou're worth
’ ’ ’C
’ ’ ’
œ œ œ œmore than mere cli
’ ’ ’F C
’ ’ ’
.˙che.
’ ’ ’D
’ ’ ’
!
’ ’ ’G/A
’ ’ ’
-
3Just a Love Song
MARY: Well, I hope that's true Hugh.
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#
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#Pno.
43
!
’ ’ ’D
’ ’ ’
!
’ ’ ’G/A
’ ’ ’
!
’ ’ ’D
’ ’ ’
Ó ‰ jœI
’ ’ ’Ebdim
’ ’ ’
B
&
&
?
#
#
#Pno.
47
œ œ œ œ œ œlove that you are fun, I
’ ’ ’E min
’ ’ ’
œ œ œ œ œ œlove that you are true, I
’ ’ ’D/F#
’ ’ ’
œ œ œ œ œ œlove that you are good at
’ ’ ’G
’ ’ ’
&
&
?
#
#
#Pno.
50
œ œ œ œ œ œev ery thing you do. I
’ ’ ’
’ ’ ’
œ œ œ œ œ œloved you from the first, I
’ ’ ’A min
’ ’ ’
œ œ œ œ œ ‰ jœloved you froma far, I
’ ’ ’D7/F#
’ ’ ’
- -
4Just a Love Song
HUGH: Wow. You really like my name, don't you MARY: You know what...I kinda do, Hugh.
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&
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#Pno.
53 œ œ œ œ œ œlove you just be cause you
’ ’ ’F
’ ’ ’
œ œ œare who you
Û Û. Û.C
Û Û. Û.
.˙are.
’ ’ ’D
’ ’ ’
!
’ ’ ’G/A
’ ’ ’
!
’ ’ ’D
’ ’ ’
Ó ‰ jœI
’ ’ ’Ebdim
’ ’ ’
-
&
&
?
#
#
#
..
..
..
Pno.
59
œ œ œ œ œ œlovelove
youryour
litgen
tleerous
noseheart,
II
Mary Hugh
’ ’ ’E min
’ ’ ’
C
œ œ œ œ œ œlovelove
yourthe
friendway
lyyou're
facestrong,
II
Hugh
’ ’ ’D/F#
’ ’ ’
- -
&
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#
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#Pno.
61
œ œ œ œ œ œlovelove
youryou
lovwhen
ingyou're
laughright,
II
Mary
’ ’ ’G
’ ’ ’
œ œ œ œ œ œlovelove
youryou
warmwhen
emyou're
bracewrong.
II
Hugh
’ ’ ’
’ ’ ’
- -
5Just a Love Song
MARY: Gosh.HUGH: Wait. I'm just gettin' startedMARY: Oh. Can I do some too?HUGH: Jump on in.
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&
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#
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#Pno.
63 œ œ œ œ œ œlovelove
thethat
wayyou
youare
thinkfierce
Iand
Mary (2nd time):
’ ’ ’A min
’ ’ ’
œ œ œ œ œ œlovenot
thea
dreamsfraid
youto
dreamfight,
yourI
Mary (1st time)
Hugh (2nd time)
’ ’ ’D7/F#
’ ’ ’
œ œ œ œ œ œlovelove
ofthat
famyou
iwill
lystand
yourand
Mary (2nd time):
’ ’ ’F
’ ’ ’
-- -
&
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..
..
..
..
..
..
Pno.
66
œ œ œlovefight
offor
icewhat's
Û Û. Û.C
Û Û. Û.
.˙creamright.
’ ’ ’D
’ ’ ’
Ó ‰ jœII
’ ’ ’Ebdim
’ ’ ’
œ œ œ œ œ œlove that I'm for you, I
Mary & Hugh:
’ ’ ’E min
’ ’ ’
D
&
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70
œ œ œ œ œ œlove that you're for me, the
’ ’ ’D/F#
’ ’ ’
6Just a Love Song
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#Pno.
71
œ œ œ œ œ œway you make me see the
’ ’ ’G
’ ’ ’
œ œ œ œ œ ‰ Jœme I want to be. I
’ ’ ’
’ ’ ’
œ œ œ œ œ œlove the fact we love, I
’ ’ ’A min
’ ’ ’
&
&
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#Pno.
74
œ œ œ œ œ ‰ jœlove that we are friends, I
’ ’ ’D7/F#
’ ’ ’
œ œ œ œ œ œlove our love, my love, and
’ ’ ’F
’ ’ ’
rit.
œ œ œ œlove that love like
’ ’ ’
’ ’ ’
˙ œ œours ne ver
’ ’ ’C
’ ’ ’
-
&
&
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#Pno.
78
.˙ends.
’ ’ ’D
’ ’ ’
!
œœ œœ#b œœn
’ ’ ’
œ œ Œ œ œmay be this right
’ ’ ’G
’ ’ ’
qȻ"E
œ‰
Jœœ œ
herecould be
our
œ ‰ jœ œ œ
’ ’ ’C/D
’ ’ ’
-
7Just a Love Song
This score has been downloaded from www.dramatists.com and is for perusal only.
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#Pno.
82
œ œ ˙love song,
œ œ ˙
’ ’ ’G
’ ’ ’
Ó ‰ jœa
’ ’ ’D/F#
’ ’ ’
œ œ œ œsong we com
œ œ œ œ
’ ’ ’E min
’ ’ ’
œ œ œ œpose as we
œ œ œ œ
’ ’ ’D/F#
’ ’ ’
.˙go.
.˙
’ ’ ’G
’ ’ ’
!
’ ’ ’
’ ’ ’
-
&
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#Pno.
88
œ œ œ œ œwrit ten by our
œ œ œ œ œ
’ ’ ’C
’ ’ ’
œ Œ ‰Jœ
eyes and
œ Œ jœ
’ ’ ’A7/C#
’ ’ ’
œ œ œsung in our
œ œ œ
’ ’ ’G/D
’ ’ ’
˙ ‰Jœ
sighs. a
˙ jœ
’ ’ ’E min
’ ’ ’
-
&
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#Pno.
92
œ œ œsong that will
œn œ œ
’ ’ ’F
’ ’ ’
˙‰
Jœgrow, that
˙ jœ
’ ’ ’C
’ ’ ’
œ œ œ œ œon ly we can
œn œ œ œ œ
Û Û ÛF
!
˙‰ jœ
know. say
˙Hugh:
Û Û ÛC
!
-
8Just a Love Song
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#Pno.
96
œ œ .œbU jœnyou'll be true. you
Mary:
.˙UB
b
.U
œ œN ˙U
mean it Hugh?
œI
Hugh
.˙UF
.U
˙U
œdo! Me
.˙
Ó œ œ
œ œ œ œ
.˙too.
.˙
œ œ U
...˙˙
!
!
œœ. Œ Œ
9Just a Love Song
Mary
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&?
# # #
# # #C
C
..
..Piano
1 Û Û. Œ Û.A
Cue 1: " I got me...A vision"Cue 2: "Just Picture it"Cue 3: "Sure"
Guitar
Piano enters measure 63
!
p
p
h»¡"ºŒ Û |
A sus4
!
«2
! !
«2
! !
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## #
## #
## #....
..
..
..
..
..
..
Sally
John
Pno.
7
!
!
| |A A sus4
!
!
Pause for dialogue
!
Û Œ Œ ŒA
!
!
!
!
!
Œœ jœ œ jœ
Just look at the
Sally 1st time
!
John: "ooooh" 2nd time
!
!
œ œ Ófut ure
œ œ Ófu ture
Û Û. Œ Û.A
!
h»¡"º
-
-
7. Mary Is MarriedSugg/Posner
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## #
## #
## #
## #
Sally
John
Pno.
12 Œ œ œ œ œall shi ny and
Œ œ œ œ œand it ain't so
Œ Û |A sus4
!
wbright
wbright
Û Û. Œ Û.A
!
Ó œ œ œall of this
Œ œ œ œ œthe store's gone
Œ Û |A sus4
!
œ œ Ówrong ness
œ œ Óbust ed
’ ’A
!
- -
-
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## #
## #
## #
Sally
John
Pno.
16 Œ .˙has
Ó Œ œthey
’ ’!
œ œ œ œ œturned in to just
œ œ œ œ œsquab ble and they
’ ’B
!
˙ œ œ œright look at our
˙ œ œ œfight look at our
’ ’E
!
œ .˙Ma ry
œ .˙Ma ry
’ ’A
!
œ .˙her
œ .˙she's
’ ’!
- -
- -
2 7. Mary Is Married
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## #
## #
## #
## #
Sally
John
Pno.
21 œ œ œ œface just all a
Jœ œ Jœ œ œpi ti ful and
’ ’C G
!
˙ Óglow
˙ Ópoor
’ ’A
!
œ œ œ œdon't you want her
œ œ œ œHugh is drunk and
| |A
!
œ ˙ œhap py and
œ œ Œ œdrool ing and
’ ’E
!
1.
œ .˙done with
1.
!
1.
’ ’D
!
- -
- - -
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## #
## #
## #....
..
..
Sally
John
Pno.
26 œflŒ œ œ œ
wor ry and
!
’ ’fl
!
˙ Ówoe
!
Û Û. Œ Û.A
!
!
!
Œ Û Û ÛA sus4
!
!?
!
Û Û Û ÛA A sus4
!
Ó jœ œ jœI see a
John
&
!
Û Œ Œ ŒA
!
-
3 7. Mary Is Married
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John
Pno.
312. œ .˙
sprawled out
2.
Û .|D
!
œ Œ Ó
|!
!
|!
Ó œ œon the
Û Œ Œ Œ
!
˙ Ófloor
Û Û. Œ Û.A
!
!
Œ Û |A sus4
!
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Sally
Pno.
37
!
| |A A sus4
!
Ó Œ œWhen
Û Œ Œ ŒA
!
A
œ ˙ œMa ry is
Û Û Û ÛA
!
œ œ œ œmar ried can't you
Û Û Û Û
!
œ œ ˙see it from
’ ’D E
!
- -
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Sally
Pno.
42 œ Œ Œ Œhere
’ ’A
!
œ œ œ œ œwhen the past is
’ ’A
!
œ œ Œ œbur ied and
’ ’!
œ œ œ œ œit's a brand new
’ ’!
-
4 7. Mary Is Married
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
&
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Sally
Pno.
46 wyear
’ ’E
!
˙ Œ œwhen
’ ’!
œ ˙ œMa ry is
’ ’A
!
œ œ .œ jœmar ried and our
’ ’!
œn œ œ œ œnew life has begun
’ ’C G
!
- - - -
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Sally
Pno.
51 ˙ Œ œwe'll
’ ’A
!
Jœ .œ œ œsing out hal le
Û Û Û Û
!
œ œ Œ œlu jah when
’ ’E
!
œ œ œ œ œHugh and Ma ry are
’ ’D E
!
˙ Óone
Û Û. Œ Û.A
!
- - - - - -
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## #Pno.
56 Œ Û |A sus4
!
Û Û. Œ Û.A
!
Œ Û |A sus4
!
Û Û. Œ Û.A
!
Œ Û |A sus4
!
«2
!
5 7. Mary Is Married
JOHN: He’s a clerk! SALLY : You’re a hog farmer!
JOHN: He’s poor!
SALLY: So are we!
JOHN: Oh dingus.
This score has been downloaded from www.dramatists.com and is for perusal only.
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Sally
Pno.
62 Œ ‰ jœ jœ œ jœI see a
!
œ œ Ówed din'
Û Û. Œ Û.A
!
Œ œ œ œ œ œWhat a beau ti ful
Œ Û |A sus4
!
˙ Óbride.
Û Û. Œ Û.A
’ ’
Œ .œ œ jœHugh's just a
Œ Û |A sus4
’ ’
- - -
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Sally
Pno.
67
œ œ Óburst in'
’ ’A
!
Œ Ó œwith
’ ’!
Jœ œ Jœ œ œbut ton bust in'
| |B
!
œ jœ œ œ jœpride He looks like a
| |E
!
œ .˙doof us
| |A
!
- - - -
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Sally
John
Pno.
72 Ó Œ œn'
!
| |!
œn œ œ œshe looks set to
!
«2
!
˙ Óspew
!
!
!
œ œ œ œI for see di
’ ’!
!
œ ˙ œsas ter the
’ ’E
!
!
œ .˙day they
Û .|D
!
- - -
6 7. Mary Is Married
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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John
Pno.
78 œ Œ œ œsay "I
Û˘
Œ Œ Œ
!
œ Œ Ódo"
œœ ˙ œœA
!
!
œœ ˙ œœ!
!
œœœœ
œœ œœD E
!
!
wwA
!
!
œœ ˙ œœ!
&?
# # #
# # #Pno.
84 œœ ˙ œœ!
œœ œœ œœœœ
!
wwE
!
ww!
œœ ˙ œœA
!
œœ ˙ œœ!
˙ ˙C G
!
&
&?
# # #
# # #
# # #
Sally
Pno.
91
!
wA
!
!
œœ œœœœ œœ
!
!
œœ ˙ œœ
E
!
!
œœœœ
œœ œœD E
!
!
Û Û. Û Û.A A sus4
!
Ó jœ œ jœI see a
Û˘
Œ Œ Œ
!
C
7 7. Mary Is Married
JOHN: I don't know, old Shoe, I’d always kinda imagined some day, maybe, some fine fella—
SALLY: Ain’t no Prince Charming never gonna swoop into no Deer Lick, Missouri and carry our little girl off to the lap of luxury! This here is the world! Now lookit!
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Sally
Pno.
97
œ œ Óhome stead
Û Û. Œ Û.A
!
Œ œ œ œ œwhere the hearth fires
Œ Û |A sus4
!
˙ Óhiss
Û Û. Œ Û.A
!
Œ jœ œ jœ œthe ket tle is
Œ Û |A sus4
!
œ œ Ówhist lin'
’ ’A
!
- - -
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Sally
Pno.
102 Œ .˙ooooh
’ ’!
œ œ œ œ œit's do mest ic
’ ’B
!
˙ jœ œ jœbliss I see a
’ ’E
!
œ .˙Samp ler
’ ’A
!
.˙ œa
’ ’!
- - - -
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Sally
Pno.
107 œn œ œ œ œhang in' on the wall
| |C G
!
˙ Œ œ
’ ’A
!
œ œ œ œhome sweet home is
’ ’!
œ œ œ œall it reads an'
’ ’E
!
œ .˙that just
Û .|D
!
-
8 7. Mary Is Married
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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Sally
John
Pno.
112 œ Œ œ œsays it
!
Û Œ Œ Œ
!
˙ Óall
!
’ ’. .
A
!
!
!
’ ’A sus4
!
!
!
’ ’A A sus4
!
!
Ó jœ œ jœI see a
Û Œ ÓA
!
D
!
œ œ Ófami ly
Û Û. Œ Û.A
!
-
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John
Pno.
118 Œ œ œ œ œan' some grand kids
Œ Û |A sus4
!
˙ Ótoo
Û Û. Œ Û.A
!
Œ œ œ œthough he's not
Œ Û |A sus4
!
œ œ Óper fect
’ ’A
!
Ó œ œ œI sus pect
’ ’!
- - -
9 7. Mary Is Married
This score has been downloaded from www.dramatists.com and is for perusal only.
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Sally
John
Pno.
123
!
œ œ œ œthat Hugh will
’ ’B
!
Œ œ œ jœ œ jœwell I see to
œ œ œ Jœ œ Jœdo well I see to
’ ’E
!
œ œ œ œ œmor row and to mor
œ œ œ œ œmor row and to mor
’ ’A
!
œ œ œ œow and to
œ œ œ œow and to
’ ’G
!
œn œ œ œmor row roll in'
œn œ œ œmor row roll in'
| |C G
!
- - - - - - -
- - - - - - -
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Sally
John
Pno.
128 ˙ Œ œpast in
˙ Œ œpast in
’ ’A
!
œ œ œ œstead of worn an'
œ œ œ œstead of worn an'
’ ’!
œ œ œ œwear y may be
œ œ œ œwear y may be
’ ’E
!
œ .˙hap py's
œ .˙hap py's
Û .|D
!
w
w
|!
w
w
|!
- - - -
- - - -
10 7. Mary Is Married
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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## #
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Sally
John
Pno.
134 Ó œ œhere at
Ó œ œhere at
Û Œ Œ Œ
!
œ Œ Ólast
œ Œ Ólast
Û Û. Œ Û.A
!
!
!
Œ Û Û ÛA sus4
!
!
!
Û Û Û ÛA A sus4
!
Ó Œ œWhen
Ó Œ œWhen
Û˘
Œ Œ Œ
!
E
&
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Sally
John
Pno.
139 œ ˙ œMa ry is
œ ˙ œMa ry is
’ ’A
!
œ œ œ œmar ried can't you
œ œ œ œmar ried can't you
’ ’!
œ œ ˙see it from
œ œ ˙see it from
’ ’D E
!
œ Œ Œ Œhere
œ Œ Œ Œhere
’ ’A
!
œ œ œ œ œwhen the past is
œ œ œ œ œwhen the past is
Û Û Û ÛA
!
- -
- -
11 7. Mary Is Married
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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## #
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Sally
John
Pno.
144
œ œ Œ œbur ied and
œ œ Œ œbur ied and
’ ’!
œ œ œ œ œit's a brand new
œ œ œ œ œ
it's a brand new
’ ’!
wyear
w
year
’ ’E
!
˙ Œ œwhen
˙Œ œ
when
’ ’!
œ ˙ œMa ry is
œ ˙ œ
Ma ry is
’ ’A
!
- -
- -
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Sally
John
Pno.
149 œ œ .œ jœmar ried and our
œ œ œ œmar ried and our
’ ’!
œn œ œ œnew life has be
œ œ œ œnew life has be
| |C G
!
˙ Œ œgun we'll
˙ Œ œgun we'll
’ ’A
’ ’
œ œ œ œsing out hal le
œ œ œ œsing out hal le
’ ’
’ ’
œ œ Œ œlu jah when
œ œ Œ œlu jah when
’ ’E
’ ’
- - - - -
- - - - -
12 7. Mary Is Married
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42
42
42
42
43
43
43
43
Sally
John
Pno.
154
œ œ œ œ œHugh and Ma ry are
œ œ œ œ œHugh and Ma ry are
’ ’D E
’ ’
wone
wone
’ ’A
!
Œ ‰ jœShe's
!
Û Œ
!
F
q»¡ººœn .œ Jœ
sighed and she's
!
’C
!
œ œ œn ‰ jœcried to me and
!
’G
!
-
-
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Sally
Pno.
159 œ .œ Jœnow she's the
’D
!
œa œ œ œpride of me for
’A
!
.œn Jœ œher there ain't
’C
!
Jœ œn œ œ œnuth in' I would n't
’G
!
.˙do
’D sus4
!
- -
13 7. Mary Is Married
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Sally
Pno.
164 œ Œ ‰ jœshe
’D
!
œn œ œonce lived in
’C
!
œ œ œn œside of me and
’G
!
œ œ œnow she's a
’D
!
œa œ œ Œbride to be
’A
!
œn œ œshe'll start a
’C
!
- - -
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C
C
C
C
Sally
John
Pno.
170 œ œ œ œ œnew life with
!
’D
!
wHugh
!
|E sus4
!
a tempo
œ Œ Ó
!
|!
!
!
| |!
Ó Œ œWhen
Sally and Mary
Ó Œ œWhen
John and Hugh
| |E
!
G
14 7. Mary Is Married
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Sally
John
Pno.
175 œ ˙ œMa ry is
œ ˙ œMa ry is
’ ’A
!
œ œ œ œmar ried can't you
œ œ œ œmar ried can't you
’ ’!
œ œ ˙see it from
œ œ ˙see it from
’ ’D E
!
œ Œ Œ Œhere
œ Œ Œ Œhere
’ ’A
!
œ œ œ œ œwhen the past is
œ œ œ œ œwhen the past is
’ ’A
!
- -
- -
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Sally
John
Pno.
180
œ œ Œ œbur ied and
œ œ Œ œbur ied and
’ ’!
œ œ œ œ œit's a brand new
œ œ œ œ œ
it's a brand new
’ ’!
wyear
w
year
’ ’E
!
˙ Œ œwhen
˙Œ œ
when
’ ’!
œ ˙ œMa ry is
œ ˙ œ
Ma ry is
’ ’A
!
- -
- -
15 7. Mary Is Married
Mary
Hugh
Mary
Hugh
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Sally
John
Pno.
185 œ œ .œ jœmar ried and our
œ œ œ œmar ried and our
’ ’!
œn œ œ œnew life has be
œ œ œn œnew life has be
’ ’C G
!
˙ Œ œwe'll
˙ Œ œwe'll
Û Û Û ÛA
!
œ œ œ œsing out hal le
œ œ œ œsing out hal le
Û Û Û Û
!
œ œ Ólu jah
œ œ Ólu jah
Û Û˘
Œ ŒE
!
- - - - - - -
- - - - - - -
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Sally
John
Pno.
190 Ó œ œhal le
all women
Ó œ œhal le
all men
!
!
Slower
œœ ..˙lu jah
œœ ..˙lu jah
’ ’!
˙ œœ œœ
˙ œœ œœ
’ ’!
ww
ww
’ ’!
Ó ˙when
Ó ˙
when
’ ’!
wwHugh
wwHugh
’ ’D
!
a tempo
- - -
- - -
16 7. Mary Is Married
Mary
Hugh
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Sally
John
Pno.
196 ˙ ˙and
˙ ˙
and
’ ’!
˙ ˙Ma ry
˙ ˙
Ma ry
’ ’E
!
wware
wware
’ ’!
wone
Ó œ œHal le
w
one
Óœ œ
Ha le
’ ’A
!
wœ œ
Ólu jah
wœ œ Ólu jah
’ ’E
!
-- - -
-- - -
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Sally
John
Pno.
201 ˙ ˙œ œ œ œ œHugh and Ma ry are
˙ ˙œ œ œ œ œHugh and Ma ry are
’ ’D E
!
˙Ó
one
˙Ó
one
| Û ŒA
!
-
-
17 7. Mary Is Married
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43
43
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Piano
j
œ
Rehearsal Score
œ .œ
j
œ
C
.
.˙˙
.˙
œ œ ˙
G
˙ œ
.˙
œ .œ
j
œ
D
˙˙#
œ
.˙
œ# œ .œ
j
œ
A
.˙
.˙
œN œ œ
C
.
.˙˙
.˙
œ œ œ
G
.˙
.˙
&
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Pno.
7
.˙
D sus4
˙ œ# œ
œœ
œ œ
˙˙#
œ œ
D
œœ
œ œ
œ .œ
j
œ
C
.
.˙˙
.˙
q q q e
3
=
œ œ ˙
G
˙ œ
.˙
œ .œ
j
œ
D
˙˙#
œ
.˙
œ# œ .œ
j
œ
A
.˙
.˙
œœ
Nœ
œœ
C
.˙
&
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Pno.
14
œ
œ#œœ
œ
œ
D
.˙
.˙
E sus4
˙˙ œœ
˙ œ
˙ œœ
E
˙˙#
Œ
.˙
8. Mary Is Married (outro)Sugg/Posner
Repeat until "He got right to it."This score has been downloaded from www.dramatists.com and is for perusal only.
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44
œœ
Û.
‰ Û.
J
Û
E7
Û Û Û Û
A GŒ Û
.‰ Û
.
J
Û
E 7
Û Û Û Û
/E /F# /G #
’ ’ ’ ’
A 7 E 7
&
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6
’ ’ ’ ’
A 7 E 7
’ ’ ’ ’
A 7 Bb7
’ ’ ’ ’
B 7
’ ’ ’ ’
A 7
’ ’ ’ ’
E7
’ ’ ’ ’
A 7
&
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12
’ ’ ’ ’
E 7
’ ’ ’ ’
F#7
’ ’ ’ ’
B 7
’ ’ ’ ’
F#7
’ ’ ’ ’
A Bb B 7
rit.
9. (Underscore) Curse of John GraySugg/Posner
Guitar only
Cue: Clem: "...mother shocked and distraught. "
Out at "A very good thing"
Rehearsal Score
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43
43
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1
Bass and guitar only
VocalMusic Cue MARY: "...my love for you, Hugh, will never die."
1
1
œœ
œœ
œœ
G
q q q e
3
=
Mary
Cue CLEM: Soon, they both seemed listless…and tired of life.
Hugh
œ
œœœ
œ œ
C/D
œ œ
Œœ
œ
Looks like it's the
œ œ
Œœ
œ
Looks like it's the
œ œ œ
G
qȻ
˙ œ œ
end of our
˙œ œ
end of our
œ œ œ
C/D
œ œ ˙
love song
œ œ ˙
love song
œ œ œ
G
&
&
&
#
#
#
6
Ó ‰ j
œ
our6
Ó ‰ j
œ
our
6
œ œ œ
D/F #
œ œ œ
love has been
œœ
œ
love has been
œ œ œ
E min
œœ œ
brok en in
œ œœ
brok en in
œ œ œ
D/F#
.˙
Twain
.˙
Twain
œ œ œ
G
Ó ‰
j
œ
I
Ó ‰ j
œ
I
œ œ œ
œ œ œ
can't see your
œœ
œ
can't see your
œ œ œ
C
-
-
10. Just a Love Song (Reprise)Sugg/Posner
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12
œŒ ‰ j
œ
eyes I12
œ Œ ‰
J
œ
eyes I
12
œ œ œ
A 7/C#
œœ œ
can't hear your
œœ
œ
can't hear your
œ œ œ
G/D
˙Œ
sighs˙
Œ
sighs
œ œ œ
E min
œn œ œ
two hearts in
œ œ œ
two hearts in
œ œ œ
F
rit.
rit.
˙‰ j
œ
pain our
˙‰ j
œ
pain our
œ œ œ
C
œn œ œ
fi nal re
œ œ œ
fi nal re
œ œ œ
F
˙Œ
frain
˙Œ
frain
œ œ œ
C
- -
- - -
&
&
&
#
#
#
19
œ œ ˙b
U
I miss you19
Ó ‰j
œ
I
19
.˙
U
Bb
Ӝ
Oh
œ œN ˙U
miss you too
.˙
U
F
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œ œ
Hugh.˙
.˙
G
.˙
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.
.˙˙
.˙
U
2 10. Just a Love Song (Reprise)
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The Stranger
œI
!
œ œ œ œseemes
thosea
looks,mis
Iyou
’ ’E min
œ œ œ œsensemay
yournot
thoughts,like
Iat
’ ’E min/G
œ œ œ# œknow
allyou'rewhat
allyou
perwill
’ ’B
--
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Strgr
4 ˙ Óplexed.see.
’ ’E min
Œ œ œ œ
JustBut
whoyou
amshould
’ ’G
œ œ œ œI,all
whatbe
doglad
II'm
’ ’C D
œ œ œ œwant,here,
andI
whatam
comesthe
’ ’G
wnext?key.
’ ’B 7
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Strgr
9
Œœ œ œ
HowI
doam
Ia
’ ’E min
œ œ œœ œœfit
forcewithof
incha
thisos,
2nd time
’ ’E min/B
œ œ œ œskit, how
ofdo
change,I
of
’ ’A min
œ œ ˙servevill
thisain
text?y
’ ’A min/E
œ# œ œ œWilland
thesethis
plainsim
prople
’ ’F
#
Vamp under dialogueCue: Clem "...everything that was new and marvelous...
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Strgr
14 œ# œ# œ œvinchome
ialspun
folktale
bewould
’ ’F
#7/C#
œ œ œ œ#charmed
boga
downlarmedwith
orout
’ ’B 7
˙#UŒ œ
vexed?me.
well
|U
!
Œ œ œ# œ#Gypsy Swing a la Django
!
’ ’E min E min/G
Mandolin solo over this vamp
Gypsy Jazz h =128
--
--
12, 13, Entre Nous/ Deer LickSugg/Posner
Bass
cue: The Stranger is left alone onstage.
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19
!
’ ’F
#7 B
Œ œ œ œI am a
’ ’E min E min/G
A
œ œ œ Œstran ger here
’ ’F
#7 B
Œ œ Œ œbut no
’ ’E min E min/G
œ œ œ Œneed to fear.
’ ’F
#7 B
Œ œ œ œI'll not up
’ ’E min
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Strgr
25 ˙ ˙set your
’ ’D
wlife.
’ ’G
˙ Ó
’ ’B 7
Œ ˙ œI am
’ ’E min E min/G
œ œ œ Œwhat you see.
’ ’F
#7 B
Œ ˙ œSoon you
’ ’E min E min/G
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Strgr
31 œ œ œ Œwill trust me
’ ’F
#7 B
Ó œ œwith your
’ ’E min
œ# œ œ œ#daught er with your
’ ’F
#7
wwife.
’ ’B 7
˙
’ ’-
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Strgr
36
Œ ˙ œI come
’ ’A min
œ œ œ ˙from a far.
’ ’
Œ ˙ œCan you
’ ’E min
œ œ ˙see that star
’ ’
Œ ˙ œjust three
’ ’B
-
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#
Strgr
41 œ œ œ œo ver and two
’ ’
wdown.
’ ’E min
˙ Ó
’ ’E 7
Œ ˙ œFrom south
’ ’A min
œ œ ˙of that place,
’ ’-
2 12, 13, Entre Nous/ Deer Lick
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86
86
Strgr
46
Œ ˙ œwhere they
’ ’E min
œ œ ˙speak Fran cais,
’ ’
Œ œ# œ œI've jour neyed
Ûfl
Œ Œ ŒF#7
œ# œ œ œ#to this ti ny
Ûfl
Œ Œ ŒF#7
wtown.
œœœ# œœ# œœnB
Guitar
- - -
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86
86
86
86
wmn
men 1
Strgr
51
!
!
˙ ‰ ‰
Œ ‰ œ œ œ
B
‰ œ œ ‰ œ œDeer Lick Deer Lick
.œ .œDear dear
!
’ ’E E/D
#
French Musette qd= 64 œ œ œ ‰ ‰Deer Lick Dear
Jœ œ Œ ‰Deer Lick
Œ Œ œ œIt's mir
’ ’E/C
#E/B
!
!
œ œ œ œ œ œa cul ous all I ob
’ ’E F dim7
!
!
.œ .œserve.
’ ’F
# min B 7
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men 1
Strgr
56
‰ œ œ ‰ œn œDeer Lick Deer Lick
.œ .œDear Dear
!
’ ’F
#min F
#min/F
‰ œ œ œ ‰Deer Lick Dear
Jœ œ Œ ‰Deer Lick
Œ Œ œ œit's your
’ ’F
#min/E B/D
#
!
!
œ Jœ œ œ œ#town, it's what you de
’ ’F
#min B aug
!
!
.œ .œserve.
’ ’E
-
312, 13, Entre Nous/ Deer Lick
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wmn
men 1
Strgr
60
‰ œ œ ‰ œ œDeer Lick Deer Lick
.œ .œDear Dear
!
’ ’E E/D
#
‰ œ œ œ ‰Deer Lick Dear
Jœ œ Œ ‰Deer Lick
Œ ‰ Œ Jœit
’ ’E/C
#E/B
!
!
œ œ œ œ œ œn
feels like I've al ways been
’ ’E E/G
#
Œ ‰ Œ jœThere's
Œ ‰ Œ JœThere's
.œ Œ Jœhere. There's
’ ’A
-
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nnn n#
nnn n#
nnn n#
nnn n#
C
C
C
C
wmn
men 1
Strgr
64
œ œ œ œ. ‰ œno place that's quite like
œ œ œ œ. ‰ œno place that's quite like
œ œ œ œ. ‰ œno place that's quite like
.Û JÛfl‰ ‰B
Jœ œ Œ ‰Deer Lick.
Jœ œ Œ ‰Deer Lick.
Jœ œ Œ œ œDeer Lick. Where a
freely
’ ’E
!
!
.œ œ œ œ .œn œday can feel just like a
’ ’U U
A min B
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C
C
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Strgr
67 .œ Œ ‰year.
tempo primo
’ ’E min E min/G
!
’ ’F
#7 B
Œ ˙ œI've led
’ ’E min E min/G
C
œ œ ˙quite a life,
’ ’F
#7 B
Œ ˙ œit's been
’ ’E min E min/G
4 12, 13, Entre Nous/ Deer Lick
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Strgr
72 œ œ ˙rife with strife
’ ’F
#7 B
Œ œ œ œand my fair
’ ’E min
˙ ˙share of
’ ’D
wfame.
’ ’G
˙ Ó
’ ’B 7
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Strgr
77
Œ œ œ œI've lost and
’ ’E min E min/G
œ œ ˙won a war,
’ ’F
#7 B
Œ œ œ œbuilt build ings,
’ ’E min E min/G
œ œ ˙fed the poor,
’ ’F
#7 B
Œ œ œ œse duced e
’ ’E min
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Strgr
82 œ# œ œ œ#lev en bux om
’ ’F
#7
wdames.
’ ’B 7
˙ Ó
’ ’
Œ œ œ œI'm sure that
’ ’A min
œ œ ˙you're a mazed
’ ’- - -
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#
Strgr
87
Œ ˙ œby the
’ ’E min
œ œ ˙trail I've blazed.
’ ’
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#
#
Strgr
89
Œ ˙ œWho'd have
’ ’B
œ œ œ œthought it would lead
’ ’
where?
’ ’E min
˙
’ ’E 7
Œ œ œ œBut I em
’ ’A min
œ œ œ Œbrace Deer Lick,
’ ’-
512, 13, Entre Nous/ Deer Lick
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86
86
Strgr
95
Œ œ œ œDeer Lick might
’ ’E min
œ œ œ Œdo the trick,
’ ’
Œ œ# œ œI wel come
’ ’F
#7
œ# œ œ œ#a ny lick that's
’ ’F
#7
wdear.
œœœ# œœ# œœnB
Guitar
- -
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86
86
86
86
86
wmn
men 1
men 2
Strgr
100
!
!
!
˙ ‰ ‰
Œ ‰ œ œ œ
qk»§ºD
‰ œ œ ‰ œ œDeer Lick Deer Lick
‰ œ œ œ œ ‰ œ œ œ œDeer Lick
.œ .œDear dear
!
’ ’E E/D
#
‰ œ œ œ ‰Deer Lick Dear
œ œ œ œ œ œ œ œ œ œ œ œDear Lick
Jœ œ Œ ‰Deer Lick
Œ Œ ‰ œ œFrom my
’ ’E/C
#E/B
!
!
!
œ ‰ œ œ œ œ œtete to the tip of each
’ ’E F dim7
6 12, 13, Entre Nous/ Deer Lick
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wmn
men 1
men 2
Strgr
104
!
!
!
˙ Œtoe.
’ ’F
#min B 7
‰ œ œ ‰ œn œDeer Lick Deer Lick
‰ œ œ œ œ ‰ œ œ œ œDeer Lick
.œ .œDear Dear
!
’ ’F
#min F
#min/F
‰ œ œ œ ‰Deer Lick Dear
œ œ œ œ œ œ œ œ œ œ œ œDeer Lick
Jœ œ Œ ‰Deer Lick
Œ Œ ‰ JœYour
’ ’F
#min/E B/D
#
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wmn
men 1
men 2
Strgr
107
!
!
!
œ œ œ œ œ œ#beau ty could cause blood to
’ ’F
# min B aug
!
!
!
˙ Œflow.
’ ’E
‰ œ œ ‰ œ œDeer Lick Deer Lick
‰ œ œ œ œ ‰ œ œ œ œDeer Lick
.œ .œDear Dear
!
’ ’E E/D
#-
712, 13, Entre Nous/ Deer Lick
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wmn
men 1
men 2
Strgr
110 œ œ œ ‰ ‰Deer Lick Dear
œ œ œ œ œ œ œ œ œ œ œ œDeer Lick
Jœ œ Œ ‰Deer Lick
Œ Œ ‰ JœI
’ ’E/C
#E/B
!
!
!
œ œ œ œ œ œn
knew in my heart you were
’ ’E E/G
#
Œ ‰ Œ jœThere's
Œ ‰ Œ JœThere's
!
.œ Œ Jœthere there's
’ ’A
&
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nnnn #
nnnn #
nnnn #
C
C
C
C
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wmn
men 1
Strgr
113
œ œ œ œ. ‰ œno place that's quite like
œ œ œ œ. ‰ œno place that's quite like
œ œ œ œ ‰ œno place that's quite like
.Û JÛfl‰ ‰B
Jœ œ Œ ‰deer Lick
Jœ œ Œ ‰Deer Lick.
Jœ œ Œ JœDeer Lick. You
’ ’E
!
!
œ .œ œ œ œ œtouch me I can not say
’ ’U UA min B
!
!
wwhere
Tempo Primo
’ ’E min E min/G
-
8 12, 13, Entre Nous/ Deer Lick
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#
#
..
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Strgr
117
!
’ ’F
#7 B
Œ œ œ ŒMy life?
’ ’E min E min/G
E
œ œ ˙Oh so sad.
’ ’F
#7 B
Œ ˙ œWhat a
’ ’E min E min/G
œ œ ˙life I've had,
’ ’F
#7 B
Œ œ œ œthe hor rors
’ ’E min
-
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#
#
Strgr
123 ˙ ˙oh mon
’ ’D
wDieu!
’ ’G
˙ Ó
’ ’B 7
Œ œ œ œBut don't feel
’ ’E min E min/G
œ œ ˙bad for me,
’ ’F
#7 B
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#
Strgr
128
Œ œ œ œlife's hard for
’ ’E min E min/G
œ œ ˙roy al ty.
’ ’F
#7 B
Œ œ Œ œoops, That's
’ ’E min
œ# œ œ œ#strict ly en tre
’ ’F
#7
wnous.
’ ’B 7
˙ Ó
’ ’- - - -
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#
Strgr
134
Œ œ œ œWell then don't
’ ’A min
œ œ ˙tell a soul,
’ ’
Œ œ œ œbut I am
’ ’E min
œ œ ˙playing a role,
’ ’
Œ œ œ œthis hat should
’ ’B
?
?
#
#
Strgr
139 ˙ ˙be a
’ ’
wcrown.
’ ’E min
˙ Ó
’ ’E 7
Œ œ œ œBut then a
’ ’A min
œ œ ˙blood y fight,
’ ’-
912, 13, Entre Nous/ Deer Lick
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86
86
Strgr
144
Œ œ œ œa despe rate
’ ’E min
œ œ ˙flight by night
’ ’
Œ œ# œ œand now a
Ûfl
Œ Œ ŒF#7
œ# œ œ œ#new life in this
Ûfl
Œ Œ ŒF#7
wtown.
œœœ# œœ# œœnB
Guitar
-
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86
86
86
86
86
wmn
men 1
men 2
Strgr
149
!
Waltz
!
Waltz
!
˙ ‰ ‰
Œ ‰ œ œ œ
qk»§º
F
‰ œ œ ‰ œ œDeer Lick Deer Lick
‰ œ œ œ œ ‰ œ œ œ œDeer Lick
.œ .œDear dear
!
’ ’E E/D
#
‰ œ œ Jœ ‰ ‰Deer Lick Dear
œ œ œ œ œ œ œ œ œ œ œ œDear Lick
Jœ œ Œ ‰Deer Lick
Œ Œ ‰ JœTo
’ ’E/C
#E/B
10 12, 13, Entre Nous/ Deer Lick
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wmn
men 1
men 2
Strgr
152
!
!
!
œ œ œ œ œ œyou dear our hearts will be
’ ’E F dim7
!
!
!
˙ Œtrue.
’ ’F
#min B 7
‰ œ œ ‰ œn œDeer Lick Deer Lick
‰ œ œ œ œ ‰ œ œ œ œDeer Lick
.œ .œDear Dear
.œ .œDear Dear
’ ’F
#min F
#min/F
&
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wmn
men 1
men 2
Strgr
155
‰ œ œ œ œ œDeer Lick Dear It's A
œ œ œ œ œ œ œ œ œ œDeer Lick It's A
Jœ œ ‰ œ œDeer Lick It's A
Jœ œ ‰ œ œDeer Lick It's A
’ ’F
#min/E B/D
#
œ œ œ ‰ œ œ œ#mer i ca straight through and
œ œ œ ‰ œ œ œ#mer i ca straight through and
œ œ œ ‰ œ œ œ#mer i ca straight through and
œ œ œ ‰ œ œ œ#mer i ca straight through and
’ ’F
#min B aug
˙ Œthrough.
˙ Œthrough.
˙ Œthrough.
˙ Œthrough.
’ ’E
- - -
- - -
- - -
- - -
1112, 13, Entre Nous/ Deer Lick
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wmn
men 1
men 2
Strgr
158
‰ œ œ ‰ œ œDeer Lick Deer Lick
‰ œ œ œ œ ‰ œ œ œ œDeer Lick
.œ .œDear Dear
!
’ ’E E/D
#
‰ œ œ œ JœDeer Lick Dear we're
œ œ œ œ œ œ œ œ œ œ œDeer Lick we're
Jœ œ Œ JœDeer Lick
Œ Œ ‰ JœWe're
’ ’E/C
#E/B
œ œ œ œ œ œDeer lick ers deer lick ers
œ œ œ œ œ œn
Deer Lick ers Deer Lick ers
œ œ œ œ œ œlick ers deer lick ers
œ œ œ œ œ œDear lick ers deer lick ers
Œ . Œ .E E/G#
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men 1
Strgr
161 .œ Œ jœwe There's.œ
Œ Jœwe There's
.œ Œ Jœwe There's
’ ’A
œ œ œ œ. ‰ œno place that's quite like
œ œ œ œ. ‰ œœno place that's quite like
œ œ œ œ. ‰ œno place that's quite like
’ ’B
Jœ œ Œ JœDeer Lick. We
Jœœ œœ Œ J
œœDeer Lick. We
Jœ œ Œ JœDeer Lick. We
’ ’E
Jœ œ Œ Jœœ
live here and
Jœœ œœ Œ J
œœlive here and
Jœ œ Œ Jœlive here and
’ ’˘
A min
12 12, 13, Entre Nous/ Deer Lick
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wmn
men 1
Strgr
165
Jœœ Œ œœ œœ œœ
here we'll al ways
Jœœ Œ œœ œœ œœ
here we'll al ways
Jœ Œ œ œ œhere we'll al ways
’ ’˘
B
.˙be.
‰ œ œ ‰ œ œDeer lick Deer Lick.˙
be.
‰œn œ
‰œ œ
Deer Lick Deer Lick.˙
be.
’ ’E min B
.œ jœ ‰ ‰œ œ œ Jœ ‰ ‰dear we will be.œ jœœ ‰ ‰œn œ œ Jœ ‰ ‰Dear we will be.œ Jœ ‰ ‰
’ ’˘
E min B E min
-
-
-
1312, 13, Entre Nous/ Deer Lick
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86
86
œ œ œ
.œ
æ
j
œ .œ
æ
’ ’
E E/D #
J
œ
æ
œœ œ
æ
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’ ’
E/C# E/B
.œ
æ
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æ
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æ
œ
æ
’ ’
E F dim7
.œ
æ
.œ
æ
’ ’
F# min B 7
&
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##
##
##
6 .œ
æ
.œ
æ
’ ’
F # min F# min/F
J
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æ
œ
æ
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æ
’ ’
F# min/E B/D #
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F# min B aug
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14. Dear Dear Deer Lick (Outro)Sugg/Posner
Rehearsal Score
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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##
##
##Pno.
11
œ œ œ œ ‰numb.
11
œœœ œ œ ...œœœA sus4 A
œ œ œ œ œ œ œ
œ Jœ œ JœWords can not des
’ ’D G/A
’ ’
B
Sim.
Jœ œ .œcribe it,
’ ’D
’ ’
œ Jœ œ Jœpic tures can't re
’ ’D/F#
’ ’
œ œ œ œ Jœveal this
’ ’G
’ ’
- - - -
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##
##Pno.
16 œ Jœ œ .œ œlone ly long in', a
16
’ ’G/B A/C#
’ ’
œ œ œ œ œ .œ œfeel ing so strong n'
Û Û Û .ÛD /E /F# G
’ ’
œ œ œ .œ œ œall too un bear a bly
’ ’G Dadd9/F#
’ ’
.œ œ ‰real.
’ ’A sus4 A
’ ’
- - - - - -
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##
##Pno.
20 .œ .œI miss
20
’ ’D D/F#
’ ’
C
.œ œ ! RœHugh, you
’ ’G
’ ’
œ œ œ œ œ œhave no i dea how I
Û JÛ Û JÛG A7 G/B A7/C#
’ ’
œ œ .œ œ !rœ
miss Hugh. And
’ ’D G/A
’ ’
-
2 15. I Miss Hugh
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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##
##
89
89
89
86
86
86Pno.
24 .œ .œI love
24
’ ’D D/C
’ ’
.œ œ ! RœHugh, and
’ ’G/B
’ ’
œn Jœ œ œ œ œn œ œI'll be true to no one but
’ ’ ’Bb G min7 C
’ ’ ’
.œ .œHugh
’ ’D
’ ’
Œ Œ ‰ jœI
’ ’G/A
’ ’
-
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##
##Pno.
29
œ Jœ œ Jœwant to be a
29
’ ’D G/A
’ ’
D
Jœ œ œ ‰good girl,
’ ’D
’ ’
œ Jœ œ JœPa must know what's
’ ’D/F#
’ ’
œ œ œ .œ œ œright, but my
’ ’G
’ ’
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##
##Pno.
33 œ œ œ œ œ ‰ œ œ œheart won't be qui et no mat ter
33
’ ’G/B A/C#
’ ’
œ œ œ œ œ Jœhow hard I try it
Û Û Û .ÛD /E /F# G
’ ’
œ œ œ œ œ œhaunts me and taunts me all
’ ’G Dadd9/F#
’ ’
- -
3 15. I Miss Hugh
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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##
##
##Pno.
36
œ œ œ ‰ ! œ œnight. I would
36
’ ’A sus4 A
’ ’
œ Jœ œ Jœkill this love in
’ ’D G/A
’ ’
Jœ œ ‰ ! œ œside me but my
’ ’D
’ ’
œ Jœ œ Jœheart is still on
’ ’D/F#
’ ’
-
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##
##Pno.
40 œ œ œ .œ œ œfire. When I
40
’ ’G
’ ’
œ œ œ œ œ ! œsay "I don't love Hugh" and
’ ’G/B A/C#
’ ’
œ œ œ œ .œ œcross it and swear true, it
Û Û Û .ÛD /E /F# G
’ ’
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##Pno.
43 œ .œ œ œ œ œhol lers right back "you're a
43
’ ’G Dadd9/F#
’ ’
.œ œ ‰liar".
’ ’A sus4 A
’ ’
.œ .œI Miss
’ ’D D/F#
’ ’
E
.œ œ ! RœHugh, you
’ ’G
’ ’
-
4 15. I Miss Hugh
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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##
##
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89
89
89Pno.
47 œ œ œ œ œ œhave no i dea how I
47
Û JÛ Û JÛG A7 G/B A7/C#
’ ’
œ œ .œ œ !rœ
miss Hugh. And
’ ’D G/A
’ ’
.œ .œI love
’ ’D D/C
’ ’
.œ œ ! RœHugh and
’ ’G/B
’ ’
-
&
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##
##
89
89
89
86
86
86Pno.
51 œn Jœ œ œ œ œn œ œI'll be true to no one but
51
’ ’ ’Bb G min7 C
’ ’ ’
.œ Œ jœHugh. Some
| ‰ ‰D
Œ . œ œ œ œ œ œ
œ œ œ œ œ œ .œ œ œday you'll love a noth er, that's what
...œœœ ...œœœ œœœœ œœœœ....œœœœ
Gadd9
œ.œ œ œ
.œ œ
con moto
F
- - -
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##
##Pno.
54
œ œ œ œ œ œ jœe very bo dy swears and
54
...œœœ ...œœœœœœœ œœœœ ....œœœœ
Gadd9/A
œ .œ œ œ .œ œ
œ œ œ œ œ œ œ ‰ œHugh'll be just a mem 'ry a
....œœœœ....œœœœ
œœœœ œœœœ....œœœœ
Gadd9/B
œ.œ œ œ
.œ œ
œ œ œ œ œ œ œpic ture and some hairs. Well, I
....œœœœ....œœœœ œœœœ œœœœ
....œœœœD sus4 D
œ.œ œ œ
.œ œ
- - - -
5 15. I Miss Hugh
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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##Pno.
57
œ .œ œ œ ¿ ¿ ‰ œ œtry hard to be lieve it but I
57
....œœœœ....œœœœ
œœœœ œœœœ....œœœœ
Gadd9
œ.œ œ œ
.œ œ
œ œ œ œ œ œ œcan't I don't you see for I
....œœœœ ....œœœœœœœœ œœœœ
....œœœœGadd9/A
œ .œ œ œ .œ œ
œ œ œ œ œ œ ! œ œknow down deep in side us, I love
....œœœœ....œœœœ
œœœœ œœœœ....œœœœ
Gadd9/E
œ.œ œ œ
.œ œ
- -
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##
##
nnb
nnb
nnbPno.
60
œ jœ œ jœHugh and Hugh loves
60 ....œœœœ....œœœœ
œœœœ œœœœ ....œœœœA sus4
œ .œ œ œ .œ œ
.œ .œme. Oh
....œœœœ ....œœœœ œœœœ œ œ œ œA
œ .œ œ œ œ œ
.œ .œI Miss
’ ’F F/A
’ ’
G
.œ œ jœHugh, you
’ ’Bb
’ ’
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b
b
89
89
89Pno.
64 .œ œ œ œ œ œhave no i dea how I
64 .Û .Û .Û .ÛBb C Bb/D C/E
’ ’
œ œ œ œ œ ‰ ! œmiss you, And
’ ’F Bb/C
’ ’
.œ .œI love
’ ’F F/Eb
’ ’
jœ .œ œ ! rœHugh and
’ ’Bb/D
’ ’
-
6 15. I Miss Hugh
This score has been downloaded from www.dramatists.com and is for perusal only.
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b
b
b
89
89
89
86
86
86Pno.
68
œb jœ œ jœ œb œ œI'll be true to no one but
68
’ ’ ’Db Bbmin7 Eb
’ ’ ’
.œ .œHugh.
’ ’F
’ ’
!
’ ’
’ ’
œb œ .œ œ œ œHow can I know what to
’ ’Db Bbmin7
’ ’
rit.
rit.
-
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b
bPno.
72
.œU
œU
" œ œdo with out
72
’ ’U U
C sus4 C
’ ’
.œ" .œHugh?
’ ’F
’ ’
.œ Œ ‰
.|
’ ’
-
7 15. I Miss Hugh
This score has been downloaded from www.dramatists.com and is for perusal only.
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#
#
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C
C
C
!
Rehearsal Score
w
!
!
ww ˙Ó ˙
!
!
wwwwU
!
Ó . ‰ jœSo
!
U&
!
œ œ œ œhere it is in
Ó ˙E min
˙ Ó
Rubato
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#
#
6 œ œ œ œblack and white this
6
Ó ˙E min/G
6
˙ Ó
œ œ œ# œwill's just two weeks
Ó ˙˙˙#B
˙ Ó
˙ Óold.
wwwE min
˙ Ó
Œ œ œ œJust who'd have
Ó ˙G
˙ Ó
œ œ œ œthought this stu pid
˙ ˙C D
˙ ˙
-
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#
#
11 œ œ œ œclod would be so
11
Ó ˙G
11
˙ Ó
wbold.
wwww#B7
˙ Ó
Œœ œ œ
The sto ry's
Ó ˙E min
˙ Ó
œ œ œ œtrue our in ge
Ó ˙E min
˙ Ó
œ œ œ œnue is worth her
Ó ˙A min
˙ Ó
- - -
16. Entre Nous (Reprise)Sugg/Posner#
Cue: STRANGER: "Certainly, certainly..." As he turns back:
Cue: CLEM: "He found it."Vocal cue: "So..."
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16 œ œ ˙weight in gold.
16
Ó ˙A min/E
16 ˙ Ó
œ# œ œ œNow I've got to
Ó ˙˙˙##F#
7
˙ Ó
œ# œ# œ œhatch my plot be
Ó ˙˙˙##F#
7/C#
˙# Ó
œ œ œ œ#fore the trail gets
Ó œ œ#B7
˙ ˙
˙#UŒ ‰ jœ
cold. Three
www#UB7/F#
wU
rit.
rit.
rit.
-
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#
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21 œ œ œ œthings to do be
21
Ó ˙E min
21 ˙ Ó
œ œ œ œfore I'm through to
Ó ˙E min/G
˙ Ó
œ œ œ# œmake his rich es
Ó ˙˙˙#B
˙ Ó
˙ Ómine.
wwwE min
˙ Ó
Œ œ œ œMa ry Gray
Ó ˙G
˙ Ó
- - -
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26 œ œ œ œmust love me, our
26
˙ ˙C D
26
˙ ˙
œ œ œ œhearts must in ter
Ó ˙G
˙ Ó
˙ Ótwine.
wwww#B7
˙ Ó
Œœ œ œ
Her Hugh must
Ó ˙E min
˙ Ó
œ œ œ œfall and that's not
Ó ˙E min
˙ Ó
- -
2 16 Entre Nous
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31 œ œ œ œall but be blamed
31
Ó ˙A min
31
˙ Ó
œ œ .œ Jœfor my crime And
Ó ˙A min/E
˙ Ó
œ# œ œ œDa vid Gray must
Ó ˙˙˙##F#
7
˙ Ó
œ# œ# œ œpass a way a
Ó ˙˙˙##F#
7/C#
˙# Ó
œ œ œ œ#bit be fore his
Ó œ œ#B7
˙ ˙
- - -
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#
#
36 ˙#UŒ ‰ jœ
time. So
36
www#UB7/F#
36
wU
rit.
rit.
rit.
œ œ œ œhow to start to
Ó ˙E min
˙ Ó
œ œ œ œwin her heart, to
Ó ˙E min/G
˙ Ó
œ œ œ# œset her sights on
Ó ˙˙˙#B
˙ Ó
˙¿
me.
Ótriangle
wwwE min
˙ Ó
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41
Œ œ œ œI've got it!
41
Ó ˙G
41
˙ Ó
œ œ œ œThat will do quite
˙ ˙C D
˙ ˙
œ œ œ œnice ly, that's the
Ó ˙G
˙ Ó
˙ Ókey.
wwww#B7
˙ Ó
Œœ œ œ
The per fect
Ó ˙E min
˙ Ó
- -
3 16 Entre Nous
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46 œ œ œ œplay for Ma ry
46
Ó ˙E min
46
˙ Ó
œ œ œ œGray, re verse psy
Ó ˙A min
˙ Ó
œ œ .œ Jœcho lo gy. That
Ó ˙A min/E
˙ Ó
œ# œ œ œsim ple sap will
Ó ˙˙˙##F#
7
˙ Ó
- - - - - -
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#
#
50 œ# œ# œ œtrip my trap and
50
Ó ˙˙˙##F#
7/C#
50
˙# Ó
œ œ œ œ#then, well, we shall
Ó œ œ#B7
˙ ˙
.˙#UŒ
see...
www#UB7/F#
wU
rit.
rit.
rit.
4 16 Entre Nous
This score has been downloaded from www.dramatists.com and is for perusal only.
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#
42
42
Œ
œœœ
#
Œœ
œœœ
fl
Œ
œ˘
Œ
17. Hidden Treasure?Sugg/Posner
Rehearsal Score
cue, STRANGER: some grave business to attend to. Ciao.
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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bb
bb
42
42
.
.
.
.
1
˙æ
Cue in: "Night FellCue out: "And wolves howled outside of town… "
Rehearsal Score
1
’ ’
G min
q»ªº
˙#æ
’ ’
G min/F#
˙æ
’ ’
G min
˙æ
’ ’
G min/D
˙˙æ
’ ’
C min
˙˙æ
’ ’
C min/G
˙˙
æ
’ ’
G min
˙˙
æ
’ ’
G min/D
œœ œ
’ ’
D 7
œ œ œ
’ ’
D 7/A
&
&
bb
bb
.
.
.
.
11
˙
11
’ ’
G min
˙
’ ’
G min/F
œœ œ
’ ’
Eb7
œ œ
’ ’
˙
’ ’
D 7
˙
’ ’
18. Ill Fated Love (Underscore)James Sugg
This score has been downloaded from www.dramatists.com and is for perusal only.
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bb
bb
42
42
1
!
œœœ œœœ.G min
Tango q»¡™º!
œœœ. œœœ. œG min/D
!
œœœ œœœ.G min
!
œœœ. œœœ. œG min/D
!
œœœ œœœ.G min
!
œœœ. œœœ. œG min/D
!
œœœ œœœ.G min
‰ Jœ œ œTo see you
The Stranger
œœœ. œœœ. œG min/D
Jœ ‰ Œonce
Û. Û .G min
P
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b b
10
Œ œ œis to
Û. Û .C min
œ œ Œlove you,
Û. Û .G min
‰ Jœ œ# œto love you
Û. Û .
.œJœ
with a
Û. Û .D
.œ# Jœheart so
Û. Û .A
˙true.
Û. Û .D
‰ Jœ œ œBut my love
Û. Û . Û. Û./D /C /Bb /A
Jœ ‰ Œdear,
Û. Û .G min
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b b
b b
18
Œ œ œit is
Û. Û .C min
œ œ Œhope less
Û. Û .G min
‰ Jœ œ# œnow I've found
Û. Û .
œ# ‰ Jœout that
Û Û.A 7
œ# œyou love
Û .ÛA 7
˙
Hugh.
|D
A œ œ œ œIt is so
dialogue
JÛ˘
‰ ‰ ‰
G.P.
G.P.
Jœ ‰ Œcruel
Û. Û .G min
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b b
26
‰ Jœ œ œthat I must
Û. Û .C min
œ œ Œlove you
Û. Û .G min
Œ œ# œwhen your
Û. Û .
.œJœ
love is
Û. Û .D
.œ# Jœnot for
Û. Û .A
˙me.
Û. Û .D
Œ œ œBut your
Û. Û . Û. Û./D /C /Bb /A
˙beau
Û. Û .G min
-
19. Ill Fated LoveSugg/Posner
Rehearsal Score
cue, STRANGER: in my own idiomatic way- and then-well.
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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b b
b b
34 œ œ œ œty it will
Û. Û .C min
œ œ Œhaunt me
Û. Û .G min
Œ ‰ Jœfor
Û. Û .
œ# œ œ œnow and all e
Û Û.A 7
œ# œter ni
Û .ÛA 7
˙
ty.
|D 7
Jœ ‰ Œ
JÛ˘
‰ ‰ ‰ &
B
˙Our
’ ’G min
f
- - - -
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&
b b
b b
42 œ# œ œ œlove it was ill
’ ’G min/F
#
œ œ
fa ted,
’ ’G min
˙
’ ’G min/D
Jœ œ Jœ
ill fa ted
’ ’C min
œ œ
from the
’ ’C min/G
˙
start.
’ ’G min
œ ‰ JœFor
’ ’G min/D
œ œ œyou love
’ ’D 7
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&
b b
b b
50 œ œ œHugh that is
’ ’D 7/A
œ œcer tain,
’ ’G min
œ œ œ œso it is
’ ’G min/F
Jœ œ Jœcer tain that
|Eb7
œ œwe must
|
˙part.
|D 7
œ œ œ œAl though I
Û˘
Œ
C
Jœ ‰ Œlove
Û. Û .G min
F
-
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&
b b
b b
58
‰ Jœ œ œyou more than
Û. Û .C min
œ œ Œfor tune,
Û. Û .G min
Œ œ# œmore than
Û. Û .
.œJœ
life, than
Û. Û .D
.œ# Jœbreath, than
Û. Û .A
˙air.
Û. Û .D
‰ Jœ œ œI know my
Û. Û . Û. Û./D /C /Bb /A
2 19. Ill Fated Love
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b b
b b
65
Jœ ‰ Œfate,
Û. Û .G min
‰ Jœ œ œand it is
Û. Û .C min
œ œ Œfat al,
Û. Û .G min
Œ œ œend less
Û. Û .
.œ# Jœdays of
Û Û.A 7
œ# œ œ œn
long ing and des
Û . ÛA 7
˙
pair.
|D 7
œ œ œ œNot one word
Û˘
Œ- - - -
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b b
b b
73
Jœ ‰ Œmore,
Û. Û .G min
‰ Jœ œ œoh I im
Û. Û .C min
œ œ Œplore you,
Û. Û .G min
Œ œ# œnot a
Û. Û .
Jœ ‰ ‰ Jœword, don't
Û. Û .D
Jœ# ‰ ‰ Jœspeak, don't
Û. Û .A
œ Œbreathe.
Û. Û .D
-
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b b
b b
80
‰ Jœ œ œE ven your
Û. Û . Û. Û./D /C /Bb /A
˙small
Û. Û .G min
œ œ œ œest word may
Û. Û .C min
œ œ Œdoom me,
Û. Û .G min
Œ œ# œoh, mon
Û. Û .
.œ# Jœdieu, now
Û Û.A 7
œ# œI must
Û .ÛA 7
˙
leave.
|D 7
-
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b b
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88
!
Jœ ‰ Œ
Û˘
Œ
˙Our
Mary
˙Our
’ ’G min
Dfœ# œ œ œ
love it was ill
œ# œ œ œlove it was ill
’ ’G min/F
#
œ œfat ed,œ œ
fat ed,
’ ’G min
˙
˙
’ ’G min/D
Jœ œ Jœill fat ed
Jœ œ Jœ
ill fat ed
’ ’C min
œ œfrom theœ œ
from the
’ ’C min/G
˙start.
˙
start.
’ ’G min
œ ‰ Jœfor
œ ‰ Jœfor
’ ’G min/D
- -
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319. Ill Fated Love
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b b
97 œ œ œyou love
œ œ œyou love
’ ’D 7
œ œ œHugh that seems
œ œ œHugh that seems
’ ’D 7/A
œ œcer tain,
œ œcer tain,
’ ’G min
œ œ œ œso it seems
œ œ œ œso it seems
’ ’G min/F
Jœ œ jœcer tain that
Jœ œ Jœcertain that
|Eb7
œ œwe must
œ œwe must
|
˙part.
˙part.
|D 7
jœ ‰ Œ
œ œ œ œNow I must
Û˘
Œ
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105
Jœ ‰ Œleave
Û. Û .G min
F‰ Jœ œ œ
your side for
Û. Û .C min
œ œ Œe ver,
Û. Û .G min
Œ œ# œI must
Û. Û .
.œJœ
tear love
Û. Û .D
.œ# Jœfrom my
Û. Û .A
˙breast.
Û. Û .D
œ œ œ œHere is my
Û. Û . Û. Û./D /C /Bb /A
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113
Jœ ‰ Œheart,
Û. Û .G min
‰ Jœ œ œsee now? I
Û. Û .C min
œ œ Œrip it!
Ûfl
ŒG min
Œ œ# œand what's
!
.œ# Jœleft? a
Û Û.A 7
œ# œ œn
wound in my
Û .ÛA 7
˙
chest.
|D
œ œ œ œma pe tite
JÛ˘
‰ ‰ ‰
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4 19. Ill Fated Love
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b b
b b
121
Jœ ‰ Œfleur,
Û. Û .G min
‰ Jœ œ œfare well for
Û. Û .C min
œ œ Œe ver.
Û. Û .G min
‰ Jœ œ# œmay an gels
Û. Û .
.œJœ
bless your
Û. Û .D
.œ# Jœmar riage
Û. Û .A
˙bed.
Û. Û .D
œ œ œ œRe mem ber
Û. Û . Û. Û./D /C /Bb /A
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129
!
Jœ ‰ Œme,
Û. Û .G min
!
‰ Jœ œ œand how I
Û. Û .C min
!
œ œ Œloved you,
Û. Û .G min
!
‰ Jœ œ# œwhen I am
Û. Û .
!
œ# œ œcold, nak ed,
Û Û.A 7
f!
œ# œ œ œn
lone ly, lost and
Û . ÛA 7
!
˙
dead
|D 7
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136
!
136
!
Jœ ‰ Œ
JÛ˘
‰ ‰ ‰
!
˙Our
˙Our
’ ’G min
E
!
œ# œ œ œlove it was ill
œ# œ œ œlove it was ill
’ ’G min/F
#
Œ œAh
Sally
œ œfat ed,œ œ
fat ed,
’ ’G min
œ œ œ œ
˙
˙
’ ’G min/D
˙
Jœ œ Jœill fat ed
Jœ œ Jœ
ill fat ed
’ ’C min
œ Œ
œ œfrom theœ œ
from the
’ ’C min/G
‰ Jœ œ œAh
˙start.
˙
start.
’ ’G min
- -
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519. Ill Fated Love
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144 œ ‰ Jœfor
œ ‰ Jœfor
’ ’G min/D
œ œ œyou love
œ œ œyou love
’ ’D 7
Jœ ‰ ŒHugh,
Jœ ‰ œ œHugh, are you
’ ’D 7/A
!
œ œcer tain
’ ’G min
!
œU œ œ œ œ œ œare you ab so lute ly
’ ’
!
œ œcer tain
œ œœG min
!
˙
˙U
!
Óare....
!
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152
!
œ œcertain
œ œœG min
!
˙
˙U
!
Óare....
!
!
œ œcer tain
œ œœG min
!
˙
’ ’G min/F
Œ ¿Spoken: "yes"
!
JÛfl‰ Œ
G.P.
‰ jœ œ œThen it is
‰ Jœ œ œThen it is
!
Jœ .œcer tain
Jœ .œcer tain
|Eb7
jœ ‰ ‰ Jœthat
Jœ ‰ ‰ Jœthat
JÛ. ‰ Œ
-
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6 19. Ill Fated Love
...you positively and utterly and without even the tiniest doubt in the deep dark places of your inmost soul...
...you entirely andcompletely...
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161
!
161
˙we
˙we
Û JÛ ‰A 7
!
˙must
˙
must
Û JÛ ‰D 7
!
!
Cue: John: The murderer is Hugh Gregory
!
!
Pause for dialogue
˙
˙
˙
’ ’G min
˙
˙Ah
Full Cast
˙Ah
’ ’G min/F
#
˙
˙
˙
’ ’G min
˙
˙
˙
Û ÛG min/D
˙
˙
˙
|G min
Jœ ‰ Œ
Jœœ ‰ Œ
Jœœ ‰ Œ
JÛfl‰ Œ
719. Ill Fated Love
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C
CPiano
1
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œ œ œ(bass)
Bluegrass h»¡™ºœ œ œ œG
!
œ œ œ jœ .œC
!
œ œ œ œD
!
œ œ ˙G D
!
œ œ œ œG
!
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23
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CPno.
7
œ œ œ jœ .œC
!
w
!
Ûfl
Œ Ó |G D
!
’ ’G
!
’ ’
!
œ œ œ ˙C
!
&
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23
23Pno.
13
œ œ œjœ .œG
!
w
!
œ œ œ œ œC
!
œ œ ˙F D
!
œ œ œ ˙C
!
œ œ œjœ .œG
!
w
!
?
&
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23
23
C
C
CPno.
20
!
Û Œ Ó |G F
!
!
’ ’G
!
!
’ ’
!
œ œ œ œ œDog my cats, a who
John
’ ’G
!
œ œ œ œ œ œwould a thought it.
’ ’C
!
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20. Who Woulda Thought itSugg/Posner
Rehearsal Score
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25 œ œ œ œ œWho would a thought Hugh'd
’ ’D
!
œ œ œ Œbe so brave?
’ ’G D
!
œ œ œ œ œTrue it is that
’ ’G
!
œ œ œ œ œ œscum had it com ing,
’ ’C
!
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CPno.
29 .˙ œbut
’ ’
!
œ œ œ œ œ œ œwho would a thought Hugh'd mur der
| Ó |G D
!
wDave?
’ ’G
!
˙ Œ œYour
Hurley
’ ’
!
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33 jœ œ œ œ œ œbroth er's dead but I
’ ’G
!
œ œ œ œ œ œain't a mourn in'.
’ ’C
!
œ œ œ œDave got just what
’ ’D
!
œ œ œ Œhe was owed.
’ ’G D
!
- -
2 20. Who Woulda Thought it
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23
C
C
CPno.
37 œ œ œ œHugh struck back when
’ ’G
!
œ œ œ œ œ œpushed to the lim it.
’ ’C
!
.˙ Œ
’ ’
!
Jœ .œ œ œ œ œThat old cuss reaped what he
| Ó |G D
!
-
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C
CPno.
41 .˙ Œsowed.
’ ’G
!
!
’ ’
!
œœ œœ œœ œœ œœ œœWho would a thought a who
John and Hurley
’ ’C
!
œœ œœ œœ Jœœ ..œœwould a thought it?
’ ’G
!
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45ww
’ ’
!
œœ œœ œœ œœ œœGod on ly knows what
’ ’C
!
œœ œœ ˙we keep hid.
’ ’F D
!
œœ œœ œœ œœ œœ œœWho would a thought a who
’ ’C
!
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320. Who Woulda Thought it
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CPno.
49 œœ œœ œœ Jœœ ..œœwould a thought it?
’ ’G
!
ww
’ ’
!
œœ œœ œœ œœ œœ œœ œœn œœCould he go and do what done got
| Ó |G F
!
-
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&?
#
#
#
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C
C
C
C
..
..
..
..
.. ..
.. ..
Pno.
52
!
wwdid?
’ ’G
!
!
˙ Ó
’ ’!
!
!
’ ’G
!
Vamp if needed
œ œ œ œDon't you fret there's
Sally
œ œ œ œDarn my socks, I'm
The Stranger (second time)
%’ ’G
!
4 20. Who Woulda Thought it
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#Pno.
56
œ œ œ œ œ œsome ex pla na tion.
œ œ œ œ œ œLes mis e ra ble.
’ ’C
!
œ œ œ œMay be Hugh did
œ œ œ œPoor, poor, Hugh, how
’ ’D
!
œ œ œ Œnot at tack.
œ œ œ œcan it be? that
’ ’G D
!
œ œ œ œMay be it was
œ œ œ œsweet, young man has
’ ’G
!
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C
C
CPno.
60
œ œ œ œ œ œnat u ral caus es
œ œ œ œ œ œso much be fore him...
’ ’C
!
.˙ œThat
.˙ œlike
’ ’
!
œ œ œ œ œ œput that knife in Dave Gray's
œ œ œ œ œ œhang ing life less from a
| Ó |G D
!
œ Œ Óback.
œ Œ Ótree.
’ ’G
!
- - -
- - -
520. Who Woulda Thought it
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#Pno.
64
!
!
’ ’
!
œ œ œ œNot a chance, no
Mary
œ œ œ œAt my desk, just
Dave (second time)
’ ’G
!
œ œ œ œ œ œway, could n't hap pen,
œ œ œ œ œ œmind in' my busi ness,
’ ’C
!
œ œ œ œnev er, no, not
œ œ œ œsud den ly a
’ ’D
!
œ œ œ œhim, not he, he's
œ œ œ Œsneak at tack.
’ ’G D
!
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23
23
23Pno.
69
œ œ œ œ œpure and good, though he
œ œ œ œOne thing no one
’ ’G
!
œ œ œ œ œ œdoes have a tem per...
œ œ œ œ œ œwants to dis cov er
’ ’C
!
.˙ Œ
.˙ œ œis a
’ ’
!
- - -
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6 20. Who Woulda Thought it
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23
23
23
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C
C
CPno.
72
œ œ œ œ œ œ œLord, do you think that it could
œ œ œ œ œ œknife pro trud ing from his
| Ó |G D
!
˙ Óbe?
œ Œ Œ Œback.
’ ’G
!
!
!
’ ’
!
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75
œœ œœ œœ œœ œœ œœWho would a thought a who
Sally and Mary
œœ œœ œœ œœ œœ œœWho would a thought a who
John, Hurley, Sally and Mary (second time)
’ ’C
!
œœ œœ œœjœœ
..œœwould a thought it?
œœ œœ œœ Jœœ ..œœwould a thought it?
’ ’G
!
˙ Ó
˙Ó
’ ’
!
œœ œœ œœ œœ œœGod on ly knows what
œœ œœ œœ œœ œœGod on ly knows what
’ ’C
!
- - -
- - -
720. Who Woulda Thought it
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23Pno.
79 œœ œœ ˙we keep hid.
œœ œœ ˙we keep hid.
’ ’F D
!
œœ œœ œœ œœ œœ œœWho would a thought a who
œœ œœ œœ œœ œœ œœWho would a thought a who
’ ’C
!
œœ œœ œœ Jœœ ..œœwould a thought it?
œœ œœ œœ Jœœ ..œœwould a thought it?
’ ’G
!
˙ Ó˙
Ó
’ ’
!
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CPno.
83 œœ œœ œœ œœ œœ œœ œœn œœCould he go and do what done got
œœ œœ œœ œœ œœ œœ œœn œœCould he go and do what done got
| Ó |G F
!
wwdid?
wwdid?
’ ’G
!
fi˙ Ó
fi˙ Ó
fi’ ’
!
!
œ œ œ ˙Who would a thought
œ
who
HurleyJohn
’ ’C
!
-
8 20. Who Woulda Thought it
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87
Ó œœ œœ œœWho would a
Sally
wœ œ .˙
would a thought
’ ’
!
wwthought
ww
’ ’
!
˙ œœ œœ œœwho would a
˙ œ œ œwho would a
˙ œ œ œ
’ ’
!
œœ œœ ..˙thought it
œ œ .˙thought it
œ œ .˙
’ ’G
!
--
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91
˙ Ó
˙ Ów
’ ’
!
!
œ œ œ ˙who would a thought
œ
who
’ ’C
!
Ó œœ œœ œœwho would a
wœ œ .˙
would a thought
’ ’
!
wwthought
ww
’ ’
!
--
-
920. Who Woulda Thought it
Mary
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#Pno.
95
Ó œœ œœ œœthere'd be a
Ó œ œ œthere'd be a
Óœ œ œ
’ ’
!
œœ œœ ..˙kill in'
œœn œœ ..˙
kill in'
’ ’F
!
Œ œœ œœ œœ œœ œœ œœall this blood would be a
Œœœn œœ œœ œœ œœ œœall this blood would be a
’ ’
!
œœ œœ ..˙spill in'
œœ œœ ..˙
spill in'
’ ’C
!
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..
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Pno.
99 œœ œœ œœ œœ œœ œœ œœcould our he ro be aœœ œœ œœ œœ œœ œœ œœcould our he ro be a
’ ’
!
œœ œœ ..˙vill ian?œœ œœ ..˙
vill ain?
’ ’D sus4
!
wwww
’ ’
!
Jœœ ‰ Œ Ó
Jœœ ‰ Œ Ó
Û Œ ÓD
!
!
!
D.S. al Coda
!
!
- -
- -
10 20. Who Woulda Thought it
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23Pno.
104
œwhoJohn
Sally
œ œ œ ˙Who would a thought
|C
!
Guitar only
Óœ œWho
œ œ .˙would a thought
w
|
!
rit.
ww
w
|
!
˙Ó
w
w
|U
!
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CPno.
108
œ œ œ œ œ œ œn œCould he go and do what done got
| |G F
!
wdid?
|G
!
!
!
!
1120. Who Woulda Thought it
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&
#C
23
.
.
.˙˙˙
œœœ
œ œ œ œœ
Guitar only Slow and Easy
˙˙˙
˙˙˙
œ œ œœ œ œ
www
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&
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23
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5
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œ œ œ œ œ œ wwww
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21. Who Would Though It (outro)Sugg/PosnerRehearsal Score
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# ##
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43
43
1
!
1
.
.˙˙
Ugggggg
Rehearsal Score
q q q e3
=q»ªº!
.
.˙˙
Uggggg
!
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!
.
.˙˙
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!
.
.˙˙
Uggggg
Ó ‰ jœMy
Freely
..˙U
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&
# ##
# ##
10
œ œ œ ‰ jœdar ling, my
10
.
.˙˙
Ugggggg
A
˙ ‰ jœdear, my
.
.˙˙
Uggggg
œ œ ˙Ma ry.
˙U
ggggg œ œ
!
œ œ jœ œ
a tempo
Œ ‰ jœ œ œYou know the
’ ’ ’B(add9,no3)
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15
œ œ œ œsad fix I'm in.
15
’ ’ ’
.˙
’ ’ ’F
#min
œ Œ œ œin my
’ ’ ’
.œ jœ œ œcell the winds moan,
’ ’ ’F
#min
œ Œ œ œI am
’ ’ ’C
#7
&
&
## #
## #
20œ œ œ œlost and a lone
20
’ ’ ’A
œ Œ œ œand I
’ ’ ’B 7
œ œ œ œ œhard ly know where
’ ’ ’F
#min
œ ‰ jœ œ œto be gin.
’ ’ ’C
#7/G
#
œ
’ ’ ’F
#min
- - -
22. My MarySugg/Posnercue, SALLY, JOHN, CLEM: Plainly, Hugh Gregory was the murderer.
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&
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## #
25
Ó ‰ jœI
25
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Freely
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!
œ œ jœ œ
a tempo
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’ ’ ’B(add9,no3)
- -
&
&
## #
## #
31
œ œ œ œonce you be lieve.
31
’ ’ ’
.˙
’ ’ ’F
# min
œ Œ œ œthere is
’ ’ ’
œ œ œ œ œno bless ed way
’ ’ ’F
# min
œ Œ œ œI would
’ ’ ’C
#7
- -
&
&
## #
## #
36œ œ œ œ œmur der Dave Gray,
36
’ ’ ’A
œ Œ œ œthough I
’ ’ ’B 7
œ œ œ œ œhate him, his loss
’ ’ ’F
#min
œ œ œ œ œI still grieve.
’ ’ ’C
#7/G
#-
&
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40
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40
’ ’ ’F
#min
!
’ ’ ’/G
#
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’’’A
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’’’F
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’ ’ ’/G
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’’’A
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.˙ry
’’’C
#7
- - - - - -
2My Mary
This score has been downloaded from www.dramatists.com and is for perusal only.
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&
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## #
## #
49
Ó ‰ jœI'm
49 .| &
œ œ œ ‰ jœwait ing, I
Freely
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!
œ œ jœ œ?
Œ Œ œ œGod is
’ ’ ’B(add9,no3)
- -
&
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## #
## #
55
œ jœ œ jœgood, He'll find a
55
’ ’ ’
.˙way.
’ ’ ’F
#min
œ Œ œ œOh, the
’ ’ ’
œ œ œ œ œtruth it will out,
’ ’ ’F
#min
œ Œ ‰ jœof
’ ’ ’C
#7
&
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## #
## #
60œ œ œ œ œthat there's no doubt,
60
’ ’ ’A
œ Œ œ œwe have
’ ’ ’B
œ œ œ œ œon ly to wait
’ ’ ’F
# min
œ œ œ œ œand to pray.
’ ’ ’C
#7
-
&
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## #
## #
64
œ
64
’ ’ ’F
#min
!
’ ’ ’/G
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’ ’’A
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’’’F
#min
!
’ ’ ’/G
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’ ’ ’A
œ œ œ
’ ’ ’E/G
#- - - - - - -
3My Mary
This score has been downloaded from www.dramatists.com and is for perusal only.
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&
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## #
## #
72œ œ# ˙ry
72
’ ’ ’C
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78
Œ ‰ jœ œ œwhat ev er
78
’ ’ ’B(add9,no3)
œ œ œ œfate has in store,
’ ’ ’
.˙
’’’F
#min
œ Œ œ œI'll for
’ ’ ’
œ œ œ œ œev er be true,
’ ’ ’F
#min
œ Œ œ œfor I
’ ’ ’C
#7
- - - -
&
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## #
## #
84œ œ œ œlove none but
84
’ ’ ’A
œ Œ œ œyou and I
’ ’ ’B
œ œ œ œnlive just to hold
’ ’ ’F
#min
œ œ œ# œyou once more.
’ ’ ’C
#7
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’ ’ ’F
#min
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90
Œ œ œ œlove from me,
90 .|B
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4My Mary
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&b
b
42
’ ’
G minTwo guitars and bass
Rehearsal score
’ ’
G min/F#
’ ’
G min
’ ’
G min/D
’ ’
C min
’ ’
C min/G
’ ’
G min
’ ’
G min/D
&b
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9
’ ’
D7
’ ’
D7/A
’ ’
G min
’ ’
G min/F
|
Eb7
| |
D7
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˘
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23. Ill Fated Love (underscore)Sugg/PosnerCue: "To A Lord"
Out at: "he wore down her resistance"
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bb
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42
42
1
‰
J
œ œ œ
I know my
1
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dear,
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but I would
9
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be
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.G min
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for ev er
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grate ful
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Oh I don't
J
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17
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G.P.
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.G min
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since you
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- - -
24. Ill Fated Love (Reprise)Sugg/Posner
Rehearsal score
cue, STRANGER: final "please, no".
The Stranger
Mary
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26
œŒ
hopes
26
Û
.
Û
.G min
‰j
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and no de
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.C min
œœ
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sires.
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I will
Û
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Û
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do just
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œn
what you want me
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Û
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˙
to.
|
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J
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J
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-
2 24. Ill Fated Love (Reprise)
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&b
b
42
’ ’
G min
Rehearsal score
q»ªº
2
’ ’
G min/F#
3
’ ’
G min4
’ ’
G min/D5
’ ’
C min6
’ ’
C min/G7
’ ’
G min8
’ ’
G min/D
&b
b..
9
’ ’
D 710
’ ’
D 7/A11
’ ’
G min12
’ ’
G min/F13
|
Eb714
|
15
|
D 716
|
17
|
G min18
J
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25. (Underscore) Ill Fated LoveSugg/PosnerCue: "You will be a countess."
Out: "She'll be right chipper real soon."
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&
&
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b
b
b
C
C
C
..
..
..Guitar
Piano
1
˙ œ œ œŒ œ œ Œ œ œ
D m D m
1
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D m D m
œ œ œ ˙˙ jœœ ..œœ
˙ ˙
˙ œ œ œŒ œ œ Œ œ œ
D m D m
œ œ œ ˙˙ jœœ ..œœ
˙ ˙
&
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b
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Gtr.
Pno.
4
˙ œ œ œŒ œ œ Œ œ œ
D m D m
4
œ œ œ ˙˙ jœœ ..œœ
˙ ˙
˙ ˙Œ œ œ Œ jœ
C C
œ œ œ ˙œœ jœœ œœ ‰ Œ
˙ ˙
˙ ˙Œ œ œ Œ œ œ
G G
œ œ œ ˙˙ jœœ ..œœ
˙ ˙
˙ œ œ œŒ œ œ Œ œ œ
D m D m
œ œ œ ˙˙ jœœ ..œœ
˙ ˙
26. Dark Comes A Risin'Sugg/Posner
Rehearsal Score
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&
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&
&
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b
b
b
b
b
..
..
..
..
..
..
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..
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..Gtr.
Pno.
8
’ ’
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˙ œ œ œŒ œ œ Œ œ œ
D m D m
8
œ œ œ ˙˙ jœœ ..œœ
˙ ˙
Ó Œ œCan't
Sally
Ó Œ œI
John (second verse)
’ ’
!
!
A
A
œ œ œ œ œun der stand, it
œ œ œ œmade my choice, she'll
’ ’D min
!
!
œ œ œ ‰ jœdon't seem fair, does
œ œ œ œ œ ‰ Jœbe his wife but
’ ’
!
!
- -
&
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&
b
b
bGtr.
12
œ œ œ œ œ œhe not see, does
œ œ œ œ œ œ œ œhave I ru ined Ma
’ ’G
œ .œ .œhe not care?
œ œ œ œ ˙ry's life?
’ ’D min
˙ Œ œWhat
˙ Œ œI
’ ’
œ œ œ œ œhave we done that
œ œ œ œ œon ly want the
’ ’C
- - -
2 26.Dark Comes A-Risin'
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&
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&
b
b
bGtr.
16
œ œ œ œ œGod has cursed the Gray's?
œ œ œ œ œve ry best for
’ ’G
w
wher.
’ ’D min
˙ Œ œI
˙ Œ œI
’ ’
œ œ œ œ œstill have hope, I
œ œ œ œ œlove my girl with all
’ ’D min
-
&
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&
b
b
bGtr.
20
œ œ œ ‰ jœwill hang on, I
œ œ œ œmy heart, her
’ ’
œ œ œ œ œpray for God to
œ œ œ œtor ment's tear ing
’ ’G
œ .œ .œmake me strong.
œ œ œ ˙me a part
’ ’D min
˙ Œ œAnd
˙ Œ œbut
’ ’- - -
&
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&
b
b
bGtr.
24
œ œ œ œ œsend some help to
œ œ œ œ œhave I cho sen right?
’ ’C
œ œ œ œ œguide us through dark
œ ‰ jœ œ œCan I be
’ ’G
œ .œ ‰ Œdays.
wsure?
’ ’D min
Ó Ó
˙ Ó
’ ’-
326.Dark Comes A-Risin'
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&
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&
b
b
bGtr.
28
˙ œœ œœ œœWhere do you turn
Mary and Sally
˙ œ œ œWhere do you turn
John
’ ’F
B
B
œœ Œ jœ œ jœwhen the
.œ Jœœ Œ .œ Jœ
when the
’ ’
˙ ..œœ jœœdark comes a
˙ .œ# Jœdark comes a
Ûfl
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ŒC A 7/C#
œœ ..˙ris in
œ .˙
ris in'
’ ’D min
Ó Œ œand
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’ ’- -
- -
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bGtr.
33
œœ œœ œœ œœ œœseeks to pull you
œ œ œ œ œseeks to pull you
’ ’G
œ œ œ œ œun der till you
œ œ œ œ œœ œ œ œun der till you
’ ’C
œ .˙drown?
œ .˙œ .˙
drown?
’ ’D min
!
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’ ’
˙ œœ œœ œœWhere do you turn
˙ œ œ œWhere do you turn
’ ’F
-
&
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&
b
b
bGtr.
38
œœ Œ jœ œ jœwhen the
.œ Jœœ Œ .œ Jœ
when the
’ ’
˙ ..œœ jœœdark comes a
˙ .œ# Jœdark comes a
Ûfl
Œ Ûfl
ŒC A 7/C#
œœ ..˙ri sin?
œ .˙
ris in'?
’ ’D min
Ó Œ œœAnd
Ó Œ œAnd
’ ’
œœ œœ œœ œœ œœwhere do you find
œ œ œ œ œwhere do you find
’ ’G
- -
4 26.Dark Comes A-Risin'
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&
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&
b
b
b
..
..
..Gtr.
43
ww#faith
wfaith
’ ’A
œœ Œ œ œ œwhen the dark
œ Œ œ œ œwhen the dark
’ ’
œ œ œ œness draw you
œ œ œ œness draws you
’ ’Bb C
œœ ..˙down?
œ .˙down?
’ ’D min
ww
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’ ’P
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’ ’-
&
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bGtr.
49
!
œ œ œ œ œ œ œ œw
D m
C
PC
Ó Œ œI
Mary
œ œ œ œ œ œ œ œw
œ œ .œ jœhave no hope, can't
œ œ œ œ œ œ œ œw
D m
œ œ œ œ ‰ jœe ven try, too
œ œ œ œ œ œ œ œw
-
&
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bGtr.
53
œ œ œ œ œsad to live, too
œœ œ œ œ œ œ œw
C/D
œ œ œ ˙scared to die.
œ œ œ œ œ œ œ œw
D m
˙ Œ œI
œ œ œ œ œ œ œ œw
œ œ œ œonce had faith and
œ œ œ œ œ œ œ œw
C/D
&
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bGtr.
57
œ œ œ œ œ œper fect love as well.
œœ œ œ œ œ œ œw
G/D
w
œ œ œ œ œ œ œ œw
D m
˙ Œ œIt's
œ œ œ œ œ œ œ œw
œ œ œ ‰ jœall gone wrong, it's
œ œ œ œ œ œ œ œw
D m
-
526.Dark Comes A-Risin'
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&
&
b
bGtr.
61
œ œ œ œall a mess but
œ œ œ œ œ œ œ œw
œ œ œ œstill there's one thing
œ œ œ œ œ œ œ œwC/D
.œ .œ œI'll con fess:
œ œ œ œ œ œ œ œwD m
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œ œ œ œ œ œ œ œw
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bGtr.
65 jœ .œ œ ‰ ‰ œIf I could I'd
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fœ œ œ œ œ œfol low Hugh to Hell.
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b
bGtr.
69
˙ œœ œœ œœWhere do you turn
Mary and Sally
˙ œ œ œWhere do you turn
’ ’F
D
œœ Œ jœ œ jœwhen the
.œ Jœœ Œ .œ Jœ
when the
’ ’
˙ ..œœ jœœdark comes a
˙ .œ# Jœdark comes a
Ûfl
Œ Ûfl
ŒC A 7/C#
œœ ..˙ris in
œ .˙ris in'
’ ’D min
Ó Œ œand
Ó Œ œand
’ ’- -
- -
6 26.Dark Comes A-Risin'
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&
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&
b
b
bGtr.
74
œœ œœ œœ œœ œœseeks to pull you
œ œ œ œ œseeks to pull you
’ ’G
œ œ œ œ œun der till you
œ œ œ œ œœ œ œ œun der till you
’ ’C
œ .˙drown?
œ .˙œ .˙
drown?
’ ’D min
!
!
’ ’
˙ œœ œœ œœWhere do you turn
˙ œ œ œWhere do you turn
’ ’F
-
&
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&
b
b
bGtr.
79
œœ Œ jœ œ jœwhen the
.œ Jœœ Œ .œ Jœ
when the
’ ’
˙ ..œœ jœœdark comes a
˙ .œ# Jœdark comes a
Ûfl
Œ Ûfl
ŒC A 7/C#
œœ ..˙ri sin?
œ .˙
ris in'?
’ ’D min
Ó Ó
Ó Ó
’ ’
œœ œœ œœ œœ œœwhere do you find
œ œ œ œ œwhere do you find
’ ’G
ww#faith
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b
bGtr.
85
..˙U
œ œwhen the
Mary
.U Œ
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œ œ œ œdark ness draws you
!
’ ’Bb G
rit.
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down?
!
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w
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726.Dark Comes A-Risin'
This score has been downloaded from www.dramatists.com and is for perusal only.
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#
#
#
43
43
43
..
..
..
..
..
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Piano
1
!
Rehearsal Score
..˙
.˙
q»¡ºº!
..˙
.˙
œ œ .œJœ
This here is
Clem
..˙
.˙
œ œ .œJœ
God's World that
..˙
.˙
œ .œ Jœswirls all a
..˙
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6 œ ˙round us,
œ ˙.˙
œ ˙
œ .œJœ
God's world is
..˙
.˙
.œ Jœ œall that we
..˙
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...˙
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Ó ‰ Jœbut
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œ œ .œJœ
some times in
..˙
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12
œ œ .œJœ
God's World I'm
..˙
.˙
œ œ œleft feel ing
jœ ..˙
.˙
œ œ ˙hol low
œ ˙.˙
œ ˙
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God's world's a
..˙
.˙
œ œ œ œmys tery to
..˙
.˙
.˙me
˙ œœœ ˙
˙ œ œ
- - -
27. God's WorldSugg/Posner
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#
#
#Pno.
18 .˙
...˙
.˙
!
˙ œœœ ˙
˙ œ œ
Ó ‰ JœI
...˙
.˙
A
œ .œJœ
see lit tle
’ ’ ’G
!
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’ ’ ’G sus4
!
œ œ œIn no cent
’ ’ ’G
!
œ œ ‰ Jœchil dren as
’ ’ ’C G/B
!
- - - - -
?
?
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#
#
#Pno.
25 œ .œJœ
hap py as
’ ’ ’C
!
œ œ œchil dren should
’ ’ ’D
!
.˙be.
’ ’ ’C/E D/F
#
!
Ó œ œBut there's
’ ’ ’G
!
œ .œJœ
wolves on the
’ ’ ’C/E
!
œ œ œ ‰ Jœprai rie, my
’ ’ ’D/F
#
!
- - -
?
?
?
#
#
#Pno.
31 œ œ œheart don't rest
’ ’ ’G
!
œ ˙ea sy,
’ ’ ’C G/B
!
œ .œJœ
God's world's a
’ ’ ’Cadd9
!
œ œ œ œmys tery to
’ ’ ’C/D
!
.˙me.
’ ’ ’G
!
.˙
’ ’ ’/G D/F
#G/E
!
- -
2 27. God's World
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
&
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#
#
#
#
#Pno.
37
.Hmm
Women
˙ œHmm
.˙Tenor + Bass
œ œ œ œTake hands my
’ ’ ’D G/E
!
B
œ œ œ
.œ œ œ
˙ ‰ Jœfriends, take
’ ’ ’D/F
#
!
˙ œ
˙ œ.˙
œ œ œhands where we
’ ’ ’G G sus4/A
!
˙ Œ
˙ Œ˙
˙ œ œstand and take
’ ’ ’G/B
!
.˙hmm
œ œ œhmm
.˙
œ œ œhope that to
’ ’ ’C
!
-
&
?
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?
#
#
#
#
#Pno.
42
˙ œ
œ œ œ.˙
Jœ .œ œge ther we'll
’ ’ ’C D
!
.˙
.˙ .˙
.˙find
’ ’ ’G
!
!
Œ Œ Œ
Ó ‰ Jœthe
’ ’ ’/G D/F
#/G
!
˙ œAh
˙ œAh
.˙
œ œ œstrength to keep
’ ’ ’D G/E
!
œ .œ ‰
œ œ œœ œ œ
œ œ œ ‰ Jœli ving, the
’ ’ ’D/F
#
!
˙ œ
˙n œ.˙
œ œ œstrength to keep
’ ’ ’F F sus4/G
!
- -
3 27. God's World
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
&
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#
#
#
#
#Pno.
48
œn œ œthe
œ œ œthe
˙ œ
œn œ œ ‰ Jœblo ving, the
’ ’ ’F/A
!
œ œb œstrength to make
œb œ œstrength to make
œb œ œ
œb œb œstrength to make
’ ’ ’A b
!
œ œ œbGod's world more
œn œ œGod's world more
œb œ œ
œ œ œbGod's world more
’ ’ ’Bb
!
.˙kind.
.˙kind.
.˙
.˙kind.
’ ’ ’C
!
!
!
Ó ‰ JœWe
Û |C D
!
C
-
?
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#
#
#Pno.
53
œ œ .œJœ
ga ther to
’ ’ ’G
!
œ œ .œJœ
ge ther to
’ ’ ’G sus4
!
œ œ œmar ry two
’ ’ ’G
!
œ .œ Jœpeo ple, to
’ ’ ’C G/B
!
œ .œJœ
make he and
’ ’ ’C
!
œ œ œ œshe in to we.
’ ’ ’D
!
- - - - - -
4 27. God's World
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
?
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#
#
#Pno.
59 .˙
’ ’ ’C/E D/F
#
!
Ó ‰ JœSo
’ ’ ’G
!
Jœ .œ œif you love
’ ’ ’C/E
!
Jœ.œ ‰ Jœ
tru ly, love
’ ’ ’D/F
#
!
œ œ œdeep ly and
’ ’ ’G
!
œ ˙tru ly
’ ’ ’C G/B
!
- - -
&
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#
#
#
#Pno.
65
!
œ œ œGod's love will
’ ’ ’Cadd9
!
!
œ œ œ œsanc ti fy
’ ’ ’C/D
!
!
.˙thee.
’ ’ ’G
!
Ó œMy
.˙
’ ’ ’G sus4
!
D jœ .œ œ œdar ling my
Hugh
œ .œJœ
Love is a
’ ’ ’G
!
˙ œdear my
œ œ .œJœ
mys tery, the
’ ’ ’G sus4
!
- - -
-
&
?
?
?
#
#
#
#Pno.
71
œ œ ˙Ma ry
œ œ œgreat est of
’ ’ ’G
!
˙ Œ
œ œ ‰ Jœmys teries it
’ ’ ’C G/B
!
Œ ‰ jœ œ œwhat e ver
œ œ œasks of us
’ ’ ’C
!
œ œ œ œfate has in store
.œ Jœ œall we can
’ ’ ’D
!
.˙
.˙be.
’ ’ ’C/E D/F
#
!
Ó œ œI'll for
Ó ‰ JœBut
’ ’ ’G
!
- -
- - - -
5 27. God's World
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
&
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#
#
#
#Pno.
77 œ œ œ œ œe ver be true
œ .œJœ
where does it
’ ’ ’C/E
!
œ Œ œ œfor I
Jœ.œ ‰ Jœ
come from? And
’ ’ ’D/F
#
!
œ œ œ œlove none but you
œ œ œwhere will it
’ ’ ’G
!
œ Œ œ œand I
œ ˙lead us?
’ ’ ’C G/B
!
œ œ œ œlive just to see
œ œ œLove is a
’ ’ ’Cadd9
!
-
&
?
&
?
?
?
#
#
#
#
#
#Pno.
82
!
!
œ œ œyou once
œ .œ Jœmys tery to
’ ’ ’C/D
!
!
!
.˙more
.˙me.
’ ’ ’G
!
!
!
˙ Œ
˙ Œ
’ ’ ’/G D/F
#G/E
!
œ œ œ œTake hands my
Women
œ œ œ œTake hands my
œ œ œ œTenor + Bass
.˙Ma
œ œ .œ JœTake hands my
’ ’ ’D G/E
!
E
œ œ œfriends take
˙ œfriends take
œ œ œ
.˙ry
˙ ‰ Jœfriends, take
’ ’ ’D/F
#
!
-
- - - -
6 27. God's World
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
&
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&
?
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#
#
#
#
#
#Pno.
87
œ œ œ œhands where we stand
œ œ œ œhands where we stand
œ œ œ œ
œ œ ˙ry
œ œ œhands where we
’ ’ ’G G sus4/A
!
.œ ‰ œ œand take
œ Jœ‰ œ œ
and take
.œ œ œ
˙ Œ
˙ œ œstand and take
’ ’ ’G/B
!
œ œ œhope that to
œ œ œhope that to
œ œ œ
.˙Ma
œ œ œhope that to
’ ’ ’C
!
œ œ œ œgeth er we'll
œ œ œgeth er we'll
œ œ œ œ
˙ œ
Jœ .œ œge ther we'll
’ ’ ’C D
!
.˙find
.˙find
˙ Œ
.˙ry
.˙find
’ ’ ’G
!
- -
- -
- -
- - - - -
7 27. God's World
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
&
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&
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#
#
#
#
#
#Pno.
92
Ó œthe
Ó œthe
œ
Œ œ œgive me
Ó ‰ Jœthe
’ ’ ’/G D/F
#G/E
!
œ œ œstrength to keep
œ œ œstrength to keep
œ œ œ
.˙strength
œ œ œstrength to keep
’ ’ ’D G/E
!
œ œ œ œliv ing, the
œ œ œli ving, the
œ œ œ
˙ œto keep
œ œ œ ‰ Jœli ving, the
’ ’ ’D/F
#
!
œ œ œstrength to keep
œn œ œstrength to keep
œ œ œ
œ œ ˙li ving,
œ œ œstrength to keep
’ ’ ’F F sus4/G
!
jœn œ ‰ œlov ing, the
œ œ œnlo ving, the
œ œ œ
Œ œ œgive me
œn œ œ ‰ Jœblo ving the
’ ’ ’F/A
!
- -
- -
- -
-
8 27. God's World
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
&
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#
#
#
#
#
#
..
..
..
..
..
..
Pno.
97 œ œb œstrength to make
œb œ œstrength to make
œb œ œ
œb œ œstrength to make
œb œb œstrength to make
’ ’ ’Ab
!
œ œ œbGod's world more
œn œ œGod's world more
œb œ œ
œ œ œbGod's world more
œ œ œbGod's world more
’ ’ ’Bb
!
.
.˙˙
kind
.˙kind
.˙kind
.˙kind
’ ’ ’C
!
!
!
!
!
’ ’ ’C D
!
!
!
!
!
’ ’ ’G
!
F
!
!
!
!
’ ’ ’G sus4
!
?
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#
#Pno.
103
’ ’ ’G
!
’ ’ ’C G/B
!
’ ’ ’C
!
’ ’ ’D
!
’ ’ ’C/E D/F
#
!
’ ’ ’G
!
’ ’ ’C/E
!
’ ’ ’D/F
#
!
?
?
#
#Pno.
111
’ ’ ’G
!
’ ’ ’C G/B
!
’ ’ ’Cadd9
!
’ ’ ’C/D
!
’’’G
!
’ ’ ’/G D/F
#G/E
!
’ ’ ’D G/E
!
’ ’ ’D/F
#
!
9 27. God's World
This score has been downloaded from www.dramatists.com and is for perusal only.
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?
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#
#Pno.
119
’ ’ ’G G sus4/A
!
’ ’ ’G/B
!
’ ’ ’C
!
’ ’ ’C D
!
’ ’ ’G
!
’ ’ ’/G D/F
#G/E
!
Cue out: Mary; I....Hugh"
’ ’ ’D G/E
!
’ ’ ’D/F
#
!
?
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#
#
..
..Pno.
127
’ ’ ’F F sus4/G
!
’ ’ ’F/A
!
’ ’ ’Ab
!
’ ’ ’Bb
!
’ ’ ’C
!
’ ’ ’C D
!
10 27. God's World
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
&
&
##
#
##
#
C
C
.
.
.
.
œœ
œœ
œœ
œ
Rehearsal score
h=140
˙˙
˙˙
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AF
F
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˙˙
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’ ’
28. Chase (Mary is Married)Sugg/Posner
lively hoe down
cue, MARY: Huuuuugh!
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&
bbbb bb
bbbb bb
c
c
.. ..
.. ..
1
!
1
‰ œ œn œ œ œn œ œn(fiddle)
q»160!
Û.
‰ Û.
‰ Û.Eb min
Ó Œ ‰ JœWe
ALL:
Û.
‰ Û.
‰ Û.
˙ œ œ œ œne ed to know your
Û.
‰ Û.
‰ Û.
-
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b bbbb b
5 œ œ Œ Œ ‰ Jœsto ry, We
5
Û.
‰ Û.
‰ Û.
˙ œ œ œ œbe g the tale you'd
Û.
‰ Û.
‰ Û.
˙ Œ œtell. Was
JOHN AND SALLY:
Û.
‰ Û.
‰ Û.
wi
Û.
‰ Û.
‰ Û.
Bb7
- - - - -
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&
b bbbb b
b bbbb b
9 œ œ œn œ œ œ œ œit for gold or glo ry? Or to
HURLEY:
9
Û.
Œ Ó
œ œn œb œn œ œ œ œmake a play for Ma ry Gray you've
Û.
Œ Û.
ŒEb min A b min
œn œ œn œ œ ‰ Jœdoomed your soul to hell? Are
MARY:
Û.
Û.
Û JÛ.‰
F 7 Bb7
- -
29. Dirty DeedsSugg/Posner
Rehearsal Score
cue, HURLEY: What have you got to say for yourself?
x 16 all waiting...
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b bbbb b
b bbbb b
12 ˙ œ œ œ œyo u the spawn of
12
Û.
‰ Û.
‰ Û.
œ œ Œ Œ ‰ Jœsa tan? Is
SHERIFF:
Û.
‰ Û.
‰ Û.
˙ œ œ œ œe vil at your
Û.
‰ Û.
‰ Û.
˙ Œ œcore? Come
HUGH:
Û.
‰ Û.
‰ Û.
- - -
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&
b bbbb b
b bbbb b
16 wo
16
Û.
‰ Û.
‰ Û.
Bb7
œ œ œ! œb œ œ ‰ œon, now we're all wait in We
ALL:
Û.
Œ Ó
œ œn œb œn œ œ œ œneed to know, be fore you go, what
Û.
Œ Û.
ŒEb min Ab min
- - - - -
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&
bb bbbb
bb bbbb
19 œn œ œn œ œ ‰ Jœwas this mur der for? I've
STRANGER:
19
Û.
Û.
Û JÛ.‰F 7 Bb7
œ œ œ œ œ œdone what I've done and I
‰ Û ‰ Û ‰ Û ‰ ÛAb min
A
A
œ œ œ œ œ ‰ Jœdid what I did, my
‰ Û ‰ Û ‰ Û ‰ ÛEb min
-
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&
b bbbb b
b bbbb b
22 œ œ œ œ œ œwhys and my where fores will
22
‰ Û ‰ Û ‰ Û ‰ ÛAb min
œ œ œ œ œ œ ‰ Jœev er more be hid, my
‰ Û ‰ Û ‰ Û ‰ ÛEb min
œ œ œ œ œ œ œ œ œ œrace is run my sto ry's done you'll
Û.
Œ Û.
ŒAb min
Bb7
- - - -
2 29. Dirty Deeds
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b bbbb b
b bbbb b
25 œ œ œ œ œ œ ‰ Jœnev er fath om me the
25
| |Eb min Eb min/D b
œ œ œ œ œ œ œ œ œdir ty deeds of Deer Lick will re
|B 7
wmain
Û ‰ Û ‰ ÛBb7
- - - -
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&
b bbbb b
b bbbb b
n nbbbb
n nbbbb
28
Jœ Œ Jœ œ œna mys ter
28
JÛ.‰ ‰ ‰ Œ ‰ ‰
˙ Óy.
Û.
‰ Û.
‰ Û.
F min
B
B
Ó Œ ‰ JœBut
MARY & SALLY:
Û.
‰ Û.
‰ Û.
˙ œ œ œ œtha at's an ti cli
Û.
‰ Û.
‰ Û.
- - - - -
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b bbb
b bbb
32 œ œ Œ Œ ‰ Jœmac tic, you've
32
Û.
‰ Û.
‰ Û.
˙ œ œ œ œgo t to give us
Û.
‰ Û.
‰ Û.
˙ Œ œmore. You
Û.
‰ Û.
‰ Û.
wne
Û.
‰ Û.
‰ Û.
C 7
- - - - -
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&
b bbb
b bbb
36 œ œ œn œ œ œ ‰ œed not be di dac tic but
36
Û.
Œ Ó
œ œn œb œn œ œ œ œ"i won't tell, so go to Hell", is
Û.
Œ Û.
ŒF min Bb min
œn œ œn œ œ ‰ Jœsome thing of a snore! I've
Û.
Û.
Û JÛ.‰G 7 C 7
- - -
329. Dirty Deeds
STRANGER:
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&
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b bbb
b bbb
b bbb
b bbb
Wmn
Men
39
!
!
œ œ œ œ œ œdone what I've done and I
39
‰ Û ‰ Û ‰ Û ‰ ÛBb min
C
C
œ. œ. œ. œ. ÓDid what he did
œœ. œœ. œœ. œœ. ÓDid what he did
œ œ œ œ œ ‰ Jœdid what I did, my
‰ Û ‰ Û ‰ Û ‰ ÛF min
!
!
œ œ œ œ œ œwhys and my where fores are
‰ Û ‰ Û ‰ Û ‰ ÛBb min
-
&
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b bbb
b bbb
b bbb
b bbb
Wmn
Men
42
œ. œ. œ. œ. Óev er more hid
œœ. œœ. œœ. œœ. Óev er more hid
œ œ œ œ œ œ ‰ Jœev er more hid, my
42
‰ Û ‰ Û ‰ Û ‰ ÛF min
˙ œ œah
˙ ˙nah
œ œ œ œ œ œ œ œ œ œrace is run my sto ry's done you'll
Û.
Œ Û.
ŒBb min C 7
- -
-
-
4 29. Dirty Deeds
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
&
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b bbb
b bbb
b bbb
b bbb
Wmn
Men
44
.˙ Œdone
..˙ Œdone
œ œ œ œ œ œ ‰ Jœne ver fath om me, the
44
| |F min F min/Eb
ß
ß
!
!
œ œ œ œ œ œ œ œ œdir ty deeds of deer lick will re
|Db7
œ œ œ jœ œœ œœ œœ œœdir ty deeds of Deer lick will re
œœn œœ œœ Jœœœœ œœ œœ œœ
dir ty deeds of Deer Lick will re
wmain
Û ‰ Û ‰ ÛC 7
- -
- -
- - - -
&
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b bbb
b bbb
b bbb
b bbb
n nbb
n nbb
n nbb
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Wmn
Men
47
Jœœn ‰ Œ Ó
main
Jœœ ‰ Œ Ómain
œ ‰ Jœ œ œ#a mys ter
47
JÛ.‰ ‰ ‰ Œ ‰ ‰
!
!
˙ Óy.
Û.
‰ Û.
‰ Û.
G min
!
!
Ó Œ ‰ Jœ
No
Û.
‰ Û.
‰ Û.
!
!
˙ œ œ œ œTears and no ex
Û.
‰ Û.
‰ Û.
- - -
529. Dirty Deeds
immediate close to "n"
immediate close to "n"
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b b
b b
51 œ œ Œ Œ œ
cus es, no
51
Û.
‰ Û.
‰ Û.
˙ œ œ œ œnone of what you
Û.
‰ Û.
‰ Û.
˙ Œ ‰ Jœ
crave. Just
Û.
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‰ Û.
wI
Û.
‰ Û.
‰ Û.
D 7
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b b
b b
55 œ œ œn œ œ œ œb œknow what the truth is and now
55
Û.
Œ Ó
œ œ# œn œ# œ œ œ œ
that with me, e ter nal ly, shall
Û.
Œ Û.
ŒG min C min
œn œ œ# œ œ ‰ Jœ
moul der in my grave. There
Û.
Û.
Û.
ŒA 7 D 7
- - - -
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b b
b b
58 ˙ œ œ œ œis no God a
58
Û.
‰ Û.
‰ Û.
G min
œ œ Œ Œ ‰ Jœ
bove us, no
ALL: GASP!
Û.
‰ Û.
‰ Û.
˙ œ œ œ œDe vil down be
Û.
‰ Û.
‰ Û.
˙ Œ œ
low, no
ALL: WHOA!
Û.
‰ Û.
‰ Û.
- - -
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b b
b b
62 wan
62
Û.
‰ Û.
‰ Û.
D 7
œ œ œn œ œ œ ‰ œgels arms to hold us at
Û.
Œ Ó
œ œ# œn œ# œ œ œ œ
set ting sun when all is done and
Û.
Œ Û.
ŒG min C min
- - - - -
6 29. Dirty Deeds
THE STRANGER:
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b b
b b
b b
b b
Wmn
Men
65
Œ Œ Œ œHe's
Œ Œ Œ œœHe'sœn œ œ# œ œ Œ
to our rest we go.
65
Û.
Û.
Û.
ŒA 7 D 7
E
E
˙ œ œ
C min
Done what he's
˙ œ œdone what he's
‰ œ œ# œn œn œb œ œdo o one wha at he e's
!
‰ Û ‰ Û ‰ Û ‰ ÛC min
.˙ Œdone
..˙Œ
done
Œ œ œ œ œ œ œDone is done and did is
‰ Û ‰ Û ‰ Û ‰ Û
- - - -
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b b
b b
b b
b b
Wmn
Men
68
˙ œ œDid what he
˙ œ œDid what he
‰ œ œ# œ œ œ œ œdi i id wha at he e
˙ Ódid
68
‰ Û ‰ Û ‰ Û ‰ ÛG min
.˙ Œdid
..˙ Œdid
‰ œ œ œ œ œ œ œDid what I did and don't ask
‰ Û ‰ Û ‰ Û ‰ Û
˙ œ œwhys and where
˙ œ œwhys and where
‰ œ œ# œn œn œb œ œwhy y ys a and whe re
˙Ó
why
‰ Û ‰ Û ‰ Û ‰ ÛC min
-
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- - - -- - - -
729. Dirty Deeds
This score has been downloaded from www.dramatists.com and is for perusal only.
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b b
b b
b b
b b
Wmn
Men
71 wfores
wwfores
Œ ‰ Jœ œ œ œ# œ
My rea sons are for
71
‰ Û ‰ Û ‰ Û ‰ Û
œœ œœ œœ Jœœ ‰ Ó
ev er more hid
œœ œœ œœ Jœœ ‰ Ó
ev er more hid
œ œ œ Jœ ‰ Óev er more hid
Û.
‰ Û.
‰ Û.
G min
‰ œœ œœ œœ œœ Óev er be hid
‰ œœ œœ œœ œœ Óev er be hid
‰ œ œ œ œ Óev er be hid
Û.
‰ Û.
‰ Û.
--
- -
- - - - -
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b b
b b
b b
b b
Wmn
Men
74
˙ œ œrace it is
˙ œ œrace it is
‰ œ œ# œn œn œb œ œra a ace i it i is
!
74
‰ Û ‰ Û ‰ Û ‰ ÛC min
wrun
..˙#Œ
run
Œ œ œ œ œ œ œrun ning's o ver now my
‰ Û ‰ Û ‰ Û ‰ ÛD 7
˙ œ œsto ry is
˙ œœ œœsto ry is.œ .œ œsto ry is
|G min
rit.
rit.
wdone
wwdone
˙ Œ ‰ Jœdone I'm
|G min/F
P-
-
- - - -
- - -
8 29. Dirty Deeds
This score has been downloaded from www.dramatists.com and is for perusal only.
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b b
b b
78 œ. œ" œ œ Jœ œ Jœbdone the rest is si lence no
78
Û.
" Œ ÓEb7
œb œ œ œ U
not a noth er word
| |UA b D 7
!
JÛ ‰ Œ Ó
a tempo
a tempo- - -
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b b
b b
Wmn
Men
81
œ œ œ jœ œ œ ŒG min
dir ty deeds of Deer Lick
œœ œœ œœ Jœœœœ œœ Œ
dir ty deeds of Deer Lick
81
Û.
‰ Û.
‰ Û.
G min
p
œ œ œ Jœ œ œ ŒG min7/F
dir ty deeds of Deer Lick
œœ œœ œœ Jœœ
œœ œœ Œ
dir ty deeds of Deer Lick
Û.
‰ Û.
‰ Û.
G min/F
œ œ œ Jœ œ œ œœ œœEb7 D 7
dir ty deeds re main a mys te
œœ
œœ
œœ J
œœ
œœ
# œœ
œœ
n œœœ#dir ty deeds re main a mys te
Û Û Û ÛEb7 D 7
ƒ- - - ---
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Men
84 wwG min
ry
wwwry
84
Û Û Û Ûfl
G min D 7 G min
929. Dirty Deeds
G.P.
pizz, violin solo
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43
43
43Piano
1
!
˙ œœœ ˙
˙ œ œ
q = 116 q q q e3
=
!
...˙
.˙
!
˙ œœœ ˙
˙ œ œ
!
...˙ sim.
&
.˙
A
œ œ .œJœ
This here is
Hurley
’ ’ ’A
!
œ œ .œJœ
God's World that
’ ’ ’A sus4
!
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# # #
# # #
# # #Pno.
7 œ .œ Jœswirls all a
’ ’ ’A
!
œ ˙round us
’ ’ ’D A/C
#
!
œ .œJœ
God's world is
’ ’ ’D
!
.œ Jœ œall that we
’ ’ ’E
!
.˙see
’ ’ ’A
!
Ó ‰ JœAnd
’ ’ ’
!
-
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# # #
# # #
# # #Pno.
13 œ œ .œJœ
some times un
’ ’ ’D/F
#
!
œ œ .œJœ
looked for his
’ ’ ’E/G
#
!
œ œ œgrace is a
’ ’ ’A
!
œ œ ˙maz ing
’ ’ ’D A/C
#
!
œ .œJœ
God's world's a
’ ’ ’Dadd9
!
- - - - -
30. God's World (Reprise)Sugg/Posner
Rehearsal Score
cue, JOHN: Let's get these two hitched.
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# # #
# # #
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18
!
œ œ œ œwon der to
’ ’ ’D/E
!
!
.˙me
’ ’ ’A
!
Ó ‰ jœI
˙ ‰ JœI
Hurley and John
’ ’ ’A sus4
!
œ œ œsee these young
Sally
œ œ œsee these young
’ ’ ’A
!
œ œ .œ ‰lov ers
œ œ .œ ‰lov ers
’ ’ ’A sus4
!
œ œ œin no cent
œ œ œin no cent
’ ’ ’A
!
- - - -
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24
œ œ œ ‰ jœlov ers as
œ œ œ ‰ Jœlov ers as
’ ’ ’D A/C
#
!
œ œ œ ‰ jœhap py as
œ œ œ ‰ Jœhap py as
’ ’ ’D
!
œ œ œ œlov ers should
œ œ œ œlov ers should
’ ’ ’E
!
.˙be
.˙be
’ ’ ’D/F
#E/G
#
!
Ó œthere's
Ó œthere's
’ ’ ’A
!
œ .œ jœlight all a
œ .œJœ
light all a
’ ’ ’D/F
#
!
- - - -
- - - -
2 30. God's World (Reprise)
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30
œ œ œ œround them our
!
œ œ œ œround them our
’ ’ ’E/G
#
!
œ œ œhearts are re
!
œ œ œhearts are re
’ ’ ’A
!
œ ˙joic ing
!
œ ˙joic ing
’ ’ ’D A/C
#
!
œ .œ jœGod's world's a
!
œ .œJœ
God's world's a
’ ’ ’Dadd9
!
œ œ œ œwon der to
!
œ œ œ œwon der to
’ ’ ’D/E
!
.˙me
!
.˙me
’ ’ ’A
!
- - -
- - -
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# # #
# # #
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36
.˙
!
.˙
’ ’ ’/A E/G
#A/F
#
!
œ œ œ œTake hands my
Women
œ œ œ œTake hands my
Tenor
œ œ œ œTake hands my
Baritone
’ ’ ’E A/F
#
!
Fœ œ œfriends take
œ œ œfriends take
˙ œfriends take
’ ’ ’E/G
#
!
œ œ œ œhands where we stand
œ œ œ œhands where we stand
œ œ œ œhands where we stand
’ ’ ’A A sus4/E
!
.œ ‰ œ œand keep
.œ ‰ œ œand keep
œ Jœ ‰ œ œand keep
’ ’ ’A/C
#
!
330. God's World (Reprise)
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41
œ œ œfaith that to
œ œ œfaith that to
œ œ œfaith that to
’ ’ ’D
!
œ œ œ œgeth er we'll
œ œ œ œgeth er we'll
œ œ œgeth er we'll
’ ’ ’E
!
.˙find
.˙find
.˙find
’ ’ ’A
!
œ Œ œthe
œ Œ œthe
Ó œthe
’ ’ ’/A E/G
#A/F
#
!
œ œ œstrength to keep
œ œ œsterngth to keep
œ œ œstrength to keep
’ ’ ’E A/F
#
!
œ œ œ œliv ing and
œ œ œliv ing and
œ œ œliv ing and
’ ’ ’E/G
#
!
- - -
- - -
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47
œ œ œlearn ing and
œ œ œlearn ing and
œn œ œlearn ing and
’ ’ ’G G sus4/A
!
jœn œ ‰ œlov ing the
œ œ œnlov ing the
œ œ œlov ing the
’ ’ ’G/B
!
Jœ Œ Jœn œsrength to make
Jœn Œ Jœ œstrength to make
Jœb Œ Jœ œstrength to make
’ ’ ’.Bb
!
fœn œn œ œ œ
our world our a
œn œn œ œ œour world our a
œ œn œ œ œnour world our a
’ ’ ’F
!
œ œ œ œ œmaz ing and bi zarre
œn œ œn œ œnmaz ing and bi zarre
œn œ œn œn œmaz ing and bi zarre
’ ’ ’.C
!
- - - - -
- - - - -
- - - - -
4 30. God's World (Reprise)
This score has been downloaded from www.dramatists.com and is for perusal only.
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52
Jœ œn ‰ œworld the
Jœ œ ‰ Œworld
Jœ œ ‰ Œworld
’ ’ ’G
!
œ œn œwon der that
.˙bAh
.˙nAh
’ ’ ’Bb
!
œ œ œnGod had in
˙n œ
.˙n
’ ’ ’C
!
.˙mind
.˙
.˙
’ ’ ’D D/C
!
.œ ‰ Œ
.œ ‰ œthe
.œ ‰ Œ
’ ’ ’
!
.˙nah
œ œn œwon der that
.˙bAh
’ ’ ’Bb
!
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58
.˙n
œ œ œnGod had in
.˙n
’ ’ ’C
!
.˙a
.˙mind.
.˙
’ ’ ’D
!
Ó œthe
Ó œthe
Ó œ
the
’ ’ ’
!
ƒ œœb œœn œœwon der that
œn œ œwon der that
œb œ œn œn œ œwon der that
œœœbn œœœn œœœ
œœbb œœ œœ
rit.
œœn œœ œœnGod had in
œn œ œnGod had in
œn œn œb œ œn œ
God had in
œœœnn œœ œœœ
œœnn œœnn œœ
-
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530. God's World (Reprise)
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63 ..˙U
mind.
.U
mind
.U
mind
...˙UæD
..˙U
æ
!
!
!
!
œœfl
Œ Œ
6 30. God's World (Reprise)
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C
C
..
..Piano
wwFiddle melody
!
ww
!
˙ ˙
!
˙ œœ œ œ!
œ œ œ ˙G
Dance break
!
œ œ œ œ .œ jœC
!
&
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#Pno.
7 œ œ œ œ œ œ œG
!
œ œ œ œ œ œ œG D
!
œ œ œ .œ jœG
!
œ œ œ œ œ œ œC
!
œ œ œ œ œ œ œG
!
&
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#
..
..
..
..Pno.
12 œ œ œ œ ˙G D G
!
˙ ..œœ JœœC
!
œœ œœ œœ œ œG
!
œ œ œ œ œ œ œ œ
!
œ œ œ œ œ œ œ œD
!
&
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#
..
..Pno.
17
œ œ œ œ œ œ œG
!
œ œ œ œ œ œ œ
!
1.œ œ œ œ œ œ œ œ
!
œ œ œ œ ˙D G
!
2.œ œ œ œ œ œ œ œ
!
31. The Story (Reprise)James Sugg
Rehearsal Score
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22 Ó œ œThere was
Women
Ó œ œThereThere waswas
Tenor
Ó œ œThere was
Bass
œ œ œ œ œ œ œ œD
!
œ .˙mur der
œ .˙murmur derder
œ .˙mur der
’ ’G
!
œ œ œ œmys ter y and
œ œ œ œmys ter y and
œ œ œ œmys ter y and
’ ’
!
˙ ˙mar riage
˙ ˙mar riage
˙ ˙mar riage
’ ’C
!
- - - -
- - - -
- - - -
&
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&
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#
#
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#Pno.
26 ˙ Œ œThe
˙ Œ œThe
˙ Œ œThe
’ ’
!
œ œ œ œhand some strang er
œ œ œ œhand some strang er
œ œ œ œhand some strang er
’ ’D
!
œ œ œ œnow will rot in
œ œ œ œnow will rot in
œ œ œ œnow will rot in
’ ’G
!
whell.
whell.
whell.
’ ’D
!
- -
- -
- -
2 31. The Story (Reprise)
This score has been downloaded from www.dramatists.com and is for perusal only.
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30 Ó œ œFor the
Ó œ œFor the
Ó œ œFor the
’ ’
!
œ ˙ œlov er and
œ ˙ œlov er and
œ ˙ œlov er and
’ ’G
!
œ œ œ œla dy no more
œ œ œ œla dy no more
œ œ œ œla dy no more
’ ’
!
˙ ˙long ing
˙ ˙long ing
˙ ˙long ing
’ ’C
!
- - -
- - -
- - -
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&
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34
˙ Ó
˙ Ó˙ Ó
’ ’
!
œ .˙bbro ken
œn .˙bro ken
œ .˙bro ken
’ ’F sus4
!
˙ ˙hearts are
˙ ˙hearts are
˙n ˙hearts are
’ ’F
!
œ œ œ œmend ed for a
œ œ œ œmend ed for aœ œ œ œmend ed for a
’ ’D sus4
!
- -
- -
- -
331. The Story (Reprise)
This score has been downloaded from www.dramatists.com and is for perusal only.
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38
œ Œ Œ œspell. Ol'
œ Œ Œ œspell. Ol'
œ Œ Œ œspell. Ol'
’ ’D
!
œ ˙ œGrump us and
œ ˙ œGrump us and
œ ˙ œGrump us and
’ ’G
!
œ œ œ œSal ly they are
œ œ œ œSal ly they are
œ œ œ œSal ly they are
’ ’
!
˙ ˙hap py
˙ ˙hap py
˙ ˙hap py
’ ’C
!
- - -
- - -
- - -
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#
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42 ˙ Œ Œ
˙ Ó
˙ Œ Œ
’ ’
!
œ œ œ œall of Deer Lick
œ œ œ œall of Deer Lick
œ œ œ œall of Deer Lick
’ ’D
!
œ œ œ œnow is on the
œ œ œ œnow is on the
œ œ œ œnow is on the
’ ’G
!
wmend.
wmend.
wmend.
’ ’D
!
4 31. The Story (Reprise)
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46 Ó ˙For
Ó ˙ForFor
Ó ˙ForFor
’ ’
!
œ .˙mur der
œ .˙mur der
œ .˙mur der
’ ’G
!
œ œ œ œmys ter y and
œ œ œ œmys ter y and
œ œ œ œmys ter y and
’ ’
!
˙ ˙mar riage
˙ ˙mar riage
˙ ˙mar riage
’ ’C
!
- - -
- - -
- - -
&
V
?
&
?
#
#
#
#
#Pno.
50 Ó ˙can
Ó ˙can
Ó ˙can
’ ’
!
˙ ˙lead to
˙n ˙blead to
˙b ˙nlead to
’ ’F sus4
!
˙ ˙joy and
˙ ˙joy and
˙n ˙joy and
’ ’F
!
œ .˙laugh ter
œ .˙laugh ter
œ .˙laugh ter
’ ’D sus4
!
-
-
-
531. The Story (Reprise)
This score has been downloaded from www.dramatists.com and is for perusal only.
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&
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54
w
w
w
’ ’
!
˙ Œ Œ
˙ Ó
˙ Ó
| Û ŒD
!
˙ ˙in the
˙ ˙in the
˙ ˙in the
!
!
wwend.
wend.
wend.
’ ’G
!
ww
w
w
’ ’
!
ww
w
wn
’ ’F
!
ww
w
w
’ ’
!
&
V
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?
#
#
#
#
#Pno.
61 ww
w
w
’ ’C
!
˙ Ó
˙ Ó
˙ Ó
’ ’
!
¿ ¿That's the
¿ ¿That's the
¿ ¿That's the
’ ’G D
!
¿ Óend!!
¿ Óend!!
¿ Óend!!
| Ûfl
ŒG
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6 31. The Story (Reprise)
This score has been downloaded from www.dramatists.com and is for perusal only.
No performance or use of this score is allowed without written authorization from Dramatists Play Service, Inc.
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