modulations for percussion trio

Full Score

[2017]

Christopher LaRosa www.chrislarosa.com

Perusa

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Perusa

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modulations for percussion trio

[2017]

duration: ca. 6”

Christopher LaRosa www.chrislarosa.com

Perusa

l

÷œ œ œ œ œ œ œ œ œ œtimpano bongos

low high

woodblocks

low

sus. cyms.

large

triangles

high med. large med.

sp. coil

& œb œb œb œbcrotales (low octave)

Crotales should be placed on the head of the timpano drum,near the edge closest to the player. When directed to bow a crotale, move that crotale to the edge.

÷œ œ œ œ œ œ œ œ œ œtimpano bongos

low high

woodblocks

low

sus. cyms.

large

triangles

high med. large med.

sp. coil

& œ œ œ# œcrotales (low octave)

Crotales should be placed on the head of the timpano drum,near the edge closest to the player. When directed to bow a crotale, move that crotale to the edge.

÷œ œ œ œ œ œ œ œ œ œtimpano bongos

low high

woodblocks

low

sus. cyms.

large

triangles

high med. large med.

sp. coil

& œ œ œ œcrotales (low octave)

Crotales should be placed on the head of the timpano drum,near the edge closest to the player. When directed to bow a crotale, move that crotale to the edge.

Percussion 1 timpano (28")2 bongos2 woodblocks large suspended cymbal medium suspended cymbal large triangle medium triangle spring coil with sizzles4 crotales

2 stick/hard felt combination mallets double bass bow large superball mallet small superball mallet triangle beater wire brush plastic mallet

Percussion 2 timpano (32")2 bongos2 woodblocks large suspended cymbal medium suspended cymbal large triangle medium triangle spring coil with sizzles4 crotales

2 stick/hard felt combination mallets double bass bow large superball mallet small superball mallet triangle beater wire brush plastic mallet

Percussion 3 timpano (26")2 bongos2 woodblocks large suspended cymbal medium suspended cymbal large triangle medium triangle spring coil with sizzles4 crotales 2 stick/hard felt combination mallets double bass bow large superball mallet small superball mallet triangle beater wire brush plastic mallet

2

Perusa

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Perc

ussio

n 1 Percussion 3

œ œ œ œ œ œœ œ œ œ œ œ3311 22 331122

lowestlowest highesthighest

Player:Player:

woodblockswoodblocks

Between the three players, the relative pitch of the woodblocksshould be graduated. Exact pitch does not matter. Thewoodblocks should be assigned to the players as following:

Set up according to the diagram below. Players 1 and 3 should set up at the extremes of the stage, with percussion 2 slightlyback and center. This set-up will facilitate the spatialization effects used throughout the piece.

Percussion 2

Audience

Set-up

Instrument Assignments

3

Perusa

l

÷

u

œ1

5

& u

œb o ÷

Ped.

÷ .— —≈6

p f

large superball

÷¬

÷ Œ ‰ .Rœ> œ .œ œ.

ts[i]

shh[u] [i]

ƒ P ƒ

÷ œb œs

œc

General Notes

All grace notes occur BEFORE the beat. All bongo rolls should be buzz rolls.

Timpani pedalings are shown below the staff with the numbers 1-5. 1 indicates the highest position and 5 the lowestposition. 2-4 are equally spaced intermediary postions between these two extremes. Exact tunings for these pedal indications are not important.

Indicates a gliss between two states over the entire given duration. Used for pedal states and vowel states.

Indicates a random fluctuation between pedal states ad lib.

Triangle noteheads indicate a fast friction rub in an arc shape around the head of the timpano. The sound should be rich and unstable. Increase the pressure and speed of the superball mallet to crescendo.

Square noteheads indicate a slow, continuous friction rub in circles around the head of the timpano. The sound should be a stable, mid-range tone.

Vocalizations are notated in two layers. The top layer indicates a fricative, and the bottom layer indicates the vowel shape of the mouth.

[i] = close-high front unrounded vowel, as in “deep.” This vowel should be exaggerated by pulling the corners of the mouth as wide as possible.

[u] = close-high back rounded vowel, as in “moon.”

b = strike bell of cymbal.

s = rapidly scrape cymbal as rapidly as possible with triangle beater from bell to edge.

c = strike dead center of timpano head.

4

Perusa

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43

43

42

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2

3

1

2

3

≈ œ>

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WB

π

Bongosbuzz, sempre

sticks, edge of blocks

f

sticks, edge of blocks

f

sticks

ß

q = 72

∑

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∑

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Bongos

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(sticks)

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modulationsChristopher LaRosa

© 2017 Christopher LaRosa. All Rights Reserved.

Hammer and Nail 2017Indiana University Jacobs School of Music

Perusa

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u

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∑

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∑

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Timp.hard felt

Timp.hard felt

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œ œfl

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(dampen on rests)

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(sticks)

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Bongos sticksbuzz, sempre

÷

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(dampen on rests)

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hard felt

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hard felt

p

5

f

f

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3 3

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Ó Œ ‰ œbo

&

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æ æ̇f Í f Í

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f1

1

stick

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bowed

&

÷

÷

1

2

3

1

2

3

u

u

18

∑ ÷

Œ ‰ œno

Ó&

wæ

Crot. bowed

fPed.

Ped.

Bongos

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(sticks)WB

sticks

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Í Í

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∑

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Ó .œæ jœæ

P π

Pπ

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Perusa

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∑

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f

f P

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f

f

ç

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≈ .œb > œ œb >Ó

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ßtri. beater

s wæ

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æ˙

æ

1p f

5

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wire brush, mandolin roll

small superball, slow friction rub in circles;stable mid-range pitch

P

Sus. Cyms.

π

wire brush, mandolin roll

5

s

tri. beater

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¬

wæ

5

small superball, slow friction rub in circles;stable mid-range pitch

P

7

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ß

ß

ß

f

f

b b

b b

s

s

fp

WBplastic

ç

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tri. beater

œ ‰ . Œ Ó

wæÓ Œ ‰ –

¬

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s

wire brush, mandolin rollSus. Cym.

ß

(tri. beater)

π

8

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wsss

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π

[i]

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w

– – j– .–

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[i]

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[u]

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1

2

3

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[i]

j– .– –

œæ ‰ ŒŒ

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1

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wire brushmandolin roll

π

π F

sss

l.v.

w

[u]

.˙Œ

wshh

∑

wæ– .¬

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5

[i]wire brushmandolin roll

π

[u][u]

ƒ

π

F ππ

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[i]

wæ

w

wæ

w

[i]

œæ ‰Œ Ó

–

n

sticksBongos

1

π

π

p

shh

[i]

shh

l.v.

w

∑

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wæ

w &

∑

ƒ

ƒ

[i]

ƒ

l.v.

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1

2

3

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œ œ

œ

œ

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5

13

44

1

dampen timp./crot. at exact moment of next attack

Timp.

Crot.

hard felt

brass

sticksWB

f

f

1 1

ß

‰ ‰ ≈ œ .æ̇6

.— — ≈Œ ‰ œ œ ≈ œ œ œ

>6 3

Ó Œ ‰ . rœ œ÷

15

p f

Íp

plastic

f

fp

Bongos sticks

ß

lg. superball

Ó æ̇

Œ ‰— —

‰ . ‰ œ œ3 3

æ̇ Œ ‰ œæ

p f

Íp

15

fπ

p

p

π

10

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2

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ß

π F∑

.— — ≈‰ œ œ ≈ œ œ œ

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—6 3 3

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p f

large superball

Í f

f p1

Crot.brass

Timp.hard felt

p

p

.œ

œb .œ

œ œ

œb

—‰ . ≈ .œ ‰ . œ

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‰3

5

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dampen timp./crot. at exact moment of next attack

f

1

f5

4

f

f

f

œ

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‰ œ ≈ œ œ

1

3

1

5 5

1

ß

÷

÷

÷

44

44

44

43

43

43

43

42

42

42

43

43

43

43

44

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44

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1

2

3

1

2

3

u

65

∑

.— — ≈Œ ‰ œ œ ≈ œ œ œ

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‰ ‰ ≈ œ .æ̇6

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p f fp

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51

f

5

1

p f5

1

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1

∑

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f

f

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œb œ

œ

œb Œ

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1 1

15

p f

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1

f

÷

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43

43

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1

2

3

1

2

3

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15

p f

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p f

Í

f

jϾ Ͼ

jϾ Ͼ .Ͼ

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P

PÓ Œ ‰ œ

fl

rœ .æ̇ .œæ œ

Ó Œ≈ œ

flœfl

Í

1

ç ç

5

ç

hard felt

hard felt

c

c

ç

c

F

sticks

11

Perusa

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÷

÷

÷

42

42

42

44

44

44

1

2

3

u

u

u

Ó Œ ‰œfl

&

∑ &

Ó Œ ≈œfl

œfl

&

ç

ç ç

c

c c

72

œb ≈ œb œb

≈ œ œ Œ

‰œ œ œ

ƒPed.

5

1

plastic, l.v. sempre

Crot.

Crot.plastic, l.v. sempre

ƒ

Crot.

ƒ Ped.

plastic, l.v. sempre

Ó Œ ‰ . œ÷

œ# Œ Œ≈ .œ

÷

Ó ‰ œ Œ÷

Ped.

s

s

s

tri. beater, l.v. sempre

tri. beater, l.v. sempre

f

f

f

tri. beater, l.v. sempre

Œ ‰ . œ> œ .œ œ.

ts[i]

shh[u] [i]

‰ . œ Œ Œ ‰ . –

Œ ‰ . œ> œ .œ œ.

ts[i]

shh[u] [i]

œ œ .œ œ œ œ œ œ>Œ ‰ . œ

Œ ‰ . œ> œ .œ œ.

ts[i]

shh[u] [i]

≈ .œ ≈ .œ Œ≈ .—

lg. superball

1

5

sm. superball

5

P

s s

s s

s

s

ƒ P ƒ

ƒ P ƒ

ƒ P ƒ

ß ç

p f

÷

÷

÷

43

43

43

1

2

3

u

76

¬ ¬

∑ &

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sm. superball

4

¬ ¬

œo

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– ¬ –

f f1

Ped.

45

54

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∑

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p

p

P

5

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≈ .œ>

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∑ ÷

≈ .œ .œ>

œ>

≈ œ>

‰

.¬

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P F

12

Perusa

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÷

÷

÷

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44

44

44

44

44

85

85

85

1

2

3

u

u

80

Œ Œ ‰ . œts[i]

‰ œ> ‰ œ> œ> ‰ ‰ . œ3

Œ Œ ‰ . œ>

ts[i]

œ œ œ œ œ>Œ .— ≈

Œ Œ ‰ . œ>

ts[i]

‰ ‰ œ> ‰ œ> œ>‰ . –3

ß

ß

ß

tri. beater

f

f

b b

b b

s

s

fp

lg. superball

WBplastic

ç

51

(tri. beater)

(tri. beater)

5

P

ç

ç

ç

œ ˙ œ

[u] [i]

∑

œ œ ‰ Ó

[u]

Ó¬

œ œ ‰ Ó

[u]

.¬Œ

3

4

sm. superball

P

π

p F

π

œ œ ‰ Ó

[u]

œb o Œ Ó

˙ ˙sss[u] [i]

– .¬

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Œ ‰ œo

œo

‰ Œ

f

f

5

1

1

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π

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≈ .œ

œ ‰ Œ Ó

[u]

œ Œ ‰ œ ‰ . œ

¬

œ ˙ œ ‰

[i] [u]

∑

4

p

p

P

P

F

π

F π

1

÷

÷

÷

85

85

85

43

43

43

43

43

43

44

44

44

44

44

44

85

85

85

85

85

85

1

2

3

u

u

‰ œ> ‰ œ> œ> Œ3

‰ ‰ œ> ‰ œ> œ> ‰3

œ œ œ œ œ>Œ œ> œ>

ß

ß f

b bs(tri. beater)

ß f

b bs(tri. beater)

f

b b

tri. beater

84

Œ Œ ‰ . œts[i]

œ œ œ œ œ>Œ .— ≈

Œ Œ ‰ . œ>

ts[i]

‰ ‰ œ> ‰ œ> œ>‰ . –

3

Œ Œ ‰ . œ>

ts[i]

‰ œ> ‰ œ> œ> ‰ ‰ . œ3

ßfp

large superball

51

ß f

b bs

5

P

ß f

b bs WBplastic

ç

ç

ç

ç

œ ˙ œ

[u] [i]

∑ &

œ œ ‰ Œ œ

[u]sss[u]

¬

œ œ ‰ Ó

[u]

∑ &

p F

ππ

π

œ œ ‰ Ó

[u]

œbo

Œ Ó ÷

œ ˙ œ ‰

[i] [u]

Ó œ ‰ œ

¬

Œ œ œ œsss[u] [i]

œno

Œ Ó ÷

2

f

f

π

p P

F π

π F

Ped.

Ped.

13

Perusa

l

÷

÷

÷

÷

85

85

85

85

87

87

87

43

43

43

1

2

3

88

‰ ‰ œ> œ œ> œ>

3

‰ œ> ‰ ‰ œ>

œ>

‰

3

œ

œ Jœ Œ

[u]

œ œ œ œ œ> œ> œ> ‰ jœß

ß

s

ß

s

f

b b

f

b b

b b

f

π

plastic

plastic

plastic

œ œ œ œ œ> œ> œ> ‰ Jœ ‰ œ> œ>

‰ œ> ‰ ‰ œ>

œ>

‰ œ>

œ>

‰

3

œ Jœ

‰ ‰ œ> œ œ> œ> ‰ jœ3

ß f

b b

ß

s

f

b b

ß

ß

s

f

b b b b

b b

‰ ‰ œ> ‰ œ> ‰ œ> œ> œ3 3

œ œ œ œ œ>‰ ‰ œ> œ œ> œ>

3

‰ œ> ‰œ œ œ œ œ>

Œ3ß

s

ß

s

ß

ß

ß

s

ß

s

b b

b b

÷

÷

÷

÷

÷

÷

42

42

42

42

42

42

43

43

43

43

43

43

42

42

42

42

42

42

1

2

3

91

∑

œ œ œ œ œ>Jœ œ œ> œ> Œ

3

∑

Œ Œ .— ≈

∑

‰ œ> ‰ œ> œ> œ ‰ .œ œ œ œ

Rœ>

3

ß

ß

s

s

ß

b b

b b

fp

large superball

51

ß

Œ ‰ . œ>

[i]ts

œ> œ>‰ . œ

Œ ‰ . œ>

[i]ts

Œ .—≈

Œ ‰ . œ>

[i]ts

≈ œ> œ> ‰ .–

fp5

1

s b

b

ç

2

Pstable tone

ç

ç

˙

∑

˙

∑

˙

¬

.˙shh[u]

∑

.˙shh[u]

Œ¬

.˙shh[u]

.¬

increase pressure

2

Pstable toneincrease pressure

p

p

p

œ ‰ . Œ Œ

[i]

.æ̇

œ ‰ . Œ Œ

[i]

œ œ œ œ œ>

Œ ‰—3

— ‰ .

œ ‰ . Œ Œ

[i]

œ œ œ œ œ>

Œ Œ— ‰ .

5

ƒunstable

ƒunstable

5

ƒ

ƒ

ƒ

Í

p

5

f

sticks

14

Perusa

l

÷

÷

÷

42

42

42

44

44

44

1

2

3

96

Œ ‰ œæ

—‰ . ‰ œ œ

3

æ̇

f

Íp

1

p

π

stick

sticks

.œæ œæ œæ Œ ‰ . rœ œ

≈ œ œ œ>

‰ œ œ ‰ œ œ ≈ œ œ œ>

3 3

Œ ‰ œæ .œæ œæ œæ

P ß

pF f

π F

.œæ œæ œ .æ̇6

.— —≈ ‰ œ œ ≈ œ œ œ

>‰

—

6 3 3

Ó Œ œæ

Í fp

15

p f

lg. superball

f p1

π Í

P

÷

÷

÷

42

42

42

1

2

3

99

‰ œ œ œ>

‰ œ œ œ>

‰ œ>

œ>

œ>

œ>

‰ . rœ œ

3 3

—‰ . ≈ œ

> œ>≈ œ

> œ> .—≈

œ œ> œ œ ‰ œ> œ œ ‰ Œ3 3

f5

f

ß f

f

1

p f

5

ß

pick up: plastic, felt, lg. superball, tri. beater.

(sticks)

.œæ œæ œ .æ̇6

.— —≈ ‰ œ œ ≈ œ œ œ

>‰

—

6 3 3

∑

Í fp

5

p f f pP

5

∑

— œ œ œ>

‰ œ œ .—≈ ‰

—3

œ œ œ œ œ>

.—≈ œ œ

— —œ œ

3

÷

f1

p f

5

ß

f

1

p f

5

P1

p f

5

1

p f

5

pick up: plastic, felt, lg. superball, tri. beater.

1

P

÷

÷

÷

42

42

42

43

43

43

42

42

42

1

2

3

u

u

u

102 œ œ œ œ œ>

.—≈

∑

≈ œ œ œ>

‰ œ œ3

ß1

p f5

f P

pick up: sticks, 1 plastic

P

œ œ— —

œ œ ≈ .—

3

&

∑ &

.—≈ œ œ — —

œ œ œ

5

p1

f

1

p

p5

5

f p

f

1f

≈ .œb >‰ œb >

‰ œ> œ> œ œ œ3

÷

.jœfl

rœ> œ .œ>&

Crot.

fPed.

Crot.

fPed.

ß

Ped.

Crot.plastic, l.v. sempre

plastic, l.v. sempre

plastic, l.v. sempre

f

c

Œ ≈ .—÷ &

œ> œ œ œ> œ œ ≈ œ œ œ> œ œ3 3 3 3

&

Œœ œ œ œ œ>

֧

1fπ

(tri. beater)

5

15

Perusa

l

&

&

÷

85

85

85

167

167

167

166

166

166

167

167

167

1

2

3

u

u

u u

u

u

106

≈ .œb >‰ œb >

‰ œ> œ> œ œ œ3

÷

.œ> œ> œ .œ>& ÷

Crot.

fPed.

Crot.

fPed.

ß5

Crot.

c

Ped.

Œœ œ œ œ œ>

÷

œ> œ œ œ> œ œ ≈ œ œ œ> œ œ3 3 3 3

œ Jœ ‰ œ> œ>

3 3P

ß

f

(plastic)

Œ .œ

≈ œ œ œ> œ œ œ> œ œ œ> œ œ> œ œ> œ3 3 3 3 3

&

œ œ œ œ œ>‰ .

.— &ß

s

ß

1

π f5

.œfl

œb > .jœb >&

≈ .œ>≈ œ>

‰ œ>‰

œ>

5

c

Ped.

Ped.

Ped.

ß

Crot.

Crot.

Crot.

‰ œb > .jœb >

.jœ>≈ œ>

≈ œ>‰

œ>÷

&

&

÷

167

167

167

1610

1610

1610

42

42

42

44

1

2

3

u

u

u

111

‰ . œb > .jœb >

≈ .œ>≈ œ>

œfl

œ>‰

œ>& ÷

ß

c

≈.œb >

‰ œb >≈ œb

>÷

‰ œ>.jœ> œ> œ# >

÷

.œfl

œ>≈ œ> œ> œn >& ÷

fPed.

fPed.

ß

Ped.

5

f

c

œ œ œ œ œ>Œ

‰ œ œ œ œ> œ œ œ> œ œ3

3 3

‰œ œ œ œ œ>

Œ

ß

ß

f

œ ≈ œ œ œ

≈ œ œ œ> œ œ Œ3 3

Œ œ

s

P f

ß

ß

÷

÷

÷

44

44

44

41

41

41

41

167

167

167

167

43

43

43

43

43

85

85

85

85

85

1

2

3

1

2

3

u

u

u

u

115

≈ .—Œ œ Jœ ≈ .—

3

&

Œ ≈ œ œ œ> œ œ œ> œ œ> œ œ> œ œ> œ œ> œ œ> œ3 3 3 3 3 3

&

œ œ≈ .—

‰ œ> œ>

3

&

1

π ff

5

Timp.

1fπ P

(plastic)

1

πF

ß

55

s

ß

f≈ .œb >

‰ œ>

.œfl

œ>f

fPed.

ß

Ped.

5

f

c

Crot.

Crot.

Crot.

≈ .œb >‰ œb >

‰ œ>.jœ>

.œfl

œ>≈ œ>

f

f

f

c

Timp.

ßPed.

œfl

.œb > œ> œb >œb>

œ>

œb>

∑

‰ œ> œ> œ> œ> ≈ œ# > œ>÷

‰ .œ>

≈ œ>

œ>

œ> ≈ œ>œ> œ>

Ped.

f

ß5

c

16

Perusa

l

&

÷

&

85

85

85

42

42

42

43

43

43

1

2

3

1

2

3

119

œb>

≈ œ œ .œ÷

œ> œ œ œ> œ œ œ> œ œ œ> œ œ> œ œ> œ>

3 3 3 3 3

.œ>≈ œ œ œ÷

P f

P f

ƒF

œ œ œ œ œ>

.—≈

Œ ≈ œ œ œ> œ œ3 3

≈ .—‰ .

œ œ œ œ œ>

ß

1fπ

5

15

f

ß

≈ œ œ œ ≈ œ œ œ

œ> œ œ> œ œ> œ œ> œ œ> œ œ> œ3 3 3 3

‰ . œ œ œ—

P

P

f

f

P

5

f

p

÷

÷

÷

43

43

43

167

167

167

167

169

169

169

169

43

43

43

43

1

2

3

1

2

3

u

u

u

122

≈ .—≈

œ œ œ œ .œ>≈ .— &

‰ ≈ œ œ œ> œ œ œ œ> œ œ> œ œ> œ œ> œ3 3 3 3 3

&

—≈

œ œ œ œ œ>‰

— —‰ .

1

1fπ

5

ß1

π

5

f

ß π

f

15

5

1f

≈ .œb >‰ œb >

‰ œ>.jœ>

.œfl

œ>≈ œ> &

∑

f

f

f

c

fPed.

Ped.

51

Timp.

Crot.

Crot.

Crot.

.jœb > œ> œb >≈ œb

>

≈ œ> œ> œ> œ> œ# >

œfl

œ>≈ œ> œ> œ>

∑5 Ped.

c

&

&

&

÷

43

43

43

43

42

42

42

42

42

43

43

43

43

43

1

2

1

2

3

u

u

u

125

≈ .œb > œ> œb >œb>

œb>

‰ œ> œ> œ> œ> œ œ# >œ>

.œfl

œ>≈ œ> œ> œ œ> œ>&

∑

5

(Crot.)

(Crot.)

Ped.

c

Ped.

Ped.

œb>

œ œ œ œJœ>

œ3

÷ &

œ> Œ

œ> œ ≈ œ> œ œ Œ3 3

œ>

Œ

Œ ‰ ‰œ

3

ß5

ß

1ß

(hard felt)

(Bongos)

œb > ‰ ‰œ

œ œ œ œJœ>

œ

3

3

÷ &

œ> Œ Œ

œ> œ ≈ œ> œ œ Œ Œ3 3

œ>

Œ Œ

œ‰ ‰

œ œ œ œJœ>

œ ‰ ‰ œ

3

3

3

1

5

ß

5

ß

ß5

ß1

ß

1

ß1

1ß

ß

ß

17

Perusa

l

&

÷

&

÷

&

÷

42

42

42

42

42

42

44

44

44

44

44

44

1

2

3

Blo

omin

gton

, IN

– F

ebru

ary

12, 2

017

128

œb > Œ Œ

Œœ

œ œ œ œJœ>

œœ œ

3

œ> Œ Œ

œ> œ ≈ œ> œ œ Œ Œ6

œ>

Œ Œ

œ‰ ‰ ‰

œ‰

œ

œ œ œ œ œ>33

3

5

1

5

15

15

ƒ

ƒ

ƒ

∑

œ œ œ œJœ>

œ‰ ‰

œ3

3

∑

∑

∑

‰ ‰œ

œ œ œ œJœ>

œ3

3

&

ß

5

ß1

ß

ß5

ß ß1

œb > Œ Ó ÷

œ‰ ‰ Œ œ>

æ .œæ œ>æ

3

œ> Œ Ó

œ> œæ œ> œ>æ œ œ> .œ>æ œ>æ œæ jœæ

> œæ œ>æ

6 6 3

∑

œ>

Œ ‰ œ>æ œæ .œ>

æ3

÷

1

Í Í

Í f Í ÍÍf Í Í

Í Í

1

pick up sticks

pick up sticks

ç

ç

ç

÷

&

÷

1

2

1

2

3

131

œæ œ> œ> œæ œ> œ> œæ œ> œ> œ>æ œ>

æ3 3 3

Ͼ>jϾ Ͼ

>jϾ Ͼ

> Ͼ Ͼ> Ͼ

>

3 3

jœæ œ>

æ œ> œ> œæ œ> œ> œæ ‰ Œ3 6 6

Í

Í

Í

Íß ß Í ß ß

ß Í ß Í

Í

œ ‰œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ ‰ Œ ‰ œ œ œ œ œ3 3

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

ç

ƒ P ƒ

5

1 1

5

1

P

P

ƒ

5

1

ç

hard felt

hard felt

hard felt

≈ œfl

œfl Jœ

>œfl

Ó

3

œ ‰ Jœ>

œfl

Ó

3

‰ œfl Jœ

>œfl

Ó

3Ïß

c c

Ï

c

ç

ß ß Ï

c(stick)(felt)

(stick) (felt)

(stick) (felt)

18

Perusa

l