shawn daut portfolio
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SHAWN DAUT
CONNECT THE DOTSPORTFOLIO OF SHAWN DAUT
SHAWN DAUT PORTFOLIO TITLE INTRODUCTION
CONNECT THE DOTS
IT’S A LL ABOUTM AK ING THECONNECTION.
BEHIND THE DOTS
What’s with all the dots you ask? They represent the overall scope of design for me, the connection between my brain and the finished product. When I design, I dream big. A single idea is really all it takes to get started. It’s funny though, at the end of many projects, I still find myself saying, how did I think of that?
Design is all about the connections between parts. Is my type working well with my image, is my illustration too overpowering? These are questions each designer must face. In the end, the greatest, most powerful solutions are ones that involve a balance between all the working parts. I think of the word map-ping when I’m referring to certain connections. Mapping, in regards to myself, can be found as a seamless transition between my brain and my hands. It’s quite a strong connection that makes your ideas reality. You could have the best ideas in the world stored up in that little noggin,’ but if you can not impli-ment, express, or create your ideas to fruition, you are at a loss.
No. 00
002 /003
05
04
03
02
SOMETHING NEw, TO Br ING pEOpLE TOGETHEr.
No.
No.
No.
No.
No.
01 /
/
/
/
/
K EEp A SH A r p Ey E,THINGS A r EN’T w H AT THEy SEEM.
USE IT Ov Er A Nd Ov Er AGA IN, ITSr ENEwABLE.
ELECTrOLy TES CA NBE fOUNd IN v EryTAST y pL ACES.
w ITHOUT ENOUGH r ESOUrCES, w E LE A r N EffICIENCy.
PAGES 008-019
PAGES 020-039
PAGES 040-057
PAGES 058-067
PAGES 068-079
SHAWN DAUT PORTFOLIO TITLE TABLE OF CONTENTS
09
THE A LTEr NATIv ETO HIr ING A TOpNA ME CHEf.
No.
No.
No.
No.
/
/
/
/
06
07
08
Ev EryONE H AS A vOICE, A Nd E ACHvOICE IS UNIqUE.
USING A Br A Nd’SEqUIT y TO fOSTErSOME NEw fACES.
w HO THOUGHT A LOGO COULd ME A N SO MUCH.
PAGES 080-089
PAGES 090-109
PAGES 110-14 3
PAGES 14 4-15 3
CONNECT THE DOTS 004 /005
SHAWN DAUT PORTFOLIO
PROJECT TITLE
STARR AFRICAN RUM COCK TAIL S
COURSE
PACK AGING 3
INSTRUCTOR
PAUL K AGIWADA
TYPOGRAPHY
HELvE TICA NEUE, BA SKERvILLE
OBJECTIVE
INvOKE PA SSION AND
E xCITEMENT FOR
THE NIGHT TO COME
SOMETHING NEw, TO Br ING pEOpLE TOGETHEr.
OVERVIEW
Create a new line of packaging for the new subsequent brand of ready to drink mixers infused with Starr African rum. Must be full of life and intrigue that will encourage party goers to purchase it. Color and variety are a must since the majority of our consumers will be female. Appealing to Women, Legal drinking age to mid 30’s, young and perhaps reckless; ready to live up night life.
SOLUTION
Since we are appealing to a pretty narrow market, the design called for a very color heavy and pattern based theme. Adding the revised logo helps reinforce the animal ties in the design. A simple touch of gold on the caps and an easy four pack complete the package.
No. 01
CONNECT THE DOTS 006/007
SHAWN DAUT PORTFOLIO TITLE STARR AFRICAN RUM COCK TAIL S
SHAWN DAUT PORTFOLIO TITLE STARR AFRICAN RUM COCK TAIL S
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 010/011
SHAWN DAUT PORTFOLIO TITLE STARR AFRICAN RUM COCK TAIL S
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 012 /013
SHAWN DAUT PORTFOLIO TITLE STARR AFRICAN RUM COCK TAIL S
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 014 /015
SHAWN DAUT PORTFOLIO TITLE STARR AFRICAN RUM COCK TAIL S
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 016/017
SHAWN DAUT PORTFOLIO
PROJECT TITLE
WHITE T YPE IN BL ACK CONFERENCE
COURSE
T YPOGR APHY 3
INSTRUCTOR
ARIEL GRE Y
TYPOGRAPHY
UNIvERS
OBJECTIVESHOW S THE vA RIOUS TRICK S THAT CAN BE PL AYED ON THE MIND
K EEp A SH A r p Ey E,THINGS A r EN’T w H AT THEy SEEM.
OVERVIEW
The White Type in Black Conference is based on the vision of the human eye and the mind’s interpretations. It dives into the mystery of whether or not we can always believe our eyes. Sometimes, things aren’t what they appear to be at all. This conference is meant to show how people can train their eye and test their optical prowess. The conference materials featured a promotional book, information booklet, conference badges, poster, and postcard.
SOLUTION
The main focus was on the perception of the eye and the tricks it plays, so we kept a subtle color scheme of black and white with shots of red. The theme of the design was very block-like, and very vector driven, since it helped ease the explanation of concepts. The accents of texture type and readable type allow for explanation and visual stimulation.
No. 02
CONNECT THE DOTS 018/019
BL ATAN Tthought elevated
CONUNDRUM
TITLE WHITE T YPE IN BL ACK CONFERENCESHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 3 INSTRUCTOR ARIEL GRE Y 020/021
TITLE WHITE T YPE IN BL ACK CONFERENCESHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 3 INSTRUCTOR ARIEL GRE Y 022 /023
TITLE WHITE T YPE IN BL ACK CONFERENCESHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 3 INSTRUCTOR ARIEL GRE Y 024 /025
TITLE WHITE T YPE IN BL ACK CONFERENCESHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 3 INSTRUCTOR ARIEL GRE Y 026/027
TITLE WHITE T YPE IN BL ACK CONFERENCESHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 3 INSTRUCTOR ARIEL GRE Y 028/029
TITLE WHITE T YPE IN BL ACK CONFERENCESHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 3 INSTRUCTOR ARIEL GRE Y 030/031
CONNECT THE DOTS COURSE T YPOGR APHY 3 INSTRUCTOR ARIEL GRE Y 032 /03 3
TITLE WHITE T YPE IN BL ACK CONFERENCESHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 3 INSTRUCTOR ARIEL GRE Y 036/037
SHAWN DAUT PORTFOLIO
PROJECT TITLE
ME AD RENU NOTEBOOK S
COURSE
PACK AGING 3
INSTRUCTOR
PAUL K AGIWADA
TYPOGRAPHY
HELvE TICA NEUE
OBJECTIVECRE ATE A RENE WABLE LINETHAT IS ECOLOGICAL ANDPRODUCES L IT TLE WA STE
USE IT Ov Er A Nd Ov Er AGA IN, ITSr ENEwABLE.
OVERVIEW
Mead notebooks are staple school supplies used every year. However, each year a new one is bought, while the old one is disgarded, since last year’s notes won’t be needed this year. That brought a serious dilemma to the table, notebooks are a serious waste of our natural resources. So, why not create a notebook that is both safe for the environment and renewable. That way, a student can utilize the resources more effectively and get more uses out of a single notebook. They must be flexible and durable.
SOLUTION
Keeping reusability in mind, we created a set of items for the Renu brand that could be used over and over. The packaging was designed to be sustain-able and serve a dual purpose. The plastic containers would hold the books, and would serve as a station to wash the notebooks. By doing this, we reduce waste and help save the environment. The design was very student oriented.
No. 03
CONNECT THE DOTS 038/039
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 040/041
TITLE ME AD RENU NOTEBOOK SSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 042 /04 3
TITLE ME AD RENU NOTEBOOK SSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 04 4 /045
TITLE ME AD RENU NOTEBOOK SSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 046/047
TITLE ME AD RENU NOTEBOOK SSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 04 8/049
TITLE ME AD RENU NOTEBOOK SSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 050/051
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 052 /05 3
TITLE ME AD RENU NOTEBOOK SSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 3 INSTRUCTOR PAUL K AGIWADA 05 4 /055
SHAWN DAUT PORTFOLIO
PROJECT TITLE
FROZEN FURY ICE CRE AM
COURSE
PACK AGING 2
INSTRUCTOR CHRISTINE GEORGE
TYPOGRAPHY ALBERTUS, FORMATA , UNIvERS
OBJECTIVESUPPLY A DELICIOUS OUTLE T TO GE T TING THE NECESSARYNUTRIENTS FOR AN ATHLE TE
ELECTrOLy TES CA NBE fOUNd IN v EryTAST y pL ACES.
OVERVIEW
The idea for an electrolyte ice cream was actually an idea I had for a sports based company. They could market their new ice cream to athletes, and to everyday consumers. The different sizes of ice cream allow the customer to choose how they want to enjoy their product. Another important factor was to make the affects and purpose of the ice cream clearly visible.
SOLUTION
Our solution was to create a style of packaging that would be suitable for everyday consumers, but focus more on athletes. Since the ice cream is a powerful product and helps revitalize the body, we made it with a darker color palette and shots of bold color. The slight grey pattern adds to the depth. The bold information on the back shows the purpose for the ice cream and explains neccessary nutritional information. Overall, sleek and powerful.
No. 04
CONNECT THE DOTS 056/057
CONNECT THE DOTS COURSE PACK AGING 2 INSTRUCTOR CHRISTINE GEORGE 058/059
TITLE FROZEN FURY ICE CRE AMSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 2 INSTRUCTOR CHRISTINE GEORGE 060/061
CONNECT THE DOTS COURSE PACK AGING 2 INSTRUCTOR CHRISTINE GEORGE 062 /06 3
TITLE FROZEN FURY ICE CRE AMSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 2 INSTRUCTOR CHRISTINE GEORGE 06 4 /065
PROJECT TITLE
vOLCOM GROW TH PROjECT
COURSE
PRINT 2
INSTRUCTOR
EZSTER CL ARK
TYPOGRAPHY KISS FROM PARIS, GOTHAM
OBJECTIVECRE ATE AN AWARENESS AND PROMOTE E ARTH FRIENDLY PRODUCTS
w ITHOUT ENOUGH r ESOUrCES, w E LE A r N EffICIENCy.
OVERVIEW
volcom is one of my favorite brands, not only for their apparel design, but what they stand for and promote. In coordination with their volcological series, this book would help promote a new line of skateboards. Although, the information inside would also show how volcom truly cares about the environment.
SOLUTION
The economic nature of the booklet was hinted but not faked or exaggerated. We touched on the true intentions of the volcom company by including illustra-tions that promote using resources efficiently and effectively. The main goal was to create a sense of awareness, but also promote the new products.
No. 05
SHAWN DAUT PORTFOLIO
CONNECT THE DOTS 066/067
TITLE vOLCOM GROW TH PROjECTSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PRINT 2 INSTRUCTOR EZSTER CL ARK 068/069
TITLE vOLCOM GROW TH PROjECTSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PRINT 2 INSTRUCTOR EZSTER CL ARK 070/071
TITLE vOLCOM GROW TH PROjECTSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PRINT 2 INSTRUCTOR EZSTER CL ARK 074 /075
TITLE vOLCOM GROW TH PROjECTSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PRINT 2 INSTRUCTOR EZSTER CL ARK 076/077
PROJECT TITLE
FLEUR DE LYS BAL SAMIC v INEGAR
COURSE
PACK AGING 2
INSTRUCTOR
CHRISTINE GEORGE
TYPOGRAPHY ALDUS, GOTHAM, BICKHAM SCRIPT
OBJECTIVEBRING THE ELEGANCE AND FL AvOR OF THE RESTUR AUNT HOME
THE A LTEr NATIv E TO HIr ING A TOp NA ME CHEf.
OVERVIEW
Since opening in late 1950’s, the Fleur de Lys restraunt, has been ranked in the top 40 resturaunts in the United States. They want to create a sinature brand of Balsamic vinegar and Truffle Oil. Since Hubert Keller is the head chef, he is the one promoting his business and signature. We created new products the resturaunt would be able to use and sell. With the great recognition and fine quality associated with the Fleur de Lys name, the product will sell to high and low income consumers. The line includes Balsamic vinegar, and Truffle Oil.
SOLUTION
The french nature of the resturaunt called for light accents and flourishes. The main typeface was juxtaposed with a heavy, swashed cursive face. Color was based on the colors of royalty; blue, red, green, and purple. Gold trim helped contrast these bold colors. Overall, the final design illustrates the quality of the resturaunt and the beauty of french flourishes.
No. 06
SHAWN DAUT PORTFOLIO
CONNECT THE DOTS 078/079
TITLE FLEUR DE LYS BAL SAMIC v INEGARSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 2 INSTRUCTOR CHRISTINE GEORGE 080/081
CONNECT THE DOTS COURSE PACK AGING 2 INSTRUCTOR CHRISTINE GEORGE 080/081
TITLE FLEUR DE LYS BAL SAMIC v INEGARSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 2 INSTRUCTOR CHRISTINE GEORGE 080/081
TITLE FLEUR DE LYS BAL SAMIC v INEGARSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 2 INSTRUCTOR CHRISTINE GEORGE 080/081
SHAWN DAUT PORTFOLIO
PROJECT TITLE
THE ART OF SPEECH
COURSE
T YPOGR APHY 4
INSTRUCTOR
ARIEL GRE Y
TYPOGRAPHY
MINION PRO, AvENIR
OBJECTIVEILLUSTR ATE THE BE AUT Y AND FUNCTIONALIT Y OF OUR DIFFERENT vOICES
Ev EryONE H AS A vOICE, A Nd E ACHvOICE IS UNIqUE.
OVERVIEW
This project was meant to promote the typeface, Minion Pro. Its inspired by classical, old style typefaces of the late Renaissance; a period of elegant, beautiful, and highly readable type designs. With its many ligatures, small caps, oldstyle figures, swashes, and other added glyphs, Minion Pro was ideal for creating a link between the typeface and the subject matter. The difference in people’s vocal chords are very expansive and were exciting to research. Paired with Avenir, Minion Pro was well showcased.
SOLUTION
By creating a book that uses the faces in several different ways, and a book that shows the characters and glyphs, we achieve the desired effect. We want to showcase the typeface, sell the typeface, and use the typeface to illustrate an interesting subject. The design has a very hectic style to reflect the ornate differences in our voices. The information is both serious and informative. The subject played out well to demonstrate the readability of the typeface.
No. 07
CONNECT THE DOTS 08 8/089
THE ART OF SPEECH
TITLE THE ART OF SPEECHSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 4 INSTRUCTOR ARIEL GRE Y 090/091
TITLE THE ART OF SPEECHSHAWN DAUT PORTFOLIO
TITLE THE ART OF SPEECHSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 4 INSTRUCTOR ARIEL GRE Y 094 /095
TITLE THE ART OF SPEECHSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 4 INSTRUCTOR ARIEL GRE Y 096/097
9.2 DB (22346 LdSt)
TITLE THE ART OF SPEECHSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 4 INSTRUCTOR ARIEL GRE Y 098/099
TITLE THE ART OF SPEECHSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 4 INSTRUCTOR ARIEL GRE Y 100/101
TITLE THE ART OF SPEECHSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 4 INSTRUCTOR ARIEL GRE Y 102 /103
TITLE THE ART OF SPEECHSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE T YPOGR APHY 4 INSTRUCTOR ARIEL GRE Y 104 /105
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cons
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vow
el le
ngth
in E
nglis
h.
01
02
03
THE
AR
T O
F SP
EE
CH
Min
ion
is a
199
0 A
dobe
Ori
gina
ls ty
pefa
ce b
y R
ober
t Sli
mba
ch. M
inio
n is
insp
ired
by
clas
sica
l, ol
d st
yle
type
face
s of
the
late
Ren
aiss
ance
, a p
erio
d of
ele
gant
, bea
utif
ul, a
nd h
ighl
y re
adab
le
type
des
igns
. Cre
ated
pri
mar
ily fo
r te
xt s
etti
ng, M
inio
n co
mbi
nes
the
aest
heti
c an
d fu
ncti
onal
qu
alit
ies
that
mak
e te
xt t
ype
high
ly r
eada
ble
wit
h th
e ve
rsat
ilit
y of
dig
ital
tech
nolo
gy.
Min
ion
Pro
is i
nspi
red
by c
lass
ical
, ol
d st
yle
type
face
s of
the
lat
e R
enai
ssan
ce,
a pe
riod
of
eleg
ant,
beau
tifu
l, an
d hi
ghly
rea
dabl
e ty
pe d
esig
ns.
Min
ion
Pro
com
bine
s th
e ae
sthe
tic
and
func
tion
al q
ualit
ies t
hat m
ake
text
type
hig
hly
read
able
wit
h th
e ve
rsat
ilit
y of
Ope
nTyp
e di
gita
l te
chno
logy
, yie
ldin
g un
prec
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ted
exib
ilit
y an
d th
e ty
pogr
aphi
c co
ntro
l, w
heth
er fo
r len
gthy
wit
h op
tica
l si
ze v
aria
nts,
and
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h su
ppor
ting
a f
ull
rang
e of
Wes
tern
lan
guag
es, i
nclu
ding
G
reek
and
Cyr
illic
. W
ith
its
man
y lig
atur
es,
smal
l ca
ps,
olds
tyle
gu
res,
sw
ashe
s, a
nd o
ther
ad
ded
glyp
hs, M
inio
n Pr
o is
idea
l for
use
s ra
ngin
g fr
om li
mit
ed-e
diti
on b
ooks
to n
ewsl
ette
rs.
PROJECT TITLE
SE ARS BR ANDING
COURSE
PACK AGING 4
INSTRUCTOR
TOM MCNULT Y
OBJECTIVEWORK A S A TE AM ANDGIvE E ACH BR AND ASTRONG PERSONALIT Y
USING A Br A Nd’SEqUIT y TO fOSTErSOME NEw fACES.
OVERVIEW
For this group project, we had to utilize some of the Sears equity, but create new brands under the Sears name. We chose several groups of products to cover and created several unique brands. Each brand features its own system and style. The brands are Pacific Standard, Gryphon, Mercantile, The District, Kingdom, and Elemenopea. Our mission statement is to enrich the homes and lives of our customers through the quality products and great value. Our goal is to make the Sears shopping experience exceptional. We plan to accomplish this by offering only the finest quality of products at an attractive price.
SOLUTION
Our goal was to make Sear’s brands, products and services more responsive to the needs of their wide customer base. By offering these products we could appeal to that market. We worked as a group and came up with all the names, directions, and styles of each brand. We then divided up the label making and dieline construction. In the end, we showcased 6 full brands.
No. 08
SHAWN DAUT PORTFOLIO
CONNECT THE DOTS 108/109
GRYPHON
An automobile brand that supplies the essentials for keeping cars sleek. Featured, are cleaning supplies, upgrade parts, and safety equipment. This brand has been modeled after the racing stripes of any speeding roadster. Chrome logos, orange accents, and a flood of black gloss carry the brand to the front of the shelf.
PACIFIC STANDARD
Hardware and Tools are featured in the Pacific Standard brand. Since the Craftsmen brand has so much recognition within Sears, we placed it underneath our logo. By adding this, it brings the credibility and trust of the Craftsmen name to our new brand. We stuck with the bold, red color scheme that Craftsmen features. Simple, direct typography makes the brand more noticeable and easier to read. Subtle wood textures added depth.
MERCANTILE
Home essentials for a modern style of living. We incorporated patterns and tactile objects that would help elevate the brand. Creating a blend of subtle typography and fine-line illustrations, the design is simple, yet informative. A no mess brand where the use of style and material is key.
TITLE SE ARS BR ANDINGSHAWN DAUT PORTFOLIO
CONNECT THE DOTS COURSE PACK AGING 4 INSTRUCTOR TOM MCNULT Y 110/111
TITLE SE ARS BR ANDINGSHAWN DAUT PORTFOLIO
CONNECT THE DOTS BR AND MERCANTILE 112 /113
TITLE SE ARS BR ANDINGSHAWN DAUT PORTFOLIO
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AUTO
AUTOMOTIVE
AUTOMOTIVE
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SHAWN DAUT PORTFOLIO
PROJECT TITLE
vARIOUS LOGOS
w HO THOUGHT A LOGO COULd ME A N SO MUCH.
OVERVIEW
Logos tell the story of a brand, and create the image for any up and coming company. The logo and branding system are two of the most important items necessary when starting out. It is for that reason, that I have included a hand-ful of logos that are a successful representation of the brands they introduce. They create the symbol that stands for the entirity of a company, their morals, their outlook, and their marketing standpoint.
No. 09
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Ev Ery THINGH AppENS fOrA r E ASON.
I’ve always believed that everything in this world happens for a reason, which has been proven to me many times. I take every day one step at a time and live my life to the fullest. My friends, family, and teachers have helped support me through my struggles and my triumphs.
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MY FRIENDS
Greg Hansen, always a true friend and great designer. Offered a fresh pair of eyes on late nights and always suggested creative ideas. Gina Chang, you’re like a second mother to me, and I mean that. Your caring nature and support gave me the tools I needed to shine. Mark Bretan, we’ve come a long way from Lombard St, running almost ten miles a day. I will always remeber the great times we had and how we stuck out some of the hardest years of our lives together. Friends till the end.
MY INSTRUCTORS
To David Hake, thank you for starting me on the right path as a graphic design-er. Tom McNulty, your helpful feedback and fine leadership skills helped me find my true potential. Ariel Grey, your thoughtful insight and detailed explana-tions of typography gave me the knowledge to work with any typeface. Mary Scott, thank you for your unexplanable patience and encouragement through out the whole portfolio process. You never gave up on me. To Ezster Clark, Paul Kagiwada, and Christine George: thank you for helping me open my eyes and design with a greater knowledge of the world around me. I thank you all; without the best teachers, I would be nothing.
MY FAMILY
Mom, Dad, jessica, you’ve always been there for me when I needed you most. Your endless encouragement and love helped shape me into the man, designer that I am today . Thank you for giving me the tools and the knowledge to make good descisions and persevere in all that I do. I am eternally grateful to you all.
MARISSA GAMBERG
I love you so much sweetheart. Your unwavering support, love, and affection have made my life worth while. I can’t count how many times I’ve called on you for help, and without hesitation, you’re there. Thank you for always being there, and sharing the burden. I love you with all my heart.
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SCHOOL
ACADEMY OF ART UNIvERSIT Y,
SCHOOL OF GR APHIC DESIGN
COURSE
SENIOR PORTFOLIO
INSTRUCTOR
MARY SCOT T
STUDENT
SHAWN DAUT
TELEPHONE
925.997.9626
ADDRESS
2466 POMINO WAY,
PLE A SANTON, CA 94566
SHAWNDAUT@GMAIL .COM
BOOK BINDERY
BLURB
PHOTOGRAPHY
SHAWN DAUT
TITLE OF BOOK
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STOCK
PREMIUM MAT TE
FONTS
DIN, GAR AMOND PRO
SOFTWARE
ADOBE CRE ATIvE SUITE 5
©2012 All RIGHTS RESERvED. NO PART OF THIS
PUBLICATION CAN BE REPRODUCED WITHOUT
E xPRESS PERMISSION FROM SHAWN DAUT
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SHAWN DAUT
W W W.DAUTDESIGNS.COM
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