"global sound" for orchestra and electronics - context and analysis
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—————————GLOBAL SOUND
—————————
CONSERVATORIO SUPERIOR DE MÚSICA DE MÁLAGA
DEPARTAMENTO DE COMPOSICIÓN
TRABAJO FIN DE ESTUDIOS
Alumno: Juan Luis Montoro Santos
NIF: 44652711 - M
E-mail: juanlumontoro@gmail.com
Telf: 699529115Tutora: Mª Dolores Romero Ortiz
Especialidad: Composición
Fecha: 5 de junio de 2015
mailto:juanlumontoro@gmail.commailto:juanlumontoro@gmail.com
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(Imagen 2: espectrograma del sonido de un mi de trombón)
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(Imagen 13: espectro de Dundún – programa: A.Audition)
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(Imagen 14: espectro armónico de RE, programa: OM – Open Music)
(Imagen 15: espectro djembé, programa: A.Audition)
(Imagen 16: espectro djembé, programa: Spear)
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(Imagen 17: espectro armónico de RE, programa: OM – Open Music)
(Imagen 18: espectro cencerro, programa: A.Audition
(Imagen 19: espectro cencerro, programa: Spear)
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(Imagen 20: espectro armónico de Fa, programa: OM – Open Music)
(Imagen 21: espectro kalimba, programa: A.Audition)
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(Imagen 22: espectro kalimba, programa: Spear)
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49
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44
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13Cencerro y djembé pasan a balakulanya incompleto,
adaptado al 6/8
14
/
/
/
15
Cencerro y djembé pasan a balakulanya
/
/
dundún en siwé sin prolongación
/
16
/
/
aquí se acopla al segundocompás de balakulanya
/
17, 18 y 19
Balakulanya completo
C
/
/
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{
Flautas
Oboes
Clarinetes en Sib
Fagotes
Trompa en Fa
Trompetas en Sib
Trombón
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Violín I
Violín II
Viola
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14141414
1414
14
14
1414
1414
14
&
a(cencerro + djembé + dundún)
b c d k (kalimba)
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de espectro Dn+Djm+Cn
a Kalimba
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4444
44444444
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Evolución armónica-espectral
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