2010-08-30 adaptive reuse-revised 20100921 meeting hku.pdfthe louvre pyramid, paris, 1989 (i m pei,...

ADAPTIVE REUSE:A Provocative Proposition

Urban Renewal AuthorityHKU Architectural Conservation Programme

August – September 2010

The issue: new design intervention is necessary for adaptive reuse.

A question: how much design intervention is too much?

A provocation: are we too timid to accept innovative intervention?

Sainsbury Wing, National Gallery, London, 1991 (Robert Venturi, American Architect)

londonisfree.com

The Louvre Pyramid, Paris, 1989 (I M Pei, American architect)

testq.com

The Louvre Pyramid, Paris, 1989 (I M Pei, American architect)

architeccture-student.com

a provocative proposition

architecture must burnWe are fed up with seeing Palladio and other historical mask, because we do not want to exclude everything in architecture that makes us uneasy. We want architecture that has more to offer. . . . If it is cold, then cold as a block of ice. If it is hot, then as hot as a tongue of flame. Architecture must burn.

Austrian architectural office Coop Himmelblau, 1980,reacting against the Post-modern historical approach to architecture

Rooftop Falkestrasse, Vienna, 1988 (Coop Himmelblau, Austrian architectural office)

Gerald Zugman

Energy Roof (design), Perugia, 2010 (Coop Himmelblau, Austrian architectural office)

Coop Himmelblau

Energy Roof (design), Perugia, 2010 (Coop Himmelblau, Austrian architectural office)

Coop Himmelblau

Clark Quay, Singapore, 2006 (Will Alsop, British architect)

constructionweekonline.com

Clark Quay, Singapore, 2006 (Will Alsop, British architect)

Ho-Yin Lee

Ontario College of Art & Design, Toronto, 2004 (Will Alsop, British architect)

designbuild-network.com

Ontario College of Art & Design, Toronto, 2004 (Will Alsop, British architect)

stanjones.castanjones.ca

2009 Winning Competition Entry for the Port House of the Antwerp Port Authority, Antwerp (Zaha Hadid, British architect) – to be completed in 2015

Zaha Hadid Architects

2009 Winning Competition Entry for the Port House of the Antwerp Port Authority, Antwerp (Zaha Hadid, British architect) – to be completed in 2015

Zaha Hadid Architects

Royal Ontario Museum Extension, Toronto, 2007 (Daniel Libeskind, American architect)

forum2.mobile-review.com

Royal Ontario Museum Extension, Toronto, 2007 (Daniel Libeskind, American architect)

artwithoutpretense.com

Military History Museum, Dresden, 2010 (Daniel Libeskind, American architect)

daniel-libeskind.com

Military History Museum, Dresden, 2010 (Daniel Libeskind, American architect)

www.mimoa.eu

Central Police Station Compound (design), Hong Kong, 2007 (Herzog & de Muron, Swiss architects)

Hong Kong Jockey Club

Prada Epicenter, Tokyo, 2003 (Herzog & de Muron, Swiss architects)

Ho-Yin Lee

English Heritage’sConservation Principles, Policies and Guidancefor the Sustainable Management of the Historic Environment (2008)

138 New work or alteration to a significant place should normally be acceptable if . . . the proposals aspire to a quality of design and execution which may be valued now and in the future.

139 The recognition of the public interest in heritage values is not in conflict with innovation, which can help to create the heritage of the future.

Heritage 1881, Hong Kong, 2009 (Cheung Kong (Holdings) Ltd., Hong Kong developer)

Ho-Yin Lee

Fringe Club FX, Hong Kong, 201X (provocative concept, HKU Architectural Conservation Programme)

Ho-Yin Lee

A provocation: are we too timid to accept innovative intervention?

architecture must burn

ADAPTIVE REUSE:A Provocative Proposition

Urban Renewal AuthorityHKU Architectural Conservation Programme