american & european prints & photography | skinner auction 2749b

8/11/2019 American & European Prints & Photography | Skinner Auction 2749B

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COVER: 150 ; FRONTISPIECE : 45;BACKCOVER : 70

Auction Information

Auction 2749B

Friday, September 19

12PM

followed by Fine

Paintings & Sculpture

at 4PM

63 Park Plaza

Boston, MA

Absentee Bidding

T: 617.874.4318

F: 617.350.5429

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Thursday, September 18

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Friday, September 19

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508.970.3259

Elizabeth C. Haff

508.970.3258


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Table of Contents

1 Auction & Specialist Information

2 Web Site & Online Bidding

4 Glossary of Terms

5 Lots 1220

112 Artist Index

113 Conditions of Sale

114 Map & Driving Directions

115 Absentee Bid Form

116 Company Directors & Specialty Departments

117 Administrative Staff & Client Services

119 Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 113 of this catalog for the full terms and conditions governing your purchase.

Copyright Skinner, Inc. 2014

All rights reserved

MA/Lic. #2304

DS Graphics,Inc.

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800-536-8283 dsgraphics.com

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All items in this catalog are described according to the following table of terminology.Please note that all statements in this catalog as to Authorship, Period, and Origin, arequalified statements subject to the Conditions of Sale.

Authorship will be described in the following ways:

John Joseph Enneking

In our judgment, the work is by the artist.

Attributed to John Joseph Enneking

In our judgment, the work may be ascribed to the artist on the basis of style, but leaves somequestion as to actual authorship.

School of John Joseph EnnekingIn our judgment, a work of an unknown follower executed in the style of the artist andcontemporary in period.

Manner of John Joseph Enneking

In our judgment, a work executed in the style of the artist by an unknown hand and probably froma later period.

After John Joseph Enneking

In our judgment, an intended copy of the work of the artist.

American School, 19th Century

In our judgment, the work of an unknown hand that can only be identified as to period andculture.

Other terms:

Bears Signature

In our judgment, the signature not of the artist. This term is generally used separately, or togetherwith a description of the work as attributed to, school of, manner of, or after the artist.

Measurements are given as height x width and refer to the size of the support unless otherwiseindicated.

Glossary of Terms

Online bidding at www.skinnerinc.com

1Josef Albers (German/American, 1888-

1976)

WLS - IX, from WHITE LINE SQUARES(SERIES II), 1966, edition of 125, publishedby Gemini G.E.L., Los Angeles ( Danilowitz,172.1). Monogrammed and dated A 66in pencil l.r., titled and numbered ...26-125in pencil l.l. Screenprint in grays on paper,image size 15 3/4 x 15 3/4 in. (39.8 x 39.8cm), framed.Condition: Toning, pale mat burn, notexamined out of frame.

N.B. Although this is considered the first plaof the second White Line Squaresseries,

Albers numbered it as IX, denoting it as acontinuation of the first series into the second

$300-350

2Josef Albers (German/American, 1888-

1976)

WLS X, from WHITE LINE SQUARES(SERIES II), 1966, edition of 125, publishedby Gemini G.E.L., Los Angeles ( Danilowitz,172.2). Monogrammed and dated JA 66 pencil l.r., titled and numbered ...34 - 125 inpencil l.l. Color screenprint on paper, imagesize 15 3/4 x 15 3/4 in. (39.9 x 39.9 cm),framed.Condition: Possible subtle toning to sheet,not examined out of frame.

$800-1,200

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3Josef Albers (German/American, 1888-1976)

Gray Instrumentation IIe, from GRAYINSTRUMENTATION II, 1974-75, editionof 36, published by Tyler Graphics, Bedford

Village, New York (Danilowitz, 228.5). SignedJAlbers in pencil l.r., titled and numbered...20/36 in pencil l.l., artists and publishersdry stamps l.r., identified on a label from theHarcus Krakow Gallery, Boston, affixed to thebacking. Color screenprint on paper, imagesize 11 x 11 in. (27.8 x 27.8 cm), framed.Condition: Subtle bleed-out at edge of image,not examined out of frame.

$800-1,200

4Vera Andrus (American, 1896-1979)

Two Quebec Shore Views: Les TroisSoeurs, 1936, edition of 25; and On theRoad to Manche dEpe, 1937, edition of25. Both signed and dated Vera Andrus...in pencil l.r., both titled and numbered inpencil l.l. L ithographs on Rives paper withwatermark, image sizes 10 x 13 5/8 in. (25.4 x34.4 cm), unmatted, unframed.Condition: Margins approximately 3/4 incheswith deckled edges, scattered fox marks.

$300-500

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5Richard Anuszkiewicz (American, b. 1930)

Plate V, from SEQUENTIAL, 1972, editionof 200, published by Sanmore Editions,New York. Signed, numbered, and datedANUSZKIEWICZ 167/200 1972 in pencil l.rinscribed V in pencil l.l. Color screenprinton paper, image size 26 1/8 x 19 1/8 in. (66.3x 48.5 cm), unmatted, unframed, shrink-wrapped.Condition: Minor crease and soiling to corneof margin u.r. and l.l., not examined out ofwrap.

$300-500

6John Taylor Arms (American, 1887-1953)

Battle Wagon - U.S.S. Alabama Outfittingat Norfolk Navy Yard, Crane Ship KearsagAlongside, 1942-43, second state of 6

(Fletcher, 376). Signed and dated John TayArms 1943 in pencil l.r., inscribed II in penl.l. Etching with aquatint on paper, plate size12 x 17 7/8 in. ( 30.4 x 45.3 cm), framed.Condition: Several minute fox marks, subtlerippling, not examined out of frame.

Provenance: Descended through the familyof Clarence G. Michalis to the present owner(according to the inscription on the backingpaper).

$300-500

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14Frank Weston Benson (American, 1862-1951)

Snowy Herons, 1917, published state of 150(Paff, 118). Signed FrankWBenson. in pencill.l., numbered 28 in pencil l.r. Etching on laidpaper, plate size 5 x 4 in. (12.5 x 10.1 cm),unmatted, unframed.Condition: Margins over 2 3/4 inches withdeckled edges, pencil annotations to lowermargin, subtle soiling marks.

Provenance: Descended within the family ofthe artist.

$500-700

15Frank Weston Benson (American, 1862-

1951)

Supper, 1920, published state of 150 (Paff,182). Signed FrankWBenson. in pencil l.l.Etching on paper, plate size 6 13/16 x 4 7/8in. (17.2 x 12.3 cm), unmatted, unframed.Condition: Margins over 2 1/4 inches with twdeckled edges, pencil annotations l.l.


$1,000-1,500

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Frank Weston Benson (American, 1862-1951)

Boats at Dawn, 1920, published state of150 (Paff, 190). Signed FrankWBenson. inpencil l.l. Etching on vellum paper, plate size7 3/4 x 10 7/8 in. (19.6 x 27.5 cm), unmattedunframed.Condition: Margins approximately 1 1/4 inchewith deckled edges, pencil annotations l.l.,soiling and ink fingerprints.


$800-1,200


The Lobsterman, 1915, edition of 50 (Paff,64). Signed FrankWBenson. in pencil l.l.,

numbered 23/50 in pencil l.r., label from TheGuild of Boston Artists affixed to the backingpaper. Etching on paper, plate size 7 7/8 x 10in. (19.8 x 25.4 cm), framed.Condition: Toning, not examined out of frame.

N.B. The lot is accompanied by an aquatintsigned by Herbert George.

$700-900


Two Impressions of Marshes at LongPoint, 1916: trial proof a, and publishedstate, edition of 45 (Paff, 107). Both signedFrankWBenson. in pencil l.l. and annotatedin the lower margin. Etchings (trial on Shogun;published state on laid paper), plate sizes8 15/16 x 13 15/16 in. (22.5 x 35.3 cm),unmatted, unframed.Condition: Margins over 1 inch with somedeckled edges, subtle soiling, creases tomargins.


$1,000-1,500


1951)

Wild Geese, 1917, published state, editionof 152 (Paff, 112). Signed FrankWBenson.in pencil l.l., numbered 125 in pencil l.r.Etching on paper, plate size 6 3/4 x 10 7/8 in.(17.1 x 27.4 cm), framed.Condition: Not examined out of frame.

$700-900

0 1Additional information and photos at www .skinnerinc. com Online bid ding at www.skinne rinc.com

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20Thomas Hart Benton (American, 1889-1975)

Making Camp, 1972, edition of 250,published by Associated American Artists,New York (Fath, 86). Signed Benton inpencil l.r. Lithograph on paper, image size 17/8 x 14 3/8 in. (30.0 x 36.3 cm), framed.Condition: Gentle rippling, not examined ouof frame.

$1,200-1,800

21Richard Bosman (American, b. 1944)

Survivor, 1983, edition of 10, published byBrooke Alexander, Inc., New York. SignedBosman in white pencil within the image l.l.

numbered 7/10 in white pencil within theimage l.r., identified on label from the publishaffixed to the backing. Woodcut in black andred on tan paper, image size 38 x 24 in. (96.5x 61.0 cm), framed.Condition: Deckled edges, gentle handlingcreases to edges, not examined out of frame

$400-600

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Frank Weston Benson (American, 1862-1951)

Riverman, 1920, published state of 150 (Paff,195). Signed FrankWBenson. in pencil l.l.Etching on vellum paper, plate size 6 1/8 x 4in. (15.4 x 10.0 cm), unmatted, unframed.Condition: Margins 2 3/4 inches or more withdeckled edges, pencil annotations l.l.


$1,200-1,800


1951)

The Bridge, 1923, trial proof B-1 (Paff, 227).Signed FrankWBenson. in pencil l.l. Drypointon paper, plate size 13 13/16 x 10 7/8 in.(35.0 x 27.5 cm), unmatted, unframed.Condition: Margins over 1/2 inch, pencilannotations to lower margin, subtle soilingmarks, hinges/residue to edges.


$1,200-1,800


1951)

Deer Hunter, 1924, published state of 150(Paff, 229). Signed FrankWBenson. in pencill.l. Etching on laid vellum paper with F.G.Head & Co. watermark, plate size 7 7/8 x 107/8 in. (19.8 x 27.4 cm), unmatted, unframed.Condition: Margins approximately 1 1/4 incheswith deckled lower edge, pencil annotationsl.r.


$800-1,200


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25Giovanni Benedetto Castiglione (Italian,1609-1664)

The Entry of the Animals into the Ark,c. 1650, only state (Bartsch 1; Bellini, 61).Signed within the plate. Etching on laidpaper with textual watermark, plate sizeapproximately 8 1/4 x 15 3/4 in. (20.8 x 39.9cm), matted, unframed.Condition: Trimmed to or just within the platemark, repairs to edges (some into the image),foxing (visible primarily to verso).

Provenance: M. Roy Fisher, New York; byfamily descent to the present owner.

$600-800

26Bernard Cathelin (French, 1919-2004)

Grand Tokonoma aux roses blanche , 1990,edition of 30. Signed Cathelin in pencill.r., numbered 30/30 in pencil l.l. Colorlithograph on paper, image size 91 1/4 x 45 in.(231.8 x 114.2 cm), framed.Condition: Not examined out of frame.

Provenance: A private New York andMassachusetts collection.

$2,000-3,000

23Three Venetian Views:

Giovanni Antonio Canale called Canaletto(Italian, 1697-1768), The LittleMonument(De Vesme 30; Bromberg, 33), etching;Antonio Visentini (Italian, 1688-1782)After Canaletto, Two Platece D. MarciProspectus..., engravings. Plate sizes to16 3/4 x 23 in. ( 42.4 x 58.2 cm), unmatted,unframed.Condition: Each on laid paper with crescentmoons watermark, repair to image ofCanaletto; repairs to edges of Visentinis.


$600-800

24Giovanni Benedetto Castiglione (Italian,1609-1664)

The Nativity with Angels and God theFather, c. 1647, only state (Bartsch 7; Bellini,22). Signed within the plate. Etching onlaid paper with textual watermark, plate sizeapproximately 8 1/8 x 15 3/4 in. (20.5 x 39.9cm), matted, unframed.Condition: Trimmed to or just within the platemark, minor creases and repairs near edges(some into the image), pale foxing.


$600-800


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28Marc Chagall (Russian/French, 1887-1985)

LArtiste la chvre, 1984, edition of 50(Mourlot, 1026). Signed Marc Chagall inpencil l.r., numbered 8/50 in pencil l.l. Colorlithograph on Arches paper with watermark,image size 12 3/4 x 9 5/8 in. (32.3 x 24.3 cm),framed.Condition: Margins over 3 1/2 inches withdeckled edges to two sides, faintly light-struck.

Provenance: Castle Fine Arts, San Ramon,California, to the current collection.

$4,000-6,000

7aul Czanne (French, 1839-1906)

es Baigneurs (grande planche), 1896-97,

st (black) state of three, published by Vollard,aris (Cherpin, 7; Venturi, 1157). Signedthin the matrix. Lithograph on Arches Ingres

aper with watermarks, image size 16 1/4 x0 in. (41.1 x 50.7 cm), framed.ondition: Margins over 1 1/4 inches witheckled edges, pale mat burn and toning,veral soft fox marks.

ovenance: A private New York andassachusetts collection.

N.B. This work was printed in both a blackedition and in color, and was meant to be partof LAlbum dEstampes Originales de la Galerie

Vollard. The album never came to fruition.Czanne based the composition on his1875-76 painting, Baigneurs au repos, whichcurrently resides in the Barnes Foundation,Philadelphia.

$10,000-15,000


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31Antoni Clav Sanmartin (Spanish, 1913-2005)

Untitled,edition of 90. Signed Clav inpencil within the image l.r., numbered 71/90in pencil l.l. Color etching with aquatint andcarborundum on paper, image/plate size 30 x22 3/8 in. (76.2 x 56.8 cm), framed.Condition: Deckled edges, floated within thmat (with broken hinge), not examined out offrame.

$700-900

32Salvador Dal (Spanish, 1904-1989)

Flower Magician, from TWO EXQUISITE

FLOWERS, 1972, total edition of 302 plusproofs (Field, 72-3; Michler & Lpsinger,1385). Signed Dal in pencil l.r., inscribedE.A. in pencil l.l. Color lithograph on paperimage size 29 7/8 x 21 3/4 in. (75.8 x 55.2cm), framed.Condition: Deckled edges to two sides,unhinged, not examined out of frame.

N.B. The composition is derived from one ofDals gouaches.

$1,000-1,500

29Eduardo Chillida (Spanish, 1924-2002)

Barcelona I, Poster for Exhibition, SalaGaspar, Barcelona, 1971, from the editionbefore letters of 75, published by Sala Gaspar,Barcelona (Koelen, 71018). S igned in pencill.r., numbered 51/75 in pencil l.l. Lithographon Guarro paper, image size 28 1/8 x 19 5/8in. (71.5 x 49.8 cm), unmatted, unframed.Condition: Minor handling crimps.

$1,500-2,000

30Eduardo Chillida (Spanish, 1924-2002)

Untitled,edition of 1,000. Signed Chillida inpencil l.r., numbered A901/1000 in pencil l.l.Lithograph in black and tan on shaped paper,image size 17 3/4 x 12 3/4 in. (45.0 x 32.4cm), unmatted, unframed.Condition: S ubtle soiling to verso.

$300-500


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40Albrecht Drer (German, 1471-1528)

The Turkish Family, c. 1496 (Bartsch, 85;Meder, 80 d/d; Hollstein, 79). Monogrammewithin the plate. Engraving on heavy paper,sheet size 4 1/2 x 3 1/8 in. (11.3 x 7.9 cm),framed.Condition: Trimmed to or just within the outeborderline, diagonal crease to image, glue/residue, pencil annotations and old hinges toverso.

$800-1,200


St. John the Baptist and St. Onuphrius, c.1504 (Bartsch, 112; Meder, 230e/f; Hollstein230). Monogrammed within the block.Woodcut on paper, image size 8 3/4 x 5 3/4in. (22.2 x 14.5 cm), framed.Condition: Margins 1/8 inch or more, verypale staining, not examined out of frame.

$700-900

37Maurice Denis (French, 1870-1943)

Ce fut un religieux mystre, 1892-99, plateiv fromAMOUR, published 1911 by Ambroise

Vollard, Paris, edition of 100 (Cailler, 111).Signed Maurice Denis in pencil l.r., titledwithin the matrix. Color lithograph on paper,image size 16 3/4 x 11 5/8 in. (42.4 x 29.3cm), framed.Condition: Un obtrusive mat burn, notexamined out of frame.


$700-900

38Jim Dine (American, b. 1935)

Art, 1968, edition of 144. Signed, numbered,and dated Jim Dine 129/144 1968 in pencilwithin the image u.r., titled within the matrix.Offset color lithograph on paper, image/sheet size 35 x 24 3/4 in. (88.7 x 62.8 cm),unmatted, unframed.Condition: Good.

$300-500

39Werner Drewes (German/American, 1899-1985)

Arizona Evening, 1956, edition of 30 (Rose,III.175). Signed and dated Drewes-56- inpencil l.r., numbered 11/XXX in pencil l.l.Color woodcut on paper, image size 11 1/2 x21 in. (29.2 x 53.3 cm), framed.Condition: Not examined out of frame.

N.B. The view depicts Red Rock State Parkin Arizona.

$700-900


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44AJames Ensor (Belgian, 1860-1949)

Coup de vent la lisire, 1888, second staof two, possibly from a 1913 edition (Delteil,47). Signed and dated within the plate.Etching on Van Gelder Zonen laid paper withwatermark, plate size 6 5/8 x 9 1/2 in. (16.7 24.0 cm), framed.Condition: Toning, staining, margins 3 incheor more.

$1,000-1,500

45M.C. Escher (Dutch, 1898-1972)

Encounter, 1944, edition of 50 (Bool et al.,331). Signed and numbered MCEscherNo 14/50 IV in pencil l.l., initialed and datedwithin the matrix. Lithograph on paper withpartial Holland and figural watermarks,image size 13 3/8 x 18 1/4 in. (33.8 x 46.3cm), framed.Condition: Margins 1 3/4 inches or more,

gently light-struck, minor creasing to marginnear corner u.l., several bits of Scotch tapeto edges, thinned area to edge of right margiand corner u.r.

$7,000-9,000


The Lamentation, 1507, from THEENGRAVED PASSION(Bartsch, 14; Meder,14c/c; Hollstein, 14). Monogrammed anddated within the plate. Engraving on fine laidpaper, image/sheet size 4 9/16 x 2 13/16 in.(11.4 x 7.1 cm), framed.Condition: Trimmed to or just within theborderline, pale toning/staining, wear toedges.

$800-1,200


St. Jerome in a Cave, 1511 (Bartsch, 114;Meder, 229 I/II [still with date of 1512 but afterthe book edition b/c]). Dated within the block.Woodcut on paper, image size 8 3/4 x 5 3/4in. (22.2 x 14.5 cm), framed.

Condition: Margins 1/4 inch or more, notexamined out of frame.$800-1,200


Melancholia, 1514 (Bartsch, 74; Meder, II/II; Hollstein, 75 IIa/IIb). Monogrammed anddated within the plate. Engraving on laidpaper, image/sheet size 9 3/8 x 7 5 1/6 in.(23.6 x 18.4 cm), unmatted, unframed.Condition: Trimmed to or just within theimage, prevalent insect damage, unobtrusivestaining, ink annotations to verso.

$1,000-1,500


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53Antonio Frasconi (Argentinian, b. 1919)

Self Portrait - New York, 1946, edition of15. Signed and dated Frasconi 46 in penl.r., titled in pencil l.l., inscribed ed.15 inpencil l.c., monogrammed within the block.Woodcut on rice paper, image size 9 11/168 1/8 in. (24.5 x 20.5 cm), matted, unframeCondition: Margins over 1 inch, pale foxmarks.

$500-700

54Eliza Draper Gardiner (American, 1871-

1955)

Two Landscape Views: Passaconway,before 1920, edition of 40 (Cywin et al.,26); and The River. The former signed and

numbered E.D. Gardiner 31/40 in pencilwithin the image l.r.; the latter unsigned, titlein pencil l.c. Color woodcuts on paper, imasizes approximately 10 x 7 1/2 in. (25.4 x 19cm), framed.Condition: Pale fox marks, Riverfaded andwith gentle toning, not examined out offrames.

N.B. Passaconway is a mountain in NewHampshire named for a chieftain of thePennacook tribe.

$500-700

51Henri Fantin-Latour (French, 1836-1904)

Un morceau de Schumann, 1864, publishedby Cadart & Luquet, Paris. Signed, dated,and identified within the plate, publishers drystamp l.c. Etching on heavy laid paper withAQUA FORTISTES watermark, plate size7 3/8 x 11 in. (18.8 x 27.5 cm), unmatted,unframed.Condition: Margins over 3 inches withdeckled edges to all but the top, toning, palesoiling, and foxing to margins.


N.B. The work depicts a duet between artistEdwin Edwards and his wife, Elizabeth RuthEscombe Edwards. Fantin-Latour stayed withthe couple at least twice while they lived inSunbury-on-Thames.

$200-300

52Sam Francis (American, 1923-1994)

Lyre Eight, 1972, edition of 50, published byGemini G.E.L., Los Angeles (Lembark, S.5/SFS-134; NGA/Gemini, 18.18). Numberedand signed 33/50 Sam Francis in pencilwithin the image l.r., publishers and copyrightdry stamps l.r. Color screen print on paper,image size 42 1/4 x 54 in. (107.3 x 137.1 cm),framed.Condition: Pale mat burn, gentle rippling, notexamined out of frame.


$3,000-5,000


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57Keith Haring (American, 1958-1990)

The Kutztown Connection, 1984, publishedby The New Arts Program, Kutztown,Pennsylvania. Signed K Haring in red felt-tip pen l.c., inscribed 241 in pencil on thereverse, information from the publisher affixedto the backing mat. Offset lithographic posteron paper, sheet size 33 1/8 x 20 1/8 in. (84.0x 51.0 cm), framed.Condition: Minor soiling to corner l.l.

$1,200-1,800

55David Gerstein (Israeli, b. 1944)

Double-sided Floral Still Life,edition of 295.Signed and numbered Gerstein 103/295in felt-tip pen on the vase. Polychromedecorated plywood, height 17 1/4 in. (43.7cm), with an engaged base.Condition: Good.

$800-1,200

56Red Grooms (American, b. 1937)

Mid Rat, 1981, edition of 88, published byVermillion Editions, Minneapolis (Alexander& Cowles, 54). S igned Red Grooms 81 inpurple pencil within the image l.r., numbered22/88 in red pencil within the image l.r.Color lithograph on paper, image/sheet size 223/8 x 29 3/4 in. (56.7 x 75.4 cm), unmatted,unframed, shrink-wrapped.Condition: Deckled edges, not examined out

of wrap.$300-500


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60

Friedensreich Hundertwasser (Austrian,1928-2000)

Irinaland Over the Balkans, plate seven fromthe LOOK AT IT ON A RAINY DAYPortfolio,1971, edition of 3,000 (Koschatzky, 50).Identified within the matrix and with variouschops to the margins, stamped 02023l.c. Color screenprint with metal imprints onpaper, image size 16 1/4 x 23 in. (41.5 x 58.5cm), framed.Condition: Pinpoint foxing, not examined outof frame.

$400-600

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Friedensreich Hundertwasser (Austrian,1928-2000)

10,002 nights homo humus come va howdo you do, 1983, edition of 10,002 plusproofs (Koschatzky, 83). Identified within thematrix and with various chops to the margins.Color screenprint on paper, image size 25 1/4x 18 3/4 in. (64.0 x 47.5 cm), framed.Condition: Deckled upper edge, floated withinthe mat, not examined out of frame.

$400-600

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Louis Icart (French, 1888-1950)

Miss California, 1927 (Holland et al., 326).Signed Louis Icart in pencil l.r., artists drystamp l.l. Color etching with aquatint andstencil coloring on paper, oval format, platesize 21 x 16 3/4 in. ( 53.0 x 42.4 cm), framedCondition: Pale water staining to lowermargin, not examined out of frame.

$800-1,200

58Childe Hassam (American, 1859-1935)

The Chimneys, Portsmouth, 1915,probably an edition of 100 (Cortissoz, 16).Monogramed and inscribed ...imp. in pencill.r., monogrammed and dated within theplate, identified on a label from the KennedyGalleries, Inc., New York, affixed to thebacking paper. Etching with drypoint onpaper, plate size 5 x 8 1/4 in. (12.5 x 20.6 cm),framed.Condition: Not examined out of frame.

$1,500-2,000

59Stanley William Hayter (British, 1901-1988)

Gemini, 1970, outside of the edition of100, published by A.B. Lublin, New York(Black & Moorhead, 343). Signed and datedSWHayter 70 in pencil l.r., titled in pencil l.c.,numbered XII/XX in pencil l.l. Color etchingand aquatint on Rives paper with watermark,plate size 19 1/8 x 23 1/4 in. (48.4 x 59.0 cm),matted, unframed.Condition: Margins over 1 inch with decklededges, gently light-struck, masking to edgeson verso.

$300-500


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65Max Klinger (German, 1857-1920)

INTERMEZZI (Radierung Opus IV)/Portfolof Twelve Images, 1881 (Singer, 52-63).Each identified in the plate, set identified onthe portfolio cover. Etchings with aquatinton chine coll, sheet sizes 24 3/4 x 17 5/8in. (62.8 x 44.6 cm), presented in the originalportfolio (wear, toning, cover of spine missingCondition: Toning and wear to edges andcorners, several with fox marks and minortears.

Provenance: F rom Paul Horst-Schulze (18761937), Klingers student, to his niece, then bydescent to the present owner.

$1,200-1,800

66Max Klinger (German, 1857-1920)

EVA UND DIE ZUKUNFT (Radierung OpusIII)/Portfolio of Six Images and Title Page,

1898, printed by Friedrick Felsing, Munich.Set identified on the portfolio cover. Etchingswith aquatint on chine coll, sheet sizes 247/8 x 16 3/4 in. (63.3 x 42.5 cm), presentedin the original portfolio (wear, toning, breaks tinterior flaps).Condition: Toning and minor wear to edgesand corners.

Provenance: F rom Paul Horst-Schulze (18761937), Klingers student, to his niece, then bydescent to the present owner.

$1,200-1,800

63Albert Irvin (British, b. 1922)

Octavia, 1992, edition of 225. Signed anddated Irvin 92 in pencil l.l., titled in pencill.c., numbered 26/225 in pencil l.r. Colorscreenprint with embossing on paper, imagesize 25 x 32 3/4 in. (63.4 x 83.1 cm), framed.Condition: Not examined out of frame.

$700-900

64Ellsworth Kelly (American, b. 1923)

Dark Blue with Red, from SUITE OFTWENTY-SEVEN COLOR LITHOGRAPHS,1964-65, edition of 75 plus proofs, publishedby Maeght diteur, Paris (Axsom, 10). SignedKelly in pencil l.r., numbered 11/75 inpencil l.l., identified on a label from the Harcus

Krakow Rosen Sonnabend Gallery, Boston,affixed to the backing. Color lithograph onpaper, image size 19 3/8 x 15 1/4 in. (49.2 x38.5 cm), framed.Condition: Not examined out of frame.

$1,500-2,000


64

63

65

66


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69Sol LeWitt (American, 1928-2007)

Plate 6, from SQUARES WITH COLORSSUPERIMPOSED WITHIN A BORDER WIT

COLORS, 1991, edition of 25, publishedby Parasol Press Ltd., New York (Krakow,1991.01). Signed and numbered LeWitt13/25 in pencil l.r. Color etching and aquatinon wove paper, plate size 23 3/4 x 23 3/4 in.(60.2 x 60.2 cm), unmatted, unframed.Condition: Margins over 2 1/2 inches,unobtrusive surface rubs to blue ink, 1/2 inchrepaired tear to edge of lower margin, oldhinges and pencil annotation to verso.

$800-1,200

67Kthe Kollwitz (German, 1867-1945)

Brustbild einer Arbeiterfrau mit blauemTuch, 1903, final state of three (Knesebeck,75IIIa; Klipstein, 68IIIa). Signed KatheKollwitz in pencil l.r. Lithograph in blue andtan on paper, image size 14 1/8 x 9 3/4 in.(35.7 x 24.6 cm), matted, unframed.Condition: Margins over 3 1/2 inches withdeckled edges, nicks to sheet along edges,gentle toning, staining to verso.

$800-1,200

68John Lennon (British, 1940-1980)

Untitled, from BAG ONE, 1970, edition of300. Signed John Lennon in pencil withinthe image l.r., numbered 7/300 in pencil

within the image l.l. Lithograph on paper,image size 22 x 27 in. (55.7 x 68.5 cm),framed.Condition: Not examined out of frame.

$1,000-1,500


69

68

67


21/63

71Robert Peter Mangold (American, b. 1937

Distorted Square within a Circle 2, 1973,edition of 75, published by Max Protech,

Inc., New York. Signed and dated R.Mangold 1973 in pencil l.r., titled in pencil l.cnumbered 48/75 in pencil l.l., publishers dstamp l.l. Color screenprint on paper, imagesize 20 1/4 x 20 1/4 in. (51.3 x 51.3 cm),unmatted, unframed.Condition: Deckle to all but the left edge,subtle soiling near some edges.

Provenance: F rom the estate of JoanSonnabend, Boston, Massachusetts.

$250-350

0oy Lichtenstein (American, 1923-1997)

ill Life with Windmill, from the SIX STILLFESSeries, 1974, edition of 100, published

y Multiples, Inc. and Castelli Graphics,ew York, printed by Styria Studio, Nework (Corlett, 132). Numbered, signed, andated 96/100 Rf Lichtenstein 74 in pencil, printers dry stamp l.r., stamped by the

ublishers on the reverse. Lithograph withreenprinting and debossing on wove paper,age size 29 1/2 x 38 1/4 in. (74.8 x 97.0

m), unmatted, unframed.ondition: Surface rubs with several breaksink surface, pale staining to upper edge ofargin.5,000-20,000


7170


22/63

74Roberto Matta (Chilean, 1911-2002)

Il Explose, 1976-77, fromHOMMERE III -LERGONAUTE, edition of 100 plus proofs,published by Georges Visat, Paris. SignedMatta in pencil l.r., numbered 27/100in pencil l.l., identified on a label from Latin

American Masters, Beverly Hills, affixed to thbacking. Color etching and aquatint on Japapaper, plate size 19 1/2 x 14 3/4 in. (49.4 x37.3 cm), framed.Condition: Deckled edges with gentlecreases/wear, floated within the frame, notexamined out of frame.

$500-700

75Jean Franois Millet (French, 1814-1875)

La Bouillie, 1861, fourth state of five (Delteil,17). Signed and dated within the plate.Etching on chine coll, plate size 7 7/8 x 6 3/in. (19.8 x 16.2 cm), framed.Condition: Subtle toning, not examined outof frame.

$700-900

2enri Matisse (French, 1869-1954)

anseuse assise en haut, plate 1 from DIXANSEUSES, 1927, published by La GalerieArt Contemporain, Paris, total edition of 150us proofs (Duthuit, 480). Numbered andgned 33/130 Henri Matisse in pencil l.r.hograph on paper, image size 17 1/8 x 108 in. (43.3 x 27.4 cm), framed.ondition: Margins 1 inch or more witheckled edges, laid down, mat burn, palening and staining to image, minute nicks andeases to edges.

ovenance: A private New York andassachusetts collection.

7,000-9,000

73Henri Matisse (French, 1869-1954)

La Cit - Notre-Dame, 1937, edition of500 (Duthuit, 248). Signed within the plate.Etching on paper, plate size 13 3/8 x 10 3/16in. (33.8 x 25.8 cm), framed.Condition: Not examined out of frame.

$300-500


72

73 74

75


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24/63

82Joan Mir (Spanish, 1893-1983)

Cover for Portfolio M de Proverbis, 1970edition of 1,100, printed by Arte AdrienMaeght, Paris (Cramer, 139). MonogrammeM in blue ink l.r., inscribed H.C. (horsde commerce) in pencil l.l. Lithograph onsynthetic canvas or similar, image/sheetsize 33 1/8 x 26 7/8 in. (84.2 x 68.3 cm),unmatted, unframed.Condition: Good.

$600-800


Sobreteixims I Escultures, 1972, edition of150, printed and published by Sala Gaspar,Editor, Barcelona (Mourlot, 849). SignedMir in pencil l.r., numbered 140/150 inpencil l.l. Color lithograph on paper, sheetsize 14 7/8 x 22 3/8 in. (37.8 x 56.8 cm),unmatted, unframed.Condition: Two unobtrusive foxing marks atvery edge of sheet u.c., three subtle horizontindentations at l.l.

$1,800-2,200


Poster for the Exhibition Mir, SalaPelaires, Palma de Majorca, 1970, fromthe edition before letters of 75 (Mourlot, 684).Monogrammed M. and numbered 61/75 inpencil l.r. and l.l., respectively. Color lithographon Guarro paper with Sala Gaspar watermark,sheet size 29 3/4 x 21 7/8 in. (75.6 x 55.6cm), unmatted, unframed.Condition: Possible toning with subtlediscoloration or staining at edges, especiallythe left and right sides, scattered minorhandling crimps.

$1,500-2,000


Poster for the Exhibition Mir el Tapis deTarragona, Sala Gaspar, Barcelona, 1970,from the edition before letters of 200 (Mourlot,686). Signed Mir in the matrix in blackl.c., monogrammed M in the matrix in bluel.r., numbered 167/200 in pencil l.l. Colorlithograph on Guarro paper with Sala Gasparwatermark, image/sheet size 29 7/8 x 21 3/4in. (76.0 x 55.3 cm), unmatted, unframed.Condition: Discoloration and possible foxingat edges, scattered minor handling crimpsespecially at u.l. corner.

$800-1,200


83

8280

81


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Poster for the Film Umbracle,1973,edition of 50 before lettering, printed byPuresa, Barcelona, and published by SalaGaspar, Barcelona (Mourlot, 922). SignedMir in pencil l.r. and in the stone in blackin the image l.l., inscribed H.C. in pencil l.l.Color lithograph on paper with Sala Gasparwatermark, image/sheet size 29 1/4 x 22 1/8in. (74.3 x 56.3 cm), unmatted, unframed.Condition: Scattered minor handling crimpssubtle toning mostly at very edges.

$800-1,200


PlatefromLENFANCE DUBU, 1975, totaledition of 140, published by Triade diteur,Paris (Mourlot, 1010). Signed Mir in pencl.c., numbered 76/120 in pencil l.l. Color

lithograph on paper, image size 12 1/4 x 187/16 in. (31.0 x 46.5 cm), framed.Condition: Deckled edges to two sides,floated within the mat, gentle rippling, notexamined out of frame.

Provenance: Purchased from Graphics 1 anGraphics 2, Boston, by the current owner.

$2,000-3,000


Plate from EL TAPIS DE TARRAGONA,1972, edition of 1,100, published bySala Gaspar, Barcelona (Mourlot, 881).Monogrammed M. in white pencil or similarand with an embossed signature l.r. Colorlithograph on paper, image/sheet size 115/8 x 17 1/4 in. (29.5 x 43.8 cm), unmatted,unframed.Condition: Possible unobtrusive toning, bluetransfer on the left side of the verso, verticalcentral crease and text to verso (as published).

$400-600


Plate from SRIE MALLORCA XII, 1973,edition of 50, published by Sala Peliares,Palma de Mallorca (Dupin, 614). SignedMir and numbered 31/50 in pencil l.r.and l.l., respectively. Etched engraving andaquatint on Guarro paper, plate size 21 1/2x 27 1/2 in. (54.5 x 69.9 cm), unmatted,unframed.Condition: Scattered handling crimpsespecially at margins.

$2,500-3,500


84

87

86

85


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90Henry Moore (British, 1898-1986)

Womans Head, 1981, edition of 50 plusproofs, published by Raymond SpencerCompany Ltd. for The Henry MooreFoundation, Much Hadham, 1983 (Cramer,630). Signed Moore in pencil l.r., numbere9/50 in pencil l.l. Color lithograph on papeimage size 8 3/4 x 9 7/8 in. (22.2 x 25.0 cm)framed.Condition: Margins over 1 1/2 inches, notexamined out of frame.


$1,000-1,500


Six Heads Olympians, 1982, outside of

the edition of 50, published by RaymondSpencer Company Ltd. for The Henry MooreFoundation, Much Hadham, 1983 (Cramer,657). Signed Moore in pencil within theimage l.r., numbered XXV/XXXV in pencilwithin the image l.l. Color lithograph on papesight size 32 3/8 x 22 1/4 in. (82.1 x 56.4 cmframed.Condition: Not examined out of frame.


$1,200-1,800


Reclining Nude II, 1978, edition of 50(Cramer, 483). Signed Moore in pencil l.r.,numbered 22/50 in pencil l.l. Etching inbrown on paper, plate size 5 7/8 x 8 in. (14.8 x20.2 cm), framed.Condition: Margins 1 inch or more, notexamined out of frame.


$800-1,200


Reclining Woman I, 1981, edition of 50(Cramer, 591). Signed Moore in pencill.r., numbered 38/50 in pencil l.l. Colorlithograph on paper, image size 20 1/2 x 231/4 in. (52.0 x 59.0 cm), framed.Condition: Margins 1 1/2 inches or more, faint

mat burn, not examined out of frame.


$1,000-1,500


90

91

88

89


27/63


28/63

96Pablo Picasso (Spanish, 1881-1973)

Tte de femme de trois quarts , 1953,edition of 50 (Bloch, 730). Signed Picasso inred pencil l.r., numbered 30/50 in pencil l.l.,dated within the matrix. Lithograph on paper,image size 21 5/8 x 17 3/4 in. (54.8 x 45.0cm), framed.Condition: Toning, not examined out of frame.


$3,500-5,500


Fumeur. V, 1964, edition of 50, published byGalerie Louise Leiris, Paris, 1965 (Bloch 1176;Baer 1176Bb). Signed Picasso in pencil l.r.,numbered 5/50 in pencil l.l., dated within theplate. Aquatint on laid Richard de Bas paperwith watermarks, plate size 16 3/8 x 12 3/8 in.(41.5 x 31.3 cm), framed.Condition: Margins over 1 3/4 inches withdeckled edges, toning, pencil annotations toverso.

$7,000-9,000

98-101No lots.

2 Additional information and photos at www .skinnerinc. com

97

96

5Online bidding at www.skinnerinc.com

102After Pablo Picasso (Spanish, 1881-1973)

Faunes et Flore DAntibes/Portfolio ofTwelve Lithographs, 1960, number 52 fromthe American edition of 125, printed by DanielJacomet, Paris, published by New York GraphSociety, Greenwich, Connecticut, and AuPont Des Arts, Paris. Portfolio includes titlepage, preface by Jaime Sabarts, and edition

justification, missing one plate. Offset colorlithographs, sheet sizes 25 1/2 x 19 3/4 in.(64.8 x 50.2 cm), presented in the original lineportfolio folder (minor soiling to cover, interiorflap of folder torn).Condition: Minor wear, scattered unobtrusivepinpoints of foxing.

N.B. The prints reproduce Picassos paintingsknown as La Joie de Vivresuite made at

Antibes from August to September, 1946.$2,000-3,000

102


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LAttente , 1966, from the BARCELONA

SUITE, from the edition before letters of60, printed by Foto-Repro S.A., B arcelona,published by Museo Picasso, Barcelona(Czwiklitzer, 233). Signed Picasso inpencil below the plate l.r., numbered 44/60in pencil below the plate l.l. Offset colorlithograph on Arches paper, image size 22 1/x 18 in. (57.2 x 45.7 cm), unmatted, unframeCondition: Margins to 1 3/4 inches, scattereareas of minor discoloration/foxing on therecto (especially l.c.) and verso.

$3,000-5,000


Harlequin, 1966, from the BARCELONASUITE, from the edition before letters of

60, printed by Foto-Repro S.A., Barcelona,published by Museo Picasso, Barcelona(Czwiklitzer, 230). Signed Picasso inpencil below the plate l.r., numbered 22/60in pencil below the plate l.l. Offset colorlithograph on Arches paper, image size 225/8 x 17 1/4 in. (55.0 x 43.8 cm), unmatted,unframed.Condition: Margins to 2 1/4 inches, scatteredareas of minor discoloration/foxing on therecto, especially at left, upper, and rightmargins, and on the verso, piece of white tapeaffixed to the verso l.r.

N.B. The Barcelona Suitewas produced inhonor of Picassos eighty-fifth birthday.

$3,000-5,000


Mother and Child with Shawl, 1966, fromthe BARCELONA SUITE, from the editionbefore letters of 60, printed by Foto-ReproS.A., Barcelona, published by Museo Picasso,Barcelona (Czwiklitzer, 231). Signed Picassoin pencil below the plate l.r., numbered48/60 in pencil below the plate l.l. Offsetcolor lithograph on Arches paper, image size18 x 16 1/8 in. (45.7 x 41.0 cm), unmatted,

unframed.Condition: Margins to 2 3/4 inches, possiblesubtle toning, light discoloration at edges,scattered minor foxing at margins.

$3,000-5,000


105

104

103


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PlatefromPORTRAITS IMAGINAIRE, 196from the French edition of 250, printed byMarcel Salinas. Signed and dated within thematrix, numbered F 10/250 in pencil withinthe image l.l., printers dry stamp to verso.Color lithograph on paper, image/sheet size25 7/8 x 19 3/4 in. (65.6 x 50.1 cm), framed.Condition: Deckled edges to three sides.

$1,500-2,000


Toros, 1952, edition of 500 (Ramie, 161).Inscribed and stamped EDITION PICASSOand stamped MADOURA all on theunderside. Turned white earthenware clayplate decorated with engobes, blue, green,white, and black glazes, diameter 7 3/4 in.(19.5 cm).Condition: Very minor soiling, masking tapeadhered to underside.

$1,500-2,000


The Dwarf Dancer, 1966, from theBARCELONA SUITE, from the edition beforeletters of 60, printed by Foto-Repro S.A.,

Barcelona, published by Museo Picasso,Barcelona (Czwiklitzer, 234). Signed Picassoin pencil below the plate l.r., numbered37/60 in pencil below the plate l.l. Offsetcolor lithograph on Arches paper, imagesize 22 1/2 x 12 1/2 in. (57.2 x 31.8 cm),unmatted, unframed.Condition: Margins to 3 inches, minorhandling crimps at top of sheet, slight, unevendiscoloration on the verso.

$3,000-5,000


108

107

106


31/63


32/63

116Robert Rauschenberg (American, 1925-2008)

Artists Rights Today, 1981, edition of200, published by Styria Studios, New

York. Signed, numbered, and datedRAUSCHENBERG 185/200 81 in pencilwithin the image l.c., publishers dry stamp l.Color offset lithograph with collage on paperimage/sheet size 39 3/4 x 27 1/8 in. (100.8 x68.7 cm), framed.Condition: Deckled edges with minor wearto corners, floated within the frame, notexamined out of frame.

$700-900

117Robert Rauschenberg (American, 1925-

2008)

Winner Spinner, from the MARRAKITCHSeries, 2000, edition of 50, published by

Gemini G.E.L., Los Angeles (NGA/Gemini,41.245). Signed, numbered, and datedRAUSCHENBERG 26/50 2K in pencil (withthe image) l.l., publishers and copyright drystamps l.r., identified on a label from theMeyerovich Gallery, San Francisco, affixed tothe backing. Color screenprint on Fabrianopaper with watermark, image/sheet size 273/4 x 19 5/8 in. (70.3 x 49.7 cm), framed.Condition: Deckled upper and lower edges,floated within the mat, not examined out offrame.

$3,000-4,000

114Mavis Pusey (American, b. 1928)

Demolishment, edition of 30. Signed MPusey in pencil l.r., numbered 11/30 inpencil l.l., titled in pencil l.c. Color lithographon paper, image size 28 1/8 x 22 1/8 in. (71.4x 56.2 cm), framed.Condition: Subtle mat burn, not examined outof frame.

$1,200-1,800

115Mavis Pusey (American, b. 1928)

Progression AC 7. Signed M Pusey inpencil l.r., inscribed AP in pencil l.l., titled inpencil l.c. Color aquatint on paper, plate size5 x 7 7/8 in. (12.5 x 19.9 cm), framed.Condition: Gentle rippling, not examined outof frame.

$700-900


115

114

117

116


33/63

119Rembrandt van Rijn (Dutch, 1606-1669)

The Baptism of the Eunuch, 1641, an 18thcentury impression (Hind, 182; Bartsch/Hollstein, 98). S igned and dated within theplate. Etching on thin cream laid paper, platesize 7 3/8 x 8 1/2 in. (18.5 x 21.4 cm), frameCondition: Margins 1/8 inch or more, foxingpale staining, pencil annotations to lowermargin and verso, several minute thin spotsto sheet.

$800-1,200

120Rembrandt van Rijn (Dutch, 1606-1669)

The Goldsmith, 1655 (Bartsch, 123; Hind,285; Hollstein, 123 i/ii). Collectors stamps toverso (see below). Etching on layered Japanpaper, plate size 3 1/16 x 2 1/4 in. (7.7 x 5.4

cm), framed.Condition: Margins 1/8 inch or more, severaminute pale stains (more visible to verso),gentle toning.

Provenance: J ohann Karl Brnner (German,1738-1812) (Lugt, 307); probably bequestedto the Museum of the City of Frankfurt througto the Stdel c. 1870 [duplicate stamp fromthe Stdelsches Kunstinstitut, Frankfurt-am-Main (Lugt, 2396)]; through to J.E. de Wit(Portland, Maine, c. 1895) (Lugt, 1451).

$6,000-8,000

8obert Rauschenberg (American, 1925-

008)

ppointment, from the MARRAKITCHeries, 2000, edition of 54 plus proofs,ublished by Gemini G.E.L., Los AngelesGA/Gemini, 41.247). Signed, numbered,d dated RAUSCHENBERG 25/54 2K in

encil (within th e image) l.r., publishers andpyright dry stamps l.l., identified on a label

om the Meyerovich Gallery, San Francisco,fixed to the backing. Color screenprint onbriano paper with watermark, image/sheet

ze 30 x 22 1/8 in. (76.2 x 56.1 cm), framed.ondition: Deckled edges, floated within theat, not examined out of frame.

3,000-4,000


118

120

119


34/63


35/63

128Georges Rouault (French, 1871-1958)

Son Avocat, en phrases creuses, clamesa totale inconscience, 1922-27, fromMISERERE, published in 1948, edition of 42plus proofs (Wofsy, 126). Initialed and datedwithin the plate. Etching with aquatint onpaper, plate size 21 1/4 x 16 1/8 in. (53.9 x40.8 cm), framed.Condition: Pale foxing, rippling, not examineout of frame.

$400-600

129George Segal (American, 1924-2000)

Gazing Woman, fromAmerican Portrait,1776-1976, published by Transworld Art,edition of 175. Signed, dated, and numbereg. segal 75 135/175 in pen l.l. White-painted cast resin, 26 x 19 x 3 1/2 in. (66.1 x48.3 x 8.9 cm), within a Plexiglas case.Condition: Not examined out of case.

$1,000-1,500

130

Paul Signac (French, 1863-1935)

Paris: Le Pont des Arts avec Remorqueurs1927, edition of 250, published by XXeSicleParis (Kornfeld, 24). Signed within the plate.Etching and aquatint on paper, plate size 5 x1/2 in. (12.5 x 19.0 cm), framed.Condition: Gentle rippling, extremely faint mburn, not examined out of frame.

Provenance: Skinner, Inc., March 3, 2006,Sale 2310, Lot 177.

$400-600

26avid Roberts (Scottish, 1796-1864), Louisaghe, lithographer (British, 1806-1885)

pproach of the Simoon - Desert of Gizeh,849, published by F.G. Moon, London.entified within the matrix. Color lithograph paper, image size 13 1/8 x 19 1/8 in. (33.2

48.4 cm), framed.ondition: Not examined out of frame.,500-2,000

127David Roberts (Scottish, 1796-1864), LouisHaghe, lithographer (British, 1806-1885)

The Citadel of Cairo, Residence ofMehemet Ali, 1849, published by F.G.Moon, London. Identified within the matrix.Lithograph in black, buff, and tan on paper,image size 13 1/8 x 19 3/8 in. (33.2 x 49.1cm), framed.Condition: Staining to lower margin, notexamined out of frame.

$800-1,200


127

126

128

129

130


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37/63

138Gustavo Torner (Spanish, b. 1925)

EQUIVALENCIAS/Three of Six Serigraphswith Nine Informational and Divider Sheet

1969, edition of 60, printed by Abel Martin.Signed Gustavo Torner and numbered 20in red and dedicated in blue on the title pagethe three serigraphs are numbered 20/60and signed below the matrix l.l. and l.r.,respectively. Screenprints on paper, imagesizes to 18 3/4 x 13 3/8 in. (47.7 x 34.0 cm),presented in the original portfolio case.Condition: Margins to 3 inches, minor scuffmarks to title page and portfolio case.

$600-800

138AHenri de Toulouse-Lautrec (French, 1864-

1901)

Tristan Bernard, 1898, printed in 1920,probably from the third edition of 200 (Adrian249). Monogrammed within the plate.Drypoint on laid paper, plate size 6 3/4 x 4 1/in. (17.1 x 10.3 cm), framed.Condition: Margins over 2 1/2 inches withdeckled lower edge, mat burn, staining.

$400-600

135

Antoni Tpies (Spanish, 1923-2012)

Poster for the Exhibition Nocturn Matinal,Sala Gaspar, Barcelona, 1970, from theedition before letters of 100, published byFoto-Repro, Barcelona (Galfetti, 246). Signedtapies in pencil l.r. and in the matrix inblack l.r., inscribed P.A. in pencil l.l. Colorlithograph on Guarro paper, sheet size 293/4 x 21 7/8 in. (75.7 x 55.6 cm), unmatted,unframed.Condition: Minor handling crimps, subtletoning, one-inch piece of white tape affixed tothe verso l.l., minor discolorations at top edgeof sheet, pencil annotation to the verso.

$500-700

136Antoni Tpies (Spanish, 1923-2012)

Sense Ttol, 1971, edition of 100, publishedby Foto-Repro, Barcelona (Galfetti, 285).Signed tapies in pencil l.r., numbered81/100 in pencil l.l. Color lithograph onGuarro paper, image size 9 1/2 x 14 in. (24.2 x35.6 cm), unmatted, unframed.Condition: Creases at u.l. of sheet, bend in l.l.corner, discoloration at edges.

$400-600

137Antoni Tpies (Spanish, 1923-2012)

Pied et collage,1976, edition of 50 plusproofs (Galfetti, 567). Signed and inscribed...Tpies in pencil l.r., numbered 30/50 inpencil l.l., identified on a label from Galerie

Adrien Maeght, Paris, on the backing. Etchingwith aquatint and collage on paper, image size5 x 7 1/2 in. ( 12.5 x 19.0 cm), framed.Condition: Rippling, not examined out offrame.

$800-1,200


138A

138

135

136

137


38/63

143After Andy Warhol (American, 1928-1987)

Three Skate Decks from the AlienWorkshop. Identified within the matrix, andauthorized by The Andy Warhol Foundationfor the Visual Arts, Inc. Color screenprints ocurved laminated boards, length 32 in. (81.2cm), in original shrink-wrap, containing originstickers.Condition: Not examined out of wrap.

$600-800

144Stow Wengenroth (American, 1906-1978)

Lighthouse, Ten Pound Island, 1935,edition of 38 (Stuckey, 55). Signed StowWengenroth in pencil l.r., titled in the lowermargin (partially erased), identified on afragmentary label from The F.H. Bresler, Co.,Milwaukee, affixed to the mat. Lithograph onpaper, image size 9 1/4 x 12 3/4 in. (23.4 x32.4 cm), matted, unframed.Condition: Margins over 3/4 inches withdeckled lower edge, gently light-struck.

N.B. Ten Pound Island is at the eastern endGloucester Harbor.

$350-550

39ohn Henry Twachtman (American, 1853-902)

outh of the Seine, c. 1884-89, probablyom the Keppel edition of 22, printed in 1921askett, 18). Initialed J.H.T. per A.T. in

encil l.r. Etching on paper, plate size 3 1/4 x5/8 in. (8.1 x 11.6 cm), framed.ondition: Pale foxing, not examined out ofame.

B. The A.T. in the initials refers to Aidenwachtman, who signed off on many of theosthumous editions of his fathers prints.,000-1,500

140Jean-Pierre Vasarely, called Yvaral (French,1934-2002)

Untitled,edition of 200, published by DeniseRen diteur, Paris. Signed Yvaral inpencil l.r., numbered 164/200 in pencil l.l.,publishers dry stamp l.l. Color screenprint onpaper, image size 24 1/4 x 24 1/2 in. (61.4 x62.2 cm), framed.Condition: Not examined out of frame.

N.B. Yvaral was the son of artist VictorVasarely.$300-500

141Victor Vasarely (Hungarian/French, 1906-

1997)

Untitled,edition of 200. Signed Vasarely-in pencil l.c., numbered 120/200 in pencil l.l.Color screenprint on paper, image size 19 5/8x 12 in. (49.7 x 30.5 cm), framed.Condition: Not examined out of frame.

$700-900

142Victor Vasarely (Hungarian/French, 1906-

1997)

Gold and Black Mirror Image , 1979,edition of 150, published by Denise Renditeur, Paris. Signed Vasarely- in pencil l.r.,numbered 123/150 in pencil l.l., publishersdry stamp l.l. Color screenprint on paper,image size 27 5/8 x 13 3/4 in. (70.0 x 34.8cm), framed.Condition: Gentle rippling, not examined outof frame.

$500-700


139

140

141

142

143

144


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40/63

152Ansel Adams (American, 1902-1984)

Fifty-Seven Photographs Documenting theMassachusetts Womens Defense Corps,c. 1942. Numbered M.W.D.C. #... in inkand stamped PHOTOGRAPH BY ANSEL

ADAMS on the reverse of each mount.Gelatin silver prints in original plywood boxwith leather bindings (purportedly made by

Adams himself), image/sheet sizes to 101/4 x 13 1/8 in. (26.0 x 33.3 cm), unmatted,unframed.Condition: Mounted, most with unobtrusivesilver mirroring at print edges and several withminor foxing on mounts.

N.B. Active between 1941 and 1946, theMassachusetts Womens Defense Corps(MWDC) comprised a group of volunteerwomen dedicated to providing war-relatedand emergency services during World WarII. In the spring of 1942, Ansel Adams was

commissioned to document membersof the MWDC training for assistance infive main areas: Medical, Transportation,Communications, Canteen, and Air RaidProtection/Warden Services. The fifty-sevenphotographs selected by Adams to representthis project capture corps members reviewingmaps, preparing meals, practicing rescuemissions, and standing in formation, amongother subjects.

A departure from his majestic landscapephotographs made with natural light, AdamssMWDC works reveal carefully composed

groupings and exhibit strong contrast withdark, rich blacks, especially the interior viewswhich were made with artificial lighting.

According to his biographer Mary StreetAlinder, Adams had very recently codifiedhis Zone System of exposure. He was able

to expose each negative to the maximumeffectiveness. Indeed, these works weremade at the peak of Adamss career. Theprevious fall he had executed what is arguabhis most famous photograph Moonrise,Hernandez, New Mexico.

While the negatives for Adamss MWDCproject are housed at the Center for CreativePhotography, University of Arizona, Tucson,prints of this series are rare, and in fact,

Adams himself had none in his possession athe time of his death in 1984.

$15,000-20,000

150Zao Wou-Ki (Chinese/French, 1921-2013)

Untitled, 1963, edition of 90 or 95, publishedby Atelier Lacourire et Frlaut, Paris (gerup,152). Signed in pencil l.r., numbered 75/90in pencil l.l., publishers dry stamp l.l. Coloretching with aquatint on cream Arches paperwith watermark, plate size 19 1/2 x 17 in.(49.4 x 43.2 cm), framed.Condition: Margins over 2 1/2 inches withdeckled edges, pale mat burn, handlingcreases and minute nicks to edges of sidemargins, staining to verso.


$2,500-3,500

151Anders Zorn (Swedish, 1860-1920)

August Strindberg, 1910, second stateof two (Asplund, 231). Signed and datedwithin the plate, stamped HANFSTAENGLSSTUDENT PROOF on verso. Etching onpaper, plate size 11 15/16 x 7 7/8 in. (30.2 x19.8 cm), unmatted, unframed.Condition: Toning, foxing, minor breaks topaper along plate mark.

$700-900


152

151

150


41/63

156Harry Callahan (American, 1912-1999)

Providence (Unpublished #178), 1963,printed c. 1980. Signed Harry Callahan ingraphite below the image l.r. Gelatin silverprint, image size 9 3/8 x 9 1/4 in. (23.8 x 23.cm), unmatted, unframed.Condition: Unmounted, slight rippling to sheat top.

Provenance: Estate of Tennyson Schad, NeYork.

N.B. One of the most significant Americanphotographers of the 20th century, HarryCallahan was chair of the photographydepartment at the Rhode Island School ofDesign in Providence from 1961 until 1973.

$2,000-3,000


Providence, 1963, printed c. 1980. SignedHarry Callahan in graphite below the imagel.r. Gelatin silver print, image size 9 1/4 x 91/8 in. (23.5 x 23.2 cm), unmatted, unframedCondition: Unmounted, slight rippling at topof sheet.

$2,000-3,000

53nsel Adams (American, 1902-1984)

osemite Falls, Spring, Yosemite Nationalark, California, 1983, printed later.nsigned, The Friends of Photographyarmel, California) Special Edition stamp one verso. Gelatin silver print, image/sheetze 9 3/8 x 7 3/8 in. (23.8 x 18.8 cm), framed.ondition: Mounted, slight lifting of u.l. corner.,000-1,500

154Virginia Beahan (American, b. 1946) andLaura McPhee (American, b. 1958)

Sluices at a Reservoir near Badulla, SriLanka, 1993. Signed Laura McPhee VirginiaBeahan in felt-tip pen below the image l.r.,titled and dated in felt-tip pen below the imagel.l. Chromogenic print on Kodak Professionalpaper, image size 15 7/8 x 20 1/8 in. (40.3 x51.0 cm), framed.Condition: Unmounted, fading.

$1,000-1,500

155Alice Boughton (American, 1865-1943)

Three Photographs of the Fuller Sisters,c.1914. All signed Alice Boughton in graphitel.l. or l.r. Gelatin silver prints, image/sheetsizes to 8 1/8 x 6 1/4 in. (20.7 x 15.8 cm),unmatted, unframed. Condition: Two of threemounted, the unmounted print with adhesiveresidue in upper corners of the verso, lightlyfaded, minor accretions and pinpoint foxmarks.

Provenance: From the collection of PercyMacKaye, by descent to the current owner

Marion MacKaye Ober, Massachusetts.

N.B. Alice Boughton was associated withAlfred Stieglitzs Photo-Secession, a groupof photographers who sought to elevate themediums status to that of other fine arts likedrawing and printmaking. The Fuller sistershailed from Dorset, England, and werepioneers in the collection and performance offolk songs from England, Scotland, Ireland,and Wales. They frequently toured America,first visiting the town of Cornish, NewHampshire, at the invitation of Percy andMarion MacKaye.

$300-500


153

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157


42/63

161David Douglas Duncan (American, b. 1916

Portrait of Pablo Picasso with Snow OwlMask,1957. Inscribed and signed Photo bDavid Douglas Duncan/prohibited to copy/or reproduce in ink on the backing. Gelatinsilver print, image/sheet size 8 7/8 x 13 3/16in. (22.6 x 33.5 cm), unmatted, framed.Condition: Mounted, small chemical stain u.not examined out of frame.

N.B. Photojournalist and combatphotographer David Douglas Duncanpublished seven books of photographs ofPicasso between 1958 and 2006. Duncansarchive is housed at the Harry Ransom CenteUniversity of Texas at Austin.

$2,000-3,000

162David Douglas Duncan (American, b. 1916

Pablo Picasso Wearing a Bolo Tie. SignedDavid Douglas Duncan in felt-tip pen l.r.Chromogenic print, image/sheet size 13 3/8 9 1/8 in. (33.8 x 23.2 cm), framed.Condition: Mounted, faded, chemical(fingerprint) stains u.c., additional chemicalstains at u.r. edge and area of subjectsmouth, chin, and neck, scattered minorsurface abrasions.

$1,000-1,500


Cape Cod, 1973, printed c. 1980. SignedHarry Callahan in graphite below the imagel.r., titled and dated in graphite on the versoalong the bottom. Gelatin silver print, imagesize 9 1/4 x 9 1/8 in. (23.5 x 23.3 cm),unmatted, unframed.Condition: Unmounted, minor handlingcrimps at u.l. edge of image and l.l. corner,small indentation u.c. of sheet.

Provenance: Estate of Tennyson Schad, NewYork.$2,500-3,000


Cape Cod, 1972, printed c. 1981. SignedHarry Callahan in graphite below the image

l.r. Gelatin silver print, image size 9 1/4 x 91/8 in. (23.5 x 23.3 cm), unmatted, unframed.Condition: Unmounted, two unobtrusivepinpoint areas of spot toning in u.c. of image,slight rippling to sheet at left.

$3,000-5,000


Cape Cod, 1972, printed 1970s. SignedHarry Callahan in graphite below the imagel.r. and on the verso u.c. Gelatin silver print,image size 6 x 7 7/8 in. (15.3 x 20.0 cm),unmatted, unframed.Condition: Unmounted, 1/4 inch emulsionloss and repair l.l., slight crease at l.l. corner.

$1,000-1,500


162

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43/63

164Harold E. Doc Edgerton (American, 1903

1990)

Spouts(Cranberry Juice Dropping intoMilk andWater Dropping IntoWater),c. 1960 and 1978, respectively, printed c.1985. Numbered and signed 5/25 HAROLEDGERTON in ink on the verso, titled, signeand dated Spouts...M.I.T. 1985 in graphiteon the backing. Dye destruction print, imagesize 8 1/8 x 13 7/8 in. (21.2 x 35.3 cm),framed.Condition: Unmounted, unobtrusivefingerprints at edges, light surface scratches.

$1,000-1,500

165Alfred Eisenstaedt (American, 1898-1995)

Talmudic Scholar and His Pupils,Jerusalem, 1955, printed 1988. SignedEisenstaedt in ink below the image l.r.,identified in Time, Inc. inscription in graphiteon the verso, including reproduction andcopyright restrictions. Gelatin silver print,image size 12 x 8 11/16 in. (30.5 x 22.1 cm)matted, framed.Condition: Unmounted, minor crease u.l.corner, unobtrusive chemical stain to u.l.corner of sheet.

$800-1,200

63arold E. Doc Edgerton (American, 1903-990)

eeing the Unseen: Twelve Photographsy Harold Edgerton, 1934-73, printed 1977,ition of 60. All numbered and signed2/60 HAROLD EDGERTON in graphite one verso. Seven gelatin silver prints and fiveye transfer prints with frontispiece in a blackortfolio case, image sizes to 13 7/8 x 105/16 in. (35.3 x 27.8 cm), matted, unframed.ondition: Unmounted, prints hinged withchival Filmoplast P tape, several with verynor handling crimps.

N.B. Described by National Geographic asthe man who made time stand still, HaroldDoc Edgerton was an engineer and scientistwho developed a strobe flash that enabledhim to photographically freeze the motion ofa tennis player hitting a ball, a bullet piercingan apple, and other high speed actions suchas those represented in this portfolio. Thetitles of the individual photographs are asfollows: Shock Waves from Impact(c. 1965);

A Girl and Her Horse(1941);Action at theRodeo(1940); Tennis Serve(1952); FootballPlacement Kick(1934); Swirls and Eddies of aTennis Stroke(1939); Golf Drive by Densmore

Shute(1938); Splash of a Milk Drop(1957);Vortex at a Fan Blade Tip(1973, with Kim

Vandiver); Pole Vaulter, David Tork(1964);Cutting the Playing Card Quickly(c. 1964);and Bullet and Apple(c. 1964).

$12,000-18,000


163

164

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44/63


45/63

173Martha Holmes (American, 1923-2006)

Jackson Pollock Working in His BarnStudio, Springs, New York,1949, printed1999. Signed Martha Holmes in ink belowthe image l.r., titled and inscribed with Time,Inc. copyright in graphite on the verso. Gelasilver print, image size 14 3/4 x 14 1/8 in.(37.5 x 35.8 cm), framed.Condition: Good, rippling to sheet.

N.B. Holmess photograph of Jackson Pollodemonstrating his famous drip techniquewas published in the August 8, 1949, issueof LIFEmagazine. In 1999 the Postal Servicedrew on the portrait for a stamp, asking theartist who copied it to leave out the ubiquitocigarette dangling from Pollocks mouth.

$1,000-1,500

174Lotte Jacobi (German/American, 1896-1990)

Kaiser Wilhelm Memorial Church, Berlin,1932, printed later. Signed Lotte Jacobi inpencil l.r. Gelatin silver print, 12 7/8 x 10 in.(32.8 x 25.4 cm), framed.Condition: Good, unmounted, hinged withlinen tape on the reverse u.r. and u.l.

$2,000-3,000

170Ernst Haas (Austrian/American, 1921-1986)

Positano Priest, Italy, 1953, printed 1996.Titled, dated, and numbered 36/100 on theverso within the estate stamp. Gelatin silverprint, image size 10 15/16 x 16 3/4 in. (27.8 x42.6 cm), unmatted, unframed.Condition: Unmounted, slight rippling topaper.

Provenance: Ernst Haas Estate, New York.$1,500-2,000

171Karel Hjek (Czech, 1900-1978)

Untitled,1926. Dated and inscribed PhotoHajek on the verso, stamped PHOTO K.

HJEK and with a Paris studio stamp for thephotographer Pawel Barchan on the verso.Gelatin silver print, image/sheet size 6 3/8 x 43/4 in. (16.2 x 12.1 cm), matted, unframed.Condition: Unmounted, unobtrusive surfacescratches, breaks in emulsion c.l. and l.l.,crease l.l. corner, minor soiling on verso.

N.B. The photograph was included in theexhibition 1900 To Now: Modern Art fromRI Collections, at the Museum of Art, RhodeIsland School of Design, January 22 to May1, 1988.

$500-700

172Masumi Hayashi (Japanese/American,1945-2006)

Hebrew Cultural Garden(Cleveland, Ohio),1988. Signed and dated Masumi Hayashi...in black ink l.r., titled and numbered 4/5 inblack ink l.l. Photocollage with chromogenicprints, sight size 24 3/4 x 79 in. (63.0 x 200.6cm), framed.Condition: Not examined out of frame.

$800-1,200


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46/63

177Gyrgy Kepes (Hungarian/American, 19062001)

Oval canvas, 1986. Signed and datedGyorgy Kepes... below the image l.r.Polacolor print, sheet size 30 x 22 in. (76.3 x55.9 cm), unmatted, unframed.Condition: Unmounted, minor cracks inemulsion at l.l. corner.

$1,000-1,500

178Denny Moers (American, b. 1953)

Bannister 3, fromARCHITECTURE ASA STATE OF MIND, 1979. Signed anddated Denny R. Moers 79 in ink below theimage l.r., titled in ink below the image l.l.Photographic monoprint, sheet size 16 1/2 x15 in. (41.9 x 38.2 cm), framed.

Condition: Unmounted, minor lifting ofemulsion layer at l.l.

Provenance: Purchased from the Jeb GallerProvidence, Rhode Island, by the currentowner.

N.B. The artist describes his work asphotographic monoprints because hestarts with a traditional silver print that hethen manipulates with light and chemistry.

Although he is able to produce additionalprints using the same negative, each has itsown unique visual properties.

$400-600

175Michael Kenna (British, b. 1953)

Sunset, Middleton Cheney,Northamptonshire, England, 1974, printed1980. Signed Michael Kenna in graphitebelow the image l.r., dated 1974 in graphitebelow the image l.l., titled and dated on thereverse of the mount. Gelatin silver print,image/sheet size 5 3/8 x 8 7/8 in. (13.7 x 22.6cm), matted, framed.Condition: Mounted, good.

$600-800

176Gyrgy Kepes (Hungarian/American, 1906-2001)

leafs, port..., 1983. Signed and datedGyorgy Kepes... below the image l.r.Polacolor print, sheet size 32 1/4 x 22 in. (82.0x 55.9 cm), unmatted, unframed.Condition: Unmounted, cracks in emulsionat l.l. corner of sheet, minor creases andpinpricks in upper corners.

N.B. In 1984 the Polaroid Foundation invitedGyrgy Kepes, who experimented withphotography throughout his career, to use the20x24 Polaroid camera. The resulting carefullystaged compositions summarize many of hisartistic concerns, employing such objectsas prisms, flowers, and graphic papers tomanipulate the effects of light and form.

$1,000-1,500

8 8Additional information and photos at www .skinnerinc. com Online bid ding at www.skinne rinc.com178

177

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47/63

180Nicholas Nixon (American, b. 1947)

View of Copley Square, Boston, 1974,printed c. 1980. T itled, dated, and signed...Nicholas Nixon in graphite on the versoalong bottom. Gelatin silver print, image size7 5/8 x 9 5/8 in. (19.4 x 24.5 cm), unmatted,unframed.Condition: Unmounted, unobtrusive spottoning u.l., minor emulsion losses at cornersand edges.

Provenance: Estate of Tennyson Schad, NeYork.$1,500-2,500

181David Prifti (American, 1961-2011)

Matriarch. Incised and branded PRIFTI....and titled in ink on the reverse. Liquidphotographic emulsion on wooden fence

fragment, 35 x 24 in. (88.9 x 61.0 cm),unframed.Condition: Surface grime, minor cracks inemulsion due to normal aging of the wood anthe embedding of the emulsion into the grain

N.B. David Prifti combines family photograpwith found objects to create assemblagesthat reflect both his personal history and thepassage of time. This work portrays the artisgrandmother, Margaretha Prifti, who emigratefrom Albania to America.

$800-1,200

79cholas Nixon (American, b. 1947)

ew of Boston from M.I.T., 1976, printed c.980. Titled, dated, and signed ...Nicholasxon in graphite on the verso along the

ottom. Gelatin silver print, image size 78 x 9 5/8 in. (19.4 x 24.5 cm), unmatted,framed.

ondition: Unmounted, unobtrusive spotning in u.l. corner, minor crease at l.r. corner.

ovenance: Estate of Tennyson Schad, Nework.,200-1,800


179

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48/63

184Aaron Siskind (American, 1903-1991)

Morocco 93, 1982. Signed Aaron Siskindin ink below the image l.r., titled and dated inink below the image l.l. Gelatin silver print,image size 14 1/2 x 14 3/8 in. (36.9 x 36.5cm), matted, unframed.Condition: Mounted, crease in u.r. corner.

$1,000-1,500


Arizpe, 1966, printed c. 1980. Signed AaronSiskind in black ink below the image l.r., titledand dated in black ink below the image l.l.Gelatin silver print, image size 17 1/4 x 22 3/8in. (43.8 x 56.8 cm), unmatted, unframed.Condition: Unmounted, several unobtrusivehandling crimps.

Provenance: Estate of Tennyson Schad, NewYork.$1,500-2,500


Chicago 42, 1952, printed later. Signed

Aaron Siskind in ink below the image l.r.,titled and dated in ink below the image l.l.Gelatin silver print, image size 13 3/4 x 17 1/2in. (34.9 x 44.5 cm), matted, unframed.Condition: Unmounted, good.

$2,000-3,000


184

82

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49/63

186Doris Ulmann (American, 1882-1934)

Portrait of Marion Homer Morse MacKaye

Signed Doris Ulmann in graphite below theimage l.r. Platinum print, image/sheet size 8 6 in. (20.3 x 15.3 cm), matted, unframed.Condition: Small inpainted indentation at l.c

Provenance: From the collection of PercyMacKaye, by descent to the current ownerMarion MacKaye Ober, Massachusetts.

N.B. Marion Homer Morse MacKaye (1872-1939) was the wife of the American poet andplaywright Percy MacKaye (1875-1956) andwas related to the artist Winslow Homer onher fathers side.

$300-500

187Bradford Washburn (American, 1910-2007

After The Storm, Climbers on the EastRidge of the Doldenhorn in the Swiss Alps1960, printed c. 1993. Signed and datedBradford Washburn/August 1993 in ballpoipen at the center of the verso. Gelatin silverprint, image size 17 5/16 x 21 15/16 in. (44.0x 55.8 cm), unmatted, unframed.Condition: Unmounted, minor handlingcrimps, gentle rippling to sheet.

N.B. Bradford Washburn masterfullycombined his love of mountaineering andaerial photography, traveling the worldfor eight decades to document dramaticlandscapes ranging from Arizonas GrandCanyon to the Matterhorn in the Alps. He waone of Americas foremost mountaineers in thfirst half of the 20th century, leading severalfirst ascents and establishing new routes onmany major Alaskan peaks (often with his wifBarbara Washburn, a pioneer among femalemountaineers). Washburn was also one of thfounders of Bostons Museum of Science andserved as director for over forty years.

$1,000-1,500

85aul Strand (American, 1890-1976)

aris from Notre Dame, c. 1912. Titled andgned ...Paul Strand in graphite below the

mage, blindstamped 1912 BY P. STRAND Hand-colored platinum print, image/sheet

ze 8 7/8 x 6 15/16 in. (22.5 x 17.7 cm),nmatted, framed.ondition: Tipped to original mount along topdge, gently light-struck.

N.B. With its unusual birds-eye view andemphasis on geometric patterns, this printfrom c. 1912 bridges Strands early adoptionof a Pictorialist style and his embrace of themodernist, straight photography aestheticchampioned by the influential photographerand modern art promoter Alfred Stieglitz.

$2,000-3,000


185

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50/63

191Carrie Mae Weems (American, b. 1953)

Two China Plates with PhotographicPortraits (Front and Back) of a Young

Woman,1990. Both signed and datedCarrie M. Weems... in ink on the reverse.Photographic prints affixed to AmericanLimoges china plates, diameter 10 in. (25.4cm), unframed.Condition: Tacky surfaces from a transparentcoating have attracted dust and hair, possiblefading, Front print lifting from plate at l.c.,discoloration from coating residue aroundimage of Back, especially on the left side.

$300-350

188Bradford Washburn (American, 1910-2007)

Mt. Huntington, North Face, Alaska. SignedBradford Washburn in graphite on the versol.r. Gelatin silver print, image size 17 3/8 x 225/8 in. (44.2 x 57.4 cm), unmatted, unframed.Condition: Unmounted, minor handlingcrimps.

$800-1,200


Two Photographs: Mt. Huntington, LookingWest at Twilightand Sunset at 41,000 ft,Mt. McKinley, 1964 and 1978, respectively,printed later. Both signed BradfordWashburn in graphite on the verso l.r. Gelatinsilver prints, image sizes to 17 1/2 x 22 1/8 in.(44.5 x 56.3 cm), unmatted, unframed.Condition: Unmounted, both with minorhandling crimps.

$800-1,200


Two Photographs: Mt. McKinley andShadowandView of Glacier, Alaska . Bothsigned Bradford Washburn in graphiteon the verso l.r. Gelatin silver prints, imagesizes 17 1/8 x 22 1/8 in. (43.5 x 56.3 cm),unmatted, unframed.Condition: Unmounted, minor handling crimpson Shadow, minor crease at l.r. corner ofGlacier.

$800-1,200


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51/63

194Barbara Bosworth (American, b. 1953)

Squam Lake, 2003, edition of 10 producedfor the PRC Print Program. Titled andnumbered ...1/10 and signed BarbaraBosworth in graphite on the verso l.l. and l.r.,respectively. Gelatin silver print, image size 143/8 x 18 1/8 in. ( 36.5 x 46.0 cm), framed.Condition: Unmounted, slight rippling tosheet.

$1,000-1,500

195Barbara Bosworth (American, b. 1953)

Carlisle, from the series Meadow, 2004,printed 2008, edition of 35, from The PRCPortfoliopublished by the PhotographicResource Center at Boston University. SignedBarbara Bosworth in graphite on the versol.l. and numbered 16/35 l.r. Pigmented inkjetprint on Harman matte paper, image size 137/8 x 17 3/4 in. ( 35.3 x 45.6 cm), matted,unframed.Condition: Unmounted, good.

$800-1,200

196Paul DAmato (American, b. 1956)

Isela, Chicago, 1993, edition of 10 producedfor the PRC Print Program. Signed P.DAmato and titled and dated in ink on th everso l.r. and l.l., respectively. Chromogenicprint, 12 1/4 x 10 in. (31.2 x 25.4 cm),unmatted, unframed.Condition: Unmounted, good.

$500-700

192J.H. White (American, fl. late 19th Century)

Five Photographs of Western Views,including El Capitan and Excelsior Geyser in

Yellowstone Park, and Spanish missions inMonterey and San Juan Capistrano, California.Several with descriptive titles and PHOTO.BY J.H. WHITE, Boston. inscribed in thenegative. Albumen silver prints, sight sizes to7 1/4 x 9 1/4 in. (18.4 x 23.5 cm), unmatted,unframed.Condition: Mounted (some loosely) to two-plymat board, faded, several with minor chemicalinconsistencies, rippling to sheets.

$600-800

193Minor White (American, 1908-1976)

Tom Schuler, Lakeville, Connecticut, 1973.Titled, signed, and dated ...Minor WhiteJune... in pencil on the verso at the bottom.Unique Polaroid print, image size 4 1/2 x 3 1/5in. (11.4 x 8.9 cm), unmatted, unframed.

Condition: Unmounted, minor surfaceaccretions from processing, slight creaseto l.l. corner, bottom edge at verso lightlydiscolored.

$2,000-3,000


193

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194

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52/63

200Henry Horenstein (American, b. 1947)

Asiatic Elephant, Elephas maximas, 1995,edition of 10 produced for the PRC PrintProgram. Signed Henry Horenstein in ink othe verso u.l. Ilfochrome (Cibachrome) print,image size 19 1/4 x 13 in. (48.9 x 33.0 cm),matted, unframed.Condition: Unmounted, good.

$700-900

201Henry Horenstein (American, b. 1947)

Melody Sweets, New York, NY, 2008, editioof 35, from The PRC Portfoliopublished bythe Photographic Resource Center at BostonUniversity. Signed Henry Horenstein andnumbered 16/35 in graphite on the verso l.and l.l., respectively. Pigmented inkjet print oHarman matte paper, image size 14 7/8 x 14

7/8 in. (37.8 x 37.8 cm), matted, unframed.Condition: Unmounted, good.$800-1,200

197Frank Gohlke (American, b. 1942)

Playground of Crockett Elementary School,where I attended grades 1-7, from theseries Texas Memories #2, 1984, printed2008, edition of 35, from The PRC Portfoliopublished by the Photographic ResourceCenter at Boston University. Numbered, titled,dated, and signed PRC 16...Frank Gohlke...in graphite on the verso along th e bottom.Fiber-based gelatin silver print on Ilford paper,image size 14 7/8 x 18 1/2 in. (37.8 x 47.0cm), matted, unframed.Condition: Unmounted, good.

$800-1,200

198Frank Gohlke (American, b. 1942)

The Sudbury River, Ashland,Massachusetts, September 1989, 1989,printed 1990, edition of 30 produced for

the PRC Print Program. Titled, numbered,signed, and dated ...16/30 Frank Gohlke...in silver ink below the image along the bottom.Chromogenic print, image size 15 7/8 x 21 3/4in. (40.3 x 55.3 cm), matted, unframed.Condition: Unmounted, good.

$800-1,200

199David Hilliard (American, b. 1964)

The Braves, from the series Catch andRelease, 2002, printed 2008, edition of 35,from The PRC Portfoliopublished by thePhotographic Resource Center at BostonUniversity. Signed David Hilliard in graphiteon the verso l.l. and numbered 16/35 l.r.Pigmented inkjet print on Harman glossypaper, image size 8 7/8 x 21 7/8 in. (22.6 x25.6 cm), unmatted, unframed.Condition: Unmounted, good.

$800-1,200


200

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53/63

204Jim Marshall (American, 1936-2010)

Hazard, Kentucky,1963, probably printed c1990. Titled and dated in ink on the verso l.signed with copyright date 1990 in ink onthe verso l.r., artist stamp with San Franciscoaddress, copyright date, and inscription2318-29 on the verso at center. Tonedgelatin silver print, image size 11 1/4 x 16 3/4in. (28.6 x 42.6 cm), matted, unframed.Condition: Unmounted, scattered handlingcrimps, creases at u.r. corner and u.c.

$500-700

205Susan Meiselas (American, b. 1948)

Before the Show, Tunbridge, Vermont, frothe series Carnival Strippers, 1974, printed2008, edition of 35, from The PRC Portfoliopublished by the Photographic ResourceCenter at Boston University. Titled, dated,signed, and numbered ...S Meiselas 16/35 graphite on the verso along the bottom. F ibe

based gelatin silver print on Ilford glossy papimage size 9 7/8 x 14 1/2 in. (25.1 x 36.8 cmmatted, unframed.Condition: Unmounted, good.

N.B. Carnival Strippers, Susan Meiselassfirst major photography project, documentsthe public and private lives of stripteaseperformers at fairs and carnivals in NewEngland from 1972 to 1975.

$800-1,200

206Arno Rafael Minkkinen (Finni sh/American

b. 1945)

Abbaye de Montmajour, Arles, 1983, printe2007, edition of 10 produced for the PRCPrint Program. T itled, dated, and signed...Arno Minkkinen in graphite on the versoalong the bottom

american & european prints & photography | skinner auction 2749b

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