alienation and disillusionment: the art of the twentieth century the increasing de-personalization...

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Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two world wars led to growing feelings of alienation and disillusionment in the twentieth century. This was especially reflected in much of the art. While Picasso continued in the spirit of experimentation made possible by the impressionists and the camera in the 1800s, these more abstract forms of expression lent themselves to expressing the growing anxiety of the century. Following is a brief overview of some of that art, starting with Picasso and the somewhat disturbing combat art of such men as Otto Dix in World War I and running through the surrealists and modern abstract art.

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Page 1: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Alienation and Disillusionment: the art of the Twentieth Century

The increasing de-personalization of industrial society combined with the horrors of two world wars led to growing feelings of alienation and disillusionment in the twentieth century. This was especially reflected in much of the art. While Picasso continued in the spirit of experimentation made possible by the impressionists and the camera in the 1800s, these more abstract forms of expression lent themselves to expressing the growing anxiety of the century. Following is a brief overview of some of that art, starting with Picasso and the somewhat disturbing combat art of such men as Otto Dix in World War I and running through the surrealists and modern abstract art.

Page 2: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Pablo Picasso (1881-1973), Self Portrait, 1907

Page 3: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Pablo Picasso (1881-73), Les Desmoiselles d’Avignon, 1907

Page 4: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Pablo Picasso (1881-1973), La Granade, 1911

Page 5: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Pablo Picasso (1881-1973), Woman with a Guitar, 1912

Page 6: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Pablo Picasso (1881-1973), Guitar made from cardboard (later destroyed), 1912

Page 7: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Pablo Picasso (1881-1973), Guitar, 1913

Page 8: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Pablo Picasso (1881-1973), Woman with a Flower, 1932

Page 9: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Pablo Picasso (1881-1973), Portrait of a Girl before a Mirror, 1932

Page 10: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 11: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 12: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 13: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 14: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

French gun crew with gas masks

Page 15: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 16: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Medical aid station at Verdun

Page 17: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 18: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 19: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 20: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 21: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 22: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 23: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Felix Vallotton, In the Shadows

Page 24: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Masereel, Arise, You Dead, Infernal Resurrection

Page 25: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 26: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Otto Dix, Trench Suicide

Page 27: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
Page 28: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Crump, Airburst

Page 29: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Paul Nash, Ypres Salient at Night

Page 30: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Nevinson, Bursting Shell

Page 31: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Paul Nash, Night Bombardment

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Nevinson, Explosion, 1916

Page 33: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Otto Dix, The Flare, 1917

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Nevinson, The Machine Gun

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Albin Egger-Linz, Those Who have Lost their Names

Page 36: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

George Leroux, Hell

Page 37: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

William Orpen, Dead Germans in a Trench

Page 38: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Thiepval, a battle fought as part of the Somme campaign

Page 39: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Paul Nash, Void

Page 40: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Nevinson, Harvest of Battle

Page 41: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Nevinson, Paths of Glory, 1917, Censored by British Gov. for its impact on public morale

Page 42: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Otto Dix, Flanders (1934-6). His last painting with its strong anti-war message was strongly disapproved of by the new Nazi regime then ruling Germany

Page 43: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Georg Grosz, Explosion

Page 44: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

George Grosz, Leichengegangnis

Page 45: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two
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Pablo Picasso (1881-1973), Guernica, 1937

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Pablo Picasso (1881-1973), Guernica (detail),1937

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Fernand Leger (1881-1955),Sketch for the Railway, 1919

Page 49: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Fernand Leger (1881-1955), Divers on a Yellow Background, 1941

Page 50: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Fernand Leger (1881-1955), Woman Holding Flowers, 1954

Page 51: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Joan Miro (1893-1983), Catalan Landscape, The Hunter, (1923-4)

Page 52: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Joan Miro (1893-1983), Dutch Interior (1928)

Page 53: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Joan Miro (1893-1983), Personages in the Night Guided by the Phosphorescent Tracks of Snails, 1940

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Joan Miro (1893-1983), The Poetess, 1940

Page 55: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Joan Miro (1893-1983), Ciphers and Constellations in Love with a Woman, 1941

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Joan Miro (1893-1983), Woman Dreaming of Escape, 1945

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Joan Miro (1893-1983), The Gold, The Azure, 1967

Page 58: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Joan Miro (1893-1983), Woman surrounded by a Flight of Birds in the Night, 1968

Page 59: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Joan Miro (1893-1983), May, 1968, 1973

Page 60: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Rene Magritte (1898-1967), Time Transfixed, 1938, Art Institute of Chicago

Page 61: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Rene Magritte (1898-1967), Gradations of Fire, 1939

Page 62: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Rene Magritte (1898-1967), Threatening Weather,

Page 63: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Rene Magritte (1898-1967), L’ Arte de Vivre

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Rene Magritte (1898-1967), The Glass Key

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Rene Magritte (1898-1967), The Tree

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Rene Magritte (1898-1967), Difficult Crossing

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Rene Magritte (1898-1967), Companions of Fear

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Rene Magritte (1898-1967), Manet’s Balconey: Perspective II, 1950

Page 69: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Rene Magritte (1898-1967), Manet’s Balconey: Perspective II, 1950

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Rene Magritte (1898-1967), Empires of Light, 1954

Page 71: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Rene Magritte (1898-1967), Souvenir of a Journey, 1955

Page 72: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Rene Magritte (1898-1967), Castle in the Pyrenees, 1959

Page 73: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Rene Magritte (1898-1967), Le Beau Monde, 1962

Page 74: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Rene Magritte (1898-1967), The Great War, 1964

Page 75: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Rene Magritte (1898-1967), The Blank Check, 1965

Page 76: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Robert Gribboek, Epyphyllum, 1953

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Salvador Dali (1904-89), The Persistence of Memory, 1931

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Page 79: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Salvador Dali (1904-89), Eclipse and Vegetable Osmosis, 1934

Page 80: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Salvador Dali (1904-89), Anthropomorphic Cabinet, 1936

Page 81: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Salvador Dali (1904-89), Burning Giraffe, 1936

Page 82: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Salvador Dali (1904-89), Sshirley Temple, 1939

Page 83: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Salvador Dali (1904-89), Baby Map of the World, 1939

Page 84: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Salvador Dali (1904-89), Perverse Polymorph, Bulgarian Child eating a rat

Page 85: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Salvador Dali (1904-89), Nuclear Cross, 1952

Page 86: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Salvador Dali (1904-89), Exploding Madonna, 1951

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Salvador Dali (1904-89), Maximum Speed of Raphael’s Madonna., 1954

Page 88: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Salvador Dali (1904-89), Set for the Film Spellbound, 1945

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Salvador Dali (1904-89), Basket of Bread, 1945

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Salvador Dali (1904-89), Portrait of Picasso, 1947

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Salvador Dali (1904-89), 1946

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Page 93: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Salvador Dali (1904-89), Three Sphinxes of Bikini, 1947

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Salvador Dali (1904-89), Celestial Ride, 1957

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Salvador Dali (1904-89), Christ of St. John of the Cross, 1951, Same painting from 2 different web sites

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Salvador Dali (1904-89), Crucifixion, 1954, Same painting from 2 different web sites

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Ed Garman, No. 319, 1945

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Ed Garman, No. 343, 1945

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Andy Warhol, Marlon Brando

Page 100: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Andy Warhol, Elvis, 1964

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Andy Warhol, 10 Liz Taylors, 1963

Page 102: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Andy Warhol, Jackie, 1964

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Andy Warhol, Marilyn 3 Times, 1962

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Andy Warhol, Marilyn, 1964

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Andy Warhol, Campbell’s Soup, 1968

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Andy Warhol, Mao and Mao 2, both done in 1972

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Lucio Fontana, Concetto Spaciale, 1949

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Lucio Fontana, Concetto Spaziale, 1958

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Josef Albers, Homage to the Square, 1956

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Josef Albers, Homage to the Square, 1958

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Josef Albers, Homage to the Square, 1959

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Josef Albers,Etude Pour Homage au Carre, 1965

Page 113: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Piero Manzoni, Achrome, 1959

Page 114: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Enrico Castellani, Superficie Angolare Bianca N˚ 6, 1964

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Daniel Buren, Manifestation III 1967,

Page 116: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Michel Parmentier, Rouge, 1968

Page 117: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Robert Morris, Wall Hanging, 1969-70

Page 118: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Jean Debuffet, Jardin De L’Hiver, 1968-70

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Alan Charlton, Peinture, 1971

Page 120: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Gerhard Richter, 1024 Farben N deg 350-3, 1973

Page 121: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Dan Flavin, Untitled (Monument for Vladimir Tatlin), 1975

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Richard Estes, Café Express, 1975

Page 123: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Richard Estes, Central Savings, 1975

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Ulrich Ruckriem, Dolomit, 1976

Page 125: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Alberto Burri, Cumbustione Plastique, 1978

Page 126: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Carl Andre, Hearth, 1980

Page 127: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Bertrand Lavier, Mademoiselle Gauduchau, 1981

Page 128: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Richard Serra, N˚9,1984

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Francois Morellet, Superposition et transparence Carre derriere 0˚-90˚, carre devant 20˚-110˚, 1980

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Robert Ryman, Chapter, 1981

Page 131: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Agnes Martin, Untitled, 1984

Page 132: Alienation and Disillusionment: the art of the Twentieth Century The increasing de-personalization of industrial society combined with the horrors of two

Laura Owens, Untitled (Floorboards), 1997