aids writing database

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Year Author Author description Title 1992 Adam Mars-Jones Monopolies of Loss 1988 The Darker Proof 1990 Allen Barnett The Body and Its Dangers 1988 Andrew Holleran Ground Zero 1989 Christopher Bram In Memory of Angel Clare Christopher Coe Such Times 1986 Craig G. Harris African-American 1989 Cyril Collard Les nuits fauves Dale Peck Martin and John 1989 David B. Feinberg Eighty-Sixed 1991 David B. Feinberg Spontaneous Combustion 1991 David Wojnarowicz AIDS-activist painter 1993 Doug Wilson Labour of Love 1987 Emmanuel Dreuilhe Corps à corps 1991 Essex Hemphill (ed.) Fenton Johnson Scissors, Paper, Rock 1989 Gary Indiana Horse Crazy 1993 Gary Indiana Gone Tomorrow 1992 Geoff Ryman Was Adam Mars-Jones; Edmund White "Cut Off from Among Their People," In the Close to the Knives: A Memoir of Disintegration Brother to Brother: New

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Lists literary texts dealing with HIV/AIDS

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Page 1: AIDS Writing Database

Year Author Author description Title1992 Adam Mars-Jones Monopolies of Loss

1988 The Darker Proof

1990 Allen Barnett The Body and Its Dangers

1988 Andrew Holleran Ground Zero

1989 Christopher Bram In Memory of Angel Clare

Christopher Coe Such Times1986 Craig G. Harris African-American

1989 Cyril Collard Les nuits fauves

Dale Peck Martin and John

1989 David B. Feinberg Eighty-Sixed

1991 David B. Feinberg Spontaneous Combustion

1991 David Wojnarowicz AIDS-activist painter

1993 Doug Wilson Labour of Love

1987 Emmanuel Dreuilhe Corps à corps1991 Essex Hemphill (ed.)

Fenton Johnson Scissors, Paper, Rock

1989 Gary Indiana Horse Crazy

1993 Gary Indiana Gone Tomorrow

1992 Geoff Ryman Was

1988 George Whitmore

Adam Mars-Jones; Edmund White

"Cut Off from Among Their People," In the Life: A Black Gay Anthology

Close to the Knives: A Memoir of Disintegration

Brother to Brother: New Writings by Black Gay

Someone Was Here: Profiles in the AIDS Epidemic

Page 2: AIDS Writing Database

1991 Hervé Guibert

1992 Hervé Guibert

1992 Hervé Guibert Le paradis

1992 Hervé Guibert

1990 Hervé Guibert

James Robert Baker Tim and Pete

1993 Jameson Currier

1988 Joel Redon Bloodstream

John Irving In One Body1989 John Preston (ed.)

1989 John Weir

1992 Joseph Caldwell Uncle from Rome

1989 Larry Duplechan African-American Tangled Up in Blue

1985 Larry Kramer The Normal Heart

Le protocole compassionnel

L'homme au chapeau rouge

Cytomégalovirus: Journal d'hospitalisation

A l'ami qui ne m'a pas sauvé la vie

Dancing on the Moon: Short Stories About AIDS

Personal Dispatches: Writers Confront AIDS

The Irreversible Decline of Eddie Socket

Page 3: AIDS Writing Database

1988 Larry Kramer Just Say No

1992 Larry Kramer The Destiny of Me

1989 Larry Kramer

1990 Michael Cunningham

1989 Michael Klein (ed.)

1989 Michael Lynch

1991 Oscar Moore A Matter of Life and Sex

1993 Paul A. Sergios One Boy at War

1991 Paul Gervais Extraordinary People

1991 Paul Monette Halfway Home

1990 Paul Monette Afterlife1988 Paul Monette Borrowed Time

1988 Paul Monette

Reports from the Holocaust: The Making of an AIDS Activist

A Home at the End of the World

Poets for Life: Seventy-Six Poets Respond to AIDS

Toronto-based American AIDS-activist and academic.

These Waves of Dying Friends

Love Alone: Eighteen Elegies for Rog

Page 4: AIDS Writing Database

Paul Rudnick Jeffrey1991 Peter McGehee Boys Like Us

1992 Peter McGehee Sweetheart1989 Pier Vittorio Tondelli Camere separate

1991 Rachel Hadas

1987 Randy Shilts And the Band Played On

1992 Richard Hall Fidelities

1988 Robert Ferro Second Son

1989 Ron Schreiber John

1985 Samuel R. Delany

1990 Sarah Schulman People in Trouble

1990 Terrence McNally André's Mother

Unending Dialogue: Voices from an AIDS Poetry Workshop

African-American science-fiction writer

"The Tale of Plagues and Carnivals," Part III of Flight from Nevèrÿon

Page 5: AIDS Writing Database

1992 Thom Gunn

Tony Kushner

1990 Falsettoland

1992 Falsettos

1985 William M. Hoffman

Yves Navarre

1984 Paul Reed Facing It

The Man With Night Sweats

Angels in America: Millenium Approaches and Perestroika (two parts)

William Finn and James Lapine

William Finn and James Lapine

As Is

Ce sont amis que vent emporte

Sojourner: Black Gay Voices in the Age of AIDS

Page 6: AIDS Writing Database

Description Country GenreShort Fiction

UK; USA Short Fiction

Short Fiction

Non-fiction

About the surviving lover and friends of a New York filmmaker who died of AIDS. USA

Short Fiction

The basis for the 1992 film about an HIV-positive bisexual French filmmaker. France

USA Short Fiction

USA Fiction

Non-fiction

FranceUSA VariousUSA Short Fiction

AIDS figures occasionally as a writer obsessively pursues a beautiful, manipulative addict.

Canada Fiction

USA Non-fiction

Reprints his four stories from The Darker Proof and adds five new pieces--largely confirms the point he makes in the book's introduction about the "detachment" of his artistic approach to AIDS. AIDS is a dominant concern in only two of the new stories, and in the one that comes closest to "facing things" about the epidemic, the sometimes very poignant "The Changes of The stories in the pioneering collection The Darker Proof--four by the British writer Adam Mars-Jones and three by the American novelist Edmund White--all concern AIDS in some way, yet all seem preoccupied by a fear of getting "more-ish" about the subject. The central characters--three PWAs, four surviving lovers, friends, or caretakers--are highly "defended" The most pointed gay American AIDS fiction of 1990; four of the collection's six stories concern AIDS. Its centerpiece, "The Times As It Knows Us," counterpoints the media's stereotypical depiction of gay men under AIDS with the more complicated behavior of a Fire Moving tributes to dead or imperiled friends dot Andrew Holleran's essay collection, Ground Zero, but most of the pieces concern Holleran's own "depression" at AIDS and his difficulty in writing about the epidemic as an author whose predominant modes have been doomed

Seems to have immersive aims but are also instilled with elements that distance the subject. In the painful death of the narrator's lover, Jasper, as well as in its unusual amount of

Autobiographical novel

Though we learn at the end of the consciously "decentered" Martin and John that Peck's various "Martin" and "John" stories are the narrator's way of finding something "to grab on to" after the "real" Martin's death from AIDS, and though some of the scenes of AIDS suffering are harrowing, the actual subject of AIDS does not enter the book until almost halfway through. Moreover, most of the stories do not concern AIDS, though several concern subjects as unnerving in their own terms, such as degenerative illness, child abuse, and Illustrates the continuing conflicts in AIDS literature about close "touch" with the subject. A problematic attempt to write AIDS comedy, chronicles the adventures of a panicked sero-negative New York gay "clone," B. J., and relegates actual AIDS to a secondary character with whom B. J. had a one-night stand and whom he is pressured into helping ("I don't want to touch Bob").

A sequel to Eighty-Sixed. Now B. J. is HIV-positive, and the tensions in writing AIDS comedy are even more acute, with Feinberg alternately collaring the audience with blunt statements of suffering--"The course of the illness left one raw. Nothing was left but tension and anger"--The most vehement AIDS writing of 1991, includes "Postcards from America: X-Rays from Hell," the blistering essay that sparked opposition from Jesse Helms and the National Endowment for the Arts when it introduced the catalogue of the 1989 New York AIDS art show Witnesses: Against Our Vanishing. A further sequel to Sweetheart by McGehee's lover, Doug Wilson (d. 1992), based on McGehee's notes.

Based on Dreuilhe's diary during the preceding three years in New York, this "News from the Front" is pervaded with martial metaphors that occasionally obscure the specificity of the

Autobiographical novelThe most extensive African-American AIDS writing to that point. More than a quarter of the

book concerns AIDS, from stirring poems by Melvin Dixon, David Frechette (d. 1991), and A collection of linked short stories in the form of a novel, Fenton Johnson also uses traditional realism to "name the unspeakable death" of a young gay man with AIDS who returns to his working-class Kentucky family to die and whose story takes up half of the book.

In its last third, documents the AIDS deaths and suicides of several members of an international film crew.

Contains one of the most vivid and moving depictions of AIDS in fiction, in the story of the stricken actor Jonathan, one of several figures involved variously with The Wizard of Oz whose lives Ryman intertwines in the novel.

Reports on a middle-class white gay male PWA in New York City, a working-class Chicano gay male PWA in rural Colorado, and the AIDS service at Lincoln Hospital in the South Bronx, whose patients are overwhelmingly poor, African American or Hispanic, heterosexual IV-drug

Page 7: AIDS Writing Database

Sequel France Fiction

Sequel France Fiction

Sequel France Fiction

Sequel France Fiction

France

USA

Short stories

A young gay man with AIDS returns to his Oregon family. USA

USA NovelA diverse collection of stirring essays by gay and lesbian authors. Non-fiction

Novel

USA

USA Drama

This autobiographical novel focuses on a young writer who obsessively confronts the "calamity" of his disease and at the same time seeks the "salvation" of a miracle vaccine promised by an American friend who never delivers. In sketching AIDS in the narrator's friends as well, the book created an extra stir for its portrait of the philosopher Michel Foucault as the stricken Muzil.

Autobiographical novel

In James Robert Baker's outwardly gritty Tim and Pete, an "over the edge" Southern California sexual picaresque, violent rage toward reactionary national responses to AIDS (at the end, a gang of drugged-out "postmodern" terrorist gay men with AIDS is on its way to machine-gun At the hearts of most of these "simple," realistic stories are acts of "passionate" care-taking that demonstrate how the lives of gay men under AIDS, their friends, and families "keep interweaving" and that unembarrassedly convey "the unbearable sorrow which had punctured their souls."

Autobiographical novel

The novel does have a person with AIDS as a main character; and in the "blank generation" Eddie, who even in his illness cannot stop living "in quotes" from movies and television, it gives a painful picture of a life wasted in reactive irony. Yet, though some breaks from A visiting American opera singer becomes entangled with several Italians, including a transvestite prostitute threatened by AIDS, and is finally able to grieve for his American ex-lover who died of the disease.

An HIV-positive gay man, his bisexual ex-lover, and his ex-lover's wife deal with the effects of AIDS on their relationships in 1985 Los Angeles.

Page 8: AIDS Writing Database

USA Drama

Drama

Non-fiction

Incorporates a person with AIDS in its final sections. USA Fiction

USA Poetry

USA Poet

Fiction

A gay male PWA and his heterosexual brother reconcile. USA Fiction

About three gay male "AIDS widowers" in Los Angeles. USA FictionUSA Memoir

USA Poetry

A delirious skewering of the Reagan and Koch administrations in which government inaction on AIDS is one of several targets.

After a successful off-Broadway run, continued the story of Ned Weeks from The Normal Heart, with Ned now an AIDS patient at the National Institutes of Health having flashback conversations with his younger self and family.An historically valuable, Cassandra-like "collected diatribes" about AIDS from 1981 to 1988, plus an essay paralleling gay oppression under AIDS with the Nazi genocide against the Jews.

Includes work by gay and heterosexual poets, people with AIDS, and loved ones and caretakers. Among its many notable contributions are work by groups that have been underrepresented in AIDS literature: a gay African-American writer--Melvin Dixon (d. 1992)--

In recounting the harrowing AIDS deaths of Hugo and most of his friends, Moore assaults the British tolerance of "solitary suffering" with AIDS as well as the general British "embarrassment" at "too much" expressiveness. Yet Moore seems implicated in the same universe himself (and risks distancing readers) in featuring as his protagonist an emotionally Includes the author's experiences as a PWA in what is chiefly a report about AIDS treatments and the alternative AIDS-drug underground.

A novel in the form of linked short stories about two dissimilar homosexual brothers and their family. The narrator and his lover return to Boston to be with his older brother and his lover as his brother dies of AIDS and then face the emotional aftermath back in their

Charts the suffering and death of Monette's lover Roger Horwitz from AIDS in 1985-1986, encompassing at the same time the struggles of affected friends and of the concerned gay community nationwide. Charts the suffering and death of Monette's lover Roger Horwitz from AIDS in 1985-1986, encompassing at the same time the struggles of affected friends and of the concerned gay community nationwide. The supreme work of immersive AIDS writing so far. It thrusts the horrors of AIDS in the reader's face. Monette embodies his and Rog's harrowing experience in

Page 9: AIDS Writing Database

USA Drama

Italy Fiction

Poetry

USA Short fiction

Fiction

Poems chronicling the sickness and death from AIDS of the author's lover; Poetry

USA Short Fiction

Novel

Drama

Several other 1993 works reflect in differing ways the current national tension about "speaking" and "touching" AIDS. The most blatantly counter-immersive is Paul Rudnick's Semicomic, semisorrowful novel tracing a group of gay male Toronto friends during the epidemic.

Sequel to Boys Like Us.A novel of "deep and sacred mourning" that reviews the love affair of the young Leo and Thomas and traces the quest of the intensely self-examining and chronically "separate" Leo to "become available" to experience again after Thomas's death from AIDS.

A rare 1991 volume including forty-five poems by the eight members of a poetry workshop the author ran at New York's Gay Men's Health Crisis from 1989 to 1991. It features particularly skillful work by Charles Barber ("Thirteen Things About a Catheter"), Glenn Philip Kramer ("Pantoum for Dark Mornings"), Glenn Besco ("Vernon Weidner Visits in a Dream"), and Dan Conner ("Retinitis").

An impassioned chronicle of the widespread national inaction about AIDS between 1980 and 1985, gave added momentum to AIDS literature.

Collection which has four AIDS-related stories ("The Jilting of Tim Weatherall," "The Cannibals," "Manhattan Transfer," and "Being a Baroness").

Signals the force of counter-immersiveness in AIDS literature as well. The most distinguished American AIDS novel to that point. Ferro occasionally deflects the reader's attention from the moving love story of two men with AIDS, Mark and Bill, with Mark's family tensions and his camp correspondence with his friend Matthew (who finally seems planning to deflect himself from earth itself, enlisting in a group of gay space travelers).

Delany intertwines reflections about the mounting AIDS crisis in New York between 1982 and 1984 (including a rare depiction of AIDS among street people) with a narrative about a similar plague in his fantasy realm.

An East Village lesbian and her bisexual lover negotiate their relationship against a background of AIDS activism.

Movingly documented a surviving lover's mourning and his rapprochement with his dead lover's mother.

Page 10: AIDS Writing Database

USA Drama

Drama

Drama

USA Drama

France Novel

USA VariousOther selected works of AIDS literature also deserve mention: ; Also of note are the first gay American AIDS novel

Harvey Fierstein's Safe Sex (1987), three one-acts;

Richard Greenberg's play Eastern Standard (1988),Zero Positive (1988) by Harry Kondoleonwhich features a gay man with AIDS among its main characters; (d. 1994),

A third of Thom Gunn's The Man With Night Sweats (1992) concerns AIDS, with especially noteworthy, rending elegies for lost friends (for example, "Lament," "The J Car").

Won the Pulitzer Prize and Tony Award for best play (both parts), but more time is needed to tell whether the praise lavished on it reflects its merit or chiefly critics' guilt at having overlooked earlier AIDS art. In the stories of Prior, Louis, Joe, Belize, and Roy Cohn, Angels in America has brought AIDS and American gay male life before more mainstream viewers than any other work of AIDS writing. Yet the play also regularly shifts focus to another subject, heterosexual women (whom it ironically makes Mormons, one of the most homophobic religions), and also relies heavily on spectacle and a supernatural context (which it then ultimately tries to frame ambiguously). Each of these elements implies an audience (and world) that doesn't want to "touch" AIDS too frontally, plainly, or entirely, and, no matter Musical, enjoyed a successful off-Broadway run, brought the characters from their earlier March of the Falsettos (1981) into the age of AIDS and its painful losses.

Winning the Tony Award for best book of a musical, William Finn and James Lapine united their earlier March of the Falsettos and Falsettoland into Falsettos and made Whizzer's AIDS death even more wrenching by juxtaposition to the lovers' original romance.

"Spoke" the emergency of AIDS to audiences that had typically seen no artistic demonstration of it before. Hoffman combined the poignant tale of a person with AIDS and his lover with fuguelike choruses of other affected people.

The first anthology devoted entirely to African-American AIDS writing, follows the sample in the earlier Brother to Brother in maintaining that literature's testifying, "kicking and

Night Sweat (1984) by Robert Chesley (d. 1990), the first American AIDS play (published in his 1990 collection, Hard Plays, Stiff Parts)

the last three volumes of Armistead Maupin's Tales of the City series, Babycakes (1984), Significant Others (1987), and Sure of You (1989), where AIDS becomes an ever more prominent subject;the four to six stories about AIDS in each of the Men on Men: Best New Gay Fiction collections (1986, 1988, 1990, 1992).

the moving AIDS-related poems that dot Mark Doty's books, Turtle, Swan (1987), Bethlehem in Broad Daylight (1991), and the National Book Critics' Circle Award-winning My Alexandria (1993);Christopher Davis's Valley of the Shadow (1988), about a wealthy young New York man and his ex-lover as they die from AIDS;

which mixes AIDS among homosexual and heterosexual New Yorkers with other subjects (published in M. Elizabeth Osborn's 1990 anthology, The Way We Live Now: American Plays & the AIDS Crisis).