Dance Collection Danse Library List Acocella, Joan and Lynn Ager Wallen. 1987. Dance Research Annual. A Spectrum of World Dance. New York: Congress on Research in Dance. Adams, Doug and Diane Apostolos-Cappadona. 1990. Dance as Religious Studies. New York: The Crossroad Publishing Company. (Donated by James Pape.) Adams, Lawrence. 2004. Building Your Legacy: An Archiving Handbook for Dance. Toronto: Dance Collection Danse Press/es. Adams, Lawrence, Amy Bowring, Clifford Collier. 2008. Canadian Integrated Dance Database Standards Manual and Collier Descriptor Thesaurus. Toronto: Dance Collection Danse Press/Presse. Adams, Miriam and Lynn Rotin. 1979. Photographs Dance. Toronto: 15 Dance Lab. Adshead, Janet & Layson, June. 1983. Dance History: An Introduction. Routledge. (Donated by Carol Bishop-Gwyn) Adshead, Janet & Layson, June. 1983. Dance History: A Methodology for Study. London: Dance Books. (Donated by Carol Bishop-Gwyn) Adshead, Janet. 1988. Dance Analysis: Theory and Practice. London: Dance Books. (Donated by Carol Bishop-Gwyn) Alberti, Luigi. 1923. Art of Terpsichore. New York: De Vinne Press. (Donated by Gail Grant.) Alfonso, Francisco Rey. Fanny Elssler En Cuba 1841 (in Spanish) ediciones Gran Teatro (pamphlet) (Donated by Carol Bishop-Gwyn.) Allan, Mauryne. 1990. Running in Rhythm Footsteps in Time: Creative Dance for Primary Classes. North Vancouver: Creative Curriculum. Alonzo, Anne-Marie. 1993. Margie Gillis – La Danse Des Marches. Boisbriand: Éditions Du Noroît. Amberg, George. 1949. Ballet in America. New York: Duell, Sloan and Pearce. (Donated by Bert Anderson.) Amberg, George. 1954 ed. Ballet in America. New York: Mentor Books. (One copy donated by Gail Grant, one copy donated by Alison Sutcliffe.) Ambrose, Kay. c. 1946. Ballet Impromptu. London: Golden Galley.

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Ambrose, Kay. 1949. The Ballet-Lover’s Companion. London: Adam and Charles Black. (One copy donated by John Faichney, one copy donated by Eva Goldman, one copy donated by Frank Rasky; one copy donated by Kay Kritzwiser) Ambrose, Kay. 1950 ed. The Ballet-Lover’s Pocket-Book. London: Adam and Charles Black. (One copy donated by John Faichney, one copy donated by Cheryl Smith, one copy donated by Janet Truckenbrodt.) Ambrose, Kay. 1953. Beginners, Please! London: Adam and Charles Black. Ambrose, Kay. 1958. The Ballet Students’ Primer. Bonanza Books. (Donated by Carol Bishop-Gwyn.) Anderson, Carol. 1993. Judy Jarvis Dance Artist: A Portrait. Toronto: Dance Collection Danse. Anderson, Carol. 1998. This Passion: for the love of dance. Toronto: Dance Collection Danse Press/es. Anderson, Carol. 1999. Rachel Browne: Dancing Toward the Light. Winnipeg: J. Gordon Shillingford. Anderson, Carol. 1999. Chasing the Tale of Contemporary Dance, Part 1. Toronto: Dance Collection Danse Press/es. Anderson, Carol. 2002. Chasing the Tale of Contemporary Dance, Part 2. Toronto: Dance Collection Danse Press/es. Anderson, Carol. 2008. Unfold: A Portrait of Peggy Baker. Toronto: Dance Collection Danse Press/Presse. Anderson, Carol and Dorothy Woodend. 2010. Lola Dance: Lola MacLaughlin: A Life in Dance. Vancouver: Lola Dance. (Donated by Tony Giacinti. One copy donated by Carol Anderson) Anderson, Jack. 1974. Dance. New York: Newsweek Books. (Donated by Barbara Donen.) Anderson, Jack. 1979. The Nutcracker Ballet. London: Bison Books. (Donated by Barbara Donen.) Anderson, Jack. 1992. Ballet and Modern Dance: A Concise History. Second Edition. Dance Horizons. (Donated by Carol Bishop-Gwyn.) Anderson, Jack. 1997. Art Without Boundaries. University of Iowa Press. (Donated by Carol Bishop-Gwyn.)

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Anderson, Zoë. 1996. The Royal Ballet: 75 Years. Faber & faber. (Donated by Carol Bishop-Gwyn.) Anthony, Gordon. 1935. Markova: A Collection of Photographic Studies. London: Chatto & Windus. (Donated by Joseph E.J. Beasley.) Anthony, Gordon. 1945. Ballerina: Further Studies of Margot Fonteyn. London: Home and Van Thal Ltd. (Donated by Joseph E.J. Beasley.) Anthony, Gordon. 1946. Robert Helpmann. London: Home & van Thal. (Donated by Eva Goldman.) Anthony, Gordon. 1950. Margot Fonteyn. London: Phoenix House. (Donated by Gweneth Lloyd, Box 8.) Anthony, Gordon. 1952. Beryl Grey. London: Phoenix House. Anthony, Gordon. 1952. Dancers of the World. London: Phoenix House. (Donated by Eva Goldman.) Arbeau, Thoinot and Cyril W. Beaumont, trans. 1925. Orchesography: A Treatise in the Form of a Dialogue. London: C.W. Beaumont. (Donated by Alison Sutcliffe.) Arbeau, Thoinot and Mary Stewart Evans, trans. 1948. Orchesography. New York: Kamin Dance. (Donated by Gail Grant.) Armitage, Merle, ed. 1937. Martha Graham. Los Angeles: Merle Armitage. (Donated by Alison Sutcliffe.) Armstrong, Lucile. 1948. Dances of Portugal. London: Max Parish & Co. (Donated by Gweneth Lloyd, Box 7.) Armstrong, Lucile. 1950. Dances of Spain: South Centre and North-West. London: Max Parish & Co. (Donated by Gweneth Lloyd.) Aschenbrenner, Joyce. 1980. Katherine Dunham. Reflections on the Social and Political Contexts of Afro-American Dance. New York: Cord Inc. Astaire, Fred. 1959. Steps in Time. New York: Harper & Brothers. (Donated by Joysanne Sidimus.) Atkinson, Margaret F. and Nancy Draper. 1951. Ballet for Beginners. New York: Alfred A. Knopf. (Donated by Gail Grant.)

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Au, Susan. 1997. Ballet & Modern Dance. Thames & Hudson. (Donated by Carol Bishop-Gwyn.) Aubel, Hermann and Marianne. 1928. Der Kunstlerische Tanz Unserer Zeit. Verlag/Konigstein im Taunus & Leipzig: Karl Robert Langewiesche. (Donated by Alison Sutcliffe.) Augustyn, Frank and Barbara Sears. 2000. Dancing From the Heart: A Memoir. Frank Augustyn. Toronto: McClelland & Stewart. Ayrton, Michael, E. J. Dent and Constant Lambert. 1948. Purcell’s The Fairy Queen. London: John Leeman. (Donated by Gail Grant.) Balcar, J. Alexander and Vowort von Professor Pavel Ludikar. 1957. Knaurs Ballett Lexikon. Zurich: Groemersche Verlagsanstalt. (Donated by Eva Goldman.) Balkind, Alvin and R.A. Gledhill. 1979. Living Art. Vancouver: Western Front, Pumps, Video Inn. Banes, Sally. 1980. Terpsichore in Sneakers: Post-Modern Dance. Houghton Mifflin. (Donated by Carol Bishop-Gwyn.) Banes, Sally. 1994. Writing Dance in the Age of Postmodernism. Hanover: Wesleyan University. (Donated by Joysanne Sidimus.) Banes, Sally (signed). 1998. Dancing Women: Female Bodies on Stage. Routledge. (Donated by Carol Bishop-Gwyn.) Barnes, Clive. 1977. Inside American Ballet Theatre. New York: Hawthorn. Barrett, W.A. and J. Stainer, eds. A Dictionary of Musical Terms. London: Novello, Ewer and Co. (Donated by Eva Goldman.) Bartenieff, Irmgard. 1980. Body Movement: coping with the Environment. Gordon & Breach. (Donated by Carol Bishop-Gwyn.) Baryshnikov, Mikhail with Charles Engell France . 1980. Baryshnikov at Work: Mikhail Baryshnikov Discusses His Roles. New York: Alfred A. Knopf. (Donated by Alison Sutcliffe.) Baum, Vicki. 1958. Theme for Ballet. New York: Dell. (Donated by Gail Grant.) Beaton, Cecil. 1951. Ballet. Wingate. (Donated by Carol Bishop-Gwyn.) Beatty, Patricia. 1985. Form Without Formula. Toronto: Underwhich Editions.

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Beatty, Patricia. 1994. Form Without Formula. Toronto: Dance Collection Danse. Beaumont, Cyril W. and Stanislas Idzikowski. 1922. A Manual of The Theory and Practice of Classical Theatrical Dancing (Méthode Cecchetti). London: C.W. Beaumont. (Donated by Alison Sutcliffe.) Beaumont, Cyril W. 1930. A History of Ballet in Russia (1613-1881). London: C.W. Beaumont. (Donated by Joseph E.J. Beasley.) Beaumont, Cyril. W. 1931. A French-English Dictionary of Technical Terms used in Classical Ballet. London: C.W. Beaumont. (Donated by Alison Sutcliffe.) Beaumont, Cyril W. 1932. Anna Pavlova. (Donated by Carol Bishop-Gwyn.) Beaumont, Cyril W. 1933. Diaghilev. London: C.W. Beaumont. (Donated by Gail Grant.) Beaumont, Cyril W. 1935. A Second Primer of Classical Ballet. London: C.W. Beaumont. (Donated by Eva Goldman.) Beaumont, Cyril W. 1938. Complete Book of Ballets: A Guide to the Principal Ballets of the Nineteenth and Twentieth Centuries. New York: Grosset & Dunlap. (One copy donated by Joseph E.J. Beasley, one copy donated by Gweneth Lloyd, Box 7.) Beaumont, Cyril W. 1939. Five Centuries of Ballet Design. London: The Studio Ltd. (Donated by James Pape.) Beaumont, Cyril W. 1941 ed. Complete Book of Ballets: A Guide to the Principal Ballets of the Nineteenth and Twentieth Centuries. New York: Garden City Publishing. (Donated by Alison Sutcliffe.) Beaumont, Cyril W. 1941 ed. A Primer of Classical Ballet for Children. London: C.W. Beaumont. (Donated by Bettina Byers.) Beaumont, Cyril W. 1944. The Ballet Called Giselle. London: C.W. Beaumont. (Donated by Joseph E.J. Beasley.) Beaumont, Cyril W. 1944 ed. Supplement to Complete Book of Ballets. London: C.W. Beaumont. (Donated by Joseph E.J. Beasley.) Beaumont, Cyril W. 1945 ed. Michel Fokine and His Ballets. London: C.W. Beaumont. (Donated by Joseph E.J. Beasley.) Beaumont, Cyril W. 1945 ed. The Diaghilev Ballet in London: A Personal Record. London: Putnam. (Donated by Joseph E.J. Beasley.)

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Beaumont, Cyril W. 1946. The Sadler’s Wells Ballet: A detailed Account of Works in the Permanent Repertory with Critical Notes. London: C.W. Beaumont. (Donated by Joseph E.J. Beasley.) Beaumont, Cyril W. 1946. Ballet Design: Past & Present. London: The Studio; New York: Studio. Beaumont, Cyril. 1947. The Sadler’s Wells Ballet. (Donated by Carol Bishop-Gwyn.) Beaumont, Cyril W. 1952. Supplement to Complete Book of Ballets. London: Putnam. (Donated by Gail Grant.) Beaumont, Cyril W. 1953 ed. A Primer of Classical Ballet for Children. London: C.W. Beaumont. Bedells, Phyllis. 1954. My Dancing Days. London: Phoenix House Ltd. (Donated by Alison Sutcliffe.) (mentions Bettina Byers, Alison Sucliffe and Verity Sweeney) Béjart, Maurice, Lincoln Kirstein, Marcia B. Siegal, Clement Crisp, John Percival, Rudi Van Dantzig, Nadia Nerina and John Lanchbery. 1974. Ballet and Modern Dance. London: Octopus. Belknap, S. Yancey. 1941. Ballet Close-Ups. New York: Kamin. (Donated by Gail Grant.) Bell, Ken and Celia Franca. 1978. The National Ballet of Canada. Toronto: University of Toronto Press. (One copy donated by F.A. Truckenbrodt, one copy donated by James Pape.) Bellingham, Susan. 1983 ed. A Catalogue of the Dance Collection in the Doris Lewis Rare Book Room. Waterloo: University of Waterloo Library. Benesh, Rudolph and Joan. 1955. An Introduction to Benesh Dance Notation. London: Adam and Charles Black. (Donated by Gweneth Lloyd, Box 8) Benois, Alexandre and Mary Britnieva, trans. 1945. Reminiscences of the Russian Ballet. London: Putnam. (Donated by Joseph E.J. Beasley.) Bentley, Toni. 1982. Winter Season. New York: Vintage Books. (One copy donated by F.A. Truckenbrodt, one copy donated by Joysanne Sidimus.) Berchoux, J. La Danse. Paris: Chez Giguet et Michaud. (Donated by Eva Goldman.) Bevan, Donald and Edmund Trzcinski. 1951 (2nd ed.). Stalag 17. New York: Dramatists Play Service. (Donated by Gweneth Lloyd, Box 7.)

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Blair, Fredrika. 1986. Isadora. McGraw-Hill. (Donated by Carol Bishop-Gwyn.) Bland, Alexander. 1976. The Nureyev Image. Montréal: Optimum. (Second copy donated by Frank Rasky) Bland, Alexander. 1981. The Royal Ballet: The First Fifty Years. Doubleday. (Donated by Carol Bishop-Gwyn.) Blewchamp, Anna. 1992. “Gweneth Lloyd and the Wise Virgins, the Development of an Artist: The Reconstruction of the Ballet.” Toronto: Graduate Programme in Dance, York University. Bocharnikova, Yelena, Mikhail Gabovich and K. Danko, trans. Undated. Ballet School of the Bolshoi Theatre. Moscow: Foreign Languages Publishing House. (Donated by Alison Sutcliffe.) Bogdanov Veresovsky, V. and Stephen Garry and Joan Lawson, trans. 1952. Ulanova and the Development of the Soviet Ballet. London: MacGibbon & Kee. (Donated by Alison Sutcliffe.) Bonham Carter, Mark, Arnold L. Haskell and Michael Wood. 1955. Gala Performance. London: Collins. Borodin, George. 1940. This Thing Called Ballet. London: Macdonald & Co. (One copy donated by Eva Goldman, one copy donated by Joseph E.J. Beasley.) Bradly, Lionel. 1946. Sixteen Years of Ballet Rambert. London: Hinrichsen Edition. (Donated by Joseph E.J. Beasley.) Brahms, Caryl. 1944 ed. Footnotes to the Ballet. London: Peter Davies Ltd. (One copy donated by Eva Goldman, one copy donated by Joseph E.J. Beasley.) Brahms, Caryl. 1945 ed. Robert Helpmann: Choreographer. London: B.T. Batsford, Ltd. (Donated by Joseph E.J. Beasley.) Brahms, Caryl and S.J. Simon. 1946. Six Curtains for Natasha. Philadelphia: J.B. Lippincott. Brahms, Caryl. 1952 ed. A Seat at the Ballet. Great Britain: Evans Brothers Ltd. (Donated by Alison Sutcliffe.) Brillarelli, Livia. 1995. Cecchetti: A Ballet Dynasty. Toronto: Dance Collection Danse. Brinson, Peter and Clement Crisp. 1973. Ballet for All. Great Britain: David & Charles Ltd.

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Brockett, Oscar G. 1968. History of Theatre. Boston: Allyn & Bacon. Brockett, Oscar. 1974. The Theatre: An Introduction. Holt Rinehardt (Donated by Carol Bishop-Gwyn.) Brockhouse, Robert. 2007. The Royal Alexandra Theatre: A Celebration of 100 Years. Toronto: McArthur & Company. Brooke, Iris. 1930 (2nd ed.). English Children’s Costume. London: A. & C. Black. (Donated by Gweneth Lloyd, Box 7) Buckle, Richard. 1956. In Search of Diaghilev. Thomas Nelson. (Donated by Carol Bishop-Gwyn.) Buckle, Richard. 1975. Nijinsky. Avon. (Donated by Carol Bishop-Gwyn.) Buckle, Richard. 1979. Diaghilev. Hamish Hamilton. (Donated by Carol Bishop-Gwyn.) Buckle, Richard. 1982. In the Wake of Diaghilev: Autobiography. London: Collins. (Donated by Joysanne Sidimus.) Buckman, Peter. 1979. Let’s Dance. New York: Penguin. Buckroyd, Julia. 2000. The Student Dancer. London: Dance Books. (Donated by Joysanne Sidimus.) Buday, George. 1950. Dances of Hungary. London: Max Parrish & Company. (Donated by Gail Grant.) Burt, Ramsay. 1998. Alien Bodies: Representation of Modernity, Race and Nation in Early Modern Dance. Routledge. (Donated by Carol Bishop-Gwyn.) Cabrera, Miguel. 1978. Orbita del Ballet Nacional de Cuba 1948-1978. Ciudad de la Habana: Editorial ORBE. (Donated by Alison Sutcliffe.) Campbell, George. 1985. Performance. Thunder Bay: Link. Castel, Boris, ed. Queens Quarterly. Fall 2011. Kingston: The Quarterly Committee of Queens University. Carpenter, Bernadette. 1995. Spotlight Newsletters, 1951-1956. Toronto: Dance Collection Danse. Carter, Alexandra. 1998. The Routledge Dance Studies Reader. Routledge. (Donated by Carol Bishop-Gwyn.)

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Carter, Alexandra. 2004. Rethinking Dance History: A Reader. Routledge. (Donated by Carol Bishop-Gwyn.) Carter, Randolph. 1974. Ziegfeld: The Time of his Life. Paul Elke. (Donated by Carol Bishop-Gwyn.) Carter, Randolph. 1988. Ziegfeld: The Time of his Life. Bernard Press. (Donated by Carol Bishop-Gwyn.) Cartwright, Hilary. 1974. Dancing for a Living: Ballet and Contemporary Dance. Reading: Educational Explorers. (Donated by Joysanne Sidimus.) Case, Arthur E., George H. Nettleton. 1939. British Dramatics from Dryden to Sheridan. Cambridge: The Riverside Press. Chalif, Louis H. 1921. Russian Festivals and Costumes for Pageant and Dance. New York: Chalif Russian School of Dancing. (Donated by Bettina Byers.) Cherniavsky, Felix. 1991. The Salome Dancer. Toronto: McClelland & Stewart. Cherniavsky, Felix. 1998. Maud Allan and Her Art. Toronto: Dance Collection Danse Press/es. Cherniavsky, Felix. 2001. The Cherniavsky Trio. Vancouver: Felix Cherniavsky. Chujoy, Anatole and P.W. Manchester. The Dance Encyclopedia. 1967 ed. New York: Simon and Schuster. (Donated by Gweneth Lloyd, CR.) Clarke, Mary and Peter Revitt. 1949. Ballet Guyed. London: Ballet To-Day. (Donated by Gail Grant.) Clarke, Mary and Arnold Haskell. 1964. The Ballet Annual and Year Book No. 18. London: Adam & Charles Black Ltd. Clarke, Mary and Clement Crisp. 1974. Making a Ballet. London: Studio Vista. (Donated by Gweneth Lloyd, Box 7.) Clarke, Mary and David Vaughan. 1977. The Encyclopedia of Dance & Ballet. London: Peerage. (Donated by Gweneth Lloyd, Box 8.) Clarke, Mary and Clement Crisp. 1978. Ballet Art: From the Renaissance to the Present. New York: Clarkson N. Potter. (One copy donated by Joysanne Sidimus, one copy donated by Gweneth Lloyd, Box 7, one copy donated Linda Stearns.) Clifton, Brett, ed. 2012. Dear Mom and Pop: The Overseas Letters of Private Penny. Lethbridge: self-published. (Donated by Brett Clifton)

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Coe, Robert. 1985. Dance in America. New York: E.P. Dutton. Cohan, Robert. 1986. The Dance Workshop. London: Gaia. (Donated by Joysanne Sidimus.) Cohen, Selma Jean. 1972. Doris Humphrey: An Artist First. Wesleyan University Press. (Donated by Carol Bishop-Gwyn.) Cohen, Selma Jeanne, ed. 2004 ed. International Encyclopedia of Dance. New York: Oxford University Press. (Donated by Selma Odom.) Coleman Lemieux & Co. Reconstructing/La Reprise de 15 Heterosexual Duets by/de James Kudelka. 2006. Toronto: Dance Collection Danse Press/es. Colin, Paul, Henry Louis Gates Jr. and Karen C.C. Dalton. 1998. Josephine Baker and la Revue Nègre: Paul Colin’s Lithographs of le Tumulte Noir in Paris, 1927. New York: Harry N. Abrams. Collier, Clifford and Pierre Guilmette. 1982. Dance Resources in Canadian Libraries. Ottawa: Canadian Government. Como, William, ed. 1964. Raoul Gelabert’s Anatomy for the Dancer. New York: Danad. (Donated by Dorothy Gordon.) Como, William, ed. 1966. Raoul Gelabert’s Anatomy for the Dancer, Volume 2. New York: Danad. (Donated by Dorothy Gordon.) Conyn, Cornelius. 1948. Three Centuries of Ballet. Sydney: Australasian Publishing Company. (Donated by Alison Sutcliffe.) Cooper Garey, Carol, Jack Vartoogian and Linda Vartoogian. 1997. The Living World of Dance. Rowayton: Saraband. Copeland, Roger and Marshall Cohen. 1983. What is Dance?: Readings in Theory and Criticism. New York: Oxford University Press. (One copy donated by Nancy Lima Dent, one copy donated by Carol Bishop-Gwyn.) Cornell, Katherine and Nadine Saxton. 1998. Toronto Dance Theatre 1968-1998: Stages in a Journey. Toronto: Captus Press. Couillard, Paul. 2002. la Dragu. Toronto: Fado Performance. Cousineau, Yves L-Ph. and Pierre Guilmette. 1983. Collection canadienne de gravures en danse/Canadian Collection of Dance Prints. Montreal: Québec Été Danse. (Donated by Linda Stearns.)7

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Crabb, Michael and Andrew Oxenham. 1977. Dance Today In Canada. Toronto: Simon & Pierre. Crabb, Michael. 1978. Visions: Ballet and Its Future. Toronto: Simon and Pierre. (One copy donated by Joysanne Sidimus, one copy donated by Gweneth Lloyd, Box 7.) Crabb, Michael. 2002. An Instinct for Success: Arnold Spohr and the Royal Winnipeg Ballet. Toronto: Dance Collection Danse Press/es. Crickmay, Anthony. 1982. Dancers. New York: William Morrow and Company. (Donated by Alison Sutcliffe.) Crisp, Clement and Edward Thorpe. 1977. The Colourful World of Ballet. London: Octopus Books Limited. (Donated by Barbara Donen.) Crisp, Clement and Peter Brinson. 1970. Ballet for All. London: Pan Books. (Donated by Gweneth Lloyd, Box 7.) Crisp, Freda. 2013. Scandolous and Delightful: The Viennese Children 1840-1850. Canada: The Printing House Ltd. (Donated by Freda Crisp) Croce, Arlene. 1977. After-Images. New York: Alfred A. Knopf. (Donated by Gweneth Lloyd, Box 7.) Croce, Arlene. 2000. Writing in the Dark: Dancing in the New Yorker. Farrar, Straus & Giroux. (Donated by Carol Bishop-Gwyn.) Crosland, Margaret. 1957 edition. Ballet Carnival: A Companion to Ballet. London: Arco. (Donated by Eva Goldman.) Crowle, Pigeon. c. 1950. Moira Shearer: Portrait of a Dancer. London: Faber and Faber. (Donated by Gweneth Lloyd, Box 7.) Crowle, Pigeon. c. 1957. Come to the Ballet. New York: Pitman. Dafoe, Christopher. 1990. Dancing Through Time. Winnipeg: Portage & Main. Nolan, Rachel, ed. 2011. 25 Transitions. Toronto: Dancer Transition Resource Centre. Daneman, Meredith. 2004. Margot Fonteyn. Viking. (Donated by Carol Bishop-Gwyn.) Darling, Christopher and John Fraser. 1977. Kain & Augustyn. Toronto: The Macmillan Company of Canada.

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Davidson, Gladys. 1952. Ballet Biographies. Werner Laurie. (Donated by Carol Bishop-Gwyn.) Davidson, Gladys. 1953 ed. Stories of the Ballets. London: Werner Laurie. (Donated by Eva Goldman.) Davies, Robertson, Tyrone Guthrie and Grant Macdonald. 1953. Renown at Stratford. Toronto: Clarke, Irwin & Company. Davis, Jesse. 1978. Classics of the Royal Ballet. London: Macdonald and Jane’s. (Donated by Joysanne Sidimus.) Davis, Mike. 1965. The Wonderful World of Ballet. London: Odhams Long Acre. (Donated by Gweneth Lloyd, Box 8.) Davis, Mike and Fernau Hall. 1970. The World of Ballet and Dance. London: Hamlyn. (Donated by Gweneth Lloyd, Box 8.) Davis, Prof. J.F. 1878. The Modern Dance Tutor; or Society Dancing. Toronto: Hawkins. (Donated by Selma Odom.) Delarue, Allison. 1976. Fanny Elssler in America. New York: Dance Horizons. De Goncourt, Edmond. La Guimard. Paris: Ernest Flammarion. (Donated by Eva Goldman.) Dell, Cecily. 1977. A Primer of Movement Description. Dance Notation Bureau Press. (Donated by Carol Bishop-Gwyn.) De Ménil, F. c.1905. Histoire de la Danse. Paris: Librairie d’Éducation Nationale. (Donated by Eva Goldman.) De Mille, Agnes. 1952 ed. Dance to the Piper. Boston: Little, Brown and Company. (Donated by Alison Sutcliffe.) De Mille, Agnes. 1954 ed. Dance to the Piper. New York: Bantam Books. (Donated by Alison Sutcliffe.) De Mille, Agnes. 1956 (2nd ed.). Martha, The Life and Works of Martha Graham. New York: Random House. (Donated by Joysanne Sidimus.) De Mille, Agnes. 1958 ed. And Promenade Home. Boston: Little, Brown and Company. (One copy donated by Alison Sutcliffe, one copy donated by Frank Rasky.) De Mille, Agnes. 1963. The Book of the Dance. New York: Golden Press. (One copy donated by Alison Sutcliffe, one copy donated by Gweneth Lloyd, Box 7.)

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De Mille, Agnes. 1973. Speak to Me, Dance with Me. New York: Popular Library. De Mille, Agnes. 1980. America Dances. MacMillan (Helen Obolensky Enterprises Inc. Book) (Donated by Carol Bishop-Gwyn.) De Mille, Agnes. 1991. The Life and World of Martha Graham. Hutchinson. (Donated by Carol Bishop-Gwyn.) Denby, Edwin. 1968. Looking at Dance. Popular Library. (Donated by Carol Bishop-Gwyn.) De Valois, Ninette. 1957 (2nd ed.). Come Dance With Me. London: Reader’s Union. (One copy donated by Joysanne Sidimus, one copy donated by Marion Lewis) Demery, Felix and Ruth French. 1950 ed. First Steps. Great Britain: Rush & Warwick. Demery, Felix and Ruth French. 1950. Advanced Steps in Ballet. Great Britain: Rush & Warwick. (Donated by Gweneth Lloyd, Box 8.) Denby, Edwin. 1968. Looking at the Art of Dance. New York: Horizon. (Donated by F.A. Truckenbrodt.) Denvir, Bernard. 1990. Encyclopedia of Impressionism. Thames & Hudon. (Donated by Carol Bishop-Gwyn.) Desmond, Jane C. (editor). 1997. Meaning in Motion. Duke University. (Donated by Carol Bishop-Gwyn.) Desti, Mary. 1929. The Life of Isadora Duncan 1921-1927: The Untold Story. New York: Horace Liveright. (Donated by Alison Sutcliffe.) Dewey, V. Persis. 1918. Tips to Dancers: Good Manners for Ballroom and Dance Hall. Unknown publisher. (Donated by Alison Sutcliffe.) Dodd, Craig. 1980. Ballet in Colour. London: Cathay. Dolin, Anton. 1931. Divertissement. London: Sampson Low, Marston & Co. (Donated by Eva Goldman.) Dolin, Anton. 1950. Pas de Deux: The Art of Partnering. London: Adam and Charles Black. (Donated by Gweneth Lloyd, Box 8.) Dolin, Anton. 1953. Alicia Markova: Her Life and Art. New York: Hermitage House. (Donated by Gweneth Lloyd, Box 8.)

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Dolin, Anton. 1966. The Sleeping Ballerina. London: Frederick Muller. (Donated by Joysanne Sidimus.) Dolin, Anton. 1985. Last Words: A Final Autobiography. London: Century. (Donated by Joysanne Sidimus.) Dominic, Zoë and John Selwyn Gilbert. 1971. Frederick Ashton, a choreographer and his ballets. London: George G. Harrap. Doyle, Robert. 1999. Laundry, The Wits and Hows of Cleaning Clothes. Halifax: Sartorial. Draper, Nancy and Margaret F. Atkinson. 1951. Ballet For Beginners. New York: Alfred A. Knopf. (Donated by Gail Grant.) Dreier, Katherine S. 1933. Shawn The Dancer. London: J.M. Dent & Sons Ltd. (Donated by Alison Sutcliffe.) Dube, Wolf-Dieter. 1990. The Expressionists. Thames & Hudson. (Donated by Carol Bishop-Gwyn.) Du Boulay, Christine and Richard Ellis. 1955. Partnering. The Fundamentals of Pas de Deux. London: C. W. Beaumont. (Donated by Gail Grant.) Dublin, Anne. 2009. Dynamic Women Dancers. Toronto: Second Story Press, The Women’s Hall of Fame Series. (Donated by Anne Dublin.) Duncan, Isadora. 1927. My Life. New York: Garden City. Duncan, Isadora. August 1928 ed. My Life. New York: Boni and Liveright. (Donated by Alison Sutcliffe.) Dyer, Philip and Charles Spencer. 1979. The World of Serge Diaghelev. New York: Penguin. Eaton, Flora McCrea. 1956. Memory’s Wall: The Autobiography of Flora McCrea Eaton. Toronto: Clarke Irwin. Ellenwood, Ray. 1985. Refus Global/Total Refusal. Toronto: Exile Editions. (Donated by Ray Ellenwood.) Ellis, Havelock. 1923. The Dance of Life. London: Constable. Emery, Lynne Fauley. 1988. Black Dance: From 1619 to Today. Dance Horizons. (Donated by Carol Bishop-Gwyn.)

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Époque, Martine. 1999. Le Groupe Nouvelle Aire. Sainte-Foy: Presses de l’Université du Quebec. (Donated by Martine Époque.) Époque, Martine. 1995. Arts et technologies: Nouvelles Approches de la Création Artistique. Meridian. Ernst, Earle. 1956. The Kabuki Theatre. New York: Grove. Esslin, Martin. 1961. The Theatre of the Absurd. Anchor. (Donated by Carol Bishop-Gwyn.) Etting, Emlen. 1944. Drawing the Ballet. New York: The Studio. Ewers, Petra. 2008. Tazende Träume. Germany: Erste Auflage. Ewers, Petra. 2009. Schattensinfonie. Germany: Erste Auflage. Ewers, Petra. 2012. SchattenLichter. Germany: Erste Auflage. Faukner, T.A. 1916. The Lure of the Dance. Los Angeles: T.A. Faulkner. Febvre, Michèle, Laurier Lacroix, Pierre Ouellet and Thérèse Saint-Gelais. 2001. Jean-Pierre Perreault; Regard Pluriel. Montréal: Les Heures bleues. (Donated by Michèle Febvre with dedication by Jean-Pierre Perreault.) Febvre, Michèle, Laurier Lacroix, Pierre Ouellet and Thérèse Saint-Gelais. Translated by Steven Sacks. 2004. Jean-Pierre Perreault: Alternate Visions. Montréal: Blue Dawn Press. Fehl, Fred and Doris Hering. 1981. Giselle & Albrecht. New York: Dance Horizons. Financial Management for Canadian Theatres. 1984. Toronto: The Society of Management Accountants and the Professional Association of Canadian Theatres. Fisher, Hugh. 1955. Michael Somes. London: Adam and Charles Black. Fisher, Hugh, ed. 1956. The Sadler’s Wells Theatre Ballet. London: Adam and Charles Black. (Donated by Alison Sutcliffe.) Fisher, Jennifer. 2003. Nutcracker Nation. New Haven: Yale University. Fisher-Stitt, Norma Sue. 2010. The Ballet Class: A History of Canada’s National Ballet School 1959-2009. Canada’s National Ballet School. (Donated by Carol Bishop-Gwyn.) Fonteyn, Margot. 1975. Autobiography. W.H. Allan. (Donated by Carol Bishop-Gwyn.)

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Fonteyn, Margot. 1976. Margot Fonteyn: Autobiography. New York: Alfred A. Knopf. (Donated by Alison Sutcliffe.) Fonteyn, Margot. 1980. A Dancer’s World. London: W. H. Allen. (Donated by Gweneth Lloyd, Box 7.) Fonteyn, Margot. 1980. The Magic of Dance. London: British Broadcasting Corporation. Fonteyn, Margot. 1984. Pavlova Impressions. London: Weidenfeld and Nicolson. Fonteyn, Margot. 1984. Pavlova: Portrait of a Dancer. New York: Viking. (Donated by Gweneth Lloyd, Box 8.) Fradkin, Herman. 1956. Raisa Struchkova. Moscow: Foreign Languages Publishing House. (Donated by Alison Sutcliffe.) France, Charles Engell and Martha Swope. 1976. Baryshnikov at Work. New York: Alfred A. Knopf. (Donated by Gweneth Lloyd, Box 8.) Frank, Elizabeth. 1958. Margot Fonteyn. London: Chatto & Windus. (Donated by Bert Anderson.) Franks, A.H. 1954. Twentieth Century Ballet. London: Burke. (Donated by Alison Sutcliffe.) Fraser, John. 1988. Private View. Toronto: Bantam Books. Frost, Honor. 1948. How a Ballet is Made. New York: Transatlantic Arts. (One copy donated by Frank Rasky, one donated by Carol Bishop-Gwyn). Fuller, Lois. Fifteen Years of a Dancer’s Life. Dance Horizons. (Donated by Carol Bishop-Gwyn.) Fyfe, Agnes. 1951. Dances of Germany. London: Max Parish. (Donated by Gweneth Lloyd, Box 8.) Galanti, Bianca M. 1950. Dances of Italy. London: Max Parrish. (Donated by Gail Grant.) Gale, Joseph. 1982. I Sang For Diaghilev: Michel Pavloff’s Merry Life. Brooklyn: Dance Horizons. Gantefűhrer-Trier, Anne. 2004. Cubism. Taschen. (Donated by Carol Bishop-Gwyn.) Garafola, Lynn. 1989. Diaghilev’s Ballets Russes. New York: Oxford University.

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Garcia-Márquez, Vicente. 1990. The Ballets Russes. New York: Alfred A. Knopf. Garling, Jean. c. 1950. Australian Notes on the Ballet. Sydney: The Legend. (Donated by Gail Grant.) Gaston, Anne-Marie. 1996. Bharata Natyam: From Temple to Theatre. New Delhi: Manohar. Gautier, Theophile. 1947. The Romantic Ballet as Seen by Theophile Gautier. London: C.W. Beaumont. Geddes, Murray and Alec Tebbutt. 1980. European Summer Music Festivals. Toronto: Concert Connection. Geddes, Murray, Pamela Grundy, Sallie Lyons and Greg Parks. 1980. The Canadian Dancers’ Survival Manual. Toronto: The Dancer’s Forum of the Dance Canada Association. Gehrkens, Karl W. c.1923. The Fundamentals of Music. Boston: Oliver Ditson. (Donated by Gweneth Lloyd.) Gélinas, Aline, ed. 1991. Jean-Pierre Perreault, Choréographe. Montréal: Les Herbes Rouges. Gélinas, Aline, ed. Translated by Lynn Carson. 1992. Jean-Pierre Perreault, Choreographer. Toronto: Dance Collection Danse. Getz, Leslie. 1995. Dancers and Choreographers. Wakefield: Moyer Bell. Gherman, Beverly. 1990. Agnes de Mille: Dancing Off the Earth. New York: Macmillan. (Donated by Joysanne Sidimus.) Ginner, Ruby. 1960. Gateway to the Dance. London: Newman Neame. Glotz, Michel and Robert Laffont. 1955. Serge Golovine. Paris: Robert Laffont. (One copy donated by Eva Goldman, one copy donated by Alison Sutcliffe.) Gottlieb, Robert (editor). 2008. Reading Dance. Pantheon Books. (Donated by Carol Bishop-Gwyn.) Gould Lundy, Kathleen, Christine Jackson, Glenys McQueen Fuentes, Lorraine White Sutherns and Lorna Wilson. 1999 ed. The Treasure Chest. Story, Drama and Dance/Movement in the Classroom. Toronto: Toronto District School Board. Graff, Ellen. 1997. Stepping Left: Dance and Politics in New York City, 1928-1942. Duke University Press. (Donated by Carol Bishop-Gwyn.)

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Gradus, Lawrence. 2009. Wings on My Feet: A Dancer Remembers. Canada: ArtBookbindery.com Graham, Martha. 1991. Blood Memory, An Autobiography. New York: Doubleday. (Donated by Joysanne Sidimus.) Grant, Gail. 1950. Technical Manual and Dictionary of Classical Ballet. New York: Kamin Dance. Grant, Gail. 1967 ed. Technical Manual and Dictionary of Classical Ballet. New York: Dover. (Donated by John Faichney.) Grant, Gail. 1982 ed. Technical Manual and Dictionary of Classical Ballet. New York: Dover. Gray, Felicity. 1952. Ballet for Beginners. London: Phoenix House. (Donated by Gweneth Lloyd, Box 8.) Gray, Judith A. 1992. Research in Dance IV: 1900-1990. Reston: American Alliance for Health, Physical Education, Recreation and Dance. Greco, José. 1977. The Gypsy in My Soul: An Autobiography. New York: Doubleday. (Donated by Joysanne Sidimus.) Gregory, John and Alexander Ukladnikov. 1990. Leningrad’s Ballet. Croesor: Zena. Green, Michele. 2006. David Earle: A Choreographic Biography. Toronto: Dance Collection Danse Press/Presses. Grey, Beryl. 1965. Through the Bamboo Curtain. London: Collins. (Donated by Bert Anderson.) Griffiths, Trevor R. 1998. Stagecraft. New York: Knickerbocker. Grigoriev, Serge Leonidovich and Vera Bowen, trans. 1960 ed. The Diaghilev Ballet 1909-1929. Harmondsworth, Middlesex: Penguin Books. (Donated by Alison Sutcliffe.) Grindea, Miron and Carola. 1952. Dances of Rumania. London: Max Parish & Co. (Donated by Gweneth Lloyd, Box 7.) Gropius et Servane. 1947. A la Rencontre de Serge Lifar. Paris: Tous Droits. (Donatedby Eva Goldman.) Grove, Mrs. Lilly. 1901 ed. The Badminton Library of Sports and Pastimes – Dancing. London: Longmans, Green, and Co. (Donated by Alison Sutcliffe.)

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Gruen, John. 1979. Erik Bruhn: Danseur Noble. New York: The Viking Press. Gruen, John. 1981. The World’s Great Ballets. New York: Harry N. Abrams. Guest, Ivor. 1960. The Dancer’s Heritage. London: Morrison and Gibb. (Donated by Eva Goldman.) Guest, Ivor. 1982. Adventures of a Ballet Historian. An Unfinished Memoir. New York: Dance Horizons. Guest, Ivor. 1994. The Dancer’s Heritage: A Short History of Ballet. The Dancing Times. (Donated by Carol Bishop-Gwyn.) Guillot, Genevieve and Germaine Prudhommeau. 1969. Grammaire de la Danse Classique. Paris: Hachette. (Donated by Eva Goldman.) Guilmette, Pierre. 1970. Bibliographie de la Danse Théâtrale au Canada. Ottawa: Bibliothèque National du Canada. Gustaitis, Rasa. 1967. Melissa Hayden: Ballerina. New York: Thomas Nelson & Sons. (Donated by Nancy Lima Dent.) Häger, Bengt. 1948. Alverdens Ballet. Copenhagen: Chr. Erichsens Forlag. (Donated by Eva Goldman.) Häger, Bengt. 1990. The Swedish Ballet. New York: Harry N. Abrams. Haile-Harris, Margaret (organizer). 1979. Loïe Fuller: Magician of Light (catalogue). The Virginia Museum. (Donated by Carol Bishop-Gwyn.) Hall, Coryne. 2005. Imperial Dancer: Mathilde Kschessinska and the Romanovs. Sutton Publishing. (Donated by Carol Bishop-Gwyn.) Hall, Fernau. 1947. Ballet. London: The Bodley Head. (Donated by Alison Sutcliffe.) Hall, George A., ed. 1957. London’s Festival Ballet Annual 1956-57. London: The Grays Inn. (Donated by Gweneth Lloyd, Box 8.) Handley-Taylor, Geoffrey. 1947. Mona Inglesby: Ballerina and Choreographer. London: Vawser & Wiles Ltd. (Donated by Joseph E.J. Beasley.) Hanna, Judith Lynne. 1979. To Dance is Human: A Theory of Nonverbal Communication. University of Texas Press. (Donated by Carol Bishop-Gwyn.) Hansen, Henny Harald. 1956. Costumes and Styles. New York: E. P. Dutton.

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Harding, James. 1998. Cochrane: A Biography. Metheun. (Donated by Carol Bishop-Gwyn.) Harris, Kristin, ed. 2008. Ethnologies: Dance in/Danse au Canada. Volume 30:1. Ottawa: Canadian Heritage. (Donated by Kate Cornell.) Hart, John. 1956. Ballet and Camera. London: Chatto & Windus. Haskell, Arnold L. 1928. The Artists of the Dance: Vera Trefilova, A Study in Classicism. London: British-Continental Press. (Donated by Alison Sutcliffe.) Haskell, Arnold L. 1929. The Artists of the Dance: Anton Dolin, The “First Chapter”. London: British-Continental Press. (Donated by Alison Sutcliffe, signed by Dolin and Haskell.) Haskell, Arnold L. 1931. The Artists of the Dance: Penelope Spencer and other studies. London: British-Continental Press. (Donated by Alison Sutcliffe.) Haskell, Arnold L. 1931 ed. The Artists of the Dance: The Marie Rambert Ballet. London: British-Continental Press. (Donated by Alison Sutcliffe.) Haskell, Arnold L. c. 1932. The Artists of the Dance: Our Dancers, 50 Photographic Studies. London: British-Continental Press. (Donated by Alison Sutcliffe.) (signed by Phyllis Bedells) Haskell, Arnold and P.J.S. Richardson. 1932 (2010 ed.). Who’s Who in Dancing 1932. Great Britain: Noverre Press. Haskell, Arnold L. 1935. Diaghileff: His Artistic and Private Life. London: Victor Gollancz Ltd. (Donated by Joseph E.J. Beasley.) Haskell, Arnold L. 1936. The Balletomane’s Scrap-Book. London: A. & C. Black, Ltd. (Donated by Barbara Donen.) Haskell, Arnold L. 1938. Ballet. Harmondsworth: Penguin. Illustrations by Kay Ambrose. (One copy donated by Gail Grant, one copy donated by John Faichney, one copy donated by F.A. Truckenbrodt, one copy donated by Alison Sutcliffe, one copy donated by Gweneth Lloyd, Box 7, one copy donated by Carol Bishop-Gwyn.) Haskell, Arnold L. 1938 (3rd ed.). Ballet Panorama. London: Batsford. (Donated by Joysanne Sidimus.) Haskell, Arnold L. and Merlyn Severn. 1938. Ballet in Action. London: The Bodley Head.

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Haskell, Arnold L. 1938. Ballet: A Complete Guide to Appreciation. Great Britain: Penguin Books Ltd. Haskell, Arnold L., ed. 1940. Ballet—To Poland. London: Adam and Charles Black. (Donated by Eva Goldman.) Haskell, Arnold L. 1944. Balletomania: The Story of an Obsession. Victor Gollancz, (Donated by Carol Bishop-Gwyn.) Haskell, Arnold L. 1946. Balletomania: The Story of an Obsession. Victor Gollancz, (Donated by Carol Bishop-Gwyn.) Haskell, Arnold L. 1946. Ballet Since 1939. London: Longmans Green. Haskell, Arnold L. 1946. Miracle in the Gorbals. Edinburgh: The Albyn Press. (One copy donated by Nancy Lima Dent, one copy donated by Carol Bishop-Gwyn.) Haskell, Arnold L. 1947. The Ballet Annual: A Record and Year Book of the Ballet, First Issue. London: Adam and Charles Black. (One copy donated by Joseph E.J. Beasley, one copy donated by Linda Stearns.) Haskell, Arnold L. 1947 ed. Prelude to Ballet: An Analysis and a Guide to Appreciation. London: Thomas Nelson & Sons Ltd. Illstrations by Mtislav Doboujinsky. (Donated by Alison Sutcliffe.) Haskell, Arnold L. 1948. The Ballet Annual: A Record and Year Book of the Ballet, Second Issue. London: Adam and Charles Black. (Donated by Linda Stearns.) Haskell, Arnold L., Dilys Powell, Rollo Myers and Robin Ironside. 1948. Since 1949. London: Readers Union. (Donated by Eva Goldman.) Haskell, Arnold L. 1949 ed. Ballet. Harmondsworth: Penguin. Haskell, Arnold L. 1950. Baron at the Ballet. St James Place, London: Collins. Haskell, Arnold. L. 1950. The Ballet Annual 4. London: Adam and Charles Black. Haskell, Arnold L. 1951. Ballet 1945-1950. London: Longmans, Green and Co. (One copy donated by Eva Goldman, one copy donated by Gweneth Lloyd, Box 8.) Haskell, Arnold. L. 1951. The Ballet Annual 5. London: Adam and Charles Black. (Donated by Gweneth Lloyd, Box 8.) Haskell, Arnold L. 1952. Baron Encore. London: Collins. (One copy donated by Eva Goldman, one copy donated by Gweneth Lloyd, Box 7.)

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Haskell, Arnold L. 1953. The Ballet Annual: A Record and Year Book of the Ballet, Seventh Issue. London: Adam and Charles Black. (Includes article by Celia Franca on The National Ballet of Company of Canada.) (Donated by Alison Sutcliffe.) Haskell, Arnold. 1954. A Picture History of Ballet. London: Hulton. Haskell, Arnold L. 1954. Ballet Panorama by Baron. New York: Rinehart. Haskell, Arnold L. 1958. Going to the Ballet. Puffin. (Donated by Carol Bishop-Gwyn.) Haskell, Arnold L., ed. 1958. World Ballet. London: Hulton Press. (Donated by Alison Sutcliffe.) Haskell, Arnold L. 1960. The Wonderful World of Dance. New York: Garden City Books. (Donated by Barbara Donen.) Haskell, Arnold L. 1961. The Beauty of Ballet. London: Max Parrish. Haskell, Arnold L. 1972. Balletomane at Large. London: Heinemann. (Donated by Joysanne Sidimus.) Haskell, Arnold L. 1977. Balletomania Then & Now. New York: Random House. (Donated by Frank Rasky.) Haskins, James. 1990. Black Dance in America: A History through its People. New York: HarperCollins. (Donated by Joysanne Sidimus.) Hellsen, Henry. 1944. Harlekin Og Columbine. Copenhagen: Carit Andersens Forlag. (Donated by Eva Goldman.) Henry, Lori. 2012. Dancing Through History: In Search of the Stories that Define Canada. Vancouver: Dancing Traveller Publishing. Heppner, Maxine, ed. Artists of the AtHOME project. 2008. Across Oceans: Writings on Collaboration. Canada: Thistle Printing. Herman, Michael. 1947. Folk Dances For All. New York: Barnes & Noble. (Donated by Arthur Potvin.) Highland Dancing. 1955. London: Thomas Nelson and Sons. (Donated by Gweneth Lloyd, Box 8.) Hill, Ralph, ed. 1948. The Penguin Music Magazine. Harmondsworth, Middlesex: Penguin Books.

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Hoare, Phillip. 1997. Wilde’s Last Stand. London: Duckworth. (Donated by Phillip Hoare.) Homans, Jennifer. 2010. Apollo’s Angels. Random House. (Donated by Carol Bishop-Gwyn.) Horowitz, Joseph. 2008. Artists in Exile. Harper. (Donated by Carol Bishop-Gwyn.) Humphrey, Doris. 1959. The Art of Making Dances. New York: Grove. (Second copy donated by Nancy Lima Dent.) Hurok, Sol. 1946. Impresario. New York: Random House. (Donated by Eva Goldman.) Hussey, Dyneley, Sacheverell Sitwell, Joy Newton and Tamara Karsavina. 1949. The Sleeping Beauty. London: The Bodley Head. Hutchison, Ann. 1954. Labanotation. New York: New Directions. Hyden, Walford. 1931. Pavlova. London: Constable & Co. (Donated by Eva Goldman.) Inglesby, Mona. 2008. Ballet in the Blitz. Inglesby and Hunter. (Donated by Carol Bishop-Gwyn.) Jacob, Ellen. 1993. Dancing. New York: Variety Arts. Jackson, Graham. 1978. Dance as Dance. Scarborough: Catalyst. (Donated by Joysanne Sidimus.) Jackson, Naomi M. 2004. Right to Dance: Dancing for Rights. Banff: Banff Centre Press. Jennings, Sarah. 2009. Art and Politics: The History of the National Arts Centre. Dundurn. (Donated by Carol Bishop-Gwyn.) Jeppesen, Jeppe and Poul Lorenzen. 1950. Dances of Denmark. London: Max Parrish. (Donated by Gweneth Lloyd, Box 8.) Johnson, A.E. 1913. The Russian Ballet. London: Constable & Co. (Donated by Gweneth Lloyd, Box 8.) Jowitt, Deborah. 1988. Time and the Dancing Image. University of California Press. (Donated by Carol Bishop-Gwyn.) Jowitt, Deborah. 2004. Jerome Robbins. His Life, His Theatre, His Dance. New York: Simon & Schuster. Kavanagh, Julie. 2007. Nureyev: The Life. Pantheon. (Donated by Carol Bishop-Gwyn.)

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Kaeja, Allen, Karen Kaeja and Carol Oriold. 2000. Express Dance. Toronto: Dance Collection Danse Press/es. Kahane, Martine. 2006. Bêtes de Scène. Paris: Bibliothèque Nationale de France. (Donated by Centre national du costume de scène.) Kahane, Martine. 2006. Théodore de Banville et le Théâtre. Paris: Sogomy Editions D’art. (Donated by Centre national du costume de scène.) Kahane, Martine. 2007. Christian Lacroix Costumier. Paris: Les Editions du Mécène. (Donated by Centre national du costume de scène.) Kahane, Martine. 2008. Costumes des Mille et une Nuits. Paris: Bleu Autour. (Donated by Centre national du costume de scène.) Kahn, Albert E. 1962. Days with Ulanova: An Intimate Portrait of the Legendary Russian Ballerina. New York: Simon and Schuster. (Donated by Alison Sutcliffe.) Kain, Karen. 1994. Karen Kain. Movement Never Lies: An Autobiography. Toronto: McClelland and Stewart. Kaplan, Larry and Edward Villella. 1992. Prodigal Son. New York: Simon & Schuster. Karsavina, Tamara. 1931 ed. Theatre Street: The Reminiscences of Tamara Karsavina. London: William Heinemann Ltd. (Donated by Alison Sutcliffe.) Katsarova, Raina. 1951. Dances of Bulgaria. London: Max Parish & Co. (Donated by Gweneth Lloyd, Box 7.) Kellermann, Heinz H. 1957. Gert Reinholm. Berlin: Rembrandt-Verlag. (Donated by Bettina Byers.) Kibler, M. Alison. 1999. Rank Ladies. Chapel Hill: The University of North Carolina. Kilbourn, William. 1993. Intimate Grandeur: One hundred Years at Massey Hall. Stoddart. (Donated by Carol Bishop-Gwyn.) Kimmerle, Marliese and Paulette Côté-Laurence. 2003. Teaching Dance Skills: A Motor Learning and Development Approach. United States: J. Michael Ryan Publishing Inc. Kirkland, Gelsey and Greg Lawrence. 1986. Dancing On My Grave. Garden City: Doubleday. Kirstein, Lincoln. 1935 (2nd ed.). The Book of the Dance: A Short History of Classical Theatrical Dancing. New York: Garden City. (Donated by Joysanne Sidimus.)

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Kirstein, Lincoln. 1939. Ballet Alphabet, A Primer for Laymen. New York: Kamin Publishers. Kislan, Richard. 1987. Hoofing on Broadway. New York: Prentice Hall. Kochno, Boris, Jane Pritchard, Shelly Tobin and Nancy Lassalle. 1987. Les Ballets 1933. Brighton: The Royal Pavillion, Art Gallery & Museums. Kostoff, Larissa, Mary Newberry and Nadia Szilvassy. Descant Vol. 40, No. 1 (Dance). 2009. Canada: Westcan Printing Group. Kostrovitskaya, V. and A. Pisarev. 1978. School of Classical Dance. Moscow: Progress. (Donated by Gweneth Lloyd, Box 8.) Kozman, Hilda C. 1935. Character Dances for School Programs. New York: A.S. Barnes and Company. (Donated by Pamela Grundy) Kragh-Jacobsen, Svend. 1945. Balletens Blomstring Ude Og Hjemme. Copenhagen: Rasmus Navers Forlag. (Donated by Eva Goldman.) Kragh-Jacobsen, Svend. 1953. Balletten 1945-52. Copenhagen: Areté. (Donated by Eva Goldman.) Kuklin, Susan. 1987. Reaching for Dreams. New York: Lothrop, Lee & Sheppard. Kurth, Peter. 2001. Isadora. A Sensational Life. Boston: Little, Brown and Company. La Meri. 1933. Dance as an Art-Form: Its History and Development. New York: A.S. Barnes and Company. (Donated by Alison Sutcliffe.) L’art de Ballet. Paris: Éditions du Tambourinaire. (Donated by Eva Goldman.) Lacroix, Paul. 1971. Moeurs, Usages et Costumes au Moyen Usage et a l’Époque de la Renaissance. Paris: Librairie de Firmin Didot Freres. (Donated by Eva Goldman.) Lämmel, Rudolf. Der Moderne Tanz. Berlin: Peter J. Oestergaard. (Donated by Eva Goldman.) Lane, Janet. 1934. Your Carriage, Madam! A Guide to Good Posture. New York: John Wiley & Sons, Inc. (Donated by Alison Sutcliffe.) Lapointe, Pierre. 1999. Trois danseurs intrépides. Montréal: Les Éditions Francine Breton. Lawrence, Robert. 1940. Petrouchka. New York: Random House. (Donated by Gail Grant.)

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Lawrence, Robert. 1940. The Three-Cornered Hat by Manuel De Falla. New York: Random House. Lawrence, Robert. 1950. The Victor Book of Ballets and Ballet Music. New York: Simon and Schuster. (Donated by Gweneth Lloyd, Box7.) Lawson, Joan. 1978. Ballet Stories. Toronto: John Wiley & Sons Canada, Limited. (Donated by Barbara Donen.) Leabo, Karl, ed. 1962. Martha Graham. New York: Theatre Arts Books. (Donated by Nancy Lima Dent.) Lee, Betty. 1951. Dancing. United States: Pioneer. Lee, Elliott. 1947. Paintings of the Ballet. London: Collins. Leeper, Janet. 1944. English Ballet. London: Penguin Books. (One copy donated by Gail Grant, one copy donated by Eva Goldman, one copy donated by Alison Sutcliffe, one copy donated by Kay Kritzwiser) Leeper, Janet. 1944, ed. English Ballet. London: Penguin Books. (Donated by Linda Stearns.) Legat, Nicolas and Sir Paul Dukes, KBE, trans. 1931. The Artists of the Dance: The Story of the Russian School. London: British-Continental Press. (Donated by Alison Sutcliffe.) Leifer, Fred. 1951. The Folk Dance Memorizer. New York: Fred Leifer, Tex Lighting Dance Enterprises. Leigh Foster, Susan. 1986. Reading Dancing: Bodies and Subjects in Contemporary American Dance. Los Angeles: University of California. (Donated by Joysanne Sidimus.) Leighton, David and Peggy Leighton. 1982. Artists, Builders and Dreamers. Toronto: McClelland and Stewart. Lewis, Daniel. 1971. The Illustrated Dance Technique of José Limón. New York: Harper and Row. Lido, Serge. 1950. Sauts: Photographies de Serge Lido. New York: Editions A. De Milly. (Donated by Linda Stearns.) Lido, Serge. 1954. Ballet 4. New York: Editions A. De Milly. (Donated by Linda Stearns.)

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Lido, Serge. 2000. Ballet Horizon 2000. New York: VILO. (Donated by Alison Sutcliffe.) Lieven, Prince Peter. 1936. The Birth of Ballets-Russes. London: George Allen & Unwin. (Donated by Joseph E.J. Beasley.) Lifar, Serge. 1945 ed. Serge Diaghilev, His Life, His Work, His Legend: An Intimate Biography. London: Putnam. (Donated by Joseph E.J. Beasley.) Lifar, Serge. 1947. Carlotta Grisi. London: John Lehmann. (One copy donated by Eva Goldman, one copy donated by Gweneth Lloyd, Box 8.) Lifar, Serge. 1950. Auguste Vestris: le Dieu de la Danse. Paris: Nagel. (Donated by Eva Goldman.) Lifar, Serge. 1951. On Ballet. London: Allan Wingate. (Donated by Eva Goldman.) Lindgren, Allana. 2003. From Automatism to Modern Dance: Françoise Sullivan with Franziska Boas in New York. Toronto: Dance Collection Danse Press/es. Lindsay, John C. 1983. Turn Out The Stars Before Leaving. Erin: The Boston Mills Press. Lloyd, Margaret. 1949. The Borzoi Book of Modern Dance. New York: Knopf. (Donated by Joysanne Sidimus.) Lobet, Marcel. c. 1958. Le Ballet Français d’Aujourd’hui. Brussels: Goemaere. (Donated by Eva Goldman.) Loney, Glenn. 1984. Unsung Genius: The Passion of Dancer-Choreographer Jack Cole. New York: Franklin Watts. (Donated by Joysanne Sidimus.) Lubinova, Mila. 1949. Dances of Czechoslovakia. London: Max Parrish & Co. (Donated by Gweneth Lloyd, Box 7.) Lushi, Stanislav (project director). 1987. The Bolshoi: History. Opera. Ballet. Moscow: Planeta Publishers. (Donated by Carol Bishop-Gwyn.) Lvov-Anokhin, B. 1956. Galina Ulanova. Moscow: Foreing Languages Publishing House. (Donated by Alison Sutcliffe.) Lynham, Deryck. 1947. Ballet Then and Now. London: Sylvan. (Donated by Gweneth Lloyd, Box 8.) Macaulay, Alastair. 1998. Margot Fonteyn. Gloucestershire: Sutton. (Donated by Joysanne Sidimus.)

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Macdonald, Grant. 1945. Sailors. Toronto: The Macmillan Company of Canada. Macdonald, Nesta. 1975. Diaghelev Observed: By Critics in England and the United States 1911-1929. London: Dance Books; New York: Dance Horizons. Macgeorge, Norman. 1947. Borovansky Ballet in Australia and New Zealand. Melbourne: F.W. Cheshire. Mackrell, Judith. 2008. Bloomsbury Ballerina. Weidenfeld and Nicolson. (Donated by Carol Bishop-Gwyn.) MacLennan, D.G.C. and Jean Milligan. 1958 ed. Dances of Scotland. London: Max Parish. (Donated by Gail Grant.) Macpherson, Susan, ed. 1996. Dictionary of Dance: Words, Terms and Phrases. Toronto: Dance Collection Danse Press/es. Macpherson, Susan, ed. 1997. 101 from the Encyclopedia of Theatre Dance in Canada. Toronto: Dance Collection Danse Press/es. Macpherson, Susan, ed. 2000. Encyclopedia of Theatre Dance in Canada/Encyclopédie de la Danse Théâtrale au Canada. Toronto: Dance Collection Danse Press/es. Magriel, Paul. 1977. Nijinsky, Pavlova, Duncan. New York: Da Capo. Magriel, Paul. 1978. Chronicles of the American Dance: From the Shakers to Martha Graham. New York: Da Copa. (Donated by Carol Bishop-Gwyn.) Magriel, Paul. 1979. Nijinski, Pavlova, Duncan: Three Lives in Dance. New York: Da Capo. (Donated by Carol Bishop-Gwyn.) Makarova, Natalia. 1979. A Dance Autobiography. New York: Alfred A. Knopf. (Donated by Alison Sutcliffe.) Manchester, P.W. 1942. Vic-Wells: A Ballet Progress. London: Victor Gollancz Ltd. (Donated by Alison Sutcliffe.) Manchester, P.W. 1943 ed. Vic-Wells: A Ballet Progress. London: Victor Gollancz Ltd. (One copy donated by Gail Grant, one copy donated by Eva Goldman.) Mann, George. 1993. Theatre Lethbridge. Calgary: Detselig Enterprises. Mann, George A. 2004. Sterndale Bennett: A Man for All Theatre. Lethbridge: Lethbridge Historical Society.

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Manning, Susan. 1993. Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman. University of California Press. (Donated by Carol Bishop-Gwyn.) Mara, Thalia and Lee Wyndham. 1955. First Steps in Ballet. Garden City: Garden City. (Donated by Gail Grant.) Mara, Thalia. 1956. Second Steps in Ballet. Garden City: Garden City. (Donated by Gail Grant.) Mara, Thalia. 1957. Third Steps in Ballet. Garden City: Garden City. (Donated by Gail Grant.) Markova, Alicia. 1960. Giselle and I. New York: The Vanguard Press. Markova, Dame Alicia. 1986. Markova Remembers. Boston: Little, Brown and Company. Martin, John. 1933 (1st ed.). The Modern Dance. New York: Dance Horizons. (Donated by Alison Sutcliffe.) Martin, John. 1933 (5th ed.). The Modern Dance. New York: Dance Horizons. Martin, John. 1936. America Dancing: The Background and Personalities of the Modern Dance. New York: Dodge Publishing Company. (Donated by Alison Sutcliffe.) Martin, John. 1946. The Dance. New York: Tudor. Martin, John. 1952. World Book of Modern Ballet. Cleveland: The World Publishing Company. (One copy donated by Bert Anderson, one copy donated by Fred Truckenbrodt.) Martin, John. 1963. John Martin’s Book of the Dance. New York: Tudor. Martins, Peter. 1982. Far From Denmark. Little, Brown and Company. (Donated by Carol Bishop-Gwyn.) Masefield, John and Edward Seago. 1938. Tribute to Ballet. London: Collins. (Donated by Eva Goldman.) Massine, Leonide. 1976. Massine on Choreography. London: Faber & Faber. Mavor, James. 1898. Victorian Era Ball. Toronto: Roswell & Hutchison.

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Mazo, Joseph H. 1974. Dance is a Contact Sport. New York: Saturday Review Press/E.P. Dutton. (Donated by Gweneth Lloyd, Box 7.) Mazo, Joseph H. 1977. Prime Movers: The Makers of Modern Dance in America. Wllm. Morrow & Co. (Donated by Carol Bishop-Gwyn.) McCallum, Heather. 1973. Research Collections in Canadian Libraries: Theatre Resources in Canadian Collections. Ottawa: National Library of Canada. McCann, Colum. Dancer. 2003. London: Weidenfeld & Nicolson. (Donated Joysanne Sidimus.) McConnell, Joan. 1977. Ballet as Body Language. New York: Harper & Row. (Donated by Joysanne Sidimus.) McDonagh, Don. 1973. Martha Graham. New York: Popular Library. (Second copy donated by Frank Rasky.) McGowan, Margaret M. 1963. L’art du Ballet de Cour en France. Paris: Quai Anatole-France. (Donated by Eva Goldman.) McGuinness-Scott, Julia. 1983. Movement Study and Benesh Movement Notation. London: Oxford University. McIntyre, Patrick. 2003. Once A Dancer. Spennymoor: The Memoir Club. Meek, Thomas S. and Frances Putnam Pogle. 1901. The Standard Canadian Speaker and Entertainer. Chicago: John C. Winston. (Donated by Eva Goldman.) Meerloo, Joost A.M. 1960. The Dance: From Ritual to Rock and Roll – Ballet to Ballroom. Philadelphia and New York: Chilton Company – Book Division. (Donated by Alison Sutcliffe.) Mendelsohn, Felix. 1913. The Story of a Hundred Operas. New York: Grosset & Dunlap. (Donated by Gweneth Lloyd, Box 7.) Metropolitan Museum of Art, The. 1978. Diaghilev. New York: The Metropolitan Museum of Art. Micheli, Lyle, Ruth Solomon and John Solomon. 1991. Soviet-American Dance Medicine. Erston: American Alliance for Health, Physical Education, Recreation and Dance. Millar Grant, Janet. 1991. Moving Into Language Arts. Richmond Hill: Scholastic Canada.

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Millar Grant, Janet. 1992. Creativity in Motion. Holmes Beach: Learning Publications. Millar Grant, Janet. 1995. Shake, Rattle & Learn. Markham: Pembroke. Mitchell, Lillian Leonora. 1982. Boris Volkoff: Dancer, Teacher, Choreographer. Ann Arbour: University Microfilms International. Moore, Lillian. 1938. Artists of the Dance. New York: Thomas Y. Crowell Company. (Donated by Alison Sutcliffe.) Monahan, James. 1957. Fonteyn. A Study of the Ballerina in her Setting. New York: Pitman. (Donated by John Herbert.) Money, Keith. 1982. Anna Pavlova: Her Life and Art. New York: Alfred A. Knopf. (Donated by Alison Sutcliffe.) Montagu-Nathan, M. 1932. The Artists of The Dance: Mlle. Camargo. London: British-Continental Press. (Donated by Alison Sutcliffe.) Moore, Lillian. 1976. Echoes of American Ballet. New York: Dance Horizons. (Donated by James Pape.) Morley, Carl and Ezra Schabas. 2000. Opera Viva. Canadian Opera Company: The First Fifty Years. Toronto: Dundurn. Morley, Iris. 1945. Soviet Ballet. London: St. James Place. (One copy donated by Alison Sutcliffe, one copy donated by Eva Goldman.) Morley, Iris. 1946. Soviet Ballet. Collins. (signature of Nathan Cohen inside). (Donated by Carol Bishop-Gwyn.) Neufeld, James. 1996. Power to Rise: The Story of the National Ballet of Canada. Toronto: University of Toronto. New York Public Library, The. 1962. Stravinsky and the Dance. New York: The Dance Collection of The New York Public Library. Nicolaeva-Legat, N. 1953. Preparation For Ballet. London: Gerald Duckworth. (Donated by Gail Grant.) Nijinska, Bronislava. 1981. Early Memoirs. Holt, Rinehart &Winston. (Donated by Carol Bishop-Gwyn.) Nijinsky, Romola. 1933. Nijinsky. London: Victor Gollancz Ltd. (Donated by Joseph E.J. Beasley.)

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Nijinsky, Romola. 1972. Nijinsky. Simon & Schuster, Pocket Book. (Donated by Carol Bishop-Gwyn.) Nikolayev, V., ed. 1954. Soviet Literature. (chapter by Galina Ulanova) Moscow: Soviet Writer Publishing House. (Donated by Alison Sutcliffe.) Niyogi-Nakra, Mamata. 2005. Child-friendly Bharata Natya Repertoire. Montreal: The Kala Bharati Foundation. Noverre, Jean-Georges and C.W. Beaumont, trans. 1930. Letters on Dancing and Ballets. London: C.W. Beaumont. (Donated by Alison Sutcliffe.) Odom, Selma (editor). 1977. Dance and Film. Art Gallery of Ontario (Catalogue). (Donated by Carol Bishop-Gwyn.) Odom, Selma and Mary Jane Warner. 1994. Canadian Dance Studies 1. North York: Graduate Programme in Dance. Department of Dance, Faculty of Fine Arts. York University. Odom, Selma and Mary Jane Warner. 1997. Canadian Dance Studies 2. North York: York University. Odom, Selma Landen and Mary Jane Warner. 2004. Canadian Dance: Visions and Stories. Toronto: Dance Collection Danse Press/es. Oliphant, Betty. 1996. My Life in Dance. Winnipeg: Turnstone. Ostwald, Peter. 1999. Vaslav Nijinsky: A Leap into Madness. Robson Books (Donated by Carol Bishop-Gwyn.) Owen, Norton. 1997. A Certain Place: The Jacob’s Pillow Story. Becket: Jacob’s Pillow Dance Festival. Pape, James D. 1987. The Pape and Durkin Families: 1787 – 1987. New York: The Benedictine Foundation of New York State, Inc. (Donated by James Pape.) Pape, James D. 1992. A Supplement, 1991 to The Pape and Durkin Famlies: 1787 – 1987. New York: The Benedictine Foundation of New York State, Inc. (Donated by James Pape.) Parker, Derek. Royal Academy of Dancing: The First Seventy Five Years. London: Battley Brothers Limited. Perugini, Mark Edward. 1935. A Pageant of the Dance & Ballet. Jarrolds. (Donated by Carol Bishop-Gwyn.)

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Perugini, Mark Edward. 1946. A Pageant of the Dance & Ballet. London: Jarrolds. (Donated by Gweneth Lloyd, Box 7.) Pasoli, Robert. 1970. A Book on Open Theatre. New York: Avon. Pepper, Kaija. 2000. Theatrical Dance in Vancouver: 1880’s-1920’s. Toronto: Dance Collection Danse Press/es. Pepper, Kaija. 2001. The Dance Teacher: A Biography of Kay Armstrong. Toronto: Dance Collection Danse Press/es. Pepper, Kaija. 2007. The Man Next Door Dances: The Art of Peter Bingham. Toronto: Dance Collection Danse Press/Presse. Pepper, Kaija. Winter 2008. “Resurrecting Étude.” Queen’s Quarterly. Vol. 115, No. 4, 548-557. Percival, John. 1975. Nureyev: Aspects of the Dance. New York: G.P. Putnam’s Sons. (Donated by Natalia Butko.) Peter, Frank-Manuel, ed. 1998. Birgit Akesson. Germany: Wienand Verlag. (Donated by Frank-Manuel Peter). Pinet, Hélène.1987. Ornement de la Durée. Lois Fuller, Isadora Duncan, Ruth St. Denis, Adorée Villany, Musée Rodin. (Catalogue) (Donated by Carol Bishop-Gwyn.) Plant, Richard and Anton Wagner. 1978. Canada’s Lost Plays Volume One. Toronto: CTR Publications. Plant, Richard and Ann Saddlemyer. 1997. Later Stages. Toronto: University of Toronto Press. Pollock, John. 1958. Curtain Up. London: Peter Davies. (Donated by Gweneth Lloyd, Box 7.) Pomer, Janice. 2002. Perpetual Motion. Windsor: Human Kinetics. Pougin, Arthur, ed. 1885. Dictionnaire du Théâtre. Paris: Librairie de Firmin-Didot. (Donated by Eva Goldman.) Potts, Nadia with illustrations by Rhonda Ryman. 2007. Betty Oliphant: The Artistry of Teaching – A Series of Ballet Classes. Toronto: Dance Collection Danse Press/Presse. Prichard Moor, Arthur. 1938. The Library-Museum of Music and Dance: A Study of Needs and Resources, Leading to Suggestions for an Educational Program. New York:

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Bureau of Publications, Teachers College, Columbia University. (Donated by Alison Sutcliffe.) Princess Ballet Book no 3. 1964. Fleetway. (Donated by Eva Goldman.) Proceedings of the First National Dance Congress & Festival. 1936. New York: Joint Committee of the First National Dance Congress & Festival. (Donated by Alison Sutcliffe.) Programme de la manifestation Vidéo danse 1988, du Centre Georges Pompidou. 1988. Paris: Centre Pompidou. Ptak, Andrew. 1984. The Ballet Book, A Young Dancer’s Guide. Toronto: Key Porter. Racster, Olga. 1923. The Master of the Russian Ballet: The Memoirs of Cav. Enrico Cecchetti. New York: E.P. Dutton and Company. (Donated by Alison Sutcliffe.) Raider, Ruth. 1944. Modern Dance, For the Youth of America. New York: A.S. Barnes. Rainer, Yvonne. 1974. Yvonne Rainer, Work of 1961-73. New York: New York University. Rambert, Marie. 1972. Quicksilver. London: Macmillan. (Donated by Gweneth Lloyd, Box 8.) Rambert, Marie. 1983. Quicksilver: An Autobiography. MacMillan (PaperMac). (Donated by Carol Bishop-Gwyn.) Red Detachment of Women. 1972. Peking: Foreign Languages Press. (Donated by Alison Sutcliffe.) Redgrave, Michael. 1983. An Actor’s Autobiography. New York: The Viking Press. Reiss, Françoise. 1957. Nijinsky. London: Adam & Charles Black. Renaudeau, Olivier. 2007. Jaime les Militaires! Paris: Somogy Editions d’art. Rennie, Karen. 1992. Moon Magic, Gail Grant and the 1920s Dance in Regina. Toronto: Dance Collection Danse. Reyna, Ferdinando. 1964. Histoire du Ballet. Paris: Éditions Aimery Somogy. (Donated by Eva Goldman.) Reynolds, Nancy, ed. 1979. The Dance Catalog: A Complete Guide to Today’s World of Dance. New York: Harmony. (Donated by Dorothy Gordon.)

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Reynolds, Nancy. 2003. Dance in the Twentieth Century. Yale University Press. (Donated by Carol Bishop-Gwyn.) Rice, Cyril. 1931. The Artists of the Dance: Dancing in Spain (Argentina and Escudero). London: British-Continental Press. (Donated by Alison Sutcliffe.) Richard, Alain-Martin and Clive Robertson. 1991. Performance Au·In Canada 1970-1990. Québec: Éditions Intervention; Toronto: Coach House. Roger-Marx, Claude. 1956. Degas Dancers. London: Methuen and Co. Ltd. (Donated by Linda Stearns.) Rosavleva, Natalia. 1966. Era of the Russian Ballet. London: Victor Gollancz. (Donated by Eva Goldman.) Rose, Phyllis. 1991. Jazz Cleopatra: Josephine Baker in her Time. Vintage. (Donated by Carol Bishop-Gwyn.) Rosenburg, Harold. 1972. The De-definition of Art. New York: Collier. Roseman, Janet Lynn. 2001. Dance Masters: Interviews with Legends of Dance. Routledge. 2001. (Donated by Carol Bishop-Gwyn.) Roslavleva, N. 1956. Maya Plisetskaya. Moscow: Foreign Languages Publishing House. (Donated by Alison Sutcliffe.) Ross MacDougall, Allan. 1960. Isadora: A Revolutionary in Art and Love. New York: Thomas Nelson & Sons. (Donated by Nancy Lima Dent.) Ross, Malcolm. 1958. The Arts in Canada. Canada: The Macmillan Company. (Donated by Gweneth Lloyd, Box 7.) Rossi, Luigi. c. 1970. Il Ballo Alla Scala. Italy: Edizioni Della Scala. (Donated by Eva Goldman.) Royal Academy of Dancing, The. 1993. Step By Step Ballet Class. London: Ebury.

Royal Academy of Dancing, The. 1997. The Foundations of Classical Ballet Technique. London: The Royal Academy of Dancing. Royal Commission on National Development in The Arts, Letters & Sciences. 1951. Report. Ottawa: Edmund Cloutier. Russell, Joan. 1959. Creative Dance In The Primary School. London: MacDonald and Evans Ltd. (Donated by Nancy Lima Dent).

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Ruyter-Chalfa, 1979. Nancy Lee. Reformers and Visionaries: The Americanization of the Art of Dance. Dance Horizons. (Donated by Carol Bishop-Gwyn.) Ryan, Toby Gordon. 1981. Stage Left: Canadian Theatre in the Thirties. Toronto: CTR. Ryman, Rhonda. 1998. Ryman’s Dictionary of Classical Ballet Terms: Cecchetti. Toronto: Dance Collection Danse Press/es. Ryman, Rhonda S. 2000. Reading Southeast Asian Dance: Selected Labanotation Scores. Singapore: UniPress for SPAFA. Ryman, Rhonda with Lawrence Adams. 2003. DanceForms 1.0 Software for Visualizing and Chronicling Choreography: A Practical Guide. Toronto: Dance Collection Danse Press/es. Saddlemyer, Ann. 1990. Early Stages: Theatre in Ontario, 1800-1914. Toronto: OHSS. Saillard, d’Olivier. 2007. Jean Paul Gaultier, Régine Chopinot, Le Défilé. Paris: Les Arts Décoratifs. Sayers, Dorothy L. Lord Peter Views the Body. London: Victor Gollancz. (Donated by Gweneth Lloyd, Box 7.) Scheujen, Sjeng. 2010. Diaghilev: A Life. Profile Books. (Donated by Carol Bishop-Gwyn.) Schneider, Ilya Ilyitch. 1968. Isadora Duncan: The Russian Years. Macdonald. (Donated by Carol Bishop-Gwyn.) Scholl, Tim. 2004. Sleeping Beauty. Yale University Press. (Donated by Carol Bishop-Gwyn.) Schouvaloff, Alexander. 1997. The Art of Ballets Russes. New Haven: Yale University. (Donated by John Faichney.) Schwezoff, Igor. 1935. Borzoi. London: Hodder and Stoughton. Semb, Klara. 1951. Dances of Norway. London: Max Parish & Co. (Donated by Gweneth Lloyd, Box 7.) Seroff, Victor. 1971. The Real Isadora. Avon. (Donated by Carol Bishop-Gwyn.) Seymour, Maurice. 1947. Seymour on Ballet: 101 Photographs. Chicago: Pellegrini and Cudahy. (Donated by Alison Sutcliffe.) (includes Anna Istomina/Audree Thomas) Shaw, Lloyd. 1939 (2nd ed.). Cowboy Dances. Caldwell: Caxton.

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Shawn, Ted. 1935. Fundamentals of a Dance Education. Kansas: Haldeman-Julius Publications. (Donated by Alison Sutcliffe.) Shawn, Ted. 1954. Every Little Movement. Ted Shawn. (Donated by Gweneth Lloyd, Box 8.) Shead, Richard. 1989. Ballets Russes. New Jersey: The Wellfleet Press. Shelton, Susanne. 1981. Divine Dancer: A Biography of Ruth St. Denis. Doubleday Press. (Donated by Carol Bishop-Gwyn.) Sidimus, Joysanne and Carol Anderson. 2006. Reflections in a Dancing Eye: Investigating the Artist’s Role in Canadian Society. Banff: The Banff Centre Press. Silvester, Victor. 1952. Modern Ballroom Dancing. London: Herbert Jenkins. Slominsky, Yuri. 1957. The Bolshoi Theatre Ballet. Moscow: Foreign Languages Publishing House. (Donated by Alison Sutcliffe.) Slominsky, Yuri. c. 1963 ed. The Bolshoi Ballet. Moscow: Foreign Languages Publishing House. Solway, Diane. 1994. A Dance Against Time. New York: Pocket Books. (Second copy donated by Carol Bishop-Gwyn.) Solway, Diane. 1998. Nureyev. Weidonfeld & Nicholson. (Donated by Carol Bishop-Gwyn.) Sorell, Walter. 1967. The Dance Through the Ages. New York: Grosset & Dunlap. (Donated by Gweneth Lloyd, Box 7.) Sorell, Walter. 1981. Dance in Its Time: The Emergence of an Art Form. Anchor Press/Doubleday. (Donated by Carol Bishop-Gwyn.) Sotheby. 1969. Sergei Diaghilev, Boris Kniasseff, Max Reinhardt. London: Sotheby. Sparger, Celia. 1952. Anatomy and Ballet. London: Adam & Charles Black. (Donated by Alison Sutcliffe.) Sparger, Celia. 1952. Beginning Ballet. London: Adam and Charles Black. (Donated by Alison Sutcliffe.) Sparger, Celia. 1970. Anatomy and Ballet. London: Adam & Charles Black. (Donated by Gweneth Lloyd, Box 7.)

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Sparshoot, Francis. 1988. Off the Ground: First Steps to a Philosophical Consideration of Dance. Princeton University Press. (Donated by Carol Bishop-Gwyn.) Stanislavski, Constantin. 1949. Building a Character. New York: Theatre Arts Books. (Donated by Nancy Lima Dent). Stanislavski, Constantin. 1952. An Actor Prepares. New York: Theatre Arts Books. (Donated by Nancy Lima Dent.) State Academic Bolshoi Theatre of the U.S.S.R. 1956. Opera. Ballet. Moscow: State Academic Bolshoi Theatre of the U.S.S.R. (Donated by Gail Grant.) Stearns, Marshall and Jean. 1968. Jazz Dance: The Story of American Vernacular Dance. MacMillan Co. (Donated by Carol Bishop-Gwyn.) Steegmuller, Francis, 1974. Your Isadora: The Love Story of Isadora Duncan & Gordon Craig told through Letters and Diaries Never Before Published…New York: MacMillan. (Donated by Nancy Lima Dent.) Stokes, Adrian. 1935. Russian Ballets. London: Faber & Faber Ltd. (Donated by Alison Sutcliffe.) (signed by author) Stokes, Adrian. 1945 ed. To-night the Ballet. London: Faber & Faber Ltd. (Donated by Alison Sutcliffe.) Streatfield, Noel. 1959. Noel Streatfield’s Ballet Annual. London: Collins. Streatfield, Noel. 1959. The Royal Ballet School. London: Collins. (Donated by Joysanne Sidimus.) Strate, Grant. 1996. Guide to Career Training in the Dance Arts. Toronto: Dance Collection Danse. Strate, Grant. 1997. China Dance Journal. Toronto: Dance Collection Danse Press/es. Strate, Grant. 2002. Grant Strate: A Memoir. Toronto: Dance Collection Danse Press/es. Swift, Mary Grace. 1968. The Art of the Dance in the U.S.S. R. University of Notre Dame Press. (Donated by Carol Bishop-Gwyn.) Swinson, Cyril. 1950. Dancers and Critics. Bristol: Adam and Charles Black. (One copy donated by Joysanne Sidimus, one copy donated by Gweneth Lloyd, Box 8.) Swope, Martha. 1977. A Midsummer Night’s Dream. New York: Dodd, Mead & Company. (Donated by Joysanne Sidimus.)

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Tallchief, Maria. 1997 ed. Maria Tallchief: America’s Prima Ballerina. Gainesville: University Press of Florida. (Donated by Joysanne Sidimus.) Taper, Bernard. 1963. Balanchine: A Biography. Harper & Row. (Donated by Carol Bishop-Gwyn.) Taplin, Diana Theodores. 1979. New Directions in Dance. Toronto: Pergamon. Taylor, Paul. 1987. Private Domain, An Autobiography. New York: Knopf. (Donated by Joysanne Sidimus.) Tembeck, Iro. 1991. Danser à Montréal. Sillery: Presses de l’Université du Québec. Tembeck, Iro. 1994. Studies in Dance History: Dancing in Montreal. Madison: The Society of Dance History Scholars. (Donated by Linda Stearns.) Tembeck, Iro Valaskakis. 2001. La danse comme paysage. Saint-Nicholas: Les Presses de l’Université Laval. Tembeck, Iro Valaskakis, ed. 2002. Estivale 2000: Canadian Dancing Bodies Then and Now/Les corps dansants d’hier à aujourd’hui. Toronto: Dance Collection Danse Press/es. Terry, Walter. 1959. Ballet: A New Guide to the Liveliest Art. New York: Dell. (Donated by Gail Grant.) Terry, Walter. 1976. Ted Shawn: Father of American Dance. The Dial Press. (Donated by Carol Bishop-Gwyn.) Théatre Serge De Diaghilew. 1924. Les Facheux. Paris: Éditions Des Quatre Chemins. Thomas, Bob. 1984. Astaire: The Man, The Dancer. New York: St. Martin’s. (Donated by Joysanne Sidimus.) Thomas, Tony. 1984. That’s Dancing. New York: Harry N. Abrams. Thompson, Oscar. 1940. Debussy Man and Artist. New York: Tudor. Tierney, Tom. 1983. Isadora Duncan, Martha Graham and Other Stars of the Modern Dance: Paper Dolls in Full Color. New York: Dover. Thiess, Frank. 1920. Dertanz Als Kunstwerk. Munich: Dephin-Verlag. (Donated by Eva Goldman.) Tippet, Maria. 1990. Making Culture: English-Canadian Institutions and the Arts Before the Massey Commission. Toronto: University of Toronto.

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Tomalonis, Alexandra. 2002. Henning Kronstam, Portrait of a Danish Dancer. Gainesville: University Press of Florida. (Donated by Joysanne Sidimus.) Town, Harold and James Strecker. 1984. Pas de Vingt. New York: Mosaic Press. (Donated by Frank Rasky.) Tracy, Robert and Sharon DeLano. 1983. Balanchine’s Ballerinas: Conversations with the Muses. New York: Linden Press/Simon Schuster. (Donated by Linda Stearns.) Turner, W.J. 1944. English Ballet. London: William Collins. (Donated by Joseph E.J. Beasley.) Turner, W.J. c. 1967. The English Ballet. London: William Collins. (One copy donated by Eva Goldman, one copy donated by Gail Grant.) Twysden, A.E. 1945. Alexandra Danilova. London: C.W. Beaumont. (Donated by Joseph E.J. Beasley.) Ulanova, Galina. c. 1950. Galina Ulanova. The Making of a Ballerina. Moscow: Foreign Languages Publishing. Urlin, Ethel. 1911. Dancing: Ancient and Modern. Herbert&Daniel (Donated by Carol Bishop-Gwyn.) Vaganova, Agrippina. 1969. Basic Principles of Classical Ballet. New York: Dover. Varley, Gloria and Peter Varley. 1971. To Be a Dancer: Canada’s National Ballet School. Toronto: Peter Martin Associates. Vaughan, David. 1977. Frederick Ashton and His Ballets. London: Adam and Charles Black. (Donated by Gweneth Lloyd, Box 7.) Voaden, Herman. 1945. On Stage. Toronto: The Macmillan Company of Canada. Volynsky, Akim. 2008. Ballet’s Magic Kingdom: Selected Writing on Dance in Russia, 1911-1925. Yale University Press. (Donated by Carol Bishop-Gwyn.) Von Tiedemann, Cylla. 1991. The Dance Photography of Cylla Von Tiedemann. Ottawa: National Arts Centre. (Second copy donated by Frank Rasky.) Wagner, Anton. 1979. Canada’s Lost Plays Volume Two. Toronto: CTR. Wagner, Anton. 1980. Canada’s Lost Plays Volume Three. Toronto: CTR. Wagner, Anton. 1993. A Vision of Canada: Herman Voaden’s Dramatic Works 1928-1945. Toronto: Simon & Pierre.

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Wagner, Anton. 1999. Establishing Our Boundaries: English-Canadian Theatre Criticism. Toronto: University of Toronto. Walker, Hugh. 1991. The O’Keefe Centre: Thirty Years of Theatre History. Toronto: Key Porter. Walker, Kathrine Sorley. 1957. Robert Helpmann. London: Salisbury Square. (Donated by John Faichney.) Walker, Katherine Sorley. 1998. Ninette de Valois: Idealist without Illusions. Dance Books. (Donated by Carol Bishop-Gwyn.) Ward, Eric. 1930. A Book of Make-Up. London: Samuel French Ltd. (Donated by Alison Sutcliffe.) Ward, Natalie, trans. 1975. Bolshoi’s Young Dancers. Moscow: Progress. (Donated by Eva Goldman.) Warner, Mary Jane. 1995. Toronto Dance Teachers 1825-1925. Toronto: Dance Collection Danse Press/es. Warren, Larry. 1991. Anna Sokolow. The Rebellious Spirit. Princeton: Dance Horizons/Princeton Book Company. Webb, Brian, ed. 2002. The Responsive Body. Banff: The Banff Centre. West Kinney, Troy and Margaret. 1914. The Dance: Its Place in Art and Life. New York: Frederick A. Stokes Company. (Donated by Alison Sutcliffe.) Whittaker, Herbert. 1967. Canada’s National Ballet. Toronto: McClelland and Stewart. Whittaker, Herbert. 1993. Whittaker’s Theatricals. Toronto: Simon & Pierre. Whittaker, Herbert. 1999. Setting the Stage. Montreal & Kingston: McGill-Queen’s University. Williams, Peter. 1981. Masterpieces of Ballet Design. Oxford: Phaidon Press. (Donated by Alison Sutcliffe.) Williamson, Audrey. 1946. Contemporary Ballet. London: Salisbury Square. (Donated by Joseph E.J. Beasley.) Williamson, Audrey. 1948. Old Vic Drama. London: Rockliff. (Donated by Gweneth Lloyd, Box 7.)

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Willis, John. 1974. Dance World 1973. Volume 8. New York: Crown. (Donated by John Faichney.) Wilson, G.B.L. 1957. A Dictionary of Ballet. London: Penguin Books. (Donated by Linda Stearns.) Wilson, G.B.L. 1974. A Dictionary of Ballet. London: A & C Black. (Donated by Gweneth Lloyd, Box 7.) Willson, Robina Beckles. 1981. Anna Pavlova, A Legend Among Dancers. London: Hodder and Stoughton. Windreich, Leland, ed. 1996. Dancing for de Basil – Letters to her Parents from Rosemary Deveson. Toronto: Dance Collection Danse. Windreich, Leland. 1998. Dance Encounters: Leland Windreich Writing on Dance. Toronto: Dance Collection Danse Press/es. Windreich, Leland. 1999. June Roper: Ballet Starmaker. Toronto: Dance Collection Danse Press/es. Wolska, Helen. 1952. Dances of Poland. London: Max Parrish & Company. (One copy donated by Gail Grant, one copy donated by Gweneth Lloyd, Box 8.) Woodcock, Sarah. 1991. The Sadler’s Wells Royal Ballet: Now the Birmingham Royal Ballet. Sinclair-Stevenson. (Donated by Carol Bishop-Gwyn.) Wood, Roger with John Hall. 1952. The Theatre Ballet of Sadler’s Wells in Photographs. London: Phoenix House Ltd. (Donated by Alison Sutcliffe.) Wyman, Max. 1978. The Royal Winnipeg Ballet: The First Forty Years. Toronto: Doubleday Canada. Wyman, Max. 1989. Dance Canada: An Illustrated History. Vancouver: Douglas & McIntyre. Wyman, Max. 1991. An Intimate Portrait, Evelyn Hart. Toronto: McClelland & Stewart. Wyman, Max. 2001. Max Wyman Revealing Dance. Toronto: Dance Collection Danse Press/es. Zorina, Vera. 1986. Zorina. New York: Farrar Straus Giroux.

Updated January 2014

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