ad schedule 2019 - dt7v1i9vyp3mf.cloudfront.net · music production techniques / independent...

DISPLAY ADSCopy/Artwork

Deadline

ON SALE DATE (DIGITAL)

ON SALE DATE (PRINT)

BONUSDISTRIBUTION

AT SHOWS

January issue FridayNovember 30 2018

ThursdayDecember 20 2018

FridayDecember 28 2018 NAMM

February issue FridayJanuary 4

ThursdayJanuary 24

FridayFebruary 1

March issue FridayFebruary 1

ThursdayFebruary 21

FridayMarch 1

IMSTA Festa MiamiSYNTHPLEX

April issue FridayMarch 1

ThursdayMarch 21

FridayMarch 29 ASCAP

May issue FridayMarch 29

ThursdayApril 18

FridayApril 26

MOOGFESTIMSTA Festa LA

June issue FridayMay 3

ThursdayMay 23

Friday May 31 GEARFEST

July issue FridayMay 31

ThursdayJune 20

FridayJune 28

SUMMER NAMMIMSTA Festa Chicago

August issue FridayJune 28

ThursdayJuly 18

FridayJuly 26

September issue FridayJuly 28

ThursdayAugust 22

FridayAugust 30

KNOBCONIMSTA Festa NY

October issue FridayAugust 30

ThursdaySeptember 19

FridaySeptember 27

AES NYIMSTA Festa Toronto

November issue FridaySeptember 27

ThursdayOctober 24

FridayNovember 1 SF MUSIC EXPO

December issue FridayOctober 25

ThursdayNovember 21

FridayNovember 29

Ad Schedule 2019

Please send all advertising materials to:[email protected]

Michael Groves, Production DepartmentTel: +44 (0)1954-789888 Email: [email protected]

File TypesPlease supply print advertisments as a print ready PDF, with embedded fonts.

We will also accept advertisements originated in the following applications:

• Adobe InDesign.• Adobe Photoshop.• Adobe Illustrator.

Should be saved as .eps files, with text saved as curves/outlines, and colours saved as Process (CMYK).

Submitting artwork

Please email all adverts to: [email protected]

Larger files may also but submitted via a cloud-based file transfer service (eg WeTransfer, Dropbox etc).

Colours All colours within any document must be saved in Process (CMYK) mode. If colours are saved in any other mode (ie. RGB, Index etc) they will appear different or MONOCHROME when printed.

Ink DensityThe total Ink density should not exceed 300% with a maximum of 310% for large areas of color.

For example, when using large areas of black, to give final print a rich black appearance the following CMYK color values can be used - 75c 63m 63y 100k. Pages with a higher total ink density can cause problem when printing including blistering of pages and sticking together of paper.

Pictures & Logos• All relevant EPS, TIFF, and any other

original picture files that are used must be supplied with the main advertisement file.

• Logos and line art illustrations used in the advertisement can be supplied in either EPS or TIFF formats as long as colours are CMYK (Process).

• Scanned images should be supplied in either TIFF or EPS format. TIFFs should not be compressed. EPS files must be single part files but must not be JPEG encoded.

• Cutout images should be saved as EPS files with clipping paths, or they will appear “jagged” when printed.

• Pictures should be saved at 300dpi, except for “screen grabs” which will usually be 72 dpi. These will obviously print at a lower resolution.

TypefacesIf fonts included in an advert are not available in our type library, they will be substituted for typefaces of similar appearance.

File CompressionMac: Files can be compressed using Stuffit. Self-extracting archives are also acceptable.

PC: Can only be accepted if compressed with ZipIt.

Display Advertising Specifications

PDF SpecificationsSOS PDF specifications can be obtained from: Michael Groves([email protected])

Artwork exported using other print ready settings can still be accepted. However, please ensure that any crop marks or color bars are offset by 0.125 inches so as not to appear within the bleed area.

REVIEWS: STEINBERG / OPPO / SCHERTLER / MEMOTRON / BEYER / IGS / ROSWELL / HEAVYOCITY / ALESIS / ZYNAPTIQ / SONIBLE / DANGEROUS

Faking a string section on a budget

April 2016 £5.99

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TECHNIQUE: PRO TOOLS / REAPER / REASON / LOGIC / SONAR / LIVE / STUDIO ONE

WIN SONNOX PLUG-INS WORTH £2000

22 MTK : C L A S S I C A N A L O G U E W I T H D AW R E C O R D I N G

Mixing Muse LiveRoger Linn’s LinnStrumentThe MIDI controller non-pianists can play

SOUNDCRAFT

W I T H D AW R E C O R D I N G22 MTK : C L A S S I C A N A L O G U E

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THE WORLD’S BEST RECORDING TECHNOLOGY MAGAZINE

SOUND ON SOUND THE WORLD’S BEST RECORDING TECHNOLOGY MAGAZINE

APRIL 2016 VOLUM

E 31 • ISSUE 6 w

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MUSIC PRODUCTION TECHNIQUES / INDEPENDENT IN-DEPTH PRODUCT TES TS / ENGINEER & PRODUCER INTERVIEWS / LIVE SOUND

APS MONITORS WORTH £2100

W I N

1985 — 2016

REVIEWS: CHANDLER / BITWIG / IK / ACOUSTICA / DBX / LD SYSTEMS / PHAEDRUS / MESA / PRESONUS / NI / PITTSBURGH MODULAR

Recording & mixing Coldplay“I try to get the band to play as a unit”

Masterclass: Deep house vocal production

Work fasterin the studio

Get your sessions into gear!

SOS AWARDS WINNERS!Who got your vote?

March 2016 £5.99


!?

1985 — 2016

TECHNIQUE: PRO TOOLS / REAPER / REASON / LOGIC / SONAR / CUBASE / LIVE / STUDIO ONE

THE £435 ANALOGUEPOLYSYNTHK O R G M I N I L O G U E

WIN ASTON MICROPHONES WORTH £2300

E X C L U S I V E F I R S T R E V I E W

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THE WORLD’S BEST RECORDING TECHNH OLOGY MAGAZINE


MAR

CH 2016

VOLUM

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VINTAGE ROLAND SPACE ECHO & FX UNITS

WORTH £2200

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AUDIX PIANO MIC SET WORTH £1315

February 2016 £5.99


1985 — 2016

TECHNIQUE: PRO TOOLS / REASON / LOGIC / SONAR / CUBASE / LIVE / STUDIO ONE

HAS MELODYNE 4 ACHIEVEDTHE IMPOSSIBLE... AGAIN?

Iconic Roland synths reborn!Mini Jupiter, JX & Juno

ROLI Seaboard RiseAffordable ‘keywave’ controller

Classic Tracks: The Zombies“We had to fork out another £200 to mix in stereo”

The 10 Biggest Recording Mistakes...and how to avoid them!


REVIEWS: BAE / GEITHAIN / EV / LOOPTROTTER / MESANOVIC / MIKTEK / MOTU / MODOR / IZOTOPE / SKNOTE / SOUNDTOYS

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THE WORLD’S BEST RECCORDING TECHNOLOGY MAAAGAZINE


FEBRUARY 2016

VOLUME 31 • ISSUE 4

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REVIEWS: YAMAHA / SONOKINETIC / NOVATION / EVENTIDE / NI / RADIAL / DPA / TEGELER / AKG / FOSTEX / ASTON

Roland System 1mPatchable Eurorack synth module

Working with an arrangerWhat to do when your scores need the professional touch

Mixing Pentatonix“Pentatonix is a pop group, and you want it perfectly in tune”

Pro Tools 12Is Avid’s subscription pricing a good deal?

January 2016 £5.99


1985 — 2016


The Moog Modular You Can Afford

TECHNIQUE: PRO TOOLS / REASON / LOGIC / SONAR / CUBASE / LIVE / STUDIO ONE

TM

THE WORLD’S BEST RECORDING TECHNOLOGY MAGAZINE


JANUARY 2016

VOLUM

E 31 • ISSUE 3w

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CYMATIC AUDIO RECORDERS WORTH £2700

W I N

Double Page Spread (Trim/Printable Area) 16.75 inches wide x 10.875 inches high

Double Page Spread (Including Bleed)17 inches wide x 11.125 inches high

1/2 Double Page Spread (Trim/Printable Area)16.75 inches wide x 5.5 inches high

1/2 Double Page Spread (Including Bleed) 17 inches wide x 5.625 inches high

1/4 Page Horizontal (Bleed) 8.625 inches wide x 2.875 inches high

1/3 Page Horizontal (Bleed)8.625 inches wide x 3.875 inches high

1/2 Page Vertical (Standard)3.5 inches wide x 9.75 inches high

1/2 Page Vertical (Bleed)4.125 inches wide x 11.125 inches high

1/3Square Third Page Square

4.5 inches wide x 4.5 inches high

Full Page(Trim/ Printable Area) 8.375 inches wide x 10.875 inches high

Full Page (Including Bleed)8.625 inches wide x 11.125 inches high

1/2 Page Horizontal (Trim/ Printable Area)8.375 inches wide x 5.5 inches high

1/2 Page Horz (Bleed)8.625 inches wide x 5.625 inches high

1/2 Horizontal (Standard)7.25 inches wide x 4.75 inches high

Island Half (Junior Page) 4.5 inches wide x 6.25 inches high

1/4Page Standard

1/4 Page Horizontal7.25 inches x 2 inches

1/3 Page Horizontal7.25 inches x 3 inches

1/4 Page Standard3.5 inches wide x 4.75 inches high

1/2Page Vertical

1/4 Page Vertical (Standard)1.75 inches x 9.75 inches

1/4 Page Vertical (Bleed) 2.375 inches x 11.125 inches

1/3 Page Vertical (Standard)2.25 inches wide x 9.75 inches high

1/3 Page Vertical (Bleed)2.875 inches wide x 11.125 inches high

1/3Page Vert

1/4Page Vert

Please send all advertising materials to:[email protected]

It is adviseable to leave at least a 0.125” safety margin for any live matter i.e text. bleed area: 0.125 inches

REVIEWS: UNITY / CLAVIA / KRK / STEINBERG / PRESONUS / MILLENNIA / MAGIX / ARTURIA / FADERFOX / IZOTOPE / KUSH

TECHNIQUE: SONAR / CUBASE / REASON / PRO TOOLS / LIVE / LOGIC / STUDIO ONEREVIEWS: EIOSIS / DRAWMER / DBX / CLOUD / IK / MACKIE / PRESONUS / WAVES-DIGICO / RADIAL / SPITFIRETECHNIQUE: SONAR / CUBASE / REASON / PRO TOOLS / LIVE / DP / LOGIC / STUDIO ONE

WIN

ROLAND JDXIROLAND REVISIT ANALOGUE AT LAST

SONTRONICS

ARIAVALVE MICWORTH $1199

FAITH NO MORE: RECORDING SOL INVICTUS“I JUST THOUGHT WE WERE MIKING THINGS UP TO HELP WITH IDEAS...”

SPEED TEST

RECORDING & MIXING ALABAMA SHAKES

ON TEST: ACOUSTIC MATERIALS

“WHAT I DID WAS TO TRY TO REPLICATE MY ENTIREIN-THE-BOX MIXES ON THE CONSOLE”

CHOOSING THE RIGHT ABSORBERS FOR YOUR ROOM

WHAT’S THE BEST CPU FOR TODAY’S AUDIO PRODUCTION SOFTWARE?

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The World’s Best R

ecording Technology Magazine

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USA EditionThe World’s Best Recording Technology Magazine

MUSIC PRODUCTION TECHNIQUES / ENGINEER & PRODUCER INTERVIEWS / LIVE SOUND / INDEPENDENT IN-DEPTH PRODUCT TESTS

w w w. s o u n d o n s o u n d . c o m

USA $9.99 / Canada C$9.99

REVIEWS: UNITY / CLAVIA / KRK / STEINBERG / PRESONUS / MILLENNIA / MAGIX / ARTURIA / FADERFOX / IZOTOPE / KUSH

TECHNIQUE: SONAR / CUBASE / REASON / PRO TOOLS / LIVE / LOGIC / STUDIO ONE

DYNAUDIO& TC BUNDLESWORTH $3695

INSIDE

WINRODE’S RIBBON MIC: A FUTURE CLASSIC? BUYERS GUIDE: ORCHESTRAL STRINGS LIBRARIES

SPITFIRE AUDIO

CELEBRITY DRUMMERS, ANALOGUE TAPE, ANDTHE ICONIC HEADLEY GRANGE STAIRWELL.

IS THIS THE ULTIMATE DRUM LIBRARY?

CELEBRITY DRUMMERS, ANALOGUE TAPE, AND, ,THE ICONIC HEADLEY GRANGE STAIRWELL.

IS THIS THE ULTIMATE DRUM LIBRARY?

The Grange

HOT CHIP

MIXING KENDRICK LAMAR

“IT’S TAKEN US A LONG TIME TO FEEL LIKE WE KNOW OUR WAY AROUND A STUDIO!”

THE YOUNG ENGINEER BEHIND THE YEAR’S BEST HIP-HOP ALBUM

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SSL QUALITY MEETS 500-SERIES FLEXIBILITY

2020

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CLASSIC TRACKS: THE FALL“WE WEREN’T EVEN SURE WHERE THE MIC WAS!”

MIXING HOZIER’S ‘TAKE ME TO CHURCH’ “WE NEEDED TO MAKE THE SONG SOUND BIGGER

AND WIDER AND FATTER AND DEEPER”

THE WHO ON STAGEFIFTY YEARS MIXING THE SAME BAND

REVIEWS: AKAI / CYMATIC / APS / FISHMAN / AMGARD / GEFELL / IZOTOPE / MERGING / MOOG / AKG / NEVE / QSC

TECHNIQUE: SONAR / LOGIC / PRO TOOLS / LIVE / REASON / STUDIO ONE

WIN! CLOUD44-A RIBBON MICWORTH $2099

CUBASE PRO 8STEINBERG MAKE PRODUCTION MORE PRODUCTIVE

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TECHNIQUE: CUBASE / SONAR / LOGIC / PRO TOOLS / LIVE / DP / REASON / STUDIO ONEREVIEWS: FOSTEX / ZYNAPTIQ / BOSS / U-HE / EASTWEST / DYNAUDIO / TC / YAMAHA / EAR TRUMPET / TOONTRACK / BRAINWORX / TASCAM

CHARLIE WATKINS THE MAN WHO INVENTED THE MODERN PA SYSTEM

MEGHAN TRAINOR: ‘ALL ABOUT THAT BASS’HOW 2014’S BIGGEST HIT WAS MADE

KORG VOLCA SAMPLE“I’VE OWNED FAR MORE EXPENSIVE SAMPLE PLAYERS

THAT NEVER GAVE ME THIS MANY SMILES!”

BIG DRUM SOUNDS FROM SMALL ROOMS

PLANNING THE PERFECT SPACECONTROL ROOM DESIGNS THAT REALLY WORK!

WIN ANTELOPE AUDIO SATORI WORTH$1475

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ad schedule 2019 - dt7v1i9vyp3mf.cloudfront.net · music production techniques / independent...

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