actors guild of parkersburg audition packet€¦ · crazier: (19) duet: measures 170 – eos...

actors guild of parkersburg

AUDITION PACKET

WEDNESDAY ADDAMS

MUSIC SELECTIONS FOR AUDITIONS

GOMEZ ADDAMSTRAPPED: (5) MEASURE 37 – END OF SONG (EOS).

DUET: MEASURES 25 – 56

MORTICIA ADDAMSDEATH IS JUST: (16) MEASURE 78 – EOS

DUET: MEASURES 25 – 56

WEDNESDAY ADDAMSPULLED: (6) MEASURE 58 – EOS

DUET: MEASURES 170 – EOS

PUGSLEY ADDAMSWHAT IF: (11) MEASURE 69 – 98; MEASURE 187 – EOS

UNCLE FESTERTHE MOON: (17) MEASURE 28 – 48

LURCHMOVE TOWARDS: (23) MEASURE 18 – 32

MAL BEINEKECRAZIER: (19) MEASURE 81 – 102

ALICE BEINEKEWAITING: (13) MEASURE 13 – 28; MEASURE 54 – 68

LUCAS BEINEKECRAZIER: (19)

DUET: MEASURES 170 – EOS

ANCESTORSNIGHT 1: MEASURES 194 – 209NIGHT 2: MEASURES 275 – EOS

WHEN YOU’RE AN ADDAMS

GRANDMAMEASURES 54 – 86

8

SCENE 2

(MORTICIA'S BOUDOIR) (Revealing GOMEZ, fencing with LURCH, who holds his foil absolutely still while GOMEZ swipes at it extravagantly.)

GOMEZ Fight sir, fight like a man! Feel the kiss of my Spanish steel! Ha! Ha! Ha! Ha! Foiled again!

(GOMEZ strikes LURCH's sword down. LURCH pokes GOMEZ with it.)

Oww! Damn your lightning reflexes!

(GOMEZ retains his sword. MORTICIA enters with a bouquet of yellow flowers.)

MORTICIA

Gomez, look.

GOMEZ Ugh! Flowers! Who would send something so tasteless?

MORTICIA (reads the card)

"The most precious gift there is, More goody-licious than gold, Is that blessing we call friendship, Whether new or very old."

GOMEZ "Goody-licious?" Who talks like this?

(MORTICIA removes the flowers from the stems,During--)

MORTICIA

The Beinekes. Wednesday's friend Lucas and his parents. They're coming for dinner tonight.

GOMEZ Lucas?

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MORTICIA Yes.

GOMEZ But Lucas is a boy's name.

MORTICIA Yes.

GOMEZ Wednesday has a friend who's a boy?

(They both look at Lurch. Finally--)

MORTICIA It's nothing, darling. Puppy love.

(hands Lurch the stems) Put these in water.

(WEDNESDAY enters, carrying her crossbow and a goose with an arrow sticking out of it.)

WEDNESDAY

Mom, Dad, I shot dinner.

MORTICIA (taking it)

Oh, Wednesday, that's lovely. Wherever did you find it?

WEDNESDAY Petting zoo.

MORTICIA Thank you, dear. Come, Lurch - we'll whip up something really special. And this time, we'll actually cook it.

(shares a laugh with Lurch) Oh, Gomez - guests for dinner! Fresh meat!

(They exit. WEDNESDAY looks nervously after them.)

WEDNESDAY Daddy, I have something very important to tell you.

GOMEZ What?

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WEDNESDAY Can you keep a secret?

(WEDNESDAY produces a ring from around her neck.)

GOMEZ Of course.

WEDNESDAY Look.

GOMEZ If I didn't know any better I'd say that looked like an engagement ring.

(she just looks at him) What are you saying?

WEDNESDAY Oh daddy, Lucas wants to marry me!

GOMEZ What?!

WEDNESDAY Lucas Beineke loves me and he wants to marry me.

GOMEZ Do you want to marry him?

WEDNESDAY Yes. I think so.

GOMEZ You think so?

WEDNESDAY Well, I've never even met his parents, and he's never met mine, and - I just need to be sure.

GOMEZ That he's the one?

WEDNESDAY That the families can get along. I mean, he has to know what he's getting into.

11

GOMEZ What are you saying?

WEDNESDAY I'm saying we're who we are, and they're from Ohio.

GOMEZ (slicing the air with his sword)

Ohio? A swing state!

WEDNESDAY That's what I mean.

GOMEZ You're right, this is important. Let's go tell your mother.

WEDNESDAY No.

GOMEZ No? But we have to tell your mother –

WEDNESDAY Daddy, please! She'll ask a lot of embarrassing questions and wreck the whole thing.

GOMEZ You don't want me to tell your mother you're getting married?

WEDNESDAY After dinner and we're all friends, then we'll tell her.

GOMEZ But I've never kept anything from your mother.

WEDNESDAY (getting desperate)

Daddy, please!

GOMEZ But—

WEDNESDAY If you love me.

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SCENE 6

(SOMEWHERE ELSE IN THE HOUSE) (WEDNESDAY enters, pursued by LUCAS.)

LUCAS

You realize they're gonna freak when we tell them?

WEDNESDAY My father won't.

LUCAS Why not?

WEDNESDAY I already told him.

LUCAS What? You told your father? Your father, with the sword? You told him we were getting married, just like that?

WEDNESDAY He's totally cool with it. Mostly.

LUCAS I thought we were gonna tell them all together!

WEDNESDAY We need his help. You don't know my mother. She could really screw it up.

LUCAS

I'm not marrying your mother.

WEDNESDAY I know. Look - it might seem old fashioned, but I want their blessing.

LUCAS You're right, it is old fashioned.

WEDNESDAY Lucas, do you love me?

LUCAS Of course.

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WEDNESDAY Then leave it to me. It's all going according to plan.

LUCAS What plan? There's no plan!

WEDNESDAY That's the plan. Improvise. Keep 'em guessing.

LUCAS You're really crazy.

WEDNESDAY You say that like it's a bad thing. It's just a simple dinner. What could go wrong? Come on.

(She leads him off. FESTER and ANCESTORS appear again. The kids' love has won over the ANCESTORS.)

FESTER Aww.

#8A BUT LOVE REPRISE 2

BE PATIENT AND SOON THE WAY WILL BE CLEAR FOCUS YOUR FEAR AND TROUBLES ALL WILL DISAPPEAR LET'S NOT TALK ABOUT ANYTHING OLD

ANCESTORS PLEASE DON'T LEAVE US OUT IN THE COLD

FESTER LET'S NOT TALK ABOUT ANYTHING ELSE BUT LOVE

ANCESTORS BUT LOVE

FESTER BUT LOVE

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ACT TWO SCENE 1

(OUTSIDE THE HOUSE)

#15 OPENING ACT II

(TASSEL and IT have a flirtation and run off. FESTER opens the curtain and closes the gate. WEDNESDAY enters, with suitcase and crossbow, pursued by LUCAS. The ANCESTORS observe this.) [MUSIC STOPS]

LUCAS Wait, wait! We have to talk this over for a minute.

WEDNESDAY Talk what over?

LUCAS We can't just run away and get married. You said it was important that everyone got along.

WEDNESDAY And you said it didn't matter!

LUCAS Yeah, but they wanna kill each other! You want that hanging over our heads?

WEDNESDAY Boy, you sound just like your father. The root doesn't fall far from the tree, does it?

LUCAS What?

WEDNESDAY Forget it.

LUCAS The apple. The apple doesn't fall far from the tree.

WEDNESDAY God, you're annoying.

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LUCAS You know what I think? You don't really wanna get married. You just said that to stick it to your mother.

WEDNESDAY Don't psychoanalyze me, Lucas. It's a deep dark hole and you don't wanna go there. Come on.

LUCAS What'll we do for money?

WEDNESDAY Stop being so scared of everything.

ANCESTORS Yeah.

LUCAS Right, like you're not scared.

WEDNESDAY I eat scared for breakfast, honey.

ANCESTORS Yeah.

LUCAS Let's go back in the house and make some rational decisions.

ANCESTORS No.

WEDNESDAY I don't want rational decisions! I want dangerous, impulsive, crazy decisions!

ANCESTORS Yeah.

WEDNESDAY Are you coming or not?

LUCAS Look - I - I can't run away like this. It's too crazy. I'm sorry.

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WEDNESDAY Not as sorry as you're gonna be when you wake up and you're forty-six and working for your father!

(ANCESTORS gesture to respond, but WEDNESDAY cuts them off. She storms away. LUCAS calls after her.)

LUCAS

I can be impulsive! I just need to think about it first!

[MUSIC IN]

(LUCAS, all indecision, exits back to the house. FESTER enters.)

ANCESTORS

AH, AH, AH, AH, AH!

FESTER There you are: Secrets exposed. Marriages threatened. Delicious anarchy. What happens now? Can this be repaired? Or do you all leave in an hour feeling vaguely depressed? Let's find out, shall we?

(FESTER parts the gates, revealing--)

WEDNESDAY 3

SCENE FIVE: UNDER THE ADDAMS FAMILY TREE

GOMEZ sits on the swing. He listens to the sounds of the city and park - culminating in a scream and two

gunshots, which relaxes him.

WEDNESDAY crosses furiously, with suitcase and crossbow.

GOMEZ Wednesday!

WEDNESDAY

Don't even!

GOMEZ

Where do you think you're going, young lady?

WEDNESDAY

Away.

GOMEZ

Elopement??

WEDNESDAY Daddy, would you just please let me -

GOMEZ

No! This is what comes from keeping secrets! If the two of you wanted to get married, you should've -

WEDNESDAY (cutting him off)

There's not gonna be any marriage!

GOMEZ

No? Why?

WEDNESDAY He bailed!

GOMEZ

What? A breach of promise? An outrage!

WEDNESDAY

He thought running away was a bad idea.

GOMEZ

On the other hand, he does have a point.

WEDNESDAY I hate him!

GOMEZ

Well, it's a beginning. Something to build on.

WEDNESDAY

He says he can't live without me, and then he lets me go. I love him. Why doesn't he love me?

GOMEZ

You just said you hated him. Which is it?

WEDNESDAY

Both.

GOMEZ

Now you've got it.

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WEDNESDAY: "This dinner has to go OK.PUGSLEY: "It will if you let me blow up this Lucas guy!"WEDNESDAY: “Oh, Pugsley - ever since I met him, I wanna laugh and cry and everything seems right and wrong at the same time and then sometimes I just want to rip his flesh..." [MUSIC](cont.) "...off and eat him up until there's nothing left.”

. .˙ Jœ

WEDNESDAY:Vamp

(last time)

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- - - - -

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[Rev. 1/3/12]Music and Lyrics byANDREW LIPPA

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[BIRD sounds.]

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Piano/Vocal – 2 – 06. Pulled [Rev. 1/3/12]

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[The YELLOW BIRD perches on her hand. SHE sings to it.]

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72 œ œ œ œ œ œ œ œAn gels watch ing as I sleep and

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82 œ œ œ œ œ œ œ œstay in the dark, not o bey

œœœ œ œœœ œ œœœ œ œœœ œjœœ‰ Œ œœ œ œ œœnn

cresc. poco a poco

no ped.

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83 œ œ œ œ œ œ œ œev' ry spark, but the boy

œœœn œ œœœ œ œœœ œ œœœ œÓ ‰ jœ œn œœbbsimile

84 œ œ œ œ œ œ œ œhas a bite bet ter far

œœœb œ œœœ œ œœœ œœœ œœœœ œœœœn>Ó ‰

œ œ œœnn>

85 œ œ œ œ œ œ œthan his bark. And you

Œ . jœœœœn œœœœ œœœ œœœŒ . jœœnn

jœœ ..œœ

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3œ œ œ ˙bet I'll bite, too.

˙̇̇ ˙̇̇

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con ped.

86

87 œ Œ œ œDo what's

˙̇̇̇n ˙̇̇̇


88 3œ œ œ ˙tru ly tab oo,

˙̇̇b ˙̇̇


89 œ Œ œ œas I'm

˙̇˙˙n ˙̇˙˙


90 œ œ œ ˙pulled in a new

˙̇̇̇b ˙̇̇̇


91 ˙ Œ œdi

œœœ œœ œœ œœœ œœœœn Œ

œœ œœ œœ œœbb>Œ

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œ .˙rec tion.œ œ œ œ œ œ

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‰ jœœbb>

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98

99 wœ œ .˙

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rit.

rit.

101 w

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102 !

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44

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œ. œ- œn . " œ. " œ. " œ. " œ. "rœ. ‰

LUCAS: “No, but see--the lover always comes back. Ulysses. Tristan. Romeo.”WEDNESDAY: "Listen, I'm home-schooled. What's your point?"LUCAS: "I'd rather die than live without you."WEDNESDAY: “Ok. Prove it!”LUCAS: "What."WENDESDAY: "Prove it." [MUSIC]"Here."

! ?P

Bright 4 q»118œ ‰ . rœ œ " œ œ

Once, I was hope

œ. œ- œn . " œ. " œ. " œ. " œ. "rœ. ‰

!

LUCAS: "Where'd you--"WEDNESDAY: “Put this apple on your head and go stand against the tree.”LUCAS: “Wait - you're gonna--?”WEDNESDAY: “Uh-huh.”LUCAS: “You're crazy.”WEDNESDAY: “And you're not crazy enough. That's the problem.” [GO ON]

Vamp (vocal last time)

WEDNESDAY:2

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3 œ .œ Œ Óful.

œ œ œn " œ " œ " œ " œ " rœ ‰

!simile

4 œ ‰ . rœ œ " œ œ œThought we were one.

œ œ œn " œ " œ " œ " œ " rœ ‰

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5

œ Œ Ó

œ œ œn " œ " œ " œ " œ " rœ ‰

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6 œ Œ œ œ œ œLife, less than per

œ œ œn " œ " œ " œ " œ " rœ ‰

!

7 œ .œ Œ Ófect

œ œ œn " œ " œ " œ " œ " rœ ‰

!

8 ˙ œ œ œ œ œfin' ly be gun.

œ œ œn " œ " œ " œ " œ " rœ ‰

!

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19CRAZIER THAN YOU

[Rev. 1/14/12]Music and Lyrics byANDREW LIPPA

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9

œ Œ Ó

œ œ œn " œ " œ " œ " œ " rœ ‰

Ó Œ "œ# œ œn

10 œn Œ œ œ œ œBut, now I won

œ œ œn " œ " œ " œ " œ " rœ ‰

w

11œ .œ œ Óder

œ œ œn " œ " œ " œ " œ " rœ ‰

.˙ œ œ œ# œ

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12œ Œ œ œ œ œare we un done?

œ œ œn " œ " œ " œ " œ " rœ ‰

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13 .˙ œ œ œ œI wan na

œ œ œ " œ " œ# " œ " œ Œ

˙ œ œ œŒ

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œ œ œ œ œ œ œ œ œ œ œ œtrea sure you in death as well as life.

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœw. .. .˙̇ œ œ

14

F

15

.˙ " œ œ œI wan na

œœ œœ œœ " œœ " œœ " œœ œœ œœ œœ

. .˙ jœ

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16œ œ œ œ œ œ œ œ œ œ œ œcut you with my love and with my knife.

œœ " œœœ " œœœ " œœœ " œœœ " œœœ " rœœœ ‰

. .. .˙̇ œ œ

17

.˙ " œ œ œBut can I

œœœb œ œœœ " œ " œœœ " œ " œœœ " œœœ œœœ

˙n œ œ " œ " œ œ

Piano/Vocal – 2 – 19. Crazier Than You TOUR [1/14/12]

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18œ œ œ œ œ œ œ œ œ œ œ œlive as your tor men tor and your wife?

œœœ œœœ œœœ " œœœ " œœœ œœœ œœœ œœœ œœœ....œœœœ

˙ œ œ œ œ .œw

19 ˙ ‰ Jœ œ œWhen I am

...œœœ œœœ " œœœ " œœœ " œœœ œœœ Jœœœ ‰

.œ œ"œ " œ

"œ œ jœ

‰˙ œ œ œ Jœ

‰

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œ œ œ œ œ œ œ " .Jœcra zi er than you! I'm

Œ ...œœœ œœœ" rœœœ

‰ œœœ ...œœœœ œ

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2021œ œ œ œ œ œ œ " .Jœcra zi er than you. And

Œ ...œœœ œœœ" œœ œ œœœ œœœ

‰

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22 œ œ œ œ œb œ œ œ œ œ .œbnoth ing up 'til now has proved me

Œ ...œœœb œœœ" œœ œ œœœb œœœ

‰

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23œ œ œ œwro o ong. I'm

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œ œ" œ œ# œ

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24œ œ œ œ œ œ œ " .Jœcra zi er than you! That's

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‰ œœœ ...œœœœ œ

Œ ‰ jœ œ œ œn

25œ œ œ œ œ œ œ " .Jœjust the o ver view. So,

Œ ...œœœ œœœ" œœ œ œœœ œœœ

‰

œœ œœŒ " .jœ œ œ œ

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26 œ œ œ œ œb œ œ œ œ œ .œbget on board or sim ply move a

Œ ...œœœb œœœ" œœ œ œœœb œœœ

‰

œœbb œœ‰ rœœ

" ‰ . rœœ‰ œ# œ

27œ œ œ œlo o o ong.

œœœ œœœ œœœ œœœ

.œ œ‰ jœ "

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œ ‰ . rœ œ œ œ œI'm not im pul

œœ œœ œœn " œœ " œœ " œœ " œœ "rœœ ‰

œœ" œœ

Œ ÓP

LUCAS:

WEDNESDAY:2829‰ œ œn œ œ œ œ œ œ œ .œ

And yet I tru ly love you.

œ .œ Œ Ósive.

œœ œœ œœn " œœ " œœ " œœ " œœ " rœœ ‰

œœ" œœ

Œ Ó

30 !

œ ‰ . rœ œ œ œ œI'm not de ranged.


œœ" œœ

Œ Ó

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31‰ œ œ œ œn œ œ œ œ œ .œI'd ne ver ask that of you.

œ Œ Ó

œœ œœ œœn " œœ " œœ " œœ " œœ " rœœ ‰

œœ" œœ

Œ Œ "œ# œ œ#

32 !

œn Œ œ œ œ œBut in this mo


œœ" œœ

Œ Œ "œ# œ œ#

33 !

œ .œ œ Óment


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œ Œ œ œ œOne nor mal night?

Œ œœœ ‰ jœœœ Œ

œŒ Œ ‰ jœ

MORTICIA:32

33 Œ œ œ œ œ œ œTo be po lite,


œn ^ Œ Œ ‰ jœ

WEDNESDAY:34 Œ œ œ œ œ œ œ

to do the least


œA^ Œ Œ ‰ jœ

35

œ œ œ œ œ Œyou can.


œn^ Œ ‰ jœ œ œn

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36

¿ Œ ¿ ¿ ¿One nor mal eve?


œ Œ Œ ‰ jœ

GOMEZ:37 Œ œ œ œ œ œ œ

Can you a chieve


œn ^ Œ Œ ‰ jœ

WEDNESDAY:38

œ œ œ œ œ œa kind of


œA^ Œ Œ ‰ jœ

39 œ œ œ œ ˙com mon man?


œn^ Œ Œ ‰ jœ

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Œ œ œ œYou have to

Œ œœœ ‰ jœœœŒ

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4041 œ œ œ œ œswear to me, yes,

Œ œœœœ ‰ jœœœ Œ

œ^ Œ Œ ‰ jœ

42 jœ .œ œ œprom ise to the

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43

˙ Ócore.

˙̇̇̇> œœœœ^

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Piano/Vocal – 4 – 07. One Normal Night [Rev. 1/12/12]

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44 Œ œ œ œIt's al most

œœœ^œœœ.‰ jœœœ. œœœ

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œœ^ œœ. ‰

jœœ. œœ^ œœ. ‰

jœœ.F cresc.

45 œ œ œ œ œsix o' clock they're

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jœœ. œœ^ œœ. ‰

jœœ.

46

œ œ œ œn œnal most at the door!

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jœœœœ.œœ^ œœ. ‰

jœœ.œœ^ œœ. ‰

jœœ.

47 ˙ Œ œOn

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œœ^ œœ. ‰

jœœ. œœ^ Œ

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œ œ œ œall the Ad dams

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Broadening - In 4

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4849 œ œ œ œ

an ces tors who've

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50 jœ .œ œ œev er walked a

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51 ˙ Óright,

˙̇˙˙̇nnœœœœœnn Œ

˙̇nnœœœn Œ

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52 wOne

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Molto Rit.53 ˙ ˙

Nor mal

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54 wnight!

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Piano/Vocal – 5 – 07. One Normal Night [Rev. 1/12/12]

actors guild of parkersburg audition packet€¦ · crazier: (19) duet: measures 170 – eos...

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