actors guild of parkersburg audition packetgomez addams trapped: (5) measure 37 – end of song...
TRANSCRIPT
actors guild of parkersburg
AUDITION PACKET
UNCLE FESTER
MUSIC SELECTIONS FOR AUDITIONS
GOMEZ ADDAMSTRAPPED: (5) MEASURE 37 – END OF SONG (EOS).
DUET: MEASURES 25 – 56
MORTICIA ADDAMSDEATH IS JUST: (16) MEASURE 78 – EOS
DUET: MEASURES 25 – 56
WEDNESDAY ADDAMSPULLED: (6) MEASURE 58 – EOS
DUET: MEASURES 170 – EOS
PUGSLEY ADDAMSWHAT IF: (11) MEASURE 69 – 98; MEASURE 187 – EOS
UNCLE FESTERTHE MOON: (17) MEASURE 28 – 48
LURCHMOVE TOWARDS: (23) MEASURE 18 – 32
MAL BEINEKECRAZIER: (19) MEASURE 81 – 102
ALICE BEINEKEWAITING: (13) MEASURE 13 – 28; MEASURE 54 – 68
LUCAS BEINEKECRAZIER: (19)
DUET: MEASURES 170 – EOS
ANCESTORSNIGHT 1: MEASURES 194 – 209NIGHT 2: MEASURES 275 – EOS
WHEN YOU’RE AN ADDAMS
GRANDMAMEASURES 54 – 86
6
ALL (CON’T) AND FAMILY BY AND BY WHEN YOU'RE AN ADDAMS THE STANDARD ANSWERS DON'T APPLY WHEN YOU'RE AN ADDAMS YOU DO WHAT ADDAMS DO OR DIE!
(Applause)
GOMEZ Until next year my beloved ancestors... Back to your crypt.
#2A (WE HAVE) A PROBLEM
(GOMEZ, MORTICIA, GRANDMA, LURCH and PUGSLEY exit. WEDNESDAY remains, looks worried. The ANCESTORS turn to re-enter the Crypt. FESTER clocks WEDNESDAY.)
CONQUISTADOR ANCESTOR Hey, it's locked.
(ANCESTORS freeze)
FESTER That's right. We have a problem.
(DING! Light on WEDNESDAY, holding her crossbow.)
WEDNESDAY
His name is Lucas, Lucas Beineke. And - I'm in love. (group reacts)
FESTER (to the Audience)
That's right. Little Wednesday Addams - that charming, irrepressible bundle of malice who would poison her own brother just for a ride in the ambulance - has grown up and found love.
(LUCAS enters, in love with WEDNESDAY.)
LUCAS Oh, Wednesday! I just wanna lock you up in a little white cottage with a picket fence and an apple tree!
7
WEDNESDAY I like the part about being locked up.
(Lights out on WEDNESDAY and LUCAS. Off this,the ANCESTORS object vociferously. The CURTAIN comes in, eliminating the ANCESTORS.)
FESTER
So here's the deal. Gather around. I'm not letting you back into that crypt until love triumphs.
ANCESTORS But Fest –
FESTER Ah.
(FESTER crosses down as ANCESTORS disappear.)
So who is this Lucas fella? Is he worthy of her? Do they really love each other? What is love anyway? Does this rash look serious to you? So many questions about love. But when you think about it, is there anything more important?
(A HAND extends FESTER's banjolele, and FESTER takes it, accompanying himself as he sings.)
#3 FESTER'S MANIFESTO
LET'S NOT TALK ABOUT ANYTHING ELSE BUT LOVE AH - LET'S NOT TALK ABOUT ANYTHING ELSE BUT LOVE CAN'T WE TALK ABOUT LOFTY GOALS, MATING SOULS ALTERING MINDS AND FALTERING ROLES LET'S NOT TALK ABOUT ANYTHING ELSE...
(CURTAIN opens)
86
SCENE 4
(VAUDEVILLE IN-ONE) (FESTER enters, looking for love.)
FESTER Storm's passed. Think I'll get a little moon.
(calling into the dark void) Ladies, hello.
(The FEMALE ANCESTORS appear, as bathing beauties with parasols.)
Yoo hoo, where are you hiding? Are you playing with me, my only one?
(The MOON enters, shyly.) There you are! Look at her. Lovely, is she not? And so far away. Yes, in matters of love, my dears, distance is our friend. Closeness? No thank you. Quarter of a million miles away - that's a good distance for romance. We never fight, each waning is a heartbreaking separation...
FEMALE ANCESTORS (Ohh!)
FESTER ...Each meeting - a happy reunion.
FEMALE ANCESTORS (Awww!) (The LADIES part, revealing FESTER in a 1920’s style bathing suit, and strumming his banjolele. He looks up at the moon and sings to her--)
#17 THE MOON AND ME
FESTER WHEN THE DAYLIGHT ENDS AND THE MOON ASCENDS I WOULD RATHER BE JUST THE MOON AND ME WHEN I FEEL HER PULL THEN MY HEART IS FULL AND THE NIGHT IS SOFTLY SWEETLY CALLING, "FESTER, LOOK AND SEE" LA LA LA LA LA LA
FESTER 3
MAL appears from behind the tree thrown by what he's just heard. Now FESTER appears.
FESTER
Did you hear that? (Mal nods)
The boy was willing to die for love. (then)
Hard to believe he's your son.
MAL (in awe and envy)
He was so happy.
FESTER
Remember that? Being happy?
MAL Yeah, What happened?
FESTER
You've turned into an unfeeling, rigid, selfish control freak.
MAL Fester you're a wise person. How can I fix this?
What do I do?
FESTER
Don't worry, it will come to you.
FESTERS signals off stage.
MAL
I wasn't always this way. I was happy-go-lucky once. I told jokes and played the guitar and slept until
noon. But then you get a wife and a kid and a mortgage...
ALICE appears. Mal stops when he sees her.
FESTER
Keep going.
MAL
But what do I say?
FESTER
Just remember how you felt the first time you saw her.
&
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1 Ó ‰U jœ œ œWhen the day
Ó ŒU ‰ jœ˙ ÓU
FESTER:Andante
Ukelele
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&
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&
˙ œ œ œ œlight ends
jœ œ Jœ œ ‰ jœ!
2
p
3 ˙ ‰ jœ œ œand the moon
jœ œ Jœ œ ‰ jœ!
4 ˙ œ œ œ œa scends,
jœ œ Jœb œ ‰ jœ!
5 ˙ ‰ jœ œ œI would ra
jœ# œ jœ œ ‰ jœ!
- - -
&
&
&
6 ˙ œ œ œb œther be
jœ œ jœ œ ‰ jœ!
7 ˙ œ œ œ œjust the moon
jœ# œ jœ œ ‰ jœ!
8 ˙ œ œ œ œand me.
jœN œ jœ œ ‰ jœ!
9 ˙ ‰ jœ œ œWhen I feel
jœ œ Jœ œ Œ
Ó Œ ‰ jœ
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17THE MOON AND ME
[Rev. 1/31/12]Music and Lyrics byANDREW LIPPA
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&&
˙ œ œ œ œher pull,
.œJœ Jœ .œ
jœ œ Jœ œ ‰ jœ+RHYTHYM SECTION
10
P
11 ˙ ‰ jœ œ œthen my heart
.œ Jœ Jœ .œ
jœ œ Jœ œ ‰ jœ
12 ˙ œ œ œ œis full...œœb Jœ œ œ
jœ œ Jœb œ ‰ jœ
13 ˙ ‰ jœ œ œAnd the night
..œœ Jœœ ˙̇
jœ# œ jœ œ ‰ jœ
&
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14 jœ œ œ œ jœis soft ly, sweet
..œœ Jœ œ œ
jœ œ jœ œ ‰ jœ
15 jœ œ œ œ jœly call ing, "Fes
..œœ# Jœ ˙
jœ# œ jœ œ ‰ jœ
16 jœ œ œ œ Jœter, look and see."
..˙̇ œ
jœN œ jœ œ ‰ jœ
17 ˙ ‰ Jœ œ œLa la la
œœ œœ ˙̇
jœ œ Jœ œ Œ ?
- - - -
&
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Jœ œ œ œ Jœla la la, la
..œœJœœ œœ œ
œ œ œ ˙̇˙
More Full1819 Jœ œ œ œ Jœ
la la la la,
..œœ Jœ ˙
œ œ œ ˙̇˙
20 Jœ œ œ œ jœla la la la.
..œœbJœœ œœ œœb
œ œ œ ˙̇˙
21 ˙ ‰ jœ œ œIt's a dream
..œœ Jœœ ˙̇
Œ .˙w
&
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22 œ œ Jœb œb jœthat's com ing true
wwwbbŒ ‰ jœ œ œ œbw
23 ˙ ‰ jœ œ œwhen the moon
œœ œ .œ jœœ. .. .˙̇ jœœ
24 jœ œ œ œ jœsays, "I love you."
wwww
rall.
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Piano/Vocal – 2 – 17. The Moon And Me [Rev. 1/31/12]
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25
w..˙̇ œ
œ œ œ ˙̇˙
A Tempo26 !
ww
œ œ œ ˙̇˙
27 !
..˙̇ œ
œ œ œ ˙̇˙
28 Ó ‰ jœ œ œThough I'm told
ww
œ œ œ ˙̇˙
&
&
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˙ œ œ œ œit's wrong
..˙̇ ‰ jœœOoh, ooh,
www
wœ œ œ œ œ œ
FEMALE ANCESTORS:
2930 ˙ ‰ jœ œ œ
when I sing
..˙̇ ‰ jœœbooh,
www
wœ œ œ œ ˙
31 ˙ œ œ œ œmy song,
..˙̇ ‰ jœœ#ooh.
wwwb
wœ œ œ œ œ œb
32 ˙ ‰ jœ œ œshe ac cepts,
..˙̇ ‰ jœœOoh,œœ œœ œœ œœ
œ# œ ˙w
-
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&
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33 œ Œ ‰ jœ œ œshe at tends,
..˙̇ ‰ jœœbooh,
..˙̇ œ
œ œ œ ˙̇˙
34 œ Œ ‰ jœ œ œshe be lieves,
..˙̇ ‰ jœœooh,
..œœ# Jœœ ˙̇
Œ.˙w
35 œ Œ ‰ Jœ œ œshe be friends.
..˙̇ ‰ jœœooh.
..œœ JœœN œœ œœ
Œ.˙w
36 ˙ ‰ Jœ œ œLa la la
..˙̇ Œ
œœ œœ œœ œœ
œ œ ˙w
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Piano/Vocal – 3 – 17. The Moon And Me [Rev. 1/31/12]
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Jœ œ œ œ Jœla la la, la
œœ œœ œœ œœ ‰ jœœOoh, la la la. Ooh,
Œ œ œ œ œ œ
œ œ œ ˙̇˙
3738 Jœ œ œ œ Jœ
la la la la,
œœ œœ œœ œœ ‰ jœœbla la la. Ooh,
Œ œ œ œ œ œ
œ œ œ ˙̇˙
39 Jœ œ œ œ jœla la la la.
œœ œœb œœ œœ ‰ jœœla la la. Ooh,
Œ œb œb œ œ œ
œ œ œ ˙̇˙
40 ˙ ‰ jœ œ œIt's a dream
œœ œœ œœ œœ ‰ jœœbla la la. Dream
ww .œ Jœ œ œ
œ œ œ ˙̇˙
&
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41 œ œ Jœb œb jœthat's com ing true
œœ œœbjœœb œœb œœ œœ
that's com ing true
..˙̇b œœ œ œ œb
œ œ œb ˙̇˙
42 ˙ ‰ jœ œ œwhen the moon
˙̇ ‰ jœœ œœ œœwhen the moon
ww .œ Jœ œ œ
œ œ œ ˙̇˙
43 jœ œ , jœ jœ œ jœsays, "I love you"jœœ œœ
, jœœjœœ œœ jœ
says, "I love you"
˙̇ œœ œ œœ
œ œ œ ˙̇˙
44
w
wœœ œœ œœ œœœœ œ œ œœœ.˙
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"Œ œ œ œ œ œ œ
How it can feel
!
....œœœœ Jœœ œœ œ œœ
œ œ œ ˙̇˙
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˙̇ œœ œœ# œ
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47 Œ œ œ œ œ œwhen love is real.
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.˙ ..œœ Jœœ œœ œ œœ
œ œ œ ˙̇˙
48 w
!
˙̇̇̇ ˙̇̇̇
..œœjœ ..œœ
jœ
49 !
Ó ‰ Jœ œ œ
œœœœ œœœœ œœœœ œœœœ
..œœjœ œ̇ œ
Music Box/Picc.
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Piano/Vocal – 4 – 17. The Moon And Me [Rev. 1/31/12]
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(")˙ œ œ œ œ
œ œ œ œ ˙
wwwwww
“Kick Overhead SR”
50
sub. p
51 ˙ œ œ œ œ
œ œ œ œ ˙
!
!
52 ˙ œ œ œ œ
œb œ œ œb ˙
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!
“Kick Overhead SL”
53 ˙ œ œ œ œ
œ œ# œ œ ˙
!
!
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(")54 ˙ œ œ œb œ
œ œ œ œ ˙
!
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“The Straddle”
55 ˙ œ œ œ œ
œ# œ œ œ# ˙
!
!
56 ˙ œ œ œ œ
œN œ œ œ ˙
!
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“Sways”
57 w
œ œ œ œ ˙
Ó ‰ Jœœ œœbb œœbb
‰ jœ œ œ ˙w
f
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˙̇ ‰ Jœœœœbbb œœœœ œœœœ
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Lush and Full“2nd Sway”
5859 ˙̇̇̇ ‰ J
œœ œœbb œœœœbbb
œb œb œ œ œb œ œ œ
60 ˙̇̇̇ ‰ Jœœœœbbb œœ œœœœb
œb œb œb œb œ œb œ œ
“Yogi”
61 ....˙̇˙˙ ‰ jœ
œb œ œb œb œ œ œ
Piano/Vocal – 5 – 17. The Moon And Me [Rev. 1/31/12]
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62 wOhm.
!
jœ œN Jœ œ ‰ jœ
‰ jœN œ œ œ œ œw
“Banjolele”
p
63 wOhm.
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jœ œ Jœ œ ‰ jœ
‰ jœ œ œ œ œ œw
64 !
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˙̇̇̇ ˙̇̇̇‰ Jœ œ œ ‰ Jœ œ œ
‰ jœ œ œ œ œ œ œwwæ
sub. f
65 Ó ‰ Jœ œ œLa la la
Ó ‰ jœœ œœ œœLa la la
˙̇̇̇ œœœœ œœ œœ œœ‰ Jœ œ œ
‰ jœ œ œ œ œ œ œwwæ&
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Jœ œ œ œ Jœla la la, la
jœœ œœ œœ œœjœœ
la la la, la
wwwwŒ œ œœ œœ œ œ
œ œ œ .œ jœw
Triumphant66
ƒ
67 Jœ œ œ œ ‰la la la
jœœ œœ œœ œœ ‰la la la
wwwwŒ œ œ œ œ œ
œ œ œ .œ jœw
68 œ œ œ œ ‰ jœla, la la la la.
œœ œœ œœ œœ ‰ jœœla, la la la la.
wwwwbŒ œ œ œ œb œ
œ œ œ .œ jœw
69 ˙ ‰ jœ œ œIt's a dream
˙̇ ‰ jœœ œœ œœbIt's a dreamœœ œœ ˙̇
œ œ œ œ ˙˙˙̇
&
&
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70 œ œ Jœb œb jœthat's com ing true
œœ œœb jœœb œœ jœœthat's com ing true
!wwb .œ Jœ ˙
œ œœb ˙̇˙
F
71 ˙ ‰ jœ œ œwhen the moon
˙̇ ‰ jœœ œœ œœwhen the moon
!ww .œ Jœ ˙
œ œ œ ˙̇̇
72 jœ œ œ œ jœsays, "I love you"jœœ œœ
jœœjœœ œœ jœ
says, "I love you"
!..œœ J
œœ œœ œœ
œ .˙w
73
w
wŒ œœ œœ J
œœ œœJœœ
jœ œ Jœ œ ‰ jœ
œ œ ...˙̇̇
74 ˙ ‰ jœ œ œIt's a dream
˙ ‰ jœœ œœ œœbIt's a dream
wwjœ œ Jœ œ œœ œœ œœœb
œ œ ...˙̇̇rall.
rall.
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Piano/Vocal – 6 – 17. The Moon And Me [Rev. 1/31/12]
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43
43
43
43
75 œ œ Jœb œb jœthat's com ing true
œœ œœb jœœb œœ jœœthat's com ing true
œœœ œ œ œ œb œ œb
œ œ ...˙̇˙bÓ œ œ
&
76 ˙ ‰ jœ œ œwhen the moon
˙̇ ‰ jœœ œœ œœwhen the moon
˙̇˙œœ Œ
œ œ œ œ œœœœŒœ ?
77 œ œ œ ŒU ŒUsays,
œœ œœ œœ œU
œU
says, "I love
˙̇̇U ŒU ŒU
˙̇U
ŒU ŒU
-
-
&
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43
43
43
port.˙̇̇ œœœyou," ooh
Œ ‰ jœ œ œ
œ œ ˙
Con Moto - Quasi “Clair De Lune”78
P
79 ˙̇̇ œœœooh ooh
..œœ jœ œ œ
œ œ ˙
80 ˙̇̇bb œœœooh ooh
˙̇b œŒ ‰ Jœb œb œ
œ œb ˙b
rit.81 ...˙̇̇N
,ooh.
..œœN jœ œ œ
œ œ ˙N
A Tempo82 ˙̇ œœœ
Ooh ooh..œœ Jœ œ œ
œ œ ˙
&
&
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83 !
˙̇̇bb œœœ,
ooh ooh,
˙̇b œ ,Œ ‰ Jœb
œb œ
œ œb ˙,
84 !
˙̇̇bb œœœ ,ooh ooh,˙b œ ,Œ ‰ J
œ œb
œ œb˙b ,
84a..˙̇
Ahh!
!
!
! &
85..˙̇
...˙̇̇nAhh!œœ œœN œœ œœ œœ œœ
œN œ œF
86..˙̇
...˙̇̇œœ œœ œœ œœ œœ œœ
œ œ œ ?
rit.
rit.
87..˙̇
...˙̇̇
œœ- ˙̇-œœ- ˙̇-f
88 Ó .U
Ó .U
..˙̇U
..˙̇U
[ATTACCA]
Piano/Vocal – 7 – 17. The Moon And Me [Rev. 1/31/12]