EVALUATION CRITERIA

46 - M-RAD, MATTHEW ROSENBERGRaunik Design Group

EVALUATION CRITERIA

M-Rad ArchitectureLos Angeles, UNITED STATES

LEAD PROJECT DESIGNER

Raunik DesignGold Coast, AUSTRALIA

SUPPORTING EXECUTIVE ARCHITECT

ARUP EngineeringBrisbane, AUSTRALIA; Beijing, CHINA

LEAD EXECUTIVE ENGINEER

Nous EngineeringLos Angeles, UNITED STATES

STRUCTURAL ENGINEER

Bruce Mau DesignToronto, CANADA

WAYFINDING, SIGNAGE, BRANDING

Form Landscape ArchitectsBrisbane, AUSTRALIA

LANDSCAPE ARCHITECTS

MATTHEW ROSENBERGDESIGN DIRECTORMasters of Architecture, hons.SCI-ArcBachelor of Environmental DesignDalhousie UniversityBachelor of Fine Arts in Studio Arts, hons.Universtity of Saskatchewn

Matthew has designed and managed projects on almost every scale, from a 100,000 sqm resort village in Huangshan, China, to a water bottle for Carpatica. He has an inherant talent at delivering masterful projects that portray the projects vision down to every material detail.

Matthew has acted as Project Designer and Project Manager with Tom Wiscombe Design (Emergent Architecture) in Los Angeles and with MAD Architects in Beijing, with previous experience at Quadrangle Architects in Toronto and Form4 Architects in San Franciso. When with MAD, Matthew worked as Lead Designer and Manager on the Beijing International School and Recreation Centre, Harbin Opera House, Beijing Cultural Village, Sanya Yacht Club, and a 100,000 SQM resort village in Huangshan Village in China.

He has a keen ability to foster productive and enduring multidisciplinary collaborations.

JOSHUA SPRINKLINGCINEMATIC SPECIALIST Masters of Architecture, hons.SCI-Arc

Since graduating from the Southern California Institute of Architecture in 2007 and receiv-ing the Henry Adams Medal of Honor, Joshua Sprinkling has been involved in the creation of forward thinking architecture and design as a lead project designer at the offices of Tom Wiscombe Design (2006-2008) and a project designer/ art director at Morphosis Architects (2008-2012). Joshua brings projectexperience ranging from small scale installa-tions, complex city planning, and innovative architectural visualization.

In 2012, Joshua departed from Morphosis to bring his experience to M-Rad’s vision of cin-ematic and visual effects bring architecture and cinema and visual effects working with award winning VFX studios in Los Angeles.

Joshua also remains active in the academic realm, acting as a visiting critic at the Southern California Institute of Architecture and Wood-bury University.

FRANK RAUNIKPRINCIPALRegistered Architect No 2843Australian Institute of Architects A1+ Memeber Bachelor Applied Science Built EnvironmentBachelor of Architecture

Salt Resort 2001-2004-$750M Resorts and Residential Masterplan- Kingscliff Qld, Australia- Director of Delivery with ML DesignMelburnian Towers 1999-2001-$45M Residential Towers- Melbourne, Australia- Project architect with MirvacEmpire Resort 1996-1999-$2Billion Multi Resort Precinct- Brunei Darussalam- Head Design Co-ordinator with ML Design

Brad PriekulisRegistered Architect No. 4699Australian Institute of Architects A1+ Member Bachelor of Architecture, hons.

Centre for Advanced Imaging 2008-2010- $40M Medical Research & Education Building- Brisbane, Qld. Australia- Project Architect with Wilson Architects.Riffort Renaissance Resort 2007-2008- $70M Hotel, Casino, Cinema & Resort- Willemstad, Curaco. Netherlands Antilles.- Project Architect with Coleman & PartnersUniversity of Cincinnati 2006-2007- Fifth Third Arena & Nippert Football Stadium- Cincinnati, Ohio, USA.- Project Architect with Trahan Architects.

MATT SILVERBachelor of ArchitectureBachelor of Environmental DesignA1+ Member

Risdon Prison Redevelopment 2004-2005- $80M Max security & Mental Health Unit- Hobart, Tas. Australia- With BPSM Architects

Browns Plains Health Centre 2005-2006- $14M Varied Health Services- Brisbane, Qld. Australia- With Fulton Trotter Architects

CHAS POPE PROJECT MANAGERASSOCIATE DIRECTOR MIStructE MICE CEng

Chas has 15 years of international experience in structural engineering on large-scale complex building projects in the UK and East Asia includ-ing Beijing’s CCTV Tower, the Taipei Performing Arts Centre and the Shenzhen Stock Exchange. He has been based in Beijing for the past 10 years, where he now leads multidisciplinary engineering teams on a wide variety of complex large-scale projects.

DOROTHEE CITERNESENIOR STRUCTURAL ENGINEERMEng (Polytechnique)

Dorothee has seven years of experience in Europe and China, responsible for design management and coordination with interna-tional architects such as BIG and Frank Gehry. She has acquired solid experience in complex geometry structures, from parametric modelling to structural analysis.

ANDREW BRADLEY MEP, PRINCIPAL (Brisbane)MIEAust MCIBSE RPEQ

Andy has over 18 years of experience in the construction industry and leads Arup’s Building Services team in Queensland. This team fully integrates all of the key engineers and special-ists required to design, manage and optimise buildings which are both energy efficient and resilient, and specialise in providing ecologically sustainable solutions for highly complex, techni-cally challenging projects.

DR CRAIG GIBBONSDIRECTOR, PRINCIPAL (Brisbane)FIStructE MICE CEng

Currently the Brisbane Buildings Group Leader, Craig has been the Project Director respon-sible for the design and delivery of a number of prestigious landmark developments in the Middle East, Hong Kong, China and Korea. These include HK’s Cheung Kong Centre and the CCTV building in Beijing. A structural engineer, Craig has also been the leader of number of projects in which Arup have undertaken lead consultant and multidisci-plinary roles.

MATTHEW MELNYK S.E.DIRECTOR, STRUCTURAL ENGINEERMaster of ScienceBachelor of Science

Matthew has 15 years of professional experi-ence in the construction industry. He has man-aged many large-scale projects located within the US and internationally including:Redemption Hospital - 36,000 sq. ft. pediatric ward- Bris-Soleil facade- integrated structure and ventilation strategy City of Hope Museum and Culture CenterBeijing National Hotel - 1,600 rooms, two lecture halls, conference hallRPI-Experimental Media and Performing Arts - 2,000 seat performance hall- black-box theaters, dance studio, classroomsOval Lingotto- 2006 Winter Olympics- 100m steel roof span- 2007 Gold IOC/IAKS Award

ELIZABETH MAHLOW P.E.PRINCIPAL, STRUCTURAL ENGINEERBachelor of Science in Architectural Engineering

Elizabeth has 6 years of professional experi-ence in the construction industry. She has man-aged large-scale projects located within the US and internationally including:King Abdullah Financial DistrictParcel 2.08 and Parcel 2.14- 100 new parcels- Four levels of below grade parking- Mosque- 7-story residential tower- 26-story mixed user residential office tower.Baylor University Stadium- 45,000 seat football stadium with the capacity to expand to 55,000 seats. Harvard Allston Science Complex - Part of Harvard’s Master Plan - 10 million sq. ft. of new science laboratoriesUniversity of California, Irvine Social and Be-havior/Humanities Buildings- The existing buildings had undergone struc-tural degradation due to the quality of the original construction. The post tensioned slabs and geopier foundation construction documents and calculations were reviewed to quantify inadequacies.

HUNTER TURAPRESIDENT, CEOMaster of ArchitectureGraduate School of Design Harvard University

Hunter is responsible for driving global growth in all business sectors and expanding the legacy of the BMD brand (a member of the MDC Partners network of companies). Under his leadership BMD has clarified its service offerings, expanded its network of collaborative partners & has actively pursued new markets. He has taken on the task of advancing BMD’s role in the conversation around contemporary design, design education and rethinking the contemporary design organization. Additionally, Tura has directed creative business initiatives, including recent BMD collaborations for GE, Unilever, Starwood, Holt Renfrew, the Oprah Winfrey Network, Coca-Cola, McDonald’s, Harvard University Graduate School of Design, the Smithsonian Institution, and OCAD University in Toronto.Prior to joining BMD, Tura was Managing Director at 2x4, Inc., responsible for leading operational and strategic business efforts in the U.S. and China. Before his time at 2x4, Tura was a designer at Rockwell Group/Studio Red in New York and has worked in the office of AMO/Rem Koolhaas.

Affiliations:Trustee of the Dyckman Farmhouse Museum in Manhattan; TASSMEEM board member.

TOM KEOGHSENIOR PROJECT DIRECTOR

Tom Keogh has been managing and directing a team of designers at Bruce Mau Design since 2004. An engineer with degrees from University College Dublin and the Queen’s University of Belfast, he comes to the studio with extensive experience in structural design and project leadership from internationally recognized Yolles Partnership consulting engineers, and Collen Project Management in Dublin, a multi-disciplinary firm of engineers, architects and cost consultants.

Tom’s numerous architectural and design projects in the studio include communications and environmental graphics programs for General Electric, Unilever, the Art Gallery of Ontario, and the Grand Egyptian Museum in Cairo; large-scale urban visioning and exhibition projects in Saudi Arabia; corporate museum design for Redpath Sugar in Toronto; and conceptual programming and exhibition design for the National Jazz Museum in Harlem.

MATTHEW FRANZMANNRegistered Landscape Architect Bachelor of Built EnvironmentGraduate Diploma of Landscape Architecture

Matthew’s primary role is to oversee all design production within the practice. He provides a broad knowledge in Landscape Architecture, Landscape Planning and Urban Design that’s been gained from over 15 years of professional experience within leading multidisciplinary practices and landscape architectural of-fices. Matthew approaches every project in an enthusiastic, creative and professional manner ensuring that each project is thoughtfully and elegantly resolved.Matthew offers extensive experience in leading and working in collaborative teams for a range projects. Having been involved in projects rang-ing from large scale urban design, parkland design, resort and residential developments has enabled Matthew to develop a considered and sensitive approach to design.Matthew’s involvement at all levels of the firm’s services ensures a consistent level of quality, service and innovation is integrated into each project. Close collaboration with clients and consultants guarantees the designs are deliv-ered on time and on budget.

Affiliations:Australian Institute of Landscape Architects, UDIA Corporate MemberBrisbane Development Association Member

KATE PARKERBachelor of Landscape Architecture

Kate’s primary role as Project Landscape Ar-chitect is to manage Projects from conception to completion. This involves managing a team to ensure the design process and outcome is managed in a professional and thorough man-ner.

Kate as Project Landscape Architect at Form has had over 12 years experience in a wide variety of Projects. These include residential subdivisions, high rise apartments, industrial & commercial sites as well as institutional. Kate spent 12 months in New York city working on State School Projects and Park Masterplans. Kate has had experience in all stages of design, from initial briefing through to Contract Administration gaining an understanding the entire design process.

AffiliationsUDIA Corporate MemberBrisbane Development Association Member

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M-Rad ArchitectureLos Angeles, USA; Saskatoon, CANADA

Raunik Design GroupGold Coast, AUSTRALIA

ARUP EngineeringBrisbane, AUSTRALIA; Beijing, CHINA

Nous EngineeringLos Angeles, USA

Form Landscaping Gold Coast, AUSTRALIA

Bruce Mau DesignToronto, CANADA

www.arup.com

The Modern Wing at the Art Institute of Chicago, USA

ClientThe Art Institute of Chicago

Key collaboratorsArchitect: Renzo Piano Building WorkshopExecutiveArchitect: InterActive Design Inc

Key factsThe new 250,000ft2 North Wing consists of three floors, providing 80,000ft2 of modern and contemporary art galleries.

The new wing provides large educational facilities, a museum shop, a café, and storage and museum support facilities.

Key services providedLighting design

Selected awardsIALD Awards Special Citation, 2010

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Arup’s lighting design at the Modern Wing of the Art Institute of Chicago uses both natural and artificial light as a design feature.

Arup provided architectural lighting design to all areas of the building, including external lighting to the sculpture garden and landscaped areas, and natural lighting for the top lit internal street and third floor galleries. The 300ft high internal street is used for a wide range of functions, enhanced by our flexible lighting design.

We illuminated the third floor galleries with generous, but highly controlled, amounts of natural light. To achieve this control, we designed a multi-layered roof system, topped with a unique 45,000ft2 “flying carpet” shading layer. This excludes sunlight, whilst optimising the transmission of diffuse skylight and reflected sunlight. A full scale mock-up was used to assess the performance of this system, along with the proposed gallery electric lighting strategy.

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www.arup.com

Osaka Maritime Museum, Japan

ClientOsaka Port and Harbour Bureau

Key collaboratorsPaul Andreu ArchitectsTohata Architects & EngineersADP Architects

Key services providedStructural engineering Seismic designMechanical and electrical engineering

Key facts70m diameter hemispherical single-layer lattice dome shell enclosing four floors of exhibition spaceThe pre-fabricated dome was floated to site by barge, and lifted and installed by crane, over the completed internal structure

Selected awardsUK IStructE Structural Special Award, 2002

The Osaka Maritime Museum provides a landmark building to stimulate interest and development in the Osaka Bay area.

The dome structure is a diagrid of straight tubular members, butt-welded to full strength cast steel nodes and braced by high strength rods. The special dome geometry enables the use of flat quadrilateral planes of glass. Sitting off-shore in Osaka Bay, the dome is designed to resist large seismic, wave and wind loads.

In the sunny marine environment of Osaka Bay, Arup worked with the architect and suppliers to ensure occupant comfort and a suitable environment for the historic timber ship and other artefacts within the main museum space. This was achieved without sacrificing the dramatic look of the dome and the benefits of daylighting by varying the opacity of the innovative ‘lamimetal’ cladding according to the path of the sun. Special zones within the cores of the internal building offer precise temperature and humidity control for the most sensitive exhibits.

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Artscape

The Living ArtsSitewide and Shared Provisions

The New Arts Museum

Landscape architecture

Acoustics and theatre

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Arup provides a truly integrated service offering on a global scale

From top left: QSO@ABC Centre Brisbane © QSO Baryshnikov Arts Center © Razum Media Fusionopolis Theatre © Patrick Bingham Hall Danmarks Radio Segment 2 © Dissing + Weitling Grand Canal Theatre © Ros Cavanagh Singapore SOTA © Paul McMullin

From top left: Coney Island Center © Grimshaw Architects California Academy of Sciences ©Tim Griffiths Rothko Chapel © Arup Serpentine Gallery © Arup Sidney Myer Bowl © Arup Taipei Pop Centre © Arup

From top left: Queensland GOMA © Arup National Museum of Australia © Arup Museum of New Zealand © Museum of New Zealand Osaka Maritime Museum © Katsuhisa Kida Chicago Museum of Contemporary Art © Hedrich Blessing Victoria 7 Albert Museum © Arup

From top left: London 2012 Olympic Park © LDA Design Federation Square, Melbourne © LAB Architecture Kurilpa Bridge © Christopher Frederick Jones London 2012 Olympic Park © LDA Design Social Firefly - Vivid © Frank Maguire Millenium Bridge © Graham Gaunt

ELVERTA EXTREMESACREMENTO, CALIFORNIA, USAEXTREME SPORTS & AMUSEMENT PARKDESIGN DEVELOPMENT40 ACRES

FRESH HILLS FRESH KILLS, STATEN ISLAND, NY, USAENERGY GENERATING LAND ART2ND PRIZE COMPETITION WINNER10 ACRES

CASA ROLLHOLLYWOOD HILLS, CALIFORNIA, USARESIDENTIALDESIGN DEVELOPMENT258 SQM

MONTALVO ARTISTS RESIDENCY BENCHMONTALVO, CALIFORNIAPUBLIC FURNITUREUNDER CONSTRUCTION3 SQM

CHINA CENTRAL TELEVISION HQBEIJING, CHINAHEADQUARTER OFFICESCOMPLETED 2007 473,000 SQM

CENTRE POMPIDOUMETZ, FRANCEMUSEUMCOMPLETED 20105,020 SQM

MARINA BAY SANDS SINGAPOREART SCIENCE MUSEUMCOMPLETED 20116,000 SQM

KADARE CULTURAL CENTREYURIHONJO, JAPANMULTI-PURPOSE CULTURAL CENTRECOMPLETED 2009 11,750 SQM

WALT DISNEY CONCERT HALLLOS ANGELES, CALIFORNIA, USABRAND IDENTITY, WAYFINDING SIGNAGE COMPLETED 200327,200 SQM

SEATTLE PUBLIC LIBRARYSEATTLE, WASHINGTON, USAWAYFINDING SIGNAGECOMPLETED 200433,700 SQM

ART GALLERY OF ONTARIOTORONTO, ONTARIO, CANADABRAND IDENTITY, DONOR RECOGNITIONCOMPLETED 200845,000 SQM

KA-CARERIYADH, KINGDOM OF SAUDI ARABIAURRBAN PLAN, EXHIBITION DESIGNCOMPLETED 2012 1,700 SQM

KEN FLETCHER PARKLANDTENNYSON, BRISBANE, AUSTRALIAPARKLANDCOMPLETED 20123 HECTARES

MARINERS PENINSULATOWNSVILLE, QLD, AUSTRALIAMIXED-USE COMPLETED 20101 HECTARE

BUDDS BEACHGOLD COAST, QLD, AUSTRALIAMIXED-USEAPPROVED1 HECTARE

MOSSVALE DISTRICT PARKLANDWAKERLEY, BRISBANE, AUSTRALIADISTRICT PARKCOMPLETED 200910 HECTARES

VARSITY MIXED USEVARSITY LAKES, QLD. AUSTRALIARESIDENTIAL, COMMERCIAL, RETAILUNDER CONSTRUCTION1450 SQM RETAIL

CHERRABAH HOMESTEAD RESORTCHERRABAH, WARWICK, AUSTRALIAMIXED USE RESORT & RESIDENTIAL UNDER CONSTRUCTION5840 HA, 739 LOTS

RESIDENTIAL ESTATE MASTERPLANBUNDABERG QLD, AUSTRALIARETIREMENT & COMMUNITY FACILITIESUNDER CONSTRUCTION93 HA, 598 RESIDENTIAL LOTS

HAYMAN ISLAND RESIDENTIAL PRECINCT WHITSUNDAY ISLANDS QLD, AUSTRALIARESORT & RESIDENTIAL MASTERPLANUNDER CONSTRUCTION10 HA

ABORIGINAL SYMBOL FOR SUN AND STARS ABORIGINAL SYMBOL FOR MEETING PLACE OR CAMPFIRE GOLD COAST CULTURAL PRECINCT ORGANIZATION PLAN

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Beyond Bundall road, emerges two barreling waves atop the proposed tropical and indigenous plantscape that ripple out from the centre of the Gold Coast Cultural Precinct. The perfect waves stand still. This formal language represents the dominant active water culture of the Gold Coast. The Swell becomes an authentic icon that acts as a global attractor of creative culture and innovation, and will be sure to ripple inspiration throughout the international art and architecture community.

The Swell exemplifies Australia’s inherent aboriginal roots and a visionary future of innovation. It aims to foster and facilitate collaborative innovation through its connected network of circulation. Pavilions and pathways that create the Artscape are arranged to entice visitors to explore the site in their own way offering each visitor an authentic experience.

Aboriginal Australian symbols are a rooting influence in the idea of the Swell and are evident in the arrangement of the Artscape. Much like the aboriginal symbol of a circular campfire that ensured a sense of storytelling and community, the circular pavilions set the stage for a global community through idea-sharing and collaboration.

Three main axes deliver the public to the site with the primary southwest pedestrian entrance providing direct access to the Great Terrace and the Grand Concourse. Concentric pathways connect the main axis and provide interior access to the pavilions. The tip of the island or Easterly point is left relatively untouched allowing visitors to find solitude along the edge, where water meets land. The third mode of site circulation is a 1.5km Pavilion Loop that meanders through the site, weaving the diverse elements of the Precinct together. At points of pedestrian and vehicular intersection, the path peels off of the ground and thickens at vista vantage points where increased visitor density will occur. This will insure ample space along the trail while still offering points of break and reflection.

As we move through the Grand Concourse, we approach the shaded outdoor amphitheatre where visitors view an ‘on-water’ performance or an outdoor screening. The stage makes full use of the proximity to the water’s edge and the extensive canal system in the area. Approaching by water, visitors may dock or set anchor to view a performance or screening from the comfort of their own boat. Large scale screenings will be reverse projected from within the sculptural barrel onto the outer curl of the Living Arts Centre and the New Arts Museum, providing the highest quality image for screenings and digital art. During the day, the upper sculptural portion of the barrels almost disappear as the sun passes through the perforated skin reiterating the plural nature of this provocative cultural hub.

The Great Terrace is a central gathering hub that links the Living Arts Centre and the New Arts Museum in a covered plaza. From the Great Terrace, visitors are visually drawn to the water’s edge by way of splices through the buildings. The museum and theatre lobby boast multiple adjacent entry points that may be rotated offering a unique opportunity for an expanded lobby space that blurs interior and exterior environments, while offering natural ventilation.

Innovation and cultural definition is built over time and through layers of ideas and exploration. The environment that hosts such provocative ideals must be stimulating in its own right, offering the global community a hint of what’s to come from this inspiring hub. The Swell builds upon the history of its ancestors with a clear and dramatic vision for the future. It will connect, enable, and provoke the global community in a way that only the Gold Coast can do.

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INFORMATION DISPLAY

DOUBLE BENCH

2-6 persons

TRIPLE BENCH +

INFO KISOK

2-9 persons

LOUNGE + LEAN

5-10 persons

SINGLE SEAT +

1 person + 1 child

CRAWL BARREL

PLANTER

3-4 vegetables

PATH INTERSECTION

TABLE 4 persons

SUN CHASER

1-2 persons

View from West towards Green BridgeView of outdoor amphitheatre and a variety of viewing locations for Swell Screens

PUBLIC SPACE DENSITIES

LANDSCAPE

ZONING STRATEGY

CIRCULATION CIRCUITS

1 2 3 4 5 6

150 5 30150 5 30

Stabilizing cables brace structure against extreme wind events

Pre-tensioned concrete box-truss bridge shall be pre-fabri-cated in segments and assembled without shoring required

Micro-pile deep foundation below bridge abutment

Depth and spacing of space-frame roof truss to be optimized toreduce material tonnage while achieving architectural intent

New roof supports shall pass through existing structure so as to minimize impact existing buildings.

Thickened foundation slab where there is no basement

“Cork-screw” steel space-frame truss is light-weight and can be adapted to barrel-like form. Roof structure assembly does not require temporary shoring during construction for significant cost savings and expedited construction.

Vaulted steel-framed roof structure allows long spans conditions where appropriate without an increase in material tonnage. Concrete flat-slab construction in basement allows for reduced

floor-to-floor (less excavation) provides long-term durability and minimal long-term maintenance.

Double-wall retaining wall construction around perimeter offers inexpensive and reliable protection against water infiltration.

Thickened basement slab acts like a continuous concrete “raft” eliminating the need for deep pile foundations.

1. Black Box Theater2. Lobby3. Auditorium

4. Stage5. Private Cinema6. Restaurant

10. Di�used Lighting Gallery

1. Theatrette2. Exhibition3. Studio Space4. Artspace5. Library

6. Archive7. Cafe8. Garden9. Parking

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LINES OF SIGHT

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FIRST FLOOR PLAN

LAC1_ Main theatreLAC2_ Drama theatreLAC3_ Outdoor amphitheatre (see Site Plan)LAC4_ Backstage + DockLAC5_ Workshop + Scenery StorageLAC6_ Black Box TheatreLAC7_ Green RoomsLAC8_ Cinemas + Priviate CinemaLAC9_ Hire SpacesLAC10_ Live Entertainment VenuesLAC11_ Production StudioLAC12_ Rehearsal SpacesLAC13_ Organization SpacesNAM1_ Great HallNAM2_ Collection GalleriesNAM3_ Community GalleriesNAM4_ Collection StorageNAM5_ Loading Dock + StorageNAM6_ TheatretteNAM7_ ArtspacesNAM8_ Bookshop + Writer’s SalonNAM9_ Benefactors LoungeNAM10_ Studio SpacesNAM11_ Arts Education TrainingNAM12_Administrative Hub (retained)

NAM13_ Meeting SpacesNAM14_ Library + ArchiveNAM15_Visiting ArtistsNAM16_Showroom + Gallery