4&:5,; .. 2id 49 - centennial...

- 128 - MARY POPPINS

#01 - Prologue Maestoso (J 140)

Allegro con moeo

6 Rit. 8

Poco Rit'8 6 3 Rit.17-24

Molto rail. l\{eno mos$O 2 8

BERT:

47 49 51)..4&:5,"; rl 12 J J 12 J 2ID J IJ 2 J Wind's in the east, there's a mist com - ing in, _ like some-thing is

52 53 54 55

~ I " if ~'b j IW- J J 12 J )J IJ. 2 IJ (.I J IJ tJ brew~in' and 'bout to be gin, Can't put my ling - er on

57 58 59~S6 6()

18 J J IS n 13 J J 19 J J Ii a J J \IJ ~ tJ -what lies in store, but I feel what's to 'ap-pen all 'ap -pened be ""'" Colla voce 262'63 64 ":r os 66 67

'} It. J II J J '1))1 J JJ ')1 2 fore.

.1 Poco piu mosso

70 71 72 734w't ~ , J IJ J J IJ. JJ J IJ {.I J IJ. the threads of their lives are all rav - 'ling un - done.

MARY POPPINS - 129 --+---~-----------------------------..-:;


# 02 - Cherry Tree Lane (Part 1)

Presto (J 140)

(DIALOGUE]

(BERTI 3 8 4 4 i i

roo.

MRS. BRILL:

WINIFRED: 25

J j * I;. j J J chiI - dren's pranks? Do you real - ly think I made an - oth - er blun - der?

29,.. 2. ,~rJ. j ; J j J l I; J J ~2t - II W;)J. What on earth am I to say to Mis - ter Banks?

WINIFRED:

~ I 30 mf, 31C~'I.~ t J t J It , ~ J J J JrJ ~ J t 11 OJ)l J J J J II ~I~ George, deat~ I'm feel-ing so be - Teft dear. An-oth-er nan-ny's

J J J j Il left, dear. Ev-'ry nan-ny goes. We're un-Iuck-y I sup-pose.

GEORGE:

~ 'I ~ ) II Pre

MARY POPPINS - 131

4iJ

jJJ , )1 j. ,R p d-sion and Qr - dec thars all that I ask. The run - rung of a house-hold, a

3 ) 3 ) IJ J )! J J P I

~p r p J J)

straight-for ward task. The cltild-ren, the ser-vants are all your do - main whilst

GEORGE: Coat! The simple tmth is you've engaged six narurles in the Iast four months, and they've all been unqualified disasters!

'~llt J. j J iJ EJ )J Iff J 3 II~' jJ 52

1re~main the sov ~ 'reign of Cher-ry Tree Lane. A

(J 120) i: 1, 53 54 ~ ~ J55:i ~~ I, J J, 1> J J J) IJ J' jJ J )I J. j 3 J j J J I

nan - ny should go - vem. A nan - ny should rule. A nan - ny is a po - fa - gon who

57

lj J 358

I,) r~f6~ 3 Jd )1 J J Iq~ p J. )j I suf-fers no fool. A nan-ny's a stal-wart. Our child-ren would gain by

WINIFRED: Of course George, but... 6(l 51$~~,59 J j J J J ~ 'i JIi J - J J II J 1 , J J 3 II

hav - ing such a nan F ny in Cher-ry Tree Lane. So take con

t!OI ~ of sit - u - a - tions.

66 67

I staff. You know your role, they knmv their 8ta - nons. El

# 02 - Cherry Iree Lane (Part 1)

--


fi - den-cy and fore-thought cut the jobs in half.

[DIALOGUE]

2 3

we're in the mess! No wan-der the nan-nies

No won-der the nan-rues

90

... liv - ing in a mad-house Cher-ry Tree L:'e.

I:].--=.:- , IV ~ mgm mad-hcuse Cher-ry Tree Lane.

Poco piu mosso

[DIALOGUEJ 4

2 3

ds~ion Yes, and

cis- ion and Or - de~ he wants noth ing less. It's like an.r - my bar-racks-

are driv-en in-sane. We're

are driven in ~ sane. We~re

91

[DIALOGUE] rut.8 4 4 2j 100-103 I 1""107 108-109 lFIIi 92-99~ ~~ I IJII i II VI. I Hi II

Segue as one

# 02 - Cherry Tree Lane (Part 1)

, ~li 5

FtJ Ro

'~I 9

t

If

-

fair

'~(JtJ

,>, ~Il

give

Petulantly 20

~ev-er

Love us as

MARY POPPINS - 133

-~t--------------------------------------------------------------------..~~~~'. ~~'

# 03 - The Perfect Nanny

For


dom-i~nate us, we will ne-ver give you cause to

32

you won't scold and

MenoMosso MICHAEL;33 35

hate us. We won't hide your spec - ta - cles so you can't see,

Piumosso JANE:

37

toads in your bed, or pep - per in your tea. Hur - ry nan - ny.

Segue as one t:'I

II "

r I -rna - ny thanks. Sin - cere - ly, Banks MICHAEL:

..!. I I ."l'!:' .w Sm-cere-y and Mi-chaeJ Banks.

It 03 - The Perfect Nanny

MARY POPPINS - 135

# 04 - Cherry Tree.Lane (Part 2)

2 3 4

-I - Ii II Ii Piumos5o

WINIFRED:35 9 t:\ 0

,,11

~ ; thought you put it ~ MRS.B:

, Hat!

does-n't run

George, dear 3 GEORGE:

Hat!

12 13

r I'm sure a bow - ler hat can't simp ~ ly

-

IS 16

Ah!

you think they'll find a nan ny who

GEORGE: He's brushed it with boot polish!

Broaderrut. GEORGE: f

Pre - d - sion and or - der, that's + WINIFRED: 11f!'

a - way? - ci * Sian and or - der, that's


. , I. ,

20 21

all that of a house hold, a

all that ask. The run - rung of a house - hold, a

straight-for - ward task. chil-d:ren, the ser - vants are all your do

(JANE, MICHAEL)

straight-for - ward task. chll-d.ren, the ser - vants are all your do

(WINIFRED, MRS, B)

straight-for - ward task, '!he ehil-dren, the ser - vants are all your do

(ROBAYj

straight-for - ward task. chil-dren, the ser - vants are all your do

Poco piu mosso GEORGE, Mind you use the day well!

t

" I

f)

I

't

main

I ..

main

27

whilst I Ie-main the sQve-reign,

main

# 04 - Cherry :&ee Lane (Part 2)

MARY POPPINS - 137

GEORGE:

I shall be home at

six o'clock sharp,

WINIFRED, JANE, MlCHAEL:.ff

29 30

'h I I,He Te-man1$ t e sove - retgn __

MRS,BWINIFRED: ROBAY: .ff

I

~. ~. ~ ~ jj - -You re-main the sovereign~ He re - mains the sove ~ reign __

Molto rit. Presto 32

33~.. GEORGE: __

of Cher-ry Tree Lane!~_____________

# 04 - Cherry Tree Lane (part 2)

http:MlCHAEL:.ff


#04a - Spit Spot

TACET

#04b - Magic Music 1

TACET

#04c - Magic Music 2

TACET

'. = :::J#05 - Practically Perfect

Freely at first (J = 110) [DIALOG1JE] MARY POPPINS:

3 1:\ 4 5 61:\ 111p~

6&1 l' . It' - I - II - Ii - 1- * h II By the

Piumosso

'D1I 7

d J I!d d J. time the wind has blown the wea-ther*vane a - round,. I'll show you, if I

RH. ':-,-: .-

'. --o~

can. No mat-ter what the circum-stance, for one thing I'm Ie * nowned: my

JANE: What about your measurement, Mary Poppins?

J) J J J J I j '"; ~ J aJ. IS II I char-ac - ter

------

------

MARY POPPINS - 139 ----iil------------------------------------o.:\.."':,.,~.

Steady (J ~ 90) 16 17 18

,till i 15J J I J J J J IJ IJ per feet __ in ev - 'ry way. Prac - ti-cal - ly

MARY POPPINS: 20 21

'tiII "j 1'1 j J J I >tJ per feet? So pea pie say.

~; .

23 24

, till 'I ~ ~ p U Ie r e r j 1"4 1-- l Each vir - rue vir tual - ly knows no bound.

27 28 30

10 I 29~ ', till 'I

j J.J 1'1 J. 3J. .] IP U J Each trait is great and pat-ent -ly sound. I'm prae - ti-eaI - ly

32 33 34'ti J J. 3J. .] III 31 J I; OJ J J I t14 per feet from head to toe. If I had a

36 37 38 39 40

J J IJ J .; J IF IJ U Ir J Ir .J fault, it would nev - er dare to show. I'm so prae - ti - cal - ly

MARY: Ah... lovely! Poco piu mosso 242 43 44

I per - feet in ev-e-ry way. ___

Piumosso 47 48 504'

I Both prirr> and pro - per and ne - ver too stem._

Well ed-u - ca-ted yet will - ing to learn. __

#05 - Practically Perfect


I'm clean and hem - est, my man ~ net re

59

And I wear shoes of the sen - 51 - ble

64 liS

suf - fer no non - sense, and whilst I re

Poco rall.

67

noth - ing else I feel I need ex - plain,

A tempo (J =100)

72 73 74 , j,71J J IJ J J J IJ It per feet __ in ev - 'ry way,

76

J 1'1 jJ) J J te.per feet- that's my for

- fined._

6'

kind,_

~ main

Prac - Ii-cal - Iy

_____

7'l BO

, ~!I , BIt fjIj r r r r I t L ~P U Un-can-ny nan rues are hard to find"

83 84 85 86

,#~ 'I J J .3 IJ /'1 J. 5J. .j / 10P U Jl u -nique yet meek, un - speak-. - bly kind, I'm pr.c - ti-cal - Iy


, ~II 'IS

FtJ

prac

118

j ti

MARY: Never,

Not

Will

Do

jec . tions

MARY POPPINS - 141 '+-----------------------------------------':,,",-,,'~

!l8 59 90 ; ~ + ..'~(j J I; J J J 1 ,S I10----- J. per - feet/ __ not slight Jy soiled, Run - rung like an

92 93 94 ~ ~II 91~ J OJ IJ J ~J J If 1* U4IJ en gine that's just been fresh Iy oiled, I'm so ' ,

% 'IS 99 100, l I ,.~IF .J rn .J J IJ Ij cal - ly per - feet in ev - e - ry way. ---

..

MARY: Well, those are my credentials. Perhaps you have a few questions,

4

MARY: The

tem p'ra ~ men - tal? Not grouch - y or gruff?

MARY: Quite the contrary.

you stay ten ~ der when the go - ing gets tough?_

MARY: Mm-lunm.

you read sto - ries wIth - out a big fuss?_ Or have ob

MARY: Oh, lUke games. But I choose them. JANE, MICHAEL: But-That's not fair!

3

us? ___to play ing with



MARY POPPINS: MenoMosso 12< 125 126 127

'!)

per - feet we hope you'll stay.

(MARY:)

&~ '!)

Some roi- nor im - prove - moots may not go a ~ miss,

Poco rit. JANE, MICHAEL: 1:30 131

at all times you must re - mem - bet this...

A tempo (.J = 100) MARY POPPL"IS: mf

I gua - ran - tee. 3 3

per fect__ in ev - 'ry way. Prac - ti-ca1 - 1y

137 138 140

No flies on me.

141 142

~ U Ir r f r r I'1> L'1, l Each vir - tue vir tu - ly knoo!S no bound..

Poco rall. 3 1~~146 147

Each trait is great

JANE, MICHAEL:

Pat - ent - 1y

sound. _________and pat - ent . ly


MARY POPPINS - 143 __ -+__________________________________','..~A. ~I, '~'': .

Rag feel (J = 100) MARY POPPIN5:

sound. ___

1 r

[DIALOGUE] : 151167 168 f

17 ~ - Ii-cal - Iy

"II

17

-_._~

170 171 172

, -n#I'r j I ' J ; J 3 It j J. nJI-- Ij J. fect, ___ and here's my aim: By the time I 174 '75 176

j J IJ J qJ .3 IF It mp

E r

per

'U 173 ~ iii r ,11I;'r

prae

leave here you both will be the same. You'll be

JANE, MICHAEL: mf 17li 179 180 181 182

r IF IIJ I - IF j I r IIJ'0 - ti - cal - Iy per - feet... Prac - Ii - cal - Iy

MARY POPI'INS: ff

will be prac - ti cal - Iy per - feet in

ff

per - fect... will be prac - Ii - cal - Iy per - feet in

189 194

ev ~ 'ry way!

way! _____________ev - 'ry Segue


To

0 1 it's


#05a - All Me Own Work

Allegro (~= 1SO) Wild waltz (J. = 60) Poco rit.3 Poco rall. 3

A tempo - con rubato (J = 60) BERT:

12

Chirn chim - i - ney, chim - chim - i - ney, chim chim_ che - roo.

Rit.

does what I likes and I likes do"

A tempo

I ~ rm scree ver, and as you can see,

23 24

LJ OJ IJl J J I I 4scree - ver's_ an art iSL_ of high-est de gree. And

26 Poco rall. 2S

(F IF'IF *

\' .11__ me own work from me own mem-o - IY"

Meno mosso (.I = 160)

j' 29.32 [DIALOGUE] 4 4 ~'I.\" I

3 4{)-11 Poco rit. 2"" ,, I II~

,

Andante misterloso (.I = 100)

4 2 Rit. 24M7 48-49 I I II

". aI comes ~7 Fr

look a - neWt

Tempo (J 120)

a jolly hoI

MARY: 011, really!

1 -

MARY POPPINS - 145

#06 - Tolly Holiday

Freely

BERT: 3 3 3 3 ,~ i i i J i 2 i i I I x x x x x8

All that it takes is a spark, then some-thing as plain as a park be I J II , lD I * J II J lD

24-5 6 j 1

, p 8 ~ J J I IJ. UJ .J. r U do__a won-der-land! All you lave to is

t:\RaIL f/,lS J. 1'1' ,J ~r IJ r p IJ -- II stand", __then you'll un - der why

i-day Ma - ry. Ma - ry makes yet heart so

14 15

IJ. UJ ,J. ) J. j J. j IF 4 When the day is grey and or di - nar - y,

MARY: You do talk nonsense. Bert. 17 "

011, 'ap - pi-ness is bloom ing all a

MARY: I haVen't the faintest idea what

The daf - fo - dils are smil - ing at the dove. When

J nies.


Piumosso

Ma - ry 'olds your 'and, you feel so grand. Your 'eart starts beat - in' like

ltlARY: You've enough brass for all of us, Shh!

ENS: 27

big brass band. 011, it's jol - Iy '01 - i-day

BERT: Come on, vou two. Poco~accel.

Ma - ry. No won - dar that it's Ma - ry that we love!

Poco pitt masso

MICHAEL:

Bor ing. just like oth er nan - rues think ingA

36 37~i ~ #35ill J. t , J J IifJ J JJ IJ Ed rIV parks are good for us. It's just sta - tues, ducks and gran

JANE: 39 40

~~lrJ r , IJ Jq] Il j J l I?J .J I don't un -dar- stand all the fuss, Is she

JANE'MICHAEL: 42 43~ III~41~. j A J J II j A If

1ifI IIJ J r D

do - ing it to spite us? We could lose her for a lark. Per

JAKE. MICHAEL: MICHAEL:

45 46~~~44~II .... ;. jr If j Ir J J , )1 r J m 01 !l)

haps it's all a plot, l'Il tell you what, she seems so di - frent but I

#06 - Jolly Holiday

1

MARY POPPINS - 147 ___4r__________________________________________________________________________~,,~A~~ , ,

mpt _~47 49~Ij J~ IF r J J I


MARY:

known. You can ask the pas sing sta tu-a-ry,

BERT, MARY, [DIALOGUE]NELEUS, ENSEMBLE:

BO

noth - fig's ev ~ er set

81 82

in stone!

noth - ing's ev - er set in stone!

BERT:3 87

Each man out with his dog

#06 - Jolly Holiday

MARY POPPINS :- 149

.3

It's a jol - Iy hal -' i-day

,

MARY:., -won der that it's Ma - 'Y that we love,

4 j r 97

',"-,'95j 96~J I ' @J J. j I .. you, Bert. Gen - tIe ~ men like you are few.

,.8 J J. j J, 99 j Jj. II~ IJ. j Ir Tho' you're just a dia mond in the rough, Bert,

Wl' der neath your blood is blue. You'd Ill! - ver think of pres-sing your ad-

ENSEMBLE: P

Your blood is blue!

105

van - tage. Fore - bear ~ ance is the hall - mark of your creed. A

when you are near. Your sweet gen - til - i - ty is

1106 - Jolly Holiday

- 150 - ~\(ARY POPPINS

MARY:

no +S,A: III

" ,--;:',

II-'."" ,

'.",-

, , "

" ';,.;

lJERT, Mary. Eh, Mary... MARY: You've only got yourself to blame, Bert. Poco acceL e cresc poco a poco

2 2 212&129 ~ g130-131~ # 126-127II ; II IIII I Prancing (J = 130)

lJERT, STATUES:

133 134~132fr $ r ~ Ie- - [ .. - r r IJ l J

crys - tal clear Dh, it's a jol - ly hoI - i-day

ENS:

112

you,

T, B:

Bert.

113 0 114

A jol - Jy, joJ Jy hoI - i-day with you!

, ~

Let's go for a jaun - ty saun ter. We are

(Rhymes with "saunter") 136 137

.,'351 j J. j J J IJ ~ r J If if .r r r~ bound to make a mark. Looks like all of us were born to

~' r , Ir r ~r d. j J J II ~4!~~'r 139 * 3 take a prom - en - ade in the park.

#06 - Jolly Holiday

It's cry - stal clear!

Swuna

It's a jol - ly ho - Ii-day, a jol - ly, jol - ly hoI - i-day with you!

A tempoPoco rall.2 8117 118-125~1l5-116

Let's

bound

161

MARY POPPINS - 151 -

Mollo raIl. ALL EXCEPT BERT,

Soaring 8 7 NELEUS, STATUES, J, M: 148-154 155 , ~, 1> 140-147 ~irlc~ I 1- d II e\~h

Oh,

Slightly broader 156 _

157 158

-' ..'~c ,

a jol - Iy hoI - i day with Ma - 1)'. Ma - 1)' makes your heart so

BERT, NELEUS, STATUES:

__ - II

go for a faun - ty saun ~ ter. We

160

When the day is grey and or di-

to make a mark. Looks like

16$

Ma - 1)' makes the ,un shine bright

take a prom-e-nade in the park.

pi -ness is bloom - ing all a - round her. The

our fine - Iy chis - 'led lea - tuxes

#06 - Tolly Holiday

Your

f.f

Oil.


I I

daf - fo - dils are smil ~ ing at the dove.

we can look down from a - bove.

M. ry holds your hand, you feel 50 grand.

M. ry holds your hand, you feel so grand.

ALL (+JANE, MICHAEL)

EXCEPT BERT, NELEUS, TENORS:

,.

heart starts beat - ing like a big brass band.

,. :>

heart starts beat - iog like a big brass band.

174 175

if5 a jol ly hoI day with Ma ry. No BERT, TENORS, NELEUS:

ff

\' It's no won . der that iI's Ma ry

#06 - Jolly Holiday

__________________________________________________ __

__________________________________________________ __

MARY POPPINS - 153

~

hen

~

hen

~

S,A 176 177 /" ...... ~ f

~ .' .~'!

I . won der that it's Ma ry that we love! No .~ " B

176 .... ". ..' 177 f I

, won der that it's M. ry that we love! No (BERT, TENORS, NELEUS) f

I that we love! No

der that Ma ry

der that Ma ry that

der that it'5_ Ma ry that we_

1106 - Jolly Holiday

our

Jur

won

love!

love!

MARY POPPINS - 155 ---t----------------------------------------------------------------~\~~

#07 - Let's Hope She Will Stay

GEORGE: Con mote (J =110)

'&IV~ j')p J J 2

ILl * 'i )l J )l 3

IJ J * 'iJ J J I What good are rules if you can bend them? We need a

J )1 I 6

J ~ J )l I With boys and girls, you don't be-

Rall,

J J~J IJ J J friend them. I fear that Mar y Pop pins has a lot to learn. Piu mosso (J =120)

WINIFRED:

: l~ P ro 11 12 13 ~ t' I ~ J LJ J IJ J J I~ J J J J IJ

Be - ing Mrs. _ Banks _______ should be an eas - y role, __ and

J J . 15

) I J J J. ,.

]II J L4 17

J j IJ J yet it's One which I don't seem too good at_, on the whole. I

,. "

have a com fy home, I have a Slm pie I

Poco nl,

which tells the world rm some-one else's_

A!empo 26


ch,,, - fail.Fae - ing tests "e - ter al - ways seem to

Poco tit. 36 37

as for his ''best like to say "no thanks."

A tempo

not ex - act ly my i

,,' L. "'-'

".' ,'=--. ..

MARY POPPIN5 - 157

--~~------------------------------:"~'\;"'''T '

'-nd #07a - Winds Do Change

',' ',-;

Jaunty (d. =60)y're BERT:

14 4 ,11if , 8 ,!I IIJ r I ~J t I~J r IqJ Winds do change, tides can tum.

Poco rit. A tempo (d. =60) 9 10 II 12 13 14

& J I;. Id ~J J IJ. 13 J r I~J

Sink or swim, see what you learn. Me, I was told

16 18 19" ~ t 11 geI ))1 I t J. i> I8 iJ r IGJ 'I :obI ~J

when I was smaIL just learn a trade, so I learned 'em

[DIALOGUE]

822 23 24-3121E ~ ifI I r r E IE t II II Jr'.r- p IF

4

alL GUm chim-i - ney, chim dUm cher - ee- *

36-39 4 40-43 4 44 45 1':"1 ....., 2

32-35

I I I I - I~lF' I

Presto Vivo 8 4 348-55

Your

- lng.

Neleus. " e

-,

,

, ~;'iiI, U

i l iijt J t!

'wy~!5JI,

'~5fJ

~ ~.# l~ft I


#08 -A Spoonful ofSugar Freely

MARY POPPINS: In every job that must be done there Into tempo (JIs an element of fun. .. On cue

Vamp Vamp MARY:

~ You lind the fun and snap! The job's

7 I game. And ev - 'ry task you un . dec - take

Poco a poco Iit.

9 10 11 12

~! I 1 comes a piece of cake. A lark! A spree!

A tempo (d ~ 100)Rail. ten t,"14 IS , ~I/I/~/

13

t J ; II j J.r 'IF r r Ir(!)

ve ry clear to see... that a spoon ful

17 18~~y~l'.!i~' ; oJ lr r 10 r J Ir'

su gar helps the med i clne go down,

a

be .

II's

of

J the

,9 ]jJ 21 22 .~ ~I/I / ~ ~1/ J J J t ~J IJ J I; J ; * qJ I; s J J ~ med~i - cine go dowtl,_ med-i - cine go down. Just a 24 2S 2h

~~ ~wilw' j J. qJ) 1 j r- oJ IU r I J Ier

spoon . ful of sugar helps the med-i - cine go do\\>"l1

, &IV&II "J7

r tire

take

os

hence

spoon

med~i

MAJ

_______ _

~'i ~~ . . .


spoon - lui of su-gar helps the med-i

61 63

in a de light - lui way

Pocont. 216

88

IIJ~llllj r' r spoon lui of su - gar helps the med ~ i cine go

cine go down

[DIALOGUE]64

RaIL 2

WINIFRED: Ah! Mary Poppins, you're a miracle worker! How did you get them to do it?

MARY:

Just a

Ah!

IU F J S9

I 9O 91 92

~ I ~ down, '" Go down, __ med-i - dne WINIFRED:I

'4 ~-The me - di-cine? go

1108 - A Spoonful ofSugar

MARY POPPINS - 161 \"4.,,,~:::.

Piumosso MARY POFPINS,

94 JANE, MICHAEL: 95 % 97

Just a spoon . ful of su-gar helps the med-i - cine go

down.

MARY: Poco tit. 98 99 100 101

, &IV~I. 0 jIf Jl(.l J Ir 10 a most de light ful way.

Hesitant (d: 80) Pocoaccel. 104~ 103

"J J. ,1,1 J> r r spoon ful of su . gar helps the

down,

ROBERTSON AY:

the med-i ~ cine go down, __

WINIFRED, JANE, MICHAEL:

110

down. Just spoon . ful of su gar helps the

MARY: 115 116

down in a most de light ful

#08 - A Spoonful ofSugar

down

moo -i-cine

WINIFRED:

""

in

Just a

go

med~i - cine go

go

- 162 - MARY POPPIN;

Rall. jj120

way. just a

WI~IIF:R:ED,JANE, MICHAEL: +ROB AY:jj

I 121 122 123

"" spoon ful of su - gar helps the med i-cine go I

'''" , I -

124

down, the med-i-dne go down, ___

~

In a most de - light - ful way, just a

Broader (J = 90)

spoon ful of su - gar helps the med - i-cine go

dOVlll, the med ~ i ~ cine go down, ___

'I 128 129

med - i-cine go down. just a spoon ful of

med - i-cine go down. just a spoon ful of

#08 - A Spoonful of Sugar

MARY POPPIN5 - 163

.. 132 5U gar helps the med - j - cine go down

, r - , su gar helps the med ~ i cine go down

I

I

133 134 135

, In a most

~-in a most de . light . ful way!

(W,J M)

(R)

_ 138

in a most

in a most

139 14

MARY POPPINS

#08a Spoonful (Playoff)

4 [DIALOGUE] 8

5 Poco rit. 2 20

7 Poco rit. Menomosso 3 28

Slowly

rut. WINIFRED: Segue as one . ~~r

32 33 34~

:;sr,\

IJ. j Ie IIb l qJ J I In a most de light ful way.

i '

- ';1 ! , i

.' .. :->, ,. - ,

"

MARY POPPINS - 165

--------------------------------------------------------------------------~~~ ~ '\ .,'\ .

#09 - Precision and Order

[DIALOGUE]

8 14 29-2:1 II

ALL CLERKS: mp30 31

d-sien and or~de1i 5

Pre ci -sion and or - der?

32

a wheel, 0- pen-ing a led-ge~ a deal.rogs in

cogs in

Pro - dent

Pm- dent

- . ~-

a wheet o - pen - ing a led - ge" clos - ing a deaL

in - "0:;.....::._ Our ,-...,' TI

in A vest - ment, fi - nan - cial sense. Our B

fi - nan - cia! sense. Our


MISS SMYrHE: Good morning, Ml: CHAIRMAN: Good morning.

3

3

shil-lings, and pence. 3

per - feet ray of sun - shine: pounds, shit -lings, and pence.

Great men have dreams of pow er and pes - I lion,

4S

back them to the hitt. For shrewd in ~ vest - ment and ad ~ vice they'll pay our

+ CLERKS: Rit. Tempo SS

) Ie r 56 57

j - IF r IJ tj,~} price, the bed - rock on which banks are built.

CHAIRMAN: Banks! A word ... ! see Herr Von Hussler is coming in again today. Have you made your decision? GEORGE: I believe so, sit. CHAIRMAN: Good, good. Be sure It's the right one.

59-71 13 72

13

5.

I -

S,A mf

In T, B 11ff

In

#09 - Precision and Order

MARY POPPINS - 167 -.-1f---------------------------------------",.....'t,.,lJ,

7. 75 76

sheets are all well

sheets are all wellev ~ 'ry

- -


Poco piu mosso

125

brisk ...

Busi - nesS is brisk.. brisk... brisk.., brisk... brisk... brisk.. brisk... brisk...

Menomosso [DIALOGUE]

8 Ril 13S-14S 6 14H45 2 146 147 1':'1 II I II

More animated

3 NORTHBROOK; l5lP 152 154. J . loJ-"J JI' lip dI II ~ J.

My men have dreams to earn an hon - est Iiv -ing.

i Poco aceel. 156 158 159 W~ , ],. J ~J l (' J J IJ I, P l J u

155

, IqJ. a wife and kids, a home to call their own. 11 you'd in

mJ' 160 162 163 164... 16~4~ J J J ] I . J; IF IJ. II I - ITr EJ r vest in us to - day, it paves the way, I prom - ise we'd Ie

4 [DIALOGUE] Rit.Pocoril 166 167 1':'1 168 1':'1 169-177 9 178-180 3 181 1':'1 163 ~ r r IJ 1 - II - II I I - II pay the loan.

1109 - Precision and Order

MARY POPPINS - 169 4------------------------------------. ,. ;,

.~'\ '

#09a - A Man Has Dreams

Moderato (J =90) [DIALOGUE] Piii MOSSO Rail.

5 7 2 2 ..12 13 14-15 16-17 ~ 15 . I I I - I II ~IIIIII A bit faster (J = 120) Poco rit.

GEORGE: f8 618-25 26-31 32 33 ~ ~I!I, I I 1- I.j J II ~I~I~r n

A man with

Grandly (J =100) 35 36 37 38

, 1I1134j. J Ir J J IJ J - "J J ~J I#J J I dreams that life has - n't bro - ken, a man 'With hopesr am 41 42 43

11 r J J IJUJJlj * J I bi - tions to luI - fiJJ, a man you're eer - tain at first glance de

GEORGE: Now,

Mr. Northbrook, NORTHBROOK:

when exactly could Thank you, sir.

the factory open? t:'I You won't regret it! Dead segue

451":\ 46 47 4S

r Ir - 1- - I - I - /I serves a chance...

--

the

:

- 170 - MARY POPPlNS

#10 - Feed the Birds

Andante con moto (J = 120) Poco rit.

,-6 6 2

Meno mosso (J =100) BIRD WOMAN:

9 10 12 13

,ooc, __ the birds, !up-pence ...__ a bag, !up-pence,

[DIALOGUE] Meno 7

17-23

J ()J. j fJ (6J I tup-pence,_ !up-pence____ ____ a bag.

26 27 28; J IJ J J IJ J I; J J Ear - ly each day to the steps 01 St. Paul's the lit tie old

30 n 32 33 ~ I J "J ,J J J29~!&~~II j ~

; qJ 'UJ Ir r r bird worn - an comes. In her own spe - cial way to

BIRD WOMAN: 36 37 38 39

IJ J j I qd jJ IJ~J. pea - pIe she calls: Come, buy my bags full of =00.__

,J"f ., 42 43 .. , ~I'll&11 J r' p Ie r r Ir r' ill Ir' IJ F r

Come feed the lit - tie birds, show them you care, and you'll be

45 46 47 48 '~j~1 'i; r CJ I( tr r Ir r r I49~ J. Jl I glad if you do. Their young ones are hun - gry, their

- -

MARY POPPINS - 171 . loy'-~--------------------------------------------------------------,~ ~

Rall. _ 5250 51 53 54 534~I'I.W' J J J IJ

Rit.

RU 1;. II; I ~:J. J J IJ. ~ nests so All it is - you.are bare. takes tup-pence from

A tempo (J ~ 100) 58 59 OJ"S6 57,T ~ ! I~1h' 9 JJ J. III J a 3I J. IIS J

F;;;a - the birds, tup-pence__ a bag, tup-pence,

tup-pence a bag. l'eed__ e birds,

67 68 69 70 ;1 71;jJlJ. IJ j. )J Ij ; IJ I J II that's what she cries while 0 - ver-head her birds fill the skies.

[DlALOGUE]

ENS: p

72 74~

Ah

J~.

I _ I

MARY POPl'lNS:

All a

Ah____ __ J J

Ah Ah~=====_~

1110 - Feed the Birds


Piumosso 81

cath - e - dral the saints and a - post

as she sells her wares. ____

though you can"! see them, you know they are smil - ing ENS,

o some-one shows

Ah_.....

Rit.

J J 94

IJ" that he cares. ___

I

AI

II

IIr:---Tempo primo

MARY POPPINS: "p 97 9. 99f ~I'IN' J Ij IfJ W W J 13.g J

Though__ her words are sim-ple and few, -----J Pocorit.

102 103

I'ID J. J) IJ J mJ IJ-

lis ten._ lis ten,_ she's call ing to you.


------

l

MAl1Y POPPIN. - 173 --i---------------------------....".."

BIRD WOMAN:

105 106

i'ii\l. 1MW Ii J. J~ I 1 IJ. Feed birds, !up - pence___ a bag,

BIRD WOMAN, MARY POPPINS:

109~ 1I0~ 1 ;; . J IG:-j

tup - pence, !up pence, !up - pence a bag. __

AdagioMICHAEL: All gone. rut. RIRDWOMAN:

113 114

I - - I"9 . J Tup pence,_

Segue 116 114-"

. J l Il1~F J. J j IJ-"=

jW. II - pence,_ !up' pence_ a

#10a - Talking Shop

TACET

#10b - Choosing the Letters

TACET


~ I 116~~V~I.;; t!

tup

it's

per-

You

the


#11- Supercal{fragilisticexpialidocious

Vivace (J = 100) MICHAEL: That's not a word. MARY POPPINS: Of course it's a word. And unless I'm very mistaken, I think it's going to prove a rather useful one.

MARY POPPINS: 3 4 5 6

'\-'\'hen try - ing to ex ~ press one - self,

7 8 9 11

frank -Iy quite ab - surd to leaf through Jeng - thy lex - i-cons to find the

12 14 15 16

word. A lit - tIe spon-tan - e - it - Y keeps con-veIS - a - lion keen.

Colla voce Rit. 17 18 19

need to find a way to say pre - cise - Iy what you mean.

Steady 23~121 22 23 24

W' J J J J I J J J J I J J J J IJ J IJ J J Su - per cal - i - frag - i-lis - tic - ex - pi - al - i-do - clous, e ven though

27 28 29 30&f6J J J J IJ J J J IJ j IJ J J J IJ J J J I ~ sound of it is some-thing quite a - tro - cious, if you say it loud e-nough, you'll

32 33 34 3S

F r Fir I J F J J I r J J J I J liJ J J I al-ways sound pre - co - claus. Su-per-caI - i - frag-i ~ lis-tic - ex-pi al - i

MARY POPPINS - 175

MRS. CORRY, CUSTOMERS:

&W 36 38 "" r r J f7j J JJUSJIJ J JJ t 13 JJJJUS! tJ do - dous. Urn - did- die id - dle id -dle urn did -die ay. Urn did-die id-dle id-dle

JANE: But it doesn't mean anything! MARY POPPINS: It can mean exactly what you want it to ...

~I'" 41 42 43~I J J J J , I J J J J J J J ! J J J J l IJ J J J J J J I

urn did-dle ay. Urn-did-dJe id-dle id-dJe urn did-dIe oy. Urn did-die id-dle id-dle

, ~44J MARY POPPlNS:


MARY POPPIN5:

69 70 71 n

Add some fur - ther flour - ish - es it's so ro ~ co - co - co clous.

73

Ah____

MRS. CORRY:

BEKf:

Ah ___ Ah ah ah ah!

MRS. CORRY, MARY,

JANE. MICHAEL:

~ 1 76 71 78 79

~ag - i - ~o .'Su - per - cal lis - tic ex - pi - a! - oous. 1 .BERT:

1 1 1 1 do - dous.

~

Su-per-cal- frag - i-lis - tic ex-pi-a!-

MRS. CORRY, BERT,i.J~?o.~. MICHAEL, CUSTO~~S: 82 s;

!W'JBJJJJIJ J J J*IJ J JJJJJIJ Um-di-dle id-dle id-dle urn did-die ay. Urn did-die id-dle id-dle urn did-die ay.

JANE. MICHAEL: BERT'

~ II. 84 85 B6 67

f-Um did-dle id-dle id-dle urn did - die ay. Urn did-dJe id-dle id -die urn did - die ay. The

~ IIS.A;ff

...... ......f-T Urn did-dle id-dJe id-dle urn did - die ay. Um did-dJe id-dle id-dle um did - die ay.

" .,B;ff

, , ,':-' ,~ . I ':-' ~' Urn did-die ld-dle ld-dle urn did - die ay. Urn did-dle ,d-dle ld-dle urn dld - dIe "y.

#11- Supercalifragilisticexpin.lidocious

en- tered

103

this,

MARY POPPINS:

,fJ j If you

Cheek your

Su-per-cal-i

MARY POPPINS - 177 ---t--------------------------------------------------------------------,A. ,.\",.

MRS. CORRY: 90 91 9,

J IJ " JU J I U 3 J WI; * 3 IJ W U 31 Dro-ids could have carved it on their migh-ty mon-o-litha, Tha an-dent Greeks rm

MARY POPPINS:

i:~~93 94 95 % 'f7

~IKlIIJ J U alU ua JIj ~UIU UU Wla J UUI cer ~ tain would have used it in their myths, I'm sure the Ro-man Em-pire on-Iy

99 100

r r IJ J IJ J I the ab - yss be ~ cause those Lat~in scho-lars neRver had a word like

BERT, MRS. CORRY, MARY, JANE, MIc:a.;;:;

105 106 107

Su-per-cal - i - frag - i-lis tic - ex pi - al - i-do - dous.

CUSTOMERS: 11tp

Yum yum yum yum yum.

liD j 111 jJ J 109

J J J I J r I t J tIr I say it soft - ly the ef - feet can be hyp - no tious.

JANE, MICHAEL, ENSEMBLE: Yuck!

breath be fore you speak in - case it's hal - i to - tious.

Poco accel.

frag-i-ns-tic ex-pi-al doc rous.

#11- Supercalijragilisticexpialidocrous

--


Piumosso JANE, MICHAEL:

Urn did-die id-dle id-dle urn did-die ay. Urn did-dIe id-dle id-die urn did-dIe ay.S

Urn did-dIe id-dle id-dle urn did-dIe ay. Urn did-die id-dle id-dle urn did-dIe ay.

Urn diddie id dIe id die urn did - die ay. Urn did - dIe id - dIe id - die

cresco

Vrn did-die id-dle id-dle urn did-die ay. Urn did-die id-dle id-die

join altos) creSco

126 127

MARY POPPINS: You know you can say it backwards,

which is suoicodilaipxecitsiligarfilacrepus.

MICHAEL: She may be tricky, but she's bloody good! ENS: Gasp!

VAMP MARY POPPINS:.,...- l3" 131 ..;

urn did - die ay. So

---.

urn did-die ay.

133 134 135 ~ ~ 132~l! @II J J J J IJ J J J IJ J J J IJ * J I when the cat has got your tongue, there's no need for dis ~ may_ Just

BERT:137 138 139 ~ ~ II- 1361111 J J J J IJ J J IJ J J J IJ I J 1J

sum-man up this word and then you've got a lot to say. Pick

#11 - Supert:llli/ragilisticexpioJidocious

.~ ,

MARY POPPINS - 179 A '

1--------------------------------------~; ....".;.

142 143 ~ ~ !*- 140 '~IIJII J J J J I J J J IF F r F IJ J I out those eigh - teen con - so - nants, add six - teen vowels as well, and

Ril.

146 147 t::\

144 I'j~uUII J J J J J J J Ir F J J 1M - lit put them in an or der which is ve - ry hard to spell.

Colla voce

MARY pOPrINS:

150

IJJJ3JHi~I~111 f48JJJ3Jl" S-u-p-e-r. c-a-l-i-~ r-a-g-i-L

BERT: Smarty pan!:;!Fast JANE,MICHAEL:

154 t::\

~~&(!lJJJJ3JUf1JJJj J pJJJ F I i-s-t-i-c-e-x-p - i-a-l-i-d,. 0 - c-i-o-u-s.

Steady '4' ENS: AcceL poco a poco

.~~..J J J J J (JUS); * I''IJJJJ J S-u-p-e-r. r - a - g - I - L

160

I o c-i-e-u-s.

..'; Poco a poco aceel.

~

BERT, MRS. CORRY, ENSEMBLE:

163

5 u p-e-r, c-a-J-I-t r-a-g-i-L

ENSEMBLE:

SOu-pOe - .;, c-a-I-i-f, r - a

#1.1 - Supercalifragilisticexpialidociou.


164

i-s-t-i-c-e-x-p - i-a-l-i-d,

i-s-t-i-c-e-x-p - i-a-I-i-d,

POCO accel.

S-u-p-e-r, c - a-I - i - A

166

o c-i-e-u-s.

o c-i-e-u-s.

r - a - g - - L

S-u-p-e - r, c - a - I - i - t B

S-u-p-e - r, c-a-I-i - i,

BERT' Here we go' ~ 170 1711 1 1 1 172 173

.. , , i-s-t-i-c-e-x-p - i-a-l-i-d, 0 - c - i - 0 - u - s.

~ 1 1

i-s-t-i-c-e-x-p - i-a-l-i - d, 0 - c - i - 0 - u - s.

~ ~

'~ i-s-t-i-c-e-x- p - i-a-l-i-d, 0 - c - i - 0 - u - s.

Allegro (d = 140) S,A

I 174 175 176 177 I

.. I I I I I I I I I Su - per - cal - i - frag - i - lis - tic - ex - pi - al - i do cious,

T,B I I

'~ 1 1 I. I I I I I. ~oSu - per - cal 1 frag - i - lis - tic - ex - pi - al - 1 - - elOUS, #11- Supercalifragilisticexpialidocious

L

I

I.

MARY POPPINS - 181 --t-------------------------------------------~.;...;;."'f_

17>1 119 180 181L

,I I I I I I I It e - ven though the sound of

lit is some-thing quite a ~ dous, I

, ,I I I I I I I I I I~\ e - ven though the sound of it is some-thing quite a - ITO dous,

Jl J 152J J I I 183 184 i 185

U

~

~, ~ if you say it loud e - nough, you'll al - ways sound pre - co - dous.

,

if

JANE, MICHAEL: 186 187 188 169

Su-per-cal-

Su - per - cal

ALL:

Su ALL:

Su

ex

T,R

ex

per

per

- rag - i-lis tic- Su - per cal - frag - j - lis - tic

- frag - i-lis - tic

cal frag lis tic

cal frag lis tic

197

pi al

,you say It loud e - nough, you 11 .1 - ways sound pre - co - ClOUS.

ipi al

#11 - Supercalifragilistit:xpialidociollS

- 182 - MARY POPPI>!S

19S 200

do cious. _______

cious,

204

Sup-er - cal - i - frag-il - is - tic - ex - pi - a1- - doc ~ ious!

Sup-er-caJ- - frag-il- is-tic - ex-pi-al- ~ doc - ious!

#11 - Supt:rcalifragilisticexpialidocWus

_ MARY POPPINS - 183 - ._____________________________________________________,A .., ~....r

#lla - Supercalifragilisticexpialidocious

(Reprise)/The Winds May Blow

Steady ("'; 120)

A~ sotto voce4 fa J J J rr J JarJ J r J (J J Su-per-cal i - frag-i-lis-tic - ex-pi-al-i - do clous.

10 "-1 -I -I 12 ~ j J j Ir j j J IJ J r J lid j

Su per-cal-i - frag-i-lis-tic - ex-pi-al-i - do ciOliS.

Acre! e """sc .

! bb~ 13) ~ J J 14 -I J 15 ,..~~~ ~ = = = Ir J a IFF F F I IT Su-per-cal-i - frag-i-lis-tic - ex-pi-al-i do COilS.

i I :ff,7 ,. 19 -I 20. ! ~Iih r F F r IF J J J IJ IIJ r Fir Su-per-cal- i - frag-i - lis-tic - ex-pi-al- i-do - clous.

BERT, WOI.rEN:

S-u~p-e-rr c-a-l-i~f, r-a-g-j-~

MEN: subito

c - a - I - i -

BERT: Here we go!

i-s~t-i~c-e-x-p - i~a~l-i~d, 0 - c - i - 0 ~ u - s.

is~t-i~c~e-x-p - i-a~l-i-d, 0 - C ~ i - 0 - u - S.

. ,. .'-

- 184 MA;RY POPPINS

Presto (d 160) S,A If

Su - per - cal frag lis - tic - ex - pi a! - do - dous, 32 1 i 33 1 1 341 1 , 351

, ,1 1 I 1 I I 1 1 1 e ven though the sound of it is SOme - thing quite a - tro dous,

~ I , , ,1 1 1 1 1 1 1

, I

,1 1 1 I 1 I 1 1 1 1 e - ven though the sound of it is some-thing quite a - tro cious,

1 28

Su - per - cal

~ you say It

frag-i-lls-tic - ex-pi-a!- ~ do - dous,

~

T,B If

J 36L t I i

r r r

I I I

?f7L L L 3S i L 1 I 39 '

lud r -nLgh, yJ:.n v k_,Jvs sohnd ~ b dts. 1 1 1 , , , ,

, If you say it loud e - nough, you'll a! - ways sound pre - co - cious.

BERT: 40 41 42 43

~

Su - per - cal - - frag - i - lls - tic- do - dous - al - i - ex - pi - lis - tic

\' Su - per - cal frag - i-lis - Ik

(S,A)

47 i 4S 49I

,I 1 lis tic ex pi

,L

1 I I

frag - i lis tic ex pi

#11a - Supercaliftagilisticexpialidocious (Reprise)/The Winds May Blow

44 1 45L

Su - per cal 1 I

,

L 46 1

frag

i

~~ Su - per - cal

MARY POPPINS - 185 ....~y,~

I 50~_ 51 I 52~~~ 54 ~ ,

:::=:::::l I.

do I

al doust~__

1\ I n-----n n~ -

~ T I al do dollS! _~___~_

""iff

I

I 57 58 59

Sup-er-cal-i

iff - frag-'il-:S-tic - :.x-~i-aJ -i - do dous!

I I I I

I Steady ( .. ~ 130)

4 BERT: ~~ 6~3~I&II ~~!,J 65 66 ~67 J J !'l J J J I'iJ fJ~J1 JJ

The winds may blow; but who'. to know ex-act-Iy what they're bring-ing. Piumosso

rut,

Good news or bad, hap-py or sad, the pen-du-Ium keeps swing-ing.

4 6 VAMP

t,6~O 3

~ ! ~ 91

! '1)j J A game is played, a change is made, but still the road is long_

RaiL

WINIFRIID: George? What's happened? Are you ID?

And though they might yet fly a kite, some- thnes the wind's strong.

l111.a - SupercaUfragilisticexpialiMcious (NepTise)IThe Winds May Blow


# llb Twists and Turns

Con moto (J =140) 1-2 2 5 6

Tvvists and hlrnS,

7

one rno - ment smiles, next mo - ment frowns. But bad - temp - ered

12 13 15 16

fac - es had 'cause

mf Poco rit.

~f7 18 19 20

~ 21

J J IJ * * IF F F r IF !t j IJ J ~J II~ ~J face might just stick. Chim chim - i - ney, chim chim cher - ee chim cher-

Allegro misterioso (J = 130) R&Randfade ~ ~22

23

IJ. 2.

(f ,II - -00

l MARY POPPINS - 187 ~1'!-,--------------------------------------'~"''''\(.I,

#12 - Playing the Game

Through a glass, darldy (J = 60) [DIALOGUE] In '1' (J = 60)

6 8 Rall. 1().13 42-7 9 - II I I1

MARY POPPINS:

15 17 19"JlI J

J'

J. J "J J. Jl J ~ 1lJiJ. 1 IJ J Ij I

play ing the game.

'b 2il

J u some

treat

Play - ing the game, tal< - ing your turn, some chil dren lose,

21 :Ii 23 24

J. P I ' J IF' P F Ij J J IF' P F

chil dren learn. Treat the toys nice ly and may be they'll

you

MARY POPPINS: Are you feeling any better, Valentine VALENTINE: Much belteJ; thank you. 7

I,

Poco piu IIWSSO

MARY POPPINS:

Tern ~ petS are frayed. Tern - pers are lost.

VALENTINE: But they tore my arm.., again! MARY POPPINS: Oh dear, children who lose their temper will lose everything else in the end.

7

No . bo - dy stops to thlnk of the cost.


Poco raIL A tempo (J 60)3 VALENTINE:

58 60 61

They're no!... play .. ing the game, no! play .. ing fair,

not with the dol~ no! with the bear.

DOLL: 69

Thrown on the floor and ne and they were

the floor and ne gleet .. ed, and they were

Thrown on the floor and ne .. gleet .. ed, and they were

[DIALOGUE]

70 71 72 73 75-90,. 16

blame, play .. ing the game 16

play .. ing the game.

16

- It r ~ Ill' 41

blame, ___ play .. ing the game.

#12 - PltllJing the Game

MARY POPPINS - 189 /~ ii--+-------------------------------,.."'~ ,

PiilmossoMARY POPPlNS: 9192 932 9'

I,~ I) J. J IIF" if: WeSum-mon the

g; 98 un100 1


(VALEJI.'TINE): 154 155 156 158

Those girls and

Those girls and

who treat us

boys

boys

tbl, way

who treat us

who treat us

164 165 166 167 168 169

. . why should we stay? They stamp and shout;

~

.. , why should we stay?

~.:

don't de-serve

way don't de-serve

way don't

why should we stay?


MARY POP PINS - 191 ~.~ /.I.-..,'I-_________~---~---~~-----------~---------------....,\.

2?O______._

They stamp and

171

I*-I

shout

ere

ere

~

~

ate

ate

such

such

a

a

fuss. __.__

fuss. __~._

-

They stamp and shout, ere - ate such a fuss.~~~__

rut. sub. "'Pl~____~__ 177 179 IBn

They need to the val - uesub.

.'- "'P

They need to leam the val - ue

~~ sub.: . "'P ~ lI1!: _=~~ -.:cc lo=t-=;t4f r l TI

leam _______~___~__~_They need to the val - ue

p Meno mOS$O [DIALOGUE] 9181

9

of us.~

!t12 - Playing the Game

- 192 - MARY POl'prNS

Rail. A tempo

194-195 2 196 MARY pm'~lNs:

Play - ing

Those who won't play shan't play

Poco menD mosso 206 207

we meet a

199 200

hav - ing a ball.

at all.

Poco rall MARY POPPINS:

May - be

gain?


MAllY POPPIN. - 193 -1---------------------------------;.....\~,

#13 - Chim Chim Cher-ee

Andante (J no) Hypnotic (J. =50)

Poco rit. BERT:p6 I7

.. Ilg 8

.. IU' J J J r-: r' C' rig Up where the smoke is all bil-lowed and

10 11,8 gJ. t J liP J J J 1 j J .3 J Ig 'tween pav-e - :rnent and stars is the chim ney sweep'scurled,

world.

48 g lSJ things

Slower~ in t61

ifF r t)

roof - lops

Con molO- in '1'

Now

there's

J J ;1 , ... J J J Ie1. J. J r r I 'all in shad ow and '.If ways in light on the

18 19 p ..r r I Fast

In Ie r (e IE 11 8ib I of Lon don... Coo ... What sight!

MARY POPPINS: Oh. So you're a sweep now, are you?

BERr: The best view in the world, eh? And who gets to see it?

The birds, the stars, and the chimney sweeps. Nothing to beat it, eh?

SAFETY 28 3 ~

as the lad der _ of life has been S!.rUng.

- 194 - MARY POPPING

may think a sweep's On the most rung.

time __I spends me in the ash es_ and smoke,

,.

this whole wide world.. there's no 'ap-pi er bloke.

MARY: f

Chim chim - i - ney, chim chim - i - ney; chim chim_ cher - ee, BERT: f

Chim chim - i - ney, chim chim - i - ney, chim chim _ cher - ee,

55 57

sweep is as luck-y__ as can be.

sweep is as luck-y__ as luck-y__ can be.

60 61-chim - i ~ ney, chim chim - i - ney, chim_ cher - 00, good

,

I ....... I - , -Chim chim - i - ney, chim chim - i - ney, chim chim _ cher - 00, #13 - Chim Chim Cher-e.

-1

l\{ARY PapPINS - 195 ~l-,-------------------------------------'~,,!.,

Poco meno mosso . 62 63 65

luck will rub off when he shakes hands with you,

0,

67 t:'I 68

r J IF l J Ilr r r blow me a kiss.. and that's luck y

[DIALOGUE] Poco plu mosso Menomosso 6 7 271-76

II ~1#.?1~if I 100, ___

MARY:"'I 86 87 88

whenehim roim - i - ney, crum chim - i ney,

BERT:"'I

Chim roim - i - ney, crum chim - i - ney, chim chim_ cher - ee,

MARY POPPINS: Goodbye, Bert, POCO rit.

91 n 93 t:'I

IJ J j IJ ,S ) I J l you're_ with a sweep, you're in glad com - pa - ny. Colla voce

BERT:p

96 97 98~ij#94Ii i r l I~r F' p IIIJ t J IIIJ r Jg

dUm, crum chim cher - ee, when you're with a

#13 - Chim Chim Cher-ee

- 196 - MARY POl'l'INS

Poco rall. 100

sweep you're in glad com - pa - ny,

105 106

A tempo 102

No-where is

107

10$

there

'appi - er crew than them what sings chim chim_ cher - ee chim cher - .

Poco rit. Broadly 110 III

Malto ril. MARY,

Chim chim - i - ney, chim chim

MARY POPPINS - 197

#14 - Cherry Tree Lane (Reprise)

I

Maestoso ( .. =90)

[DIALOGUE] Con moto (~= 120)

3 4 13 44-1 8-20 ~ ~21-24

II I II I II iiJ I

, ~ 25 MRS. BRILL: 26

J. J P J j. ; J J IJ J ill Co~ they get through rum nies lor a flip pin' pas e.- 1

, ~27

J. Now

~ ~I'II 29

j. Ne

ROBERTSON AY;

,~\$1

J 'Least

J P

when one

j J 0 ver liked

j J she makes

things

J j. j J re . turns, they make

J J. j 3 her much when she

J J * I!J J. j 3

J 28

IJ J J II ~i,!, this lear ful fuss.

J 3C

IJ J J ib 'I was here the last time.

MICHAEL: Mrs. Brill, it is her, isn't it? MRS. BRILL: WelL I don't know who else. MICHAEL: Why is it such a secret?

2

life ea-si~er lor both

Piumosso MICHAEL:

37

Do you

40

back the way they were?

of us!

think that she's Ie - turned to

JANE: The no", says, "Till we meet again."

4142 2

- 198 - M.4.RY POPPINS

WINIFRED: Oil, my goodness,

any moment. Now, where is George?

JANE, MICHAEL: 2

I just know it must be her.

J r Pre -

rve

jl a

GEORGE: WInifred, you kn,)W ',e1)' w,ml~Poco piu mosso surprises at the best of times.

so

George, dear you'", going to be sur - prised-

WINIFRED: Not this one. Oh George, I do believe you're going

to be proud of me for once!

Poco ralI. 2 WlNlFRED:mj54 - H- l 'I

Slower

56iSS

~JJ'I]JJ 'I J IJJ 'I ci-sion and or - der. it's per-feet- ly true, Can real - ly make a dif - frence.

59 60

J JJ'i J I.) J PJ 'I~58l 'I 'IJ ad } I; J found her for you. "Gear think-ing, sound judge - ment/' and now we'll re - gain

WINIFRED: Hurry up, everybody! into the hall! I want her to find everything...

Atempo 2,., J

62 I. Q3.64 .. OJ iJ J j J J J IJ J J J II ~il

home you can be proud of in Cher-ry Tree Lane.

WINIFRED, Poco meno MOSSOWINIFRED: JANE, MICHAEL:

#14 - Cherry Tree Lane (Reprise)

-' I liS 66

"t "t Spit - spot spic and span.

ALL (EXCEPT GEORGE):

I

67

.. .. sense of ex - cite - Inent is

Spi< and span.

--

MARY POPPINS - 199

MRS. BRILL, ROBERTSON AY:

68 69 70

j ~ =~~TI. i ~p r ~ II J. III ~ E J - I hard to con tain. * Or de! is re - tum - ing,

WINIFRED: 73

7.! ~ . re - tum - ing, ______won - de! is

JANE. MICHAEL:

re - tum - ing,_____won - der is

GEORGE, WINIFRED, Suddenly slower JANE, MICHAEL:

74

Some ~ one is re - tum - to Coo - ry Tree MRS. BRILL, ROBERTSON AY:

Some-one is re tum - ing _________ to Cher-ry Thee

MISS ANDREW: Good mOming.Piit MOSSO GEORGE: The Holy Terror!

MISS ANDREW: 2

L~!_________________

2

Lane! 2

1114 - Cherry Tree Lan" (Reprise)

By

01

)

the


#15 - Brimstone and Treacle (Part 1)

Colla voceMISS ANDREW:

i These child - ren have been spoiled. rve ar - rived here just in time.

,~ 3

,] ] 3 J ] J J , Jl I'j JJJ~ J chance I've brought the pun-ish - ment that best be - fits the crime.

In tempo (J 130)

9 10

,~ ,'.] J J iJJ J IJJJIJJJI

Brim - stone and trea - de and cod liv - er oil,_ lib - er - al dos-.,.

11 12 13 ,. 15 16 I - I.J J !.J J"J. J IJ f J J Iu '!.t l eadt. These are the ~ts :In whidt child-ren Ie - coil..

Poco pi.. mosso 18 19 mUll

IJ J J IJ. It # J Ir J J Ir J J I 'lea - sons I'm go - ing to teadt. Just 101 - low my mod - e1 and

25 26 27 23( ~ 23J ] J I2'~ J $ It tJ J IJ #J IJ J J IJ J I II.! P don't mol - 1y - cod - die. I! may lead the irk-some to irk. So

1

MARY POPPINS - 201

A tempo

I l3

J J J I'd J P I! Brim - stone and !rea - de will

[DIALOGUE]7 MISS ANDREW:

3(>42 43 44

I I li,a J J IJ J J work. Brim - stone and tre - ade and car - bo - lie soap,

4S 49 50 52 51~j J J47

J JJ J J IJ J J IJ. I 1 ; In J IJ

the tools of my trade. With spoon-fuls of su - ga~ youthese "'"

54 55 56 57 58

IU ';pl ~J tJ J IJ J J I J. 1* , J I don't have a hope of see - ing that chan - ges are made. Where

Poco pitt mosso 62 63:i:. 59 6Q

,~r J ; Ir ; J I; J J I; qJ tJ man ners are chron - ie, my tine - ture's the to - nk that's eer - tain to

64 65 66 67 6S,,~ J a J I; 1 1* I.; J J* J IJJ J wipe off a smirk. Just pour out a ra ~ tion In

A tempoRall. 70 73 74 , f/69,; J

, 7l~ n~J IF I J J I a IJ. I - IIr P4t'

rna-Iron -Iy lash - ion. Brim - stone and trea - de will work.

1115 - Brimstone and Treacle (part 1)

seek sat - is - fac ~ non from pu ni ~ tive ac - tion.


MISS ANDREW: Your son will go to boarding school .t once!

As for the girl, I shall take charge of her myself!

In tempo (J = 130)

7

or

er-ing.

J J cork the

4 $

I won't stand for whin-ing or whinge-ing

90

whlmp - er - ing., cry - ing or Iy - ing Or sobb - ing or simp

Menomosso 91 92 93 94

&~ r ftr r I J t ,n IJ W J J J'"

IJ fear it's dear that in these two such bad hab - its

Rall,Broadlyj:CjPOCO tit. 98 99 100 101 o

0,~ r I - J ,,2 j J IJ ;g J ,.W First threat-en to throt - tie then un

MISS ANDREW: Con motoAlempo

ttNow, show me my room!

'02 105 t:'\ 106-109

II'; I'jr r J J IJ t I bot - lie, Brim - stone and !:rea - de will work.

1':'\

,~ ") "; ~rJ I rJ workl _____________Brim - stone and Ire. - de will

2118-119 0 II-I'0


MARY POPPINS - 203

#15a - Run Away

,f1 J strings,

feet

TACET

#16 - Let's Go Fly a Kite Andante (~= 80)

[DIALOGUE] Poco tit.8 72-9 10-16 17- I I I Lightly (J. = 741

Poco til VAMP BERT:8 3

With 8 3 (last time)

hlp-pence for pa - and

32 33, 'I 'IJ J IJ ) J ;Jl J IJ. J J you can have your set of wings" With your 0"''''

on the ground you'", a bird in flight, with your fist hold-ing tight

Rall.

011, _____to the string of your


..

Let's go fly a kite up

BERT,Piumosso PARK KEEPER:

'i

[~LOGUE18 VAMP mp864-71 '~f I J J 1

When you

7. , ~f J J) J JpJ IJ. 'i S IJ J) J IJ 'i , J ~~

7;J 7. 75

J "3

to the high - est height,

44 4S .7

Let's go fly a kite and send it soar - ing.

1 48 51

I Up through the at - mos-phere, up where the air is clear,

55

Oh. let's go ___ a kite.

I send it fly-ing up there# all at once you're light - er than air. You can

77 79

II, ~n J .3 J #J 113 J I78; IIJ J r r I IJ J J J

dance on the breeze o ~ veX' 'ous - es and trees with your fist hold -ing tight

KITE FLYERS, JANE, MICHAEL:

00 81 lWL ..------ 7J, Dn , J J J I) , , l I . -----r IIJ J u to the string of your kite. Oh!

#16 - Let'. Go Fly a Kite

--. MARY POPPINS - 205

~'\-l--------------------------------~,.....:,~.

A tempo 8,f S4 as 86

, ~II P, , ,r- p F PI!J IF , Ip , , r DIF J Lefs go fly a kite up to the high est height.

4' 87 Sll 59 9()

B P, , r' IF p J )J IJ. J- I.l J OJ

Lefs go fly a kite and send it soar ing

'I , r = 92Ir ~ _:

93~)

I! , 'I IF ~ r'~ fp ~ OJ through the at - mos-phere, up where the air is clear.

A sudden squall '1 2

~: I~ { r r II p 'I , ~. I let's go__ fly a kite,

VAMP MARY POPPINS: ";;;;;--______

A tempo 2 :;;; Poco rit~

S, T

4~~'~ up

I!J Oh,

Ah ___~_________

2 A S mf

Ah____

T 'TIff2

Ah__

#16 - Let's Go Fly a Kite


A tempo (J. = 80)

a kite .._.___________Let's go fly T,B

a kite___________________Let's go fly

heighL_________

est height~.______________

up to the est

up to the high

Segue as one

114 115

go_____ kite._____Oh, let's fly a

go___ kite. ______Oh, let's fly a

#16 - Let's Go Fly a Kite

MARY POPPINS - 207

#16a -A Sight/or Sore Eyes

VAMP (DIALOGUB) Poco rit.5 7 r~: I

24 VAMP

! II ~II#.If - jf '~I' g "'"

Poco rit.7 41 42 I - III

7 r.-. 1/ GEORGE:50 I- l Jl II'I

Il

Segue as One


#17 - Goodlor Nothing/ Being Mrs. Banks

Sadly (J =74) GEORGE:

i

Iu - sions may shat ter, but mem 0 ries stay. The things that reaI- Iy mat - ler I

6

Jd 1 J J P I i ~~ r lost on the way, The sov .. 'reign, the mas - ter, and long may he

Poco nt.

~ I 7 ~~, I J reign, the fa mollS good - for - noth ing ___ of Cher -ry Tree

Andante (J = 120) Poco nt. 2214-15 10.17

II I II ~ Lane.

Allegro

WINIFRED: 19

~ ~ IS II i id 1 J I H)i J & x 8 George, dear; I know it hurts your pride, dear. But you can't just run and

Poco ril. t:'I 24 25

23 1 i 1,J 1-= ,) * J J J I "I i i 1 J l4 J) II ~ hide, dear. _ Why can't you see that rm here, and I am on your side. When

MARY POPPINS - 209

A tempo 2:l 2Jl,i ~ 26~J IIJ J J J J 1 J> J. J ]i 1 J J J J J J

ev - er you spoke of Miss An-drew,_ you show ~ ered the wom an with

30 31,,~'} ) 1 J J J J J I) J. J J J 1J

praise. But now thet I've met dear Miss An- drew,_ there are

Poco acee!. Piumosso r--3---"'f 33 34

JJJI'J t , $1 J J J J u things I'd re - phrase. To think you were raised by that

, J 1 3S

J AJ J 1 man - ster and car - ried that bur - den through life... If on - ly you had

RaILPoco rit. 41 1:\'"i p39J J J J J 1]J J. Jl J. 1r' 1 III

seen that you_ could share it with your wife.

43 44 45

; J J 1- ')I J j iJ J 1Be - ing Mrs._ Banks... iI's ea - Sf to for - get tha

Poco rit. 47 - 49 i

pfJlii 1llJ 11 J. way I fult that sum-mer's day, the dey that we mst met.

1117 - GoodfOT Nothing! BeingMrs. Banks

one Or two

________ _


Poco piit mosso

51 53

Be - ing Mrs._ Banks, __ be - ing kissed you,

man of dreams who made me feel that wish - e5 could come

Pocorit. P Poco rit.

true. And now 01- though you're lost it's time that we closed ranks. l'll

Pili mosso (J = 150) 62

fight for the man who needs free - ing, _____

~ _66

F l J real you who

-ffOF r p

67

IJ J J no - one is

Rlt. 7l

JI r F

6S

2 it1 J S

72

IJ J

mf , )J 1

69

I) And

73

JJ 19J....... you'll find a way of just be ing,.

Tempo1IIp 71 cresc, 'J875 76

~i74n ; I; W IJ. J J____ J ____ >-= Banks.~_.be - ing_ Mis - tet_

Rlt. B312. IIJ

80

k: #17 - Good for Nothing!

BeingMrs. Banks

1

MARY POPPIN5 - 211 -11-;-----------------------~" ."

#18 - Brimstone and Treacle (Part 2) Sinister (J = 66)

[DIALOGUE) VAMP 2 2 VAMP 2

I ! !,~ Ilf jiC If ,I Plaintively (J = 60)

71{) 4 11 U-15 4

,~ i II - 19

MARY POPPINS:

cresco 416 17 18 19 2023

,~ 13 3 13 J ,J IJ. IJ J J J

Did she? Well, frank - ly that's not a sur ~ prise.

Z< 25 26 27 28

,.,;,.,,~ P J 13 J J IJ J J I>j t 1* J

- ... '~J * Locked in this cage and not free in the skies! For Jf) 31) 32 3331, ,~ J I Ii , ~ I ,l I II IJ J Jx8r ijJ #J

>,,' two years? How shame-M! Yes, of course, that's a

Rit. A tempo (d. = 60)

6 '57 38

&~ J J t)

34J J J I'J r1L? J IJ J I.J JJ field I know well. An hour,_ no Jong - el, your wings will grow

Rit. A tempo (J = 60) 39

once you are free from oell.

- 212 - MARY POPPIN'

[DIALOGUE] Brisk 'Z' (J =110)7 744-50

A tempo (a, i 66) rut.8 6 766-71 72-78 79

~41 58-65~ I Ie j I 1 ,

Menacing (e!, = 55) MISS ANDREW:

84:J:. 00"'fI fm~!lJ j J IJ ; J

Brim - stone and Ii!:rea - de, my fa - VOT - it. - quor that will make

as 56 B7 B9.. ~~ J J j 1 J I - I,J j JIJ IJ J J

run - a-ways stop_ 1m - pu - dent child - ren re

91 92 93 94 ~ 90 j ,~ ,; J I; J J I J IJ J J IJ 1Jl qJ #J * "pond so much quick ":-'er when forced to drink ev 'ry last drop_ [DIALOGUE]

VAMP 2 %-103 104-1088 5 fit-liD- I I WI

, Steady- in '1' (e!, = 70)

MISS ANDREW'J, 115 116 117il1l3JSS"4~'hh>l! t liP P Illj ; tIr F r r IqJ J I; J J

Sil-Iy lit-tie girl with your new - fang - led meth-ods, I bring up

119 120 121 122~. 118wVg' J J ; I; j lid 1,- 11 liB n IF F r I

-

chil-dren so they know their pl.ce, Stan-dlng for Ira - di ~ lion I


1

MARY POPPINS - 213 --~--------------------~---------------~,,~.;'\

123 1. 124 125 126 127

I I go - vern my char ges.

I . MARY POPPINS: mp

~... ,-Mis - han - died char - ges blow up in your

MISS ANDREWy:

128

face. Well, that 1__ don't 't.

I

I .

129 ,

, I

100

brought up their , .' fa - ther.

.-

- 214 - MARY POPPIN>

r 151

Ir !52

IF port, port,

153 -; 154 ~ 155 r r IF;s 1r< Cb.r r r r Now you will bear the full brunt of my rage,_______

p ~' 156~ 157 158 159 r J IJ IJ. I t{( ~%,h)' II qJ J J~ -Brim stone and !rea cle for you,

'I1IIJ1 160 161 162 163

q Brim - stone and !rea - de for

MARYPOPPINS: 'I1IIJ1

Just a sug-ar"._

164 165 167

Brim - stone and !rea - 'de for

mj'

~

Just a sug ~ ar..,_

168f 169 170 171

~

Brim - stone and !rea-de for

f

Just a spoon - lui of sug - at... _

#18 - Brimstom and Treacle (Part 2)

________________________ _

MARY POPPINS - 215 - ......il------------------------------------------...:~~A.

172 174 175

(MARY POPPINS):

Ha Ah Ah Ah

(MISS ANDREW): Poco rit.

176 f.f 177 178 179

Ha! Ah Ah Ah Ah Ah

f.f

Hal Ah Ah Ah Ah Ah

Furiously (.d. ~ 66) 182 182 183 '" 185

111.1'187 188 189

t . . Ah ah at. ah ah ah ah

11ff

Ah ah ah ah ah ah ah

. 191 192 193 194 195 .

180

Ah

Ah

186

t!

f.f 190

~-~~.

{ .....";

Ah .. ., -:.

#18 - Brimstone IlIId 1reacle (Part 2)

7

- 216 - MAcRY POPPINS

mf PocorlL

Ah Ah Ah Ah Ah glug

Ah ah ah ah ah ah

A tempo (MARY POPPINSI;

~V F~ I 200 r F ZOI

1----fi4 F j

21)3

10 FF

1

J Ie ~ cog - nize 01 Iy that you are a buJ Iy who

J 205

1lr Meno

206~ 1IT I IF trF

f

r views eru 01 deeds as a perk. _____ Well,

r j 2{)9

IJ 210

r 1 rJ r r 211 r'I -now here's a catch be - cause you've met your match,

MISS ANDREW: I 213 21' 215, 21S

t. '* t. 6_____._ Brim stone and . de... __ MARY POPPINS: , ...

I

Brim - stone and trea de",

rut. , 217 218-" 21' 220

~G' .. ta.:Brim - stone and won't , fI ...

't , 1 Brim - stone and !rea de... won't


__________________________________ __

~i\{ARY POPPINS - 217 --+---------------------------------------------_.......;;..,

Piumosso Operatic freef.II

221 222

Ah __

224

Ah___

-.- --.---------~~--------work!_.~

EXPLOSION Deliberately 225

MARY: hcmd claps

1118 - Brimstone and Treacle (Part 2)


#18a Practically Perfect (Reprise)

Perky (J = 100) Meno !ru)sso (J = 100) 3 [DIALOGUE] Rit. 2,

Accel poco a poco (J = 120)7 JANE, MICHAEL:

17~23 24 26 3 3

25

MARY POPPINS: 1\ ~ z:;

I

II

't. ~ way.

II 30

~

't.

gua - ran

we hope you'll

II 34

t.

"

nan-rues are hard

You're prac - ti - cal - ly per - fect__ in ev - 'ry

25, 29

tee. 3 3

:0 Prac - ti - cal - ly per - feet,

31 32

Let's wait and see.

,

r -stay. Un can - ny 36 37

G- nique yet 1

to find.

MA.RY POPPINS - 219 ---~-------------------------------"---'''''.,''''''

3 3 f\ " 38 3'

f)

YO~:e :iii meek, un 0 speak 0 a 0 bly kind. prae 0 ti - cal 0 ly 3 3

1I -:;/.' :;;

-4 You're prac . ti - cal " ly "~

3.. ., 42 43 44 3

.. 0

------ th:;gper fect. .. __ and yet I'm s:" s:n room for im .M I

.' d

~.

- fecL __per -----".

(MARl') [DIALOGUE]

,,,f~4SJ J 46

) J 3 rut LJ 11M!! prove ment; a few games more... __.__

Acee!. e cresc. poco a poco Pili mosso (J = 1(0) VAMP

0 ~

8 637-


#19 - Step in Time Gently (~= 120)

JANE: Bert! What are you doing up here? BERT: And where else should a chimney sweep be?

VAMP 2 BERT ~ !3 : 4

chim - ney swept, a se - cret kept,

~ Mil 5 n 6 1 If ) J J IJ J I' J J J J)

Up here a - bove the ga - bles. A - no - ther world

9

1'1 10

II&IW'J J J 1 J IJ J, to be un-furled, it ain't just myths and fa - bles.

r )0 r A chim-ney stack looks cold and black a - gainS! a twi - lit

Poco rit.

J J J 17 ~ I, J> J RJI

sky, But nev-er feaI, there's warmth up here. Per-haps you'll find out

"

Con moto (~= 130) [DIALOGUE) 8

20 t:\ 2128 29-39 11Presto (~= 170)

I - I - II I why.

Pi" mosso (~= 160)2

~ .u 4041 t VAMP 2 f~[ I

MARY POPPINS - 221 _-4-________________________________.~/'

BERT:

'f1P 45 46 47 ,~ J J J IJ J J J IJ J. J) IJ J1

Chim chim - i - ney, chim chim - i - ney, chim chim cher - ee. Now"

50 51 .. "" I .if'(J J JrtJi- j J qJ P IJ J

.guar . di . an an gels you don't of - ten see. They're

Poco rit. 51 53 54 55

~I J. at) I UTI , $IJ J- Jl U - ]. ]E1J .not high fa - lu tin', not grand nor a - loof. Nab, they're

A tempo 56 57 5.

I ,~! J ] J J l J 114 J cov - ered in soot, and they're up on your roof.

rut. 62 BERT: ~ 60 61 63

I I "

JANE, See, it's true! ;"";MICHAEL:u _

, , , Chim chim - i - ney, chim chim cher - ee-

Elemental (J = 110) SWEEP1: mf SWEEP 2:

~+ 54 os 66 'ell! - IJ 3J J J J J I - I 67J J J J J Brush a -way the dirt and soot. Brush a-way your tears.

SWEEP 3:

69J~~6S - 3 J j FJ 70 11111 I 4 I). tJ

Cob - webs that aren't swept a - way~.

#19- Step in TIme

- 222 -

SWEEP 4: 71

MARY POPPINS

Poco pitt rnosso SWEEPS: mtp

73

hang a-round for years. ___ In all wea-thers, up all hours,

47 75~ J J ill 76 TJ n I t I t D # If r r r i:1J.~ we can see for miles. Our i - dea of hea-ven is_

-----------a night out on the tiles._.. ____

SWEEPS (GROUP 1):

Slf S2

-- -We may look a mot - ley crew_____ SWEEPS (GROUP 2): f

We may look a mot - ley crew

smudged with tar and grime, _______ but

smudged with tar and grime,

#19 - Step in Time

----

MARY POPPIN5 - 223 --'!------------------------~\'"

85

when you need a help - ing hand, ___ we

.,i j

~] but when you need a help-ing hand, l,

'l, Rit. j

87 88 l

- ..; , ..,: try to step in,- ~ :, step in just in

. ... ~in, __try to step step in just In ,

Steady ( .. = 80) BERT:p

89 9142 93

time. We will step in,

2 SWEEPS: p

:------'

.--2

time. step in

95 96

We will step in,

time. ___ step in time.

u

98

r r r r r r r r r Iv l Nev - er need a rea son, nev er need a rhyme.

1119 - Step in Time


BERT: + SWEEPS;

~~' ~ 99 100 = t ~e- r E r .. If II1'1; J J IT ~ We will step in, step in time.

O-ver the roof-tops, step in time._ O-ver the roof-tops, step in time._

Sf T, B

~ I l~ 107

~! r ! r r r e = r Ire 4 'I&;;\ !

Nev - er need a rea son, nev - I need a rhyme._

Poco accel.4,:4 lOS j j F j IU~r r r dIi Ic~ 0 - ver the roof - tops, step in time.

J J l1n , 113-114 I~ Ji '1 2

Watch your step, but step in time.

~ ~ 115 j 116 117-118 j r iu ~ '1 IpllJ

2

Watch your step, but step in time.

Nev I need a rea - son, never need a rhyme. ______

8 f'f8 Poco accel.

212$-126, I : Watch where you step, but step in time.

#19 - Step in TIme

MARY POP PINS - 225 -------------------------------~",

Piumosso

ALL:

128 129

OJ4'Vj. J J J IJ "J J> 12. 3 J J III'n j) , Kick your knees up, step in time, Kick your knees up, step in time.

j e r F F Ie j j e ~ , II

132

Nev - er need a rea son, nev - er need a rhyme,

41 133 134 135 ;I- J 3 J J II P , l I - IIr

'1 139137~J IF r I . J l tJ ~ J J IJ Child - hood is a step in time, pa rent-hood's the same.

MARY POPPlNS,

BERT:

...j 41 33 3 13 j j j I'] 1I] ,

Never miss a chance to ng t,~..get it ~

BERT: 145 146 147jljW 3 J J IJ J IJ.j JJ J IJ'" Don't it seem a per - feet crime, don't it seem a shame,

MARY POPFlNS: '48 149 150 151

V when the steps aren't go - ing as smooth - ly as they might?

BERT:

when the steps aren't go - ing as smooth - Iy as they might?

#19 - Step in rune


4

J J J J 157 158

jJjJqlJ J J J That's when we step in, step in time. That's when we step, step...

Nev - er need a rea

41162 ~ r r r That's when we step

Con moto (J =130)

, I,) 16$-168 ~h I

4 I IA

F son,

3 J in, step

169

BERT: Here we go!

9 ALL: *f~l~1

182

I ,1 ~ Spin

161

Ir r r F p nev - er need a rhyme.

Poco acee!.

J II ~!~ 16$ 1M

i F ~Ic~ in time.

2 ~ ~ 17().171

II !IJ! I 172

IA

I8S 184 ~r( 185~I t< l 1[( I spin spin spin spin.

189

in tin:te.

, II

II

1 II ~!:t;IL~

~ 187~ 18$

J iJJ In)J, 13. Iu P , Link your el - bows, step in time. Link your I - bows, step in time.

"" Ir r r r p S, T 192, 10 DA,B

Nev-er need a rea son, nev er need a rhyme. Link your el ~ bows,

#19 - Step in Time

-:J

MARY POPPINS - 227 -~---------------------------~"';"

ii,A fl I 193 194 195 ,-----,

OJ st~in ~e, Link your e1 - bows, step in ~e. T, B

~n ~. Link your e1 - bows, step in ti~e.

196 ,., 198

Step in time, step - step

"' ".~ , 'Ii;J Step in time, step - step in time./, :

- 228 -

SWEEPS:

~I I

MARY POPPINS

MARY POPPINS:

some-one's up your chim - ney, __ and it is-n't San-la Claus!

SWEEPS (GROUP 1):

7!)/ 7!)5

If you need us, if you don't,

SWEEPS (GROUP 2): I

296

does - n't make much

... 29$

~ we'll be watch - ing

...

"i

rut,

" 300 ,

If you need us, if you

197

odds,~.

does n't make much odds,

299

o - vet you,~_____

we'll be :;

watch - ing

301

o - ver you,

BERT: H

brush - es, brooms and_ u w ~

brush-es, brush-es, brooms ... and

" " tJ -_.

brush - es, brooms and,_~

#19 - Step in TitfU!

1/

..J .. -brush-e5, brooms...

MARY POPPINS - 229 -----


I 334 , 1,332 'i~ r:

oj i i I.33E ~ 11&'& J j r r Link your el bows, step in time. Kick your knees up,

335 336 337

, ~i'b , - p ,U P I[ J r r Ie r step in time. Kick your knees up, step in time.

338 339

, ~i'I, r 6 6 r r r 16 j j r p 'l Nev - er need a rea son, nev - er need a rhyme.

341 342 port. # : E r Ie r P , 1j//41 ln

Kick your knees up, step in time. Oh,

S,A,B,

JANE, MICHAEL:

343 346

time. ___Step in Step step step.

TENORS:

Step in time. Step step step.

350

Step in time. ___ Step step step.

Step in time. Step step step.

#19 - Step in Time

MARY POPPINS - 231 --"'---------------------------------------;;,"',

',] J

. ",:

2352 353-354

Nev - er need a rea - son, nev - er need a rhyme,

2

Nev ~ er need a rea - son, nev - er need a rhyme.

~.H. 355 3S6 357 358

Nev-er need a rea - son, nev-er need a rhyme. If you

u H. . . . .. .. ..h ..~

OJ

Nev-er need a rea - son, nev-er need a rhyme. If you

360;>- 351;>- 362>-til If -til If ...,.4ijiIHiF'

ALL:

0;J .; i If 10 0 0 kick your knees up, kick your knees up, kick your knees up, kick your knees up,

sub, 364 365 366

~~I#rp P , Ip , 1 Ip , P , Ip 'I P ,

step step, step step step step,

f 368 369 370

'I IEf~"'p P, Ip 'I P, Ir V l' IUE P , step step step step, step step step step step step step,

ALL: Applause Segue s,Aiff

4dj~n~j i i j d i , d i~fl I , II B Nev er need a rea son if you step in time!

1119 - Step in Ttme


#19a - Down the Chimney

Steady (J; 90) Allegro (J =130)10 8

BERI': SWEEPs: 27,19.26 8 2B

1 1,1 J ,j J ,b '1 1,1 J )t,~ '1 I What ya 'gon - na do? Step in time!

BERT: SWEEPS: 330 31~33 J ,j .l l.l II )p '1 I'~lShout it loud err Step in time!

SWEEPS: 55 36 37@34, .l It ,j I~ ,I 1* ,I

Step, step, stt'!PF step,

BERT: Down the chimney! 39 4D

41 ~@36l .l Ii J I)1 J I ) .i II step, step, step, step, step, step.

Allegro vivo (d ~ 70)

BERI', SWEEPS:

43 44@41fj. j :J J IJ J :J IJ. j J J Iii

MARY POPPINS - 233 ----------- --~--------~---------------,,'..

46 474, I" r r r r IF r r r illr Nev - er need a rea son, nev er need a rhyme.

BERT:

Back to the nursery! .. 49

-til ~ ] J ~ II ~I~,&7f1 j" lip , liii Down the

- 234 - MARY POPPIN5

BERT: Time to go now. Goodnight Guv'nor.

, till 7O 71

C r r E r IU Spe -cial de - liv - ry, step in 27273

I time.

f

'ih'4pJ 75 76 "

[J IU P, I L1 IE r p ,EJ

Good-night, guy - 'nor, step in time. Good night, guy - 'no~ step in time.

'~i1 78 'J9

r r r r r r IF F r r rj, OJ

Nev - er need a rea son, nev - er need a rhyme.

[DIALOGUE]

81 82-89 8 90-97 8

lJ 1c: r D , I I Good-night, guy - 'nor, step in time.

VAMP (it needetII 8 106-109 4 f()'11l 2 j 112-11'

:11 4

I Wi

1119a Down the Chimney

II

MARY POPPINS - 235

----------------------------------------------------------------------,~

#20 - A Man Has Dreams (Reprise)/ A Spoonful ofSugar (Reprise)

Lento Mysterioso (~= 100)

, -'j

J

8 8 I 9-16

Iru!. Thoughtful (d = 80)7 24 GEORGE; 2') 26 27liTI.

1723I I1M PJ Jill J. J Ir J J 11 L@'1

A man has dreams of walk- ing with gi - ants,

29 30 ;1

~~!It 2'l Ij J J 1n lJ J I 2JeJ=4 e.to carve niche in the edi-fice of time. 32 33 34 35f4 ~I!I, q J J IJ4 J J IJ. d ; I,t ~ i

Be fore the mor - tar of lUs zeal has the chance to con-

Slowly :;7~---3-~

Ii ) 1 ,! )II 11 r 1'4 'A' geal, the cup is dashed from lUs lips. The flame is

Ri!. ~ 39

Ut'H9' FF I' r r' U' l' snuffed a-born - ing._ He's brought to rack and ru - in in his primel

BERT: Life is a rum go, Guv'nor, and that's the truth.

GEORGE: You know what I think? Ifs Mary Poppins! From the moment she stepped

into the house, things began to happen to me!

Atempo (d=8O) 7

~~~.~-~~~~~~


GEORGE:m;t Piumosso

II

My world was calm, well or - dered, ex em - pia - ry.

51 52 53 54

,Wj, , t j JJ 0 IJ J J J I J J Ie ~2SThen came per-son with eM OS in her wake~ 55 56 57 58

~ Wj, , r J J IJ J J J I]. ; IJ J and now my life's am - hi - tions go with one fell

p59 60 61 t:\ 62II Ij, ~5, ; l J I; r p r' IV )0 I)j l

blow. It's quite a bit- ter pill to take.

GEORGE: It's that Poppins woman. She's responsible

for all thisl BElIT: I know the very person. What's that

thing she's always saying?

3 BERT:np - , ;If

A

IB 7D 71

'~~68Irft J 1 J J 11,,0 J I ,,0 J 0 J J .spoon fuI of su - gar; that is all it takes. It

73 74 75 m;t,_~ 72 I~IJ J 0 J IJ J 0 J 1* j ; IJ

, J II~ chang es bread and wa - ter in - to tea and cakes. * A

Alempo

76 71 79

,~# 7S~ J , JJ .J J I.; J J J I IJ spoon ful of su - gar goes a long, long W

MARY POPPINS - 237 -",

--~------------------------------------------------------------------~

RiL ,$1 82 SO

~ M 30II @J. J J J I.l J J J II~\ i ~r r Ir' dg@ 'ave your self an 'ealth - y 'elp - ing ev 'ry day.

GEORGE: A healthy helping of trouble if you ask me!

BERT: Like you say, Guvnor.

Menomosso BERT:

3 1IffS71':\ 8S 89 1* J III IF J J r

You've got grind. grind. grind at that

90 91 92 93

~~b J I x , ,I 8 IIt J ejJ J ; #J I;. i grind . stone tho' child :d slips like sand through a

:fP % 9795 9IJ jf g'!, )1 t - 1 r 2 J 12 J J J IJ 2 Ij

sieve. And ali too soon they've up and grO.

- 238 - MARY PQPPINS

#20a - King of the Sea

TACET

#21 - Anything Can Happen (Part 1) Moderate '2' (0

I = 96)

WINIFRED: Do you really believe that, Maty Poppins? MARY POPPINS:

-l ~2 2?p . 5 -~p HIt" I ,I J.) J J I~J 3 J J IJ J. I 6

I

A - ny - thing can hap -pen if you let it

S _ 9 10

'~7J .J j J IqtJ J J J IJ J I~J J Some-times things are dif-fi - cul~~ but you can bet it

JANE:

11 12 13

j - j " ,~ F F J 13 J Ir -- r J IJ a does - n'! have to be so. Chan - ge, can be made.

MICHAEL:

!6 17 IS

,~ !'J J IIJ J I j J uJ J Ir F J J IJ You can move a moun - tam if you use a 1ar - get spade.

MARY POPl'INS:

2D 21 22i::. ~ ~ 19J .J J I~J j J J IJ J. I J

An - Y - thing can hap - pen- ifs a mar - vel.

MARY POPPINS - 239 v..

--~--------------------------------------------------------~.

MICHAEL: 2J 2. 26

You can be a but-ter - fly_ JANE:mp

or just stay lar - val. JANE, MICHAEL:

27 29 30

j I>SJ~ r J IJ J IJ J Stretch your mind be yond fan las tic.

.j strong e

.~

MARY POPPINS:

35 36 37 35

,~ r r IJ J J IJ J 1r r rIV Take some sound ad vice, and don'l for get il.

MARY POPPINS, WINIFRED: I wonder... JANE, MICHAEL: A tempo 242 43-44i:. 39 40

! ~ J ,J J J I ~J J a J fa Jf IJ - 1 II An - Y - thing can hap-pen if you let il. ___

WINIFRED,

JANE, MICHAEL:

.,; .7 48 .~ ~ J .J J J I.J J J J IJ JiLlJ An - y - thing can hap - pen if yOll let it.

WINIFRED: ~ '9J ,J 50 51 52J J JJ 1 ~J J 1 ' J 1 &J J l You won't know a chal-Ienge un - til you've met it.

#21 - Anything Can Happen (Part 1)


MICHAEL:

53 54 55 56

I I -No - one does it for you"

WINIFRED:

, I .no one but your self. 59 60 ,, ~57J J i,J J ISSJ J 1,3 J IF F J ; ') -

Va - ci1 . la - ling vi 0 . lets get left up on the shelf.

62 64 ~ ~ 61J j OJ;.J ) I~J J ; ) I J. I

An - y - thing Can hap . pen, just 1m - ag - me!

MARY POPPlNS: 66 6S&; ~ 6SJ 67 J.J J ) I~J) J II J I ' I~JOJ OJtJ

That should be my e - pi - I.ph: I wear the badge 10

69 70 71 n ,~ j IJ jr IJ J 13 )I!)

ho nor of this world's free think - ers,

WINIFRED:

73 74 75 76

j,~ I J l l r r 'IiJ J Id JI!) Those who see be yond their blink - ers.

#21- Anything Can Happen (part 1)

--- --

--MANY POPPINS - 241 ~...:

~-------------------------------------------------------

JANE, MICHAEL:

77 '" Jel - ly is - n't iel - Iy

WINIFRED:

MARY POPPINS, WINIFRED, JANE, MICHAEL: f ~ Slj .J J J

An - Y - thing can

MARY POPPINS:

mf86 87

- ; jf~ II r

If you reach

92i ~91J J J IJ we've found whole

i{J J A 98

he. - vens,_ "

79 so

'til you set it._._. -

'til you set it.

32 54 8583; ,- w@1_2 J J J I J bl hap -pen if you I.t it~

Piumosso 88 Il9 9

-----

- 242 - MARY POPPIN.

GenUy (.I =100) BIRD WOMAN:

106 , 110107mJ1i U (:n- J :.;) J~~IJ JJIJ. IJ.

Feed the birds, hlp - pence ___ a bag.

112 11 11'

.10- 1-n- J J J IF"

tup-pence, hlp - pence __ a bag.

BIRD WOMAN: Feed the birds, sir? Only tuppence a bag.

GEORGE: I would take it as a great favor if you would kindly feed them for me.

IHI"5-117(fjr . I

3 118 rut

Mecltanical (J = 120) 120

10 J 121.)

IO~ r 122

iii" Tup - pence, tup - pence a bag.

BOARD OF DIRECIORS,

OFF STAGE MEN:

-f~r': l \jlffi, Jn I B Pre _ ci _sion and or - det, pay-ing one's debts,

DOORMAN: Mr. Banks is here. CHAIRMAN: Corne in, Banks.

VAMP

- "IIir - ]111

risk - ing our in - vest - ments .. hedg - ing our bets.

CHAIRMAN: Well, Banks, how did it happen? You turned down a scheme that was bound to make millions, and we want to know why.

VAMP cut on cue 2f' 132t I ~ ... - I '

Trad-ing in fu-tutes; jObs on the line.

Jl21- Anything Can Happen (Part 1)

MARY POPPINS - 243

--~----------------------------------------------~~

#21a - Give Us the Word Madly (d = 160)

G~ORG~j 2 l 4

fWt I r r r r Ir r r J Ir r r r IF J E - ven thd the sound of it is some - th.ing quite a - tro - ctous#

7 8

IF r r r IF rr r - nough you'll al ~ ways sound pre - co - clous.

f [G.P. for Dialogue) l 9 10 11 12 rl~! ( ~!II r F r r Ir r r J Ir ~r r r I F r, I P1r i

Su per - cal - i ~ ftag - i-lis ~ tic - ex - pi ~ aI ~ i do ~ dous!w A

Triumphant (J ~ 110) Moderate '2' (d =110)

[DIAWGUE) 3 20i I~ 13-1'WIIIj,U i I If

e

, ,.'

- 2H - MARY POPPINS


Joyfully (J. ~ 110) MARY POPPlNS: 4 5 6

II J Ji I.J 1> J ] J-An - Y - thing can hap pen._ raise the

7 8 -

CUI - tain._ Things you thought Un pas-sib - le_ will

BERT:

will

11 12 13'" ~ " .- , I

soon seem cer tain. Though at first it BERT, NELEUS;'" ..

,- I.' soon seem cer tam. Though at first it

15 17 18'" .. I. ... ....:. _... I

may sound down - ish,_ see the world more

"'\ , ," -may sound clown - iSh,_ see world more

______________________ _

245MARY POPPINS

III!.

up

"

, ~-., side - down - ish._

11

, Tum it__ on it's

22,

head

,

r

then piI-ou-

I r

ette it. __ BERT:

.'

it's head then piI-ou

26

ette An - y-thing can hap - pen_ you

Pi" mosso (J = 120) MARY POPPINS:

',f

27 29

up side - down - ish._ Tum it_ on

24

30

If you reach for the stars, all you get are the stars, but S,A p

-- -Oh T,Bp~

. ~ 31

.. we've found a whole new spin.

1I~.u------------------~ If you reach

.. for the



Poco a poco acceL 34

in. ________hea - vens, you get the stars thrown

You get the

You get the stars thrown

BroaderRaIL

~l 36 37 .. 38

" II H

I

.. .::- ... oJ

stars thrown in. Ah

.. ~ .. -- -........... in. Ah

JANE: There are the stars! MICHAEL: I want the constellations, too!

MARY: Do you indeed? I wonder you don't ask for the moon as well.

S

Piil mosse (J 140)

S,A

46 47

00_____________ 00______________

T

00______ 00________


II

-- ----

MARY POPPINS - 247 -

Grandioso (J = 90)Rail.

51 I 52 ~ I ,J 53& ~ JI 50 I --

.. I 00

I I ,ili

T1liT,S __

I T2 1-- H, J ---=* 1 , I" 00 Ah Ah

Accel. MARY POPPINS, BERT. MRS. CORRY, JANE, MICHAEL, CHARACTERS; ~ I

If you

$

If you-Con moto (J = 120)

59

reach for the stars, all you get are the stars, but we've fOWld a whole new

reach for the stars, aU you get are the stars, but we've found a whole new

5,A

60 61 62

L...J spin. If you reach for the hea - Ven5, you get the

T,B

\' . ," ,.~,-spin. If you reach for the hea ~ vena, you get the -"

,


- 248

t.J

63

Broadly C. = 90)Kit. Rail. 64 55

stars thrown in. An - Y- thing can hap - pen if you

J J ~r---.b

stars thrown in. An - Y- thing can hap - pen if you

. 66 ro- 67 68

let it. Life is out there wait - ing, so go and get it.

1\ ro

\' let it. Life is out there wait - ing, so go and get it

"

1\

~~

I 6' -Grab it by the col-lar.

I ..

7(l I 71

Seize it by the scruff. Once you've star-ted liv-ing life, you

I I

Grab it by the col-lar. Seize it by the scruff. Once you've star-ted liv-ing life, you

Double-time feel (J = 120)

S,A,B

Kit. 73 ,. I"-.

I just can't get e - nough. An - Y - thing can hap -pen, it's of - fi ciaL

TENORSL L

just can't get e - nough. A ny thing hap

S,A I 75 76 77 ,

, I"You can choose the su - per or the SU - per - fi - ciaL Sal - ly forth the

T,SJ I I ,

, r r r ~r ny thing can hap pen. Sal - ly forth the


--

-..--

MARY POPPINS - 249 '.

, 7S so -,..

way welre steer-ing. Ob - sta - c1es start dis - ap-pear-ing. ,......,, I ~j J I , ~ -

'~ r I U r r I' 'r WL....J way "-'e're steer-ing. Ob sta - des start dis - ap - pear -ing.

, 81 52 r--.

Go on, chase your dreams, you won't re - gret it._ r--.

Go on, chase your dreams, you won't re gret it._

Rit. MARY POPPINS, Slowly

, s; 84 JANE, MICHAEL:85 ,

S,A, B an - y-thing can , ~ ~

An-y-thing can. hap-pen, an - y-thing can hap-pen,

1\ T

-" --An Y thing can hap - pen, an - y-thing 1:'\ Pi" masso (J = 120)s_........ .....---..-----..... Segue .~.---, 86 S'l~ ~ 88-& 90& 915>

, , I4! let it!hap-pen, if you 1:'\ 1:'\ t:\--.....-----..... .....---...---. S,A:If1:'\


#22a - The Best Yet

TACET

#23 -A Spoonful o/Sugar (Reprise) Poignantly (J ~ 100)

Rit. MARYPOFPINS;62~7 g 9 I- II I - Ii J J J II

With ev ~ fty

Adagio (J ~ 70) i.110 11 12

~~'\J. ) J J !J j)J J IJ J J J I 13

J. . J I!f job when it's com - plete, there is a sense of bit - ter - sweet, that

!.Poco rit,15 17 ~ , ,.~\ r Ir J J J I Ii 0

mo - ment when you know the task is done. Though in your r U J P J

A tempo 19 20 21I, '8~~F J. JI J J I~J t J I.J J> J J IIIJ i J I V n

heart you'd like to stay to help things on their waYT you've

MenoMosso 23 2. 2S

~~ niij, r' lid IF' IIJ Ir ilJ r J I.. II al ways known they must do it a - lone.

- -

MARY POPPINS - 2S1

MARY POPPINS; There, practically perfect, and I hope it remains so. [DIALOGUE]727-33 34

- I I - #II-q

Gently [DIALOGUE] 2 9'5-36 3745

Joyfully (J = 150) PHi mosso " dim.Ril

37 54 I -

Starstruck (J. 100)

[DIALOGUE] Glorious (J.

4&:5,; .. 2id 49 - centennial...

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