24h museum at the disco
DESCRIPTION
Storia, Teoria, Metodo del MostrareTRANSCRIPT
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STORIA TEORIA
METODO del MOSTRARE
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OTTICA SFOCATAl’assenza quasi totale di riflessione critica nei confronti del mostrare è un dato obiettivo quanto paradossale se si pensa all’importanza quantitativa e qualitativa che le mostre hanno assunto nella produzione culturale contemporanea, al rilievo non indifferente dell’allestimento che ne è lo strumento di messa in forma, forma d’arte applicata, ma pur sempre forma d’arte.Specificatamente ARTE DI ARCHITETTARE INTERNI per il dimorare di oggetti temporaneamente raccolti in quell’unicum che dovrebbe essere la mostra.
S.P
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monstrumantico
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1.Nell’uso comune la mostra designa una preoccupante varietà di atti espositivi, tra i quali è problematico ritrovare un comune denominatore. Del resto lo spessore lessicale del termine giustifica e enfatizza l’ambiguità che riverbera sul fenomeno.Quando si parla delle moderne mostre è NECESSARIO denunciare sorprendentemente aspetti oscuri che di assai più aporetici mostri sono filiazioni dell’etimo. Strettamente imparentato con enigmi e labirinti, il monstrumantico richiede una interpretazione, anzi la suggerisce analogicamente. I suoi materiali, il suo corpo, il suo apparire ed essere sono il risultato di ibride contaminazioni, la sua presenza segnala “l’ifrazione di un ordine, l’apertura di uno iato nell’ordine del sapere”.
SP
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ALLESTIMENTO DELLA MOSTRA
24Hle definizioni:
1. MOSTRARE arte dell’esporre arte di far vedere / rischio di saper vedere
MESSINSCENA DELL’EFFIMERO
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ALLESTIMENTO DELLA MOSTRA
24Hle definizioni:
1. ALLESTIRE arredo / prendersi cura / lest ap-sp-arecchiare in modo rapido
MESSINSCENA DELL’EFFIMERO
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exhibition design
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2.Basta rivolgere l’attenzione alle componenti architettoniche dell’allestimento e al rapporto tra le strutture allestitive e lo spazio che accoglie la mostra.Si accentua così una lettura che privilegia i modi del rapportarsi (allusione, mimesi, ecc., ma anche illusione, reinvenzione, ecc.) dell’allestimento con lo spazio da architettare nella mostra. questa chiave di analisi, che considera l’allestimento un prodotto più che un processo, È interessante nella misura in cui tende alla ricostruzione critica di una storia degli allestimenti come articolazione della produzione progettuale.
SP
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progettisti
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istituzioni
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curatori
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luoghi designati
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luoghi inventati
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luoghi provvisori
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collezioni
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storie di mode
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storie del gusto
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storie delle tecniche
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concetti
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temi
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tecnologie
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eventi
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ALLESTIRE PER ESPORRE...
mostrare / dimostrare / A VOLTE rimostrareostensione ed estensione degli EXHIBIT
ex-ponere / porre fuori dalla superficie e dall’invisibile quotidiano
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EFFIMERO... messo in scena
togliere valore alla mitografia legata al concettodare valore alla freschezza dell’operazione immaginativa
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ALLESTIRE PER ESPORRE
> PORRE AL CENTRO DI UNA PERCEZIONE DIVERSA
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RAPPORTI x un dato tempo tra un luogo gli exhibit macchina allestitiva
> UNA PERCEZIONE DIVERSA “Il poeta è un grande artiere” G. Carducci
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RAPPORTI x un dato tempo tra un luogo gli exhibit macchina allestitiva
> SELETTIVI STRUMENTI DI “MOSTRAZIONE”
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QUALI significatiquali RAPPORTI?
negare / celare / velare / occludereleggere / commentare / evidenziare /includeredeformare / modificare / straniare / alludere
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‘900 ITALIANO (una storia)
> DECLINAZIONI di ragionamenti semplici e acuti sulle ragioni intrinseche del mostrare
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> dare forma parlante e non verbosa
> dare conciso valore espressivo all’esposizione temporanea (atto dell’esporre)
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LEZIONE DI MESTIERE> SAVOIR FAIRE