2320 paintings6fc4991fb8b860157236-d45f86eb4bf2c8de4a93c18072674edb.r51.cf1.rackcdn.c… ·...
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172.Jack Terry (American, b. 1952)
Slow and EasySigned “Jack Terry” and inscribed “15/50, SLOW ANDEASY, © 1992” l.c.Bronze with brown patina, 11 1/2 x 18 in. (29.2 x 45.7 cm),presented on a wooden plinth.Condition: Good.
$1,500-3,000
173.Grace Carpenter Hudson (American, 1864-1937)
The Hawaiian ChildSigned “G Hudson” l.l.Oil on board, sight size 3 1/2 x 2 1/2 in. (8.9 x 6.4 cm),framed (in a shadow box).Condition: Not examined out of frame.
N.B. Grace Carpenter Hudson was a native Californian, bornin Ukiah in 1865. Her family lived in one of the few clustersof white settlers who inhabited an area largely dominated bylocal Native American tribes including the Pomos, a tribe thatshe would later devote a great deal of her artistic career toillustrating. Hudson taught painting in her hometown andalso became an accomplished illustrator for Sunset,Cosmopolitan and Western Field publications. In 1901, shemade a year-long visit to Hawaii where she completed twenty-six canvases of Hawaiian, Japanese, and Chinese children inthe capital city Honolulu and Hilo (located on the east coastof the Big Island). The work presented here is probably fromthis period. She then went on to accompany her husband,doctor turned ethnographer John Hudson, to the OklahomaTerritory where he would be studying the Pawnee Indians.Unfortunately while they were away from their Ukiah home,the earthquake and fire of 1906 destroyed a great deal of herwork as well as a vast number of Indian artifacts the couplehad amassed during their previous excursions. Hudsonpainted actively in Ukiah until her death in 1937. Thepainter, who never had children, left her remaining paintingsand artifacts to her husband’s nephew, Mark Carpenter, whosoon after her death turned the couple’s estate into amuseum.
$4,000-6,000
174.Mabel May Woodward (American, 1877-1945)
Taos, New MexicoStamped signature l.r., identified on a label on the reverse.Mixed media with watercolor and gouache on paper, sight size18 x 14 in. (45.7 x 35.6 cm), framed.Condition: Minor stains, craquelure, not examined out offrame.
Provenance: From the collection of the Fuller Museum ofArt, Brockton, Massachusetts.
$2,000-4,000
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175.Bertha S. Menzler Peyton (American, 1871-1950)
Desert By MoonlightSigned “Bertha S. Menzler.” l.l.Gouache on canvas, 12 x 16 in. (30.5 x 40.6 cm), in a periodframe (under glass).Condition: Subtle craquelure to areas of sky.
$1,800-2,200
176.Paul F. Weindorf (American, 1887-1965)
Quiet House “Amongst the Cotton Woods”Signed “Paul Weindorf” l.r., inscribed on the reverse.Oil on board, 14 x 18 in. (35.6 x 45.7 cm), framed.Condition: Surface grime.
$400-600
177.Eliot O’Hara (American, 1890-1969)
Rock at Ojai, CaliforniaSigned and dated “ELIOT O’HARA, 1958” l.l., artist, titleand date inscribed on the reverse. Watercolor on paper, 16 1/4 x 22 in. (41.3 x 55.9 cm),unframed.Condition: Good.
$1,000-1,500
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178.Emerson Lewis (American, 1892-1958)
California Desert or Shaver’s WellSigned “Emerson Lewis” l.r., identified on a period labelaffixed to the reverse.Oil on canvas, 24 x 30 in. (60.9 x 76.2 cm), framed.Condition: Craquelure, surface grime.
$1,000-2,000
179.Will Sparks (American, 1862-1937)
Afterglow - New MexicoSigned “Will Sparks” l.l., inscribed, perhaps by the artist, onthe reverse.Oil on panel, 8 x 10 in. (20.3 x 25.4 cm), framed.Condition: Retouch, varnish inconsistencies.
$3,000-5,000
180.Grace Hopkins True (American, b. 1870)
Lot of Two Southern ViewsOne with monogram signature “GTRUE” l.r.Watercolor and gouache on paper/board, sight sizes to 15 x18 in. (38.1 x 45.7 cm), framed.Condition: Minor toning, minor staining, not examined outof frames.
$700-900
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181.Louis Ritman (American, 1889-1963)
The Village ChurchSignature stamped “L. Ritman” l.r., identified on labels affixedto the reverse.Oil on canvas, 20 x 40 in. (50.8 x 101.6 cm), framed.Condition: Lined, restretched, retouch.
$5,000-7,000
182.William Chadwick (American, 1879-1962)
Hillside Houses, MassachusettsSigned “W. CHADWICK” l.l., identified on a label from R.H.Love Galleries, Chicago, affixed to the reverse.Oil on canvas, 24 x 20 in. (60.9 x 50.8 cm), framed.Condition: Good.
$5,000-7,000
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183.F. Mortimer Lamb (American, 1861-1936)
Summer CabinSigned “F.M. Lamb” l.l.Oil on canvasboard, 18 x 24 in. (45.7 x 60.9 cm), framed.Condition: Surface grime.
$1,000-1,500
184.Albert Insley (American, 1842-1937)
Spring LandscapeSigned “ALBERT INSLEY” l.l.Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed.Condition: Lined, retouch.
$2,000-4,000
185.Charles H. Richert (American, b. 1880)
Locust Trees, Arlington Heights, MassachusettsSigned “C H RICHERT” l.r., identified on a label affixed tothe reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Craquelure.
$1,500-2,000
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186.Jay Hall Connaway (American, 1893-1970)
Dorset, VermontUnsigned, inscribed “...Dorset Vt 1950” on the reverse.Oil on board, 12 x 15 3/4 in. (30.5 x 40.0 cm), framed.Condition: Good.
$800-1,200
187.Arthur B. Davies (American, 1862-1928)
Landscape with TreesSigned “A B DAVIES-” l.l.Pastel on board, sight size 6 1/2 x 9 1/2 in. (16.5 x 24.1cm), framed.Condition: Not examined out of frame.
$1,000-1,500
188.Henry Davenport (American, b. 1882)
Lot of Two Views of Country HomesSigned “Henry Davenport” and dated l.r.Pastel on board, sight sizes to approximately 10 1/4 x 8 in.(26.0 x 20.3 cm), framed.Condition: Not examined out of frames.
$600-800
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189.David Wu Ject-Key (Chinese/American, 1890-1968)
Farm BuildingsSigned “D. WU JECT-KEY” with additional Chinesecharacters l.l., titled in an inscription on the reverse.Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Minor surface grime.
$700-900
190.Charles Chase Emerson (American, 1874-1922)
Spring LandscapeSigned “Chase Emerson” l.l.Oil on canvas, 9 1/2 x 11 3/4 in. (24.1 x 29.8 cm),unframed.Condition: Mounted onto board, surface grime.
$500-600
191.Vladimir Pavlosky (American, 1884-1994)
Lake LandscapeSigned “Vladimir Pavlosky” l.l.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Retouch, craquelure.
$1,000-1,500
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192.F. Mortimer Lamb (American, 1861-1936)
Through the BirchesSigned “F. M. Lamb” l.r., identified on an exhibition label(see below) affixed to the reverse.Oil on board, 14 x 17 in. (35.6 x 43.2 cm), framed.Condition: Good.
Provenance: From the collection of the Fuller Museum ofArt, Brockton, Massachusetts.
Exhibitions: New Haven Paint and Clay Club, Little PicturesExhibition, 1923.
$500-600
193.James Emery Greer (American, d. 1948)
Farmhouse in the Valley, White MountainsSigned “JAMES EMERY GREER” l.l., inscribed on thereverse.Oil on canvasboard, 20 x 24 in. (50.8 x 70.0 cm), framed.Condition: Retouch, flaking and losses (primarily tomountains and sky).
$600-800
194.Frank Convers Mathewson (American, 1862-1941)
October HazeSigned “F. C. Mathewson” l.l., identified on ProvidenceWater-Color Club Annual Exhibition label affixed to thereverse.Gouache on board, 7 x 10 in. (17.8 x 25.4 cm), framed(under glass).Condition: Not examined out of frame.
$500-700
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195.Thomas G. De Laurier (American, 1872-1934)
Shepherd and His FlockSigned and dated “T. G. De Laurier. 31.”Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Good.
$700-900
196.Carl Johan David Nordell (American, 1885-1957)
ArchwaySigned “Nordell” l.r.Oil on panel, 12 x 9 in. (30.5 x 22.9 cm), framed.Condition: Retouch.
$300-500
197.James Moore Preston (American, 1874-1962)
Study of TreesSigned “...Preston” l.r., identified on a label from JamesGraham & Sons, New York, affixed to the reverse.Charcoal and wash on paper, 10 x 12 in. (25.4 x 30.5 cm),framed.Condition: Toning, not examined out of frame.
$300-350
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198.Attributed to Robert Emmet Owen (American, 1878-1957)
Early Morning in the VillageUnsigned.Oil on Masonite, 13 x 17 in. (33.0 x 43.2 cm), framed.Condition: Good.
$300-350
199.Jacob I. Greenleaf (American, 1887-1968)
Mt. Mansfield-Pleasant ValleySigned “J. Greenleaf” l.r., identified on a label (see below)affixed to the reverse.Oil on canvas, 22 x 28 in. (55.9 x 71.1 cm), framed.Condition: Surface grime.
Exhibitions: North Shore Arts Association of Gloucester,Forty-Fourth Annual Exhibition, 1966.
$800-1,200
200.F. Mortimer Lamb (American, 1861-1936)
Autumn Landscape with BathersSigned “F. M. Lamb” l.r.Oil on canvasboard, 18 x 23 in. (45.7 x 58.4 cm), framed.Condition: Surface grime.
$1,200-1,800
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201.Arthur Burdett Frost (American, 1851-1928)
Autumn MeadowUnsigned, identified in an inscription from the artist’sgrandson affixed to the reverse.Oil on canvas, 15 x 18 in. (38.1 x 45.7 cm), framed.Condition: Surface grime.
$3,000-5,000
202.Attributed to Robert Shaw Wesson (American, 1902-1967)
Autumn LandscapeUnsigned.Oil on canvas, 24 x 30 in. (60.9 x 76.2 cm), framed.Condition: Mild abrasions.
$2,000-4,000
203.Vivian Milner Akers (American, 1886-1966)
Autumn by the LakeshoreSigned and dated “VIVIAN MILNER AKERS 1954” l.l.Oil on board, 10 1/2 x 13 1/2 in. (26.7 x 34.3 cm),presented as the top portion of a split-baluster mirror.Condition: Good.
$400-600
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204.Robert Charles Gruppe (American, b. 1944)
BirchesSigned “Robert C Gruppe” l.r.Oil on board, 24 x 19 3/4 in. (60.9 x 50.2 cm), framed.Condition: Good.
$800-1,200
205.John Joseph Enneking (American, 1841-1916)
The Landscape-Edge WoodsSigned and dated “Enneking ‘03” l.r., identified on a labelfrom the Pierce Galleries catalogue raisonné project on thereverse.Oil on board, 9 3/4 x 13 3/4 in. (24.8 x 34.9 cm), framed.Condition: Retouch, varnish inconsistencies, signaturepartially reinforced.
$3,000-5,000
206.Attributed to Harriet Randall Lumis (American, 1870-1953)
Forest Park Chestnut TreesUnsigned, identified on a label affixed to the reverse.Oil on canvas, 18 1/4 x 24 in. (46.4 x 61.0 cm), framed.Condition: Repaired puncture u.l., retouch, craquelure.
$400-600
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207.Geraldine Douglas Goldman (American, 20th/21stCentury)
The Dam, Clinton, MASigned “G D Goldman” l.r., title inscribed on the reverse.Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.Condition: Good.
$600-800
208.William Lester Stevens (American, 1888-1969)
Into the GardenOne side signed “W. LESTER STEVENS.” l.r., an unfinishedsketch in watercolor on the reverse.Watercolor and graphite on paper, 22 x 18 in. (55.9 x 45.7cm), unframed.Condition: Tape residue on the reverse.
$300-500
209.Henry Bayley Snell (American, 1858-1943)
The Edge of the WoodSigned “Henry B. Snell” l.r., identified in an inscription onthe reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), in a periodframe.Condition: Scattered craquelure.
Provenance: From the collection of the Fuller Museum ofArt, Brockton, Massachusetts.
$1,500-3,000
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210.Mina Fonda Ochtman (American, 1862-1924)
Westport HomeSigned “Mina Fonda Ochtman” l.l., artist identified on apresentation plaque affixed to the frame.Oil on panel, 12 x 16 in. (30.5 x 40.6 cm), framed.Condition: Panel cracks at right edge, minor loss u.r.
$1,000-1,500
211.John Joseph Enneking (American, 1841-1916)
Autumn SunsetSigned “Enneking” l.r., identified on a presentation plaqueand label from the Pierce Galleries catalogue raisonné projecton the reverse.Oil on canvas, 10 1/2 x 14 in. (26.7 x 35.6 cm), framed.Condition: Mounted onto board, retouch.
$3,000-5,000
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212.Emile Albert Gruppe (American, 1896-1978)
Birches Along the StreamSigned “Emile A. Gruppe” l.r., inscribed on the reverse.Oil on canvas, 25 1/4 x 30 in. (64.1 x 76.2 cm), framed.Condition: Scattered retouch, varnish inconsistencies,craquelure, surface grime.
$5,000-7,000
213.William Worcester Churchill (American, 1858-1926)
SpringtimeMonogrammed l.r., artist and title identified on a label fromthe Museum of Fine Arts, Boston, affixed to the reverse.Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), unframed.Condition: Repaired tear, small puncture l.r., surface grime.
Provenance: Deaccessioned from the Museum of Fine Arts,Boston, Massachusetts.
$3,000-6,000
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214.John Paul Manship (American, 1927-2000)
Gnossen’s Farm, alternatively titled The Blizzard of 1978Signed and dated “JOHN MANSHIP FEB 20 ‘78” l.r.,identified on a label on the reverse.Oil on canvas, 12 x 22 in. (30.5 x 55.9 cm), framed.Condition: Good.
Provenance: From the collection of the Fuller Museum ofArt, Brockton, Massachusetts.
$300-500
215.Bernard Corey (American, 1916-2000)
Winter LandscapeSigned “Bernard Corey” l.r.Oil on board, 10 x 14 in. (25.4 x 35.6 cm), in a signed“Goodnow” frame.Condition: Good.
$1,000-2,000
216.Joseph L.C. Santoro (American, 1908-1996)
Winter SceneSigned “Joseph Santoro A.N.A.” l.r.Watercolor on paper, sight size 13 1/2 x 21 in. (34.3 x 53.3cm), framed.Condition: Not examined out of frame.
$300-500
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217.Natalie Johnson Nordstrand (American, b. 1932)
Sugaring-offSigned “Natalie Nordstrand AWS” l.r., identified on a labelfrom the North Shore Arts Association on the reverse.Watercolor with tooling on paper, sight size 10 x 16 3/4 in.(25.4 x 42.5 cm), framed.Condition: Not examined out of frame.
$300-500
218.Arnold Whitman Knauth II (American, b. 1918)
Lowe’s Fish ShackSigned “A. Knauth” l.r., identified in inscriptions on theframe, partial Salmagundi Club label on the frame.Oil on Masonite, 18 x 30 in. (45.7 x 76.2 cm), framed.Condition: Minor varnish inconsistencies.
$1,000-1,500
219.Gustave Wiegand (American, 1872-1957)
Afterglow on Blue Mt. (Adirondacks)Signed “-GUSTAVE WIEGAND-” l.l., titled in an inscriptionon the reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Stabilized tear c.l.
$800-1,200
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220.Walter Launt Palmer (American, 1854-1932)
The Upland StreamSigned “W.L. Palmer.” l.r., artist and title identified on a label from the Museum of FineArts, Boston, affixed to the reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), in a period frame.Condition: Surface grime.
Provenance: The artist; Mrs. Morton Dexter; to Museum of Fine Arts, Boston,Massachusetts, 1928, gift of Mrs. Morton Dexter; deaccessioned from the Museum of FineArts.
N.B. Renowned American landscape painter Walter Launt Palmer was born in Albany,New York, in 1854. The son of sculptor Erastus Dow Palmer, he was exposed to art froman early age and began his studies with Frederick E. Church and Charles Loring Elliot. Asa young man, Palmer moved to Europe, where he studied with painter Charles Carolus-Duran. In 1897, he was inducted as a member of the National Academy of Design.Palmer received many awards in his career, as his paintings reflect his extraordinary abilityto balance impressionist sentiment with wonderful detail. His snow scenes in particulardisplay his mastery of color and talent for rendering the effects of light on snow.
$40,000-60,000
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221.Richard G. Sigafoos (American, 20th Century)
Winter SunlightSigned and dated “Richard G. Sigafoos ‘45” l.r., identified ona fragmentary label affixed to the reverse.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Craquelure, surface grime.
$800-1,200
221A.Joseph A. Fleck (American, 1892/3-1977)
Winter in Taos, 1951Signed “Fleck” l.l., artist, title, date and dedication inscribedon the reverse.Oil on board, 16 x 20 in. (40.6 x 50.8 cm), framed.Condition: Minor retouch, varnish inconsistencies.
$4,000-6,000
222.Attributed to John Whorf (American, 1903-1959)
Winter StreamSigned “John Whorf.” l.l.Watercolor on paper/board, sight size 12 x 18 3/4 in. (30.5x 47.6 cm), framed.Condition: Toning, not examined out of frame.
$2,000-2,500
223.Arch McDonnell (American, 1909-1978)
Railroad Station, Bradford, New HampshireSigned “ARCH McDONNELL” l.r.Gouache on paper/board, 19 3/4 x 25 3/4 in. (50.2 x 65.4cm), framed.Condition: Not examined out of frame.
$500-700
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224.Attributed to Antonio Cirino (American, 1889-1983)
The Road Home in WinterUnsigned.Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed.Condition: Minor scattered craquelure.
$3,800-4,200
225.Philip Little (American, 1857-1942)
January ThawSigned and dated “PHILIP LITTLE 1910,” artist and titleidentified on two labels from the Museum of Fine Arts,Boston, affixed to the reverse.Oil on canvas, 25 x 30 1/4 in. (63.5 x 76.8 cm), framed.Condition: Retouch, minor craquelure u.r.
Provenance: The artist; Miss Theodora Lyman; to Museumof Fine Arts, Boston, Massachusetts, 1919, gift of MissTheodora Lyman; deaccessioned from the Museum of FineArts.
$3,500-5,500
226.Albert Prentice Button (American, 1872-1934)
Lone CedarSigned “ALBERT. PRENTICE. BUTTON.” l.r.Oil on canvas, 28 1/4 x 22 in. (71.7 x 55.9 cm), framed.Condition: Craquelure.
$2,000-3,000
100
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