23 ÌÀÐÒ 2011, 18 ×ÀÑÀ ÕÎÒÅË „ÊÐÈÑÒÀË ÏÀËÀÑ“ · 2 ÒÚÐÃ -...

23 ÌÀÐÒ 2011, 18 ×ÀÑÀ

ÕÎÒÅË „ÊÐÈÑÒÀË ÏÀËÀÑ“ÇÀËÀ „ØÈÏÊÀ“, ÓË. „ØÈÏÊÀ“ 14, ÑÎÔÈß

Îãëåä íà ïðîèçâåäåíèÿòà:

19 – 22 ìàðò 11 – 19 ÷.23 ìàðò 11 - 13 ÷.Ãàëåðèÿ “Ðàêóðñè”

óë. "Õàí Êðóì" ¹ 4àwww.auction-rakursi.com

MARCH, 23rd 2011, 6:00 pm

HOTEL CRYSTAL PALACESHIPKA HALL, 14 ''SHIPKA'' ST., SOFIA

Examination of art works:

March 19th - 22nd 11 am - 7 pm

March 23rd 11 am - 1 pmRakursi Art Gallery

4a ''Han Krum'' St., Sofiawww.auction-rakursi.com

AUCTIONPAINTINGS

AND GRAPHICS

Т Ъ Р ГЖИВОПИС И ГРАФИКА

1A u c t i o n - P A I N T I N G S A N D G R A P H I C S - M a r c h , 2 3 r d 2 0 1 1 , 6 p m

2ÏÀÂÅË ÔÐÀÍÖÀËÈÉÑÊÈ (1884 – 1956)Ïåéçàæ, 1926 ã.àêâàðåë/õàðòèÿ, 23/33 ñì, ïîäïèñàíà, äàòèðàíà

ÍÀ×ÀËÍÀ ÖÅÍÀ: 400 ëâ.

PAVEL FRANZALIJSKI (1884 – 1956)A Landscape, 1926watercolor/paper, 23/33 cm, signed, dated

STARTING PRICE: 400 BGN

4ÄÅÍÞ ×ÎÊÀÍÎÂ (1901 – 1982)Êúùà ñ êîëèáàìàñëåíè áîè/êàðòîí, 30/48 ñì, íåïîäïèñàíà


DENJU CHOKANOV (1901 – 1982)A House with a hutoil/cardboard, 30/48 cm, not signed


3ÑÒÎßÍ ÂÀÑÈËÅÂ (1904 – 1977)

Ïåéçàæ îò Òúðíîâî ìàñëåíè áîè/ïëàòíî, 79/66 ñì, ïîäïèñàíà


STOYAN VASILEV (1904 – 1977)A Landscape from Turnovo

oil/canvas, 79/66 cm

STARTING PRICE: 3125 BG

1ÒÈÕÎÌÈÐ ÐÀÄÈÍÎÂ (1909 – 2004)

Êðàé ìîðåòîìàñëåíè áîè/ïëàòíî, 70/50 ñì, ïîäïèñàíà


TIHOMIR RADINOV (1909 – 2004)By the sea

oil on canvas, 70/50 cm, signed


Ò Ú Ð Ã - Æ È Â Î Ï È Ñ È Ã Ð À Ô È Ê À - 2 3 ì à ð ò 2 0 1 1 , 1 8 ÷ à ñ à2

5ÄÅÍÞ ×ÎÊÀÍÎÂ (1901 – 1982)ßíòðà êðàé Òúðíîâîìàñëeíè áîè/øïåðïëàò, 26/42 ñì, íåïîäïèñàíà


DENJU CHOKANOV (1901 – 1982)Yantra by Turnovooil/plywood, 26/42 cm, not signed


8ÅÄÌÎÍÄ ÄÅÌÈÐÄÆÈßÍ (1951 – 2009)

Êîìïîçèöèÿìàñëåíè áîè/ïëàòíî, 80/60 ñì, ïîäïèñàíà


EDMOND DEMIRJIAN (1951 – 2009)A Composition

oil/canvas, 80/60 cm, signed


6ÍÀÓÌ ÕÀÄÆÈÌËÀÄÅÍÎÂ (1894 – 1986)

Òðè æåíèìàñë.áîè/ïëàòíî, 28/25 ñì, ïîäïèñàíà


NAUM HADZHIMLADENOV (1894 – 1986)Three women

oil/canvas, 28/25 cm, signed


7ÅÄÌÎÍÄ ÄÅÌÈÐÄÆÈßÍ (1951 – 2009)Àðëåêèí ìàñëåíè áîè/ïëàòíî, 56/45 ñì, ïîäïèñàíà


EDMOND DEMIRJIAN (1951 – 2009)Harlequinoil/canvas, 56/45 cm, signed



9ÌÀÐÈÎ ÆÅÊÎÂ (1898 – 1955)

Ñêàëèòå ïðè ñåëî Òþëåíîâîìàñëåíè áîè/êàðòîí, 43/59 ñì, ïîäïèñàíà


MARIO ZHEKOV (1898 – 1955)The cliffs by Tjulenovo village

oil/cardboard, 43/59 cm, signed


11ÊÎÍÑÒÀÍÒÈÍ (ÊÎ×Î) ÃÚÐÍÅÂ (1894 – 1966)

Ïîðòðåò íà ìîìè÷åìàñëåíè áîè/êàðòîí, 40/30 ñì, ïîäïèñàíà


KONSTANTIN (KOCHO) GURNEV (1894 – 1966)A Portrait of a girl

oil/cardboard, 40/30 cm, signed


12ÊÎÍÑÒÀÍÒÈÍ (ÊÎ×Î) ÃÚÐÍÅÂ (1894 – 1966)Áúëãàðñêè êóêëè ñ öâåòÿ, 1964 ã.ìàñëåíè áîè/ïëàòíî, 65/42 ñì, ïîäïèñàíà, äàòèðàíà


KONSTANTIN (KOCHO) GURNEV (1894 – 1966)Bulgarian dolls with flowers, 1964oil/canvas, 65/42, signed, dated


10ÌÀÐÈÎ ÆÅÊÎÂ (1898 – 1955)Ôàðúò ïðè Øàáëàìàñëåíè áîè/êàðòîí, 43/59 ñì, ïîäïèñàíà


MARIO ZHEKOV (1898 – 1955)The Lighthouse by Shablaoil/cardboard, 43/59 cm, signed



13ÍÅÈÇÂÅÑÒÅÍ ÀÂÒÎÐÏåéçàæ, îê. 1940-òå ã.ìàñëåíè áîè/ïëàòíî, 56,5/69 ñì, íåïîäïèñàíà


UNKNOWN ARTISTA Landscape, about the 1940`soil/canvas, 56,5/69 cm, not signed


16ÄÈÌÈÒÚÐ ÊÀÇÀÊÎÂ-ÍÅÐÎÍ (1933 – 1992)

Êîìïîçèöèÿñóõà èãëà/õàðòèÿ, 58/73 ñì, íåïîäïèñàíà


DIMITAR KAZAKOV-NERON (1933 – 1992)A Composition

dry point/paper, 58/73 cm, not signed


14ÅÌÈËÈß ÍÈÊÎËÎÂÀ-ÄÐÀÃÎÅÂÀ, ð. 1921

Íàòþðìîðò, 1982 ã.ìàñëåíè áîè/ïëàòíî, 83/63 ñì, ïîäïèñàíà, äàòèðàíà


EMILIA NIKOLOVA-DRAGOEVA, born 1921A Still life, 1982

oil/canvas, 83/63 cm, signed, dated


15ÄÈÌÈÒÚÐ ÊÀÇÀÊÎÂ-ÍÅÐÎÍ (1933 – 1992)Êîìïîçèöèÿ, 1973 ã.ïàñòåë/õàðòèÿ, 57/81 ñì, ïîäïèñàíà, äàòèðàíà


DIMITAR KAZAKOV-NERON (1933 – 1992)A Composition, 1973pastel/paper, 57/81 cm, signed, dated



17ÄÈÌÈÒÚÐ ÊÀÇÀÊÎÂ-ÍÅÐÎÍ (1933 – 1992)

ÊîìïîçèöèÿÍåðîíîãðàôèêà/õàðòèÿ, 80/54 ñì, íåïîäïèñàíà


DIMITAR KAZAKOV-NERON (1933 – 1992)A Composition

graphic/paper, 80/54 cm, not signed


19ÁÅÍ×Î ÎÁÐÅØÊÎÂ (1899 – 1970)

Íà òåðàñàòà, 1961 ã., ìàñëåíè áîè/ïëàòíî38/46 ñì, íåïîäïèñàíà, ìîíîãðàôèðàíà

ÍÀ×ÀËÍÀ ÖÅÍÀ: 16 100 ëâ.

BENCHO OBRESHKOV (1899 – 1970)On the terrace, 1961, oil/canvas, 38/46 cm

not signed, published in the monograph for the artist

STARTING PRICE: 16 100 BGN

18ËÞÁÀ ÏÀËÈÊÀÐÎÂÀ (1906 – 1999)Çàëèâ÷å ïðè Êèòåí, 1980 ã.ëèòîãðàôèÿ, 47/38 ñì, ïîäïèñàíà, äàòèðàíà


LYUBA PALIKAROVA (1906 – 1999)A small bay by Kiten, 1980lithography, 47/38 cm, signed , dated


20ÄÀÂÈÄ ÏÅÐÅÖ (1906 – 1982)Âàçà ñ öâåòÿ, 1959 ã.ìàñëåíè áîè/ïëàòíî, 55/46 ñì, ïîäïèñàíà, äàòèðàíà


DAVID PERETZ (1906 – 1982)A vase with flowers, 1959oil/canvas, 55/46 cm, signed, dated



22ÀÍÃÅË ÒÎÌÎÂ

Ðèáàðñêè ëîäêè, 1969 ã.ìàñëåíè áîè/ïëàòíî, 69/98 ñì, ïîäïèñàíà, äàòèðàíà


ANGEL TOMOVFishing boats, 1969



21ÁÎÐÈÑ ÑÒÅÔ×ÅÂ (1894 – 1983)Ìîðñêè ïåéçàæ, 1961 ã.ìàñëåíè áîè/ïëàòíî, 34/50 ñì, ïîäïèñàíà, äàòèðàíà


BORIS STEFCHEV (1894 – 1983)A Seascape, 1961oil/canvas, 34/50 cm, signed, dated


23ÀËÅÊÑÀÍÄÚÐ ÏÎÏÈÂÀÍÎÂ (1879 – 1915)Áóðíî ìîðå, 1908 ã.ìàñëåíè áîè/ïëàòíî, 17/26 ñì., íåïîäïèñàíà, ìîíîãðàôèðàíà


ALEXANDER POPIVANOV (1879 – 1915)Rough sea, 1908, oil/canvas, 17/26 cmnot signed, published in the monograph for the artist


24ÀËÅÊÑÀÍÄÚÐ ÏÎÏÈÂÀÍÎÂ (1879 – 1915)

Íàòþðìîðò, 1908 ã., ìàñëåíè áîè/ïëàòíî, 38/59 ñìïîäïèñàíà, äàòèðàíà, ìîíîãðàôèðàíà


ALEXANDER POPIVANOV (1879 – 1915)A Still life, 1908, oil/canvas, 38/59 cm

signed, dated, published in the monograph for the artist



27ÄÀÍÀÈË ÄÅ×ÅÂ (1891 – 1962)

Ïëîâäèâìàñëåíè áîè/êàðòîí, 43/31 ñì, ïðåïîäïèñàíà


DANAIL DECHEV (1891 – 1962)Plovdiv

oil/cardboard, 43/31 cm, signed later


25ÈÂÀÍ ÍÅÍÎÂ (1902 – 1997)

Àâòîïîðòðåò, ìàñëåíè áîè/êàðòîíäóáëèðàí âúðõó ïëàòíî, 43/41 ñì, íåïîäïèñàíà


IVAN NENOV (1902 – 1997)A Self portrait, oil/cardboard

mounted on canvas, 43/41 cm, not signed


26ÍÀÉÄÅÍ ÏÅÒÊÎÂ (1918 – 1990)Ìîìè÷åìàñëåíè áîè/êàðòîí, 46/33 ñì, ïîäïèñàíà


NAIDEN PETKOV (1918 – 1990)A girloil/cardboard, 46/33 cm., signed



29ÍÈÊÎËÀ ÌÈÕÀÉËÎÂ (1876 – 1960)

Ïîðòðåò íà ìëàäà æåíà, 1919 ã.ìàñëåíè áîè/øïåðïëàò, 64/53 ñì, ïîäïèñàíà, äàòèðàíà


NIKOLA MIHAILOV (1876 – 1960)A Portrait of a young woman, 1919

oil/plywood, 64/53 cm, signed, dated


30ÑÒÎßÍ ÐÀÉÍÎÂ(1894 – 1978)Ïåéçàæàêâàðåë/õàðòèÿ, 21/25 ñì,íåïîäïèñàíà


STOYAN RAINOV(1894 – 1978)A Landscape, watercolor/paper,21/25 cm, not signed


31ÄÈÌÈÒÚÐ ÊÀÇÀÊÎÂ – ÍÅÐÎÍ (1933 – 1992)

Êîìïîçèöèÿ, íåðîíîãðàôèêà/õàðòèÿ, 20,5/9 ñì, íåïîäïèñàíà

ÍÀ×ÀËÍÀ ÖÅÍÀ : 200 ëâ.

DIMITAR KAZAKOV-NERON (1933 – 1992)A Composition, graphic/paper, 20,5/9 cm, not signed


28ÁÎÐÈÑ ÄÅÍÅÂ (1883 – 1969)Êðàé Òúðíîâî, 1930-òå ãîäèíèìàñëåíè áîè/êàðòîí, 19/26 ñì, íåïîäïèñàíà


BORIS DENEV (1883 – 1969)By Turnovo, 1930`soil/cardboard, 19/26 cm, not signed



32ÀÍÀÑÒÀÑ ÑÒÀÉÊÎÂ (1905 – 1988)

Îãíèùå, 1939 ã.ãâàø/õàðòèÿ, 36/33 ñì, ïîäïèñàíà, äàòèðàíà


ANASTAS STAIKOV (1905 – 1988)A Fireplace, 1939

gouache/paper, 36/33 cm, signed, dated


35ÀÒÀÍÀÑ ßÐÀÍÎÂ (1940 – 1988)Êîìïîçèöèÿ, àâòîðñêà òåõíèêà/õàðòèÿ, 21/29 ñì, íåïîäïèñàíà


ATANAS YARANOV (1940 – 1988)A Composition, mixed technique/paper, 21/29 cm, not signed


34ÍÈÊÎËÀÉ ÐÎÑÒÎÂÖÅÂ (1898 – 1988)

Ïðîåêò çà ïúðâàòà èêîíà íà Ñâ. Ïàèñèé Õèëåíäàðñêè, 1963 ã.òåìïåðà/õàðòèÿ, 42/29 ñì, ïîäïèñàíà, äàòèðàíà


NIKOLAY ROSTOVTZEV (1898 – 1988)A project for the first icon of St. Paisius of Hilendar, 1963

tempera/paper, 42/29 cm, signed, dated


33ÍÈÊÎËÀÉ ÐÎÑÒÎÂÖÅÂ (1898 – 1988)Ãîëî òÿëî, 1943 ã.ñàíãèí/õàðòèÿ, 23/45 ñì, ïîäïèñàíà, äàòèðàíà


NIKOLAY ROSTOVTZEV (1898 – 1988)A Nude, 1943brown crayon/paper, 23/45 cm., signed, dated



36ÀÒÀÍÀÑ ßÐÀÍÎÂ (1940 – 1988)Êîìïîçèöèÿ, òóø/õàðòèÿ, 11/20 ñì, íåïîäïèñàíà


ATANAS YARANOV (1940 – 1988)A Composition, ink/paper, 11/20 cm, not signed


37ÀÒÀÍÀÑ ßÐÀÍÎÂ (1940 – 1988)

Áëóäíèÿò ñèí, 1986 ã., ïàñòåë/õàðòèÿ, 35/30 ñì, ïîäïèñàíà, äàòèðàíà


ATANAS YARANOV (1940 – 1988)The prodigal son, 1986, pastel/paper, 35/30 cm, signed, dated


38ÀÒÀÍÀÑ ßÐÀÍÎÂ (1940 – 1988)Êîìïîçèöèÿ, ïàñòåë/õàðòèÿ, 28/50 ñì, íåïîäïèñàíà


ATANAS YARANOV (1940 – 1988)A Composition, pastel/paper, 28/50 cm, not signed


40Äàìÿí ÍÈÊÎËÎÂ (1898 – 1958)Ãîëî òÿëî, 1924 ã.ìàñëåíè áîè/ïëàòíî, 118/58 ñì, ïîäïèñàíà, äàòèðàíà


Damian NIKOLOV (1898 – 1958) A Nude, 1924oil/canvas, 118/58 cm, signed, dated


39ÀÒÀÍÀÑ ßÐÀÍÎÂ (1940 – 1988)

Êîìïîçèöèÿ, 1981 ã.ìàñëåíè áîè/ïëàòíî, 60/100 ñì, ïîäïèñàíà, äàòèðàíà


ATANAS YARANOV (1940 – 1988)A Composition, 1981




42ÑÒÎßÍ ÂÅÍÅÂ (1904 – 1989)Ïàçàðëúêñìåñåíà òåõíèêà/õàðòèÿ, 20/17 ñì, ïîäïèñàíà


STOYAN VENEV (1904 – 1989)Bargaining, mixed technique/paper, 20/17 cm, signed


41ÃÅÎÐÃÈ ÆÅËÅÇÀÐÎÂ (1897 – 1982)

Íàä Êíÿæåâî, 1960 ã.ãâàø/õàðòèÿ, 31/38 ñì, ïîäïèñíà, äàòèðàíà


GEORGI ZHELEZAROV (1897 – 1982)Above Kniazhevo, 1960

gouache/paper, 31/38 cm, signed, dated


44ÑÒÎßÍ ÂÅÍÅÂ (1904 – 1989)Ïî÷èâêàìàñëåíè áîè/øïåðïëàò, 42/52 ñì, ïîäïèñàíà


STOYAN VENEV (1904 – 1989)A Restoil/plywood, 42/52 cm, signed


43ÑÒÎßÍ ÂÅÍÅÂ (1904 – 1989)

Âúñòàíèåñìåñåíà òåõíèêà/õàðòèÿ, 20/23 ñì, ïîäïèñàíà


STOYAN VENEV (1904 – 1989)Uprising

mixed technique/paper, 20/23 cm, signed



48Ä. ÊÀÌÁÓÐÎÂÑåëñêà óëèöà

ãâàø/õàðòèÿ, 40/30 ñì, ïîäïèñàíà


D. KAMBUROVA village street

gouache/paper, 40/30 cm, signed


45ÈÂÀÍ ÃÅÎÐÃÈÅÂ – ÐÅÌÁÐÀÍÄÀ (1938 – 1994)Ïîðòà, ãâàø/õàðòèÿ, 35/52 ñì, ïîäïèñàíà


IVAN GEORGIEV – THE REMBRANDT (1938 – 1994)A Gate, gouache/paper, 35/52 cm, signed


47ÏÅÒÚÐ ÌÎÐÎÇÎÂ (1880 – 1951)Ïåéçàæàêâàðåë/õàðòèÿ, 24/35 ñì, íåïîäïèñàíà


PETAR MOROZOV (1880 – 1951)A Landscapewatercolor/paper, 24/35 cm, not signed


46ÏÅÒÚÐ ÌÎÐÎÇÎÂ (1880 – 1951)

Ñåëñêà óëèöà, 1918 ã.àêâàðåë/õàðòèÿ, 27/32,5 ñì, ïîäïèñàíà, äàòèðàíà


PETAR MOROZOV (1880 – 1951)A village street, 1918

watercolor/paper, 27/32,5 cm, signed, dated



49Ä. ÊÀÌÁÓÐÎÂ

Çèìåí ïåéçàæ, ãâàø/õàðòèÿ, 30/41 ñì, ïîäïèñàíà


D. KAMBUROVWinter scene, gouache/paper, 30/41 cm, signed


50Ä. ÊÀÌÁÓÐÎÂÍà ÷åøìàòà, ãâàø/õàðòèÿ, 30/40 ñì, ïîäïèñàíà


D. KAMBUROVAt the spring, gouache/paper, 30/40 cm, signed


51ÄÅ×ÊÎ ÓÇÓÍÎÂ (1899 – 1986)

Âàçà ñ öâåòÿ, 1972 ã.ôëóìàñòåð/õàðòèÿ, 34/24 ñì, ïîäïèñàíà, äàòèðàíà


DECHKO UZUNOV (1899 – 1986)A vase with flowers, 1972

felt-tip pen/paper, 34/24 cm, signed, dated


52ÄÅ×ÊÎ ÓÇÓÍÎÂ (1899 – 1986)Êîìïîçèöèÿ , 1972 ã.àêâàðåë âúðõó õàðòèÿ, 37/30 ñì, ïîäïèñàíà, äàòèðàíà


DECHKO UZUNOV (1899 – 1986)A Composition, 1972watercolor/paper, 37/30 cm, signed, dated



56ÑÒÎßÍ ÂÅÍÅÂ (1904 – 1989)

Êîìïîçèöèÿñì. òåõí/õàðòèÿ, 29/45 ñì, ïîäïèñàíà


STOYAN VENEV (1904 – 1989)A Composition

mixed technique/paper, 29/45 cm, signed


53ÄÅ×ÊÎ ÓÇÓÍÎÂ (1899 – 1986)Öâåòÿ, 1972 ã.òóø, àêâàðåë/õàðòèÿ, 47/34 ñì, ïîäïèñàíà, äàòèðàíà


DECHKO UZUNOV (1899 – 1986)Flowers, 1972ink, watercolor/paper, 47/34 cm, signed, dated


55ÑÒÎßÍ ÂÅÍÅÂ (1904 – 1989)Ðàçäóìêàñì. òåõí/õàðòèÿ, 33/49 ñì, ïîäïèñàíà


STOYAN VENEV (1904 – 1989)A Conversationmixed technique/paper, 33/49 cm, signed


54ÄÅ×ÊÎ ÓÇÓÍÎÂ (1899 – 1986)

Ïåéçàæ, 1970 ã.àêâàðåë/õàðòèÿ, 33/44.5 ñì, ïîäïèñàíà, äàòèðàíà


DECHKO UZUNOV (1899 – 1986)A Landscape, 1970

watercolor/paper, 33/44.5 cm, signed, dated



57ÅÂÃÅÍÈ ÁÎÑßÖÊÈ (1929 – 2009)

Ïåéçàæ, 1978 ã.àâò. òåõíèêà ñ ïàñòåë/õàðòèÿ, 46/66 ñì, ïîäïèñàíà, äàòèðàíà


EVGENI BOSJATZKI (1929 – 2009)A Landscape, 1978

mixed technique with pastel/paper, 46/66 cm, signed, dated


58ÅÂÃÅÍÈ ÁÎÑßÖÊÈ (1929 – 2009)Êîìïîçèöèÿ, 2006 ã.ñìåñåíà òåõíèêà/õàðòèÿ, 43/30 ñì, ïîäïèñàíà, äàòèðàíà


EVGENI BOSJATZKI (1929 – 2009)A Composition, 2006mixed technique/paper, 43/30 cm, signed, dated


59ÍÈÊÎËÀ ÏÈÍÄÈÊÎÂ (1898 – 1976)

Ïåéçàæ, 1938 ã.òóø/õàðòèÿ, 17/24 ñì, ïîäïèñàíà, äàòèðàíà


NIKOLA PINDIKOV (1898 – 1976)A Landscape, 1938

ink/paper, 17/24 cm, signed, dated


60ÍÈÊÎËÀ ÏÈÍÄÈÊÎÂ (1898 – 1976)Ãîðà, 1937 ã.òóø/õàðòèÿ, 32/45 ñì, ïîäïèñàíà, äàòèðàíà


NIKOLA PINDIKOV (1898 – 1976)A Forest, 1937ink/paper, 32/45 cm, signed, dated



64ÏÅÒÊÎ ÙÚÐÁÀÍÎÂ, ð. 1936

Äàìñêè ïîðòðåò, ìàñëåíè áîè/ïëàòíî, 90/60 ñì, íåïîäïèñàíà


PETKO SHTARBANOV, born 1936Female portrait, oil/canvas, 90/60 cm, not signed


61ÌÀÐÈÎ ÆÅÊÎÂ (1898 – 1955)Ïëàíèíñêè ïåéçàæ, ãâàø/õàðòèÿ, 14/10 ñì, íåïîäïèñàíà


MARIO ZHEKOV (1898 – 1955)Mountain landscape, gouache/paper, 14/10 cm, not signed


63ÊÎÇÀÐÎÂÌîðñêè ïåéçàæ, 1940 ã.,ìàñëåíè áîè/ïëàòíî, 40/59 ñì, ïîäïèñàíà, äàòèðàíà


KOZAROVA Seascape, 1940, oil/canvas, 40/59 cm, signed, dated


62Ä. ÄÀÁÅÂ

Ïåéçàæ, 1954 ã., ìàñëåíè áîè/êàðòîí, 6/12 ñì, ïîäïèñàíà, äàòèðàíà


D. DABEVA Landscape, 1954, oil/cardboard, 6/12 cm, signed, dated


65ÃÅÎÐÃÈ ÁÀÅÂ (1924 – 2007)Ïåéçàæ, ìàñëåíè áîè/ïëàòíî, 67/85 ñì, ïîäïèñàíà


GEORGI BAEV (1924 – 2007)A Landscape, oil/canvas, 67/85 cm, signed



66ÌÈÐ×Î Ê. ÈÂÀÍÎÂ (1948 – 1989)

Ìåëíèê, ìàñëåíè áîè/êàðòîí, 40/52 ñì, íåïîäïèñàíà


MIRCHO K. IVANOV (1948 – 1989)Melnik

oil/cardboard, 40/52 cm, not signed


67ÃÐÈÃÎÐ ÑÏÈÐÈÄÎÍÎÂ (1930 – 2000)Ïàðèæ, 1990 ã.ïàñòåë, õàðòèÿ, 46/61 ñì, ïîäïèñàíà, äàòèðàíà


GRIGOR SPIRIDONOV (1930 – 2000)Paris, 1990pastel/paper, 46/61 cm, signed, dated


68ÃÅÍÊÎ ÃÅÍÊÎÂ (1923 – 2006)

Ïåéçàæìàñëåíè áîè/ôàçåð, 51/80 ñì, íåïîäïèñàíà


GENKO GENKOV (1923 – 2006)A Landscape

oil/plywood, 51/80 cm, not signed


69ÍÅÈÇÂÅÑÒÅÍ ÀÂÒÎÐÆåíñêè ïîðòðåò, 19 â., ìàñëåíè áîè/äúñêà, 66/53 ñì, íåïîäïèñàíà


UNKNOWN ARTISTFemale portrait, XIX cent., oil/wood, 66/53 cm, not signed



72ÀËÁÐÅÕÒ ÄÞÐÅÐ (1471 – 1528)Áîãîðîäèöà ñ ìëàäåíåöà, 1508 ã.îôîðò/õàðòèÿ, êîíòðîëèðàí ïå÷àòñ èñòîðè÷åñêà ñïðàâêà çà ïðîèçõîäà,14,5/10 ñì, ïîäïèñàíà è ãðàâèðàíàâúðõó ïëî÷àòà


ALBRECHT DÜRER (1471 – 1528)Virgin with the Child, 1508etching/paper, 14,5/10 cmsigned and engraved on the plate


71ÐÅÌÁÐÀÍÄ âàí ÐÅÉÍ (1606 – 1669)

×åòÿù îòøåëíèêãðàâþðà âúðõó ìåä, îòïå÷àòàíà îò Ëóâúðà, 48/38 ñì


REMBRANDT van RIJN (1606 – 1669)Reading hermit

48/38 cm, chalcography


70ÍÅÈÇÂÅÑÒÅÍ ÀÂÒÎÐÏîðòðåò íà ìëàäà æåíà, 19 â., ìàñëåíè áîè/ïëàòíî, 53/43 ñì, íåïîäïèñàíà


UNKNOWN ARTISTA Portrait of a young woman, XIX cent., oil/canvas, 53/43 cm, not signed


73J. HEINSEL

Ãðàäñêè ïåéçàæ, 1885 ã., ìàñëåíè áîè/ïëàòíî, 46/30 ñì, ïîäïèñàíà, äàòèðàíà


J. HEINSEL A Townscape, 1885, oil/canvas, 46/30 cm, signed, dated



74ÑÒÎÈÌÅÍ ÑÒÎÈËÎÂ, ð. 1944 ã.

Ïî ñòèõîâå íà Ïåí÷î Ñëàâeéêîâ, 1981 ã.îôîðò/õàðòèÿ, àâòîðñêî êîïèå 25/16,5 ñì, ïîäïèñàíà, äàòèðàíà


STOIMEN STOILOV, born 1944On the poems by Pencho Slaveikov, 1981etching/paper, EA, 25/16, 5 cm, signed, dated


75ÑÒÎÈÌÅÍ ÑÒÎÈËÎÂ, ð. 1944 ã.Ïî ñòèõîâå íà Ïåí÷î Ñëàâeéêîâ, 1981 ã.îôîðò/õàðòèÿ, àâòîðñêî êîïèå, 25/16,5 ñì,ïîäïèñàíà, äàòèðàíà


STOIMEN STOILOV, born 1944On the poems by Pencho Slaveikov, 1981etching/paper, EA, 25/16, 5 cm, signed, dated


76ÑÂÅÒËÈÍ ÐÓÑÅÂ, ð. 1933 ã.

Íà áàëêîíà, ñìåñåíà òåõíèêà/õàðòèÿ, 36/22 ñì, ïîäïèñàíà


SVETLIN RUSEV, born 1933On the balcony, mixed technique/paper, 36/22 cm, signed


77ÅÍ×Î ÏÈÐÎÍÊÎÂ, ð. 1932 ã.Êîìïîçèöèÿ, ìàñëåíè áîè/ïëàòíî, 62/100 ñì, ïîäïèñàíà


ENCHO PIRONKOV, born 1932A Composition,oil/canvas, 62/100 cm, signed



78ÅÍ×Î ÏÈÐÎÍÊÎÂ, ð. 1932 ã.Êîìïîçèöèÿ, ìàñëåíè áîè/ïëàòíî, 80/65 ñì, ïîäïèñàíà


ENCHO PIRONKOV, born 1932A Composition, oil/canvas, 80/65 cm, signed


80ÄÈÌÈÒÚÐ ÂÎÉÍÎÂ, ð.1946 ã.Êèñåëè âèøíè, 2011 ã. ìàñëåíè áîè/ïëàòíî, 50/40 ñì., ïîäïèñàíà, äàòèðàíà


DIMITRI VOJNOV, born 1946Sour cherries, 2011oil/canvas, 50/40 cm, signed, dated


79ÄÈÌÈÒÚÐ ÁÓÞÊËÈÉÑÊÈ-ÌÈ×È, ð.1943 ã.

Êîìïîçèöèÿ, 2009 ã., ìàñëåíè áîè/ïëàòíî, 54/54 ñì, ïîäïèñàíà


DIMITER BUYUKLIISKI-MITCHY, born 1943A Composition, 2009, oil/canvas, 54/54 cm, signed


81ÊÐÈÑÒÎ è ÆÀÍ ÊËÎÄ

×àäúðèòå, ßïîíèÿ – ÑÀÙ 1984 – 1991,öâåòåí îôñåò, 64/95 ñì, ïîäïèñàíà ñ îðèãèíàëåí ïîäïèñ


CHRISTO and JEANNE CLAUDE The umbrellas, Japan – USA 1984 – 1991

color offset, 64/95 cm, signed by the artist



82ÊÐÈÑÒÎ è ÆÀÍ ÊËÎÄ

Ïîðòèòå, ñåðèãðàôèÿ/õàðòèÿ, 72/92 ñì, ïîäïèñàíà ñ îðèãèíàëåíïîäïèñ


CHRISTO and JEANNE CLAUDE The gates, screen print/paper, 72/92 cm, signed by the artist


83ÀÍÄÈ ÓÎÐÕÎË (1928 – 1987)Ìåðèëèí â ñèíüî è ðîçîâîöâåòíà ñåðèãðàôèÿ/õàðòèÿ, 91/91 ñì, îòïå÷àòàíà îò Sunday B. Morning


ANDY WARHOL (1928 – 1987)Marilyn in blue and pinkcolor screen print/paper, 91/91 cm, published by Sunday B. Morning


84ÀÍÄÈ ÓÎÐÕÎË (1928 – 1987)Ìåðèëèí â ðîçîâî è æúëòî

öâåòíà ñåðèãðàôèÿ/õàðòèÿ, 91/91 ñì, îòïå÷àòàíà îò Sunday B. Morning


ANDY WARHOL (1928 – 1987)Marilyn in pink and yellow

color screen print/paper, 91/91 cm, published by Sunday B. Morning


85ÍÈÊÎËÀÉ ÄÞËÃÅÐÎÂ (1901 – 1982)Progetto ¹ 2 prospectiva, 1929 ã., ãâàø/õàðòèÿ, êàðòîí, 63/48 ñì, ïîäïèñàíà


NICOLAY DIULGHEROFF (1901 – 1982)Progetto ¹ 2 prospectiva, 1929, gouache/paper, cardboard, 63/48, signed



88ÕÓÀÍ ÌÈÐÎ (1893 – 1983)Jaillie de Calcaire, 1983 ã.ëèòîãðàôèÿ/õàðòèÿ, 21/300, 44/59 ñì, ïîäïèñàíà âúðõó ïëî÷àòà


JOAN MIRO (1893 – 1983)Jaillie de Calcaire, 1983,lithography/paper, 21/300, 44/59 cm, signed on the plate


90ÏÀÁËÎ ÏÈÊÀÑÎ (1881 – 1973)Êîìïîçèöèÿ, 1955 ã., ëèòîãðàôèÿ, 614/2400, 51/65 ñì, ïîäïèñàíà, äàòèðàíà


PABLO PICASSO (1881 – 1973)A Composition, 1955, lithography/paper, 614/2400, 51/65 cm, signed, dated


87ÕÓÀÍ ÌÈÐÎ (1893 – 1983)

îò „Maravillas con variaciones acrosticas en el jardin de Miro”ëèòîãðàôèÿ/õàðòèÿ, 50/72 ñì, ïîäïèñàíà âúðõó ïëî÷àòà


JOAN MIRO (1893 – 1983)From „Maravillas con variaciones acrosticas en el jardin de Miro”,

lithography/paper, 50/72 cm, signed on the plate


89ÂÈÊÒÎÐ ÂÀÇÀÐÅËÈ (1906 – 1997)

Îò öèêúë „Âàíêóâúð”, 1982 ã.ñåðèãðàôèÿ/õàðòèÿ, 67/75, 64/62 ñì, ïîäïèñàíà ñ îðèãèíàëåí ïîäïèñ


VICTOR VASARELY (1906 – 1997)From the cycle “Vancouver”, 1982

screen print/paper, 67/75, 64/62 cm, signed by the artist


86ÕÓÀÍ ÌÈÐÎ (1893 – 1983)Æåíè, ëóíà è ïòèöè, ëèòîãðàôèÿ/õàðòèÿ, 40/50 ñì, íåïîäïèñàíà


JOAN MIRO (1893 – 1983)Women, a moon and birds, lithography/paper, 40/50 cm, not signed



91ÆÓË ÏÀÑÊÈÍ (1885 – 1930)

Ìàíäîëèíàòà, 1928 ã., ìîëèâ, ñàíãèí/õàðòèÿ48/63 ñì, îðèãèíàëåí ïîäïèñ è ïå÷àò „Àòåëèå Ïàñêèí“


JULES PASCIN (1885 – 1930)La Mandoline, 1928, pencil and brown crayon on paper

48/63 cm, signed and stamped “Atelier Pascin”


92ÑÅÐÆ ÏÎËßÊÎÂ (1906 – 1969)Êîìïîçèöèÿ, ëèòîãðàôèÿ/õàðòèÿ, 52/42 ñì, ïîäïèñàíà âúðõó ïëî÷àòà


SERGE POLIAKOFF (1906 – 1969)A Composition, lithography/paper, 52/42 cm, signed on the plate


93ÌÀÐÊ ØÀÃÀË (1887 – 1985)

Ìàíåæ, ëèòîãðàôèÿ/õàðòèÿ, 36/53 ñì, ïîäïèñàíà âúðõó ïëî÷àòà


MARC CHAGALL (1887 – 1985)Manege, lithography/paper, 36/53 cm, signed on the plate


94ÆÎÐÆ ÏÀÏÀÇÎÂ (1894 – 1972)Ïåéçàæ îò Äîðäîí, íà÷àëîòî íà 1930-òå ãîäèíèìàñëåíè áîè/ïëàòíî, 46/27 ñì, ïîäïèñàíà


GEORGES PAPAZOFF (1894 – 1972)A Landscape from Dordon, beginning of 1930’soil on canvas, 46/27 cm, signed


95ÆÎÐÆ ÏÀÏÀÇÎÂ (1894 – 1972)

Êîìïîçèöèÿ, 1926 ã., îôîðò/õàðòèÿ19/35, 19,5/15 ñì, ïîäïèñàíà, ìîíîãðàôèðàíà


GEORGES PAPAZOFF (1894 – 1972)A Composition, 1926

etching/paper, 19/35, 19,5/15 cm, signed, published in the monograph for the artist



á‡ Û˜‡ÒÚËÂ ‚ Ì‡‰‰‡‚‡ÌÂÚÓ Â ÌÂÓ·ıÓ‰ËÏ‡ Â„ËÒÚ‡ˆËfl. á‡ ˆÂÎÚ‡ ÒÂ ÔÓÔ˙Î‚‡ Â„ËÒÚ‡ˆËÓÌÂÌÙÓÏÛÎfl, Í˙‰ÂÚÓ ÒÂ ÔÓÒÓ˜‚‡Ú ÚËÚÂ ËÏÂÌ‡, ‡‰ÂÒ Ë ÚÂÎÂÙÓÌÂÌ ÌÓÏÂ. Ïðè ðåãèñòðàöèÿ ñåçàïëàùàò 50 ëâ., êîèòî ñå âðúùàò ïðè ó÷àñòèå â íàääàâàíåòî ïî âðåìå íà òúðãà.îÓÏÛÎfl˙Ú Â ÔËÎÓÊÂÌ Í˙Ï Í‡Ú‡ÎÓ„‡ Ì‡ Ú˙„‡, ÏÓÊÂ ‰‡ ÒÂ ËÁÚÂ„ÎË Ë ÓÚ ËÌÚÂÌÂÚÒÚ‡ÌËˆ‡Ú‡ Ì‡ Í˙˘‡Ú‡. êÂ„ËÒÚ‡ˆËflÚ‡ ÒÂ ËÁ‚˙¯‚‡ ÔÓ ‚ÒflÍÓ ‚ÂÏÂ ÒÎÂ‰ Ó·fl‚fl‚‡ÌÂ ‰‡Ú‡Ú‡ Ì‡Ú˙„‡ Ë ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÓ ÔÂ‰Ë ÌÂ„Ó. ÇÒÂÍË Â„ËÒÚË‡Ì ÔÓÎÛ˜‡‚‡ ÌÓÏÂ, Ò ÍÓÈÚÓ ‰‡ Ì‡‰‰‡‚‡.

ç‡‰‰‡‚‡ÌÂÚÓ ÒÚ‡‚‡ ˜ÂÁ ÎË˜ÌÓ ÔËÒ˙ÒÚ‚ËÂ Ì‡ Ú˙„‡, ˜ÂÁ ÔÂ‰ÓÒÚ‡‚flÌÂ Ì‡ ÔËÒÏÂÌÓ ÔÓ‰‡‰ÂÌ‡ÓÙÂÚ‡ ËÎË ÔÓ ÚÂÎÂÙÓÌ‡.

ÇÒË˜ÍË ÎËˆ‡, Ì‡‰‰‡‚‡˘Ë ‚ Ú˙„‡, ÒÂ Ò˜ËÚ‡Ú, ˜Â „Ó Ô‡‚flÚ ÓÚ Ò‚ÓÂ ËÏÂ Ë ÌÓÒflÚ ÎË˜Ì‡ÓÚ„Ó‚ÓÌÓÒÚ Á‡ Ì‡‰‰‡‚‡ÌËflÚ‡ ÒË, ÓÒ‚ÂÌ ‡ÍÓ ÌÂ Ò‡ Â„ËÒÚË‡ÌË ‚ ‡ÛÍˆËÓÌÌ‡Ú‡ Í˙˘‡ Í‡ÚÓÔ˙ÎÌÓÏÓ˘ÌËˆË Ì‡ ÚÂÚ‡ ÒÚ‡Ì‡.

èËÒÏÂÌÓ Ì‡‰‰‡‚‡ÌÂ Ì‡ Ú˙„‡ ÒÂ ËÁ‚˙¯‚‡ ˜ÂÁ ËÁÔ‡˘‡ÌÂ Ì‡ ÔÓÔ˙ÎÌÂÌ‡ "éÙÂÚ‡ Á‡ÔËÒÏÂÌÓ/ÚÂÎÂÙÓÌÌÓ Ì‡‰‰‡‚‡ÌÂ", ÍÓflÚÓ ÒÂ Ì‡ÏË‡ Ì‡ „˙·‡ Ì‡ ‚ÒÂÍË Í‡Ú‡ÎÓ„ Á‡ Ú˙„ Ë ÂÔÛ·ÎËÍÛ‚‡Ì‡ ‚ ËÌÚÂÌÂÚ ÒÚ‡ÌËˆ‡Ú‡ Ì‡ ‡ÛÍˆËÓÌÌ‡ Í˙˘‡ "ê‡ÍÛÒË". èËÒÏÂÌ‡Ú‡ ÓÙÂÚ‡ Úfl·‚‡‰‡ ·˙‰Â ÔÓÎÛ˜ÂÌ‡ ‚ ‡ÛÍˆËÓÌÌ‡Ú‡ Í˙˘‡ Ì‡È-Ï‡ÎÍÓ 24 ˜‡Ò‡ ÔÂ‰Ë Ì‡˜‡ÎÓÚÓ Ì‡ Ú˙„‡ ÔÓ ÔÓ˘‡Ú‡ËÎË ÔÓ Ù‡ÍÒ‡. Ä‰ÂÒ˙Ú Á‡ ËÁÔ‡˘‡ÌÂ Ì‡ ÔËÒÏÂÌËÚÂ ÓÙÂÚË Â:

ÛÎ. "ï‡Ì äÛÏ" ‹ 4‡, 1000 ëÓÙËfl, Ù‡ÍÒ ‹ 981 26 17.

èË ÔÓÎÛ˜‡‚‡ÌÂ Ì‡ ÌflÍÓÎÍÓ Â‰Ì‡Í‚Ë ÓÙÂÚË Á‡ ÔËÒÏÂÌÓ Ì‡‰‰‡‚‡ÌÂ Á‡ Â‰ËÌ Ó·ÂÍÚ, ÔÂ‰ËÏÒÚ‚ÓËÏ‡ Ô˙‚‡Ú‡ ÔÓÎÛ˜ÂÌ‡ ÓÙÂÚ‡.

á‡ Ì‡‰‰‡‚‡ÌÂ ÔÓ ÚÂÎÂÙÓÌ‡ Û˜‡ÒÚÌËÍ˙Ú ËÁÔ‡˘‡ ÔÓÔ˙ÎÌÂÌ‡ "éÙÂÚ‡ Á‡ ÔËÒÏÂÌÓ/ÚÂÎÂÙÓÌÌÓÌ‡‰‰‡‚‡ÌÂ", ÍÓflÚÓ ÒÂ Ì‡ÏË‡ Ì‡ „˙·‡ Ì‡ ‚ÒÂÍË Í‡Ú‡ÎÓ„ Á‡ Ú˙„ Ë Â ÔÛ·ÎËÍÛ‚‡Ì‡ ‚ ËÌÚÂÌÂÚÒÚ‡ÌËˆ‡Ú‡ Ì‡ ‡ÛÍˆËÓÌÌ‡ Í˙˘‡ "ê‡ÍÛÒË". éÙÂÚ‡Ú‡ Úfl·‚‡ ‰‡ ·˙‰Â ÔÓÎÛ˜ÂÌ‡ ‚ ‡ÛÍˆËÓÌÌ‡Ú‡Í˙˘‡ Ì‡È-Ï‡ÎÍÓ 24 ˜‡Ò‡ ÔÂ‰Ë Ì‡˜‡ÎÓÚÓ Ì‡ Ú˙„‡ ÔÓ ÔÓ˘‡Ú‡ ËÎË ÔÓ Ù‡ÍÒ‡. Ä‰ÂÒ˙Ú Á‡ËÁÔ‡˘‡ÌÂ Ì‡ ÔËÒÏÂÌËÚÂ ÓÙÂÚË Â: ÛÎ. "ï‡Ì äÛÏ" ‹ 4‡, 1000 ëÓÙËfl, Ù‡ÍÒ ‹ 981 26 17.

ç‡‰‰‡‚‡ÌÂ ÔÓ ÚÂÎÂÙÓÌ‡ ÒÂ ‰ÓÔÛÒÍ‡ Ò‡ÏÓ Á‡ Ó·ÂÍÚË Ì‡ ÒÚÓÈÌÓÒÚ Ì‡‰ 600 (¯ÂÒÚÒÚÓÚËÌ) ÎÂ‚‡.í‡ÁË ÛÒÎÛ„‡ Â ·ÂÁÔÎ‡ÚÌ‡ Á‡ ÍÎËÂÌÚ‡. ÄÛÍˆËÓÌÌ‡ Í˙˘‡ "ê‡ÍÛÒË" ÌÂ ÌÓÒË ÓÚ„Ó‚ÓÌÓÒÚ ‚ ÒÎÛ˜‡È Ì‡ÚÂıÌË˜ÂÒÍ‡ ÌÂ‚˙ÁÏÓÊÌÓÒÚ Á‡ ÓÒ˙˘ÂÒÚ‚fl‚‡ÌÂ Ì‡ ÚÂÎÂÙÓÌÌ‡ ‚˙ÁÍ‡ Ò Û˜‡ÒÚÌËÍ‡.

ÄÛÍˆËÓÌËÚÂ ÒÎÂ‰‚‡Ú ÔÓÒÎÂ‰Ó‚‡ÚÂÎÌÓÒÚÚ‡ Ì‡ ÎÓÚÓ‚ÂÚÂ ‚ Í‡Ú‡ÎÓ„‡. ç‡È-‚ËÒÓÍÓÚÓ Ë ÔÓÒÎÂ‰ÌÓÌ‡‰‰‡‚‡ÌÂ Â ÛÒÔÂ¯ÌÓ. ÇÓ‰Â˘ËflÚ ÓÔÓ‚ÂÒÚfl‚‡ ÔÓÒÚË„Ì‡Ú‡Ú‡ ˆÂÌ‡, Ò˙Ó·˘‡‚‡ "ÔÓ‰‡‰ÂÌÓ" ËÌÓÏÂ˙Ú Ì‡ ÒÔÂ˜ÂÎËÎËfl Ë Û‰fl ˜ÛÍ‡. ì‰‡˙Ú Ì‡ ˜ÛÍ‡ ÒÎÂ‰ Ì‡‰‰‡‚‡ÌÂÚÓ Á‡ ÓÔÂ‰ÂÎÂÌ Ó·ÂÍÚÓÁÌ‡˜‡‚‡, ˜Â ËÏ‡ ËÁ·‡Ì ÍÛÔÛ‚‡˜. Ç ÒÎÛ˜‡È, ˜Â ‰‚‡Ï‡ ËÎË ÔÓ‚Â˜Â Û˜‡ÒÚÌËˆË Ò‡ Ì‡Ô‡‚ËÎË Â‰Ì‡Í‚ËÔÂ‰ÎÓÊÂÌËfl Á‡ Â‰ËÌ Ó·ÂÍÚ ÓÚ Ú˙„‡, ‚Ó‰Â˘ËflÚ ÔÓ‰Î‡„‡ Ò˙˘Ëfl Ó·ÂÍÚ Ì‡ ÌÓ‚Ó Ì‡‰‰‡‚‡ÌÂ,Á‡ÔÓ˜‚‡˘Ó Ò ÔÓÒÎÂ‰Ì‡Ú‡ ˆÂÌ‡, ÔÂ‰ÎÓÊÂÌ‡ ÓÚ Ì‡‰‰‡‚‡˘ËÚÂ Ë ‚ÒË˜ÍË ÔËÒ˙ÒÚ‚‡˘Ë ÏÓÊÂ ‰‡Û˜‡ÒÚ‚‡Ú ‚ ÚÓÁË ‚ÚÓË ‡ÛÍˆËÓÌ.

é„ÎÂ‰ Ì‡ ÔÓËÁ‚Â‰ÂÌËflÚ‡ ÒÂ ËÁ‚˙¯‚‡ ‰‚‡ ‰ÌË ÔÂ‰Ë ‰‡Ú‡Ú‡ Ì‡ Ú˙„‡ ÓÚ 10.00 ‰Ó 19.30 ˜. Ë‚ ‰ÂÌfl Ì‡ Ú˙„‡ - ÓÚ 10 ‰Ó 13 ˜. ‚ „‡ÎÂËfl "ê‡ÍÛÒË" - ÛÎ."ï‡Ì äÛÏ"4‡, 1000 ëÓÙËfl.èÓËÁ‚Â‰ÂÌËflÚ‡ ÒÂ ÔÂ‰Î‡„‡Ú Á‡ ÔÓ‰‡Ê·‡ ‚ Ò˙ÒÚÓflÌËÂÚÓ, ‚ ÍÓÂÚÓ ÒÂ Ì‡ÏË‡Ú Í˙Ï ÏÓÏÂÌÚ‡Ì‡ Ó„ÎÂ‰‡. ÑÓÍÓÎÍÓÚÓ Ì‡ ÍÛÔÛ‚‡˜ËÚÂ Â ‰‡‰ÂÌ‡ ‚˙ÁÏÓÊÌÓÒÚ ‰‡ Ó„ÎÂ‰‡Ú Ó·ÂÍÚËÚÂ, ËÁÎÓÊÂÌËÔÂ‰‚‡ËÚÂÎÌÓ Á‡ ÔÓ‰‡Ê·‡, ÌÂ ÏÓ„‡Ú ‰‡ ·˙‰‡Ú ÔÂ‰fl‚fl‚‡ÌË ÔÂÚÂÌˆËË ÒÎÂ‰ Í‡ÚÓ ÔÓ‰‡Ê·‡Ú‡Â ËÁ‚˙¯ÂÌ‡. ÄÛÍˆËÓÌÌ‡ Í˙˘‡ "ê‡ÍÛÒË" ÌÂ ÌÓÒË ÓÚ„Ó‚ÓÌÓÒÚ Á‡ ÒÍËÚË ÌÂ‰ÓÒÚ‡Ú˙ˆË.

ñÂÌËÚÂ Ì‡ Ó·ÂÍÚËÚÂ Ò‡ ‚ ·˙Î„‡ÒÍË ÎÂ‚‡.

ç‡˜‡ÎÌ‡Ú‡ ˆÂÌ‡ Â ÔÛ·ÎËÍÛ‚‡Ì‡ ÒÂ˘Û ‚ÒÂÍË Ó·ÂÍÚ ‚ Í‡Ú‡ÎÓ„‡.

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ÄÛÍˆËÓÌÌ‡ Í˙˘‡ "ê‡ÍÛÒË" Â ‰ÛÊÂÒÚ‚Ó Ò Ó„‡ÌË˜ÂÌ‡ ÓÚ„Ó‚ÓÌÓÒÚ Ò˙Ò ÒÂ‰‡ÎË˘Â ‚ „. ëÓÙËfl, ÛÎ. "ï‡Ì äÛÏ" ‹ 4‡, ÒÔÂˆË‡ÎËÁË‡ÌÓ ‚Ó„‡ÌËÁË‡ÌÂ Ì‡ Ú˙„Ó‚Â Á‡ ÔÓ‰‡Ê·‡ Ì‡ ÔÓËÁ‚Â‰ÂÌËfl Ì‡ ËÁÍÛÒÚ‚ÓÚÓ. ífl ÔÂ‰Î‡„‡ Ì‡ Ú˙„ ÔÓËÁ‚Â‰ÂÌËfl Ì‡ ËÁÍÛÒÚ‚ÓÚÓ Í‡ÚÓÍÓÏËÒËÓÌÂ.

éÅôà ìëãéÇàü áÄ èêéÑÄÜÅÄ çÄ "ÄìäñàéççÄ ä öô Ä "êÄäìêëà"


ëÚ˙ÔÍ‡Ú‡ Ì‡ Ì‡‰‰‡‚‡ÌÂ ÒÂ Û‚ÂÎË˜‡‚‡ ‚ ÒÎÂ‰Ì‡Ú‡ Á‡‚ËÒËÏÓÒÚ:

‰Ó 500 Î‚. Ò 20 Î‚.

ÓÚ 500 ‰Ó 1000 Î‚. Ò 50 Î‚.

ÓÚ 1000 ‰Ó 5000 Î‚. Ò˙Ò 100 Î‚.

Ì‡‰ 5000 Î‚. Ò 500 Î‚.

ÇÓ‰Â˘ËflÚ Ì‡ Ú˙„‡ ÏÓÊÂ ‰‡ ËÁÏÂÌfl ÒÚ˙ÔÍ‡Ú‡ ÔÓ ÌÂ„Ó‚Ó Â¯ÂÌËÂ.

ÄÛÍˆËÓÌÌ‡ Í˙˘‡ "ê‡ÍÛÒË" ÏÓÊÂ ‰‡ ÓÚÍ‡ÊÂ Ì‡‰‰‡‚‡ÌÂ ËÎË ÓÚÚÂ„ÎË ÓÔÂ‰ÂÎÂÌ Ó·ÂÍÚ ÓÚ Ú˙„‡·ÂÁ ‰‡ Ó·flÒÌfl‚‡ ÔË˜ËÌËÚÂ Á‡ ÚÓ‚‡.

ÑÓÔ˙ÎÌËÚÂÎÌÓ ‚˙ıÛ ÔÓÒÚË„Ì‡Ú‡Ú‡ ˆÂÌ‡ Ì‡ Ú˙„‡ Á‡ ÓÔÂ‰ÂÎÂÌ Ó·ÂÍÚ, ÒÔÂ˜ÂÎËÎËflÚ Û˜‡ÒÚÌËÍÁ‡ÔÎ‡˘‡ ÔÂÏËfl Ì‡ ‡ÛÍˆËÓÌÌ‡ Í˙˘‡ "ê‡ÍÛÒË" - Ú. Ì‡. "ÔÂÏËfl ÓÚ ÍÛÔÛ‚‡˜‡", Í‡ÍÚÓ ÒÎÂ‰‚‡:

Á‡ Ó·ÂÍÚË ‰Ó 10 000 Î‚. 10%

Á‡ Ó·ÂÍÚË ÓÚ 10 000 ‰Ó 20 000 Î‚. 8%

Á‡ Ó·ÂÍÚË Ì‡‰ 20 000 Î‚. 6%

èËÏÂ: ÄÍÓ Â ÒÔÂ˜ÂÎÂÌ Ó·ÂÍÚ Ì‡ ÒÚÓÈÌÓÒÚ 35 000 Î‚., ÒÂ Á‡ÔÎ‡˘‡Ú 10% ‰Ó 10 000 Î‚.(1000 Î‚.), 8% Á‡ ˜‡ÒÚÚ‡ ÏÂÊ‰Û 10 000 Ë 20 000 Î‚. (800 Î‚.) Ë 6% Á‡ ˜‡ÒÚÚ‡ Ì‡‰ 20 000 Î‚.(900 Î‚.) ËÎË Ó·˘‡Ú‡ ÔÂÏËfl, ÍÓflÚÓ ÍÛÔÛ‚‡˜˙Ú Á‡ÔÎ‡˘‡ Â 2700 Î‚.

èÎ‡˘‡ÌÂÚÓ Ì‡ ÒÔÂ˜ÂÎÂÌËÚÂ Ó·ÂÍÚË ÒÚ‡‚‡ ‚Â‰Ì‡„‡ ÒÎÂ‰ ÔÓ‚ÂÊ‰‡ÌÂÚÓ Ì‡ Ú˙„‡ ËÎË ‰Ó 3‡·ÓÚÌË ‰ÌË ÒÎÂ‰ ÌÂ„Ó ‚ ·ÓÈ ËÎË ÔÓ ·‡ÌÍÓ‚ Ô˙Ú. Å‡ÌÍÓ‚ËÚÂ ÔÂ‚Ó‰Ë ÒÂ Ì‡ÂÊ‰‡Ú ‰Ó:

è˙‚‡ ËÌ‚ÂÒÚËˆËÓÌÌ‡ ·‡ÌÍ‡

IBAN: BG09FINV91501000254167

BIC: FINVBGSF

Ç ÒÎÛ˜‡È, ˜Â ÒÔÂ˜ÂÎËÎ Û˜‡ÒÚÌËÍ ÌÂ Á‡ÔÎ‡ÚË ˆÂÌ‡Ú‡ Ì‡ Ó·ÂÍÚ‡ Ë ÔÂÏËflÚ‡ Ì‡ ‡ÛÍˆËÓÌÌ‡ Í˙˘‡"ê‡ÍÛÒË", ÒÎÂ‰ Í‡ÚÓ Â ÔÓÍ‡ÌÂÌ ÔÓ‚ÚÓÌÓ Á‡ ÚÓ‚‡, ÚÓ ÚÓÁË Ó·ÂÍÚ ÏÓÊÂ ‰‡ ·˙‰Â ÔÂ‰ÎÓÊÂÌ Ì‡‰Û„ Ú˙„, ÒÎÂ‰ Ò˙„Î‡ÒËÂÚÓ Ì‡ ÔÓ‰‡‚‡˜‡. Ç ÚÓÁË ÒÎÛ˜‡È ‡ÛÍˆËÓÌÌ‡ Í˙˘‡ "ê‡ÍÛÒË" ÒË Á‡Ô‡Á‚‡Ô‡‚ÓÚÓ ‰‡ ÔÂ‰ÔËÂÏÂ ‚ÒË˜ÍË ÌÂÓ·ıÓ‰ËÏË ÒÚ˙ÔÍË, Ò˙„Î‡ÒÌÓ ·˙Î„‡ÒÍÓÚÓ Á‡ÍÓÌÓ‰‡ÚÂÎÒÚ‚Ó Á‡ÍÓÏÔÂÌÒË‡ÌÂ Ì‡ Á‡„Û·ËÚÂ ÓÚ ‰ÂÈÒÚ‚ËflÚ‡ Ì‡ ÓÚÍ‡Á‡ÎËfl ÒÂ ÍÛÔÛ‚‡˜, Í‡ÍÚÓ Ë ‰‡ ÌÂ „Ó ‰ÓÔÛÒÌÂ ‰ÓÒÎÂ‰‚‡˘Ë Ì‡‰‰‡‚‡ÌËfl.

èÓÎÛ˜‡‚‡ÌÂÚÓ Ì‡ ÔÓËÁ‚Â‰ÂÌËflÚ‡ ÒÚ‡‚‡ ‚Â‰Ì‡„‡ ÒÎÂ‰ Á‡ÔÎ‡˘‡ÌÂÚÓ ËÏ - ÌÂÔÓÒÎÂ‰ÒÚ‚ÂÌÓ ÒÎÂ‰Ú˙„‡ ËÎË ‚ ÒÓÍ ÓÚ 3 ‡·ÓÚÌË ‰ÌË ÒÎÂ‰ ÔËÍÎ˛˜‚‡ÌÂÚÓ ÏÛ.

èË Á‡ÔÎ‡˘‡ÌÂ Ò ·‡ÌÍÓ‚ ÔÂ‚Ó‰, ÍÛÔÛ‚‡˜ËÚÂ ÏÓ„‡Ú ‰‡ ÔË·Â‡Ú ÒÔÂ˜ÂÎÂÌËÚÂ Ó·ÂÍÚË Ò‡ÏÓ ÒÎÂ‰Í‡ÚÓ ‡ÛÍˆËÓÌÌ‡ Í˙˘‡ "ê‡ÍÛÒË" Â ÔÓÎÛ˜ËÎ‡ ËÁˆflÎÓ ˆÂÌ‡Ú‡ Á‡ ÔÓ‰‡‰ÂÌËfl Ó·ÂÍÚ.

Ç ÒÎÛ˜‡È, ˜Â ÍÛÔÛ‚‡˜˙Ú Â Á‡ÔÎ‡ÚËÎ ˆÂÌ‡Ú‡, ÌÓ ÌÂ ÒÂ fl‚Ë ‰‡ ÔÓÎÛ˜Ë ÒÔÂ˜ÂÎÂÌËfl Ó·ÂÍÚ ‰Ó 7‡·ÓÚÌË ‰ÌË ÒÎÂ‰ ÔÓ‚ÂÊ‰‡ÌÂÚÓ Ì‡ Ú˙„‡, ÚÓ ÚÓÈ Á‡ÔÎ‡˘‡ ÔÓ Â‰Ó‚ÌË ˆÂÌË Á‡ Ï‡„‡ÁËÌ‡Ê Á‡‚ÒÂÍË ÔÓÒÓ˜ÂÌ ‰ÂÌ ÒÎÂ‰ ÚÂÚËfl. ëÎÂ‰ ËÁÚË˜‡ÌÂÚÓ Ì‡ 7-‰ÌÂ‚ÌËfl ÒÓÍ ‚ÒË˜ÍË ËÒÍÓ‚Â Á‡Ó·ÂÍÚ‡ ÔÂÏËÌ‡‚‡Ú ‚˙ıÛ ÍÛÔÛ‚‡˜‡.

èÓ‰‡‚‡˜˙Ú „‡‡ÌÚË‡ Ì‡ "ê‡ÍÛÒË" Ë Ì‡ ÍÛÔÛ‚‡˜‡, ˜Â ÚÓÈ Â ·ÂÁÒÔÓÂÌ ÒÓ·ÒÚ‚ÂÌËÍ Ì‡ Ó·ÂÍÚ‡,ÔÂ‰ÎÓÊÂÌ Á‡ ÔÓ‰‡Ê·‡, ˜Â Ó·ÂÍÚ˙Ú ÌÂ Â Ó·ÂÏÂÌÂÌ ÓÚ Í‡Í‚ËÚÓ Ë ‰‡ Â ÔÂÚÂÌˆËË, ÒÔÓÓ‚Â, Á‡ÔÓ,Û„Ó‚ÓÍË ËÎË Á‡ÎÓÁË Ë ˜Â ÚÓÈ Á‡ÍÓÌÌÓ ÏÓÊÂ ‰‡ ÔÂı‚˙ÎË ÒÓ·ÒÚ‚ÂÌÓÒÚÚ‡ Ì‡ ÚÓÁË Ó·ÂÍÚ.

àÌÙÓÏ‡ˆËflÚ‡, ‚ÍÎ˛˜ÂÌ‡ ‚ Í‡Ú‡ÎÓ„‡ Â ÔÓ‰„ÓÚ‚ÂÌ‡ ÓÚ ÂÍÒÔÂÚË Ì‡ ‡ÛÍˆËÓÌÌ‡Ú‡ Í˙˘‡ Ë ÂÔÂ‰Ì‡ÁÌ‡˜ÂÌ‡ ‰‡ ÔÓÏ‡„‡ Ì‡ ÔÓÚÂÌˆË‡ÎÌËfl ÍÛÔÛ‚‡˜ ÔË Ó„ÎÂ‰‡ Ì‡ Ó·ÂÍÚËÚÂ Ë ÒÂ ÔÂˆÂÌfl‚‡ ÎË˜ÌÓÓÚ ÌÂ„Ó. ÄÍÓ ÌÂ Ò‡ ÔÛ·ÎËÍÛ‚‡ÌË ‰‡ÌÌË Á‡ ÂÒÚ‡‚‡ˆËfl, ÔÓ‚Â‰Ë ËÎË ‰Û„ ÒÎÛ˜‡È, ÚÓ‚‡ ÌÂÓÁÌ‡˜‡‚‡, ˜Â Ó·ÂÍÚ˙Ú Â ÎË¯ÂÌ ÓÚ ‰ÂÙÂÍÚË.

Àóêöèîííà êúùà "Ðàêóðñè" ãàðàíòèðà çà àâòåíòè÷íîñòòà íà ïðîèçâåäåíèÿòà, êîèòî ïðåäëàãàíà òúðã. Íà âñè÷êè ïðîèçâåäåíèÿ, âêëþ÷åíè â òúðãà, å èçâúðøåíà èäåíòèôèêàöèÿ îò åêñïåðòíàêîìèñèÿ îò íàöèîíàëåí ìóçåé, ñúãëàñíî èçèñêâàíèÿòà íà Çàêîíà çà êóëòóðíîòî íàñëåäñòâî.

äÛÔÛ‚‡˜˙Ú, ÍÓÈÚÓ ËÏ‡ Ì‡ÏÂÂÌËÂ ‰‡ ËÁÌÂÒÂ Á‡‰ „‡ÌËˆ‡ ‰‡‰ÂÌ Ó·ÂÍÚ, ÔÂ‰ÎÓÊÂÌ Ì‡ Ú˙„, ÂÌÂÓ·ıÓ‰ËÏÓ ‰‡ ÒÂ ËÌÙÓÏË‡ ÔÂ‰‚‡ËÚÂÎÌÓ ‰‡ÎË Ó·ÂÍÚ˙Ú ÌÂ ÒÂ ÌÛÊ‰‡Â ÓÚ ÒÔÂˆË‡ÎÌÓ‡ÁÂ¯ÂÌËÂ Á‡ ËÁÌÓÒ.

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èêÖåàü éíäìèìÇÄóÄ

èãÄôÄçÖ

èéãìóÄÇÄçÖ çÄèêéàáÇÖÑÖçàüíÄ

ÉÄêÄçñàà

é·˘ËÚÂ ÛÒÎÓ‚Ëfl Á‡ ÔÓ‰‡Ê·‡ Ò‡ ‚ Ò˙ÓÚ‚ÂÚÒÚ‚ËÂ Ò ·˙Î„‡ÒÍÓÚÓ Á‡ÍÓÌÓ‰‡ÚÂÎÒÚ‚Ó. äÛÔÛ‚‡˜ËÚÂ, ÔÓ‰‡‚‡˜ËÚÂ Ë ÚÂıÌËÚÂÔÂ‰ÒÚ‡‚ËÚÂÎË ÔËÂÏ‡Ú, ˜Â ‚ÒË˜ÍË ‚˙ÁÌËÍÌ‡ÎË ÒÔÓÓ‚Â ÒÂ ÛÂÊ‰‡Ú ÓÚ ·˙Î„‡ÒÍÓÚÓ Ô‡‚Ó.

éÅôà ìëãéÇàü áÄ èêéÑÄÜÅÄ çÄ "ÄìäñàéççÄ ä öô Ä "êÄäìêëà"


A registration is necessary for participation in the bidding, completed by filling in a registration form withthe three names, address and phone number. By registration a fee of 50 BGN shall be paid. The feeshall be reimbursed only upon participation in the bidding during the auction. The form is includedwith the printed catalogue of the auction; it can also be downloaded here: Registration Form. The reg-istration may be carried out at any time after the auction date has been announced or immediatelybefore it commences. Every registered person receives a number to bid by.

Bidding is carried out by attending the auction in person, submitting an absentee bid form, or by tele-phone. It is assumed that all persons bidding in the auction do so on their own behalf and they carrypersonal responsibility for their bids, unless they have been registered with the auction house as repre-sentatives of a third party.

To place written bids in an auction, the participant must submit a filled in “Absentee bid form” found onthe back of every auction catalogue and published in “Rakursi” auction house’s Internet page. Theabsentee bid forms must be received in the auction house at least 24 hours prior to the beginning ofthe auction by mail or fax. The address for submitting the absentee bid forms is: 1000 Sofia, 4a “HanKrum” St., fax: 981 26 17. In case of receiving several equal absentee bids for an item, the first offerreceived will be given priority.

To place bids by telephone, the participant must submit a filled in “Telephone bid form” found of theback of every auction catalogue and published in “Rakursi” auction house’s Internet site. The form mustbe received in the auction house at least 24 hours prior to the beginning of the auction by mail or fax.The address for submitting the written offers is: 1000 Sofia, 4a “Han Krum” St., fax: 981 26 17.

Bidding by telephone is only allowed for items over 600 (six hundred) BGN in value.

This service is free for the customer.

The “Rakursi” auction house bears no responsibility in case it is technically impossible to establish tele-phone connection with the participant.

The auctions follow the order of the lots in the catalogue. The highest and last bid is successful. Theauctioneer announces the price reached, utters “sold” and the winner’s number and drops the hammer.The fall of the hammer after bidding for a certain item means that a buyer has been selected. In casetwo or more participants have made equal offers for an item in the auction, the auctioneer subjects theitem to a new bidding, beginning from the last price offered by the bidders; everyone attending can par-ticipate in this second auction.

Examination of art works takes place two days prior to the auction date from 10.00 to 19.30, and onthe day of the auction – from 10.00 to 13.00 in the Rakursi Art Gallery - 4a “Han Krum” St., 1000 Sofia.When offered for sale, the works are in the same condition they have been in at the time of the exam-ination. Since the buyers are provided the opportunity to examine the items exhibited prior to the sales,they cannot lay any claims after a sale has been concluded. Rakursi auction house bears no responsi-bility for hidden flaws.

The prices of the items are listed in BGN. The starting price of each item is cited in the catalogue.

REGISTRATION

BIDDING

Bidding with a submittedabsentee bid form:

Bidding by telephone:

DETERMININGA BUYER

EXAMINATION

STARTING PRICE

The “Rakursi” auction house is a limited liability company seated in the city of Sofia, 4a “Han Krum” St., specializing in organizing auctions for sell-ing works of art. It offers works of art at auctions as a commission agent.

G E N E R A L C O N D I T I O N S


The bid increment increases as follows:

up to 500 BGN – by 20 BGN

from 500 to 1000 BGN – by 50 BGN

from 1000 to 5000 BGN – by 100 BGN

over 5000 BGN – by 500 BGN

The auctioneer may change the bid according to his discretion. The Rakursi auction house may declinea bid or withdraw a certain item from the auction without assigning reasons.

In addition to the price reached for a certain item, the winning participant pays a premium to the“Rakursi” auction house (“premium from the buyer”) as follows:

for items up to 10 000 BGN – 10%

for items from 10 000 to 20 000 BGN – 8 %

for items over 20 000 BGN – 6%

Example: If an item worth 35 000 BGN is won, 10% are paid to 10 000 BGN (1000 BGN), 8% for thepart between 10 000 and 20 000 BGN (800 BGN) and 6% for the part over 20 000 BGN (900 BGN) orthe cumulative premium the buyer pays is 2700 BGN.

Payment for the won items is done immediately following the auction or up to 3 workdays afterwards,in cash or by bank transfer. Bank transfers are to be wired to:

FIRST INVESTMENT BANK

IBAN: BG09FINV91501000254167

BIC: FINVBGSF

In case a winning participant fails to pay out the item’s price and “Rakursi” auction house’s premiumafter being asked to do so twice, the item can be offered at a different auction, following the seller’sconsent. In such a case, the “Rakursi” auction house keeps the right to undertake all necessary meas-ures, in accordance with the Bulgarian legislation, to restore the losses caused by the renouncingbuyer’s actions, as well as to prohibit him from any further auctions.

The receiving of the works occurs immediately after payment is completed – immediately following theauction or in a 3-workday term after its conclusion. In cases of bank transfers, buyers may only receivean item after “Rakursi” auction house has received the price of the item in full. In case the buyer haspaid the price, but fails to receive the item within 7 workdays following the auction, he pays for storagebased on regular rates for every day overdue after the third one. After the 7-workday term has expired,all risks concerning the item are passed over to the buyer.

The seller guarantees to “Rakursi” and the buyer that he is the undisputed owner of the item offered for sale,that the item is not burdened by any kinds of claims, disputes, distraints, stipulations or pledges, and thathe can lawfully pass over the ownership of the item. The information included in the catalogues is preparedby the auction house’s experts. It is aimed at aiding the potential buyer in his examination of the items andis assessed at his own discretion. If no data of restoration, damages or other event is listed, this does notnecessarily mean the item is free of flaws.

Auction house "Rakursi" guarantees the authenticity of the art works offered.

A buyer intending to export an item across state borders needs to enquire in advance whether the itemneeds a special export permit.

BID INCREMENTS

PREMIUM FROMTHE BUYER

PAYMENT

RECEIVING OFTHE WORKS

GUARANTEES

These general conditions are in accordance with the Bulgarian legislation. Buyers, sellers, and their representatives accept that any arising disputeswill be resolved by Bulgarian law.

G E N E R A L C O N D I T I O N S

The paintings are restored and framed by highly acclaimed studio for restorationand conservation "Art & Services"

13, Prohlada Str., Sofia, tel.: 857 30 44, fax: 857 46 21, e-mail: [email protected]

Êàðòèíèòå ñà ðåñòàâðèðàíè è ðàìêèðàíè îò "Àðò è Ñúðâèñèñ"

ãð. Ñîôèÿ, óë. "Ïðîõëàäà" 13, òåë.: 857 30 44, ôàêñ 857 46 21, e-mail: [email protected]

Êîìèñåð-ïðèçüîð: Âàëåíòèí Àíãåëîâ

Auctioneer: Valentin Angelov

Àóêöèîííà êúùà "Ðàêóðñè"

Ñîôèÿ 1000, óë. “Õàí Êðóì” 4à

ò å ë . : 0 2 / 9 8 1 2 6 1 7

e-mail: [email protected]

w w w . a u c t i o n - r a k u r s i . c o m

23 ÌÀÐÒ 2011, 18 ×ÀÑÀ ÕÎÒÅË „ÊÐÈÑÒÀË ÏÀËÀÑ“ · 2 ÒÚÐÃ -...

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