2 ph bk 2 - keyboard - session 2
TRANSCRIPT
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
Palmer&HughesBook2–Session2
InstructionandCompanionMaterial
PresentersSheliaLee&MarkRopel
MastertheAccordionWorkshops
Sponsoredby
5013(c)NonProfit
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
Session2Eachnewsessionbeginswiththeskillslearnedinthepriorsession.So–reviewandpracticeyourdrills,usingshorthandattacks.Song#2PHBook2–CamptownRacesCompanionSongs:
1. WhentheSaintsGoMarchingIn2. CavallitoBlanco3. ThisLandisYourLand4. PracticeSong:FavoritePolka
Let’sGetStarted: 1.PlayFirst
o Perform3favoritesongstowarmupo PlayatperformancespeedwithNOSTOPSFORBOO‐BOOs
2.Technique&Theoryo Octaves
PracticeyourOctaveDrillfromSession1
o LittleScaleDrill(FromSession#1) PracticeCtoGDrill–SaynamesofnotesOUTLOUD PracticeFtoCDrill–SaynamesofnotesOUTLOUD
PlayGtoDDrill–SaynamesofnotesOUTLOUD PlacethumbonGandlineupallfingers(oneeachoneachnote) Playthefingering1‐2‐3‐4‐5‐5‐4‐3‐2‐1–inacleanDETACHEDstylein
aneventempo SAYthenamesofthenotesOUTLOUDasyouplaythem–G‐A‐B‐C‐D‐
D‐C‐B‐A‐G
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
TheoryKnowledge
o MajorChords&MajorScales&MajorArpeggios TechniqueDrill#2 PlaytheCScaleevenlyandshort–nostops CDrillendswithanARPEGGIO–“rollingblockchord” CMajorChord–Locatehandposition,rollthe1‐3‐5notes,holdthe
notestogether.
TechniqueDrill#2 PlaytheFscaleevenlyandshort–nostops FDrillendswithanARPEGGIO–“rollingblockchord” FMajorChord–Locatehandposition,rollthe1‐3‐5notes,holdthe
notestogether.
TechniqueDrill#2GDrill PutthumbonGandlineupallyourfingers PlaytheGDrillline–tolearnthenamesofthenotes–saythemout
loud
PlaytheGscaleevenlyandshort–nostops GDrillendswithanARPEGGIO–“rollingblockchord” GMajorChord–Locatehandposition,rollthe1‐3‐5notes,holdthe
notestogether.
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
& 44 ˙ ˙C
˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙& œ œ œ œ
C
œ œ œ œ œ œ œ œ œ œ œ œ ˙ ˙ ˙ ˙ wwww
& ˙ ˙F ˙ ˙b ˙ ˙ ˙ ˙ ˙ ˙F ˙ ˙ ˙b ˙ ˙ ˙
& œ œ œ œb œ œ œ œ œ œ œ œ œb œ œ œ ˙ ˙ ˙ ˙ wwww
& œ œ œ œG A œ œ œ œB C œ œ œ œD C œ œ œ œ œ œ ˙
& ˙ ˙G A ˙ ˙B C ˙ ˙D E ˙# ˙F# G ˙ ˙# ˙ ˙ ˙ ˙ ˙ ˙
& œ œ œ œ œ œ œ# œ œ œ# œ œ œ œ œ œ ˙ ˙ ˙ ˙ wwww
Technique Drill #2
© 2010 So Good Productions
Shelia Lee
1
1
1
1
1
4Bb
C Major Scale
F Major Scale
C Drill
F Drill
C Major Chord
F Major Chord
G Drill
G Major Scale
1
1 13 3
3 1 31 2 3 5
1 4
4 1 1 4 2 35
3 11 3
3 1 1 3 2 3 5G Major Chord
C-F-G Scales - Major Chord & Arpeggio
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
LeftHandKnowledgeo Review&PracticeBassDrill#1fromSession1withmovementbetween
bassesandalternatingbasses–Session#3song–usesAlternatingBasses!o TheoryNOTE–bassesareplayedshort.ANDinmostcases–shorterthanthe
quarternotevalueassigned.
3.LearnMethodofLearningNewLessonSong(notsightreadingrules)o NewLessonSong–CamptownRaces
Whenstartinganewlessonsong–therearedifferenttechniquesyouusetoapproachaPROPERLEARNINGmethod:
Locatelast4measuresorlastphraseThesemeasureswillbecomeyourINTRODUCTION–whenneeded.Learningthe“endingFIRST”willmean–youSPENDMORETIMEontheendingthanthebeginning–whichmeansamorepowerfulENDING–thelastimpressionyouraudiencewillhear!
• PracticethesemeasuresFIRST• Locatehandpositionandendingbasses• Identifyendingstyle(howitleadsbacktobeginning?)• SeehowmanywaysyoucanenditDIFFERENTLY
o Addanarpeggiorollo Addabasssoloo AddaBlockChord
LocatelastsectionorChorus
• Block–LH(LeftHand)walkthebassandbasschanges(practicemovingbetweenbasses)
• Block–RH(RightHand)noteranges–lookoutforhandpositionschanges–practicehandmoves
• VerticalPracticehandsseparatethentogether–watchforbassline‐upwiththeRHnotes.SeetheMeasureassub‐dividedby“whichnotegoeswithwhichbass”
• BEAT–practiceusingaslow–evencountorbeat–don’tslowdownforhardspots–playasfastasthehardspotswillletyoukeepanevenbeat.
Locatenexttolastsection,etc.
KeepmovingBACKWARDthroughthesongin4to8measuresections–FirstBlockeachhandforpositionandnotes,thenwatchverticalalignmentthenplaytogether
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
CamptownRaceso UsesBassChordChordChordstylebasso NowUseSightReadingRulesandplaythenext3Songs
WhentheSaintsGoMarchingIn CavallitoBlanco ThisLandisYourLand
4.Read3NewSong(SightRead)
o ReviewthesongFirst–thesearethestepforSIGHTREADING LOOKforBassChanges(Blockthemout) LOOKforSectionChanges(repeat,endings,etc.) LOOKforanyHandPositionChanges(Blockthemout) PlayataSUB‐SLOWspeed–keepingtempoeven Don’tstopforBoo‐Boos
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
&
?
44
44
..
..
œ œ œ œCa
Ten
ba
go,
lli
ten
to
go,
œ œ œ œCM
˙ ˙blan
ten
co
go,
œ œ œ œ
œ œ œ œlle
tu
va
no
me
tie
de/a
nes
œ œ œ œ
˙ ˙qui.
na da,
œ œ œ œGM
-
-
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-
&
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5
œ œ œ œlleten
vamego
atres
lao
œ œ œ œGM
˙ ˙tieve
rrajas
œ œ œ œ
œ œ œ œdonen
deu
yona
naca
œ œ œ œ
˙ ˙ci.ba na.
œ œ œ- œ-
-- -
--
--
-- -
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9
œ œ œ œU na me da
œ œ œ œCM
˙ ˙le che,
œ œ œ œ
œ œ œ œo tra me da
œ œ œ œ
˙ ˙la na,
œ œ œ œGM
- - - -
&
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13
œ œ œ œo tra man te
œ œ œ œGM
˙ ˙qui lla
œ œ œ œ
œ œ œ œpor to/da la se
œ œ œ œ
˙ œ Œma na.
œ œ œœ ŒCM
- - - - -
Caballito BlancoChildren's Song from Chile
© 2010 So Good Productions
arr. by Shelia Lee
(Little White Horse)
4
21
2 4
2
2 1
1
G A B
3 2 4 2
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
&
?
44
44
..
..
Œ œ œ œOh, when the
!
wsaints
œ œ œ œCM
œ œ œ œgo march ing
œ œ œ œwin.
œ œ œ œ˙ œ œ
When the
œ œ œ œ
&
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6
˙ ˙saints go
œ œ œ œ˙ ˙
march ing
œ œ œ œwin.
œ œ œ œG 7
œ œ œ œOh, how I
œ œ œ œ
&
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10
.˙ œwant to
œ œ œ œCM
˙ œ œbe in that
œ œ œ œœ .˙
num ber,
œ œ œ œFM
˙ œ œWhen the
œ œ œ œ
&
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..
..
14
˙ ˙saints go
œ œ œ œCM
˙ ˙march ing
œ œ œ œG 7
1.
win,
œ œ œ œCM
œ œ œ œOh, when the
œ œ œ œ
2.
win.
œ œ œ œCM
œ Œ œ Œ
œœ Œ œœ Œ
When the Saints Go Marching InGospel Folk Tune
© 2010 So Good Productions
arr. by Shelia Lee
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
&
?
44
44
..
..
Œ œ œ œThis Land Is
!
˙ ˙Your Land
œ œ œ œCM
œ œ œ œThis land is
œ œ œ œ˙ ˙
my land,
œ œ œ œGM
œ œ œ œfrom Cal i
œ œ œ œ- -
&
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6
˙ ˙for nia
œœ
œœD 7
œ œ œ œto/the New York
œœ
œœ
˙ ˙is land.
œ œ œ œGM
œ œ œ œFrom/the red wood
œ œ œ œG 7
- --
&
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10 ˙ ˙for est
œ œ œ œCM
œ œ œ œto/the Gulf Stream
œ œ œ œ˙ ˙
wa ters.
œ œ œ œGM
w
œ œ œ œ- -
&
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..
..
14
œ ˙ œThis land was
œœ
œœD 7
œ# œ œ œmade for you and
œœ
œœ
1.
wme.
œ œ œ œGM
œ œ œ œ
œœ Œ Ó
2.
w
œ œ œ œGM
œ Œ Ó
œœ Œ Ó
This Land Is Your Land
Woody Guthrie
© 2010 So Good Productions
arr. by Shelia Lee
In 2002, this was one of 50
recordings chosen that year
by the Library of Congress
to be added to the National
Recording Registry.
*
* If you do not know 7th Chords
Please play M instead.
2 1 2
3 2 1 2
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
Nowyouhave4moresongstoaddtoyourNotebookofRepertoire!
Wasn’tthatFUN!–Nowkeeptheseasyourwarmupsongs.
2.Technique&Theoryo PracticeSession2DoubleNoteDrill
o BasedontheGMajorScale–InSectionA&C‐ALLFsareF#s
ThumbwillplayF#watchforhandposition–DONOTTURNHAND!MoveotherfingersCLOSERTOBLACKNOTES–maybeevenplaytheothernotesBETWEENtheblacknotes!
WatchyourHandPositionkeephandandwristABOVEthekeys–andtakethe2fingersTOthekeyboard
Separateeachdoublenoteset–DONOTPLAYSMOOTH
KeepEventempo–evenduringhandmoves
HandMovestrytoclosely“simulate”theunderandoveractionofyourfingers–justlikeyoudowhenyoudoyourscales
ThisDrillisprettyROUGH!MasterSectionAbeforemovingtoSectionB
GoingHomeSectionC–istheMainthemetoDvorak’sNewWorldSymphony.
o FavoritePolka–DoubleNotes
PracticeAFTERyouhaveMasteredtheDoubleNoteDrill MinimumHandMoves,simplebasssolo,easyArpeggioEnding
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
& 44 ..˙̇ œœA ..˙̇ œœ ˙̇ ˙̇ ˙̇ ˙̇ ˙̇# ˙̇
& œœ œœ œœ œœ œœ œœ œœ œœ# ..˙̇ œœ# œœ œœ œœ œœ œœ œœ œœ# œœ
& ˙̇ ˙̇B
˙̇ ˙̇ ˙̇ ˙̇ ˙̇ ˙̇ œœ œœ ˙̇
& 43œœ œœ œœ œœ œœ œœ œœ œœ ˙̇ ˙̇ ˙̇ ˙̇
& 43 ˙̇ œœC
..˙̇ ˙̇ œœ# ..˙̇ ˙̇# œœ ˙̇ œœ ..˙̇# ..˙̇
& ˙̇ œœ ..˙̇ ˙̇ œœ# ..˙̇ ˙̇# œœ ˙̇# œœœ ...˙̇̇ ...˙̇̇
Session 2
Double Note Drill
Shelia Lee
© 2010 So Good Productions
G to D Drill (Thumb on G or F)
Dotted Half Notes get 3 counts each
Hand Positions for Double Notes
3B
1G5D
3B
4C
2A2A
1F
5
32
1
2
12
1
Going Home (New World Symphony)
Hand Position Changes
2
1
3
1
4
2
2
1
3
1
4
2
2
1
3
1
4
2
3
1
5
3
4
23
13
1
2
1
3
1
4
2
move move
move move
3
1
3
1
2
1
2
1
2
1
3
12
1
4
2
5
2
1
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
&?
44
44....
Accordion œœ!
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!
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"
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œ œ œ œœœ œœ ˙̇œ œ œ œ
œœ"
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&?
..
..
Acc. œœ!
œœ œœ œœœ œ œ œ
œœ œœ ˙̇œ œ œ œ
œœ"
œœ œœ œœœ œ œ œ
.˙ Œ
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&?
..
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Acc. ˙̇!
˙̇œ œ œ œ
œœ œœ ˙̇œ œ œ œ
˙̇"
˙̇
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&?
..
..
Acc. ˙̇!
˙̇œ œ œ œ
œœ œœ ˙̇œ œ œ œ
œœ"
œœ œœ œœ
œ œ œ œœ œ œœœ Œ
œ œ-œœ Œ
Favorite Polka
Shelia Lee
© 2009 So Good Productions
4 3 2
MCGM
MM
MM
MM M
4
2
G A B
Out Bellows
In Bellows
2
1
2
1
1 2 5
4E Counterbass
2 4 2
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
5.CoolDownSectiono Play3EasyTones–canbesame3youstartedwith.o Tryoutauniqueendingforeach
OctaveDoubleNotes(Wiggled) MajorChord(135) Arpeggiorollin–trytheRollOverArpeggio TryALLTHREE!OnOneSong
MusicNotebookWhenthesongsfromSession2arelearned–movethemtoyourEASYTUNEsectionofyourRingBinderandtheycanbeusedforFUTUREWARMUPTUNES.
1. QueSera,Sera(WhateverWillBe,WillBe)2. DeColores3. Du,DuLiegstMirImHerzen(You,YouareinMyHeart)4. WhentheSaintsGoMarchingIn5. CavallitoBlanco6. ThisLandisYourLand
CONGRATULATIONS!YouhavenowcompletedSession#2Remembertofollowthesestepsforeachofyourpracticesessions:
1. WarmUp‐Starteachpracticesessionwithyourfavorite3songs–nomatterhow
simple2. TechniqueBuilder–doadrillor2–likeascale,speeddrill,chordstructureofsong,
etc.3. WorkonNewSongs–practiceassignedsongs.Startwithlast4measuresorlast
section4. SightReading‐Whileyouarenowyourmostalert–readanewsong(sight‐read)–
startwithchordstructure(ChordstructurewillbetaughtinSession#3)5. CoolDown–withyourfavorite3songs–canbethesame3youwarmedupwith
MastertheAccordionWorkshops PHBook2‐Session2
HAPi*1547S.RicheyRd.,Pasadena,TX77550*281‐780‐8656*[email protected]
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