12 works of art that prove what a loss the closure of the museum of biblical art is
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12 Works Of Art That Prove What A Loss The Closure Of TheMuseum Of Biblical Art Is
New York City's Museum of Biblical Art is closing its doors next month, just shy of its 20thanniversary.
The museum announced the closure in a press release on its website, stating that it was unable toraise funds for a new site when the American Bible Society, which has housed it since 1997,announced it was moving to Philadelphia. The museum is run independently of the Bible Society,though the organization has provided essential funding and housing over the years.
"I am deeply proud of what we have accomplished at MOBIA, and deeply sorry that we will not beable to present the many exciting exhibitions and projects we had planned for the coming years,"MOBIA Director Richard P. Townsend said in the release.
The museum has served as a non-collecting gallery space over the last decade and half, hostingbiblically-inspired exhibitions from other institutions for months at a time. With the museum'sclosure, New York loses a "valuable resource," as Dale T. Irvin, president of the New YorkTheological Seminary, told Religion News Service.
And in 2012, RNS's David Van Biema wrote:
MOBIA is unlike most big-city museums in its exclusive focus on Christian and Jewish religious art --but also its attention to that art's religiousness. The museum had no religious agenda per se -- whichis ironic since it started as part of the venerable American Bible Society.
Here are 12 works of art and gallery views that demonstrate why MOBIA's announcement is a majordisappointment for spiritual seekers, theologians and art aficionados alike:
Annunciation, detail
Attributed to Giovanni d'Ambrogio
The Annunciation, late 14th century
Marble, 144 × 44 × 30 cm (56¾ × 17¼ × 117/8 in.)
Opera di Santa Maria del Fiore, inv. no. 2005/276
© Opera di Santa Maria del Fiore / Antonio Quattrone
Installation view of Sculpture in the Age of Donatello: Renaissance Masterpieces from FlorenceCathedral at the Museum of Biblical Art, 2015. The exhibition is organized by Opera di Santa Mariadel Fiore, Florence, and the Museum of Biblical Art, New York.
The Art of Dialectic
Luca della Robbia
The Art of Dialectic (Plato and Aristotle?), 1437-39
Marble, 83.5 × 69 × 13 cm (327/8 × 271/8 × 5 in.)
Opera di Santa Maria del Fiore, inv. no. 2005/437
© Opera di Santa Maria del Fiore / Antonio Quattrone
Installation view of Sculpture in the Age of Donatello: Renaissance Masterpieces from FlorenceCathedral at the Museum of Biblical Art, 2015. The exhibition is organized by Opera di Santa Mariadel Fiore, Florence, and the Museum of Biblical Art, New York.
Processional Cross
Luca della Robbia and Antonio di Salvi Salvucci
Processional Cross: Christ Crucified, the Evangelists, Allegory of the Sun, 15th century (after 1460,before 1475)
Gilded here copper (repoussé and chased), gilded bronze, and enamel, 76 × 57 cm (total height withstaff: 160 cm) (30 × 22½ in.) (total height with staff: 63 in.)
Opera di Santa Maria del Fiore, inv. no. 2005/347
© Opera di Santa Maria del Fiore / Antonio Quattrone
Installation view of Sculpture in the Age of Donatello: Renaissance Masterpieces from FlorenceCathedral at the Museum of Biblical Art, 2015. The exhibition is organized by Opera di Santa Mariadel Fiore, Florence, and the Museum of Biblical Art, New York.
Abraham and Isaac (the Sacrifice of Isaac)
Donatello and Rosso
Abraham and Isaac (the Sacrifice of Isaac), 1421
Marble, 188 × 56 × 45 cm (74 × 22 × 173/4 in.)
Opera di Santa Maria del Fiore, inv. no 2005/366
© Opera di Santa Maria del Fiore / Antonio Quattrone
Installation view of Sculpture in the Age of Donatello: Renaissance Masterpieces from FlorenceCathedral at the Museum of Biblical Art, 2015. The exhibition is organized by Opera di Santa Mariadel Fiore, Florence, and the Museum of Biblical Art, New York.
St. John the Evangelist
Donatello
St. John the Evangelist, 1408-15
Marble, 212 × 91 × 62 cm (83½ × 35¾ × 24½ in.)
Opera di Santa Maria del Fiore, inv. no 2005/113
© Opera di Santa Maria del Fiore / Antonio Quattrone
Installation view of Sculpture in the Age of Donatello: Renaissance Masterpieces from FlorenceCathedral at the Museum of Biblical Art, 2015. The exhibition is organized by Opera di Santa Mariadel Fiore, Florence, and the Museum of Biblical Art, New York.
Bronze Head
Donatello and workshop
Head, ca. 1439
Bronze with traces of gilding, 45 × 35 × 30 cm (17¾ × 13¾ × 11¾ in.)
Opera di Santa Maria del Fiore, inv. no 2005/379a
© Opera di Santa Maria del Fiore / Antonio Quattrone
Installation view of Sculpture in the Age of Donatello: Renaissance Masterpieces from FlorenceCathedral at the Museum of Biblical Art, 2015. The exhibition is organized by Opera di Santa Mariadel Fiore, Florence, and the Museum of Biblical Art, New York.
Christ (Vir Dolorum or "Man of Sorrows")
Nanni di Banco or Donatello
Vir Dolorum (Man of Sorrows), ca. 1407-9
Marble, 48 × 66 × 12 cm (187/8 × 26 × 4¾ in.)
Opera di Santa Maria del Fiore, inv. No 2005/280
© Opera di Santa Maria del Fiore / Antonio Quattrone
Installation view of Sculpture in the Age of Donatello: Renaissance Masterpieces from FlorenceCathedral at the Museum of Biblical Art, 2015. The exhibition is organized by Opera di Santa Mariadel Fiore, Florence, and the Museum of Biblical Art, New York.
Back to Eden
Installation view of Back to Eden: Contemporary Artists Wander the Garden at the Museum ofBiblical Art, 2014. Courtesy of the Museum of Biblical Art.
The Art of Devotion
Installation view of Louis C. Tiffany and the Art of Devotion at the Museum of Biblical Art, 2012-13.Courtesy of the Museum of Biblical Art.
The Art of Devotion
Installation view of Louis C. Tiffany and the Art of Devotion at the Museum of Biblical Art, 2012-13.Courtesy of the Museum of Biblical Art.
Object of Devotion
Installation view of Object of Devotion: Medieval English Alabaster Sculpture from the Victoria andAlbert Museum at the Museum of Biblical Art, 2014. Courtesy of the Museum of Biblical Art.
Object of Devotion
Installation view of Object of Devotion: Medieval English Alabaster Sculpture from the Victoria andAlbert Museum at the Museum of Biblical Art, 2014. Courtesy of the Museum of Biblical Art.
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