zsolnay exclusive catalog
DESCRIPTION
Limited series The Zsolnay launched its limited series collection programme in 2009. Every Zsolnay piece participating in the programme is special, work of art prepared by the unique Zsolnay technique. Their characteristic feature is, that all of them can be tied to a prominence of the excellent tradition, that are re-dreamed by contemporary artists and master painters, or are the masterworks of well-known artists representing similar values to the pieces of the past, they form bridge in between past and present at the same time. Every piece of the limited series generally prepared for order is numbered, the certificate filled out on the product authentically proves the originality, the speciality, the year of production, the size and the ordinal number of the series. This limited artwork is an excellent possibility for the Zsolnay lovers to establish, to expand their individual collection.TRANSCRIPT
Porcelain Manufacture Jsc.ZSOLNAY
More than Art
„It’s More than Manufacture
Bachar Najari (Factory owner)
It’s Art AcademyIt’s ZSOLNAY”
BudapestVienna
Prague
WarsawBerlin
Munich
Paris
PécsVenice
Rome
Milan
GenevaZagreb
Kiev
HistoryThe Zsolnay brand has stood for tradition, individuality, artistic value, and constantrenewal for over 160 years. Throughout its long history, it always managed to createsomething new and of fundamental importance to the current era. It has playeda pioneering role both technologically and with regard to artistic techniques, andmanaged to attract the most renowned contemporary scientists, artists, and architects.
The story of Zsolnay Porcelain Manufacture Jsc. started in Pécs, in the year 1853. It wasthen that Miklós Zsolnay turned the hard tile manufactory of Lukafa into ZsolnayHard Tile Manufactory. After the company was incorporated, Zsolnay transferredthe company to his son, Ignác, in 1854, and had the original articles of incorporationamended. The workshop that Ignác Zsolnay led for 10 years had rudimentary equipment,and was designed to utilise manual power. It employed impoverished potters(around 8 to 10 of them) who had produced their wares for the local market, andwere unable to compete with mass-produced goods. The company made stonewaredishes, architectural ceramics, and water pipes.
The workshop was struggling with lack of capital, development, and automation,and it had all but failed in the face of stiff competition on the market. It was savedfrom being sold off at an auction by Ignác’s brother, Vilmos Zsolnay, who took overthe company in 1865, after spending a year as a silent partner. After that, the workshopdeveloped into a world-famous factory. In the mid-1870s, the company had between 15 and 20 labourers. The main driving forces behind its development were foreign experts and the Zsolnay family. Both Vilmos and his children, Teréz, Júlia, and Miklós took an active part in improvingthe quality of the products, expanding their range, and establishing and maintainingcustomer relationships. Experimentation and development became continuous,and the workshop became so much a part of the family’s life that they even builttheir own homes on the premises. Thanks to their relentless efforts and the perfecttechnique and beauty of ivory glazing and high-fired decoration, the company sooncaught up with the best in contemporary ceramics industry, and became the first factoryto produce artistic ceramics in Austro-Hungarian Monarchy.
The Hungarian and Persian style decorations designed by Teréz and Júlia Zsolnay in 1874 remained the most characteristic patterns used by Zsolnay until the end of the 1880s, and they boosted the reputation of Hungarian ceramics both within and without the country.Miklós Zsolnay took over the management of the company after his father’s death inMarch 1900. He was a highly skilled and well-educated businessman who spoke severallanguages, and he redefined production in the factory to ensure maximum utilisationand to guarantee the maximum possible profit. Thanks to the new businesshe attracted, the Zsolnay factory managed to solidify its position on the domesticand international markets thanks to the addition of lucrative architectural ceramicsand industrial porcelain products to range of the decorative pieces, which were lessprofitable.
Although 1,400 new patterns were developed between 1900 and 1902, along withseveral new forms of glazing, Miklós’s period of management was characterised bythe predominance of industrial production. By 1910, the production of artistic anddecorative objects received a lot less attention. To satisfy the demands of contemporaryinfrastructural developments, the factory focussed on the production of architecturalceramics, stoves, pipes, and insulation.
During World War I, the production of decorative objects and architectural ceramicsall but stopped completely. They were replaced by industrial porcelain, especiallyelectrical insulation, which was used by the army. The global economic crisis andimpoverishment that characterised the period after the war, along with the loss ofraw material resources as a result of the new political and customs borders had avery adverse effect on the Zsolnay factory. The problems were exacerbated by MiklósZsolnay’s illness, which was becoming increasingly more serious.
When Miklós died in 1922, the factory was taken over by his nephews, whom he hadadopted, and who had filled managerial positions for several years by then. The postwarperiod was characterised by slow development, a complete reorganisation, andthe systematic introduction of electrical machinery. This coincided with phasing outof porcelain faience and the launching of the manufacturing of porcelain. The company’ssurvival was secured by converting to the production of porcelain, so porcelainkitchenware was soon added to the range of porcelain insulation products.
In the first few years of government control, the primary focus was on renovating thebuildings damaged in the war and ensuring the continuity of production. During thefirst five-year plan, the ‘Zsolnay’ Porcelain Factory Nationalised Company of Pécs, asit was then known, made mostly industrial porcelain. Thanks to electrification andindustrial development efforts, the production of utility and ornamental dishes wasresumed in 1953, and the first steps towards designing a new kind of pyrogranitewere taken. In 1955, the stove and architectural ceramics businesses were revived.In 1963, the company lost its independent status, and was merged into the NationalCompany for Fine Ceramics under the name of Pécs Porcelain Factory.
The history of the factory complex is intertwined not only with those of a city rich in historical and cultural tradition and of an exceptionally talented family, but also of the whole of Hungary. The name of the Zsolnay Family and the depiction of the five towers after which the city was named in the Middle Ages have become known and recognised all across Europe and around the world during the periods when industry and commerce were not restrained by borders, social and economic development were inspired by a desire for progress, and the unobstructed blossoming of culture and the arts. With it’s amazing history, and importance in art and culture of Hungary, in 2014 Zsolnay Porcelain Manufactue Jsc. has awarded by the state of Hungary with the highest price, Zsolnay became a HUNGARICUM!
EosinThis is Zsolnay’s most unique product, and theglazing technique used is inimitable. Every objectis unique and irreproducible.Eosin was developed in the 1890s by VilmosZsolnay, with the help of Lajos Petrik, the Principalof the Industrial School of Budapest, andof Vince Wartha, a Professor at the Universityof Technology. The name derives from theGreek “eos” (flush of dawn), in reference to thepale red colour of the end-product. In additionto a range of eosin colours, several finishingtechniques were also developed at the ZsolnayFactory, including hand-painting, etched, andmarbled. Eosin products were first produced in1893. The technology of making this colourfuland iridescent glazing is a closely guarded secretto this day.It is used to create decorative objects and buildingornaments of various sizes. As the birthof eosin coincided with the emergence of artnouveau around the turn of the 19th and 20thcenturies, the new forms and decorative motifswere used to full effect by world-famous artistssuch as Sándor Apáti Abt, Lajos Mack, GézaNikelszky, and József Rippl-Rónai, who createdsome truly astounding works of art using thistechnique.
10 11
40353067008446152x27cm
40351045700308134,5x16cm
64351654328390140x14cm
64351654328391140x14cm
64351654328392140x14cm
12 13
40351876407049134x15cm
40351876407376134x15cm 643518764085151
34x15cm
64351876408515134x15cm
14 15
64351073008484134x17xcm
40351071708478122,5x17cm
40353092837096136x22,5cm
40351117207125121x18cm
16 17
64351568418615193x59cm
40351007136364148,5x20
30351007122326148,5x20cm
64351007138573148,5x20cm
63351568417757193x59cm
18 19
4035138350669131x25cm
40351064486700129x41cm
40378110207287115,5x35,2x23,5cm
40371607207517116,5x37cm
20 21
64390025007565138x3cm
40351410136880117,5x24cm
30390997017162140x3cm
64351976108442132,5x8,5cm
22 23
40341703707422128,5x36cm
64371073308546125x30cm
24 25
50157390103007015,8x15,8cm
50157390102007015,8x15,8cm
Sample 0115,8x15,8cm
Sample0215,8x15,8cm
50157410000007020x20cm
50157390101007015,8x15,8cm
Sample 0715,8x15,8cm
Sample 0515,8x15,8cm
Sample 0315,8x15,8cm
Sample 0815,8x15,8cm
Sample 0615,8x15,8cm
Sample 0415,8x15,8cm
26 27
PorcelainThe decoratice porcelain objects and wonderfultableware are easily recognised by their ivorycolour. They are made using a unique and plasticdecoration technique, burnt at a very hightemperature.Vilmos Zsolnay was inspired by the fine materialof Chinese porcelain and the richness ofthe colours of their glazing. He was committedto refining the base materials, and spent yearssearching for new substances and experimentingwith innumerable kinds of glazing. Hedeveloped a new, softer glazing, and a noveldecoration process to match it. The rich coloursof the motifs used to decorate the body of theobjects, originally made of porcelain and faienceand covered with a soft porcelain coating,are unique in the whole world. This new glazingtechnique is also characterised by a plasticityto its decorative motifs, achieved as a resultof the colouring mixed into the porcelain glazing.While these items were originally madeof porcelain-faience, a material that combinedthe best features of porcelain and faience, theyare now made exclusively out of porcelain. Theeasily recognisable ivory glazing and the decoration technique, however, have remained unchanged. For the development of the porcelain glazing technology, Vilmos Zsolnay has been awarded the french Legion of Honour
28 29
30351053127874124x15cm
63351079700714131x11,5
63351053110291121,5x13cm
30351174107882128x11cm
30 31
63351087168436165x32cm
63351007130845145x18cm
63351078308647155x32cm
63351088301013149x23cm
63351117000762124x14cm
32 33
30328127507940118x19cm
30328127507935118x19cm
63351208108624138x20cm
63351208108584138x20cm
63351208108585138x20cm
34 35
30351278307921131x16cm
63351102701224131x16cm
63328163108233115x15cm
63328163108233115x15cm
30351271000000114x20cm
36 37
63351102708553172x55cm
63351102701224172x55cm
30351337407937183x32cm
633510637084731100x36cm
38 39
30351150201679140x17,5cm
63351076108575144x26cm
63351070508617158x44cm
30351019007194132x19cm
40 41
633510646084151115x55cm
633510646086161115x55cm
30351087153000149x20,5cm
30351087153000149x20,5cm
42 43
30378466006741124x29cm
63378071808604128x39cm
30353092836687137x24cm
30353092836687137x24cm
30353092836687137x24cm
44 45
30378110308438115,5x35,2x23,5cm
63351107301267148x35cm
40378110307287115,5x35,2x23,5cm
46 47
63351118101268132x17cm
63351045501470137x26cm
48 49
63351087168564165x29cm
63351087158564149,5x23cm
6339099702856415x64cm 633530672084771
51x28cm633909970184761
3x40,5cm
50 51
3039099701670514x40,5cm
6339042460833714x46cm
3039099701735813,5x40cm
6339099702788315,5x64cm
6339099701733313,5x40,5cm
52 53
PorcelainTableware
54 55Spring9100/178
Dinner service: 25 piece / 302019100001781Mocha service: 9 piece / 302219100001781Tea service: 9 piece / 302319100001781Cake service: 7 piece / 302449100001781Sandwich service: 7 piece / 302459100001781Salad service: 7piece / 302419100001781
56 57Summer9100/183
Dinner service: 25 piece / 302019100001831Mocha service: 9 piece / 302219100001831Tea service: 9 piece / 302319100001831Sandwich service: 7 piece / 302459100001831Salad service: 7 piece / 302419100001831
58 59Autumn9100/176
Dinner service: 25 piece / 302019100001831Mocha service: 9 piece / 302219100001761Tea service: 9 piece / 302319100001761Sandwich service: 7 piece / 302319100001761Salad service: 7 piece / 302419100001761
60 61Sissy9100/144
Dinner service: 25 piece / 302019170001441Mocha service: 9 piece / 302219100001441Tea service: 9 piece / 302319100001441Sandwich service: 7 piece / 302459170001441Salad service: 7 piece / 302419170001441
62 63Distance9100/3274
Dinner service: 25 piece / 202019100032741Mocha service: 9 piece / 202219100032741Tea service: 9 piece / 202319100032741Cake service: 7 piece / 202449100032741Sandwich service: 7 piece / 202459100032741Salad service: 7 piece / 202419100032741
64 65Olive9100/3290
Dinner service: 25 piece / 202019100032901Mocha service: 9 piece / 202219100032901Tea service: 9 piece / 202319100032901Cake service: 7 piece / 202449100032901Sandwich service: 7 piece / 202459100032901Salad service: 7 piece / 202419100032901
66 67Phoenix9100/7005
Dinner service: 25 piece / 302019170070051Mocha service: 9 piece / 302219100070051Tea service: 9 piece / 302319100070051
68 69Butterfly9335/026
Dinner service: 25 piece / 302019335000261Mocha service: 9 piece / 302219335000261Tea service: 9 piece / 302319335000261Cake service: 7 piece / 302449335000261Sandwich service: 7 piece / 302459335000261Salad service: 7 piece / 302419335000261
70 71Cornflower9335/059
Dinner service: 25 piece / 302019335000591Mocha service: 9 piece / 302219335000591Tea service: 9 piece / 302319335000591Cake service: 7 piece / 302449335000591Sandwich service: 7 piece / 302459335000591Salad service: 7 piece / 302419335000591
72 73Baroque 1.9335/6026
Dinner service: 25 piece / 102019335060261Mocha service: 9 piece / 102219335060261Tea service: 9 piece / 102319335060261Cake service: 7 piece / 102449335060261Sandwich service: 7 piece / 102459335060261Salad service: 7 piece / 102419335060261
74 75Pompadour I.9335/6100
Dinner service: 25 piece / 202019335061001Mocha service: 9 piece / 202219335061001Tea service: 9 piece / 202319335061001Cake service: 7 piece / 202449335061001Sandwich service: 7 piece / 202459335061001Salad service: 7 piece / 202419335061001
76 77Pompadour III.9335/6074
Dinner service: 25 piece / 202019335060741Mocha service: 9 piece / 202219335060741Tea service: 9 piece / 202319335060741Cake service: 7 piece / 202449335060741Sandwich service: 7 piece / 202459335060741Salad service: 7 piece / 202419335060741
78 79Baroque 2.9335/9257
Dinner service: 25 piece / 102019335092571Mocha service: 9 piece / 102219335092571Tea service: 9 piece / 102319335092571Cake service: 7 piece / 102449335092571Sandwich service: 7 piece / 102459335092571Salad service: 7 piece / 102419335092571
80 81
PirograniteA lot of buildings erected in the late 19th and early 20th centuries, typically built in the art nouveau style, were decorated using Zsolnay ceramics products. To this day, they bear silent witness to the durability of pirogranite. Pyrogranite’ refers to a range of ceramics developed by the Zsolnay company in the early 1880s. The name is a combinationof ‘pyro’, which refers to the high temperature at which the products are burnt, and ‘granite’, which signifies durability. This porous material resists acids and sub-zero temperatures, which means that it can endure damp, cold, and the polluted city air. As a result, it is ideal for decorating buildings, roof tiling, and making ornamental objects to be displayed indoors or outdoors, or stoves and fireplaces.
82 83
50456840200055093x59cm
50456840200053093x59cm
50456840200053093x59cm
50456840101005093x59cm
50456840101053093x59cm
50456840101053093x59cm
84 85
504565605000050 107x45cm
504565600009130107x45cm
504565600009130107x45cm
504569000009140119x43cm
504569000009130119x43cm
504569000009130119x43cm
86 87
504595600001130130x70cm
504595600001130130x70cm
504547400000050504549301800520
127x43cm
504547400009130127x43cm
504547400009140127x43cm
88 89
50359970000002098x130cm
504599701000040 41x38cm
90 91
504545709000050128x40cm
504547300009130128x40cm
504545700000340504547300000140
128x40cm504545700000350504547300000050
128x40cm
92 93
Interior designCeramic Wallpanel
94 95
Angkor Temple Complex, CambodiaMaterial: Interrior glazed ceramicsProduction: Manufactural
96 97Oman Desert sand, Oman Material: Interrior glazed ceramicsProduction: Manufactural
98 99
Valetta Fort Castrum Maris, MaltaMaterial: Interrior glazed ceramicsProduction: Manufactural
100 101
Wyoming Devil’s Tower / Basalt hill, USAMaterial: Interrior glazed ceramicsProduction: Manufactural
102 103
Marmalada Dolomites, ItalyMaterial: Interrior glazed ceramicsProduction: Manufactural
Contact:
37th. Zsolnay Vilmos street, Pécs Hungary, 7630
Tel: +36 (72) 507-600Fax: +36 (72) 507-604
E-mail: [email protected]