works cited primary sources on james...

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180 WORKS CITED Primary Sources on James Baldwin Baldwin, James. The Amen Corner. New York: Dial Press, 1968. __________ . “Autobiographical Notes”, Notes of a Native Son. London: Micheal Joseph Ltd, 1964 __________ . Blues for Mister Charlie. New York: Dial Press, 1964. __________ . One Day When I was Lost: A Scenario Based on Alex Haley’s The Autobiography of Malcolm X. London: Michael Joseph, 1972. __________ . Go Tell it on the Mountain. New York: Alfred A. Knopf, 1953. __________ . Giovanni’s Room. New York: Dial Press, 1956. __________ . The Devil Finds Work: An Essay. New York: Dial Press, 1976. __________ . A Dialogue: James Baldwin and Nikki Giovanni. Philadelphia, J.B: Lippincott, 1973. __________ . The Fire Next Time: New York: Dial Press, 1963. __________ . Nobody Knows My Name. More Notes of a Native Son. New York: Dial Press, 1961. __________ . No Name in the Street. New York: Dial Press, 1972. __________ . Notes of a Native Son. Boston: Beacon Press, 1955.

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Page 1: WORKS CITED Primary Sources on James Baldwinshodhganga.inflibnet.ac.in/bitstream/10603/18220/15/15... · 180 WORKS CITED Primary Sources on James Baldwin Baldwin, James. The Amen

180

WORKS CITED

Primary Sources on James Baldwin

Baldwin, James. The Amen Corner. New York: Dial Press, 1968.

__________ . “Autobiographical Notes”, Notes of a Native Son. London:

Micheal Joseph Ltd, 1964

__________ . Blues for Mister Charlie. New York: Dial Press, 1964.

__________ . One Day When I was Lost: A Scenario Based on Alex Haley’s

The Autobiography of Malcolm X. London: Michael Joseph, 1972.

__________ . Go Tell it on the Mountain. New York: Alfred A. Knopf, 1953.

__________ . Giovanni’s Room. New York: Dial Press, 1956.

__________ . The Devil Finds Work: An Essay. New York: Dial Press, 1976.

__________ . A Dialogue: James Baldwin and Nikki Giovanni. Philadelphia, J.B:

Lippincott, 1973.

__________ . The Fire Next Time: New York: Dial Press, 1963.

__________ . Nobody Knows My Name. More Notes of a Native Son. New York:

Dial Press, 1961.

__________ . No Name in the Street. New York: Dial Press, 1972.

__________ . Notes of a Native Son. Boston: Beacon Press, 1955.

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181

Primary Sources on Lorraine Hansberry

__________ . Hansberry, Lorraine. A Raisin in the Sun. New York: Random

House, 1988.

__________ . The Sign in Sidney Brusteins Window. A Drama in Three Acts.

New York: Random House, 1965.

__________ . Les Blancs. The Collected Last Plays of Lorraine Hansberry.

Ed. Robert Nemiroff. New York: Random House, 1972.

__________ . Lorraine Hansberry. “The Negro Writer and His Roots: Towards a

New Romanticism”. Black Scholar. March – April 1981.

__________ . “A Letter from Lorraine on Porgy and Bess”: Theatre.

August 1959.

__________ . “Mailing, O’ Casey – Hansberry” New York Times. 28 June 1959.

__________ . “The Complex of Womanhood”. Ebony. August 1960.

__________ . “Thoughts on Ganet, Mailer and New Paternalism”. Village Voice.

1961.

__________ . The Movement: Documentary of a Struggle for Equality,

New York: Simon and Schuster, 1964.

__________ . “The Scars of the Ghetto”. Monthly Review. February 1965,

pp. 589-91.

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182

__________ . “The Shakespearean Experience”. Show. February 1965.

__________ . “Village Intellect Revealed”, New York Times. 31 October 1965.

__________ . “In Her Own Words”. Los Angels. New York: Pacific Tape

Library, 1967.

__________ . To Be Young Gifted and Black. Caedmon Records, 1967.

__________ . A Raisin in the Sun. New York: Caedmon Records, 1972.

__________ . “We are of the Same Streets”. Freedom Ways, 20 1980.

__________ . To Be Young Gifted and Black. Ed. Robert Nemiroff. New York:

Samuel French, 1971.

__________ . Lorraine Hansberry Speaks Out: Art and the Black Revolution.

Caedmon Records, 1967.

__________ . To Be Young Gifted and Black: An Informal Autobiography.

Ed. Robert Nemiroff, New York: New American Library, 1970.

__________ . A Raisin in the Sun and The Sign in Sidney Brusteins Window Ed.

John Braine. New York: New American Library, 1966.

__________ . “Noted Lawyer Goes to Jail: Says Negroes’ Fight for Rights

Menanced”. Freedom Ways. May 1952.

__________ . “NLC Rights Job Bias in N.Y. Hotels” Freedom. March 1953.

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183

__________ . “Harlem Children Face Mass Ignorance in Old, Over Crowded,

Understaffed Schools”. Freedom. November 1952.

__________ . “Child Labour is Society’s Crime Against Youth” Freedom.

February 1955.

__________ . “Illegal Conference Shows Peace is Key to Freedom”. Freedom.

April 1952.

__________ . “Tributes” Freedom ways, Vol. 5, Winter 1965.

__________ . “Letter Signed L.N.” The Ladder. 1957. 26-30.

__________ . “Make New Sounds, Studs Terkel Interviews Lorraine Hansberry”.

American Theatre. November, 1984. 5-8, 41.

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Gross, Seymour Lee, ed. Images of the Negro in American Literature. Chicago:

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of African Studies of the University of Nigeria. 22 September,

New York: Viking Press, 1963.

Harris, Trudier. Black Women in the fiction of James Baldwin. Knoxville:

University of Tennessee, 1985.

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Women’s Theatre. Ann Arbor: University of Michingan Press, 1989.

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1920-1940. Detroit: Wayne State University Press, 1996

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Schlesinger, Arthur M, Jr. A Thousand Days: John F. Kennedy in the White

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Wallace, Maurica. I’ m Not Entirely What I Look Like: Richard Wright, James

Baldwin and the Hegemony of Vision or Jimmy’s FB Eye Blues.

New York: New York UP, 1999.

Warren, Robert Penn. Who Speaks for the Negro? New York: Random House,

1965.

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1977.

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Wheelis, Allen. The Quest for Identity. New York: Paperback Edition Library of

Congress Catalog No. 58-6355.

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Works of Lorraine Hansberry. Oxford: Oxford UP, 2001.

__________ . ed. 9 plays by Black Women. New York: New American Library,

1986.

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Greenwood Press, 1985.

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York: Prentice Hall, 1982.

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Greenwood Press, 1993.

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Woolf, Virginia. A Room of One’s Own. New York: Harcourt, Brace and Ward,

1957.

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__________ . Native Son. New York. Perennial Classic, 1996.

__________ . The American Negro Writer and His Roots: Selected Papers from the

First Conference of Negro Writers, March 1959. New York: American

Society of African Culture, 1960.

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Articles on James Baldwin

Adams, Donald J. ‘Speaking of Books’. New York Times Book Review. January

1962: 2.

Adelsen, Charles E. ‘A Love Affair:” James Baldwin and Istanbul”. Ebony 25.

March 1970: 40-46.

Anderson, Jervis. “Race, Rage and Eldrige Cleaver”. Commentary 46.

December 1968: 63-69.

Arna, Gregorio. “The Baffling Creator – A Study of the Writing of James

Baldwin”. Carribbean Quarterly 12. September 1966: 3-23.

Balliett, Whitney. “Wrong Pulpit” New Yorker 38. August 1962: 69-71.

Bannett, William. “Weight of the City”. Atlantic 210. July 1962: 110-11.

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197

Bardeen, Constance L. “Love and Hate”. Review of Another Country”.

Crisis 69. November 1962: 567-68.

Barr, Donald. “Guilt was Everywhere”. New York Times Book Review. 17 May

1953: 5.

Barrett, William. “Reader’s Choice”. Atlantic Monthly 2006. March 1963: 156.

Bigsby, C.W.E. “The Committed Writer: James Baldwin as Dramatist”. TCL.

April 1967: 39-48.

Blaisdel, Gus. “A Literary Assessment: James Baldwin, the Writer”. Negro

Digest 13. January 1964: 61-88.

Bon, Jean Carey. “The Fire Next Time”. Freedom Ways. Spring 1963: 235-37.

Bonosky, Philip. “The Negro Writer and Commitment” Mainstream. February

1962: 16-22.

Bozkurt, Saadet. “Harmony Within and Without. James Baldwin’s Quest for

Humanity”. American Studies International, XX, No. I. Autumn 1981:

45-51.

Brooks, Hallie B. “Baldwin in Paperback”. Phylon 21. Third Quarter 1960:

296-97.

Brudnoy, David. “Blues for Mr. Baldwin”. National Review 24. July 1972:

750-51.

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198

Brustein, Robert, “Everybody knows My Name”. New York Review of Books 3.

December 1964.

Buckley, William F, Jr. “Call to Color Blindness”. National Review 17.

April 1965: 273.

Clark, John Henrik. “The Alienation of James Baldwin”. Journal of Human

Relations 12. First Quarter 1964: 65-75.

Clark, Kenneth. “A Conversation with James Baldwin”. Freedom ways III.

Summer 1963: 361-68.

Clark, Michael. “James Baldwin’s Sunny’s Blues. Childhood, Light, and Art”.

College Languages Association Journal 29. December 1958: 197-205.

Coles, Robert. “Baldwin’s Burden”. Partisan Review 31. Summer 1964: 409-16.

Collier, Eugenia. “Baldwin’s Plays: A Criticism of the Critics”. MAWA –

Review. December 1990: 29-34.

Collier, Eugenia. W. “Thematic Patterns in Baldwin’s Essays. A Study in

Chaoes”. Black World 21. June 1972: 28-34.

Coombs, Orde. “The Devil Finds Work”. New York Times Book Review. 2 May

1976:6-7.

Dance, Darylc. “You Cann’t Go Home Again: James Baldwin and South” CLA,

XVIII No. 1. September 1974: 81-90.

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199

Donald, David. “A Fascinating Book”. Virginia Quarterly Review 47. Autumn

1971:691-22.

Donoghue, Denis, “Blues for Mr. Baldwin”. New York Review Books 5.

December 1965: 6-7.

Elkoff, Marvin. “Everybody Knows His Name”. Esquire 62. August 1964.

Evanier, David. “The Identity of James Baldwin”. New Republic 153. November

1965: 34-36.

Finn James. “The Identity of James Baldwin”. Commonweal 77. October

1962:172-74.

Finn, James. “The Identity of James Baldwin”. Commonweal, LXXVII No. 5.

October 1962: 113-116.

Ford, Nick, Aaaron. “Search for Identity. A Critical Survey of Significant Bells

– Letters by and about Negro Published in 1961”. Phylon 23. Summer

1962: 128-30.

Gross, Theodore. The World of James Baldwin”. Critique 7. Winter 1964:

139-49.

Kent, George E. “Baldwin and the Problem of Being.” CLA, VII, No. 3. March

1964: 202-14.

Leaks, Sylvester. “James Baldwin – I Know His Name”. Freedom Ways III.

Winter 1963: 102-05.

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Levin, David. “Baldwin’s Autobiographical Essays: The Problem of Negro

Identity”. The Massachusetts Review V. Winter 1964. 239-47.

Mac, Innes, Collin and James Mossman. “Race, Hate, Sex, and Colour:

A Conversation”. Encounter XXV. No. I. July 1965: 2, 55-60.

Maini, Darshan Singh, “Reconsidering James Baldwin”. Span XXXI. No. 9.

September 1990: 42-44.

Marcus, Steven. “The American Negro in Search of Identity”. Commentary 16.

November 1963: 456-63.

Mayfield, Julian, “And Then Came Baldwin” Freedom Ways III. Spring

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Moller, Karin. “James Baldwin’s Theme of ‘Identity’ and His ‘Fall’ Metaphor”.

Essays in Criticism 2. March 1974: 34-50.

Mosher, Marlene. “James Baldwin’s Blues”. CLA 26 No. I. September 1982:

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Nelson, Emmanuel S. James Baldwin’s Vision of Otherness and Community”.

Melus 10. No. 2. Summer 1983: 27-31.

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Articles on Lorraine Hansberry

Anthony, Barthelemy. “Mother, Sister, Wife: a Dramatic Perspective”.

The Southern Review. 1985. 770-89.

Attinson Brooks “A Raisin in the Sun”. New York Times. March 1959.

__________ . “Of Plays and Novels”. Saturday Review. December 1966: 26-27.

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__________ . “Of Plays and Novels”. Saturday Review. December: 1966.

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Barner, Clive. “Review of Les Blancs”. New York Times. November 1970: 48.

Bernstein, Richard. “August Wilson’s Voices from the Past”. New York Times.

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Berson, Misha. “Women at the Helm”. American Theatre. July 1994: 14-21.

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Hews, Henry. “A Plant Grows in Chicago”. Saturday Review. April 1959: 28.

Issac Harold. “Five Writers and their African Ancestors, Part II”. Phylon 21

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Knight, Arthur. “Theatre in Film”. Saturday Review. March 1961: 34.

Lerner, Max. “A Dream Deferred.” New York Post. April 1969: 2.

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Morrison Allan. “Mother Role Brings Broadway Fame”. Embony Vol. 15. May

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Robert Nemiroff Report September 1982.

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The Militant. January 1965.

Smith Cecil. “Los Angels” Tank Town for Theatre”. Los Angeles Times.

December 1960.

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Staples, Robert. “The Myth of Black Macho: A Response to Angry Black

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Theophilus Lewis. “Social Protest in a Raisin in the Sun”. Catholic World.

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Wilkerson Margaret Lorraine Hansberry: “The Complete Feminist”. Freedom

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Wilson, H.W. “Lorraine Hansberry. Current Biography”. New Yorker Vol. 35.

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Sociological and Psychological Studies of Identity Quest.

Charles, Christopher A.D. “Skin Bleaching, Self Hate, and Black Identity in

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Erikson, Erik H, Kai T. Erikson. “The Confirmation of Delinquent”. The

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__________ .. Childhood and Society. New York: Norton, 1993.

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__________ . “Psychoanalysis and Ongoing History: Problems of Identity, Hatred

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250.

__________ . “Reflections on the Dissent of Contemporary Youth”. International

Journal of Psycho Analysis 51.1970: 11-12.

__________ . Dimensions of a New Identity: The 1973 Jefferson Lectures in

Humanities. New York: W.W. Norton & Co., 1974.

__________ . Identity: Youth and Crisis. New York: W.W. Norton & Co., 1968.

Erikson, Kai T. In Search of Common Ground. Conversations with Erick H.

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Jones, Ernest. Hamlet and Oedipus. New York: W.W. Norton, 1949.

Jung, C.C. The Undiscovered Self. Trans. from German R.F.C. Hull. New York:

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Lewis, D. Survival and Identity. Berkeley: University of California Press, 1976.

Mcadams, D. Power, Intimacy, and Life Story. New York: Guilford, 1988.

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Interview

“The Author Speaks”. New York Herald Tribune Books. 17 June 1962. 3.

Black Scholar Interview. Black Scholar 5. December January 1974.

Clark, Kenneth. Interview “A Conversation with James Baldwin”. Freedom

Ways 3. Summer 1963.

Leeming Adams David. Interview. “An Interview with James Baldwin on Henry

James”. The Henry James Review 8. Fall 1986.

Lottman, R Herbert. Interview. “It’s Hard To be James Baldwin”. Intellectual

Digest 2. July 1972.

Mithchel Mamie Hansberry. Interview. Marina del Rey, Calif: 30 December

1975.

Nemiroff Robert. Interview. Croton-on-Hudson. New York: 15 June 1972.

Roberson, Paul. Interview. New York: 3 July 1979. Telephone Interview.

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Solet Sue’s. Interview. Baldwin, James and Clark, Kenneth – “New York

Negroes and Bobby – Both Shocked”. New York Herald Tribune.

29 May 1963. 1.

Terkel, Studs. Interview. “Blackman in America”. WEMT Perspectives.

December 1961.

Terkel, Studs. Interview. “Make New American Theatre. November, 1984.

Recordings

A Raisin in the Sun. New York: Caedmon, TRS 355, 1972.

Lorraine Hansberry Speaks Out: Art and the Black Revolution. New York:

Caedmon Records, TC 1352, 1972.

To Be Young, Gifted and Black. New York: Caedmon, TR 3343, 1971.