windsor, w. - frequency structure

6
8/20/2019 WINDSOR, W. - Frequency Structure http://slidepdf.com/reader/full/windsor-w-frequency-structure 1/6

Upload: orlando-scarpa-neto

Post on 07-Aug-2018

217 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: WINDSOR, W. - Frequency Structure

8/20/2019 WINDSOR, W. - Frequency Structure

http://slidepdf.com/reader/full/windsor-w-frequency-structure 1/6

Page 2: WINDSOR, W. - Frequency Structure

8/20/2019 WINDSOR, W. - Frequency Structure

http://slidepdf.com/reader/full/windsor-w-frequency-structure 2/6

Page 3: WINDSOR, W. - Frequency Structure

8/20/2019 WINDSOR, W. - Frequency Structure

http://slidepdf.com/reader/full/windsor-w-frequency-structure 3/6

Page 4: WINDSOR, W. - Frequency Structure

8/20/2019 WINDSOR, W. - Frequency Structure

http://slidepdf.com/reader/full/windsor-w-frequency-structure 4/6

Page 5: WINDSOR, W. - Frequency Structure

8/20/2019 WINDSOR, W. - Frequency Structure

http://slidepdf.com/reader/full/windsor-w-frequency-structure 5/6

Page 6: WINDSOR, W. - Frequency Structure

8/20/2019 WINDSOR, W. - Frequency Structure

http://slidepdf.com/reader/full/windsor-w-frequency-structure 6/6

82   W .  Luke Windsor

Shepard,   R.   1982.   Geometrical   approximations   to   the   Ten  Hoopen,  C.  1994.   Issues in   timbre   and perception.   In

S. Emmerson   (ed.)   Timbre Composition in Electro-structure   of    musical   pitch.   Psychological Review   89:

305–33.   acoustic Music.   Contemporary Music Review   10(2):

61–109.Smalley,   D.   1986.   Spectro-morphology   and   structuring

processes.   In   S. Emmerson   (ed.)   The Language of    Wessel, D. J. 1979. Timbre space as a musical control struc-

ture.   Computer Music Journal  3:  45–52. Electroacoustic Music. London:  Macmillan.

Smalley, D. 1992. The listening imagination: listening in  the   Windsor,   W.   L.   1995.   A Perceptual Approach to the

 Description and Analysis of Acousmatic Music. Doctoralelectroacoustic era.   In   T.   Howell,   R.   Orton   andP. Seymour  (eds.)   Companion to Contemporary Musical   Thesis,  City  University.

Wishart, T. 1985. On Sonic Art .  York :   Imagineering  Press.Thought ,  Vol.  1. London: Routledge.

Smalley,   D.   1994.   Defining   timbre   –   refining   timbre.   In   Wishart, T.   1986.   Sound   symbols   and   landscapes.   In

S. Emmerson   (ed.)   The Language of ElectroacousticS. Emmerson   (ed.)   Timbre Composition in Electro-

acoustic Music.   Contemporary Music Review   10(2):   Music. London:  Macmillan.

35–48.