william cotton's portfolio

104
[email protected] 806 786 1987 William Cotton

Upload: william-cotton

Post on 18-Feb-2016

217 views

Category:

Documents


0 download

DESCRIPTION

A compendium of past works.

TRANSCRIPT

Page 1: William Cotton's Portfolio

willcotton@

gmail.com

806 786 1987

William

Co

tton

Page 2: William Cotton's Portfolio

CO

NTE

NTS

Page 3: William Cotton's Portfolio

001 Movement in Space Over Time

009 Architectonic Assemblage

019 Terrirorial Diagrams

027 Aquatic Center Roof Structure

029 Zen Tower

031 Preformative Architecture

039 Sonic Landscapes

041 60x to 100x

043 A View From Above

045 Research Library of LUHCA

069 Cowboy Bunkhouse

073 A Monks Cell

077 A shell for living

083 Post Industrial Landscapes

087 Furniture

089 Modeling

091 Competition

Page 4: William Cotton's Portfolio

1

Spring 2008 Level: 1st YearProfessor: Brian T. Rex, Marti GottschDuration: 12 weeks

Page 5: William Cotton's Portfolio

2MoveMent in Space over tiMe

Page 6: William Cotton's Portfolio

3

MOVEMENT IN SPACE OVER TIME

Spring 08_ Brian T. Rex, Marti Gottsch

Movement in space over time:The course was rooted in teaching principles of guided inquiry and questioning through intensive hands-on making. The course is made up of five distinct units that deal with bounding spaces. We indexed and categorized event/fiat space. Finally, we used the spatial data that we categorized to generate models representing spatial relationships.

A system of diagramed events in a dorm room with the consideration of frequency and duration represented by height, density, and angle. Material: dressmaker pins and 2” Extruded polystyrene foam.

Page 7: William Cotton's Portfolio

4

Page 8: William Cotton's Portfolio

5

MOVEMENT IN SPACE OVER TIME

Spring 08_ Brian T. Rex, Marti Gottsch

Wire models of event spaces and their bounding spaces. Specific models express individual spacal territoryies from a categorized index of events.

Page 9: William Cotton's Portfolio

6

Page 10: William Cotton's Portfolio

7

Translate a square section from a ventilated drawings in to the sand surface and then itterate that surface into dry sand using nylon as a retaining structure.

Place 13 solids(2”x2”x10”) in a wire frame translation of the sand surface. With these solids defined two spaces; formed with straight lines and orientated to each other.

MOVEMENT IN SPACE OVER TIME

Spring 08_ Brian T. Rex, Marti Gottsch

Page 11: William Cotton's Portfolio

8

Using section cuts of the combined specific wire models recreate the positive & negative spaces using high density insulation foam.

Page 12: William Cotton's Portfolio

9

Fall 2008 Level: 2nd YearProfessor: Bennett NeimanDuration: 12 weeks

Page 13: William Cotton's Portfolio

10arcHitectonic aSSeMBLaGe

Page 14: William Cotton's Portfolio

11

We made a series of architectonic assemblages from found objects that were measured, analyzed, developed, and articulated through analog and digital drawing, and three dimensional modeling and fabrication.

The process unfolded through four stages:

Stage 01: Introduction Initial assemblages; introductory skill development; digital two-dimensional drawings; planimetric and sectional analysis; constructed isometrics; photographic documentation; point, line, plane, and volume, hierarchy, and formal consistency.

ARCHITECTONIC ASSEMBLAGE

FALL 08_ Bennet Neiman

Page 15: William Cotton's Portfolio

12

Page 16: William Cotton's Portfolio

13

Stage 02:Reapplication volumetric assemblages are constructed, modeled, analyzed, and articulated with form•Z; plan, section and isometric cuts; constants and variables introduced.

Architectonic Assemblagea set of assemblages are constructed; constants and variables, precincts, spatial sequence and movement systems, and treatment are introduced

Page 17: William Cotton's Portfolio

14

Page 18: William Cotton's Portfolio

15

Stage 03: Articulation precincts, spatial sequence, movement systems, and treatment are introduced; designs are further articulated through reapplication of digital technologies.

Architectonic Synthesis the conceptual strategies, procedures, elements, ordering systems, vocabularies, and formats discovered in the previous projects are synthesized into a building program configured within a self-referential site.

Page 19: William Cotton's Portfolio

16

Page 20: William Cotton's Portfolio

17

Stage 04: Synthesis the conceptual strategies, procedures, elements, ordering systems, vocabularies, and formats discovered in the previous projects are synthesized into a building program configured within a self-referential site.

Page 21: William Cotton's Portfolio

18

Page 22: William Cotton's Portfolio

19

Spring 2009 Level: 2nd YearProfessor: Chris TaylorDuration: 12 weeksSite: Downtown Lubbock, TX

Page 23: William Cotton's Portfolio

20territoriaL DiaGraMS

Page 24: William Cotton's Portfolio

21

Territorial Diagrams:This studio investigated generative and multivalent forms of measuring, mapping, and diagramming to develop an understanding of the potential of program in architecture. We continued to expand and use the tectonic language as we examined extrinsic factors in the making of architecture.

Section 01: MAP / TERRITORY / DIAGRAM - Here we will utilize mapping to describe a territory and develop diagrammatic methods to construct a data set of spatial and material boundaries.

Section 02: PROGRAM / EMOTIONAL DIRECTIVES / PHYSICAL DESIRES - In this section we will utilize multiple forms of program analysis and development to inform architectural agendas.

Section 03: EVENT THRESHOLDS - And, and finally we will activate our analysis of boundary conditions and programmatic agendas to create architectural interventions within the city of Lubbock.

TERRITORIAL DIAGRAMS

SPRING 09_ Chris Taylor

Page 25: William Cotton's Portfolio

22

Page 26: William Cotton's Portfolio

23

(50) Sarah Boyle imagines, in her mind’s eye, cleaning, and ordering the great world, even the Universe. Filling the great spaces of Space with a marvelous sweet smelling, deep cleansing foam. Deodorizing rank caves and volcanoes. Scrubbing rocks.”

-The Heat Death of The Universeby Pamela Zoline

Page 27: William Cotton's Portfolio

24

A passage was selected from a short story and a site from an earlier photographic survey, From this a parasite was developed through iterative drawing, modeling, and photography.

There is a desire to order the world by changing and cleansing it of undesirable things. As seen in the site there is an attempt at order by demarcating the parking lot. The site also has the desire to remove waste through the drain, which is the focus of the parking lot’s terrain. Wall and stair become one in the same because of the system of construction. The system uses multiple non-uniform units that are connected from face to edge (never F-F, or E-E). The system is focused on compartmentalizng disordered elements by inserting and removing pieces to order them directionally. The model is segmentally organized by multiple aligned pieces of equal width but unequal length. The model engages the sites drain with crossing tension lines, and extruded walls from the parking grid.

Page 28: William Cotton's Portfolio

25

Fall 2009 Level: 3rd YearProfessor: Urs Peter FlueckigerDuration: 12 weeks Site: Texas Tech University, Lubbock, TX

Page 29: William Cotton's Portfolio

26BUiLDinG StrUctUreS

Page 30: William Cotton's Portfolio

27

ASection

TOP OF FOOTING

FLASHING

PRECAST CONCRETE BUTTRESS

GROUT

COIL RODS

WASHER

NUT

Kerto Q Decking

LAMELLA’S

INSULATION

RAFTER

CORRUGATED ROOF PANELS

Kerto Q Decking

LAMELLA’S

INSULATION

CORRUGATED ROOF PANELS

Kerto Q Decking

LAMELLA’S

INSULATION

RAFTER

CORRUGATED ROOF PANELS

BSection

A study in structure and connections in which a lamella arch spans 159’ allowing an unobstructed space that is naturally ventilated and lit by a system of skylights and louvers. The simple arch speaks to the form of the quonset hut, which are abundant in the south plains.

AQUATIC CENTER ROOF STRUCTURE

FALL 10_ Upe Flueckiger

Page 31: William Cotton's Portfolio

28

ASection

TOP OF FOOTING

FLASHING

PRECAST CONCRETE BUTTRESS

GROUT

COIL RODS

WASHER

NUT

Kerto Q Decking

LAMELLA’S

INSULATION

RAFTER

CORRUGATED ROOF PANELS

Kerto Q Decking

LAMELLA’S

INSULATION

CORRUGATED ROOF PANELS

Kerto Q Decking

LAMELLA’S

INSULATION

RAFTER

CORRUGATED ROOF PANELS

BSection

ASection

TOP OF FOOTING

FLASHING

PRECAST CONCRETE BUTTRESS

GROUT

COIL RODS

WASHER

NUT

Kerto Q Decking

LAMELLA’S

INSULATION

RAFTER

CORRUGATED ROOF PANELS

Kerto Q Decking

LAMELLA’S

INSULATION

CORRUGATED ROOF PANELS

Kerto Q Decking

LAMELLA’S

INSULATION

RAFTER

CORRUGATED ROOF PANELS

BSection

Page 32: William Cotton's Portfolio

29

A four story hyperboloid tower located at the highest ellevation in Lubbock, at Texas Tech’s Urbanovsky park. A meditative space for overworked students to rest and reflect.

ZEN TOWER

FALL 10_ Upe Flueckiger

Page 33: William Cotton's Portfolio

30

A

B

Page 34: William Cotton's Portfolio

31

Spring 2010 Level: 3rd YearProfessor: David DriskillDuration: 12 weeks Site: Bordeaux, France

Page 35: William Cotton's Portfolio

32perforMative arcHitectUre

Page 36: William Cotton's Portfolio

33Recirculated river cooling: humidifying the street Low traffic Green Street

Bordeaux is a center of wine production in southwest France. Winery tours are a major industry. This mixed-use project establishes a tasting room representing the entierty of the regions wine industry. While tourists are welcome to the tasting room, it is designed for wholesale buyers. The wholesale marketing of wines requires a staff to communicate with buyers/sellers and to arrange for distribution of the wine. As is common in Bordeaux, at least one housing unit is to be included in the project.

Green streets: convert Rue Andre Darbon into a green street to connect the large blocks of apartments and the promenade between them

Access to Water: define Rue Bareyre as an avenue to water- people have a fundamental yearning for great bodies of water. Currently The neighborhood is blocked by other housing

Shopping street: connect the site to Rue du Faubourg- Shopping centers depend on access: they need locations near major traffic arteries. However, the shoppers them selves don’t benefit from traffic: they need quiet, comfort, and convenience, and access from the pedestrian paths in the surrounding area.

Page 37: William Cotton's Portfolio

34

Intersection of axis Community Entrance

An open lot, 44 rue Barreyre, in a historic row of structures just off the waterfront in Bordeaux. The street immediately north and parallel to rue Barreyre is recently redeveloped in but in different architectural language. The site may extend into the adjacent development. You as the architect are asked to develop a convincing architectural concept that respects the historic patterns and develops the public appreciation for architecture design at its best.

Apartment Blocks: The random character of local densities confuses the identity of our communities, and also creates a chaos in the pattern of land use.

Site Community of 7000:Individuals have no effective voice in any community of more than 5000-10,000 persons. There are boundaries in the city that section a neighborhood leaving an opportunity to create a grouped population

Page 38: William Cotton's Portfolio

35

Four Story Limit- There is abundant evidence to show that high building make people crazy. The surrounding buildings and the city of Bordeaux is built under four stories

LIFT

LIFT

Page 39: William Cotton's Portfolio

36

UP

DN

UP

DN

4

5

6

7

8

9

10

UP

DN

10

11

12 13

14

15

16

4

UP

DN

UP

DN

17

181920

21

10

4

UP

DN

1

2

4 1 Mechanical 2 Lounge 3 Wine Store Bathroom 4 Lift 5 Wine Store Level 1 6 Cafe 7 Cafe WC 1 8 Kitchen 9 Cafe WC 210 Rue Barreyre Entrance11 Wine Brokerage Office12 Office WC 113 Office WC 214 Conference15 Level 2 Breezeway16 Wine Store Level 217 Wine Bar18 Level 3 Breezeway19 Condo Kitchen20 Condo WC21 Condo Living Space

3

5’

0’

50’

15’

Page 40: William Cotton's Portfolio

37

Fall 2011 Level: GradProfessor: Chris TaylorDuration: 12 weeks Site: Texas, New Mexico, Arizon, Utah, Nevada

Page 41: William Cotton's Portfolio

38LanD artS of tHe aMerican WeSt

Page 42: William Cotton's Portfolio

39

SONIC LANDSCAPES

FALL 11_ Chris Taylor

Land Arts of the American West

Sonic Landscapes:A collection of work produced during Land Arts of the American West 2011. An Aeolian Harp constructed from a found tub from a washing machine. The harp was set up and recorded in seven places in three states. A map with video loops of the tub harp playing were installed in a map for exhibition.

Page 43: William Cotton's Portfolio

40

Page 44: William Cotton's Portfolio

41

60X TO 100X

FALL 11_ Chris Taylor

Land Arts of the American West

60X to 100X:An investigation in scale. Throughout the 2 months and 7000 miles traveled in the American West I took photographic enlargements of inorganic materials and minerals. A viewing device made of hexagonal tubes with matte black interiors had slides of the enlargements mounted and back light. The differing length tubes created a forced perspective and loss of scale. When viewed in sequence the backlighting projects a mindbending series of colors.

Page 45: William Cotton's Portfolio

42

Page 46: William Cotton's Portfolio

43

A VIEW FROM ABOVE

FALL 11_ Chris Taylor

Land Arts of the American West

A view from above:A collection of work produced during Land Arts of the American West 2011. Time lapse videos shot from suspended cameras (kites, trees, cliffs, etc.)

Below: Land Arts Exhibition 2011Right: Construction of a Rokaku kite from a mylar safety blanket. Diagonal: Still from video, Mimbres River NM.

Page 47: William Cotton's Portfolio

44

Page 48: William Cotton's Portfolio

45

Spring 2012 Level: GradProfessor: Bennett NeimanDuration: 12 weeks

Page 49: William Cotton's Portfolio

46research Library of LUHca

Page 50: William Cotton's Portfolio

4702

03

04

05 6

07

08

09

10

1213

15 16

17

18

19

20

21

01

02 030405

0607

08

09

10 111213

14

1516

17

18

19

20

21

01

020304 05

06

07

08

09

10

11

12

13

14

15 16

17

1820

21

19

016

08

03

07

09

14

10

12

13

18

19

16

15

11

20

21

6

19

01

14

02

04

0508

10

12

13

17

16

15

11

20

03

0709 1821

01

14

02

04

05

08

13

10 12

1703

0709

21

06

19

1615

11

20

18

T2

A3

A2

R1R2

R3

S3

S1

S2

A1

R9

R8

R7

R6

S4

M2

R4

R5

T1

M1T3

RESEARCH LIBRARY OF LUHCA

SPRING 12_ Bennet Neiman

Graduate Comprehensive Studio

Extending the mission of creating and maintaing a community arts center that is available, educational, and affordable to local artists, the Art Research Library is an integral addition to the Louis Hopkins Underwood Center for the Arts. The Library is a cultural center, an educational service institution and a resource for the

community it servers. Located just north of LHUCA, the Art Research library is a regional hub for scholarly are research, archiving, distribution, access and education to facilitate collaboration and exchange of ideas amongst the individuals and organization in the South Plains and the world at large.

Page 51: William Cotton's Portfolio

48

Program Relative Sizes & Relationships

T3 Janitor's Room 50 0.59% R9 Study Room 3 80 0.95% S4 Staff Toilet 60 0.71% R8 Study Room 2 120 1.43% R7 Study Room 1 140 1.67% M2 Misc. Functions 150 1.78% S3 Librarian's Office 150 1.78% R1 Control Desk 175 2.08% S2 Staff Lounge 175 2.08%

R2 Dedicated Computer Catalog Counter 200 2.38%

A3 Archive Media Rooms (4) 240 2.86% R5 Periodicals Area 250 2.97% A2

Archive Rare Book Closed

375 4.46% T2 Public Toilets 400 4.76% R3 Reference Area 450 5.35% R4 Open Stack Area 600 7.14% T1 Entry Lobby Display Area 750 8.92% S1 Staff Work Area 500 5.95% M1 Meeting Space 750 8.92% A1 Archive Area 800 9.52% R6 Reading Spaces 1800 21.42% NP Non-programmed spaces 2,353 28%

Staff

Periodicals

Archive

Catalog

Reading

Entrance

Control Desk

Entrance

Public RR

Meeting Room

Parking

Reading

Open Stacks

Periodicals

Reference

Reading Spaces

Archive

Staff Work

Librarians Office

Staff Lounge Staff RR

ARCH _ 5901 - 303 _ Art Research Library of LHUCA _ William Cotton 32’0

NP

S4T3

R6

A1

M1

S1

T1

R4

R3

T2

A2

A3

R2S2

R1S3

M2

R7R8R9

proGraM reLative SiZeS& reLationSHipS

Page 52: William Cotton's Portfolio

49

A simple 5x5 open grid arranged to respond to its outer context, the Library anchors the north of the LHUCA campus while creating a place for social interaction through the collections and dispersal of material and ideas.

Page 53: William Cotton's Portfolio

50

32’0

Site Plan

Page 54: William Cotton's Portfolio

51

The entry vestibule links the library and the public meeting space. This allows easy accessibility to the space after library hours and allows for the opportunity for the space to be used as a gallery during First Friday Art Trails.

Left: Exploded axonometric of all building components.

Page 55: William Cotton's Portfolio

52

Girder, Beam, Perlin

Roof

Flashing

Drop Celling

HVAC

Lights

Exterior Walls

Interior Walls

Glazing

Columns & Footings

Garden Wall

Stacks

Slab

Page 56: William Cotton's Portfolio

53

The Large glass facade brings light into the reading room thus opening the library to the street and the community at large. The corridor between the Library and the Charles Adams Studio is framed by the exterior girders, linking loosely associated parking and the LUHCA campus. Illuminated by the Library, this space is an arcade for interaction.

Left: Structure and mechanical systerms diagram.

Page 57: William Cotton's Portfolio

54

1'-6"

10'-6"

21'-4 1/8"

1'-6"

13'-9 1/8"

1'-6"

13'-1 7/8"

1'-6"

19'-7 1/8"

9'-0"

1'-6"

1'-6"

34'-0"

1'-6"

28'-0"

1'-6"

47'-0"

1'-6"

48'-6"

1'-6"

Cruciform Column

Major Girder

Primary Beam

Secondary Beam

Steel trapezoidal profile sheeting

Waterproofing, thermal insulation, etc.

Rules of Thumb For Steel Structure Sizing

- Source: Building Structures Illustrated_Ching

United Cool Air Corp 35 TON

Supply Duct cross sectional area = 880in

Return Duct cross sectional area = 4200in

Mechanical Systems Sizing

- Source: The architect's studio companion_Allen

Self contained VAV water cooled w/ reheat units

Page 58: William Cotton's Portfolio

55

Left: Plan with sectional markers, landscape, and parking.

A courtyard illuminates interior spaces in the building, and provides a contained area where library materials can be taken outside or echibited.

Page 59: William Cotton's Portfolio

56

8’0

Plan

L1L2L3

T1

T2

T3

Page 60: William Cotton's Portfolio

57

The Journals and Periodicals envelope study and meeting spaces on the north end of the building.

Left: Transverse and Longitudinal sections.

Page 61: William Cotton's Portfolio

58

EAST

WEST

L-1

L-2

L-3

SOUTH

NORTH

T-1

T-2

T-3

8’0

Longitudinal Sections

8’0

Transverse Sections

EAST

WEST

L-1

L-2

L-3

SOUTH

NORTH

T-1

T-2

T-3

8’0

Longitudinal Sections

8’0

Transverse Sections

Page 62: William Cotton's Portfolio

59

Left: Axonometric of building systems, Detail of Cruciform column to glazing, interior, & exterior walls.

Study carols and computer stations are wrapped with shelving. View of Stacks looking towards entry.

Page 63: William Cotton's Portfolio

60

ATK 100 T-Profile Aluminium

Aluminum ATK100 L-Bracket

Aluminum ATK100 Outside Corner-Bracket

5/16" Thick Fiber Cement Panel

L 6x6x1 Coated With Intumescent Paint

Insulation

2-1/2" Metal Stud 24” O.C.

3/4" Gypsum Board

Low-E Double Pane Glass

Mullion

Rigid Exterior Insulation

C-Profile Aluminium

5/16" Thick Fiber Cement PanelAir Gap

Insulation

8in Metal Stud

4”0

Detail

Cut Away Axonometric

Page 64: William Cotton's Portfolio

61

Left: Exterior & Interior wall section

Photos of physical model 1”=16’

Page 65: William Cotton's Portfolio

62

xxxxxxxxxxxxxxxx

Mullion

x x x x x x x x x x x

Waterproofing, thermal insulation, etc.

4" Pea Gravel

2" Rigid Insulation

PerlinFlashing

Metal Stud Hung From Perlin

Plaster Drop Celing

Welded Wire Fabric

Prestressing Strands

Insulation & 8in Metal Stud

Primary Girder

Rigid Exterior Insulation

Air Gap & Vertical T-Profile

Secondary Beam

ATK 100 Aluminum L-Bracket

1’0

Wall Section

Page 66: William Cotton's Portfolio

63

Left: Accessibility analysis.

Photos of physical model 1”=16’

Page 67: William Cotton's Portfolio

64

4.3.3Figure 7(a) 90 degree turn. A 90 degree turn can be made from a 36 inches wide passage into another 36 inches passage if the depth of each leg is a minimum of 48 inches on the inside dimensions of the turn.

Men’s Restroom

Woman’s Restroom

1:12 Slope

18" 7'-10" 8" 3'-0" 15" 3'-1" 3'-1" 8'-1"

CL

CL

CL18"

3' 3' 4'-3 5/8" 3' 3' 1'-7"

6"

3'-0"

2'-3"

2'-2"

6"

3'-0"

3'-2"

2'-2"

2'-3"

3'

6"

2'

3' 4'5" 18"

11" 6'-0" 11"

1'-3"

6'-0"

1'-0"

6'-0"

3'-1"

19"

19"

18"

18"

42"

16"

16"

2'-2"

3'-2"

2'-2"

3'-2"

2'-2"

3'-2"

2'-2"

12'-5"

11"15"

7'-0"

18" 3'-10" 18" 18" 18" 18"

16"

28" 34"42"

28" 34"42"

6' 4' 6'

4'

5'-6"

6'

Curb to ramp down in 6’ on both sides.1:50 Slope

1:12 Slope

4'

5

5’-10”

3'-0"

4'-0"

3'-0"

4'-0" 6'-0" 4'-0"

4’0

Accessibility

Page 68: William Cotton's Portfolio

65

Left: Egress analysis.

Photos of physical model 1”=16’

Page 69: William Cotton's Portfolio

66

SQ FT Floor Area Per Occupant Allowed

Assembly (meeting) 729.21803 7 104.1740043 104Reading 2084.09851 15 138.9399007 138Library Stacks 1477.60367 100 14.7760367 14

P R O J E C T A D R E S S:

Research Library of LUHCA 1156 5th Street, Lubbock, Texas, United States

G O V E R N I N G C O D E S:

2006 International Building Code

O C C U P A N C Y T Y P E:

A-3

O C C U P A N C Y L O A D:

E G R E S S;

T R A V E L D I S T A N C E:

Maximum exit access travel not to exceed 200' Common path of egress travel not to exceed 75'

P L U M B I N G F I X T U R E S:

Required_ # Occupants = 137.5 F, 137.5 M F: WC - 137.5/65= 2.11, LAV - 137.5/200=0.6875 M: WC - 137.5/125= 1.1, LAV - 137.5/200=0.6875 Provided_ F: WC - 3, LAV - 2 M; WC - 1, UR - 2, LAV - 2

P A R K I N G: 1 Van accessible 20 Total

Storage and mechanical spaces

455.51411 300 1.518380367 1

Business 1057.22956 100 10.5722956 10Reading Rooms 240 50 4.8 4

271Total Occupancy

Path width Per Occupant Occupants Common Path of EgressPath of Egress 0.2 271 54.2”

>75’

>200’

Exit

16’0

egress

Page 70: William Cotton's Portfolio

67

Spring 2012 Level: GradProfessor: John Grabel, Mark Wellen, Tom KundigDuration: 4wk, 3wk, 2 wk

Page 71: William Cotton's Portfolio

68visiting critique Studio

Page 72: William Cotton's Portfolio

69

Cowboy Bunkhouse:Situated on a ranch in El Jardin County Texas, 60 miles north of the Mexican border A compound for cattle hands is developing. John Grable Architects has already taken a commission on this project and as an experiment John challenged us to propose a housing solution.

My proposal was for four individual bunk houses to house two ranch hands each. John’s client needed this lodging for single individuals who work in 12day increments. Family housing was already under construction.

The bunk houses were carefully sited in

response to sun angles, the prevailing winds, and the sensitive nature of the flora on the desert floor.

A sequenced entry through an unconditioned mud shower into the living space is intended to set the stage for exiting the work environment.

Because the workers spend extensive time outside, they are likely to acclimatize making their thermal comfort levels different. To respond to this the cabins are designed to use the Venturi effect to move air through the spaces. the roof line creates high and low pressure systems around the operable openings.

COWBOY BUNKHOUSE

FALL 12_ John Grabel

Graduate Visiting Critique Studio

Page 73: William Cotton's Portfolio

70

Page 74: William Cotton's Portfolio

71

STEEL RAIN SCREEN

DECKING

1X FURRING

3/4" PLYWOOD

6" RIGID FOAM

3/4" PLYWOOD

4 1/2" OILFIELD PIPE

1/4" STEEL PLATE

1/2" STEEL PLATE

8" PULLEY9" PULLEY

HSS 2X3

HSS 2X3

HINGE

1" DUAL PANE GLASS

GLAZING BEAD

GLAZING BEAD

COUNTERWEIGHT

6" COUNTERWEIGHT PULLEY

AIRCRAFT CABLE 6:1 SAFETY FACTOR

DOOR SEAL

DOOR TRACK

SIP

UPWARD FOLDING BIFOLD DOOR + COLUM TO SIP + EXT. SKIN

The owner of the ranch is also an avid pilot and owns an airstrip approximately 2 miles to the east of the site. He is very partial to preserving the vegetation and controlling the vehicular scars on the landscape, because that is what he sees from the cockpit. To embrace this I sited the buildings around existing heavily etched paths in the desert floor, and isolated the lighter areas to assist with recovery. This will help with with wind erosion and other dust related issues.

To create wide open spaces the bunkhouses us a system of bifold doors.

Page 75: William Cotton's Portfolio

72

0 25 50 100ʼBrush Existing Paths Humidity mid afternoon 55%

Humidity at dawn 80%Prevailing Winds 11-mphProposed Paths

Page 76: William Cotton's Portfolio

73

A Monks Cell:Situated on a ranch in Real County Texas, in between two sheds; one for work/meet processing one for sleep, there remains an quadrilateral curb making the perimeter of an old ranch house. Within this outline there is the opportunity to create a place of observation and reflection for the caretaker and the hunters.

This project aims to create a place of meditation by presenting three spatial experiences (within, above, beyond). The condition of “within,” is reached by elevating people using a ramping plinth that pinches space following site geometries. The

plinths height and axial qualities are derived from existing conditions in the site. A horizontal plane framed by the edge of the second level further supports this experience. The second level deck creates a space above the current tree line, changing the existentiality between the viewer and the horizon. The condition of beyond is rationalized through a rectangular oculus framing sky.

The horizontal plains are aluminum torsion boxes constructed similarly to an air plane wing. The vertical surfaces and columns are coursed rubble limestone from the surrounding fields.

A MONKS CELL

FALL 12_ Mark Wellen

Graduate Visiting Critique Studio

Page 77: William Cotton's Portfolio

74

Dietert Ranch Site Plan _ William Cotton _ November 8, 2012N

0 8 16 32

2300

2301

2302

2303

2304

2305

2306

2307

Page 78: William Cotton's Portfolio

75

0 2 4 8 Dietert Ranch Longitudinal Section _ William Cotton _ November 8, 2012

2299

2300

23012302

2303

2304

2305

2305

0 2 4 8 Dietert Ranch Plan _ William Cotton _ November 8, 2012N

First Floor Plan1

Second Floor Plan2

Page 79: William Cotton's Portfolio

76

0 2 4 8 Dietert Ranch Longitudinal Section _ William Cotton _ November 8, 2012

2299

2300

23012302

2303

2304

2305

2305

0 2 4 8 Dietert Ranch Plan _ William Cotton _ November 8, 2012N

First Floor Plan1

Second Floor Plan2

Page 80: William Cotton's Portfolio

77

“What is the smallest shell you can build around

yourself, and feel comfortable…imagine yourself

living in an environment like this (cinco camp) or

a more difficult environment, that really requires

you to protect yourself. How do you open yourself to

the sky or the landscape? And how will this create

some sort of resonance to how you feel as a person”

-T. Kundig

Cinco Camp 11.09.2012

Page 81: William Cotton's Portfolio

78

Page 82: William Cotton's Portfolio

79

A Shell For Living:This project was conducted in two weeks in Fall 2012, and was the final project for the Visiting Critique Studio. We met with Tom and Jenie Kundig in Marfa Texas November 8th-11th, toured the Chinati Foundation, Cinco Camp by Mark Wellen and other regional fare.

While at Cinco Camp Tom prompted us with our next project, a shell for living. We were tasked with exploring our own standard for comfort. And the logistics of building in a remote place.

Growing up in West Texas I always knew that the horizontals (ground and horizon) dominated the landscape. I designed an 80ft2 cabin to occupy the space between the horizontals.

The structure was componentized so that all individual parts weighed less than 200lb’s, so that they could be carried in.

A SHELL FOR LIVING

FALL 12_ Tom Kundig

Graduate Visiting Critique Studio

Page 83: William Cotton's Portfolio

80

BARGRATE ROOF DECK

2-1/2 X 2-1/2 HSS PURLINS

BEAMS 6 x 12-1/2

COLUMNHSS 3-1/2 X 3-1/2

ROOF

SCUPPER + RAIN CHAIN

CEILING

2X6 STUD FRAME

INTERIOR PLYWOOD

EXTERIOR PLYWOOD

SCREEN DOOR

SCREEN DOOR

GLASS DOOR

GLASS DOOR

CISTERN

HUMANUER COMPOST & DRY STORAGE

SAWDUST TOILET

STUV 30 COMPACTWOOD STOVE

DOOR TRACKS

CASEWORK

WOOD DECKING

PIER FOOTINGS

Exploded Axon

0 4

Page 84: William Cotton's Portfolio

81

Plan

0 2

Front Elevation

0 2

A simple 1:1 cube with a butterfly roof, nested between an elevated deck and a bar-grate sun screen/deck. Enough space to retreat from the elements and sleep. Water and food would be packed in, and all organic waste composted.

Page 85: William Cotton's Portfolio

82

Longitudinal Section

0 2

Side Elevation

0 4

Transverse Section

0 4

Page 86: William Cotton's Portfolio

83

Amarillo Helium Plant:National center for U.S. helium production, shipping, and scientific research

A STRATIFIED LANDSCAPE

FALL 12_ Jeff Nesbit

Post Industrial Landscapes

A strategy for future development of a unused post industrial complex that was onece the leader of world wide helium production and research. A lynchpin in the military complex of the cold war, this facility was defended by the navy, because Helium is crucial for many things from nuclear cryogenics to weather balloons.

As a conceptual strategy we purposed that the site should sedimented upon, squeezing and mixing the past with the future. This strategy calls upon a metaphor of the refinement of Helium, and the plate tectonics that cause its formation.

Published in:

Post Industrial Landscapes : vol 1 As urban interventionsAvailable on Blurb.com

Page 87: William Cotton's Portfolio

84

Gas Field

Pipe Lines

Major Roadways

Railroads

Macro Events

Page 88: William Cotton's Portfolio

85

crude natural gas

monoethanolamine

+

SCRUBBER

monoethanolamine plus carbon dioxide

MOLECULAR SIEVE

water

ACTIVATED CARBON ABOSRBER

heavy hydrocarbonsHEAT EXCHANGERHEAT EXCHANGER

warm gas

upgraded natural gas

cold nitrogen

PretreatingSeparating Purifying

EXPANSION VALVE

EXPANSION VALVE

HIGH-PRESSURE FRACTIONATING COLUMN LOW-PRESSURE FRACTIONATING COLUMN

pressure drops to about 145-360 psi rappidly cooling the gas methane starts to liquefy

liqud methane settles at the bottomnitrogen and other gases flow to the top

CRUDE SUBCOOLER

methane

nitrogen + other

pressure drops to about 22 psi

remaining nitrogen is separated

CONDENSOR REFLUX SUBCOOLER

cold crude helium

nitrogen

upgraded natural gas nitrogen

HEAT EXCHANGER

cooled to about -315° Fremaining nitrogen and methane condense

and are drained off.

oxygen

PRE-HEATER CATALYST COOLER PRESSURE SWING ADSORPTION UNITMIXING VESSLE

methane + nitrogen

+crude helium

remaining hydrogen reacts with oxygen

WATER SEPORATOR

water

purified helium

[DISPROGRAMING]

Refinement processes analysis

Sedimentation + Events

Page 89: William Cotton's Portfolio

86

crude natural gas

monoethanolamine

+

SCRUBBER

monoethanolamine plus carbon dioxide

MOLECULAR SIEVE

water

ACTIVATED CARBON ABOSRBER

heavy hydrocarbonsHEAT EXCHANGERHEAT EXCHANGER

warm gas

upgraded natural gas

cold nitrogen

PretreatingSeparating Purifying

EXPANSION VALVE

EXPANSION VALVE

HIGH-PRESSURE FRACTIONATING COLUMN LOW-PRESSURE FRACTIONATING COLUMN

pressure drops to about 145-360 psi rappidly cooling the gas methane starts to liquefy

liqud methane settles at the bottomnitrogen and other gases flow to the top

CRUDE SUBCOOLER

methane

nitrogen + other

pressure drops to about 22 psi

remaining nitrogen is separated

CONDENSOR REFLUX SUBCOOLER

cold crude helium

nitrogen

upgraded natural gas nitrogen

HEAT EXCHANGER

cooled to about -315° Fremaining nitrogen and methane condense

and are drained off.

oxygen

PRE-HEATER CATALYST COOLER PRESSURE SWING ADSORPTION UNITMIXING VESSLE

methane + nitrogen

+crude helium

remaining hydrogen reacts with oxygen

WATER SEPORATOR

water

purified helium

Page 90: William Cotton's Portfolio

87

BIRD FOOT TABLE

SPRING 11_ Upe Flueckiger

Product Design

The Texas Tech College of Architecture’s Sustainable Cabin at the Peace River Foundation in Crowell TX is a living laboratory for the college.

While taking a product design elective in spring 2011, I designed and built the bird foot table. Material: Poplar and Walnut.

Page 91: William Cotton's Portfolio

88

Page 92: William Cotton's Portfolio

89

MODELING

Commissioned

Modeling:Cabin and site model for Boy Scout camp outside Crosbyton TX. Designed by Upe Flueckiger & Daniel Pruski.

Site model is constructed of ~60 layers of 1/31” chipboard, with rasered ariel photography

Page 93: William Cotton's Portfolio

90

Page 94: William Cotton's Portfolio

91

Spring Break 2010 Level: 3rd YearProfessor: Mary Alice Torres-MacDonaldTeam: William Cotton, Amador Saucedo, Brian Wills, Ryan WoodsDuration: 30hrs Site: Junction, TX

Page 95: William Cotton's Portfolio

92coMpetition

Page 96: William Cotton's Portfolio

93

I -10

N

Lake Junction

South Llano River

North Llano River

Llano River

The Revival:The city of Junction Texas hosed a two day Charrette for fresh ideas to revitalize the town. We proposed the creation of nodes along an axis through the city to attract visitors and development. The nodes and axis would form a district that embrace past, current, and future developmental projects. The district would revolve around the traditional center around the court house.

Junction city plana revivalWilliam CottonAmador SaucedoBrian WillsRyan Woods

Page 97: William Cotton's Portfolio

94

Defining The District

1. Court House2. Post Office3. New Museum4. Police Station

5. Standifer Hospital6. Holekamps Feed and Supply7. Texan Theatre8. Community Park

Page 98: William Cotton's Portfolio

95

Western Playscape

Page 99: William Cotton's Portfolio

96

Western Playscape

Page 100: William Cotton's Portfolio

97

Land ofLivingWater

View from I-10 - I-10 bypassed the entrance to the city, we suggest creating a landmark to identify

Main Street- We recommended filling the empty storefronts with collages of Junction to improve image and promote revitalization

Page 101: William Cotton's Portfolio

98

Junction from the interstate and funnel people into the city from the historical access point

Main Street- We recommended filling the empty storefronts with collages of Junction to improve image and promote revitalization

LivingWaterTower

Page 102: William Cotton's Portfolio

99Modular Farmers Market - Stalls are divided by user controlled panels of water for flexible stall division - the citizens of Junction

A Farmers Market:The people of Junction were frustrated with the single grocery store that ran all competition out of town, reducing grocery quality. We suggested a farmers market that would sell local foods and create an attraction for visitors.

Page 103: William Cotton's Portfolio

100Modular Farmers Market - Stalls are divided by user controlled panels of water for flexible stall division - the citizens of Junction

VEGETABLE

MEAT

FRUIT

CRAFT

RETAIL

GROCERY

OFFICE

COFFEE

RESTROOMS

FORUM

FLEXIBLE LOW VOLUMESPACES

MAIN STREET

N 4T

H ST

REET

COLLEGE STREET

Page 104: William Cotton's Portfolio

101

THANK YOU