why monochromatic? why slit s 0 ?

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hy monochromatic? Why slit S 0 ?

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Why monochromatic? Why slit S 0 ?. In the double slit interference pattern: moving the slits farther apart will a) make the pattern spread out b) make the pattern narrower c) have no effect on the spacing of maxima. Q35.3. - PowerPoint PPT Presentation

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Page 1: Why monochromatic? Why slit S 0 ?

Why monochromatic? Why slit S0?

Page 2: Why monochromatic? Why slit S 0 ?

In the double slit interference pattern:moving the slits farther apart will

a) make the pattern spread outb) make the pattern narrowerc) have no effect on the spacing of maxima

d sinθ = mλ

Page 3: Why monochromatic? Why slit S 0 ?

In Young’s experiment, coherent light passing through two slits (S1 and S2) produces a pattern of dark and bright areas on a distant screen. If the wavelength of the light is increased, how does the pattern change?

Q35.3

A. The bright areas move closer together.

B. The bright areas move farther apart.

C. The spacing between bright areas remains the same, but the color changes.

D. any of the above, depending on circumstances

E. none of the above

Page 4: Why monochromatic? Why slit S 0 ?

In Young’s experiment, coherent light passing through two slits (S1 and S2) produces a pattern of dark and bright areas on a distant screen. If the wavelength of the light is increased, how does the pattern change?

A35.3

A. The bright areas move closer together.

B. The bright areas move farther apart.

C. The spacing between bright areas remains the same, but the color changes.

D. any of the above, depending on circumstances

E. none of the above

Page 5: Why monochromatic? Why slit S 0 ?

If you make the source of light dim enough, only one photon at a time will pass through the slits.

If you put a piece of film on the wall and wait a long time, (collecting a few billion photon hits)

a) there will be no interference pattern, because a photon has to go through one slit or the other

b) there will still be an interference pattern

Page 6: Why monochromatic? Why slit S 0 ?

http://phet.colorado.edu/en/simulation/wave-interference

Where in the two-source interference pattern is there a minimum in intensity?

Page 7: Why monochromatic? Why slit S 0 ?

Two sources S1 and S2 oscillating in phase emit sinusoidal waves.

Point P is 7.3 wavelengths from source S1 and 4.3 wavelengths from source S2. As a result, at point P there is

Q35.1

A. constructive interference.

B. destructive interference.

C. neither constructive nor destructive interference.

D. not enough information given to decide

Page 8: Why monochromatic? Why slit S 0 ?

Two sources S1 and S2 oscillating in phase emit sinusoidal waves.

Point P is 7.3 wavelengths from source S1 and 4.3 wavelengths from source S2. As a result, at point P there is

A35.1

A. constructive interference.

B. destructive interference.

C. neither constructive nor destructive interference.

D. not enough information given to decide

Page 9: Why monochromatic? Why slit S 0 ?

Where in the two-source interference pattern is there a minimum in intensity?

A) II only B) III only C) IV only D) I & II E) III & IV

Page 10: Why monochromatic? Why slit S 0 ?

When two sources interfere, along some lines the fields add and along others they cancel. What about energy conservation?

Page 11: Why monochromatic? Why slit S 0 ?

Interference in thin films• Figure 35.11 (right)

shows why thin-film interference occurs, with an illustration.

• Figure 35.12 (below) shows interference of an air wedge.

Page 12: Why monochromatic? Why slit S 0 ?

Phase shifts during reflection• Higher index ~ slower wave speed ~ heavy rope ~ fixed end• Lower index ~ faster wave speed ~ lighter rope ~ free end

Page 13: Why monochromatic? Why slit S 0 ?

Because of the phase shift between front and back reflections, any sufficiently thin film will be

a) “black” (no reflected light)b) “white” (all colors reflect)

Page 14: Why monochromatic? Why slit S 0 ?

Wedge between two plates

Page 15: Why monochromatic? Why slit S 0 ?

A. /2.

B. 3/4.

C. .

D. either A. or C.

E. any of A., B., or C.

Q35.6

An air wedge separates two glass plates as shown. Light of wavelength strikes the upper plate at normal incidence. At a point where the air wedge has thickness t, you will see a bright fringe if t equals

Page 16: Why monochromatic? Why slit S 0 ?

A35.6

An air wedge separates two glass plates as shown. Light of wavelength strikes the upper plate at normal incidence. At a point where the air wedge has thickness t, you will see a bright fringe if t equals

A. /2.

B. 3/4.

C. .

D. either A. or C.

E. any of A., B., or C.

Page 17: Why monochromatic? Why slit S 0 ?

Newton’s rings • Figure 35.16 below illustrates the interference rings

(called Newton’s rings) resulting from an air film under a lens.

Page 18: Why monochromatic? Why slit S 0 ?

Using interference fringes to test a lens

• The lens to be tested is placed on top of the master lens. If the two surfaces do not match, Newton’s rings will appear, as in Figure 35.17 at the right.

Page 19: Why monochromatic? Why slit S 0 ?

Nonreflective coatings• The purpose of the

nonreflecting film is to cancel the reflected light. (See Figure 35.18 at the right.)

• Follow Example 35.7.

On Friday I met Dr. Larry Woolf, a PhD physicist who works at General Atomics in San Diego. Larry invented a black paint for cars that reflects IR light. How does it work??

Page 20: Why monochromatic? Why slit S 0 ?

Michelson interferometer• The Michelson interferometer is used to make

precise measurements of wavelengths and very small distances.

• Follow the text analysis, using Figure 35.19 below.

Page 21: Why monochromatic? Why slit S 0 ?

Chapter 36Diffraction

Page 22: Why monochromatic? Why slit S 0 ?

Goals for Chapter 36• To see how a sharp edge or an aperture affect light

• To analyze single-slit diffraction and calculate the intensity of the light using phasors

• To investigate the effect on light of many closely spaced slits

• To learn how scientists use diffraction gratings

• To see what x-ray diffraction tells us about crystals

• To learn how diffraction places limits on the resolution of a telescope

Page 23: Why monochromatic? Why slit S 0 ?

Introduction• What enables a Blu-ray disc to hold more information than a DVD?

• Why does light from a point source form light and dark fringes when it shines on a razor blade?

• We’ll continue our exploration of the wave nature of light with diffraction.

• And we’ll see how to form three-dimensional images using a hologram.

Page 24: Why monochromatic? Why slit S 0 ?

Diffraction

• According to geometric optics, a light source shining on an object in front of a screen should cast a sharp shadow. Surprisingly, this does not occur because of diffraction.

Page 25: Why monochromatic? Why slit S 0 ?

Diffraction and Huygen’s Principle

• Huygens’s principle can be used to analyze diffraction.

• Fresnel diffraction: Source, screen, and obstacle are close together.

• Fraunhofer diffraction: Source, screen, and obstacle are far apart.

• Figure 36.2 below shows the diffraction pattern of a razor blade.

Page 26: Why monochromatic? Why slit S 0 ?

Diffraction from a single slit• In Figure 36.3 below, the prediction of geometric optics in

(a) does not occur. Instead, a diffraction pattern is produced, as in (b).

Page 27: Why monochromatic? Why slit S 0 ?

Fresnel and Fraunhofer diffraction by a single slit• Figure 36.4 below shows Fresnel (near-field) and

Fraunhofer (far-field) diffraction for a single slit.

Note how we can guarantee Fraunhofer diffraction by using a converging lens.

Page 28: Why monochromatic? Why slit S 0 ?

Locating the dark fringes• Dark fringe appears when wavelets cancel PAIRWISE.• First dark fringe appears when there is a half wavelength

difference in path across half the slit.

Page 29: Why monochromatic? Why slit S 0 ?

An example of single-slit diffraction

• Figure 36.6 (bottom left) is a photograph of a Fraunhofer pattern of a single horizontal slit.

Page 30: Why monochromatic? Why slit S 0 ?

We will see that the intensity on the screen looks like this:

The actual angle at which the first minimum occurs will depend on wavelength and slit width.

Page 31: Why monochromatic? Why slit S 0 ?

Q36.1

A. Double the slit width a and double the wavelength .

B. Double the slit width a and halve the wavelength .

C. Halve the slit width a and double the wavelength .

D. Halve the slit width a and halve the wavelength .

Light of wavelength passes through a single slit of width a. The diffraction pattern is observed on a screen that is very far from from the slit.

Which of the following will give the greatest increase in the angular width of the central diffraction maximum?

Page 32: Why monochromatic? Why slit S 0 ?

A36.1

A. Double the slit width a and double the wavelength .

B. Double the slit width a and halve the wavelength .

C. Halve the slit width a and double the wavelength .

D. Halve the slit width a and halve the wavelength .

Light of wavelength passes through a single slit of width a. The diffraction pattern is observed on a screen that is very far from from the slit.

Which of the following will give the greatest increase in the angular width of the central diffraction maximum?

Page 33: Why monochromatic? Why slit S 0 ?

In a single-slit diffraction experiment with waves of wavelength , there will be no intensity minima (that is, no dark fringes) if the slit width is small enough.

What is the maximum slit width a for which this occurs?

Q36.2

A. a =

B. a =

C. a = 2

D. The answer depends on the distance from the slit to the screen on which the diffraction pattern is viewed.

Page 34: Why monochromatic? Why slit S 0 ?

In a single-slit diffraction experiment with waves of wavelength , there will be no intensity minima (that is, no dark fringes) if the slit width is small enough.

What is the maximum slit width a for which this occurs?

A36.2

A. a =

B. a =

C. a = 2

D. The answer depends on the distance from the slit to the screen on which the diffraction pattern is viewed.

Page 35: Why monochromatic? Why slit S 0 ?

Intensity in the single-slit pattern

Page 36: Why monochromatic? Why slit S 0 ?

Intensity maxima in a single-slit pattern• Figure 36.9 at the right

shows the intensity versus angle in a single-slit diffraction pattern.

• Part (b) is photograph of the diffraction of water waves.

Page 37: Why monochromatic? Why slit S 0 ?

Width of the single-slit pattern - summary

Page 38: Why monochromatic? Why slit S 0 ?

You should be able to figure out some “special cases” without the formula! For example, what is the

intensity if there is a phase difference of between the top

and bottom wavelet? (Compared the intensity straight ahead, where

the phase difference is always zero)

What angle would this occur at, for a given slit width and wavelength?

Page 39: Why monochromatic? Why slit S 0 ?

What is the correct phasor

diagram for point P?

Page 40: Why monochromatic? Why slit S 0 ?

Answer: E.

The ratio of the amplitude at P to the amplitude at the center of the pattern is equal to the ratio of:

A) Radius to circumference

B) Diameter to circumference

C) Radius to 1.5x circumference

D) Diameter to 1.5x circumference

E) 3/2

Page 41: Why monochromatic? Why slit S 0 ?

Two slits of finite width

Page 42: Why monochromatic? Why slit S 0 ?

Missing OrdersFrom the first missing fringe, you can

find the ratio of slit width to separation, using

dsin = m d=separationasin = a=width

If the fifth interference max is missing, (counting the center as zero!) what is the ratio of slit separation to slit width?

• 1/25• 1/5• 5• 25• Cannot determine without

Page 43: Why monochromatic? Why slit S 0 ?

Missing OrdersFrom the first missing fringe, you can

find the ratio of slit width to separation, using

dsin = m d=separationasin = a=width

If the fifth interference max is missing, what is the ratio of slit separation to slit width?

c) 5

If the 1st interference max is missing, what does that mean?

Page 44: Why monochromatic? Why slit S 0 ?

Several slits• In Figure 36.13 below, a lens is

used to give a Fraunhofer pattern on a nearby screen.

Page 45: Why monochromatic? Why slit S 0 ?

Interference pattern of several slits

• Figure 36.15 below shows the interference pattern for 2, 8, and 16 equally spaced narrow slits.

Page 46: Why monochromatic? Why slit S 0 ?

Let’s try to understand in general what happens with more than 2 slits, using phasors for the interference.

We’ll work this on the board, first for 3 slits.

What is the ratio of the intensity of the big peak to the small peak?

a) 2b) 3c) 4d) 9e) 27

Page 47: Why monochromatic? Why slit S 0 ?

Let’s try to understand in general what happens with more than 2 slits, using phasors for the interference.

We’ll work this on the board, first for 3 slits.

Here’s a slightly harder question: what is the width of the big peak (from zero to zero), compared to the separation between big peaks?

a) 1/9b) 1/3c) 1/2d) 2/3e) 3/4

Page 48: Why monochromatic? Why slit S 0 ?

Let’s do 4 slits.

What phasor diagram shows the first side zero for 4 slits?

Page 49: Why monochromatic? Why slit S 0 ?

Several slits• In Figure 36.13 below, a lens is

used to give a Fraunhofer pattern on a nearby screen.

Page 50: Why monochromatic? Why slit S 0 ?

The diffraction grating

• A diffraction grating is an array of a large number of slits having the same width and equal spacing. (See Figure 36.16 at the right.)

Page 51: Why monochromatic? Why slit S 0 ?

Grating spectrographs• A diffraction grating can be used to disperse light into a

spectrum.• The greater the number of slits, the better the resolution.• Figure 36.18(a) below shows our sun in visible light, and in

(b) dispersed into a spectrum by a diffraction grating.

Page 52: Why monochromatic? Why slit S 0 ?

Diagram of a grating spectrograph• Figure 36.19 below shows a diagram of a diffraction-

grating spectrograph for use in astronomy.

Page 53: Why monochromatic? Why slit S 0 ?

X-ray diffraction

• When x rays pass through a crystal, the crystal behaves like a diffraction grating, causing x-ray diffraction. Figure 36.20 below illustrates this phenomenon.

Page 54: Why monochromatic? Why slit S 0 ?

A simple model of x-ray diffraction

• The Bragg condition for constructive interference is 2d sin = m.

• Follow Example 36.5.

Page 55: Why monochromatic? Why slit S 0 ?

Circular apertures• An aperture of any shape forms a diffraction pattern.• Figures 36.25 and 36.26 below illustrate diffraction by a

circular aperture. The airy disk is the central bright spot.• The first dark ring occurs at an angle given by sin1 = 1.22 /D.

Page 56: Why monochromatic? Why slit S 0 ?

Diffraction and image formation• Diffraction limits the

resolution of optical equipment, such as telescopes.

• The larger the aperture, the better the resolution. Figure 36.27 (right) illustrates this effect.

Page 57: Why monochromatic? Why slit S 0 ?

Bigger telescope, better resolution

• Because of diffraction, large-diameter telescopes, such as the VLA radiotelescope below, give sharper images than small ones.

Page 58: Why monochromatic? Why slit S 0 ?

Memorize or learn:

I E2 v = f Direction of plane wave cos(kx±t), direction of associated B field

what is a plane wave

what is Brewster’s angle and what rays are perpendicular

= (2)/k, T = (2)/ v = c/n

frequency & wavelength in materials

how deep is the fish? how to ray trace using foci

how to find final image with 2 lenses or mirrors

how to locate nodal lines and maxima in 2-source interference (graphically)

how to find the source separation in 2-source interference

how to draw phasors for 2-source interference and find Etot and Itot

when is there a relative phase shift in thin film interference

how to use thin film fringes to find film thickness

how to draw curved phasor for single slit diffraction and (in special cases) find E & I

predict where on a screen light gets brighter & dimmer if one slit (of two) is covered

how slit width & sep affect pattern & find ratio of slit width to separation

Page 59: Why monochromatic? Why slit S 0 ?

Δpath

λ=

Δϕ