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Whimsical Muse The Drawthrough Collection by Scott Robertson v16

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Page 1: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Whimsical Muse

The Drawthrough Collectionby Scott Robertson

v16

Manifest16 (revision) 12/9/06 11:02 PM Page 1

Page 2: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Manifest16 (revision) 12/9/06 11:02 PM Page 2

Page 3: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Whimsical Muse

The Drawthrough Collectionby Scott Robertson

Manifest16 (revision) 12/9/06 11:02 PM Page 3

Page 4: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Executive Director

Jason Franz

Board of Directors

Katherine DintenfassJason FranzElizabeth KauffmanBrigid O’Kane

Associate Directors

Kristin CullenKevin Muente

Junior Board

Trevor PonderJeffrey Salter

Interns

Lynda CampKate HolterhoffKarina Meza

Mission Statement:

Manifest enhances the role of art and design insociety by cultivating and focusing the transforma-tive power of creativity in the visual arts. Manifestbenefits people in the global and local community,including professionals, students, and the public, bycreating quality-centered experiences focused oncontemporary visual arts and related activities in thecontext of creative exploration.

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MANIFEST is a 501(c)(3) non-profit organization

vol 16

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Support provided by:

MANIFEST VOLUME SIXTEEN

© 2006 MANIFEST PRESS

All rights reserved. No part of this publication may be reproduced inany way without written permission from the publisher. All rights in

each work of art reproduced herein are retained by the artist.

Manifest Creative Research Gallery and Drawing Center2727 Woodburn Avenue, P.O. Box 6218, Cincinnati, OH 45206

(513) 861-3638

First Printing - December 2006, edition of 75Designed by Jason Franz

Printed by PrintPelican.com

Cover details: Scott Robertson, Open Wheel Car;

Daniel O’Connor, We Are Tentmakers By Trade

Manifest16 (revision) 12/9/06 11:02 PM Page 6

Page 7: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Whimsical Muse

The Drawthrough Collectionby Scott Robertson

Manifest16 (revision) 12/9/06 11:02 PM Page 7

Page 8: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Manifest16 (revision) 12/9/06 11:02 PM Page 8

Page 9: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

for Alexandra...

Whimsical Muse

Manifest16 (revision) 12/9/06 11:02 PM Page 9

Page 10: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Mar

go

t C

orm

ier

Spla

ne

Chri

stin

e M

arie

Dav

is

Wen

dy

Des

Chen

e

Bet

h E

dw

ard

s

Rho

nd

a G

ushee

Shan

e H

arri

s

Stac

ey H

ollo

way

Char

lie K

earn

s

Rut

h M

arks

Gab

riel

le M

ayer

Dan

iel O

'Co

nno

r

Wyn

ter

Whit

esid

e

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Page 11: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Curato

rial Statemen

t

Art and design are vehicles for bold social commentary, political activism, and deep personal phi-losophy. But creative visual works can also provide for levity, playfulness, and innocent joy. Theancient Greek idea of catharsis involved both tragedy AND comedy. Therefore with WhimsicalMuse Manifest Gallery presents a collection of works that embody the lighter side of creativity.

The international call for entries for Whimsical Muse resulted in over 180 submissions from 18states and 2 Canadian provinces.

The fourteen works presented here represent the impressive consistency of Manifest’s jury andcuratorial process which somehow always manages to boil innumerable exhibit possibilities downto one very cohesive and surprisingly interrelated collection of excellent works.

Whimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse intoa young boy’s afternoon, which could be the events leading up to a visit to the exhibit itself.Stacey Holloway’s mechanical doll Sally chases a firefly around the gallery in an endless and bit-tersweet circle. Joining Sally are the characters in works by Beth Edwards and Ruth Marks who,although motionless appear to be animated by the primal and innocent existence with which theyhave been endowed. Toy-like works by Rhonda Gushee, Wendy DesChene, and Shane Harris lenda purpose to the excitement. And Wynter Whiteside’s large pair of centerpiece cakes, along withDaniel O’Connor’s patchwork pup tent and Gabrielle Mayer’s unmistakable icon of childhood fri-volity, round out the festive context, setting the stage for wild things to happen. With MargotCormier Splane’s zoological scenarios, and Christine Marie Davis’s surrealistic furry desserts, theworld of Whimsical Muse is complete, and completely untamed.

Jason Franz

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Mar

go

t C

orm

ier

Spla

ne

timm

ins, o

ntar

io, ca

nada

Bla

ck a

nd

Whit

e To

uri

sts

Vis

it E

gyp

t

hand

pul

led

serig

raph

, 12

”x18

.75”

, 20

06

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Page 14: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Mar

go

t C

orm

ier

Spla

ne

timm

ins,

ont

ario

, ca

nada

Ther

e is

So

met

hin

g I

Do

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Lik

e A

bo

ut

the

New

Shee

pd

og

hand

pul

led

serig

raph

, 9”

x18.

5”,

2005

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Chri

stin

e M

arie

Dav

isho

war

d, c

olor

ado

Des

sert

Fet

ish

foun

d ob

ject

s an

d fu

r, 12

”x60

”x5”

, 20

04

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Page 18: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Wen

dy

Des

Chen

eau

burn

, al

abam

aW

YSI

WY

G’S

WO

RLD

3

digi

tal p

hoto

grap

h, 1

8”x2

4”,

2005

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Page 20: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Bet

h E

dw

ard

sm

emph

is,

tenn

esse

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Ha

pp

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and

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oil o

n ca

nvas

, 22

”x24

”, 2

005

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Rho

nd

a G

ush

eeci

ncin

nati,

ohi

oD

oll

Ho

use

I

bass

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d, s

titch

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athe

r, ba

tter

y-op

erat

ed

inte

ract

ive

talk

ing

toys

, 68

”x25

”x14

”, 2

006

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Page 24: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Shan

e H

arri

sbl

oom

ingt

on,

indi

ana

Unti

tled

mix

ed m

edia

, 5”

x5”x

3”,

2006

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Page 26: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Stac

ey H

ollo

way

min

neap

olis

, m

inne

sota

Sally

Cha

ses

Fire

flie

s

cast

bro

nze,

ste

el,

and

mix

ed m

edia

24”x

12”x

27”,

200

6

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Page 28: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Char

lie K

earn

sza

nesv

ille,

ohi

oCutt

ing

the

Rug

(vid

eo s

till),

vid

eo,

10 m

in,

2006

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Page 30: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Ruth

Mar

ks

ypsi

lant

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ichi

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ust

pape

r cl

ay a

nd a

cryl

ic,

7”x7

”x14

”, 2

006

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Page 32: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Gab

riel

le M

ayer

loui

svill

e, k

entu

cky

Clo

wn H

ead

oil o

n ca

nvas

, 32

”x32

”x4”

, 20

06

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Page 34: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Dan

iel O

’Co

nno

rft

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ucky

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Are

Ten

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kers

By

Tra

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on p

aper

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”x23

”, 2

006

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Page 36: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

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ter

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litte

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”, 2

005

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Page 39: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

The Drawthrough Collectionby Scott Robertson

curated by Brigid O’Kane

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Scott Robertson is a notable Los Angeles based concept designer who has taught at Art Center College ofDesign in Pasadena, California since 1995, and Art Center Europe in Switzerland for nearly two years. He is thefounder of Design Studio Press, which has a mission of design, drawing, and rendering education. Robertsonalso currently works as a design consultant for the entertainment, sporting goods, and transportation industrywith a past client list that includes Mattel Toys, Nike, Universal Studios, Fiat, and the feature film The MinorityReport.

Manifest presents this exhibit in fulfillment of its Drawing Center mission whereby that fundamental disciplineis promoted, featured, and explored, and to serve as a resource for those interested in a career in the creativevisual arts. The display of these drawings and the accompanying lecture gives artists and designers a rare oppor-tunity to learn from one of the very best concept designers and teachers working in the field today. With this,Manifest offers a chance to learn about different approaches to drawing as well as the objectives that can beachieved through the practice of this art form.

Robertson's drawings are a marvel of precision and accurate freehand technical drawing, yet at the same timethey are creative intuitive expressions of design concepts. The contrast between the technical and intuitive isjust one of the features that makes these drawings so attractive and compelling. This selection of drawingsdemonstrates an applied skill, which is fun and imaginative while at the same time purposeful, directed, anddescriptive.

Drawing is one of the most valuable skills a designer or artist can develop as a means of visual communication.The drawing process is the most direct way to research, develop, communicate, and present design concepts.For the creative individual drawing advances a focused visual discipline, and broadens the understanding ofform, volume, and the aesthetic qualities of three-dimensional forms depicted on a two-dimensional surface.

The Drawthrough Collection by Scott Robertson presents several kinds of drawn design approaches, includingfast and intuitive gesture sketches, side-view concept drawings, and extreme perspectives. Thus the exhibitspans the spectrum of drawing applied to the design process.

Cura

tori

al S

tate

men

t

Brigid O’Kane

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Page 43: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Arctic B

oss

ballpoint pen on tracing paper

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Page 44: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Ca

rgo

Pla

ne

ballp

oint

pen

on

trac

ing

pape

r

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Page 46: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Op

en W

hee

l Ca

r

ballp

oint

pen

on

new

sprin

t

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Page 54: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Left

y Sp

ace

cra

ft

Pilo

t H

igh-

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en o

n bo

nd p

aper

Lift

Off

chis

el p

oint

cal

ligra

phy

pen

on w

hite

pap

er

(fac

ing

page

)

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Ho

verc

raft

Thum

bna

ils

ballp

oint

pen

and

gou

ache

on

Bris

tol p

aper

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Page 57: Whimsical MuseWhimsical Muse is delightful indeed. Charlie Kearns’s video piece offers a narrative glimpse into a young boy’s afternoon, which could be the events leading up to

Busi

nes

s Ca

rd S

hip

s

mar

ker,

blac

k pe

n, P

rism

acol

or p

enci

l,

goua

che

on b

ack

of b

usin

ess

card

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2727 woodburn avenue cincinnati, ohio 45206513 861 3638www.manifestgallery.org

MANIFESTCREATIVE RESEARCH GALLERY AND DRAWING CENTER

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