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2021/2022 SEASON

Civic Symphony of Green Bay 1

Dan Marbes, Co-PresidentBoard of DirectorsCivic Symphony of Green Bay

Welcome to the 27th season of the Civic Symphony of Green Bay!

When the symphony takes the stage for our first performance of this season on October 2, 2021, it will mark nearly two years since we last performed in person to a live audience. Like most arts organizations in the United States and worldwide, the impacts of COVID-19 forced a cancellation of the final events of our 2019-2020 season as well as all planned concerts in the following season.

While things haven’t fully returned to normal, we’re incredibly excited to gather to celebrate the wonder and beauty of symphonic music through live performances and artistic collaborations. In some ways, things will look much like they did two years ago. We plan to perform a full four-concert season under the baton of music director Seong-Kyung Graham. We’ll continue to perform “music you like by people you know.” After being postponed for a year, we will celebrate young performers in Northeastern Wisconsin and the legacy of Maestro Miroslav Pansky with the concerto competition held in his memory, featuring the high school and college division winners on our February program.

You will also notice changes this year. Our first concert features music written for smaller ensembles, allowing us to move back to in-person rehearsals and performances in a manner which prioritizes the health and safety of our performers. You may notice distancing and other requirements in our venues this season, as we work to host performances while taking precautions to ensure the safety of you, our patrons. The Civic Symphony has some new “homes” for this season, and we are excited for our partnerships with St. Norbert College and the Green Bay Community Church. These new venues allow us to deliver our most significant change, online livestreams of all four concerts. As we planned this season in the early months of 2021, we anticipated that some of our patrons would not be comfortable returning to in-person performances and we’re excited that we can still provide an attendance option for these individuals. We are also thrilled that this new offering will allow friends, family, and supporters of the Civic Symphony who do not live in or near Green Bay to join us on concert nights, no longer limited by geography.

The last 18+ months have been hard. Through this experience, there were moments when some of us wondered if we’d ever return, but here we are. We are back and are looking forward to reinvigorating a sense of community with these performances. On behalf of the board and staff of the Civic Symphony of Green Bay, I want to express my heartfelt thanks for your ongoing support and to welcome you back with open (yet physically distanced!) arms to our “comeback” season.

Civic Symphony of Green Bay2

During each season, generous donors have helped the Symphony to fulfill its mission to bring fine symphonic music to the community at affordable prices.

If you wish to make a tax-deductible contribution, please contact the Civic Symphony office at PO Box 302, Green Bay, Wisconsin 54305-0302, phone (920) 432-4676 or gbcivic.org.

MISSION STATEMENTThe Civic Symphony of Green Bay is a community of musicians committed to sustaining the wonder and beauty of symphonic music through live performances and artistic collaborations.

VISION: THE SYMPHONY SEEKS TO• Make symphonic music accessible through interactive and innovative experiences

• Continue and expand educational opportunities

• To encourage public support and gifts to sustain the goals of the orchestra

CIVIC SYMPHONY OF GREEN BAY OFFICERS 2021-2022Dan Marbes

Rose Van Himbergen

Paul Olesky

Chase Vande Yacht

President:

Vice President:

Secretary:

Treasurer:

BOARD MEMBERSLynn Liddle-Drewiske

Shahnnon Hawkins

Yi-Lan Niu

Theresa Pelkey

Mindy Popke

Judy Schmidt-Lehman

Jeff Verkuilen

Chris Williams

EX-OFFICIO BOARD MEMBERSSeong-Kyung Graham, Artistic Director / Conductor

Katelyn Werner, Administrative Assistant

Looking for a unique leadership opportunity? We’d love to expand our board membership to include experts in the areas of Marketing, Public Relations, Finance, Fundraising, General Management, and Educational Outreach. We encourage anyone interested to contact us at [email protected]!


SEONG-KYUNG GRAHAM

Conductor and Artistic Director

Seong-Kyung Graham, a native of Korea, received her Bachelor of Music degree from Sungshin Women’s University in Seoul before moving to the United States in 1989. After earning her Master of Music degree at the University of North Texas, she pursued additional graduate studies in conducting at the University of Illinois and the College Conservatory of Music, University of Cincinnati.

Ms. Graham has a wide range of conducting experience with orchestras, chamber ensembles, and choirs. The orchestras she has guest-conducted include Fox Valley Symphony Orchestra, Oshkosh Symphony Orchestra, Lawrence Symphony Chamber Orchestra, All Star Symphony Orchestra in Appleton, WI, Concert Orchestra at University of Cincinnati, Starling Showcase Orchestra in Cincinnati, and Illini Orchestra at University of Illinois.

She is currently serving as the music director at the Union Congregational United Church of Christ. She was previously the music director of the Fox Valley Symphony Youth Orchestra, Bradley Chamber Orchestra at Bradley University, Ripon College Orchestra, and the assistant conductor of the Lawrence Symphony Orchestra at Lawrence University.

CONTACT INFORMATION

Mail:Civic Symphony of Green BayPO Box 302Green Bay, WI 54305-0302

Email:[email protected]

Phone:920-432-4676

FIND US ON THE WEB

Website: gbcivic.org


Presents

FALL FOR ALL

Saturday, October 2nd, 2021 • 7:00 PM

INTERMISSION

Seong-Kyung Graham, Conductor

Paul Oleksy, Host

Aaron Copland (1900-1990)

Fanfare for the Common Man

Aaron Copland (1900-1990)

Appalachian Spring, Suite for 13 instruments

Concerto No. 3 in F major, L’autunno, (Autumn), RV 293I. AllegroII. Adagio moltoIII. Allegro

Antonio Vivaldi (1678-1741)

Violin Soloist & Conductor • Samantha George

“Autumn” and “Winter” from Four Seasons, Op. 8

I. Allegro non moltoII. LargoIII. Allegro

Concerto No. 4 in F minor, L’inverno, (Winter), RV 297

Eric Whitacre (b. 1970)

October


SAMANTHA GEORGE

Featured Violinist

Violinist SAMANTHA GEORGE is an Associate Professor of Music at Lawrence University. She served as Associate Concertmaster of the Milwaukee Symphony Orchestra from 1999-2008. Dr. George received a high-school diploma from the Interlochen Arts Academy and Bachelor of Music, Master of Music, and Performer’s Certificate degrees from the Eastman

School of Music, where she was a graduate teaching assistant for Charles Castleman. She also holds a doctorate in violin performance and music theory from the University of Connecticut.

As a soloist, Dr. George has performed with the Milwaukee Symphony Orchestra, Raleigh Symphony, Idaho State Civic Symphony, Hartford Symphony, and the United States Coast Guard Band. She is a host of Lawrence University “Live from the Conservatory” intermission interviews and presents a number of pre-concert lectures wherever she performs. George received the 2012 “Excellence in Teaching: Young Teacher Award” from Lawrence University.

The Civic Symphony of Green Bay thanks Ashwaubenon High

School for the use of their facilities and percussion

equipment for rehearsals.


Presents

CLASSICS FOR THE COMMUNITY

Sunday, November 14th, 2021 • 3:00 PM

INTERMISSION


Kathleen Westbrook, Host

John Philip Sousa (1854-1932)

The Stars and Stripes Forever

Sergei Prokofiev (1891-1953)

Peter and the Wolf

I. Adagio - Allegro moltoII. LargoIII. Scherzo: Molto vivaceIV. Finale: Allegro con fuoco

Antonín Dvořák (1841-1904)

Narrator • Kathleen Westbrook

Symphony No. 9 in E minor, “From the New World”, Op. 95, B. 178


This performance is presented as a non-ticketed fundraising event, where free-will donations will

be accepted in-lieu of ticket sales.

Please consider donating, and we sincerely thank you for your support!

KATHLEEN WESTBROOK

Featured Narrator

Kathleen Westbrook shared music and stories with audiences for more than 37 years as part of the Children’s staff at the Appleton Public Library. Among her favorite library projects were “Symphony Storytime” collaborations with members of the Fox Valley Symphony Orchestra. She and her husband Ty enjoy music together, and are both members of New Horizons

Orchestra Fox Valley. Kathleen is honored and pleased to be part of the “Classics for the Community” concert.

Please silence your cell phones and refrain

from texting, audio/video recording, or flash photography during the

performance.

Thank you.


PROGRAM NOTESJOHN PHILIP SOUSA (1854-1932)

The Stars and Stripes Forever | Composed 1896

Known as the “American March King,” John Philip Sousa wrote over 130 marches. He would spend much of his life in the U.S. Marine Band where he did two tours of duty. He first enlisted in 1868 at the age of 13 with the rank of “boy.” Later, he served from 1880 to 1892 as the director. During his tenure, the band grew to become the premiere U.S. military band. Sousa also invented the sousaphone to direct the sound of the tuba in a more forward direction; this instrument continues to be extremely important to marching bands. Sousa wrote several famous marches, including The Thunderer, The Washington Post, and the work we will hear tonight: The Stars and Stripes Forever.

The Stars and Stripes Forever is one of the most famous American patriotic works and has been the official march of the United States since 1987. In the piece, one can listen for a clearly articulated march form. After the iconic introduction, one will hear three distinct themes in the “first strain,” “second strain,” and “trio,” respectively. After the quiet, subdued trio, the low brass erupt start the “dogfight.” After the storm clears, the piccolos play a challenging solo section. After a second hearing of the Dogfight, the trumpets and trombones lead the “grandioso” section to close the march.

SERGIO PROKOFIEV (1891-1953)

Peter and the Wolf | Composed 1936

Sergio Prokofiev was a child prodigy on the piano who began composing at the age of five and wrote his first opera at the age of nine. He was one of the greatest Russian composers of the Soviet era, especially known for his operas The Love of Three Oranges and War and Peace, as well as his ballet, Romeo and Juliet. He also created film music for Sergei Eisenstein’s Alexander Nevsky. Speaking of Prokofiev’s Symphony No. Seven, fellow composer Dmitiri Shostakovich said that the work “made it much easier and more joyful to live.” This joyfulness carried into Prokofiev’s love of his two children, who he was missing while he wrote tonight’s work, Peter and the Wolf.

Peter and the Wolf is a “symphonic fairy tale for children.” The piece was commissioned by the Children’s Theatre in Moscow in order to introduce children to the orchestral instruments. Since its first reading in 1936, Peter and the Wolf has been read by several notable narrators, including Bill Clinton, Mikhail Gorbachev, Sting, and Patrick Stewart.

Prokofiev wrote both the text and music in less than two weeks. The composer vividly illustrated the storyline with his orchestration and connects each character to a specific instrument. He wrote the following performance note:

Each character of this tale is represented by a corresponding instrument in the orchestra: the bird by a flute, the duck by an oboe, the cat by a clarinet playing staccato in a low register, the grandfather by a bassoon, the wolf by three horns, Peter by the string quartet, the shooting of the hunters by the kettle drums and bass drum. Before an orchestral performance it is


desirable to show these instruments to the children and to play on them the corresponding leitmotivs. Thereby, the children learn to distinguish the sounds of the instruments during the performance of this tale.

ANTONÍN DVOŘÁK (1841-1904)

Symphony No. 9 ‘From the New World” | Composed 1893

I. Adagio - Allegro moltoII. LargoIII. Molto vivaceIII. Allegro con fuoco

The composer who would go on to write The New World Symphony was initially reluctant to come to America. When offered a post as director of the National Conservatory of Music in New York City, he refused until he was offered a light teaching load and a salary 25 times what he made in Bohemia (in modern day Czech republic). Dvořák was a prolific composer and had already written eight symphonies; the move to America would be the inspiration for his ninth - inspiration both from the new music he would hear and from his longing for home.

After finally crossing the Atlantic ocean, Dvořák would be impressed with the music he heard in America, particularly African spirituals. Dvořák consulted with a Black student, Harry T. Burleigh, in learning these songs. According to the Dvořák:

“I am convinced that the future music of this country must be founded on what are called the Negro melodies. In the Negro melodies of America I have discovered all that is needed for a great and noble school of music. America can have her own music, a fine music growing up from her own soil and having its own special character—the natural voice of a free and great nation.”

After the opening adagio of the first movement, the allegro molto takes off with an intrepid theme in the horns. Then, the music settles down for the entrance of the solo flute playing a melody that sounds strongly inspired by the African spiritual, Swing Low, Sweet Chariot. Despite the connection, all the melodies in the symphony are in fact Dvořák’s. He stated: “I have simply written original themes embodying the peculiarities of Negro and Indian music and, using these themes as subjects, have developed them with all the resources of modern rhythm, harmony, counterpoint, and orchestral color.” The sounds of Dvořák’s own homeland can also be heard in the symphony. For example, the third movement scherzo echoes the intensity found in the scherzo of Beethoven’s Ninth and features a waltz in the trio section. After over two years in America, Dvořák was feeling ready to return home, noting that “I will thank God when I am among my own people once more and perhaps sitting somewhere in the woods of Vysoka.” According to the interpretation of conductor Kurt Masur, the symphony is a tragic response to this homesickness. Throughout the symphony we can hear Dvořák channeling sounds both American or Bohemian––the tension between the spirit of adventure and desire for home imbues this symphony with the kind of complex meaning inherent to many great works of art.


JOHN HENNECKENDr. John Hennecken is Assistant Professor of Music at Saint Norbert College, where he teaches composition, music theory, and history. An active composer, his music has been performed in the United States, France, Italy, Belgium, Poland and Japan by ensembles such as Symphony Orchestra Augusta, Takarazuka City Symphony Orchestra, Georgia Southern Symphony, Atlanta Wind Symphony, Wet Ink, Terminus

Ensemble, Sound of Late, and the Trombones of the St. Louis Symphony. Hennecken is also Composer in Residence with the MOD[ular] Ensemble, a chamber group dedicated to new music. Select honors and awards include: International Tuba-Euphonium Association Harvey Phillips Award; performances at the International Trumpet Guild Conference and International Trombone Festival; Morton Gould Young Composer Awards finalist; Tribeca New Music Merit Award; Southeastern Composers League Philip Slates Memorial Composition Contest winner, and many more. Hennecken has also won fellowships from the Virginia Center for the Creative Arts and the Hambidge Center. His music has been recorded under the EMPiRES label, broadcasted on Georgia Public Radio and published by Potenza Music. Hennecken earned his D.M.A. at the University of Georgia, and his principal teachers have been Adrian P. Childs, Leonard V. Ball Jr. and Douglas O’Grady.

Thank you to John Hennecken for writing the program notes.

Be notified of upcoming concerts and events by email!

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Presents

WINTER DREAMS

Saturday, February 5th, 2022 • 7:00 PM

INTERMISSION


Kent Paulsen, Host

Flute Ensemble (To be determined)

Miroslav Pansky Memorial Concerto Competition Winner Selections

I. Dreams of a Winter Journey Allegro tranquilloII. Land of Desolation, Land of Mists Adagio cantabile ma non tantoIII. Scherzo Allegro scherzando giocosoIV. Finale Andante lugubre - Allegro maestoso

Pyotr Ilyich Tchaikovsky (1840-1893)

Symphony No. 1 in G minor, Winter Daydreams


IN HONOR OF MAESTRO MIROSLAV PANSKYThe Miroslav Pansky Memorial Competition was established in 2007 by the Civic Symphony of Green Bay. The event continues as an enduring tribute to an artist who profoundly influenced the cultural life of our community.

Maestro Pansky, born in 1933 in Prague, Czechoslovakia, graduated from the Prague Conservatory of Music with honors in violin, conducting and composition. After successfully launching a conducting career and completing a period of opera study in Monte Carlo, he emigrated to the United States in 1968. Soon afterward he was appointed music director of the Los Angeles Congress of Strings. Pansky came to Green Bay in 1972 as artistic director and conductor of the Green Bay Symphony Orchestra,

a long-established community ensemble. He held the post for 23 years, bringing the orchestra to an enviable level of performance.

During his tenure, Pansky also fulfilled engagements with orchestras and opera companies far from Green Bay. They included appearances as guest conductor of symphony orchestras in Milan, Sorrento and Taormina, Italy, in Athens, and in Seoul, Korea. Guest conductor commitments closer to home took him to New York, Los Angeles, Cincinnati, and Winnipeg, Canada.

In 1985 Pansky founded the Pamiro Opera. Over 20 years under his direction, Pamiro mounted some 30 operas, providing young professionals from across the country the opportunity to perform in fully staged productions with musicians from the area.

Soon after coming to Green Bay, Pansky also organized and directed an orchestra program for school-age musicians: a youth symphony, a junior youth symphony, and a string orchestra. In weekly rehearsals and regular concerts over many years, he savored the joy of nurturing talent and of engaging the energy and enthusiasm of youth. Under his guidance, scores of young musicians were inspired to persist in the path to outstanding achievement.

In the same spirit, the competition is held every two years as an integral part of the Civic Symphony’s educational mission. The first auditions were held in October 2008, and the two first-place winners performed as soloists with the orchestra in February 2009.


THANK YOU TO OUR SPONSORSDIAMOND BATON SPONSOR

SILVER BATON SPONSOR

PLATINUM BATON SPONSORS

Robert T. & Betty Rose Meyer Family Foundation

GOLD BATON SPONSOR

John & Janet Van Den Wymelenberg Foundation


Presents

SPRING IS IN THE AIRE

Sunday, April 10th, 2022 • 3:00 PM


John Hennecken, Host

INTERMISSION

Everything Beautiful in Its Time

Concerto No. 1 in E major, La Primavera (Spring), RV 269I. AllegroII. LargoIII. Allegro

Symphony no. 1 “Spring” in B♭ major, Op. 38

John Hennecken (b. 1987)

Antonio Vivaldi (1678-1741)

Robert Schumann (1818-1856)

Violin Soloist & Conductor • Samantha George

“Spring” and “Summer” from Four Seasons, Op. 8

I. Allegro non moltoII. AdagioIII. Presto

Concerto No. 2 in G minor, L’Estate (Summer), RV 315

I. Andante un poco maestoso - Allegro molto vivaceII. LarghettoIII. Scherzo: Molto vivaceIV. Allegro animato e grazioso


SAMANTHA GEORGE

Featured Violinist

Violinist SAMANTHA GEORGE is an Associate Professor of Music at Lawrence University. She served as Associate Concertmaster of the Milwaukee Symphony Orchestra from 1999-2008. Dr. George received a high-school diploma from the Interlochen Arts Academy and Bachelor of Music, Master of Music, and Performer’s Certificate degrees from the Eastman

School of Music, where she was a graduate teaching assistant for Charles Castleman. She also holds a doctorate in violin performance and music theory from the University of Connecticut.

As a soloist, Dr. George has performed with the Milwaukee Symphony Orchestra, Raleigh Symphony, Idaho State Civic Symphony, Hartford Symphony, and the United States Coast Guard Band. She is a host of Lawrence University “Live from the Conservatory” intermission interviews and presents a number of pre-concert lectures wherever she performs. George received the 2012 “Excellence in Teaching: Young Teacher Award” from Lawrence University.

The Civic Symphony of Green Bay thanks Mindy

Popke for her graphic design services and layout

of the program book.

The Civic Symphony of Green Bay thanks Press Pass Inc. for printing the

program booklet.


First Violin:Audrey Nowak, ConcertmasterTJ LutzChris WilliamsDiane WallaceSamuel Bieneman Anatole WieringAmanda BarnesMcKenzie Healy

Second Violin:Charlotte Bogda, PrincipalClaire SternkopfHannah LovelessPatricia WilsonBeth Chafey-HonDwight Anthony-HayesNatalie Sturicz-HeigesJohn Kolar

Viola:Blakeley Menghini, PrincipalCyndee GieblerBrianna KupskyKaleb KohlmeyerKarin BarthMartha FraterRebecca Proefrock

Cello:Ryan Louie, PrincipalAdam KorberMary Ellen KozakJames WagnerLeslie UngerDavid GieblerChelsea Breyer

Bass:Lee Klemens, PrincipalJane KanestromTracy PachanJames WilkeAmy Warmehoven

Flute / Piccolo:Lynn Liddle-Drewiske, PrincipalRose Van Himbergen

Oboe:Shahnnon Hawkins, Co-PrincipalDeirdre Rasmussen, Co-Principal

English HornShahnnon Hawkins

Clarinet:Timberly Kazmarek Marbes, PrincipalChristina Beaupre

Bassoon:Rachel Richards, PrincipalBeth Shaw

Horn:William Klumb, PrincipalBarbara FondowAndrew ParksLisa Niermann

Trumpet:Dan Marbes, PrincipalCarissa Lueck

Trombone:Bill Burroughs, PrincipalBrian SauveTim Kiefer

Tuba:Tim Kozlovsky

Percussion:Mindy Popke, PrincipalAiden TrinknerLauren Pritzl

ORCHESTRA PERSONNEL


Violin ISeong-Kyung Graham

Violin IIDustin Lateyice

ViolaKarin Barth

CelloAdam Korber

String BassLee Klemens

PERSONNEL COMMITTEE CHAIRPERSONS

BrassDan Marbes

WoodwindTimberly Kazmarek Marbes

PercussionMindy Popke

Music LibrarianTimberly Kazmarek Marbes

We are recruiting string players and percussionists! If you are interested

in becoming a member, please email [email protected]

The orchestra is seeking volunteers to serve within its board and various committees!

Visit gbcivic.org/support/volunteer to learn more!

Order tickets for all performances online!

Both in-person and virtual attendance options are available.

GBCIVIC.ORGSNC.EDU/TICKETS


Diamond Baton ($10,000 & over):George Kress Foundation

Platinum Baton ($5,000 – $9,999):Robert T. & Betty Rose Meyer Family

FoundationSchneider National Foundation

Gold Baton ($2,500 - $4,999):John & Janet Van Den

Wymelenberg Foundation

Silver Baton ($1,000 – $2,499):Anonymous, in memory of

William and Anita KingJon and Peg HardtNEW Dermatology GroupJanet* & Robert StevensBetty & Cliff WallChris* & Cheryl Williams

Bronze Baton ($500 - $999): American Family InsuranceAvram Berk Charitable FundDina GrahamCarol De GrootJohn De WaneWilliam Kasper*John Kolar*Donald & Carol KressJudy Schmidt-Lehman*

& Phillip LehmanDan* & Timberly* Marbes

Benefactor ($250 - $499):Nancy DiermeierDina GrahamDavid and Jutta HansellGeorge Howlett, Jr.Heid Music Family Charitable FundLynn Liddle-Drewiske*Andrew Parks*Procter & GambleJames & Kathlin SickelMatthew J. Verboort & Judith SiekmanDoris Ziesemer Trust

Partner ($100 - $249):Anonymous, in memory of Betty BrownAnonymous, in memory of

Wilhelmina NicholsAnonymous, in Memory of Bob Oleksy Karin Barth*

Gary & Cindy BaebDoak* & Karen BakerBradley BurmeisterJeffrey R. CarlsonGordon ClarkChad & Kate DeNamurWilliam & Carol EwaldPaula & Ken FleurantBarb Fondow*Judith FriederichsCyndee* & David* GieblerBonnie & Robert GoelzSeong* & Dan GrahamMary Young & Charles HagenCharles & Judy HastertMegan & Mark HeintzkillPatricia HickeyJoan HoganPatricia KarlovitzBill* & Pam KlumbEll & Annette LeeJudy LindbomCheryl MurphyEric NelsonMichael O’NeillJanet & Chuck PetersonJames* & Donna* RussellMark SalmonDr. William & Sandy SchneiderPaul & Ann SelkBev & Stu SmithRose* & Tim Van HimbergenJeffrey Verkuilen*Jean Watson

Patron ($50 - $99):AnonymousFlorence & Don BanaszakHans & Edith BarthBarbara BeaverNancy Blanchard WattsPatience CarlsonJanice DavisWendy DearbornSister M. Luciana DerusJean Van EremPriscilla & Marshall FayLogan FinucanDorothy GiovanniniSeong-Kyung Graham*

CONTRIBUTORS


Jamie GraperMarian HosletAmy Jakubovsky*Dave & Patty JakubovskyNancy KohrmanMary KozakMark ManskyKim MarieKeith MilnerPaul Oleksy*Mindy Popke*Rebecca Proefrock*James & Mary ProsserDeirdre Rasmussen*Doreen RoscoeJohn & Betty SchleisJohn SchwarzPaul & Ann SelkIllene Cupit & Chuck SiegelDr. Barbara SobelDan & Elizabeth SpielmannKaren SternkopfNatalie Sturicz-HeigesRichard SuslickDavid TeschChase Vandeyacht*Bruce VanisAnneliese WaggonerCliff & Betty WallAustin WallsKatelyn Werner*James Wilke*Mary Beth Williams*Bernadine WilliamsenConstance & Patricia WilsonSue Zipperer*

Friend (up to $49):Anonymous (4)Jennifer Abel

CONTRIBUTORS

SYMPHONIC CIRCLE MEMBERS

Betty BrownKaren CowanCharles HagenAnne MatternCheryl Murphy

Judy PohMichelle Schleis

Dr. Robert J. StevensJulie Poh ThurlowScott Vanidestine

Nelson & Julie AgenAmerican Family InsuranceChitra BhosekarNick Carncross*Weston CarvenoughMike & Joanne ChaudoirJames DerbiqueMelissa Dill Huber*Jill GaskellRoy GiesekerChristina JoskiJane Kanestrom*Tim* & Sarah KieferTim LewisSarah & Jay LivingstonTJ Lutz*Paul MartinSusan Meyer WallsAnna Mae PetrushaAnn PohBrian RasmussenMark SalmonKim ShefchikMary StenlundMadonna SwintkoskeMichael & Linda TroyerAmy Warmenhoven*Kyle WeidmanTabitha Zehms

* CSGB personnel

As of November 1, 2021

If your name has been omitted or misspelled, please contact Katelyn Werner at: [email protected] so we may correct the error. Thank you!


All performances this season have in-person and virtual attendance options available.

We encourage you to spread the word about our concerts with your friends and family, both near and far! Thank you.

Visit gbcivic.org for more information.

Don’t forget!

11/14/21

where’s seat?

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