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TRANSCRIPT
What to do
Vigne&es � This book is a compilation of vignettes, short narratives written with careful attention to economy and word choice. These vignettes add up, as Sandra Cisneros has written, “to tell one big story, each story contributing to the whole–like beads in a necklace.”
� We are going to attempt to find out what this necklace says.
Like a quilt � I liken it to a patchwork quilt – little pieces show a big picture
Main Character � Our focus of study is Esperanza Cordero, a Chicano girl growing up in inner-‐city Chicago
Coming of Age She is somewhat like Lily in The Secret Life of Bees growing up amidst difficult circumstances in life.
� craft of writing.
� Vignette Discussion and Response Paper (25 points each)
Reading � Here’s how we will cover this book.
� We will read the entire novel as silent and oral reading assignments
� Each student will be assigned a vignette to read aloud and lead a discussion on.
� We will focus on figurative writing, the use of fragments, and the
Presenta<on � You will be assigned one chapter to lead in reading and discussion. You will then complete these steps:
1. Read the vignette to yourself. You will be assigned one vignette to read at home (at least three times) and to prepare your presentation.
2. Decide what events or characters have personal meaning for you and others in the class.
3. In a way this is no different than a good reader’s response: consider how the characters and events relate to your personal experiences.
4. If you are uncertain how to present your vignette, follow the study guide suggestions to make your presentation.
What is oral interpretation? Depends less on the actual text and more on the reader's performance.
This allows the reader to transform the words into any mood he or she wishes to achieve.
How to prepare Literature for
performance shall be from The House on
Mango Street.
The time limit is 4-‐6 minutes. Penalties shall be imposed for exceeding
the time limit.
The introduction to the selection is considered part of the overall time
limit.
Prepara<on � How to Prepare � Practice reading this chapter out loud.
Prepare � Be ready to answer questions others might have about the vignette you have been assigned.
Preparation � Evaluation shall be based on the student's ability to reveal his/her insight into the mood and implications of the selection, his/her projection of the dramatic qualities and his/her success in creating a uniformed scene or story.
Preparation Write a description of the emotional or historical background of your character.
Make a connection to your own life OR
Explain the universal theme the vignette demonstrates.
Preparation Type your selection in a double-‐spaced format.
Identify any unfamiliar words used in your script. Know definition and pronunciation.
Preparation
Write an introduction and
transitions as needed.
Preparation
Read silently through script several times.
Read script aloud.
Read script aloud using
different emotions and
dialects.
Preparation
Perform prepared work for class according
to performance expectations.
Presentation
Approach the podium
in a positive manner.
Presentation
Introduce the title and page number of the vignette you will read.
Presentation
Give background
for the vignette.
Make a personal connection with the vignette or
attach an explanation of a universal theme
to the text.
Presentation
Perform the text using
your blocked reading script.
Presentation
Hand in the blocked
reading script before you
return to your seat.
Category 4 3 2 1 pts
Preparedness
Student is completely prepared and has obviously prepared.
Student appears to have rehearsed, but need more practice
Students appears somewhat prepared, but clearly need more practice
Student appears to have not prepared, impromptu in appearance
Posture and Eye Contact
Stands up straight, looks relaxed and conBident. Establishes eye contact with everyone in class during presentation
Stands up straight and establishes eye contact throughout the presentation
Sometimes stands straight and establishes some eye contact
Slouches or leans and/or does not look at the audience during presentation
Content Shows a full understanding of the vignette
Shows a good understanding of the vignette
Shows understanding of the vignette
Does not seem to understand the content of the vignette
Speaks clearly
Speaks clearly and distinctly 100% of the time and mispronounces none of the words
Speaks clearly and distinctly 90% of the time but misread or mispronounced one word
Speaks clearly and distinctly 80% of the time but misread or mispronounced two words
Mumbles of cannot be understood. Mispronounced or misread three or more words
Pitch and Rate
Pitch and rate of reading were used to convey emotions appropriately
Pitch and rate of reading were used to convey emotions, but sometimes did not Bit the content
Pitch was rarely used and/or rate of reading did not Bit the content or emotion conveyed
Pitch was not attempted and/or rate was too fast or too slow
Enthusiasm
Facial expressions and body language generate a strong interest and enthusiasm about the topic in others
Facial expressions and body language sometimes generate a strong interest and enthusiasm about the topic in others
Facial expressions and body language were attempted to generate a interest and enthusiasm about the topic in others, but seemed fake or artiBicial
Very little use of facial expression and/or body language. Did not generate much interest in the topic presented
Meeting Deadlines Prepared and ready to go on due date
Prepared and ready to go upon return to class after excused absence
Presenta<on � When we begin to share our novel, you will be the expert for your vignette, so I expect you to know it upside down and inside out.
In Class � In class, you will read your selected chapter to the class, speaking clearly and loudly and using effective inflection to demonstrate the tone of the piece.
� You will discuss chapter issues with the class that are personally meaningful to the students, and specify which of these issues could be considered a universal theme or issue for Esperanza.
� Using the study guidelines may help you with ideas.
Present � Your presentation should be between 4-‐6 minutes long (not including reading).
� I am interested in seeing how you dissect the chapter, looking beyond the obvious into something meaning for the class.
Present � Please do not simply stand and ask, “So, what did you guys think of the chapter?” You are the leader of the discussions.
� Create a few deep questions that get to the heart of the chapter.
� Use the chapter study guide questions if you are uncertain.
Page 6 “Hair”
Your turn � Write in the style of Cisneros and tell about Hair….