what’s on | churches guide | museums guide | dining ... · prima che la rivista mensile sgt. kirk...
TRANSCRIPT
what’s on | churches guide | museums guide | dining | shopping | entertainment
VENICEMAGAZINEVENICEMAGAZINEthe city guidethe city guide
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Focus on:HUGO PRATT:POP ARTIST
Special Biennale:52. INTERNATIONAL ART EXHIBITION
Tips:ULTIMATE SHOPPINGUSEFUL PAGE
Focus on:HUGO PRATT:POP ARTIST
Special Biennale:52. INTERNATIONAL ART EXHIBITION
Tips:ULTIMATE SHOPPINGUSEFUL PAGE
San Marco 1332, 30124 Venezia - ph. +39.5200211 fax +39.041.5200501 - www.hotelmonaco.it
Admire, meet, dream, explore, enjoy,indulge, savour infinite sensations fromthe Terrazza of the Hotel Monaco &Grand Canal
Ammirare, incontrare, sognare, esplo-rare, godere, appagare, assaporaretutto è all’infinito dalla Terrazzadell’Hotel Monaco & Grand Canal
Magazine-guide Anno VI, n°46, giugno-luglio 2007mensile di informazione [email protected]
Editore: Andrea CarnioSocietà editrice: NIO s.r.l.Direttore responsabile: Giovanni MazzonettoCoordinatore commerciale: Antonio Varisco
Hanno collaborato: Riccardo Bon, Claudio Dell’Orso,Edoardo Luppari, Nicoletta Consentino, Alessandra Rizzi,Martina Piccolo, Bruno Barovier.
Redazione ed Amministrazione: NIO s.r.l.via A. da Mestre, 1930172 Venezia - Mestretel./fax +39.041.5454536 [email protected]
Area Vendita: NIO s.r.l.via A. da Mestre, 1930172 Venezia - Mestretel./fax +39.041.5454536 [email protected]
Traduzioni: Elisabetta Carraro
Stampa: Firma Gruppo Poligrafico s.r.l. via Friuli Venezia Giulia, 77 - Pianiga (Ve).
Distribuzione e Logistica: NIO s.r.l.via A. da Mestre, 19 30172 - Venezia-Mestre.
Fotografia: Archivio VM, Archivio APT, Archivio StoricoComunale “Fondo Giacomelli”, Archivio Fotografico Resini,Archivio Magistrato delle Acque, Archivio Procuratoria diSan Marco, Archivio Accademia, Archivio PIero Zanotto.
Registrazione presso il Tribunale Civile e Penaledi Venezia n°1403 del 14/11/2001
Registrazione presso il Registro Nazionale Stampe ePeriodici per il Garante nelle Comunicazioni n° 8189.
Si ringrazia per la collaborazione:
“La bugia dell’arte”
Bertozzi&Casoni
All rights reserved. Reproduction in whole or in part strictly prohibited. VENICEMAGAZINEthe city guide is registered trademark of NIO s.r.l., makes every effort toensure the accuracy of the information it publishes but cannot be heldresponsible for any consequences arising from errors or omissions.The choice of the advertising texts has been made at the discretionof the Venice Magazine staff.
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FOCUS ON
Hugo Pratt. Pop Artist
What strikes one’s attention at a first glance is the ori-
gin of Pratt’s expressionist world.
Hugo Pratt. Artista Pop
La discendenza del mondo espressionistico di Pratt
balza evidente a prima vista.
MUSEUMS GUIDE
Northsoutheastwest
ON SHOW
Artempo
What if we ask ourselves what unites a ritual idol of a civiliza-
tion belonging to a remote past and a portrait of De Chirico?
Artempo
E se ci si chiedesse cosa accomuna un idolo rituale di una
lontanissima civiltà del passato e un quadro di De Chirico?
Sargent and Venice
CHURCHES GUIDE
The church of San Giacomo dall’Orio
SPECIAL
52. International Art Exhibition
52. Esposizione Internazionale d’Arte
SHOPPING GUIDE
Ultimate Shopping
DINING GUIDE
Ristorante A La Vecia Cavana
Asparagus
MAINLAND GUIDE
Fulvio Pendini - The Facets of Padua
Events and curiosity outdoor
USEFUL PAGE & VENICEMAP
FOCUS ONHugo Pratt. Pop ArtistHugo Pratt. Artista Pop
VTP
SPECIAL52. International Art Exhibition
ON SHOWArtempo
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Corto Maltese, but notonly him. Numerousother characters like
Asso di Picche (“Aces ofSpades”), Ernie Pike, Annadella Giungla (“Ann of theJungle”) created by HugoPratt between Venice andSouth America. Two yearsbefore the monthly magazineSgt.Kirk began publishingthe “The Ballad of the Salt
Non solo Corto Mal-tese. E tanti altri per-sonaggi come l’Asso
di Picche, Ernie Pike, Annadella Giungla, creati daHugo Pratt tra Venezia e ilSud America. Due anniprima che la rivista mensileSgt. Kirk iniziasse a pubbli-care “La Ballata del MareSalato” dove il marinaio gira-mondo era ancora un com-
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Sea”, where the sailor-adven-turer was still a co-protago-nist, he presented his firstpainting exhibition at theGalleria Numero of CampoSanto Stefano, in July 1965,titled “La telefonata” (thephone call). The most out-standing Venetian art criticsof the time reported on it:Paolo Rizzi on the ‘IlGazzettino’, Berto Moruc-chio on the ‘Veneto Notte’and Enrico Buda for thebimonthly ‘La Vernice’. «What strikes one’s attentionat a first glance is the origin ofPratt’s expressionist world.One could affirm that, to thetypical stylistic schemes ofAmerican origin, he addedthe artistic ability of agraphic description of indu-bitable worth» wrote the lat-ter. In July 1967, at theGalleria L’Elefante of Cam-po San Provolo he opened“A Tale of Tintagel”, which,as he stubbornly went onrepeating, was not a paintbrand like Ducotone but thevillage in Cornwall where, aslegend has it, in the castle onthe promontory, King Ar-thur was born. It wasreviewed by Paolo Rizzi inthe Il Gazzettino who descri-bed it as “a witty divertisse-ment on De Chirico’s meta-physical themes”. Amongthe pictures taken at thetime, the one portraying Hu-go at the entrance with thecolleague Dino Battaglia is tobe pointed out. Impeccablein his suite and tie, the reser-ved Venetian master ofcomic books shows a lightsmile. The informal Pratt,with his easy-going look,wears a dark short-sleevedshirt worn outside the trou-sers. One night, on themotorboat taking us both toLido, I told him that his
primario, presentò alla Gal-leria Numero di CampoSanto Stefano, nel luglio1965, la sua prima mostra dipittura. S’intitolava “La tel-efonata” e ne parlarono iprincipali critici d’arte vene-ziani del tempo: Paolo Rizzi,Berto Morucchio, rispettiva-mente sui quotidiani Il Gaz-zettino e Venezia Notte edEnrico Buda per il bimestra-le La Vernice. «La discen-denza del mondo espressio-nistico di Pratt balza eviden-te a prima vista. Si potrebbeaggiungere che a certe impo-stazioni stilistiche tipiche delfumettismo di marca ameri-cana egli ha aggiunto la capa-cità artistica di una descrizio-ne grafica di indubbio valo-re» scriveva quest’ultimo. Aluglio 1967, presso la Gal-leria L’Elefante di campoSan Provolo, inaugurò “ATale of Tintagel”. Che, s’o-stinava a ripetere, non erauna marca di pittura tipoDucotone ma il villaggiodella Cornovaglia dove,secondo la leggenda, nelcastello sul promontorio eranato Re Artù. La recensìPaolo Rizzi sul Gazzettinodefinendola «uno spiritosodivertissement sui temimetafisici di De Chirico».Tra le fotografie scattate allo-ra, s’evidenzia quella diHugo sulla soglia d’entratainsieme al collega DinoBattaglia. Impeccabile ingiacca e cravatta, lo schivoartista veneziano del fumettoha un lieve sorriso sulle lab-bra. L’informale Pratt, sguar-do pacioccone, indossa unacamicia scura a manichecorte tenuta fuori dai panta-loni. Una sera, sulla motona-ve che ci portava tutti e dueal Lido, gli dissi che la suapittura m’appariva scherzo-sa, a volte parodistica come
POP ARTISTdi Claudio Dell’Orso
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1. Catalogue of the Publishers of the Grifo, 1986, for the exhibition at theParis Grand Palais.
2. Hugo Pratt with the colleague Dino Battaglia in front of the gallery L’Elefante in 1967.
3. “He repeats the motifs of the cartoons without sarcasm, to give a faithfuldepiction of the characters and graphic formulas that have become sym-bols of our own era” (Il Gazzettino, July 21st, 1967).
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Npainting was to me ironic, attimes caricatured like in DeChirico’s manikins where theheads slightly touch eachother producing the soundSchuick!, a sneer of splittowards the Pop Art that wasthen very much used. I don’tremember the exact wordsbut that was the gist. Prattgazed at me, he was perhapssurprised. I didn’t mean toplay the part of the critic butI always believed that hisway of proposing himself asa painter depended on thefact that numerous comic-book creators suffered froman inferiority complex withrespect to the so-called“serious” artists. «In 1965 Idefined my own “pictorial”scheme – wrote Pratt on Sgt.Kirk of December 1967 –That is to say, my necessity ofrecounting is clear also inpainting, as the titles of myexhibitions suggest». Pratt’sthird and last exhibition,always at the ‘Elefante’, wastitled “Brr, Brr, The WinterBritish Grenadiers”. It re-mained on show fromDecember 1967 till February1968, and yet no mention ofit was made in the localmagazines. Not even oneline, as far as I verified, wasdedicated to him. The artistexhibited a series of xero-graphies where some detailsof the traditional uniform ofthe grenadiers of the Queenwere exaggerated and rende-red, at times, unrecognisableyet lively in their close per-spective. I was unable to visitit and, when Hugo told meoff because of it, I told him Iwas in Nizza, disguised as aSpanish nobleman on the setof a movie on pirates. In aninterview held at the comicbook festival in Lucca in1968, published on the
nel caso dei manichini di DeChirico le cui teste si sfiora-no facendo Schuick!, unosberleffo di rottura verso laPop Art che allora s’usavatanto. Le parole esatte nonme le ricordo ma il senso eraquello. Pratt mi fissò sornio-ne, forse sorpreso. Io mancoci tenevo a darmi arie da cri-tico ma sono sempre statoconvinto che il suo proporsi,allora, come pittore dipende-va anche dal fatto che parec-chi “fumettari” soffrivanodel complesso d’inferioritànei riguardi degli artisticosiddetti “seri”. «Nel 65 definisco un mioindirizzo “pittorico” - scrive-va Pratt sul Sgt. Kirk deldicembre 1967 - E cioèanche nella pittura, il miobisogno di raccontare dellecose è evidente come delresto lo suggeriscono i titolidelle mie esposizioni». La terza e ultima mostra diPratt, sempre all’Elefante,s’intitolava “Brr, Brr, TheWinter British Grenadiers”.Durò da fine dicembre 1967a febbraio dell’anno succes-sivo, eppure i giornali localila snobbarono. Nemmenouna riga, da quanto ho con-statato, le venne dedicata.L’artista vi presentava unaserie di xerografie dove risul-tavano ingigantiti, resi avolte quasi irriconoscibilieppure vivaci nelle estra-nianti prospettive ravvicina-te, particolari della tradizio-nale uniforme da granatieredella Regina. Mancai di visi-tarla e, quando Hugo me lorimproverò, dissi che stavo aNizza, travestito da nobilespagnolo sul set d’un film dipirati. In un’intervista rac-colta al Salone dei Comics diLucca 1968, pubblicata sullarivista francese Phenix, adomanda se esercitava altre
French magazine Phenix,when he was asked if he car-ried on other types of activi-ties, Pratt answered «I paint.Perhaps in a figurate way?Painting can be manythings… I can say that afterthe Pop Art became all therage in America, everybodytalked about Pop Art… Thetruth is that it all startedfrom the comics. I tried toproduce something else…adifferent type of art. Pop Artis an enlarged cartoon.Whereas I take one part ofmy drawings and I enlarge it.Not the entire picture. I takeone centimetre large partand expand it up to 2metres, making it abstract.Yet, it still remains a comic».The method of puttingtogether the details of adrawing, thus creating wittysquares, was used by Pratt insome Sgt. Kirk coverpages.The posters of the grenadierswere redeveloped, duringthe mounting, for the samemagazine (1968) and used ascover of a watercolour cata-logue for the exhibition atthe Grand Palais in Paris,1986. Whereas the previousworks were rarely encounte-red in exhibitions, the xero-graphies of the WinterBritish Grenadier were tobecome the symbol of a pro-vocative incursion, a trendthat was soon abandoned. By enjoying himself and bysending the then definitemessage (or rather sneer?),the future master of Mala-mocco showed an expressiveand technical capacity thatwas somehow separatedfrom the artistic activity ofthe comic and that couldreach other valuable inspira-tional products. Hugo, atalented artistic exhibitioni-st. Basically a genius.
attività, rispondeva:«Faccio pittura. Forsefigurativa? La pitturapuò essere tante cose ...Posso dire che dopo l’e-splosione della Pop Artin America, tutti parla-vano di Pop Art ... Inrealtà, ogni cosa è ini-ziata dai comics. Io hocercato di fare dell’altro ....un’opera nell’altro senso.La Pop Art è una vignettaingrandita. Invece, io pren-do una parte d’uno deimiei disegni e l’ingrandi-sco. Non prendo il dise-gno intero. Prendo unaparte d’un cm. e loingrandisco fino a 2metri, facendolo diven-tare astratto. Pur sem-pre restando un fumet-to». Il sistema di mon-tare, facendone deidivertenti quadrati, iparticolari dei disegni, Prattlo utilizzò per alcune coper-tine del Sgt. Kirk. Le gigan-tografie dei granatieri venne-ro rielaborate, in un montag-gio, sempre per la stessa rivi-sta (1968) e usate comecopertina d’un catalogod’acquarelli per l’esposizioneal Grand Palais di Parigi,1986. Viste di rado nei cir-cuiti le precedenti opere, lexerografie dei Winter BritishGrenadier diventeranno ilsimbolo d’una simpaticamen-te “provocatoria” incursione,un filone presto abbandonato. Divertendosi e lanciando l’allo-ra definito messaggio (o piutto-sto, uno sberleffo?), il futuroMaestro di Malamocco dimo-strava una capacità espressivae tecnica che prescindeva dal-l’attività di artista del fumettoe che poteva raggiungerealtri, pregevoli sbocchi ispira-tivi. Hugo, un esibizionista arti-stico di talento. Praticamenteun genio.
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4. On the coverpage of the monthly comic Sgt. Kirk (Number 2 - August 1967 ©Florenzo Ivaldi) the master, native of Malamacco, uses the pop style of his paintings.
5. Detail of the coverpage of the monthly comic Sgt. Kirk. Number 13 - July1968 © Florenzo Ivaldi.
6. “Pratt, without too many sociological and ideological implications, pro-vides us with images with a subtle irony”. (writes Paolo Rizzi in the local new-spaper ‘Il Gazzettino’ on July 15th, 1967).
7. Detail of the coverpage of the monthly comic Sgt. Kirk. Number 13 – July1968 © Florenzo Ivaldi.
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NORTHSOUTHEASTWESTA photographic exhibition investigates the current situation of the Earth in relation to the ongoing climatechanges and its consequences. Ten leading press photographers of different nationality, members of thefamous Magnum Agency, will present around twenty photographs of great effect taken from the four cor-ners of the world: from the increase in temperature responsible for the melting of the perpetual snows on theKilimanjaro and of the glaciers in Greenland, uncovering larger and larger areas of rock that had remainedhidden for over eleven thousand years, to the slow erosion of the beaches uprooting coco palms – sourceof survival for the inhabitants of the Marshall islands –, from the incredible pollution level in Mexico City toforms of renewable energy tested in countries at the cutting edge like Japan, Great Britain and the UnitedStates. This initiative is part of the campaign for raising the public opinion’s awareness on climate changelaunched in 2005 by the British Council and The Climate Group.
NORTHSOUTHEASTWESTUna mostra fotografica indaga lo stato attuale della Terra in rapporto ai cambiamenti climatici in attoe alle loro conseguenze. Dieci grandi fotoreporter di nazionalità diversa, tutti membri della famosaagenzia Magnum, si cimentano in una ventina di scatti di grande effetto, dai quattro angoli del pia-neta: dall’innalzamento della temperatura che provoca lo scioglimento delle nevi perenni sulKilimanjaro e dei ghiacci in Groenlandia, scoprendo sempre maggiori porzioni di roccia nascoste da
oltre undicimila anni alla lenta erosione delle spiagge che sradica le palme da cocco, fonte di sopravvivenza per gli abitantidelle isole Marshall; dall’incredibile livello dell’inquinamento atmosferico a Città del Messico a forme di energia rinnovabilesperimentate nei paesi più avanzati come in Giappone, Gran Bretagna e Stati Uniti. L’iniziativa rientra all’interno della cam-pagna di sensibilizzazione dell’opinione pubblica sulla questione dei cambiamenti climatici lanciata nel 2005 dal BritishCouncil e The Climate Group.
FONDAZIONE CINIPalazzo Cini - Campo S.VioUntil July 1 Info +39.041.5210755
FONDAZIONE CINI
MuseumsguideMuseumsTheatres GalleriesExhibitionsCity Listing
MuseiTeatriGallerieEsposizioniListing tematico
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What if we ask ourselves what unites a ritual idol of a civiliza-tion belonging to a remote past and a portrait of De Chirico?A vanitas or a seventeenth century still life and a ripped can-
vas by Fontana? Is there a tie between the hangings made of empty cansby El Anatsui and the fabrics created by the Mariano Fortuny’s work-shop? And is there a common and timeless language in art – notwith-standing its inevitable diversities of origin, nature and form – that canlead us to state, with the Greek philosopher Zenone, or with Einstein,or with Picasso, that time in reality does not exist? The large exhibitionproject “Artempo - Where time becomes art” – on view from June 9 toOctober 7 at the Fortuny Museum which is ready to accept, for the firsttime after numerous years, the around 300 works by the 80 artistsdisplayed – attempts to find an answer to such a question. The humanexperience is permeated by the endeavour, through any means andform, of explaining and investigated time, which influences our life.There is a cosmic, immense time in which man appears from the lastfragments before the stroke of an hypothetic midnight arriving 24 hours(in reality 14 billion years) after the Big-Bang. And there is the time ofhuman History – conceived as the memory that determines our iden-tity (thus dating back to some thousand years ago) – that represents buta small part of the time of our planet. These are examples of unidirec-tional time (i.e. from the past till today), but there is also a time ofmemories, that is more important than the flowing of hours and minu-tes, or a time of sleep…that is potentially different for each of us. Thenotion of time has been repeatedly discussed also in relation with artand one may say that the time that has overseen the creation of worksof art is very much different, depending on whether they belong tomodernity or to other periods and cultures. Just like the time of emo-tions does not correspond to the time of a watch. The exhibition – asrecalls his creator Axel Vervoordt, the Belgian collector who has lentthe vast majority of the works on view – investigates these very aspectsand places emphasis on timelessness, i.e. on the absence of “time”, theperception of vacuum and deep vacuum as source of everything, in oneword: on the work of art that belongs to all times. Extraordinary theworks of art and the artists on exhibition: from rare and preciousarchaeological pieces to contemporary works by artists like FrancisBacon, Alberto Burri, Lucio Fontana, James Turrell, Pablo Picasso,Medardo Rosso and Andy Warhol, and by the very Fortuny.
Ese ci si chiedesse cosa accomuna un idolo rituale di una lontanis-sima civiltà del passato e un quadro di De Chirico? Una vanitas ouna natura morta seicentesca e una tela squarciata di Fontana?
Esiste un rapporto tra gli arazzi di lattine vuote di El Anatsui e i tessuticreati dal laboratorio di Mariano Fortuny? Infine, si può riscontrare unlinguaggio comune e senza tempo nell’arte - pur nelle sue inevitabilidiversità d’origine, natura e forma - così da poter giungere ad affermare,con il filosofo greco Zenone, o con Einstein, o con Picasso, che il tempoin realtà non esiste? A questi quesiti tenta di rispondere il grande pro-getto espositivo “Artempo - Where time becomes art”, allestito dal 9giugno al 7 ottobre al Museo Fortuny per la prima volta, dopo moltianni, aperto ad accogliere le circa 300 opere degli oltre 80 artisti presen-ti. L’esperienza umana è permeata dal tentativo, attraverso ogni mezzo eforma, di spiegare e di relazionarsi con il tempo ed il tempo stesso con-diziona la nostra vita. Esiste un tempo cosmico, immenso, in cui l’uomoappare solo a partire dagli ultimi frammenti prima dello scoccare di un’i-potetica mezzanotte che giunge 24 ore (in realtà 14 miliardi di anni)dopo il Big-Bang; e c’è il tempo della Storia umana – intesa come lamemoria che determina la percezione della nostra identità (che risalequindi solo fino a qualche millennio di anni fa) – che non rappresenta senon una piccola parte di quello del nostro pianeta. Sono questi esempidi tempo unidirezionale (ovvero dal passato ad oggi), ma esiste anche untempo dei ricordi, più importante dello scorrere di ore e minuti o untempo del sonno, potenzialmente di diversa durata, per ognuno. Lanozione di tempo è stata discussa molte volte anche in rapporto all’artee si può dire che il tempo che ha presidiato alla creazione di opere d’ar-te è molto diverso a seconda che esse appartengano alla modernità o adaltri periodi o culture, così come il tempo delle emozioni non corri-sponde a quello dell’orologio. La mostra - come ricorda il suo ideatoreAxel Vervoordt, il collezionista belga prestatore della maggior parte deicapolavori esposti - indaga proprio questi aspetti e si concentra sull’a-temporalità (non-temporalità), ovvero sull’assenza di “tempo”, la sen-sazione di vuoto e il vuoto inteso come fonte di tutte le cose, in unaparola: sull’opera d’arte che appartiene a tutti i tempi. Straordinarie leopere e gli artisti in mostra: si va da rari e preziosissimi pezzi archeolo-gici a installazioni contemporanee, passando per artisti come FrancisBacon, Alberto Burri, Lucio Fontana, James Turrell, Pablo Picasso,Medardo Rosso e Andy Warhol, oltre allo stesso Fortuny.
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Museo Fortunyfrom June 9 to October 7
MUSEUMSPALAZZO DUCALEmap: F5 - S.Marco, 1 ph. +39.041.5209070 9am - 7pm • Tickets: € 12.00
The symbolic seat of Venetian power,formerly the seat of the Doge and StateMagistratures, the Palace is the supre-me embodiment of Venetian civilisa-tion. A masterpiece of gothic architec-ture, it reveals a grandiose stratificationof building and ornamental elements.The interiors, superbly decorated bylegions of artists, including Tiziano,Veronese, Tintoretto, Vittoria andTiepolo, offer a range of differentexperiences: from the vast halls of poli-tical power to the interior finishings ofthe Doge's chambers, from the gloomof the prison cells to the brightness ofthe loggias overlooking St. Mark’sSquare and the lagoon.
MUSEO CORRERmap: F5 - S.Marco, 52 ph. +39.041.5209070 9am - 7pm • Tickets: € 12.00
It’s located in St. Mark’s Square, between“Ala Napoleonica” and “ProcuratieNuove”; it takes its origin from the collec-tion Teodoro Correr gave to the City in1830. The museum is divided into threesections: the neo-classical part, the histo-rical part, about Venetian civilisation, andthe Venetian picture gallery well displayedby Carlo Scarpa. Visitor will discoveralso the political, social and militaryhistory of Venice’s Serenissima Republic.Permanent exhibition: collections ofweapons, games, marble and bronzesculptures, coins and medals. Paint-
ings by Carpaccio, “La Trasfigu-razione” by Giovanni Bellini, statuesand sketches by Canova.Temporary exhibition: Words andFigures. Moments in book and presshistory from the collection of theMuseo Correr. Until September 2.Sargent and Venice. Until July 22. EnzoCucchi. From June 8 to October 7.
MUSEO STORICO NAVALEmap: H5 - Castello, 2148 ph. +39.041.5200276 - Tickets: € 1.558.45am - 1.30pm • Closing day: Sun, VacThe museum contains relics fromvarious regional navies and from theItalian navy. The 2nd floor has a roomdedicated to the Bucintoro, the gil-ded ceremonial sea craft of the Doge,used in the solemn ceremonies likethe Venice’s wedding to the sea.Permanent exhibition: collections of ori-ginal documents, remains and modelsof boats of several forms and sizes.
CA' REZZONICOMuseum of the Venetian 700smap: D5 - Dorsoduro, 3136 ph. +39.041.5209070 - Tickets: € 6.5010am - 6pm Closing day: Tue and May 1It’s a splendid baroque palace facing theGran Canal, work by Longhena andMassari. It houses marvellous paintingsof the Venetian 18th century and it’s fur-nished with precious original furniture.Permanent exhibition: paintings by Tiepolo,Canaletto, Guardi, Rosalba Carriera, PietroLonghi, and Piazzetta. Collections of furni-ture, Chinese and Venetian vases.Collection of wooden statues by Brustolon.Temporary exhibition: Luca Carlevarijs.Navi e altri disegni dalle collezioni delMuseo Correr. Until September 17.
MUSEO ARCHEOLOGICO NAZIONALEMarciano museummap: F5 - S. Marco, 52 ph. +39.041.5225978 9am - 7pm • Tickets: € 12.00 The museum was founded on thebequeath of noble Venetian familieswho operated in the old colonialtrade markets. It is located in the buil-ding of Procuratie Nuove in St. Mark’sSquare and contains Roman andGreek finds dating from the 5th cen-tury B.C. to the 3rd century A.D. Permanent exhibition: collections ofbronzes, ceramics, jewels and coins andvery beautiful sculptures with many ori-ginal Greek and Roman pieces.
CASA GOLDONImap: F4 - S.Polo, 2794 ph. +39.041.5209070 10am - 5pm • Tickets: € 2.50
MUSEUMS CITY LISTING
The following list describes famous andinteresting museums, theatres and gal-
leries in Venice. Full of useful anddetailed information.
Il seguente listing descrive famosi edinteressanti musei, teatri e gallerie
della città. Completo di informazioniutili e dettagliate.
MuseumsFoundationsArt GalleriesPrivate Galleries
MuseiFondazioniGallerie d’arteGallerie private
Closing day: Wednesday and May 1
Reopened to the public on 27th October2001, Palazzo Centanni is the birth placeof the famous playwright Carlo Goldoni.This delightful gothic palace today housesa sparkling new, high-tech museumdevoted to the playwright’s work andincludes a host of documents and projec-tions of historical theatrical performances.Permanent exhibition: Venetian theatricalrelics and many texts, original manuscriptsand theatrical works of several eras.Temporary exhibition: Goldoni -Strehler. L’Arlecchino. Until June 26.
MUSEO DI STORIA NATURALEmap: D3 - Fondaco dei Turchi, 1730 ph. +39.041.5209070 - Tickets: Free10am - 4pm (Saturday and Sunday only)Closing day: May 1
A partial reopening of the VenetianMuseum (closed for restoration) offersvisitors a chance to view the renova-ted hall dedicated to the historicalLigabue Expedition (1973) and, onthe ground floor, a new acquariumwith more than 50 species of fishes.
BIBLIOTECA NAZIONALE MARCIANAMonumental hallsmap: F5 - Piazza S. Marcoph. +39.041.2407211 9am - 7pm • Tickets: € 12.00 The Library, designed by JacopoSansovino, was built and decoratedbetween 1537 and 1560, at the requestof the Procurators of St. Mark, in orderto receive Latin and Greek codes, giftsby Cardinal Bessarione. Nowadays, theLibrary houses a priceless book collec-tion of Venice’s Serenissima Republic.Permanent exhibition: “La Sapienza” byTiziano and the Library Room decoratedwith twenty-one tondos on the archedceiling and philosophers’ portraits on thewalls by Tintoretto and Veronese.Temporary exhibition: Oretta RangoniMaxhiavelli - Guglielmo Monti. Dipinti.Until June 30.
MUSEO DEL VETRO Glass museummap: L2 - Murano, F.ta Giustinian, 8 ph. +39.041.5209070
10am - 6pm • Tickets: € 5.50Closing day: Wednesday and May 1
It’s located in the former Torcello Bishops’palace, Palazzo Giustiniani, a typicalVenetian Gothic building. It houses glasscollections arranged in a chronologicalorder: here is the hugest historical exhibi-tion of Murano’s glass, comprehensive of15th to 20th centuries pieces.Permanent exhibition: unique extantcopies of Murano glass and Renais-sance pieces from the collections ofCorrer, Moli and Cicogna.
MUSEO FORTUNYmap: E5 - S. Marco, 3780 ph. +39.041.5209070 - Tickets: € 8.0010am - 6pm • Closing day: Mon - TueThis particulary charming museum,located in a Gothic palace, keepsthe original usage given byMariano Fortuny who createdthere his own atelier of photo-graphy, set-designing and staging.Nowadays, because of restorationworks, in the museum are organi-zed only temporary exhibitions ofvisual communication.Temporary exhibition: Artempo -Where time becomes art. From June 9to October 7.
MUSEO DEL MERLETTOBurano, Piazza Galuppi, 187 ph. +39.041.5209070 10am - 5pm • Tickets: € 4.00Closing day: Tuesday and May 1
The museum is entirely dedicated tothe history of the lace production inBurano. It is situated next to the schoolof this art, school established in 1872by the countess Adriana Marcello Zon.Permanent exhibition: numerous lacesmade by the annexed school, impor-tant designs, photographic and icono-graphic examples.
MUSEO EBRAICOmap: D2 - Cannaregio, 2902/b ph. +39.041.715359 - Tickets: € 8.5010am - 6 pm • Closing day: Saturday
Strolling between Campo del GhettoNuovo - the site of the museum whichtestifies the constant and productive pre-sence of the Jewish community in Venice- and Campo del Ghetto Vecchio, youwill come across five synagogues, threeof which are open to the public.Permanent exhibition: collections offurniture, texts and wedding contracts,woven fabrics of liturgical use, orna-mental silvers, fabrics and curtains.
VENETO INSTITUTE OFSCIENCE, LETTERS AND ARTmap: D5 - Campo Santo Stefano, 2945M
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John Singer Sargent (Florence, 1856 – London, 1925), knownas one of the major Anglo-Saxon portraitists, explored thepotentiality of the so called painting “en plein air” that cap-
tures the most unusual and elusive spaces thus becoming themain exponent of American impressionism. Encouraged to paintfrom an early age by the well-read mother, in 1874 Sargent is inParis to attend the atelier of the famous Carolus-Duran. In 1876he makes the acquaintance of Monet, he leaves Paris for Londonand starts travelling in Italy, Switzerland, Egypt, Turkey, France,Spain…but – as it happened to numerous other great artists –only Venice captures his most intense emotions. A passion thatwill lead to the creation, between 1879 and 1913, of over onehundred and fifty oils and watercolours, as it is clear from theexhibition on show until July, 22nd at the Museo Correr, whichproposes, for the fist time in this city, a selection of over fiftypaintings borrowed from outstanding public and private collec-tions. Extraordinary – being painted from a gondola – his“views”: masterpieces in which his artful technique perfectlydepicts the light and water effects on the Grand Canal(“Gondolier’s Siesta”; “Under the Rialto”), yet equally visibile inthe indoor and overall views (“Sortie de l’église”).
Ancorché sia reputato il maggior ritrattista anglosassone, JohnSinger Sargent (Firenze, 1856 – Londra, 1925) esplorò lepotenzialità della cosiddetta pittura “en plein air”, che cattura
gli spazi più inconsueti e sfuggenti, divenendo il principale esponen-te dell’impressionismo americano. Incoraggiato fin da giovanissimodalla colta madre alla pratica della pittura, Sargent nel 1874 è a Parigiper frequentare l’atelier del noto ritrattista Carolus-Duran. Nel 1876conosce Monet, quindi lascia Parigi per Londra e comincia a viaggia-re tra Italia, Svizzera, Egitto, Grecia, Turchia, Francia, Spagna…ma -così come avvenne per molti altri grandi artisti - solo Venezia catturòle sue più intense emozioni. In quarant’anni la visitò una dozzina divolte. Un amore che produrrà, tra il 1879 e il 1913, oltre centocin-quanta olii e acquerelli, come documenta la mostra allestita fino al 22luglio al Museo Correr, che propone – per la prima volta in città - unaselezione di oltre cinquanta dipinti, provenienti da importanti colle-zioni pubbliche e private. Straordinarie - poiché dipinte da una gon-dola – sono le sue “vedute”: capolavori in cui la sua tecnica magistralerestituisce perfettamente i giochi di luce e acqua sul Canal Grande(“Gondolier’s Siesta”; “Under the Rialto”). Ma nondimeno eimpor-tanti le visioni d’interno e d’insieme (“Sortie de l’église”).
SARGENT AND VENICE Museo Correr - Until July 22
ph. +39.041.5204372 - Tickets: € 9.0010am -7pm • Closing day: SundayIt’s a lively centre of promotion andcomparison, in which cultural, scienti-fic and artistic knowledge, ideas, andexperiences can be exchanged.
MUSEO DI PALAZZO MOCENIGOTextile and costumes history museummap: E3 - S. Croce, 1992 ph. +39.041.520907010am - 5pm • Tickets: € 4.00Closing day: Monday and May 1The eighteenth-century building con-tains a splendid series of polychromemarbles, frescoed ceilings depictingthe exploits of the Mocenigo family,which provided the Venetian Republicwith seven Doges. The building hou-ses the seat of the Study Centre for theHistory of Textile and Costume.Permanent exhibition: a selection ofrare items – textiles and costumes - ofspecial value and an important libraryspecialised in this sector.Temporary exhibition: 2007 MiniartextilVenezia. From June 7 to September 2.
MUSEO DIOCESANO DI ARTE SACRAmap: G5 - Castello, 4312 ph. +39.041.522916610am - 6pm • Tickets: € 8.00
The museum contains many finds ofVenetian convents and churches and islocated in the St. Apollonia convent(12th-13th century). A rare jewel ofRomanic architecture, the cloister con-tains the Lapidario Marciano withRoman and Byzantine stone fragments.Permanent exhibition: works of art, fur-nishings and holy furniture. Paintingsby Palma il Giovane, Pellegrini, LucaGiordano and Moretto.Temporary exhibition: Officina Durer.Until September 30.
PALAZZO ALBRIZZI German-Italian Cultural Associationmap: F3 - Cannaregio, 4118 ph. +39.041.5232544 - Tickets: Free10am-1pm/4pm-6pm • Closing day: SunThis austere looking palace still has twovery nice halls in the “piano nobile”,which are decorated with frescoesrepresenting antique mythological the-mes by Guarana. Nowadays, duringthe venetian carnival season, maskedballs are organized in this palace.Temporary exhibition: Wagner visivo:Siegfried fra Franz Stassen e ArthurRackham. Until June 23.
FOUNDATIONS
SPAZIO CULTURALE SVIZZEROPalazzo Trevisan degli Ulivimap: D6 - Campo S. Agnese, 810ph. +39.041.5225996 - Tickets: FreeMon-Fri 11am - 5pm, Sat 2pm - 6pmClosing day: Sunday
A new Swiss Cultural space has been
opened in Venice since February 2002.It is considered as an extension of theSwiss Institute in Rome. The multivalenthall, open to the Swiss CulturalInstitutions operating in Italy, hosts arti-stic manifestations, expositions, exhibits,meetings, conferences and concerts.Temporary exhibition: InCHontro -Cécile Wick e Lars Müller. From June 1 toJuly 14.
COLLEZIONE PEGGY GUGGENHEIMmap: E6 - Dorsoduro, 701 ph. +39.041.2405411 - Tickets: € 10.0010am - 6pm • Closing day: Tuesday
The Foundation was created by PeggyGuggenheim, who was deeply in lovewith Venice. The museum is located inPeggy Guggenheim’s former home andit houses European and American worksof the first half of the 20th century.Permanent exhibition: extensive col-lection of 20th century paintings by.Kandiskij, Pollock, De Chirico,Vedova, Picasso, Marini, Severini. Temporary exhibition: All in the pre-sent must be transformed: MatthewBarney and Joseph Beuys. From June4 to September 2.
FONDAZIONE BEVILACQUA LA MASAmap: F5 - San Marco, 71 ph. +39.041.5207797 - Tickets: free12am - 6pm • Closing day: TuesdayA foundation that has the aim of sprea-ding and increasing knowledge of con-temporary art, it dedicates particularattention to young artists. With its mainlocation in Saint Mark’s Square, it willsoon become a place for looking upbooks, CD-Roms and other rare material.Temporary exhibition: Richard Hamilton- A Host of Angel. (Palazzetto Tito). FromJune 7 to October 8.Yasumasa Morimura - Requiem for theXX century. (Galleria di piazza SanMarco).From June 7 to October 8.
FONDAZIONE QUERINI STAMPALIAmap: F5 - Castello, 5252 ph. +39.041.2711411 - Tickets: € 8.00Tue-Thu 10am - 6pm, Fri-Sat 10am - 10pmClosing day: MondayThe Foundation was set up in 1869upon the bequeath by Earl GiovanniQuerini Stampalia. This well-preservedbuilding is built in perfect and originalVenetian style and contains a richlibrary and a fascinating picture gallery.Temporary exhibition: Tra Oriente eOccidente. Omar Galliani e il grande dise-gno italiano in Cina. From June 9 toSeptember 16. Latency di Ivana Franke(Padiglione di Croazia). From June 10 toNovember 21. The Ship of Tolerance. Ilya& Emilia Kabakov. Punta della Dogana.From June 6 to July 6.
FONDAZIONE CINImap: G6 - Isola di S.Giorgio ph. +39.041.2710402 - Tickets: freeSaturday and Sunday only: 10am - 5pm
The Giorgio Cini Foundation was esta-blished in 1951 by Count Vittorio Ciniin memory of his son Giorgio. It hostsconferences and congresses of scienti-fic and cultural organisations fromItaly and abroad, offering an unparal-leled urban and monumental context.Temporary exhibition: Northsouth-eastwest. Una visione a 360° dei cam-biamenti climatici.The British Councile The Climate Group. Palazzo Cini aSan Vio. Until July 1.
TELECOM FUTURE CENTREmap: F4 - San Marco, 4826 ph. +39.041.5213206 - Tickets: Free10am - 6pm • Closing day: MondayThe most advanced international researchcentre is located in the ancient convent ofS. Salvador. The Centre has reconsideredthe historical and social elements ofVenice in the light of new technologies.
TEATRO VERDEmap: G6 - S.Giorgio Maggiore islandph.+39.041.2419697 www.teatro-verde.eu
In 2007 the Teatro Verde onS.Giorgio Maggiore island re-openswith Strauss’ A night in Venice.Visitors of Teatro Verde enjoy a clas-sical set and participate to a uniqueevent in this cultural garden.
ART GALLERIES
GALLERIA INTERNAZIONALE D'ARTE MODERNA CA' PESAROmap: E3 - Santa Croce, 2076 ph. +39.041.5209070 - Tickets: € 5.5010am - 6pm • Closing day: Mon. and May 1It is located in one of the most impor-tant Baroque palaces in Venice, amasterpiece by Longhena. It houses awealth of paintings, sculptures, etchingsand drawings by renowned contempo-rary artists from different countries:from Klimt to Chagall, from Kandinskijto Klee, to Matisse and many more.Temporary exhibition: Bertozzi &Casoni - Le bugie dell’arte. From June 7to September 2.
GALLERIA FRANCHETTI CA' D'OROmap: E3 - Cannaregio, 3933ph. +39.041.5238790 - Tickets: € 5.00Tue-Sun 8.15am - 6.45pmMonday 8.15am-2pm The Ca' D'oro, an enchanting gothicpalace on the Grand Canal, owes itsname to the gold leaf which, in thepast, decorated its elegant façade. Ithouses the art collection given to theState by the baron Giorgio Franchetti.To see, the “San Sebastiano” byMantegna; works by Guardi and amarble well engraved by B. Bon.Permanent exhibition: a wide collec-tion of coins, medals, ceramic andmany paintings by the Flemish School.
PALAZZO GRASSImap: D5 - San Marco, 3231 ph. +39.041.523168010am - 7pm - Tickets: € 10.00
Temporary exhibition: “Sequence(1)”.Until November 18.
GALLERIE DELL'ACCADEMIAmap: D6 - Dorsoduro, 1055 ph. +39.041.5222247 - Tickets: € 6.50Tue-Sun 8.15am - 7.15pmMon. 8.15am-2pm • Closing day: May 1The Accademia picture-galleries providea very complete overview of Venetianart history through the ages. They aresettled at the foot of the Accademiabridge. On Tuesdays only, it’s possible tovisit the rich warehouses on the top floorof the monastery designed by Palladio.Permanent exhibition: paintings byTintoretto, Veronese, Giorgione,Bellini, Tiziano, Tiepolo...
PRIVATE GALLERIES
BUGNO ART GALLERYmap: E5 - San Marco, 1996/d ph. +39.041.5231305
SEGUSO VIRO GLASS GALLERYmap: L2 - F.ta Venier, 29 - Murano ph. +39.041.5275353Exhibition of contemporary glass art,unique and limited editions.
GALLERIA RAVAGNANmap: F5 - San Marco, 50/a ph. +39.041.5203021
GALLERIA REGINAmap: L2 - Riva Longa, 25/a Murano ph. +39.041.739202
MELORI & ROSENBERGmap: D2 - Cannaregio, 2919 ph. +39.041.2750039/25Mon-Fri: 10am - 1pm • 3pm - 6pmClosed Sat and Sun afternoonVisits also by appointmentMelori & Rosenberg Gallery, since1996 in the Campo of the NewGhetto. The Italian sole representati-ve of Luigi Rocca, also exhibitingother Artists.
ROSCANO BOTTEGA D’ARTEmap: L2 - F.ta Vetrai, 94 - Muranoph. +39.041.0990079
HOLLY SNAPP GALLERYmap: E5 - C.lle delle Botteghe - S. Marcoph. +39.041.5210030
OPERA GALLERYmap: E5 - San Marco, 2288 ph. +39.041.2770504
SANTO STEFANO ART GALLERYmap: E5 - San Marco, 2953 ph. +39.041.5234518
Matthew Barneyand Joseph BeuysMatthew Barneyand Joseph Beuys
not to be missedda non perdere
GALLERIA REGINAMurano - Riva Longa, 25/a - ph. +39.041.739202 - www.galleriaregina.com
The Galleria Regina, afterten years of activity nowsets its identity making aprecise choice: glass atthe service of art. Thehistorical seat has beenrestored and enlarged.The aim of Franco Reginaand his staff is forwardedto the stimulating projectto bring near two diffe-rent categories of artists:glass artists, who designand realise the piecespersonally, and otherartists who assign thecreation of their works toa glass masters team.
In the premises you canadmire works by the fol-lowing artists:
Work of artists: RaffaeleRossi, Umberto Mastro-ianni, Vittorio Ferro, Ma-rio Seguso, Miriam Di Fiore, Julie Lazarus, Alfredo Barbini, DinoRosin, Simone Cenedese, John Drake Moore, Tsuchida-Yasuhiico,Margherita Serra, Riccardo Licata, Astrid Gate, Alberto Gambale,Diego Feurer, Lila Monaco, Claudio Grassetti, Paola Scibilia,Anzolo Fuga, Claudio Tiozzo, Norberto Moretti, Mario Venier, KristinMcFarlane, Cristina Sfriso.
Designers’ creations: Alessandro Mendini, Vico Magistretti, Barbini,Fabio Fornasier, Mario Botta, Massimiliano Fuksas, Richard Meier, CletoMunari, Mimmo Palladino, Matteo Thun, Giorgio Vigna, Davide Penso.
Sfera 2006 - Claudio Tiozzo - cm. 30x90x40
CityExhibitions
BUGNO ART GALLERY S. Marco 1996 - ph. +39.041.5231305Open daily 10.30 a.m. - 12.30 p.m. and 4 p.m. - 7.30 p.m. Closed Sunday morning and Monday morning “SALVO VENEZIA”
Saturday June 7, 2007, at 18.30, will see the opening of Salvo’ssecond personal exhibition titled “Salvo Venezia” at the BugnoGallery in Campo S. Fantin. After the success of the large retro-spective presented at the GAM of Turin, Salvo will exhibit aseries of new works dedicated to the city of Venice and aselection of recent works. Salvo (Salvatore Mangione) wasborn in 1947 in Leonforte in Sicily but he has been living andworking since the early 60s in Turin. After a first conceptualperiod, in 1975 he goes back to painting where he is rankedamong the most outstanding Italian artists.
Sabato 9 giugno 2007 alle ore 18.30 presso la Galleria Bugno inCampo San Fantin si inaugura la seconda mostra personale diSalvo dal titolo “Salvo Venezia”. Reduce dai successi dellagrande retrospettiva presso la GAM di Torino Salvo esporrà unaserie di opere inedite dedicate alla città di Venezia ed unaselezione di lavori recenti. Salvo (Salvatore Mangione) nascenel 1947 a Leonforte in Sicilia ma dai primi anni ’60 vive e lavo-ra a Torino. Dopo un inizio concettuale dal 1975 ha avuto unritorno alla pittura in cui si colloca come uno dei principaliesponenti del panorama italiano.
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Sequence (1)Pittura e Scultura nellaCollezione François Pinault
Sequence (1)Pittura e Scultura nellaCollezione François Pinault
Officina Durer
IN FAVOUR OF WOLF-FERRARISo much was the Venetian composer ErmannoWolf-Ferrari (1876-1948) celebrated during his lifetime for having provided Carlo Goldoni’s plays withprecious music, so much seems his memory tohave been removed today, even in his native city.Meritorious is thus the initiative of reviving the reper-toire that had met wide consensus in Italy as well asabroad, thanks to the Quintet Wolf-Ferrari foundedby Anna Lazzarini. The Quintet not only includes thisfine pianist, but also the violinists Carlo Lazzari and
Paola Carraro, Mario Paladin at the viola and Carlo Teodoro at the cello.Within the framework of a program that aims at extending the knowled-ge of music among young people, the Wolf-Ferrari ensemble organizesat the highschool “Liceo Ginnasio Marco Polo” in the Accademia areaa series of events coordinated by Francesco Rizzoli and titled “TheSaturday concerts at the highschool Liceo Marco Polo”. To the power-ful Quintet Wolf-Ferrari and to its moving spirit Anna Lazzarini goes notonly the wish that their activity continues with great artistic and publicsuccess but also deep congratulations!
Tanto il compositore veneziano Ermanno Wolf-Ferrari (1876-1948) vennecelebrato in vita per aver “rivestito” di preziosa musica le commedie diCarlo Goldoni, quanto adesso la sua memoria appare rimossa, anchenella sua città natale. Meritoria appare, dunque, l’iniziativa di riproporne ilrepertorio che conobbe vasti consensi in Italia e all’estero, dovuta alQuintetto Wolf-Ferrari fondato da Anna Lazzarini. Oltre a questa brava pia-nista, comprende i violinisti Carlo Lazari e Paola Carraro, Mario Paladin allaviola e Carlo Teodoro al violoncello. Nel quadro d’una operazione mirataad allargare la conoscenza della musica presso i giovani, il Wolf-Ferrariensemble organizza, presso il Liceo ginnasio Marco Polo all’Accademia,una serie di eventi curati da Francesco Rizzoli e intitolati, appunto, IConcerti del sabato al Liceo Marco Polo. Al valido quintetto Wolf-Ferrari ealla sua animatrice Anna Lazzarini, oltre l’augurio di continuare l’attività consempre maggior successo artistico e di pubblico, un ammirato chapeau!
Salvo, “Venezia” – olio su tela cm. 20x30
CHURCHES
BASILICA DI SAN MARCOmap: F5 - Piazza San Marco ph. +39.041.5225205 - Tickets: free thechurch, € 3.00 La Pala, € 3.00 il Tesoro.9.30am - 5pm, Sunday 2pm - 4pm
The most famous Basilica in Venice. Theexterior façades are decorated inByzantine style, with columns, bas-reliefs and coloured marble. On the ter-race stand four imposing gilded bronzehorses. The building has five largedomes. The church is decorated insidewith gilded mosaics and treasures repre-senting stories from the Bible.To see: La Pala d'Oro, il Tesoro.
SAN STAEmap: E3 - S.Croce, Campo S. Stae ph. +39.041.2750462 - Tickets: € 2.5010am - 5pm, Sunday 1pm - 5pm
Founded in the 12th century, this churchwas rebuilt during the 17th century and,at the beginning of the 18th century, itwas modified also its aspect, facing nowthe Grand Canal: the new façade madeby the architect Domenico Rossi. Thechurch contains a veritable compen-dium of Venetian 18th -century pain-tings including an early work by Tiepolo.To see: works by Tiepolo, Ricci, Piazzetta.
BASILICA DEI FRARI map: D4 - S. Polo, 3072 ph. +39.041.2728611 - Tickets: € 2.509am - 6pm, Sunday 1pm - 6pm
It is an example of Gothic architecturein Venice built between the 14th and15th century and laid out in the formof a Latin cross: it is composed of threenaves divided by twelve huge pillars.To see: the altar-piece “Madonna di casaPesaro” and “L'Assunta” by Tiziano, “LaVergine col bimbo” by Bellini, graves ofDoges and of captains of arms, monu-ments dedicated to Canova and Tiziano.
SAN GIACOMO DALL’ORIOmap: D3 - Santa Croce ph. +39.041.2750462 - Tickets: € 2.5010am - 5pm, Sunday 1pm - 5pmThis church was probably built in the 9th
– 10th century in the area called “Luprio”from which - through various phoneticevolutions - the current name of Orioderives. The façade is Romanesque andthe interior is built on a Latin cross patternwith three naves and a large transept. To see: “La Crocifissione” by PaoloVeneziano, the altar-piece by LorenzoLotto, and the eucharistic themecycle by Jacopo Palma il Giovane.
SAN POLOmap: D4 - Campo San Polo ph. +39.041.2750462 - Tickets: € 2.5010am - 5pm, Sunday 1pm - 5pm
The church has Byzantine origins, butvery few remains of the ancient buil-ding, modified during the XV centuryand then restored at the beginning ofthe XIX by the architect Davide Rossi.He perfectly harmonized his Neo-Classical choises with the original lateGothic structure. To see: “L’apparizione della Vergineinnanzi a S. Giovanni Nepomuceno”by G.B. Tiepolo, the “Via Crucis” byGiandomenico Tiepolo.
MADONNA DELL'ORTOmap: E1 - Cannaregio, 3511 ph. +39.041.2750462 - Tickets: € 2.5010am - 5pm, Sunday 1pm - 5pm
Built in the middle of 1300, this chur-ch changed its original name (SanCristoforo) in Madonna dell’Ortowhen an imagine of the Virgin, foundin a garden nearby, was brought in thechurch itself. It is a typical VenetianGothic religious buildings. It wasTintoretto’s parish church and he isburied with his family in the chapel tothe right of the high altar.To see: works by J.Palma il Giovane andmany prodigious works by J.Tintoretto.
SAN PIETRO DI CASTELLOmap: L5 - C.po S. Pietro di Castelloph. +39.041.2750462 - Tickets: € 2.5010am - 5pm, Sunday 1pm - 5pmLegend has it that the church wasbuilt on the ancient Olivolo island,which was the first settlement of theinhabitants of Venice. The façade isby Smeraldi; the interior is built in a
CHURCHESCITY LISTING
Associazione Chiese di VeneziaThe Foundation for theChurches of Venice
Thanks to:
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M U S E OE B R A I C Odi VENEZIA
The Jewish Museum of VeniceCannaregio 2902/B
ph. +39.041.715359 fax [email protected]
IN THE WORLD’S FIRST GHETTO,THE ANCIENT SYNAGOGUES
AND THE MUSEUM OF THE JEWISHCOMMUNITY OF VENICE
MUSEUM HOURSFrom June 1st to September 30th10 am 7 pm. Closed on Saturday andJewish holidays
SYNAGOGUE TOURSin italian and englishEvery hour from 10:30 am until 5:30 pmAlso available: private thematic tours
TICKETSMuseum: full € 3,00 - reduced € 2,00Museum entrance + guided tour:full ticket € 8,50 - reduced € 7,00
PAOLO GIORDANIPITTURA E COLLAGES
www.paologiordani.net - [email protected]
ChurchesSchoolsMonumentsCity Listing
ChieseScuoleMonumentiListing tematico
The church of San Giacomo dall’Orio stands in one of the few campi (squares) in Venice thatstill preserves a folk-live and town-like nature, situated off the typically tourist itineraries. Itsexterior is simple, while its interior enshrines a number of outstanding works of art by PaoloVeronese, Jacopo Palma il Giovane and Paolo Veneziano. The peculiarity of the church liesin its ceiling: built after 1345, it features “ship’s-keel” decorations, with larch wood lacunarsunderpinned on the sides by the supporting structures known as “barbicani”. This particularcovering structure, able to contain the temperatures of cold winters and hot summers, ischaracteristic of the Venetian churches of that time and somehow recalles the “amphi-bious” nature of the Serenissima Republic, whose power derived, as it is widespreadlyknown, from the power of the war and merchant fleets. It’s marvellous 3,35 meter high greenIonic column, made with one single marble block, of Greek craftsmanship, was brought toVenice at the beginning of the thirteenth century. Down the centuries, numerous writers,
poets, historians have described it, calling it “joy”, as Jacopo Sansovino did, or “precious pearl” as John Ruskin did.Gabriele D’Annunzio, in 1900, stated that, with its streaks and different shade tinges, “it looks like the fossil condensationof a large verdant wood”.
La Chiesa di San Giacomo dall’Orio sorge in uno dei pochi campi che, a Venezia, conservano un carattere popolaree cittadino, lontano dagli itinerari più propriamente turistici. L’esterno è semplice e pulito, mentre all’interno sono con-servate alcune importanti opere di Paolo Veronese, Jacopo Palma il Giovane, Paolo Veneziano. La particolarità dellachiesa sta nel soffitto: costruito dopo il 1345, presenta una decorazione “a carena di nave”, a cassettoni lignei di lari-ce sostenuti ai lati dai tipici “barbacani”. Questa copertura, adatta a mitigare la temperatura dei freddi inverni e dellecalde estati, è tipica delle chiese veneziane dell’epoca, e ricorda la natura anfibia della Serenissima, il cui potere,com’è noto, era fondato sulla potenza delle flotte belliche e mercantili. Bellissima è la colonna ionica in verde antico,realizzata con un blocco unico di marmo e alta 3,35 m. Di lavorazione greca, fu portata a Venezia agli inizi del 1200, enei secoli molti scrittori, poeti, storici la descrissero, ammirati, chiamandola “gioia” come Jacopo Sansovino, o “perlapreziosa” come John Ruskin. Gabriele D’Annunzio, nel 1900, affermò che, con le sue striature e venature di toni diver-si, “sembra la condensazione fossile di una immensa foresta verdeggiante”.
THE CHURCH OF SAN GIACOMO DALL’ORIO di Nicoletta Consentino
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TO SEEOn the main altar the simpleand folk-like altarpiece byLorenzo Lotto (1546), that cer-tainly deserves being seen.
Sull’altare principale si puòammirare la pala raccolta edi carattere popolaresco diLorenzo Lotto, del 1546.
the right side and of the triumphal arch.
BASILICA DI S.MARIA E DONATO map: L2 - Murano, c.po S. Donato 11ph. +39.041.739056 - Tickets: free9am -12pm, 3.30am - 7pm Sunday 3.30pm - 7pm
It is one of the most beautiful Venetian-Byzantine buildings of the 12th century.The exterior of the hexagonal apse isvery interesting, both for its architecturalbeauty and the wealth of its decorativeelements. Five columns of Greek marbledivide the interior into three naves.To see: the mosaic floor with decorativepatterns and symbolic pictures of animals.
SAN ZACCARIAmap: G5 - Castello, 4593 ph. +39.041.5221257 - Tickets: € 2.0010am - 12am, 4pm - 6pmSunday 14pm - 6pm
The old church, which belonged to thenuns of the convent bearing the samename, is located near the main church,which was built by Codussi between1480 and 1500. The new façade is atypical example of Venetian Renais-sance. Two rows of columns with beau-tiful capitals divided the interior intothree aisles. The great altar is surmoun-ted by a cross vault and a hemispheri-cal dome. The stunning interior is lite-rally covered with paintings.To see: the altarpiece “Vergine conputto in trono, Santi e Angeli musican-ti” by G. Bellini; the big painting“Trasporto processionale in S. Zaccariadei Corpi Santi” by A. Zanchi and otherworks by J. Palma il Giovane.
SANTA MARIA DEL ROSARIOCHIESA DEI GESUATImap: G5 - Zattere - Dorsoduro ph. +39.041.2750462 - Tickets: € 2.5010am -5pm, Sunday 1pm - 5pm
The church of the Jesuits was builtbetween 1726 and 1735, it was com-missioned by Dominicans, after theytook the place of the Jesuits, in order toreplace the small church that still standsbeside it. Giorgio Massari was the authorof the church’s design and of the internaldecoration, assisted by two great artistsof the period: Giambattista Tiepolo andGianmaria Morlaiter. The interior, withits single nave, side chapels and a deeppresbytery, is beautifully balanced. To see: the altarpiece and the ceiling byG.B. Tiepolo, the altarpiece byPiazzetta and “La Crocifissione” byTintoretto.
SANTO STEFANOmap: E5 - S.Marco, 3825 ph. +39.041.2750462 - Tickets: € 2.5010am -5pm, Sunday 1pm - 5pm
This is a magnificent example ofVenetian Gothic art. The 14th centuryfaçade is decorated with a splendid mar-
ble portal attributed to Bartolomeo Bon.The interior is divided into three widelongitudinal Greek marble naves, thepresbytery has interesting inlaid woodenchoir stalls and the ceiling is shaped likean inverted ship’s hull.To see: “La lavanda dei piedi” and“Cristo nell’orto” by J. Tintoretto; “IlBattesimo di Cristo” by Paris Bordone.
SAN GIOVANNI ELEMOSINARIOmap: E4 - Rialto, Ruga S. Giovanni ph. +39.041.2750462 - Tickets: € 2.5010am -5pm, Sunday 1pm - 5pm
The church of S. Giovanni Elemosinariowas founded before 1071, but nothingremains of the primitive building, due tothe devastating fire that swept throughthe Rialto area in 1514. The currentbuilding has simple and somewhat clas-sical interiors, richly decorated withmany works: token of the special devo-tion of the school of arts and trades thatused the church premises.To see: The altarpieces by Titian and byPordenone and the frescoes in thecupola came to light again during therestoration work.
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SCUOLA GRANDE DI S.GIOVANNI EVANGELISTAmap: D4 - S.Polo, 2454ph. +39.041.718234 - Tickets: € 5.00Visit: booking is necessaryIt’s one of the six Scuole Grandi and,according to Venice history, art and cultu-re, it’s considered one of the greatest. Thebuilding is a splendid Renaissance archi-tecture example. The elegant doublestairway inside, lit with large arched win-dows, was built by Codussi. The beautifulexterior Renaissance iconostasis, with itscarved decoration, was designed by P.Lombardo.To see: the ceiling with visions of theApocalypse, works of great masters suchas G.B. Tiepolo, Diziani, Marieschi.
SCUOLA GRANDE DI S.ROCCOmap: D4 - San Polo, 3054 ph. +39.041.5234864 - Tickets: € 5.509am - 5.30pm
This 16th century Renaissance building,designed by Bartolomeo Bon, lodgesthe school dedicated to San Rocco, theprotector of plague-strickens. SanRocco archconfraternity’s seat is stillvery active in the organisation of cultu-ral meetings and concerts.To see: an extraordinary collection ofworks by Tintoretto, the numerous arttreasures of the 15th century, thehistoric Nacchini organ.
SCUOLA GRANDE DI S. MARCOmap: G4- CastelloCampo SS. Giovanni e Paolo
SCUOLA GRANDE DI S. TEODORO map: F4 - S. Marco, 4810 ph. +39.041.5287227 - Tickets: free9.30am -12pm • Closing day: Sat, Sun
SCUOLA GRANDE DELLA MISERICORDIAmap: E2 - F.ta della Misericordia
SCUOLA GRANDE DI S. MARIA DELLA CARITÀ map: D6 - Dorsoduro, 1050
Latin cross pattern, with one nave andtwo aisles and a large dome in thecentre of the transept. To see: “Il castigo dei Serpenti” byPietro Liberi and the mosaic altar-piece “Tutti i Santi” by A.Zuccato.
BASILICA DELLA SALUTEmap: E6 - Dorsoduro, 1 ph. +39.041.5225558 - Tickets: free9am - 12pm, 3pm - 6pm
In the middle of the 17th century,Venice was struck by a terrible pla-gue; in order to free the city, theRepublic of Venice’s Senate decidedthat a church should have been built,dedicated to the Virgin, asking her forHealth (salute). Between eleven planspresented, it was chosen the one byBaldassarre Longhena and works star-ted in 1631. He designed a templehaving a central area on an octagonalplan, dominated by a huge domewith great arches. To see: “Nozze di Caanan” by J.Tintoretto, “Pentecoste” by Tiziano, “LaMadonna Bizantina” work from the13th-century Greek-Byzantine school.Events: every year on November 21 theinhabitants process to the Salute for aservice of thanksgiving for deliverencefrom the palgue.
S. MARIA FORMOSA map: G4 - Castello, 5263 ph. 041.2750462 - Tickets: € 2.5010am - 5pm, Sunday 1pm - 5pm
According to the legend, this is one ofthe eight churches founded by St.Magno, Bishop of Oderzo, in the VIIcentury, and dedicated to the Virginwho appeared in a dream to theBishop. However, the church, as wecan see it nowadays, was built in 1492by Mauro Codussi, the leading archi-tect of the early Venetian Renaissance.The building has a Greek cross pat-tern, with three naves and the roof inthe shape of a cross vault.To see: the famous “Polittico” by J.Palma il Vecchio, “The Last Supper”by Leandro Bassano.
SANTA MARIA DEI MIRACOLImap: F4 - Cannaregio, 6063ph. +39.041.2750462 - Tickets: € 2.5010am - 5pm, Sunday 1pm - 5pm
The church was built between 1481and 1489 by Pietro Lombardo to
house the miracle-working image ofthe “Vergine tra due Santi”, work byNicolò di Pietro, worshipped by theinhabitants of Venice for her thauma-turgic power. The interior has onlyone nave and a barrel vaulted roof.To see: works by V.delle Destre,Lattanzio da Rimini, Pier Maria andGerolamo Pennacchi.
SANTISSIMO REDENTOREmap: E7 - Giudecca, 195 ph. +39.041.2750462 - Tickets: € 2.5010am - 5pm, Sunday 1pm - 5pmOne of the greatest examples of Palladio’sarchitecture, and by some considered hismasterpiece, this church was built as aresult of a motion carried by the Senateafter the plague that struck Venice in1576.It is a votive temple dedicated to theRedeemer. To see: works by D. Tintoretto, F. BassanoEvents: every year, on the thirdSunday of July, the temple is the desti-nation of a pilgrimage.
BASILICA DEI SS. GIOVANNI E PAOLOmap: G4 - Castello, 6363 ph. +39.041.5237510 - Tickets: € 2.509.30am - 6pm; Sunday 12pm - 6pm
It was built between the 14th and the15th centuries and it is the largestchurch in Venice. After S. Marco, thiswas considered an “official” temple: itwas used for the solemn obsequies ofthe dead Doges. The magnificent inte-rior is in the form of a Latin cross, it hasthree naves with a cross vault and apolygonal apse.To see: the monument to the DogePietro Mocenigo by T. Lombardo.
DEGLI SCALZImap: C3 - Cannaregio, 54 ph. +39.041.715115 - Tickets: free9am - 11.50am, 4pm - 6pm
Built by the Carmelites and dedicatedto Saint Mary of Nazareth, it was desi-gned by B. Longhena. The façade,made of Carrara marble, is an exam-ple of the Venetian Baroque style.Once there was also a marvellousvault frescoed by G.B. Tiepolo; unfor-tunately, in 1915 it was destroyed byAustrian bombs.To see: sculptures, gilt and polychroma-tic decorations and the fine marbles.
LA CATTEDRALE Isola di Torcello - ph. +39.041.73008410.30am - 5.30pm - Tickets: € 3.00
This is an 11th century Venetian-Byzantine building in the form of aRomanic Basilica. It is the oldestmonument of this type preserved inthe lagoon. The simple and solemninterior is made up of precious mar-bles and gilt mosaics. To see: the mosaics of the small apse on
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The top in a melting-pot. A series of unprecedented exhibitions andevents. Venice make its entrance in the Biennale 2007 with a numberof appointments that art lovers certainly cannot miss. Matthew Barney
in an original parallel with Joseph Beuys at the Guggenheim, Bertozzi &Casoni at Ca’Pesaro with an imposing project titled “The Lies of Art”, EnzoCucchi - one of the masters of Transavanguardia - in an anthological exhibi-tion at the Correr Museum, but also Richard Hamilton, father of the Englishpop art, who brings a new project at the Fondazione Bevilacqua La Masaand Damien Hirst at Palazzo Pesaro Papafava. Those are only some of thenames that will be present in the various exhibition areas of the city, not coun-ting the most awaited event, that is to say the Biennale. In this year’s edition,under the guidance of Robert Storr, directly from the MOMA of New York,the Biennale will feature a number of outstanding novelties such as the ope-ning of the new Italy pavilion with an exhibition managed by Ida Gianelli andthe reappearance of a selection of artists from the Veneto region in the Venicepavilion. Particular emphasis will be placed on African contemporary art withan exhibition titled “Check List Luanda Pop” and with the opening of Turkey’snational pavilion. The most awaited projects include the new production byFrancesco Vezzoli – who returns at the Biennale of Venice after the great suc-cess achieved in the past edition – and the presence, among others, of artistslike Jenny Holzer, Ilya and Emilia Kabakov, Guillermo Kuitca, Sol LeWitt,Steve McQueen, Bruce Nauman, Raymond Pettibon, Gerhard Richter,Nancy Spero and Franz West. What is more, a new institute for contempo-rary art can now be found in the city, i.e. Monsieur Pinault’s new PalazzoGrassi that opened one month ago with a collective exhibition titledSEQUENCE, comprising a marvellous selection of his infinite collection.
Il vertice in un vortice. Una serie di mostre ed eventi senza preceden-ti, Venezia si presenta all’appuntamento con la Biennale 2007 con unaserie di situazioni irrinunciabili per chi ama l’arte. Matthew Barney in
un confronto inedito con Joseph Beuys al museo Guggenheim, Bertozzi& Casoni a Ca’ Pesaro con un imponente progetto intitolato “Le Bugiedell’Arte”, Enzo Cucchi, uno dei maestri della Transavanguardia, inun’antologica al Museo Correr, ma anche Richard Hamilton, padre dellapop art inglese che porta alla Fondazione Bevilacqua La Masa un nuovoprogetto e Damien Hirst a Palazzo Pesaro Papafava. Questi sono soloalcuni dei nomi le cui opere occuperanno gli spazi della città, senza con-tare l’evento più atteso ovvero la Biennale, che in quest’edizione, sottola guida di Robert Storr, direttamente dal MOMA di New York , vedràuna serie di importanti novità come il debutto del nuovo padiglione Italiacon una mostra curata da Ida Gianelli, e il ritorno di una selzione di arti-sti veneti nel padiglione Venezia. Uno sguardo particolare verrà riserva-to all’arte africana contemporanea con una mostra intitolata “Check ListLuanda Pop” e l’esordio del padiglione nazionale della Turchia. Tra i pro-getti più attesi c’è il nuovo lavoro di Francesco Vezzoli, che torna allaBiennale veneziana dopo il grande successo della scorsa edizione, e lapresenza, tra gli altri, di artisti come Jenny Holzer, Ilya ed Emilia Kabakov,Guillermo Kuitca, Sol LeWitt, Steve McQueen, Bruce Nauman,Raymond Pettibon, Gerhard Richter, Nancy Spero e Franz West. Da nondimenticare poi una nuova istituzione per l’arte contemporanea in città:il nuovo palazzo Grassi di monsieur Pinault che già da un mese ha aper-to una collettiva intitolata SEQUENCE dove si può ammirare una sele-zione dalla sua sterminata collezione.
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Biennale, and more. The summer in Venice has been heralded as the “hottest” ever for art lovers. All the rou-tes to make the most of it.
Biennale, ma non solo: l’estate a Venezia si annuncia come la più calda che si ricordi a memoria per gli appas-sionati d’arte. Tutti i percorsi per non perdere il meglio.
di Daniele SorrentinoVenezia 2007: summer, the long season of art
Hamilton - BVLMRichard Hamilton will take possession of the ‘Palazzetto Tito’ for his personalexhibition “A Host Of Angels” by rethinking it and adapting it for it to includethe entire exhibition area of the Fondazione Bevilacqua La Masa. Hamiltonwill interpret the spaces not only by exhibiting 13 large and medium size can-vases, but also by including furniture, objects and fittings requested by the arti-st himself, in a play of continuous references to the perspectives on the canvasand the ones of the scenery. The route will start with the portraits of the depar-ted friends Dieter Roth and Derek Jarman and with a graphic elaboration of adomestic space, Chiara & chair, in which the creation of the image, the hori-zon lines and the vanishing-points are uncovered by the artist himself, whoshows from the start the dual soul of his latest works. Since the 90s, Hamiltonwent from portraying figures of the folk iconography to more intimist works.He starts building up the image with pictures he has taken, or with postcardsof fair quality. He then transposes them on the canvas through graphic pro-grammes, thus recreating an environment that is perfectly in keeping with theongoing actions. The Angels, as he himself calls them, are therefore familiarfigures, the lifelong friends, the intimate situations, the interiors of his house.Virgin-like and angelic women who hint at Duchamp’s Brides and Virgins.This is Hamilton’s first personal exhibition in Italy.
Richard Hamilton prenderà possesso di Palazzetto Tito per la sua personale “AHost Of Angels”, ripensandolo e adattandolo per coinvolgere tutta la sede espo-sitiva della fondazione Bevilacqua La Masa. Hamilton interpreterà gli spazi nonlimitandosi alla semplice esposizione delle 13 tele di grandi e medie dimensio-ni, ma includendo mobili, oggetti e arredi voluti dall’artista stesso, in un gioco dirimandi continui tra le prospettive sulla tela e quelle presenti nello spazio.Il per-corso si aprirà con i ritratti degli amici scomparsi Dieter Roth e Derek Jarman eun’elaborazione grafica di uno spazio domestico, Chiara & chair, in cui lacostruzione dell’immagine, le linee d’orizzonte e i punti di fuga sono messi anudo dall’artista stesso, che ci mostra da subito la doppia anima dei suoi ulti-mi lavori. Dagli anni ’90 Hamilton è passato dal ritrarre personaggi dell’ico-nografia popolare a lavori più intimistici. Costruisce l’immagine partendo dafotografie da lui stesso scattate, o cartoline di bassa foggia. Poi le traspone sullatela attraverso programmi di grafica evoluti, ricreando un ambiente perfetta-mente consono alle azioni in essere. Così gli Angels, come lui stesso li chia-ma, sono i personaggi familiari, gli amici di sempre, le situazioni intime, gliinterni della sua casa. Donne virginee e angeliche che alludono alle ducham-piane Brides e Virgins. La mostra è la prima personale di Hamilton in Italia.
Cucchi - Museo CorrerEnzo Cucchi, undisputed master and key figure of Transavanguardia, arrivesat the Correr Museum with an exhibition comprising a selection of works andpictorial cycles created by the artist from the 70s till today. For Cucchidrawing and painting means combining forms, concepts and materials. Theexpression of the gesture is used to transform the canvas, or the paper in thecase of drawings, into a magic territory full of images and thoughts carryingon an idea that is enriched with an infinite series of different elements. Cucchidepicts a large variety of classical as well as imaginary symbols that are com-bined together and overlapped in a same chromatic frame from which theyalmost seem to emerge. The abandoning of the space-time lines and the con-tinuous incursions into the cultural and emotional spheres coincides with theundisciplined use of colour and the willingness to try new artistic techniqueslike burned paper and sand oil. Through a carefully thought route, the exhi-bition will offer the opportunity of admiring over 100 paintings and drawings,borrowed from outstanding museums such as the Guggenheim of New Yorkand Bilbao, the Louisiana Museum for Moderne Kunst of Humlebæk, theStedelijk of Amsterdam, the Kunsthaus of Zurich, the Kunsthalle of Hamburg,the Castello di Rivoli (Rivoli Castle) of Turin and many others.
Maestro indiscusso e figura fondamentale della transavanguardia, EnzoCucchi approda al Museo Correr con una mostra che presenta una selezio-ne di opere e di cicli pittorici realizzati dall’artista dalla fine degli anni settantaa oggi. Per Cucchi disegnare e dipingere significa associare forme, concetti emateriali. L’espressione del gesto viene utilizzata per trasformare la tela, o lacarta nel caso dei disegni, in un territorio magico pieno di immagini e pen-sieri veicolo di un discorso che si arricchisce di una serie infinita di elemen-ti differenti. Cucchi rappresenta un’ampia gamma di simboli che provengo-no da temi classici o di pura fantasia che vengono combinati insieme esovrapposti nella stessa trama cromatica da cui sembrano quasi emergere.L’abbandono delle coordinate spazio-temporali e le sue continue incursioninei territori culturali ed emozionali coincide con un uso del colore indisci-plinato e la volontà di sperimentare con tecniche artistiche differenti chevanno dalla carta bruciata, all’olio alla sabbia. Attraverso un percorso espo-sitivo attentamente studiato, la mostra offrirà l’occasione per poter ammira-re oltre cento tra dipinti e disegni, provenienti da grandi istituzioni musealitra cui il Guggenheim di New York e di Bilbao, il Louisiana Museum forModerne Kunst di Humlebæk, lo Stedelijk di Amsterdam, il Kunsthaus diZurigo, il Kunsthalle di Amburgo, il Castello di Rivoli di Torino e molti altri.
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Sequence (1) - Palazzo GrassiWith this first exhibition of a “sequence” dedicated to the distinctivemarks and the strengths of the modern art collection by FrançoisPinault, a new exhibition series dedicated to contemporary art will beinaugurated by Palazzo Grassi. The first appointment, organized byAlison M. Gingeras, will put on show the works by sixteen artists –painters and sculptors – presenting works in which the principle ofhandicraft in contemporary art is stressed, through all the traditionalcreative genres. The presence of the ‘hand’ of the artist is highligh-ted through the display of works by an heterogeneous variety of arti-sts that still base their work on various expressions of ‘craft art’ thuswidening the traditional sphere of painting and sculpture with neworiginal interpretations and inventions. The painters involved bring tothe fore numerous different approaches, from the “traditional” oiland/or acrylic on canvas to experimental revisions of the “pictorial”.If on the one side, the “traditional” group proposes works by MartialRaysse, Laura Owens, Marlene Dumas, Takashi Murakami, andRichard Prince, the experimental one sees artists like Rudolf Stingelexploring “the idea” of painting through a synthesis of environmentalinstallation, process art and conventional “paintings”.
Con questa prima esposizione di una sequenza dedicata ai segnidistintivi e ai punti di forza della collezione di arte contemporanea diFrançois Pinault, è stata inaugurata a Palazzo Grassi una nuova serieespositiva dedicata all’arte contemporanea. Il primo appuntamento, acura di Alison M. Gingeras, presenta le opere di sedici artisti – pitto-ri e scultori - proponendo lavori in cui si evidenzia il principio di arti-gianalità nell’arte contemporanea, attraverso tutti i tradizionali genericreativi. Viene messa in luce la presenza della ‘mano’ dell’artista pre-sentando una gamma eterogenea di artisti che si basano su varieespressioni di ‘craft art’ ampliando il campo tradizionale della pitturae della scultura con nuove interpretazioni originali e invenzioni. I pit-tori inclusi evidenziano molteplici approcci diversi, dal “tradizionale”olio e/o acrilico su tela a revisioni sperimentali del “pittorico”. Loschieramento “tradizionale”, propone opere di Martial Raysse, LauraOwens, Marlene Dumas, Takashi Murakami, e Richard Prince, quel-lo sperimentale propone artisti, come Rudolf Stingel, che esplorano“l’idea” della pittura attraverso una sintesi di installazione ambienta-le, process art, e “dipinti”convenzionali.
Barney/Beuys - GuggenheimMatthew Barney and Joseph Beuys, separated for geographical aswell as generational reasons, are placed side by side in an exhibitionanalysing the affinities and points in common both from an aestheticand conceptual point of view. All in The Present Must BeTransformed will revolve around the metaphoric use of materials, theartist’s interest in metamorphosis, their predilection for the use of nar-rative structures and the relation between action and research in theirjob field thus revealing at the same time the profound philosophicaldifferences, fundamentally depending on historical reasons, that areuseful for understanding their works. The works on view will beselected from the permanent collection of the Guggenheim Museumand will be accompanied by a double selection of the artists’drawings and representative works, like for instance Barney’s multi-ple sculpture Chrysler Imperial (2002) from Cremaster 3 and Beuys’installation Terremoto –Earthquake (1981). For organizational rea-sons the event will be hosted in the exhibition areas of PalazzoVenier dei Leoni, traditionally dedicated to the Peggy Guggenheimpermanent collection which will exceptionally be moved to the hallsof the museum destined to temporary exhibitions.
Separati da ragioni geografiche oltre che generazionali MatthewBarney e Joseph Beuys vengono sovrappostii in una mostra che evi-denzia le affinità e le connessioni sia dal punto di vista estetico checoncettuale. All in The Present Must Be Transformed ruoterà intornoall’uso metaforico dei materiali, all’interesse degli artisti per le meta-morfosi, la loro predilezione per l’uso di strutture narrative e la rela-zione tra azione e documentazione nel loro lavoro, rivelando allo stes-so tempo le profonde differenze filosofiche, dovute principalmente amotivi storici, che in ultima analisi aiutano nella comprensione delloro lavoro. Le opere esposte saranno scelte dalla collezione perma-nente del Museo Guggenheim e saranno accompagnate da una dop-pia selezione di disegni e vetrine dei due artisti, come ad esempio lascultura multipla di Barney Chrysler Imperial (2002) da Cremaster 3 el’installazione di Beuys Terremoto (1981). Per ragioni legate alla com-plessità dell'allestimento, l’appuntamento sarà ospitato negli spazi diPalazzo Venier dei Leoni, tradizionalmente dedicati alla collezionepermanente di Peggy Guggenheim, che verrà eccezionalmente spo-stata all'interno delle sale del museo adibite alle mostre temporanee.
EXHIBITION SPACESGiardini Since the very first Biennale in 1895, these Gardens in the east ofVenice have been the traditional venue for the International Exhibitionof the Visual Arts. The original Palazzo dell'Esposizione was built in1895 but has been restructured and extended several times since, and isnow the 3,000-square-metre Italian Pavilion. Alongside it there are atotal of 29 national pavilions, built at various periods by the exhibitingnations themselves.
Sede tradizionale delle Esposizioni d'arte della Biennale fin dalla primaedizione del 1895, i Giardini sorgono verso il margine orientale diVenezia. Accanto all'originario Palazzo dell'Esposizione (oggi PadiglioneItalia, 3.000 mq.), costruito nel 1895 e da allora più volte ampliato eristrutturato, sono stati edificati nell'ampio parco 29 padiglioni.
ArsenaleStarting with the 48th International Exhibition of Art in 1999, theBiennale di Venezia has engaged in a wide-ranging restoration programmeto create exhibition areas in some of the important buildings on the monu-mental east side of the Arsenale. Exhibitions and events can also be housedin the unusual and fascinating spaces of the Artiglierie, the Gaggiandre, theIsolotto, the sixteenth-century Tese and the Tese delle Vergini.
La Biennale di Venezia dal 1999 sta portando avanti un grande interventodi recupero per consentire l'utilizzo ad uso espositivo di importanti edificinella parte monumentale dell'Arsenale di Venezia, il complesso di cantieri,officine e depositi da cui uscivano le flotte della Serenissima. Mostre edeventi oggi trovano accoglienza, oltre che alle Corderie, negli spazi delleArtiglierie, Gaggiandre, Isolotto, Tese cinquecentesche e Tese delle Vergini.
INFO:QUANDO:10 giugno > 21 novembre • 10.00 - 18.00
DOVE:Giardini (chiuso il lunedì - escluso lunedì 11 giugno 2007)Arsenale (chiuso il martedì - escluso martedì 12 giugno 2007)
QUANTO:Intero: € 15 - Ridotto(over 65 - militari - residenti Comune di Venezia): € 12Studenti universitari / Giovani under 26: € 8 Formula Family: € 35 (2 adulti + 2 under 14)Gruppo adulti: € 10 (min. 10 persone, prenotazione obbligatoria) Gruppo studenti: € 6 (min. 10 persone, prenotazione obbligatoria) Permanent pass: € 50Ingresso gratuito fino ai 6 anni e accompagnatori di invalidi
COME:- Giardini: Actv Linea 3 ogni 20' o linee Actv 1/41/42/51/52/61/62/82- Arsenale: Linee Actv 1/41/42
INFO:Ufficio Promozione PubblicoTel +39.041.5218828 - Fax +39.041.5218825 e-mail: [email protected]
Ufficio Stampa - Arti visiveTel. +39.041.5218846 Fax +39.041.2411407
Visite guidate e itinerari tematici min. 10 max. 25 persone, prenotazione obbligatoria, durata media 2 ore.Gruppi di adulti (biglietto d'ingresso non incluso)in italiano: 1 sede € 75 - 2 sedi € 120 - 2 sedi non consecutive € 150in lingua straniera: 1 sede € 85 - 2 sedi € 140 - 2 sedi non consecutive € 170
Gruppi di studenti (biglietto d'ingresso non incluso)in italiano: 1 sede € 65 - 2 sedi € 100 - 2 sedi non consecutive € 130in lingua straniera: 1 sede € 75 - 2 sedi € 120 - 2 sedi non consecutive € 150prenotazioni: call center +39 041 521 8828
SERVIZI IN MOSTRAGiardini - Bar, Ristorante, Bookshop Arsenale - Bar, Ristorante, Bookshop
WHEN:June 10 > November 21 •10 a.m. - 6 p.m.
WHERE:Giardini (closed Mondays - except Monday, June 11, 2007)Arsenale (closed Tuesdays - except Tuesday, June 12, 2007)
HOW MUCH: Full price: € 15 - Concession(over 65 - military - residents): € 12Students/Under 26s: € 8 Family ticket: € 35 (2 adults + 2 Under 14s) Adults group: € 10 (min. 10 persons, reservation obligatory) Students group: € 6 (min. 10 persons, reservation obligatory) Permanent pass: € 50Free entry (up to 6 years of age and those assisting disabled visitors)
HOW TO GET THERE:- Giardini: Actv Line 3 (every 20 mins.); also Actv Lines 1/41/42/51/52/61/62/82- Arsenale: Actv Lines 1/41/42
INFO:Promotion and BookingPh. +39.041.5218828 - Fax +39.041.5218825 e-mail: [email protected]
Press Office - Visual Arts SectionPh. +39.041.5218846 - Fax +39.041.2411407
Thematic / Educational itineraries min. 10 max 25 persons, reservation obligatory, average duration: 2 hoursAdult groups (entry ticket not included)in Italian: 1 venue € 75 - 2 venues € 120 - 2 non consecutive venues € 150in other languages: 1 venue € 85 - 2 venues € 140 - 2 non consecutive venues € 170
Student groups (entry ticket not included)in Italian: 1 venue € 65 - 2 venues € 100 - 2 non consecutive venues € 130in other languages: 1 venue € 75 - 2 venues € 120 - 2 non consecutive venues € 150reservations: call center +39.041.5218828
SERVICES IN THE EXHIBITION VENUESGiardini: Bar, Restaurant and BookshopArsenale: Bar, Restaurant and Bookshop
SERVIZI PER IL PUBBLICO VISITORS SERVICES
Hirst - Palazzo PapafavaEach of Damien Hirst’s exhibitions has now become an event in it self.This time, the exhibition area of Palazzo Pesaro Papafava will host 30works including prints, photos, sculptures and installations, as well asa new triptych. In New Religion Hirst’s analysis dwells once again onthe relation between life and death. He does it by addressing theissues of religion and medicine through recurrent symbols like crosses,skulls, chalices, doves that ambiguously mingle with pharmaceuticalsand surgical instruments, the latter of which are proper icons alreadyknown from previous works (pill paintings, Medical Cabinets,Pharmacy). In a series of sculptures, photographs and prints – in whichhe forges, in a provocative attitude, a new religion that blends scien-ce and Christological aesthetics – Hirst resorts to episodes and cha-racters from the New and Old Testament do give life to a new icono-graphy with works that look like medicines. Pills that become objectsof worship, surgical wounds depicted as stigmata. It is science that“materially” makes life longer by seducing man with the illusionistsearch for immortality, the end of pain and, in general, with the pro-mise of salvation that religion has always been promising.
Ogni mostra di Damien Hirst è ormai un evento in sé, in questo casonegli spazi di Palazzo Pesaro Papafava, saranno in esposizione, circa30 lavori, fra stampe, foto, sculture e installazioni, unitamente a untrittico inedito. In New Religion, l’analisi di Hirst si sofferma ancorauna volta sul rapporto tra vita e morte, affrontando il tema della reli-gione e della medicina attraverso una serie di simboli ricorrenti qualicroci, teschi, calici, colombe che si confondono ambiguamente confarmaci e strumenti chirurgici, questi ultimi, vere e proprie icone giànote nelle opere precedenti (pill paintings, Medical Cabinets,Pharmacy). Con una serie di sculture, fotografie e stampe in cui, nonsenza provocazione, plasma una nuova religione che mette insiemescienza ed estetica cristologica, Hirst prende come riferimento epi-sodi e personaggi del Nuovo e Vecchio Testamento per dare vita auna nuova iconografica attraverso opere che assumono le sembian-ze di medicinali. Fra pillole che diventano oggetti di culto e feritechirurgiche raffigurate come stigmate, è la scienza a prolungare“materialmente” la vita, seducendo l’uomo con l’illusoria ricerca diimmortalità, la fine del dolore e, in generale, quella promessa di sal-vezza che la religione promette da sempre.
Bertozzi & Casoni - Ca'PesaroWith Le Bugie dell’Arte (the lies of art) Bertozzi & Casoni reflect upon theprocess of deconstruction and negation of monumentality, both from thepoint of view of the object and the concept, constituting one of the constantsof contemporary artistic expressions. While denying monumentality and thepopular authoritative forms, they were affirming their own forms with aproud and authoritarian arrogance, just as it happens when one smiles andunconsciously shows also the teeth. These ambiguous double aspects unco-ver the unconscious lie of art: everything has to change if nothing is to chan-ge, thus asserting – paradoxically – a cyclical universality of the aestheticroute. The instruments and languages of this new monumentality belong toan inexhaustible and tested repertoire that is subject to a process of newappropriation, production and interpretation with an aim at giving it a newcontext in contemporaneity. Bertozzi & Casoni’s works, as usual in ceramic,well represent their repertoire and figurative imagery: objects, bits of nature,portrayal of animals, as well as art “icons” presented in the shape of discardsand waste or in bad condition. In the Ca’Pesaro exhibition, three imposinginstallations will entirely occupy the hall of the museum which will be usedby the artist to create a sort of unusual visual short circuit.
Con Le Bugie dell’Arte Bertozzi & Casoni si interrogano sul processo didecostruzione e negazione della monumentalità, oggettuale o concettuale,che costituisce una delle costanti delle espressioni artistiche contempora-nee. Mentre si nega la monumentalità e le forme autorevoli in voga, si lavo-ra per affermare le proprie con orgogliosa e autoritaria arroganza, comeavviene in chi sorride e inconsapevolmente mostra anche i denti. Questoambiguo doppio svela l’inconsapevole bugia dell’arte: bisogna che tuttocambi affinché nulla cambi, affermando così – paradossalmente– una cicli-ca universalità del percorso estetico. Gli strumenti e i linguaggi di questanuova monumentalità appartengono a un inesauribile e collaudato reper-torio che viene sottoposto a un processo di riappropriazione, riproduzionee reinterpretazione al fine di ricontestualizzarlo nella contemporaneità. Sitratta di lavori, come sempre per Bertozzi & Casoni in ceramica, che benrappresentano il loro repertorio e immaginario figurativo: oggetti d’uso, por-zioni di natura, rappresentazioni di animali tratti dalla realtà, oltre a fedeliriproposte di alcune “icone” dell’arte presentate preferibilmente sotto formadi scarti, rifiuti o in condizioni di degrado. Nella mostra di Ca’ Pesaro, tregigantesche installazioni occuperanno interamante l’atrio del museo di cuigli artisti si approprieranno per costruire un insolito corto circuito visivo.
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Un grande successo con oltre 400 pro-getti provenienti da ben 41 Paesi arappresentare tutti i continenti. Per la
prima volta nella storia di questa antica arte, ilConsorzio Promovetro ha voluto mettere incontatto la tradizione millenaria e unica deiprodotti in vetro realizzati nell’isola di Muranocon la creatività degli artisti di tutto il mondo elo ha fatto lanciando il concorso The Heart ofVenice. Ai 21 finalisti selezionati è stata offertal’opportunità di partecipare ad un workshop aMurano, della durata di 5 giorni, durante ilquale hanno potuto dar vita al proprio proget-to con la collaborazione di alcuni Maestri delVetro presso le aziende aderenti al Consorzio.La cerimonia di premiazione si è svolta il 3aprile nella splendida cornice del Casinò diVenezia che ha ospitato una serata di gala incui gli oggetti realizzati dai Maestri del Vetro,in collaborazione con i nuovi designer, sonostati messi a disposizione di tutti gli invitati chese li sono aggiudicati con una libera offerta. Ilricavato è stato poi devoluto in beneficenza alProgramma Alimentare Mondiale delle Na-zioni Unite. Al termine della serata quindi leopere sono finite nelle mani di coloro che sele sono aggiudicate ma l’ambizioso obiettivoè quello di poterle esporre nelle più impor-tanti sedi museali del mondo facendo inmodo che il concorso, oggi alla suaprima edizione, possa divenire unappuntamento costante di indagine econfronto con nuove idee di respirointernazionale, capace cioè di avvici-nare una tradizione millenaria e digrande valore ad un pubblico vastodi progettisti incuriositi e attirati daquesto mondo fatto di passione,vetro e cultura. Non ci resta che attenderela prossima edizione.
Agreat success with over 400 projectscoming from 41 countries to representall continents. For the first time in the
history of this ancient art, the ‘ConsorzioPromovetro’ wanted to bring into contact thecentury-long and unique tradition of the glassproducts created in the island of Murano withthe entire world’s creativity. It has done it bylaunching the competition The Heart ofVenice. Twenty one finalists have been offeredthe opportunity of participating in a 5 dayworkshop in Murano during which they havegiven life to their own projects, with the coope-ration of a number of Masters of Glass, in thecompanies taking part in the Consorzio. Theprize-giving ceremony took place on April 3 inthe superb scenery of the Venice Casino whichhosted the gala night. The objects, created bythe Masters of Glass with the cooperation of thenew designers, were displayed during this eve-ning. Guests had the opportunity of knockingthem down with a free offer, the proceeds ofwhich have been given to charity to the UnitedNations World Food Programme. At the end ofthe evening the objects ended up in the handsof those who “have won” them, yet the ambi-tious goal is that of having the opportunity toexhibit them in the most outstanding museumsof the world thus enabling the competition, cur-rently at its first edition, to become a constantappointment embracing new ideas of interna-tional call and able to bring a century-long tra-dition of great value closer to the wide public ofdesigners filled with curiosity and attracted tothis world made of passion, glass and culture.
History and innovationHEART of
VENICEStoria e innovazione
InchontroCecile Wick e Lars MullerFourth edition of the exhibition InCHontro presenting thephotographic work by the artist Cécil Wick and the edito-rial one by Lars Müller, both of them hosted at the‘Istituto Svizzero (Swiss institute) of Venice in 2005. Withher photographs Cécil Wicks, from Zurich, brings out theinfinite shadings of the sky above the Venice lagoon aswell as vegetable elements gleaming like stars in the dark.Specialized in publications on architecture, design andcontemporary art, Documents and objects exhibited ena-ble the visitor to view the process of the creation of theart book.
Quarto appuntamento della mostra InCHontro che presenta illavoro fotografico dell’artista Cécile Wick e quello editoriale diLars Müller, entrambi ospiti all’Istituto Svizzero di Venezia nel-l’anno 2005. Con le sue fotografie la zurighese Cécile Wick farisaltare le infinite sfumature del cielo sopra la laguna di Veneziaed anche elementi vegetali che scintillano come stelle nel buio.Lars Müller è titolare dell’omonima casa editrice Lars MüllerPublishers con sede a Baden/Svizzera. Specializzato in pubblica-zioni sull’architettura, il design e l’arte contemporanea, LarsMüller si è fatto conoscere anche a livello internazionale per viadelle sue edizioni molto curate. Documenti ed oggetti esposti inmostra permettono al visitatore di avere una visione del processodella creazione del libro d’arte.
The Port of ArtGianmaria PotenzaGianmaria Potenza exhibits at the Port of Venice with an enti-rely new formula. Fifteen sculptures of huge dimensions forgedwith the Master’s favourite material, copper, will dominate thedock of the palace and the Isonzo dock, whereas the smallersculptures will be on view on the first floor, in the Torcello hall.The exhibition is a homage to the great Venetian Master, to hisbond with the city and to his love for the immensity of the sea,the fervour of the ports and the complex architecture of theships. The refined search for materials, the absolute mastery inmoulding matter in Potenza’s works are clear signs of the arti-san’s skill and noble tradition combined with innovation andthe use of new techniques and languages.
Gianmaria Potenza espone al Porto di Venezia con una formuladel tutto innovativa. Sono 15 le sculture giganti forgiate nelmateriale prediletto del Maestro, il bronzo, che dominano labanchina del palazzo e la banchina Isonzo, mentre le sculturepiù piccole sono esposte al 1° piano, in Sala Torcello. La mostraè un omaggio al grande Maestro veneziano, al suo legame conla città e al suo amore per l’immensità del mare, il fervore deiporti, gli spazi complessi delle navi. La raffinata ricerca deimateriali, la padronanza assoluta della manipolazione dellamateria, manifestano nell’opera di Potenza l’abilità e la nobiletradizione dell’artigiano con l’innovazione e la sperimentazionedelle tecniche e dei linguaggi.
SPAZIO CULTURALE SVIZZEROPalazzo Trevisan degli Ulivi. Dorsoduro - Campo S.Agnese, 810 - ph. +39.041.5225996From June 1 to July 14Mondays - Fridays: 11am - 1pm • 3pm - 6pm. Saturdays: 2pm - 6pm. Free admission - Info: +39.041.2411810
Un’esposizione della Fondazione Svizzera per la cultura Pro Helvetia
PORTO PASSEGGERI DI VENEZIATerminal 103 - Veneziawww.potenzagianmaria.itFrom June 7 to September 30 - 9am - 6pmFree admission - Info: +39.041.5287266
Give me your heart
Toys
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shopping info
ACCESSORIES
COCCINELLEMercerie - San Marco, 4958map: F4 - ph. +39.041.2770658 Coccinelle is the brand that offerstoday’s woman the most suitablearray of coordinated accessories forevery occasion.
BORSALINOCalle del Lovo - San Marco, 4822map: F4 - ph. +39.041.2411945
SERMONETA GLOVESCalle XXII Marzo - S.Marco, 2400/amap: E5 - ph. +39.041.2777852 www.sermonetagloves.com
MANDARINA DUCKMercerie - San Marco, 193 map: F5 - ph. +39.041.5223325
EMPORIUM ALVIERO MARTINISan Marco, 670
COCCINELLEMercerie - San Marco, 4958map: F4 - ph. +39.041.2770658
Coccinelle is the brand that offerstoday’s woman the most suitablearray of coordinated accessories forevery occasion.
GLASS ART
BERENGO FINE ARTSFondamenta dei Vetrai, 109/a - Muranomap: F5 - ph. +39.041.739453
FORMIAFondamenta Vetrai, 138 - Murano map: L2 - ph. +39.041.739285
SEGUSO VIRO GALLERYF.ta Venier, 29 - Muranomap: L2 - ph. +39.041.5275353
Exhibition of contemporary glass art,unique and limited editions.
FRATELLI BARBINI GLASS MIRRORFondamenta Serenella, 36 - Muranomap: L2 - ph. +39.041.739777
LINEA VETRO DI SIMONE CENEDESEFondamenta Vetrai, 68 - Muranomap: L3 - ph. +39.041.5274455
On show the new collection “Evoluzione”designed and realized by SimoneCenedese.
MA.RECalle XXII Marzo - S.Marco, 2088 map: E5 - ph. +39.041.5231191
The Renato Manzoni’s gallery featuresunique masterworks by the most impor-tant murano masters.
DOMUS VETRI D’ARTEFondamenta Vetrai, 82 - Muranomap: L2 - ph. +39.041.739215 Located along the main walk
Fondamenta Vetrai the shop also fea-tures wonderful pieces by SegusoViroand Alfredo Barbini.
SALVIATIFrezzeria - S.Marco, 1586-1588 map: F5 - ph. +39.041.2412687
VENINI Piazza San Marco, 314map: F5 - ph. +39.041.5224045
VETRERIA ARTISTICA SCHIAVONFond.ta Vetrai, 7 - Muranomap: L3 - ph. +39.041.739396
MANIN 56Fond.ta Manin, 56 - Muranomap: L2 - ph. +39.041.5275392
In our shop, facing “Rio dei Vetrai”,the business centre of Murano, youwill find crystal tableware, glassobjects and trinkets of first-classmake: Salviati, Vivarini, Manin.
BARBALICHSan Marco, 4800/bmap: F4 - ph. +39.041.5228183
One minute walk from Rialto bridge.You will find creations by the mostrenowned glass masters.
CLAUDIO TIOZZO GLASS STUDIORiva Longa, 23 - Muranomap: L2 - ph. +39.041.736710
“Number One”, sculpture created byClaudio Tiozzo, a young glass master.
GALLERIA REGINA Riva Longa, 25/a - Muranomap: L2 - ph. +39.041.739202
In the premises you can admire worksby renowned glass masters andfamous painters.
NASONMORETTI STORE Fondamenta Manin, 52 - Murano
Opening hours: 10 a.m. - 7.30 p.m.The listing proposes a directory ofthe best and original stores, organi-zed in product categories.It is a complete list, edited by theVM staff, able to satisfy all yourrequirements.
I negozi sono aperti dalle 10 a.m. alle7.30 p.m. Segue una selezione deimigliori e particolari esercizi com-merciali divisi per categoria mer-ceologica. Una vasta panoramica ingrado di rispondere a qualsiasi esi-genza: il tutto garantito da VM.
map: F5 - ph. +39.041.5235911
ACCESSORIZE SHOPMercerie del Capitello - S.Marco, 4944map: F4 - ph. +39.041.7241113
Step out in style with Accessorize:applique bags, chunky jewellery andall that you need in terms of fashionaccessories. Perfect also as gift ideas!
FERRARI STORESan Marco, 783 map: F5 - ph. +39.041.5225718
SHOPPINGguideAccessoriesAntiquesJeweller’s shopsBoutiques & GriffesHandicraftFoot wear
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only in - VeneziaCalle XXII Marzo 2400/Atel./fax 39 041 2777852
RomaPiazza di Spagna 61
tel. 39 06 6791960fax. 39 06 6797167
Fiumicino Airport Terminal Btel./fax 39 06 65953933
Milanovia della Spiga 46
tel. 39 02 76318303fax. 39 02 76318993
New York609, Madison Avenue
ph. 1 212 3195946www.sermonetagloves.com
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map: L3 - ph. +39.041.5274866
RO&RORiva Lunga, 11 - Murano map: L2 - ph. +39.041.5274076
The master Davide Fuin realizes stunningreproductions of fine antique glass. Ro &Ro is the nearest direct shop recently ope-ned in Murano in which you will find thewhole range of unique and precious crea-tions now much sought-after in the worldglass market.
DAVIDE PENSORiva Lunga, 48 - Murano map: L2 - ph. +39.041.5274634
Jewelry designer, glass beadmaker inMurano.
ANTIQUES
ANTICHITA’ CESANACalle XXII Marzo - S.Marco, 2070map: E5 - ph. +39.041.5227789
LE ZOIECalle dei Boteri - S.Polo, 1566map: E4 - ph. +39.041.2758694
In the atelier 'Le Zoie' you feel a reallove for art and beautiful things.Passionate antiques collector, MicheleDal Bon, offers a wide choice ofjewellery, watches, icon paintings andantique silver.
GIOIELLERIA CODOGNATOSan Marco, 1295 map: F5 - ph. +39.041.5225042
LUISA SEMENZATOS.Marco, 732map. F5 – ph. +39.041.5231412
DELLA TOFFOLAS.Marco, 1567map. F5 – ph. +39.041.5227814
GRAFICA ANTICAS.Marco, 2089map: E5 – ph. +39.041.5227199
BOOKS & MUSIC
LIBRERIA FILIPPICasselleria - Castello, 5284map: F4 - ph. +39.041.5235635
Thematic bookshop: History, Cultureand Traditions of Venice.
LIBRERIA MONDADORISan Marco, 1345map: F5 - ph. +39.041.5222193
SANSOVINOPiazza San Marco, 84 map: F5 - ph. +39.041.5222623
VIVALDI STOREF. dei Tedeschi - S. Marco, 5537/40map: F4 - ph. +39.041.5221343
CLOTHING
AL DUCA D'AOSTA Mercerie - S. Marco, 4945/46map: F5 - ph. +39.041.5220733
BLACK WATCHCalle del Forno - San Marco, 4594map: E5 - ph. +39.041.5231945
CAMICERIA S. MARCO Calle Vallaresso - S. Marco, 1340map: F5 - ph. +39.041.5221432
CERIELLO Campo SS.Filippo e Giacomo, 4275map: G5 - ph. +39.041.5222062
LA COUPOLE MANCalle XXII Marzo - S.Marco, 2366map: E5 - ph. +39.041.5224243
LA COUPOLE WOMANCalle XXII Marzo - S.Marco, 2414map: E5 - ph. +39.041.2960555
LA COUPOLE BABYCalle XXII Marzo - S.Marco, 2254map: E5 - ph. +39.041.5231273
HIBISCUSCalle de l’Ogio - San Polo, 1060map: E4 - ph. +39.041.5208989
Offering you innovative and colour-ful womens wear; hand-made jewel-lery, scarves, bags and many “one-off” pieces.
LA TOURCalle Larga S. Marco, 287map: F5 - ph. +39.041.5225147
MARLY’SSan Marco, 1321SH
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LORO PIANAC. de l’Ascension - S. Marco, 1257/Amap: F5 - ph. +39.041.5222573
MISSONI SPORTS.Marco, 4918map. E5 – ph. +39.041.2771632
PIGNATONS.Marco, 80map. F5 – ph. +39.041.5224378
EMILIO PUCCIS.Marco, 1318map. F5 – ph. +39.041.5205733
ZETA SPORTS.Marco, 4668map. E5 – ph. +39.041.5220718
AS YOU LIKE VINTAGE BOUTIQUECannaregio, 5671 map: F4 - ph. +39.041.5209232 You can't buy style! Original one of a kindpieces to create your retrò look.
MARINA RINALDISan Marco, 266 map. F5 – ph. +39.041.2770064
PROMODCampo San Bortolomio - San Marco map. F4 – ph. +39.041.961744
FIORELLA GALLERYCampo S. Stefano - S. Marco, 2806map: E5 - ph. +39.041.5209228
Alternative Fashion: clothes, accesso-ries and works definitely alternative.
MALIPARMIS.Marco, 4600/Amap. E5 - ph. +39.0415285608
JEWELLERS
BULGARICalle XXII Marzo - S. Marco, 2282map: E5 - ph. +39.041.2410553
DAMIANISalizada S. Moisè - S. Marco, 1494map: F5 - ph. +39.041.2770661
TOKATZIANPiazza San Marco, 18map: F5 - ph. +39.041.5233821
GIANMARIA BUCCELLATIMercerie - San Marcomap: F5 - ph. +39.041.5226540
POMELLATOSan Marco, 1298map: F5 - ph. +39.041.5201048
SALVADORI
Mercerie - San Marco, 5022map: F4 - ph. +39.041.5230609
VISCONTI ORLANDINIS.Marco, 60map F5 - ph. +39.041.5206433
CARTIERCampo S.Zulian - S. Marco, 606map: F5 - ph. +39.041.5222071
FREY WILLES.Marco, 53Map. F5 – ph. +39.041.5200807
SPORTS & LEISURE
SERGIO TACCHINICannaregio, 3942map: F3 - ph. +39.041.2770601ITALO SPORTS. Marco, 4254map: E5 - ph. +39.041.5200696
EYEWEAR
MICROMEGA OTTICASan Marco, 2436map: E5 - ph. +39.041.2960765
OTTICA MANTOVANISan Marco, 4860map: F4 - ph. +39.041.5223427
The oldest optic shop in the cityexclusive dealer for Theo and IDC.Prescription glasses ready in 30minutes.
HANDICRAFTS
VENETIA STUDIUMCalle XXII Marzo - S. Marco, 2403map: E5 - ph. +39.041.5236953
An extraordinary collection comingfrom the artistic partimony left byFortuny.
LA PERLA LACESVia Galuppi, 287 BuranoPh. +39.041.730009
Walking through the main streetyou can find our three shops“LA PERLA” where you canadmire the whole exhibition oforiginal handmade laces andmuch more...
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GaneshaRuga Rialto • San Polo 1044 • Venice 30125 • Italy
tel/fax 0039 041 5225148 • e-mail: [email protected]
Exclusively designed jewels, handcrafted with an array ofprecious gems, exotic and unique “Ganesha” an unforgettableexperience!
Come and visit us at RIALTO heart of the Venetian Venice...
GENNINGER STUDIODorsoduro, 2793/Amap. D5 – ph. +39.041.5225565
TRAGICOMICA MASKS & COSTUMESCalle dei Nomboli - S. Polo, 2800map: D4 - ph. +39.041.721102 www.tragicomica.it
Wide and colourful collection ofVenetian masks.
LA BOTTEGA DEI MASCARERISan Polo, 80map: E4 - ph. +39.041.5223857
ATELIER MAREGA
F.ta dell’Osmarin - Castello, 4968map: G5 - ph. +39.041.5223036C.po S. Rocco - San Polo, 3045/3046 map: D4 - ph. +39.041.5221634San Tomà - San Polo, 2940/bmap: D4 - ph. +39.041.717966
IL MERCANTE DI VENEZIACannaregio, 2223map: E3 - ph. +39.041.716084
PAOLO OLBICalle d. Mandola - S. Marco, 3653map: E5 - ph. +39.041.5285025
BOUTIQUE - GRIFFE
ARMANI JEANSCalle Goldoni - S. Marco, 4485map: E5 - ph. +39.041.5236948
AGNONASan Marco, 1316map: F5 - ph. +39.041.5205733
BLUMARINECalle XXII Marzo - S.Marco, 2031map: E5 - ph. +39.041.5232754
BRUNO MAGLIFrezzeria - S. Marco, 1583/85map: F5 - ph. +39.041.5223472
BRUNO MAGLIS. Marco, 1302map: F5 - ph. +39.041.5227210
CALVIN KLEIN JEANSCalle Goldoni - San Marco, 4599map: E5 - ph. +39.041.5202164
DIESEL STORE
Salizada Pio X - San Marco, 5315/6map: F4 - ph. +39.041.2411937
REPLAY STORESan Marco, 4856/7map: F4 - ph. +39.041.2411936
ROBERTA DI CAMERINO BOUTIQUEPiazza San Marco, 127map: F5 - ph. +39.041.5210117
ROBERTA DI CAMERINO ATELIERCannaregio, 6359/Emap: F3 - ph. +39.041.2410440
CHANEL BOUTIQUESan Marco, 1254/Amap: F5 - ph. +39.041.5221851
CELINECalle Vallaresso, 1307map: F5 - ph. +39.041.5205733
DOLCE & GABBANA Mercerie - San Marco, 223/226map: F5 - ph. +39.041.5287933
EMPORIO ARMANICalle dei Fabbri - S. Marco, 989map: F5 - ph. +39.041.5237808
FENDIS. Marco, 1474map: F5 - ph. +39.041.2778532
GIORGIO ARMANICalle Goldoni - S. Marco, 4412map: E5 - ph. +39.041.5234758
GUCCIMercerie - San Marco, 258map: F5 - ph. +39.041.5229119
HENRY COTTON’SCampo S. Luca - S. Marco, 4574map: E5 - ph. +39.041.5228485
HERMESProcuratie Vecchie - S. Marco, 127map: F5 - ph. +39.041.5210117
LACOSTEMercerie - San Marco, 218map: F5 - ph. +39.041.5237678
LOUIS VUITTONC. L. de l’Ascension - S.Marco, 1255map: F5 - ph. +39.041.5224500
LUISA SPAGNOLIMercerie - San Marco, 741map: F5 - ph. +39.041.5237728
MALO C. delle Ostreghe - S. Marco, 2359map: E5 - ph. +39.041.5232162
MAX MARAMercerie - San Marco, 268map: F5 - ph. +39.041.5226688
MAX & COMercerie - San Marco, 5028map: F4 - ph. +39.041.5230817
MISSONICalle Vallaresso - S. Marco, 1312/Nmap: F5 - ph. +39.041.5205733
PAL ZILERIMercerie - San Marco, 4928map: F5 - ph. +39.041.5229020
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PRADA STORECampo S. Moisè - S. Marco, 1469map: F5 - ph. +39.041.5283966
ROBERTO CAVALLICalle Vallaresso - S. Marco, 1316 map: F5 - ph. +39.041.5205733
SALVATORE FERRAGAMOCalle XXII Marzo - S. Marco, 2098map: E5 - ph. +39.041.2778509
TRUSSARDI UOMO DONNASpadaria - San Marco, 695map: F5 - ph. +39.041.5285757
VALENTINOCorte Foscara - S. Marco, 1473map: F5 - ph. +39.041.5205733
ERMENEGILDO ZEGNABocca di Piazza, S.Marco, 1241map: F5 - ph. +39.041.5221204
ERMENEGILDO ZEGNA BOUTIQUEC/O THE WESTIN EXCELSIORLungomare Marconi, 41 - Lidoph. +39.041.2769385
BOTTEGA VENETASan Marco, 1337map: E5 - ph. +39.041.5228489
ETROSan Marco, 1349map: E5 - ph. +39.041.5221785
ERMANNO SCERVINOMercerie - San Marco, 4918map: F5
BALLYSan Marco, 4919map: F5 - ph. +39.041.5285839
VERSACESan Marco, 1462map: E5 - ph. +39.041.5200057
D&GSan Marco, 712map: E5 - ph. +39.041.2950502
LINGERIE
PUNTO INTIMOSan Lio - Castello, 5790map: F4 - ph. +39.041.5209640
Close to the church of S.MariaFormosa, Punto Intimo boutiquefeatures, for a selected clientelebathing suites, underwear alsofor differentiated cups.
LA PERLAS. Salvador - S. Marco, 4828map: G5 - ph. +39.041.5226459
JADE MARTINEFrezzeria - San Marco, 1645map: F5 - ph. +39.041.5212892
HOME WARE
FRETTECalle XXII Marzo - S. Marco, 2070/Amap: E5 - ph. +39.041.5224914
RUBELLISan Marco, 3877map: E5 - ph. +39.041.5236110
T.S.L.San Marco, 2666map: D2 - ph. +39.041.718524
CA’NOVAS.Marco, 4601map: F4 – ph. +39.041.5203834
FOOT WEAR
FOOT LOCKERMercerie - San Marco, 4944map: F4 - ph. +39.041.5220803
POLLINIMercerie - San Marco, 186map: F5 - ph. +39.041.5237480
TIMBERLANDCalle dei Fuseri - S. Marco, 4336map: F4 - ph. +39.041.5231827
TOD'S CALZATURECalle XXII Marzo - S. Marco, 2251map: E5 - ph. +39.041.5206603
BATA SHOESMercerie - S.Marco, 4979/amap: F4 - ph. +39.041.5929766Fashionable shoes, clothing andaccessories for men and women.Five minutes walk from Rialtobridge.
BATA SHOESSaliz. S.G. Grisostomo - Cannaregio, 5737map: F4 - ph. +39.041.5206451An amazing restyling for the Batastore which has reopened lastFebruary.
FRATELLI ROSSETTIS. Marco, 1477map. F5 – ph. +39.041.5220819
F.LLI ROSSETTICalle Larga Mazzini - S. Marco, 4800map: F4 - ph. +39.041.5230571
GEOX SHOP San Marco, 4943map: F5 - ph. +39.041.2413182
LA PARIGINAMercerie - S. Marco, 727map: F5 - ph. +39.041.5226743
CALZATURE BALLIN Cannaregio, 5758map: F4 - ph. +39.041.5224399
SERGIO ROSSIS.Marco, 705
Riva lunga, 11 Murano - Veneziaph. [email protected] - www.ro-e-ro.com
RO e ROdi Barbini R.e Zanetti M.R.ro
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offering you innovativeand colourful women’swear, handmade jewellery,scarves, bags and manyunique items.
Venezia - S.Polo 1060ruga Rialto, near Rialto bridgeph. +39.041.5208989
Open non stop 7 days a week9.30am - 7.30pm
map. E5 – ph. +39.041.2413615
CHILDREN’S SHOPS
DISNEY STOREC.po S.Bartolomeo - S. Marco, 5267map: F4 - ph. +39.041.5223366
MAMMOLOSan Marco, 4461map: F5 - ph. +39.041.5226328
AL GIROTONDO KIDS FASHIONViale S. M. Elisabetta, 6/c - Lidoph. +39.041.5260944
Plenty of fine clothes for coolkids (0 - 16 years old). This shopfeatures many top brands like:Polo Ralph Lauren, Jeckerson,North Sail, Moncler, Liu jo,Peuterrey, Diesel, D&G Junior, IlGufo, CK Jeans.
GOURMET FOOD
CIPRIANI FOODCampo dell’Erbariamap: E4 - ph. +39.041.2770948
Amongst the ancient warehouses atRialto, Cipriani has opened a preciousboutique of the world renoun Ciprianiflavors where one may purchase pastas,sauces, mythical sweets including theunparallel, famous chocolate cake andmuch more.
PALMISANO CARMELINABurano - Via Galuppi, 355 ph. +39.041.730010
A temple of bakery, choosebetween the Burano’s worldwidebiscuit specialities ‘busolà’ and‘zaeti’ also available in all majorvenetian food-stores.
RIZZO FOODSan Marco, 993/amap: F5 - ph. +39.041.5223388
LA CAFFETTERIA CAFFÈ DEL DOGEmap: E4 - C.lle dei Cinque-S.Polo, 608 ph. +39.041.5227787
From the Lagoon to the Doge ofVenice, going through the Orient toreach scents, aromas and deeptastes of the mother earth.Available in all Caffè del Doge’scoffee shops.
I TRE MERCANTImap: F5- C.po della Guerra - Castello, 5364 ph. +39.041.5222901
" I Tre Mercanti, it starts from thisprestigiouis food gallery a journeyamong the taste and the pleasureof the Italian kitchen. A fewmetres from St.Mark, to discoverthe top of of the italian food andwine”.
WINE SHOPS
MILLEVINImap: F4 - S. Marco, 5362 ph. +39.041.5206090 - Closed Sundays
Wide selection of Italian andFrench wines right in the heart ofthe city.
VINO E VINI map: G5 - Castello, 3299 ph. +39.041.5210184 - Closed Sundays
VINI DAI FRADEImap: E5 - San Marco, 3722 ph. +39.041.2413632 - Closed Sundays
VINO VINOmap: E5 - San Marco, 2007 ph. +39.041.2417688 - Closed Sundays
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ULTIMATEshopping
ORIGINAL IDEAS FOR YOURSHOPPING.
IDEE ORIGINALI PER IL VOSTROSHOPPING.
1|MORENO CEDRONI MARMALADESSpecialities created by a famous italian Chef. Unusualmarmalades and jams for high cuisine couplings.I 3 MERCANTICampo della Guerra 5364, Castello - Venezia
2|FOGLIA 0818kt golden frame, hand-made milling and colou-ring of the lenses edge.MICROMEGA OTTICA S.M. del Giglio 2436, S. Marco - Venezia
3|SPHINX COLLECTION SUMMER 2007Multicolor bangles for her.FREY WILLEPiazza San Marco - San Marco, 53 - Venezia
1 2 3
4 5
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4| MINIBAG “COOKY”White veal leather with velvet bajadera strap.ROBERTA DI CAMERINOPiazza San Marco,127 - Venezia
5|THE FLAVOURS OF HARRY’S BARSome home products that made Cipriani dishesfamous all over the world.CIPRIANI FOODCampo dell’Erbaria - Venezia
6|CARTIER 18KT GOLDRare vintage tank watch with deployant buckle 1920 ca.ATELIER LE ZOIECalle dei Boteri, 1566 - San Polo - Venezia
7|SHE’S SOThe ultimate summer 2007 collection.HIBISCUSCalle de l’Ogio, 1060 - San Polo - Venezia
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Traditional Cuisine International CuisineBacari & HostariePizzerieCoffee & Pastries
La guida per i buongustai: una accu-rata selezione, proposta dalla redazio-ne di VM, dei più originali e apprezzatiristoranti, bacari, pizzerie ed enotechedell’isola. Ogni scheda è corredatadalle informazioni utili a una sceltaazzeccata.
DININGCITY LISTING
Cucina Tradizionale Cucina InternazionaleBacari & HostariePizzerieCaffé & Pasticcerie
A list, edited by the VM staff, of sugge-stions for gourmets: a careful selectionof original and best appreciatedrestaurants, bacari, pizzerias and winebars in town. Each listing gives usefulinformation for an appropriate choice.
Chef Giovanni Ciresa offers an originalcuisine based on international cookingenriched by local Mediterranean tradi-tions, always considering the use of rawmaterials and the refinement of the ingre-dients in season.
GRAND CANAL RESTAURANTHotel Monaco & Grand Canalmap: E6 - S. Marco, 1332ph. +39.041.5200211
A great cuisine made of Venetian andtraditional dishes, in a warm and char-ming setting with a breathtaking view.
A LA VECIA CAVANAmap: F3 - Rio Terà SS.Apostoli, 4264 ph. +39.041.5287106 - Closed MondaysHistorical restaurant located five minu-tes walk from Rialto bridge. Guests willsample a classy venetian and typicalcuisine. Amazing wine and spirits list.
GARDEN BARBauer Palladio Hotel & Spamap: F7 - Giudecca Island, 33 ph. +39.041.5207022 - Open dailyThe recently opened Bauer PalladioHotel & Spa offers a charmingGarden Bar in an authentic styledPalazzo from 1500 designed byAndrea Palladio. Guests can enjoycocktails & drinks in a relaxing atmo-sphere in- or outdoor.
TERRAZZA DANIELI RESTAURANTHotel Danielimap G5 - S. Marco, 4196ph. +39.041.5226480
TRADITIONAL CUISINE
RISTORANTE CANOVALuna Hotel Baglionimap: F5 - San Marco, 1243 ph. +39.041.5289840
The award winning “Canova Restaurant”is inviting you to experience its exquisitecuisine in a most sumptuous surroundingand impeccable service. Dining at theCanova sets the mood for an unforgetta-ble evening rich of pleasure and romance.
RISTORANTE CA’ DEI FRATIHotel San ClementeSan Clemente islandph. +39.041.2445001
Exquisite delicacies of a classy cuisine.A dream to experience in the privacyof its luxury surroundings. Ten minutesby boat from St. Mark square.
DE PISISBauer Hotelmap: F5 - S. Marco, 1459 ph. +39.041.5207022 - Open daily
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A cosy and welcoming atmosphere, an elegant environment, a high-level menu and a prestigious cellar in a place rich in history and tra-dition. Those are just some of the ingredients which make “A la veciaCavana” one of the most famous and well-known restaurants inVenice. It was built on an ancient boathouse - or ‘cavana’ in Italian.The brothers Massimiliano, Gianfranco and Giuseppe Garbin,known in the city for their decennial experience - they are also ownersof the two renowned ‘osterias’ Alla Patatina and Antica osteria alPantalon - have created an elegant welcoming restaurant offeringhigh-quality products. The ‘Pesce al crudo’ - particular dish made ofraw fish - and the home-made pasta are the Garbin’s brothers specia-lities, they also creates desserts and decorates dishes with fresh seaso-nal products only.
L’atmosfera calda, accogliente. Un ambiente ricercato, un menù dilivello e una cantina prestigiosa in un luogo ricco di storia e tradizio-ne. Sono solo alcuni ingredienti che fanno de “A la Vecia Cavana”uno dei ristoranti più rinomati e conosciuti a Venezia. Ricavato da unantico ricovero di barche (una “cavana”, appunto) di cui restanoancora indelebili i segni, i fratelli Massimiliano, Gianfranco eGiuseppe Garbin, conosciuti in città per la decennale esperienzanella ristorazione (loro anche altre due rinomate, tipiche “osterie”:Alla Patatina e Antica osteria al Pantalon) sono riusciti a creare unristorante raffinato nei prodotti e nell’ospitalità. Il pesce al crudo, diassoluta freschezza, e la pasta rigorosamente fatta in casa sono le spe-cialità dei fratelli Garbin, che preparano anche i dolci e le composi-zioni dei piatti seguendo l’orologio delle stagioni.
RISTORANTE A LA VECIA CAVANA - Rio Terà SS. Apostoli, 4624
Dining guide RestaurantsBacariPizzeriePastry-shops& the City Listing
RistoranteRistorante
DO LEONIDO LEONIHOTEL LONDRA PALACE
Riva degli Schiavoni, 4171 - ph. + 39.041.5200533 - fax. [email protected] - www.hotelondra.it
A refined, innovative Venetianand Veneto cuisine awaits youin the sleek, elegant decor ofthe Do Leoni Restaurant, withits incomparable view of theBasin of St. Mark.
In un nuovo décor di raffinataeleganza e nel contesto delBacino di San Marco, il risto-rante Do Leoni propone unmenù selezionato anche di spe-cialità veneziane.
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A traditionalVenetian cuisine in thehistorical centre of thecity. A shortstroll away fromthe railway station.
La tradizionedella buonacucina nelcuore dellacittà storica.A 5 minutidalla stazioneferroviaria.
Cannaregio, 307 Campo San Geremia - 30121 Veneziatel. 041.716968 fax 041.711019 www.albrindisi.it [email protected]
Famiglia Rossi dal 1907
THE RECIPETIMBALE WITH GARDEN VEGETABLES
Ingredients for four people:
280 grams rise of the “vialone nano” typewhite asparagus from Giare a handful peas, 2 courgettes, 2 carrots1 artichoke heart, 1 white onion 1 a piece of yellow pepper, white wine 1 litres of vegetal or chicken broth1 knob of butter, Grana Padano cheese
TIMBALLO DELL’ORTOLANO Ingredienti per quattro persone:
280 grammi di riso violone nanoasparagi bianchi di Giare
una manciata di piselli2 zucchine, 2 carote
1 fondo di carciofo, 1 cipolla bianca1 pezzo di peperone giallo
1 litro di brodo vegetale 1 noce di burro, Grana Padano, vino bianco
LA RICETTA
ASPARAGIDelizie legate a mazzi
Delicacies in bunchesASPARAGUS
Wash and chop the vegetables. Cook the carrots,peas and courgettes in a frying-pan with a bit ofbutter and do the same with the rest of the vege-tables in another pan. In the mean time fry thechopped onions in a casserole without browningthem. Add some wine and let it evaporate. Thenadd the rise, salt it and cook it by continuouslyadding boiling broth bit by bit. When the rise isalmost done add the previously cooked vegeta-bles. Cream with the grated Grana Padano. Turnthe cooker off and stir the rise with a knob of but-ter. Serve after a few minutes.
Mondare, lavare le verdure e tagliarle a pezzetti-ni. Farle cuocere in una padella con poco burro,ciascuna separatamente, mettendo insieme solocarote, piselli e zucchine. Intanto far rosolare inuna casseruola la cipolla tritata, senza farleprendere colore. Bagnare con vino, farlo evapo-rare. Posare il riso, salarlo e portarlo a cotturatenendolo sempre bagnato con il brodo moltocaldo. Quasi a fine cottura inserire le verdure giàcotte e il Grana Padano grattugiato. Mantecarecon una noce di burro a fuoco spento e serviredopo qualche minuto.
Serenissimi Sapori
Sulla tavola torna l’asparago. La sua è una storia assai lungache si può far risalire alla terra d'Oriente dove nasceva spon-taneo e selvatico. Ebbe origine nelle zone temperate
dell'Asia (probabilmente in Mesopotamia), e in breve tempo funoto agli Egizi (che fra l'altro lo ponevano fra i doni che accom-pagnavano Nefertiti nel regno delle ombre), ai Greci (che gli attri-buivano proprietà afrodisiache) e ai Latini. Da sempre osannatocome una vera prelibatezza, in Italia l'asparago è pianta molto dif-fusa. Le coltivazioni più pregiate sono quelle del Veneto (i terrenisabbiosi del Chioggiotto e del Bassanese dettan legge), dell'EmiliaRomagna e del Piemonte. Il periodo di raccolta comincia verso lafine di marzo per continuare fino a tutto giugno. Vanno pulitiassai bene, raschiando accuratamente i gambi dai residui di terrae spuntandoli leggermente. Per la cottura è adatta una pentola altae stretta in cui gli asparagi vanno collocati in mazzo e con le punterivolte verso l'alto, emergenti dall'acqua per una decina di centi-metri. Lessati, gli asparagi sono apprezzati sia come antipasto siacome contorno, ma anche come piatto unico. Si può accompa-gnarli con salse calde e fredde o con uova sode, al burro o stra-pazzate; passarli nel burro e servirli - caldissimi e ben sgocciolati -con una spolverata di parmigiano grattugiato, oppure coprirli conuna buona besciamella e farli gratinare nel forno.
Asparagus reappears on the table. You can trace aspara-gus back to the Eastern Orient where it grew in thewild. Originally from Asia (most probably Meso-
potamia) it was soon introduced to the Egyptians ( who evenput some in the tomb of Queen Nefertiti), to the Greeks (whoheld it in high esteem for its aphrodisiac powers) and to theRomans. For a long time asparagus has been a delicacy inItalian cuisine, widely used. The areas most highly esteemedfor its growth are those in the Veneto (Chiogga and Bassanodel Grappa), Emilia Romagna and from Piemonte. The harvesting starts at the end of March and continuesthrough all of June. Clean well, scraping carefully away all the earthy residuefrom the stems and then trim them gently. A tall saucepan isideal in which to cook it, placing the asparagus tips pointingupwards and about 10cm out of the water. Boiled, asparagusis delicious as an “antipasto”, as a vegetable side dish or sim-ply as a meal in itself. It can be served with with hot or coldsauces, egg, either boiled or scrambled, or a little butter, hotand dripping with a dusting of grated parmesan.Alternatively cover the asparagus with a good white sauceand grill in the oven.
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CENTRALE RESTAURANT LOUNGEmap F5 - S. Marco, 1659/bph. +39.041.2960664
DO' FORNImap: F5 - S. Marco, 457ph. +39.041.5232148 - Open daily
RISTORANTE DO LEONIHotel Londra Palacemap G5 - S. Marco, 4171ph. +39.041.5200533
“A refined, innovative Venetian andVeneto cuisine awaits you in the sleek,elegant decor of the Do Leoni Restaurant,with its incomparable view of the Basin ofSt. Mark and the Island of San Giorgio.”
CLUB DEL DOGEHotel Gritti Palacemap E6 - S. Marco, 2467ph. +39.041.794611
RISTORANTE AL BRINDISImap: D2 - Cannaregio, 307 ph. +39.041.716968 - Open daily
Traditional Venetian cuisine right in thehistorical centre of the city, facing thelovely campo S.Geremia. Easy reachablein five minutes walk from the station.
HARRY’S DOLCImap E7- Giudecca, 773ph. +39.041.5224884Open from March to October
LOCAL CUISINE
BISTROT DE VENISEmap: F5 - S.Marco, 4685 ph. +39.041.5236651 - Open daily
The Restaurant-wine bar offers itspatrons carefully recreated ancientrecipes from the last six centuries ofVenetian cuisine and Venetian folkcuisine and a highly-selective wine
list. Open for late night dinner ordrinks only.
TAVERNA CAMPIELLO DEL REMERmap: F4 - Cannaregio, 5701 ph. +39.349.3365168 - Open daily
CARPACCIOmap: G5 - Castello, 4088/4089 ph. +39.041.5289615 - Open daily
The restaurant is located just 10minutes of lovely walk fo l -lowing the waterfront Riva degliSchiavoni.
RISTORANTE AGLI ALBORETTImap: D6 - Dorsoduro, 882ph. +39.041.5230058The awarded chef PierluigiLovisa prepares traditional andinnovative dishes combiningcolours and flavours to pleasethe eye and the taste.
LINEADOMBRAmap: F7 - Dorsoduro, 19ph. +39.041.2411881 - Open dailyLocated by the Giudecca canalclose to the Salute Church.Probably the most enchantingview by the water. This restaurant-bar offers venetian fish specialitieslike the tuna tartare or the “bran-zino al sale”. Italian and Frenchwine list.
LA PISCINAmap: D6 - Dorsoduro, 780-782 ph. +39.041.2413889 - Closed Mondays
Magic place with magnificent viewover the Giudecca canal. Tea roomwith home made buiscuits and cakes.Freshly prepared snacks, sandwiches,salads and fruit options. This intimaterestaurant offers simple and traditio-nal mediterranean cuisine.
ANTICHE CARAMPANEmap: D4 - Rio terà Carampane 1911 ph. +39.041.5240165Closed on Sun. afternoon and Mon.
Warm and intimate “trattoria”, the enti-cing menu is based on classic cuisineblend to create a truly memorabledining experience. The restaurant’s gra-cious outdoor terrace provides theopportunity to dine under the starswhen weather permits.
AL GATTO NERO Burano, Fond.ta Giudecca 88ph. +39.041.730120 - Closed MondaysThe owner and chef Ruggiero will pre-pare the fresh local fish according tothe oldest traditions.
AL TRONO DI ATTILA Torcello, Via Borgognoni 7/a ph. +39.041.730094 - Open daily
TRATTORIA DA ROMANO Burano, Via Galuppi 221 ph. +39.041.730030 - Open daily
AI PIANTALEONI map: L2 - F.ta Riva Longa, 25 - Muranoph. +39.041.736794 - Open daily
RISTORANTE DA TANDUOmap: L2 - F.ta Manin, 67/68 - Murano ph. +39.041.739310 - Closed tuesdays
Located along the main walk, this cosyplace’s cuisine is based upon Venetianrecipes with an original touch.
TRATTORIA DA LELEmap: L2 - C.po S.Stefano, 3 - Murano ph. +39.041.739662 - Open daily
TAVERNA S.LIOmap: F4 - Castello, Saliz. San Lio, 5547ph. +39.041.2770669Closed Thursdays
VILLA MABAPA RESTAURANT Lido, Riviera San Nicolò, 16 ph. +39.041.5260590The hotel’s restaurant is famous forthe service and the quality of itsdishes featuring all typical Venetianspecialities. Enjoy a candle-light din-ner with a top view on the lagoon.
ETHNIC CUISINEJapaneseMIRAI map: C3 - Cannaregio, 227 ph. +39.041.2206517 - Open daily
ArgentinianEL ARGENTINOmap: B5 - Dorsoduro, 2344 ph. +39.041.2412697 - Closed TuesdaysFine argentinian meat served in manydelicious ways by Xavier, the restau-rant is close to the cruises terminalpassengers.
ArabianFRARY'Smap: D4 - San Polo 2558 ph. +39.041.720050 - Closed Tue. evenings
IndianSHRI GANESHmap: D4 - San Polo, 2426 ph. +39.041.719804 - Closed Wednesdays
ChineseIL GIARDINO DI GIADAmap: E3 - San Polo, 1659 ph. +39.041.721673 - Open daily
MexicanIGUANA map: E2 - Cannaregio, 2515 ph. +39.041.713561 - Closed Mondays
Syrian and EgyptianSAHARAmap: E2 - Cannaregio 2519 ph. +39.041.721077 - Open daily
BACARI & HOSTARIE
OSTERIA LA PATATINAmap: D4 - S.Polo, 2654 ph. +39.041.5237238 - Open daily
Run by the Garbin brothers theosteria offers typival venetian food.Booking essential.
HOSTARIA GALILEOmap: E5 - C.po S.Angelo, 3593 ph. +39.041.5206393 - Closed TuesdaysAt the Galileo our chefs offer you tra-ditional Veneto Italian cooking ac-companied by a fine selection ofItalian wines. Charming is the stallageright in Campo S.Angelo.
PIZZERIE & PUB
DEVIL’S FOREST PUBmap: F4 - S.Marco, 5185 ph. +39.041.5200623 - Open dailyEnglish style pub located 1 min.walk from Rialto bridge. Hostswill sample the plain Guinnesdraught line. Food served forbreakfast and lunch, snacks avai-lable until late night.
CAFÉS
CAFFÈ FLORIANmap: F5 - Piazza San Marco, 56 ph. +39.041.5205641 - Open daily
CAFFÈ QUADRImap: F5 - Piazza San Marco, 120 ph. +39.041.5200041 - Open daily
GRAN CAFFÈ LAVENAmap: F5 - Piazza San Marco, 133 ph. +39.041.5224070 - Open daily
LA CAFFETTERIA CAFFÈ DEL DOGEmap: E4 - C.lle dei Cinque-S.Polo, 608
ph. +39.041.5227787 - Open daily
CAFFÈ LA PISCINAmap: D6 - Dorsoduro, 780-782 ph. +39.041.2413889 - Closed Mondays
Magic place with magnificent viewover the Giudecca canal. Tea roomwith home made buiscuits and cakes.This intimate restaurant offers simpleand traditional Mediterranean cuisine.
PASTRY & ICE SHOPS
PASTICCERIA DAL MASmap: C3 - Lista di Spagna, 150/a ph. +39.041.715101 - Closed Tuesdays
PASTICCERIA TONOLOmap: D5 - Dorsoduro, 3764 ph. +39.041.5237209 - Open daily
DIN
ING
guid
e
HHooss
tteerrii
aa
cucina tipica veneziana
GGaalliilleeoo
S.Marco, 3593Campo S. Angelo Tel. 041.5206393
Closing day:Tuesday
Booking request
RISTORANTE
Two intimate and elegant dining roomsTables in the open-air overlooking St. Mark basin
Castello, 4088/4089 - Riva degli Schiavoni Tel. 041.5289615 / 041.5224168 - Fax 041.5224191
www.ristorantecarpaccio.com - [email protected]
CARPACCIO
dei fratelli Garbin
Extraordinary Seafood DishesTraditional & Venetian CuisineCatering Service
RISTORANTEA LA VECIA CAVANA
VENEZIARio Terà SS. Apostoli, 4624
ph. +39.041.5287106 - fax +39.041.5238644
www.veciacavana.it [email protected]
Taverna delTaverna del
Campiello RemerCampiello Remer
Cannaregio, 5701 - Campiello del Remer - ph. +39.349.3365168
NEWOPENING
Asolo
OderzoCastelfranco
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BELLUNO
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MestreVICENZA
PADOVA
AbanoTerme
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Chioggia
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VENEZIA
Bassanodel Grappa
Marostica
MontelloLago diGarda
MainlandguideMestreRiviera del BrentaJesoloTrevisoCortinaAsolo...
and the city listing
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FULVIO PENDINI - THE FACETS OF PADUA . Until November 4.
MUSEI CIVICI AGLI EREMITANI (PD)Until May 27info: +39.049.8204551
FROM VENICEby car: 27 km.by train: 35 min.by bus: 60 min.
To see:Sant’Antonio churchPrato della ValleCappella degli ScrovegniPA
DO
VA
Padua celebrates Fulvio Pendini. The centenary of the birthis the occasion to rediscover a protagonist of the culturalscene of the city and country. His activity finds his place inthe past century artistic scenario of Padua: the “cantieredel Novecento al Bo”, wanted by Carlo Anti and directedby Gio Ponti, and the activities of the “Gruppo N”, leadingexponent of the optical-kinetic movements of the first six-ties. Fulvio Pendini is to be placed between those twoperiods, thus embodying the ideal figure of an artist who asbeen devoted, during his entire life, to painting startingfrom classicism through the lines of Giotto, to the use ofmore primitive twentieth-century lines based on the bustleof popular feasts in squares and yards and finally to stylisedMedieval representations of Padua and other cities.
Padova celebra Fulvio Pendini. Il centenario della nascita è l’oc-casione per riscoprire un protagonista della scena culturale cit-tadina e nazionale. La sua attività si colloca nello scenario arti-stico padovano del secolo scorso: il cantiere del Novecento alBo, voluto dal rettore Carlo Anti e diretto da Gio Ponti, e l’attivitàdel Gruppo N, esponente di punta dei movimenti ottico-cineti-ci nei primi anni sessanta. Fulvio Pendini si situa tra questi duemomenti, incarnando la figura ideale di un artista che si è dedi-cato per tutta la vita alla pittura partendo da un parco classici-smo neo-giottesco, per poi adottare una linea di primitivismonovecentista incentrata sull’animazione di feste popolari entroscenari di piazze e cortili e approdare infine alla rappresentazio-ne stilizzata di matrice medioevale di Padova e di altre città.
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Events OUTDOORand
Jun 07 - Jul 07
FROM EARTH AND FIRE
Curiosity
An organic selection of works, a complete retrospective exhibition on the artist from Rovigo, directed byVittorio Sgarbi and coordinated by Alessia Vedova. One hundred and fifty of the artist’s works, unseen onesas well, for an exhibition that allowed the return of a small nucleus of canvases, which even though intendedfor our country, were held in France. Cavaglieri’s artistic course will be documented in its entirety: from thedebut in Padua together with Felice Casorati to the great season of Ca’ Pesaro and the Venetian BiennaleExhibitions which consecrated the precious refinement of his art, up to the years of his retirement to theFrench countryside. The event will also be a precious opportunity to revisit the history, the contradictions andthe different influences of the early 1900 art, through the fascination and the mystery of Cavaglieri’s painting.
Una monografica organica, una retrospettiva completa quella sull’artista rodigino curata da VittorioSgarbi e coordinata di Alessia Vedova. Centocinquanta opere dell’artista, anche inedite, per una mostrache ha consentito il recupero all’Italia di un nucleo di tele che, pur destinate al nostro Paese, erano trat-tenute da decenni in Francia. Il percorso artistico di Cavaglieri è interamente documentato: dagli esordipadovani insieme a Felice Casorati, alla grande stagione di Ca’ Pesaro e delle Biennali veneziane checonsacrarono la preziosa ricercatezza della sua arte, fino agli anni del suo ritiro nella campagna france-se. L’evento sarà anche una preziosa occasione per rileggere attraverso il fascino ed il mistero della suapittura la storia, le contraddizioni e le diverse influenze dell’arte dei primi del Novenento.
THE SEVENTH SPLENDOUR - THE MODERNITY OF MELANCHOLY
Two hundred masterpieces, divided up into six sections, will be displayed in Verona from March25. The works are by Botticelli and Pontormo, Giorgione and Lotto, Tiziano, Tintoretto,Parmigianino and Carracci, Caravaggio and Guergino, El Greco and Fetti, Canova and Piranesi,Böcklin and De Chirico, Modigliani and Carrà, Paolini and Pistoletto, Parmiggiani and Barni andby many others more, including Michelangelo with a studio of a head for the Cappella Sistina inSan Pietro, that marks the profound melancholy of an artist who finds, in the darkness of matterthe secret miracle of shape.
Duecento capolavori, suddivisi in 6 sezioni, saranno esposti a Verona a partire dal 25 marzo. Le operesono di Botticelli e del Pontormo, di Giorgione e del Lotto, di Tiziano e del Tintoretto, di Parmigianinoe del Carracci, di Caravaggio e del Guercino, di El Greco e del Fetti, di Canova e di Piranesi, diBöcklin e di de Chirico, di Modigliani e Carrà, di Paolini e Pistoletto, di Parmiggiani e Barni, e di moltialtri ancora, Michelangelo compreso, presente in mostra con uno studio di testa per la CappellaSistina in San Pietro, che contrassegna la malinconia profonda di un artista che nell'oscurità dellamateria trova il segreto miracolo della forma.
GROSSETO
FROM VENICEby car: 85 km.by train: 60 min.by bus: 110 min.
To see:Accademia dei ConcordiMuseo civico della Civiltà in Polesine, La RotondaROV
IGO
FROM VENICEby car: 120 km.by train: 100 min.by bus: 160 min.
To see: Arena, Piazza deiSignori, Piazza Brà, ArcheScaligere, Duomo. V
ERO
NA
Rovigo, Palazzo Roverella. Info ph. +39.0425.21530-26270. Until July 1.
Verona, Palazzo della Ragione. Info ph. 199.199.111. Until July 29.
RESTAURANT-WINE BAR
MestrePARK HOTEL AI PINIVia Miranese, 176 - Mestreph. +39.041.917722 - Open daily
Take the chance to have del i -c ious and unforgettable dinneror lunch in re s tauran t “A lParco dei Pini” with a directview over the park. Al l dishesare made with f resh products .Chef Michele proposes vene-t i an spec ia l i t i e s and home -made pasta.
Mestre AL CASONVia Gatta, 112 - ph. +39.041.907907Closed Sunday evenings and Mondays
Mestre DANTE HOSTERIAVia Dante, 53 - Mestreph. +39.041.959421 - Closed Sundays
Mestre OSTERIA LA PERGOLAVia Fiume, 40 - Mestreph. +39.041.974932 - Closed Sundays
Mestre DIETRO LE QUINTEP.tta C. Battisti, 9 - Mestreph. +39.041.985653 - Open daily
Mira PorteVECIA BRENTAVia Nazionale, 403 - Mira Porteph. +39.041.420114
Mira RISTORANTE POPPIVia Romea, 80 - Miraph. +39.041.5675661 - Open daily
Riviera del BrentaIL BURCHIELLOVia Venezia, 40 - Oriagoph. +39.041.472244Closed Mondays and Tues. evening
MiraANNA & OTELLOPiazza Vecchia, 36 - Miraph. +39.041.5675335
MiraRISTORANTE MARGHERITAVia Nazionale, 312 - Miraph. +39.041.420879
Dolo RISTORANTE VILLA GOETZEN Via Matteotti, 6 - Doloph. +39.041.412600
Quarto d’Altino RISTORANTE L’INVITOC/O HOTEL HOLIDAY INN Viale della Resistenza, 18 - Quarto d’A.ph. +39.0422.703822
TrevisoTRATTORIA DA CELESTEVia A. Diaz, 12 - Venegazzùph. +39.0423.620445closed: Mon. evening and Tuesday
TrevisoRISTORANTE L’INCONTROLargo Porta Altinia, 13 - Trevisoph. +39.0422.547717closed: Sundays
TrevisoRISTORANTE VILLA CASTAGNAVia S.Andrea, 72 - Crocetta Montelloph. +39.0423.868177closed: Sundays
JEWELLER’S SHOPS
MestreGIOIELLI LEONARDOVia Piave, 119 - Mestreph. +39.041.935076
CLOTHING
MestreJ. BYRONVia Poerio, 31 - Mestreph. +39.041.972553
MestreBLACK WATCHP.zza Ferretto, 8 - Mestreph. +39.041.971308
Ristorante - Hostaria
“DANTE”Traditional cuisineMeet and fish menu
Local wines
via Dante, 53 - Mestre (VE)ph. +39.041.959421 - www.hostariadante.it
Il ritrovo degli artistiad un passo dal Teatro Toniolo
Piazzetta C. Battisti, 9 - Mestre - Ph. +39.041.985653
MAINLANDCITY LISTING
The Murano Masters exhibition bears testament to the millennial art of glass making and to thesplendour of Venice in a small Tuscan city which we believe to be a worthy setting for such anevent. The theme of the exhibition is the ideal encounter between earth and fire. The earth is thatof the “Metalifferous Hills”, an area rich in mineral deposits, a land criss-crossed by galleries exca-vated by those searching for precious metals since the time of Etruscans: lead, silver and pyriteash have for years been elements in the composition of glass.
La mostra dei Maestri muranesi reca testimonianza dell’arte millenaria della lavorazione del vetroe dello splendore di Venezia in una piccola città toscana che sa offrire, riteniamo, un contestoadeguato a tale presenza. Incontro ideale tra terra e fuoco, il tema della mostra. La terra è quel-la delle Colline Metallifere, ricca di giacimenti minerari, una terra scavata e percorsa da galleriealla ricerca di preziosi metalli sin dai tempi degli Etruschi: il piombo, l’argento ed anche le ceneridi pirite, per anni elementi della composizione del vetro. Il fuoco è quello di Murano, che brucianelle bocche dei forni, oggi come mille anni fa, per rinnovare l’alchemica trasformazione dellasabbia in vetro.
Comune di Massa Marittima (Gr), Museo di Arte Sacra. Info ph. +39.0566.901954. Until September 30
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Santa Mariadegli Angeli
PalazzoDa Mula
S.PietroMartire
Museodel Vetro Palazzo
Trevisan
Basilica diS.Maria
e Donato
Colonna
Faro
Serenella
Navagero
Venier
Da MulaMuseo
VENEZIA
A B C D E F G H I L
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DRINKING & DRIVING - AUTOMOBILE SPEED LIMITSAllowable alcohol quantity in blood while dri-ving an automobile is 0,5 g/kg.Highway: 130 km/h, Main Roads: 90 km/h,Populated Areas: 50 km/h.
INTERNATIONAL CODE NUMBERAustralia 0061Austria 0043Belgio 0032Brasile 0055Canada 001Danimarca 0045Francia 0033Germania 0049Giappone 0081Gran Bretagna 0044Grecia 0030Hong Kong 00852Irlanda 00353Lituania 00370
Malta 00356Messico 0052Monaco 00377Holland 0031Polonia 0048Portogallo 00351Rep. Ceca 00420Romania 0040Spagna 0034Sudafrica 0027Svezia 0046Svizzera 0041Ungheria 0036USA 001
Cannaregio, 149Tel. +39.041.2758217Fax +39.041.716185
Just 2 minutes walkfrom the train station
INTERNET pointINTERNET point
Near to S.Marco squareCasselleria 5300Tel./Fax 041.2771056
Near to Rialto bridgeC. Stagneri 5239
Tel./Fax 041.5228649
VENETIAN N@VIGATOROPEN NON STOP
from 10 a.m. to 10 p.m.
www.venetiannavigator.com
INTERNET SERVICES: e-m@il service, inter-net access, colour & laserprints, laptopconnection, download from any digitalcamera to CD, USB port connection, etc.
INTERNATIONAL CALLING: Collect calls,Credit Card calling & Internationalphone cards.
Call 800.876.724 for Collect Calls fromany phone in ItalyPiazza
S.MarcoCalle Larga
XXII Marzo
Campo S.Maria Formosa
CampoS.Bartolomio
di Rialto
CampoS.Fantin
CampoS.Luca
CampoManin
Calle dei Fabbri
Merce
rie
Riva de
stro
Rialto
o
Calle
Valla
re
Salizada S.Lio
Salizad
Ruga G
iuffa
CS.Z
Riva d
el Car
bon
delladola Salizada
S.Provolo
Fre
zzeria
Calle
dei F
useri
CampoS.Moisè
Campo S.Marina
CampoS.Salvador
Calle
Fiube
ra
Calle de laCasseleria
TeatroLa Fenice
Fond
.ta d
el V
in
C. d
el Paradiso
Orefici
C. LungaS.M. Formosa
CampoRialtoNuovo
C. d. P
reti
C.poS.Gallo
Spadaria
C. d
. Specch
ieri
C.
Alb
anesi
C.
d.
Rasse
SZ
C.lle
Cava
lli
C. d. Frutaroli
TeatroCarlo Goldoni
Scuola Grandedi S.Teodoro
dia
Chiesa diS.Salvador
Chiesa diS.Lio
Malibran
Chiesa diS.Maria Formosa
Chiesa di
Chiesa diS.Fantin
Museo Diocesanodi Arte Sacra
Telecom ItaliaFuture Centre
FondazioneQuerini Stampalia
The residential complex “S.Giobbe” consists of a group of former industrialbuildings immersed in a wide green area close to the train station and the carterminal . Now available brand new apartments with luxury finishings from90 to 160 square metres. Call us to discover the unbeatable prices.
www.immobiliarepalazzo.com
COMPRAVENDITE – LOCAZIONI – CONSULENZE TECNICHEESTATE TRADING – RENTALS – TECHNICAL ADVICE
San Marco, 4641 - ph. +39.041.2960828 - fax +39.041.2414927
Presente in:
APPARTAMENTI
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UFF.TURISTICI : AVA, AVAL, CATEV
NAVI DA CROCIERA MARITTIMA
NAVI DA CROCIERA FLUVIALE
AEROPORTO “MARCO POLO”
AEROPORTO DI TREVISO
VENEZIA TERMINAL PASSEGGERI
TOUR OPERATORS
UFFICI ED ESERCIZI PUBBLICI
CONSOLATI
AMBASCIATE
La City Guide di Venezia. Mensiledi informazione distribuito free-press nei migliori Hotel e nelle
location più strategiche.
Lido Hoteliers Associations
The Foundation forthe Churches of Venice
NIO s.r.l. via A. da Mestre, 19 - 30172 - Venezia-Mestre tel. +39.041.5454536 - fax +39.041.5454536
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Hoteliers Association of the Venetian Mainland
VeneziaTerminal Passeggeri
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SPLENDID SUISSEWILDNER3 - stars HOTELS ***ABBAZIA ACC.A VILLA MARAVEGE AL CANALETTOAL PIAVE AL PONTE ANTICO AL SOLE ALA ALL'ANGELO ALLE GUGLIE AMERICAN ANASTASIA ANTICA CASA CARRETTONI ANTICALOCANDAALGAMBEROANTICHE FIGURE ANTICO DOGEAPOSTOLI PALACE ARLECCHINO ART DÈCOATENEO BASILEA BELLE ARTI BEL SITO & BERLINO BISANZIO BRIDGE CA' D’OROCA' DEL CAMPOCA' DOGARESSACAMPIELLOCANALCANALETTOCA' POZZOCAPRI CASANOVA CASTELLO CENTAURO COMMERCIO E PELLEGRINO CONTINENTAL DA BRUNO DE L'ALBORO DOGEDOMINA PRESTIGEDO POZZI EDEN FIRENZEFLORA
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GARDENA GORIZIAGRASPO DE UAIL MERCANTE DI VENEZIA ISTITUTO CILIOTA LA CALCINA LA FENICE ET DES ARTISTES LA FORCOLA LA LOCANDA DI ORSARIALA LOCANDIERALANTERNA DI MARCO POLOLISBONALOCANDA AI SS. APOSTOLI LOCANDA CA’ ZOSE LOCANDA CASA QUERINI LOCANDA CASA VERARDOLOCANDA HERION LOCANDA OVIDIUS LOCANDA S.BARNABA LOCANDA STURION LUX MALIBRAN MARCONI MONTECARLO NAZIONALE OLIMPIA PAGANELLIPALAZZO ROSAPALAZZO VITTURI PANADA PANTALON PAUSANIA RIALTO SCANDINAVIA S.CASSIANO CA' FAVRETTO S.CHIARA S.GALLO S.MOISE' SPAGNA S.SIMEON AI DO FANALI S.STEFANO S.ZULIAN TINTORETTO TORINO TRE ARCHI UNIVERSO & NORDVECELLIOVIOLINO D'ORO
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SPECIAL THANKS
Venice HoteliersAssociations
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