Grade 10 Quarter 3 Week 4

Ms Oliver

WHAT DO YOU THINK……Mood & Setting? Scale? Rhythm? Period of Time? Diagetic / Non diagetic?

BLOG STARTER

Before this lesson, I

know I need to …..

The most important thing I

learned so far, and will use in my piece is...

Last week I tried to... Last week I

did not know how

to... ....but now

I can

I have found out several

things on the topic of...

Firstly I found out that...

Furthermore, I found out that...

Recap what have you done!

Weekly Outline

• Silent Revolution Mood: (A,D,C) • Diagetic/Non Diagetic Plot: (A,B,C,D) • Being Phoney Rhythm and sounds. (C,B,D) • Romantic Leiftmotif: (A,C,D) • Compose & Orchestrate: (B,C,D) • Critic’s Teaser: (A.C.D) • Final layers of effect: (A,B,C,D) • Premier night & Media review:(A,B,C,D) • Solo performance: (ABCD)

Key words: All

Diagetic/Non Diagetic: Underscoring Dotted, syncopated, and simple rhythms. Hit-points Mickey Mousing Music Technology/create effect Layering /Synconising Tonality Romantic Film Score Scales Motifs Conjunct/Disjunct melody Ostinato Genres of Film Click counts Phoney Music Minimalism: Retrograde Orchestration: Silent Movies Talkies: Addition & Subtraction Inversion Phrase in /Out Modulation Expression markings Chromatics Diatonic/Atonal Storyboard/Cue sheet Whole tone scale

Learning Objectives: (W4)

LO1: Construct, modify, show, analyse your understanding, the process to create a under score using Rhythm, Mood, scale, Motif! (A3/C1)

LO2: Make up Build, Create, Transform ‘your artist idea’ to the film clip AND EXPLAIN. (C1/A3)

L03: Discuss, confirms and apply’s techniques, using film terms (C3,A1)

Using your Critical brain! (critical thinking cycle) ATL

SUMMATIVIE

CRITICAL THINKING CYCLE Create a Musical Critique’ for your clip. Apply

the appropriate Rhythm, tonality, mood, effects and Motif;

IN YOUR BLOGS! TO ANSWER TODAY…. RED: SCALES

BLUE - diagetic/Non Diagetic

Inquiry Questions: To answer today: F: What is tonality?, what scales are their and you have

decided to use? -What examples of Diagetic, non diagetic are in your film

you doing? C: - How will you recreate or invent the space, mood, and

period of time through the clip? Highlighting the diagetic/non diagetic and appropriate scales?

TO ANSWER TODAY: YELLOW: Rhythm’s

Green: Mickey Mousing/Foley Inquiry Questions: To answer today:

F: Foley, Mickey mousing, types of rhythm’s –what are they?.

-which will you need in your underscore?

C: How does a storyboard, assist with your Mickey mousing, foley SFX, rhythm ideas? (Show yours!)

- How will you recreate or invent the space, mood, and period of time through the clip, using Mickey Mousing, Foley and rhythm?

How to think?

RECAP: ‘IN THE JOURNAL (list/Say) Shopping list of your piece!

List everything you need to do

QUICK CHECK?? (Music elements) Did you use these?????.

BACKGROUND INFO?? Minimal Techniques Instruments?

Today’s big question! Collect, show, write and discuss

Make a list, on your burning paper or Journal

Dear Jeeves…

Brainstorm; (Music elements) HELP POINTERS ..Quick glance.

Planning and Practice

Create a Musical Critique’ for your opening clip. Apply the appropriate Rhythm, tonality, mood and effect;

Plan, try, apply, solve and eliminate your ideas..

Call to the diary room! Come and explain, practice, share..

Rhythm: Rhythm setting, plot New words:

• Syncopated

• Dotted rhythms

• Simple Time

• Add & Subtract

• Rests

• Triplets

C: How does a storyboard, assist with your Mickey mousing, foley SFX, rhythm ideas? (Show yours!)

Dotted fun! – Add up to 4!

Create layers of Rhythms to YOUR track. -WRITE IT ALL DOWN ( or photo it, Practice… -WHICH EFFECT ARE YOU DOING.

Rhythm: Sound effects extreme New word: foley -SX

In your team: _______________

FACT: films create their own sound effects, voice over’s.

Challenge: ‘create your own to the scene

Record, photograph.

Comment –on why and how?

Where are they going?

Section Description Time Notes Composing devices

1 Running to the bridge 20

2 Jump to the other side 4

3 Explosion – collapse of wall 2

4 Ghangalf jumps across 2

5 Arrows flying 5

6 Arrow hits the ‘thing’

Falls into raveen 3

7 3 jump across – bridge collapses 1

8 Arrows fight 7

Creative decisions!

• In your groups.. Start to place your creative ideas together.

RECORD, PHOTO, DRAW out, INTERVIEW each other and what you are doing!

ANNOTATE everything you do!!! -RHYTHMS! –

-STORYBOARD- -MICKEY MOUSING /Foley.

-FILM CLIP.

Call to the diary room! Come and explain, practice, share..

REMIND: Tonality: Scales used to the extreme New word: Tonality….

• Major (scales and key) • Minor (scale and key)

• Chromatic (scale and key) • Pentatonic (Scale and key)

• Blues Scale • Whole Tone Scale

• Atonal (Scales, keys) • Harmonic or Melodic Minor

• Modes. Blog QUESTION:How will you recreate or invent the

space, mood, and period of time through the clip? Highlighting the diagetic/non diagetic and appropriate scales?

Setting the mood, space

How used in your film? How are you going to set a mood?

Section Description Time Notes Composing devices

1 Running to the bridge 20

2 Jump to the other side 4

3 Explosion – collapse of wall 2

4 Ghangalf jumps across 2

5 Arrows flying 5

6 Arrow hits the ‘thing’

Falls into raveen 3

7 3 jump across – bridge collapses 1

8 Arrows fight 7

INVENT YOUR OWN!!

Creative decisions!

• In your groups.. Start to place your creative ideas together.

RECORD, PHOTO, DRAW out, INTERVIEW each other and what you are doing!

ANNOTATE everything you do!!! -SCALES-all.

-STORYBOARD -

MAIN COMPOSITIONAL DEVICE Use of Chromatics/ Mickey

Mousing NON Diagetic

MODE/TONALITY Minor Key

TEMPO Slow – getting

quicker

MOOD Mysterious - Threatening

MAIN COMPOSITIONAL DEVICE Diatonic – based on chord triad/ Non Diagetic/ Mickey Mousing/

Foley

MODE/TONALITY Major Key

TEMPO Stately – walking

pace

MOOD Optimistic -

Heroic

MAIN COMPOSITIONAL DEVICE Disjunct – awkward intervals/ Non diagetic / Foley/ Mickey

Mousing

MODE/TONALITY Major Key

TEMPO March like – walking pace

MOOD Threatening –

Impending Doom

MAIN COMPOSITIONAL DEVICE Disjunct – awkward intervals/ Non diagetic / Foley/ Mickey

Mousing

MODE/TONALITY Major Key

TEMPO March like – walking pace

MOOD Threatening –

Impending Doom

YOUR PIECE???????

Musical Clichés

Musical Clichés * When composing for Film, a mood needs to be instantly recognised. * To help, there are a set of established clichés which give instant results for the audience. * Throughout the film the composer is able to manipulate and change the initial motif to reflect the development of the character. * Today, you will be composing your own character motif so you will need to remember to capture the mood instantly for your audience. * Here are a few well-established clichés:

RED: SCALES BLUE - diagetic/Non Diagetic

Inquiry Questions: To answer today:

F: What is tonality?, what scales are their and you have decided to use?

-What examples of Diagetic, non diagetic are in your film you doing?

C: How will you recreate or invent the space, mood, and period of time through the clip? Highlighting the diagetic/non diagetic and appropriate scales?

YELLOW: Rhythm’s Green: Mickey Mousing/Foley

Inquiry Questions: To answer today:

F: Foley, Mickey mousing, types of rhythm’s –what are they?.

-which will you need in your underscore?

C: How does a storyboard, assist with your Mickey mousing, foley SFX, rhythm ideas? (Show yours!)

- How will you recreate or invent the space, mood, and period of time through the clip, using Mickey Mousing, Foley and rhythm?

Plenary Talk

Today I have learnt

that...

Before this lesson I could

already...

The most important thing I learned

today is...

Today I have tried

to... I did not know how

to... ....but now

I can

I was successful when I...

I have found out several

things on the topic of...

Firstly I found out that...

Furthermore, I found out that...

Discuss with a partner before Answering in your Blog

Homework: Reflections, research &

- How detailed can you be?. ‘Break down and describe music originally in your film clip!’ (A1)

Title of Piece:

Descriptive words

chosen:

Instruments & sound

effects:

Elements of Music:

Rhythm, Dynamics,

Tempo, Pitch

Review: How did the

composer use the

above elements to

good effect?

The composer used (elements,

instruments) because…….

I liked the music because….

Your film musical review: A1: Kowledge & understading, concepts,in music termology.

Musical Clichés HAPPY Instruments: brass, woodwind, strings, percussion Pitch: high Timbre: bright timbre Texture: moderate, gradually getting thicker Melodic ideas: rising melody in step melody based on the chord triad Mode/Tonality: major key Tempo: quick or stately Rhythm: lively rhythms, syncopation Dynamics: loud (at moments can drop to nothing to build back up again at moments of great excitement)

SAD Instruments: strings, woodwind, piano Pitch: low Timbre: smooth timbre Texture: gradually building or thick Melodic ideas: descending melody mainly in step with a few awkward intervals Mode/Tonality: minor key, Dorian mode Tempo: slow Rhythm: simple rhythms Dynamics: fairly quiet, maybe gradually getting louder in moments of great distress

SUSPENSE Instruments: strings, synthesisers Pitch: either extreme low or extreme high Timbre: smooth timbre Texture: gradually builds in thickness Melodic ideas: single suspended note dissonance / cluster chords Mode/Tonality: whole-tone scale, minor key Tempo: slow, free time Rhythm: simple, sustained rhythms Dynamics: quiet, maybe gradually getting louder sudden loud stabs of sound (accents)

In the diary room!

Apply the appropriate Rhythm, tonality, mood and effect for your

opening clip

WWW, & EBI Personal reflection