wf' · 2011. 4. 8. · the second interval. alexander stein. (frag ments from a new book) 124 a...
TRANSCRIPT
-
Wf'
IcHcarejieH CCCP iCTCpcTBa Kyjibxypbi CCCP
Hneapb 1975 rofla
-
B HOMepe
AeGioTbi
CneKTaKJiH
K 30-JieTHio no6eAbi
K HauiHM HHTareJiHM! 3
O T pe^aKUHH 4 FoBopHT neflarorn FHTHCa: A. OepasuoBa, r . XaiiqeHKo, T. IlposopoBa, B. JIIO6HMOB . . 6 HuKUTa KaAauTUH. JleBaJibBauHH HCKyccTsa . . 13 npo6jieMbi ApaMaTypPHH. Hropb IIlafiTaHOB. Zlse nbecbi 0 aepesHe 17 CueHorpa,AHflpoHHKamBHJiH. Ksap-KBape 34 nopTpexhi. JIwflMHJia Ba>KeH0Ba. AHapefl Mnpo-
HOB * E.neHa JlesHKOBa. BJiaaHMHp POXHH 38
K. BepeauH. Mepa MacrepcTBa 50 0. Ka&daAOBa. J^HSHb TpaflHiinft . . . . 57
roft 1941-ii 61
HcTopHH H. Cuupnoe. A. B. JlynaqapcKHH H M X A T . . 67 5. rianepHbiu. «5I nanHuiy i!To-HH6yflb cTpamioe* 73
OMepK BA. XpQMoe. HecKOflbKO flHeii c ApKaflaeM Pa'ii-
.KHHblM 84
Tajiepesi TeaTpajibHWx nopTpexoB . . . . 96
PaMna H XHSHb 97
3a pyGexoM flBaa.uaTb nnrb Jier Pecny6jinKe HHAHH M. KoToecKOM. HoBoe speMH — HOBuft rearp 113 AA. FepuiKoewi. BeHrepcKHe racipojiH . . . '17 A. HayMBHKO. «B03BbICHTb flO KeMlyjKHHbl TBO-peHHfl» 120
TearpajibHasi AABKcandp lUTe&H. BTopoii ampaKT. (OparMCH-nposa TW H3 Syftymeii KHHrn) 124
ribecH BAaduMup Kapacee. FlaaTbe AJIH BbixoflHoro HHH. Obeca B flsyx >jacTsx 136 He FcHdoH. TpH MaprapiiTW. Flbeca B xpex aKxax, MCXbipex KapxHHax. nepesoa c (})panuy3CKoro , O. JiopHti 163
-
Contents
Debutes To our readers! 3 From the editors 4 GITIS teachers speaking: A. Obraztsova, G. Kha-ichenko, T. Prozorova, B. Lyubimov . . . 6 Devaluation of art. Nikita Kalaitan . . . . 13 Problems of dramaturgy. Two plays about count-ry life. Igor Shaitanov 17 Scenography. A seen word. Natalya Borisova 22 First night. Kvarkvare. Tinatin Andronikashvili 34 Portraits. Andrei Mironov. Lyudmila Bazhenova * Vladimir Rozhin. Helena Levikova . . . 38
Productions
Thirty years of Victory
History
Essay
Abroad
Theatre prose
Plays
Measure of mastery. K. Berezin . . . . 50 Life of traditions. 0. Kaidaloua 57
Year 1941 61 V ,
Lunacharsky and Moscow Art Theatre. /. Smir-nov 67 "I'll write something strange". Z. Paperny . 73
Several days with Arkady Raikin. VI. Khramov 84
Gallery of theatre portraits 96
Footlights and life 97
25 years of the Republic of India New years — new theatre. M. Kotovskaya . . 113 Hungary tour. At. Gershkovich 117 "To praise to the wonder of creation". A. Nau-menko 120
The second interval. Alexander Stein. (Frag-ments from a new book) 124
A Day-Off Dress. Wladimir Karasev. A play in two parts 136 Three Marguarettes. Yves Gendon. A play in thee acts, four scenes. Translated from French by F. Florig . 163
«TeaTp>, 1975
-
•
bFAOiHSJEOOW
;'f OpraH .̂ ^̂ X CoK)3a nHcarejieM CCCP j H MHHHcrepcTBa Kyjibrypbi CCCP
.cou «̂ê ^ '̂:
eB|iajib 1975 rofla
.'1
•5." ^ H
.̂J f̂Tt
1
-
B HOMepe
n. M. Baroe. BbipasHreJib naMsxH HapoflHoii CjiaBHoii flare nocBnmaexcjr... rpHropHii BaKJia-HOB, ra./iHHa BojmcK, PocxHCJias ropaeB, PeHHa-flHH SpHCX, BjiaflHMHp ApKHH . . . .
K 30-jieTHK) rioSeAbi
OfioapeHHC
CncKxaKjiH
Tofl 1942-fi
riopxpexbi
Ha nepenpecxKe HCKyCCXB
B. M. KanaJioB 1875—1975
KHHrH
3a py6eHiOM
TeaxpajibHan
nposa
ribecw
A. JleMudoB. BojibiuaH nporyjiKa . . . .
M. UlebLdKou. KaK paccKasaxb o Boftne? M. UIuAoea. ...ixofibi HflXH snepeA . . . . K). FoAoeaiueHKo. «3cxoHHa» — xeaxp Hmymnii Mapuna BoponeHKO. KoMesHS-fiajiex
K). Pbi6aKoe. O BjiaaHMHpe OeflopoBHie IlHMe-
HOBe. (K 70-JiexHK> co jxan poHmeHHa) . .
JI. TuxBUHCKaa. Jlapuca naiuKOBa . . . •
K). KazapAunKuu. OanxacxHKa, cueaa, SKpan .
Fa^nepen xeaxpajibHWX nopxpexoB . . . •
Paiana H WHSHb
IOMOP
HpaKAuu AndpoHUKoe. BAOXHOBeHHHfl; apxHcx B. UJeepy6oeuH. Kaqa.noB Hrpaex uapa OeAopa riHCbMa B. H. KaiajioBa C. M. SapyAHOMy . .
K. JIoMyHoe. BosBpameHne K 4exoBy . . M. AuaeHdepe. AepxaBa PepHxa A. Andpeee. HccJieAOsaHHe xeaxpajibHoft ycJioB
HOCXH
H. AACKceee. TpH HeaeJiH B F A ? HAbu PyT6epa. ^ S U K wecxa . . . • A. 06pa3v,OBa. «3Be3Abi» H KOMMepuHH .
AABKcandp UlTeuH. BxopoH anxpaKx. (RpoAOJi
jKeHHe)
^KOB CezeAb. 3 BcerAa y;iu6aK)Cb!.. Hbeca B
AByx HacxHX Jleomd Jlem. TpyAHufi cxapHK. KoMeAHS B OA-
HOM AeftCXBHH
-
Contents
Interpreter of peoples' memory. P. I. Batov . 3 In memory of glorious date.. Grigory Baklanov, Galina Volchek, Rostislav Goryayev, Gennady Ernst, Vladimir Arkin 6
Thirty years of Victory
Review
Productions
Year 1942
Portraits
At the crossroads of arts
V. 1. Kachalov 1875—1975
Books
Abroad
Theatre prose
Plays
A long walk. A. Demidov . . . . . .
How to tell about war? M. Shwydkoy ... to go forward. /. Shilova "Estonia" — a looking-for-theatre. Yu. Golova-shenko Both — comedy and ballet. Marina Voronenko
About Vladimir Feodorovich Pimenov (To 70th birthday). Yu. Rybakov
Larisa Pashkova. L. Tikhvinskaya
Science fiction, theatre, film. Yu. Kagarliisky
Gallery of theatre portraits
Footlights and life
Humour
Inspired artist. Irakly Andronikov Kachalov — Tsar Feodor. V. Shverubovich V. I. Kachalov's letters to S. M. Zarudny
Coming back to Chekhov. K. Lomunov A state of Rerikh. M. Aisenberg . Study of stage convention. A. Andreyev
Three weeks at DDR. A'. Alexeyev . "Stars" and commerce. A. Obrastsova . Language of mime. Ilya Rutberg
The second interval. Alexander Stein (Continu ed)
9
15
37 43
51 57
63
66
72
80
81
97
101 103 105
114 118 120
123 129 137
144
I'm Allways Smiling! Yakov Segel. A play in two parts 162 A Difficult Old Man. Leonid Lench. A comedy in one act 186
© «Teaxp», 1.075 r.
-
^^x^'
OpraH Coiosa nHcarejiefi CCCP H MHHHcrepcTBa Kyjibrypu CCCP
9 1 ST6i R ^ l
Mapx 1975 rOAa
-
B HOMepe
TeaTpa;ibHuii AHeBHBK
K 30-jieTHio no6eAbi riopTpeTw
npoSjieMu ApaMaxyprHH
McTOpHH
3a pyeexoM
TeaTpa,nbHafl nposa
Dbeca
HaraAUA yoKBuii. MOH coBpeMeHHHua . . . 3
T. AdaKyMOBCKaa. «BpaTa 6eccMepxHfl» * B. Moc-
Toeaa. «npOBHHUHaJibHbie aaeKAOTM* * H. BOHT-
KeeuH. «BoAKH H OBU,H» * B. edopOBa. Teaxp
craBHx KOMeAHK)... * A. MHHXUH. «JIexysaH
MUHib* * H. VepHoea. «MopcKafl AeBa» . . . 6
HHHO BuuiHeecKaa. PaaMbimjieHHH nocne io6HJ!ea 23 AAAa PoManeHKO. Bepa B lejiOBexa . . . . 31
FoA 1943-it 35
A. JXemudoB. IOJIHH BopacoBa 41
E. TyjiuHiiee. HnHOKeHXHii CMOKxyHOBCKHft . . 57
00T03XK)AbI BjiaAHMHpa BAHOXa . . . . 66
E. KaAMOHOecKuU. Hxo paccKaauBaioT KyKJiH 74
XyAOXHHK B rearpe xyKOJi 80
PaMna H XHSHb : . . . 81
IOMOP 97
A. AHUKCT. AjieKceft KapnosHi ,II,»HBeAeroB . . 99 M. CoKOAbCKuH. «roBopHxb TOJibKO npaBAy...* H 2 H. EaACToea. HcKaHHH IlepBoft cxyAHH . . . 122
C. rpuw,eHK0. «H3UK HxaAHH 3AaxoH...» . • 128 HauiH HHxepBbio. FoBopax AeaxejiH HxaAbancKoro xeaxpa 137 Ha cueHax Mupa: r. MaKapoBa. JICCKHS HauHOHaJibHwii reaxp B CCCP * E. noAHKoaa. TeaxpajibHbie HCAeJiH By-Aanemxa * E. FpumuHa. AKxepu HS 0A6aHH B UeHxpajibHOM AexcKOM . 141
AABKcandp UlTeuH. Bxopoii anxpaKX. (FIpoAOJi-xeHBe) ' 55
HjupaH KacyMOB. lUnpe Kpyr. Flbeca B xpex aKxax 176
-
Contents
My contemporary. Natalia Uzhvy
Theatre diary
Thirty years of Victory
Portraits
"Gates To Immortality". T. Abakumovskaya * "Provincial Jokes". V. Mostovaya * "Wolves and Sheep". Â . Voitkevich * Staging a comedy... V. Fedorova * "Die Fliedermaus". A. Jnyakhin * "Mermaid". N. Chernova 6
Meditations after a jubilee. Inna Vishnevskaya 23 Faith in man. Alia Romanenko 31
Year 1943 35
Yulia Borisova. A. Demidov tfl Innokenty Smoktunovsky. B. Tulintsev . . . 57
Foto-studies by Vladimir Bliokh 66
Problems of dramaturgy
What the puppets tell about. E. Kalmanovsky 74
History
Abroad
Theatre prose -
Puppet-theatre-artist 80
Footlights and life 81
Humour 97
Alexei Karpovich Dzhivilegov. A. Anikst . . 99 "Truth, and nothing but the truth". M. Sokolsky 112 First studio's experiments and quests. N. Bala-tova 122
"The language of golden Italy..". S. Grishchenko 128 Our interview. Italian theatre figures speaking up 137 On world stages: Yassa National theatre visits the USSR. G. Ma-karova * Budapest theatre weeks. E. Polyako-va * Actors from Olbany at the Central Children Theatre. E. Grishina 141
S
The second interval. Alexander Stein. (Continued) 155
Play Widen the Circle. Imran Kasumov. A play in three acts 176
«TeaTp>, 1975 r.
-
i 'il
i ,̂ OpraH ^ CoK)3a nHcaTCJieii CCCP
% H MHHHcrepcTBa KyjibTypw CCCP
Anpejib 1975 roAa
-
B HOMepe
CneKxaKAH
K 30-jieTHio noScAbi
Bonpocbi AHa
CUM. JFpe&den. «... noceuiaex ApaMaxH'iecKHii xeaxp PefturapAxa* 5
HuKOAau CaauiiKud. HepeiyiH'iKa . . . . 16 5 . ByepoB. PaAocxb nocxHxeHHa . . . . 21 BAaduMup MapanifMan. Kxo OH 6HJI na caMOM APJie? - 32 H. KyanKUHa. HeHcxpe6HMocxb HeJioBeiHocxH . 39 B. JlbBoe-AnoxuH. OTTOieHHHii AO CHMBOJia... 44 10. CMBAKOB. O peHCHccepcKofi Boae H aKxepcKHx yAaqax 50
FoA 1944-H 55
E. uAunnoB. Mysu na (JjpoHxe 61
CaMo6uxHOcxb cxHjia 65
/ / . MuxauAOBa. CejibcKHe racxpoAH: H3 roAa B roA 68
A. BoAb/pcoH. PasMuiiiAaa o cyAbSax waHpa . 72
Ha KOHuepXHOii cuene
3 a pySexoM
TeaxpaAbnaa nposa
ITbecbi
AAeKcandp KOHHUKOB, OAee MUARBCKUO.. KaK ABH-
raxb poajib? (ZlHaJior o K0H(i)epaHce) 3anHCb r . LlHXpHHHKa 76
Pawna H XHSHb 81
K 30-aexHio BeurepcKOH HapoAHOfl PecnyfiAHKH Tajnaui KOATOU. HoBaa BenrepcKaa Apana . . 97 H. MeeuH. FaBana — 3cKaM6paii . . . . 102 M. CKOPHAKOBU. SAyapAO Zle Onjiiinno npoAaex xeaxp • . . 1 1 6
AAeKcandp UlTeiiH. BxopoS anxpaKx. (OKOHqaHHe) 118 HaraAua HAbuna. CxpaHHUH HS ceMeiiHoro aAb-6oMa 123 C. Fuau,UHTOBa. 0 6 aKxpace KopHaKOBoii . . 143
BacuAuu VuHKOB. HeoKOHieHHHH AHa.nor. JXpaua B AByx >jacxax 144 JJeB ycTuHOB. IIocAeAHHH 6eAHaK. CKasKa B AByx AeflcxBHax 172
\
-
Contents
"...attends Reinhardt's Drama Theatre". Sim. Dreiden . . . 5
Productions Roll-call. Nickolaj Savicki 16 Joy of apprehension. B. Bugrov 21 Who was really The Man? Vladimir Maranzman 32 Ineradicability of humanity. Â . Kuzjakina . . 39 As perfect as a symbol. B. Lvov-Anokhin . . 44 On director's will and on actor's luck. Y. Smel-kov 50
Thirty years Year 1944 55 of Victory Muses at the front. B. Filippov 61
Style's originality 65
Problems of to-day
On Concert Scene
Country tours: from year to year. /. Mikhajlova 68 Meditating about genre's future. A. Volfson . . 72
How to move the grand piano (Dialog about concert directing). Alexander Konnikov, Oleg MUyavski with reporter G. Litrinjak . . . . 76
Footlights and life 81
Abroad The thirtieth anniversary of the Hungarian Peoples Republic New. Hungarian drama. Koltai Tamasz . . . 97 Habana — Escambray. Â . Zhegin 102 Eduardo De Filippo sells his theatre. M. Skor-njakova 116
Theatre prose
Plays
The second interval. Alexander Stein (The end) 118 Pages from the family album. Natalya Ilyina . 123 About (the actress named Cornakova. S. Gia-tsintova 143
An unfinished dialog. Vasilij Chichkov. Drama in two parts 144 The last poor-man. Lev Ustinov. A tale in two acts 172
-
.w^m •»4
i-jrff«!
!#kf5-.*
i
ppmH ?'''%/L ... -:;MS75
«?|i^
-
• •
1 i
OpraH .'^. Coio3a nHcarejiett CCCP
H MHHHCTepcTsa KyjibTypu CCCP
HlOHb 1975 roAa
'•hi
^ -H,
-
B HOMepe
TsopHecKaa
npaKXHKa
n o p x p e x b i
"KHHrH
HCTOHHHK XBOpUeCKOrO BAOXHOBeHHfl . . . 3
Jl. PoMaduHoea. BosBpameHiie K SKcnepuMeHry 8
AnaTOAuCi CMBAUHCKUU. HasnaMeuHe . . . 12
Jl. MyKOBa. TpH cncKxaKJia BO BjiaflHBOcxoKe 19
TearpajibHbifii C. BocKo6ouHUKoea. «BaHKa» H «MaBpa» *
AHCBHHK -M. MuxauAOBU. «E ine He Be iep* •* E. BAaduMup-
CKuii. «06BHHHxejibHoe 3aK.nioqeHHe» * T. KAUH-
HUHd. «4yAecHaa 6amMaHHHii,a» * E. KazapAui^-
Kud. «Kox B c a n o r a x » * E. FopcpyHKcAb. « H H U , H -
AeHT» 23
C. BacuAbeaa, 0. Bauc6eun. H a penexHunax
AnaTOJiHa 3(jjpoca 35
TaTbfLHU BAOTHUKOBO. EsreHHii JIe6eAeB . . 44
Mocucp ToAHOHOB. EBreHHii CHMOHOB . . . 51
A. CoAodoBHUKOB. YpoKH MapKOBa . . • . . 54
JluHa FapoH. H a u i coBpeMeHHHK BjiaAHMHp H s a -
HOBHH HeMHpOBHH-ilaHileHKO 58
H. BamundxaeHH. B ceroAHaiUHeM no.nbCKOM xeax-
pe 60
M. lUBbidKOu. HcxopHHecKHH xeaxp OepAiinaHAa
BpyKHepa ' . . . . 62
CueHorpa^JHH B. BepesKun. B r p a n H u a x oAHqii lUKOJibi 65
JicxopHfl Huna BeAexoea. P a s r o B o p u c OxJionKOBbiiw . , 72
PaMna H >KH3Hb 81
I O M O P 10J>
B. FoHHap, 10. Kazan. CncxeMHWH noAXOA B
ynpaBJieHHH xeaxpoM M
H. FlaeAoea. AHxn(j)au]HCxcKHe nbecH MapxHHa '1
Baj ibsepa 109
H a c u e n a x MHpa:
K. CanuHa. lOnouiecKaa nbeca
-
Contents
Theatre diary
Theatre routine
Portraits
Books
Scenography
History
Current events
Abroad
Memoirs
Play
The'Source of creatibe power 3
Back to experiment. D. Romadinova . . . . 8 Appointment. Anaioly Smelyansky . . . . 12 Three performances in Vladivostok. L. Zhukova 19
"Fox" and "Mavra" S. Voskoboinikova * "It isn't Evening Yet". M. Mikhailova * "The Ver-dict". B. Vladimirsky * "The Clever Shoemaker". T. Klinchina * "Puss in Boots". B. Kagarlitsky * "An Incident". E. Gorjunkel 23
Anatoly Efros's Rehearsals. S. Vasilyeva, 0. Vais-bein 3»
Evgeny Lebedev. Tatyana Zlotnikova . . . 44 Evgeny Simonov. Joseph Tolchanov . . . 51
Markov and his lessons. A. Solodovnikov . 54 V. I. Nemirovich-Danchenko, our contemporary. Lana Garon 58 Polish theatre today. A'. Bashindzhagyan . . 60 Ferdinand Bruckner's history plays. M. Shvydkoy 62
Within the limits of one school. V. Beryezkin 65
Talks with Okhlopkov. Nina Velekhova . . . 72̂ . Footlights and life 81
Humour 10ft
The system of theatre management. V. Gonchar, Yu. Kogan 102
The anti-fascist plays by Martin Walzer, A'. Pav-lova 109>
On world stages: A play Friedrich Engels wrote in his youth. K. Sanina * At the 5th fe-stival of Bulgarian drama. A'. Makarova * Victor Hara — a singer and soldier, G, Chernogorsky * Cafe-theatre — what is it like? /. Myagkova * Pericles from Trafalgar Square. A. Bartoshevich * Lebanon. The theatre of Jacub Shadraui. /. Gugkayeva 116
Notes by an old theatre-goer. Alexey Faiko . 13-1
An Old-fashioned Comedy, in two parts. Ale-xey Arbuzov 144 "Your dear image..." Tsezar Solodar. A drama in two parts 166.
'^^n.,'
B «TeaTp», 1975 r.