wenzhi chen february 19, 2003. 2 the om'nium vds was initiated early in '99 by australian...

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Introduction of “Om’nium” Introduction of “Om’nium” The first global virtual design education The first global virtual design education Wenzhi Chen February 19, 2003

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Page 1: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

Introduction of “Om’nium”Introduction of “Om’nium”The first global virtual design educationThe first global virtual design education

Wenzhi Chen

February 19, 2003

Page 2: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

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BackgroundBackground

The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett.

He saw the project as more that just another distance learning package - "It is a pilot study to explore a radical and future alternative for contemporary tertiary design students. I'm very conscious there are wonderful things going on in design at the moment and I'm quite conscious education is slipping more and more out of touch, in terms of keeping up with technology, through budget cuts... this was a way of looking to the future of how universities might have to start looking if they are to find a new way of educating."

Creative Ireland [http://www.creativeireland.com/resources/articles/omnium.html]

Page 3: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

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Working with the InternetWorking with the Internet

who are our 'contemporary students' and to what

extent do they use the internet ?

why do they use the internet, how do they intera

ct with it and what is its appeal?

how have previous on-line education programs b

een facilitated?

Page 4: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

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Why do students use the Internet and Why do students use the Internet and what are its appealing features ?what are its appealing features ?

anonymity / removal of inhibitions

speed of communication - email / ICQ ( 'I seek you') chat rooms

flexibility to avoid restrictions of time/place etc…

multi call facility (the internet is never engaged)

ability to work in real time and stored time (synchronous / asynchronous)

never ending exploration potential (data base)

option to work in a variety of formats (text / movies / still images / sound)

the entertaining / enjoyable context

economical and sustainable to the environment

the excitement of working with innovation and the anticipation of what is still to come

Page 5: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

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Goals & Benefits within OnlineGoals & Benefits within Online

Research Goals

Optimizing the use of new media for remote design collaboration

Understanding how to facilitate groups using telecommunication tools

Teaching Goals

Design: Sharing and comparing design methods

Technology: Working together to make the tools perform

Culture: Opening eyes to different ways of working together.

Learning Benefits

Motivation of mysterious foreign partners

New role for students as readers, editors

Fairness of more tutors, anonymous presentation, peer feedback

http://darkwing.uoregon.edu/~nywc/vdstalk.html - -

Department of Architecture, University of Oregon, USA

Page 6: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

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IssuesIssues

In essence Om'nium [vds], concerned two issues:

'design process and dialogue': an exploration into the generation of ideas and concepts collaboratively and digitally across distance.

In order to try to facilitate and explore a collaborative on-line design process, the work of the project:

was un-prescribed and un-predetermined (yet not briefed so as to be confusingly ambiguous)

involved a strong interactive component;

utilised a cross-disciplinary approach to designing;

encouraged collaboration rather than competition.

a possible future education option: applying such process within a 'revolutionary framework’ using cyberspace for its classrooms or studios.

Page 7: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

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Interface _ structureInterface _ structure

The Design studio metaphor thus provided students quite literally with:

'easels' - for working on concepts and visuals/sound

'walls' - for 'pinning up' work completed collaboratively, for critique by peers, tutors and public

'chat rooms' - for synchronous conversations between group colleagues, peers and tutors

'message boards' - for asynchronous conversations with peers, tutors and public

'exhibition areas' - for display of final resolved concepts, accessible to anyone via the wor

ld wide web

Page 8: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

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Virtual studio roomsVirtual studio rooms

Each of the working groups had all the above features offered to them within a series of 'virtual studio rooms' (VSR's):

totally private working areas (VSR1),

tutor consultation areas (VSR2),

peer review forums (VSR3)

general world wide web access locations (VSR's 4 & 5).

'technical help forum' (THF):

chat rooms,

message boards,

'frequently asked questions' (FAQ).

Page 9: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

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Process Process _ Om’nium [vds]99_ Om’nium [vds]99

The unraveling nature of the Om'nium [vds] brief encouraged the 'process dialogue' by identifying five stages over a seven week period:

Gathering (two weeks)

Initial conceptual investigations of three words (red, small, a car)

Identifying (one week)

Deciding as a group a specific interpretation of the main brief

Distilling (one week)

Breaking down ideas from the works produced in the gathering stage

Abstracting (two weeks)

Further selecting and rejecting elements from the distilling stage

Resolving - (one week)

Further abstraction and refinement to a point of final proposal and presentation.

Page 10: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

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ReferencesReferences

http://www.open.ac.uk/eci/omnium/omniset.html

http://www.omnium.unsw.edu.au/pub_files/30_.pdf

http://www.omnium.unsw.edu.au/pub_files/29_.pdf

http://www.omnium.unsw.edu.au/pub_files/28_.pdf

http://www.creativeireland.com/resources/articles/omnium.html

http://www.omnium.unsw.edu.au/

Page 11: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

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Page 12: Wenzhi Chen February 19, 2003. 2 The Om'nium VDS was initiated early in '99 by Australian University of New South Wales Fine art lecturer Rick Bennett

The EndThe EndThank You for your Listening Thank You for your Listening

and Suggestionsand Suggestions

Email | [email protected]

Wenzhi’s Wonderful World | http://id.cgu.edu.tw/wenzhi

CoCreaThink Design Community | http://thinkdesign.cgu.edu.tw

Alai Design Research Group | http://Alai_DRG.idv.st

C OC REAT H IN K D ESIG N

合 創

思設 計