week 2 competition board

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  • 7/29/2019 Week 2 Competition Board

    1/1

    Quaternary alluviumand marine deposits(Pliocene to Holocene)

    +18+16+14+8

    +8+13

    +11

    +19

    +29

    +29

    +22

    +19

    +29

    +22

    +36+36

    +37

    +20

    +20+9+3+13 +15

    +14

    +14 +26 +29

    +18+16

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    Local workforceLow densityLow fam/hh sizeMedium income

    $40-45K/year

    September 9, 20121:17 pm 13 51

    100

    September 11, 20128:19 am 10 44

    100

    Time(min)

    0.....

    1.....

    2.....

    3....

    .4.....

    5.....

    6.....

    7.....

    8.....

    9.....1

    0

    NOISE

    SHADOW

    DOPPLER

    EFFECT

    HIGHER

    FREQUENCY

    HIGHER

    FREQUENCY

    HIGHER

    FREQUENCY

    LOWER

    FREQUENCY

    LOWER

    FREQUENCY

    DIFFRACTION

    REFLECTION

    Frequency22 kHz 20 Hz

    Frequency20 Hz 22 kHz

    TRANSONDENT ARCHITECTURE

    TIME

    FREQUENCY

    PARAMETRIC MODEL OF CERAMIC TRANSONDENT TILE

    RECEIVER-ORIENTED PARADIGM

    SIGNAL-ORIENTED PARADIGM

    SONOGRAPH OF 25-HOLE TILES SIGNAL TO NOISE RATIO

    PROXIMITY OF AMBIENT SOUNDS TO EA CH FACE DETERMINES NUMBER AND SIZE OF HOLES

    AREA MAP OF AMBIENT SOUNDS

    SITE PLAN

    ELEVATION OF AMBIENT SOUNDS

    ADJACENCY OF PARTICULAR SOUNDS TO PROGRAMMATIC NEED DETERMINES ORIENTATION OF HOLES

    LOW FREQUENCY NOISE FROM TRUCKS STOPPING

    KIOSK-SIZE READING ROOM: READ ALOUD AMIDST HIGH LEVELS OF AMBIENT SOUND

    HIGH FREQUENCY NOISE FROM DISTANT FREEWAY

    BLOCKS MORE MIDFREQUENCY NOISE

    BLOCKS MORE LOWFREQUENCY NOISE

    VARIABLES: LENGTH, WIDTH, HEIGHT, GRID COUNT, NUMBER OF HOLES, HOLE SIZE, HOLE ORIENTATION 1 HOLE 2 HOLES 7 HOLES 11 HOLES 25 HOLES

    Noise functions as a byproduct of architecture and urbanism within a larger framework of sound as(spatial) territory, both public and private. Some noises are pollution while otherssignalsprovide

    critical data about our surroundings, suggesting environmental sound control should focus on filteringsignals to produce a highly tuned transondent soundscape of clarified signals.

    Noise abatement, which can be defined as a set of strategies toreduce noise pollution, was initiated in 1907 by a law prohibiting boatchatter by horn-blowing in New York Citys harbors. The excessivehorn-blowing was disturbing the sleep of the citys hospital patients,thereby making it a public health concern. This model of legislatingagainst the source of a disturbing noise I have designated assource-oriented planning. This paradigm had to be expanded assound insulation technology developed rapidly during the twentiethcentury, forcing legislation to require the use of such technology torequire its use in shielding the person hearing excess noise. This newparadigm I have designated as receiver-oriented contains thesource-oriented model firmly rooted within it. By challenging thedominant receiver-oriented paradigm, signal-oriented planning and

    transondent architecture diffuse the soundscapes of denselypopulated areas and traffic corridors, mitigating negative effects ofexcess noise while keeping ambient noise nominal.

    THICK TILEnoise and reducednoise are a handfulof thick bandwidths

    THIN TILEnoise and reduced noise

    are many thin bandwidths,

    pulse of signal is retained

    REPETITIVE TASKS,MANUAL LABOR

    DETAILED TASKS,MENTAL FOCUS

    SIGNAL : NOISE SIGNAL : NOISE SIGNAL : NOISE

    CREATIVE TASKS,EXPLORATION

    NO TILEnoise occupiesentire spectrum

    of bandwidths

    Lines are intended to show directional information about sound perception on-site. Lin es are not intended to beisobel (equal-loudness) curves, as a field recorder was used to gather information, not a decibel meter.

    Analysis of the nearbypedestrian bridge shows

    how diffusion of sound canseparate low and high

    frequency componentsfrom the earprint of the

    acoustic spectrum