v-venezia magazine 3 - september octobert 2013 (english version)

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magazine V V e e n n e e z z i i a a L e opere di due straordinari collezionisti, nonno e nipote, per la prima volta riunite alla Ca’ d’Oro, la dimora che il primo, il barone Giorgio Franchetti, scelse per contenere i suoi tesori poi messi a disposizione di tutti. Accanto alle raccolte antiche del nonno, per la durata della mostra viene esposta la non meno rara collezione di Giorgio jr che docu menta, in modo esemplare, il nuovo dell’arte italiana del secondo dopoguerra. Diversissime le loro collezioni di opere d’arte, diversissimo del resto era anche il momento storico e le condizioni in cui vissero e operarono. Il barone Franchetti sr amava l’arte antica, i maestri minori, le opere rare e non ancora famose. Il nipote, Giorgio jr, l’arte del suo tempo e del suo

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V-Venezia magazine is the new digital magazine written by the Tourism Department of the City of Venice. It promotes sustainable cultural tourism: art exhibitions and events, but also itineraries and eco-friendly travel ideas, in Venice and in its lagoon.

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Le opere di due straordinari collezionisti, nonno e nipote, per la prima volta riunite allaCa’ d’Oro, la dimora che il primo, il barone Giorgio Franchetti, scelse per contenere isuoi tesori poi messi a disposizione di tutti. Accanto alle raccolte antiche del nonno,

per la durata della mostra viene esposta la non meno rara collezione di Giorgio jr che docu­menta, in modo esemplare, il nuovo dell’arte italiana del secondo dopoguerra. Diversissimele loro collezioni di opere d’arte, diversissimo del resto era anche il momento storico e lecondizioni in cui vissero e operarono. Il barone Franchetti sr amava l’arte antica, i maestriminori, le opere rare e non ancora famose. Il nipote, Giorgio jr, l’arte del suo tempo e del suo

Events

Venetian festivals

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Off course: the other Venice

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Exhibitions in Venice

Music venues

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Off course. The othermap of Venice is a brandnew map of the city, the littlevademecum of ideas andadvice for eco­friendly andfair trade holidays in the la­goon, away from the usualtourist routes. It's more thanjust a map ­ produced by theMunicipality of Venice incollaboration with the no­profitorganisation AEres ­ it is full ofrecommendations for where togo for green and fair tradeshopping (shops, markets,farms), and also suggests eco­friendly and vegetarianplaces to stay and eat in thecentre of Venice, the otherislands of the lagoon and thesurrounding area. The wholepublication can be consulted be­fore you set out, on the portal of

www.veniceconnected.com/fuorirotta

OOffff ccoouurrsseethe other map of Venice

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Rendezvous with artCollezionismi al la Ca' D'Oro

Exhibitions in VeniceOltre 20 mostre d'arte da nonperdere

Venetian festivalsLa Regata Storica

See you in VeniceCartel lone degli eventi in corso

Verdi & Wagner 2013Viva Verdi

Off course: the other VeniceFrom Venice to Pellestrina

The stones of Venicevenetian curiosities, traditionsand ancient crafts

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www.veniceconnected.com/fuorirotta

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The artworks assembled by two extraordinary collectors, grandfather and grandson,are united for the first time at Ca’ d’Oro, the residence chosen by the former, BaronGiorgio Franchetti, to house his treasures, which he later donated to the public.

Alongside the antique works collected by his grandfather, the equally rare collection ofGiorgio junior is displayed for the duration of the exhibition, an exemplary documentationof the new Italian art of the postwar period. Two very different art collections, very differenttoo the historical context and milieu in which the two men lived and moved. BaronFranchetti senior was a lover of ancient art, minor masters, rare and as yet undiscovered

From GiorgioFranchettito GiorgioFranchetti

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www.veniceconnected.com/fuorirotta

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works. His grandson, Giorgio junior, lovedthe art of his era and habitat, Rome in the1950s and 60s, a time of innovation andferment, which he seized upon and evenenlivened. From Giorgio senior'sknowledgeable passion for ancient art,particularly from the Renaissance, comes ahighly original collection of artists fromTuscany and central Italy, Venice andFlanders, from Giambono to Mantegna,from Titian, Tintoretto and Paris Bordon toGuardi, but also van Eyck and van Dyck,Paul Brill and Joachim Patinier. Hisgrandson Giorgio Franchetti, who diedseveral years ago,collected Tano Festa, CyTwombly, EnricoCastellani, PieroManzoni, AlighieroBoetti, Gino DeDominicis, MimmoRotella, Mario Schifano,Ceroli, Fabro, Luigi

Ontani… and if he made a concession to"historical" painting it was for GiacomoBalla. These works are reunited, having beenscattered following the collector's death, inthe second floor "portego" of Cà d’Oro.

The exh i b i t i on

Every part of the Ca’ d’Oro is involved in thislarge­scale exhibition dedicated to the twoFranchettis. The itinerary begins in thepalace's atmospheric interior courtyard,resting place of Giorgio senior's ashes, andcontinues on the first floor with a section

entirelydedicated to theMuseum'sfounder, hisfamily and hisgenerousdonation of theCa’ d’Oro andits art collection

I n fo rmat i onuntil 24th NovemberGalleria Giorgio Franchetti alla Ca' d'OroMonday 8.15 - 14.00; Tuesday to Saturday 8.15 -15.00; Sunday 10.00 - 18.00.Sunday and holiday opening times are subject tovariation.www.cadoro.org

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to the state in 1916.The heart and soul of the Baron's collection isthe so­called Chapel of Mantegna, conceived bythe owner to house the suffering St. Sebastian.Andrea Mantegna's masterpiece stands as asymbol of the nobleman's obstinatedetermination to turn Ca’ d’Oro into a sublimeplace of beauty and art. Among the mostprestigious works in the gallery ­ which alsoboasts a fascinating section of sixteenth andseventeenth century Flemish and Dutchpainting, including Van Dyck's portait ofMarcello Durazzo ­ are Titian's Venus withMirror, and two Venetian vedute by FrancescoGuardi. Equally significant are the Renaissancesculptures which were gradually added to thecollection, and the series of medals, bronzes,carpets, tapestries, detached frescoes andwooden furniture from various periods andprovenance, as well as a huge collection ofceramics acquired by the museum in 1992.The part of the exhibition devoted to the baron'sgrandson, on the second floor, highlights hispassion and skill as a collector of modern art in

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LeonardoDaVinci

dal 1° settembre al 1° dicembre

Gallerie dell'Accademia.

La mostra si sviluppa attorno all’eccezionale

nucleo di fogli autografi del maestro di

Vinci, tra esse risalta il celeberrimo studio

di proporzioni umane, noto come Uomo Vi­

truviano.

www.gallerieaccademia.org

NapoleoneMartinuzzi

dal 8 settembre al 1° dicembre

Fondazione Giorgio Cini

Isola di San Giorgio

La mostra illustrerà l'intera produzione

dell'artista per la vetreria Venini.

Dopo gli eleganti soffiati trasparenti anche

le opere dalla inedita tessitura opaca.

www.lestanzedelvetro.it/

LaBelladelTizianodal 12 settembre al 8 dicembre

Palazzo Grimani

Castello 4858

“La Bella di Tiziano”, meglio nota come “La

Bella”, restaurata da pochi anni, è uno dei

dipinti più celebri del maestro cadorino.

www.palazzogrimani.org

IDonidiShahAbbasdal 28 settembre al 12 gennaio 2014

Palazzo Ducale

Percorso attraverso le relazioni diplomati­

che tra la Serenissima e la Persia all’epoca di

Shah Abbas I il Grande.

www.palazzoducale.visitmuve.it

SylvanoBussotti

dal 28 settembre al 7 gennaio 2014

Casa di Carlo Goldoni

San Polo 2794

La Casa di Carlo Goldoni fa da cornice idea­

le all’esposizione in anteprima delle mario­

nette­burattino create dalla geniale fantasia

di uno dei personaggi più poliedrici del

mondo dell’arte.

www.carlogoldoni.visitmuve.it

Avanguardiepariginedal 29 settembre al 6 gennaio 2014

Collezione Peggy Guggenheim

Dorsoduro 701

La mostra raccoglie una ricca selezione di

circa 100 dipinti e opere su carta e si foca­

lizza sulle maggiori avan­guardie francesi di

fine Ottocento.

www.guggenheim­venice.it

Camera1953/1964dal 5 ottobre all’8 dicembre

Ca’ Pesaro

Santa Croce 2076

La rivista “Camera”, pubblicata a partire dai

primi anni ’20 in Svizzera, diventa negli

anni ’50 e ‘60 un punto di riferimento

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99

internazionale per la fotografia, grazie

all’impegno di Romeo Martinez che la dirige

fino al 1964.

www.capesaro.visitmuve.it

LacollezionePanzadal 5 ottobre al 12 gennaio 2014

Ca' Pesaro

Santa Croce 2076

La mostra rende omaggio a Giuseppe Panza

di Biumo, la cui passione, intuito e fede

nell’arte contemporanea hanno permesso di

creare una delle più interessanti raccolte

d’arte delle pitture americane del secondo

dopoguerra.

www.capesaro.visitmuve.it

LaCollezioneSonnabendfino al 29 settembre

Ca’ Pesaro

Santa Croce 2076

Ileana Sonnabend è stata una delle più

grandi e influenti scopritrici di talenti artisti­

ci della seconda metà del Novecento, la sua

visionarietà precorritrice e quell’eclettismo

di gusto e pensiero le hanno permesso di

comprendere e promuovere il nuovo

nell’arte americana e europea.

www.capesaro.visitmuve.it

TimeLapsefino al 24 novembre

Negozio Olivetti

San Marco 101

Il progetto comprende un’installazione so­

nora dei Dj Donato Dozzy e Rabih Beaini e

una mostra fotografica di Armin Linke, che

presentano una rilettura, attraverso il suono

e la fotografia, dell’architettura del Negozio

Olivetti progettato da Carlo Scarpa.

www.negoziolivetti.it

Amarcordfino al 24 novembre

Ca’ Giustinian

San Marco 1364/A

In questa mostra vengono portati alla luce

frammenti della storia della Biennale di Ve­

nezia, grazie all’incursione del curatore che

si è imbattuto in alcuni materiali e li ha scelti

con lo spirito del collezionista e dell’appas­

sionato più che dello storico o dello studioso.

www.labiennale.org

RudolfStingelfino al 31 dicembre

Palazzo Grassi

San Marco 3231

La mostra presenta una selezione di oltre

trenta dipinti, alcuni di proprietà dell’artista,

altri provenienti dalla collezione Pinault e da

altre collezioni internazionali.

www.palazzograssi.it

StudiescopertealCorrerfino al 31 dicembre 2015

Museo Correr

Piazza San Marco, 52

Opere d’arte e raffinatissimi manufatti, sia

veneziani che provenienti da luoghi lontani,

riuniti in serrato dialogo a evocare l’ideale

raccolta di un colto collezionista in un pa­

lazzo patrizio: un “tesoro” finalmente ritro­

vato.

www.correr.visitmuve.it

Veneziae laGraficafino al 15 settembre

Ca' Pesaro

Santa Croce 2076

La mostra ripercorre i passi di un’avventura

culturale che vide Venezia al centro del di­

battito incisorio italiano più aggiornato, po­

nendo le basi anche di un importante

confronto internazionale.

www.capesaro.visitmuve.it

INCHIUSURA

Outsider inaboxfino al 5 settembre

Museo Ebraico

Mostra personale di Dwora Fried. Potenti e

provocatorie, a volte ironiche, le creazioni di

Dwora Fried catturano persone, luoghi ed

emozioni sotto vetro. Letteralmente.

www.museoebraico.it

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The Regata Storica (Historical Regatta) is an im­portant sporting event combined with a historicalcommemoration, which takes place on the firstSunday in September each year. The event consists oftwo distinct stages: the historical pageant, followed bythe competitive regatta.

The h i s to r i c a l pagean t

The event commemorates the welcome given in 1489 toCaterina Cornaro, wife of the King of Cyprus,who gave up her throne in favour of the Republic ofVenice. The spectacular pageant features scores ofboats in sixteenth­century style, brightly coloured androwed by gondoliers in period costume, which trans­port the Doge, his wife and all the highest­rankingVenetian officials, in a faithful reconstruction of theglorious past of one of the Mediterranean's mostpowerful and influential Maritime Republics.The procession departs from the Bacino di San Marcoand travels the length of the Grand Canal to the Pontedella Costituzione, before following the same route backto the finish line of the rowing races, greeted by ap­plause from Venetians and tourists watching the mag­nificent sight from the banks and buildings along theroute.

The regat ta

The competitive part of the celebrations consists of theboat races, and even today this is the most importantand prestigious rowing event in the Venetian calendar.The winners receive prizes from the highest city au­thorities and are seen as true Venetian champions andheld in enormous respect in the world of rowing. Todaythe four competitions are subdivided by age and type ofcraft: the most famous, and hugely anticipated by theVenetians, is the race of the "Campioni su Gondolini",

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small gondolas which fly down the GrandCanal to the finish line at the famous mach­ina, the floating stage moored in front of theCa' Foscari, seat of the University of Venice.As well as cash prizes, the first four teamsclassified receive traditional symbolic flags.The winners are awarded red flags, followedby white, green and blue. Until 2002 tradi­tion required the fourth team in the champi­ons' race to be awarded a live piglet, whichwould feature in the historical pageant.However, due to protests from animal rightscampaigners, the live piglet has been re­placed by a pig made of Murano glass. Theessential points and stages of the regatta are:­ the spagheto, the rope stretched acrossthe starting line in front of the Sant’Elenagardens;­ the paleto, a pole fixed in the centre of theGrand Canal in front of Santa Lucia railwaystation, where ­ so tradition has it ­ the win­ners are determined;­ the machina, a floating construction car­ried by a barge anchored in a bend in thecanal in front of Cà Foscari, sumptuouslydecorated with gold and coloured carvings,the official finishing place for the races andwhere the prizes are given.

La B i s son a

This is a special kind of boat, sleek in shape,fast and flat­bottomed, used exclusively inwater pageants and processions. It featureslavish traditional decorations and is typicallyrowed by eight oarsmen. The name comesfrom the dialect word "bissa", meaning watersnake, an extremely fast swimmer, while thetype of craft probably descends from ancientwarships, known for their speed and man­oeuvrability. The bissone is used for specialoccasions, such as the water pageant whichopens the Regata Storica, or for traditionalcommemorative events like the Sposalizio delMare (marriage of the sea). Two other typesof boat are often commonly called bissonebut in fact have a different kind of construc­tion: the bissona Serenissima, seventeenmetres long, keeled rather than flat­bot­tomed and powered by eighteen oarsmen,and the bissona Dogaressa, which is actuallya special four­oared gondola, richly decor­ated and bigger than the traditional gondola.

Taken from Wikipedia

FESTE PATRONALIFesta del mosto6 ottobreIsola di Sant'Erasmo (Ve)www.santerasmovenezia.com

Festa del peocio (cozza)dal 6 all’8 settembreOasi WWFDune degli AlberoniLido di Veneziawww.dunealberoni.it

Mestre in centrofino al 27 ottobrein occasione della Festa diSan MicheleMestre (Ve)www.mestreincentro.it

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CULTURALEVENTS

70.InternationalCinematographicArtExhibition

until 7th September – Venice Lido

The Exhibition aims to promote the knowledge

and circulation of international cinema in all its

forms of art, show and industry, in a spirit of

freedom and dialogue. The show organises ret­

rospectives and homages to important person­

alities, contributing to an improved knowledge

of the history of cinema.

www.labiennale.org

Campielloaward2013

7th September ­ La Fenice Theatre

The prestigious literary award ceremony is

held in one of the most representative and

prestigious backdrops of the city’s history

and culture. It is an exclusive appointment,

strictly by invite only, where high society,

culture and show business meet.

www.premiocampiello.org

MUSIC

3.FestivalGaetanoCallido

until 27th September, every Friday at 9pm –

Various churches in Venice

Il Festival pone come propri obiettivi la cono­

scenza e la promozione dell’arte della musica

d’organo nella città, attraverso appuntamenti

settimanali ad ingresso libero diretti alla cit­

tadinanza e ai visitatori.

www.callidoavenezia.com

AVVENIMENTI SPORTIVI

HistoricalRegatta20131st September – St Mark’s Basin

TheRegattasgiverowingchampionsachancetocom­

pete: the spectators participate with passion by shout­

ingwordsofencouragementtotheirfavourites.

www.regatastoricavenezia.it

LugsailDay

8th September – St Mark’s Basin

The President of the Republic’s Cup is a

regatta in St Mark’s Basin followed by a

parade to the Campo dell’Arsenale, where

boats and AVT instructors will be available

to respond to citizens’ questions and doubts.

Followed by refreshments for all parti­

cipants.

www.velaalterzo.it

FlyVenicefrom 20th to 22nd September ­ Nicelli

Airport – Venice Lido

This event takes place every year in

September at the Nicelli Airport on the

Venice Lido. During the fair you can visit

exhibitions, take part in conventions and, of

course, watch the acrobatic shows.

www.aeroportonicelli.it

28.VeniceMarathon27th October – Waterfront on the Riva dei

Sette Martiri

Every year this internationally­renowned

sports event attracts thousands of marathon

runners from all over the world.

www.venicemarathon.it

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“Trafaria Praia” Floating Pavilion

until 24th November – Riva dei Partigiani

(near the ACTV Gardens stop)

A journey in a typical Portuguese boat

where you will find yourself in a surreal

atmosphere. The crossing takes place

between the Gardens and the Customs

Point.

www.vasconcelostrafariapraia.com

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5 5 . I n te rn at i on a l Ar tE xh i b i t i on

“Trafaria Praia” Floating Pavilion

until 24th November – Riva dei Partigiani

(near the ACTV Gardens stop)

A journey in a typical Portuguese boat

where you will find yourself in a surreal

atmosphere. The crossing takes place

between the Gardens and the Customs

Point.

www.vasconcelostrafariapraia.com

ALTRI EVENTI

BochaleriaiGiardini20137th, 15th September, 5th and 20th October

from 10am to 6pm – Giardini di Castello

Venice’s potters reawaken a passion for a

forgotten art. Including conferences and

ceramics workshops open to all.

www.bochaleri.it

2. AltroFuturoFairfrom13thto15thSept­FondamentaZattere,Venice

from19thto22ndSept­PiazzaFerretto,Mestre

On each of the seven days, there will be a

market fair, a non­stop series of laboratories,

meetings, presentations and shows dedicated

to both adults and children.

www.altrofuturo.net

AntiquesMarket

from20thto22ndSeptember–CampoSanMaurizio

A traditional antiques market held, as

always, in the splendid backdrop of Campo

San Maurizio, just a stone’s throw from St

Mark’s Square.

www.mercatinocamposanmaurizio.it

AutumninMestreuntil 27th October – Mestre

This year’s traditional appointment organ­

ised in occasion of the Patron Saint St Mi­

chael Archangel has a full calendar of quality

initiatives.

www.mestreincentro.it

GUIDEDTOURS

Cross­Bearers'Oratory

The painting cycle of Palma the Young is conserved

here: eight large canvasses taking up the entire wall

space narrate, with strong realism, the events linked

to the history of the hospital and the Cross­Bearing

Monks. Open upon request/booking.

www.scalabovolo.org/oratorio2.html

MentalHospitalMuseumSan Servolo Island

Ancient Benedictine monastery and later

convent, in the 1700s San Servolo became a

Military Hospital and finally a Psychiatric

Hospital for men until 1978. Today, the mu­

seum narrates the approach of medicine to

mental illness over the centuries. Open upon

request/booking.

www.fondazionesanservolo.it

WagnerMuseumVenice Town Casino ­ Ca' Vendramin Calergi

The collection of Josef Lienhart, the largest

private collection dedicated to the German

composer after that of Bayreuth, is exhibited in

the room where Richard Wagner died and the

rooms next to it, set up as a museum. Booking is

obligatory by 12 PM of the day before the visit.

www.casinovenezia.it

HospitalMusicRoom’Ospedaletto Church

Connected to the activities of famous musicians, the

Room was frescoed by Jacopo Guarana and

Agostino Mengozzi Colonna, interpreters of a tradi­

tion that reached its maximum splendour in the

1700s thanks to the artist Giambattista Tiepolo’s

example. Open upon request/booking.

www.scalabovolo.org/ospedaletto2.html

FOR FAMILIES

OUR WI NG EDFRI ENDS

6th October 10.30am ­ Dune degli

Alberoni WWF Oasis

Migratory bird ringing session

www.dunealberoni.it

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MMiicchheell ee CCrroosseerraa

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Two hundred years ago two giants of music and theatre were born: Giuseppe Verdi andRichard Wagner. Their works have never been more alive and relevant on stages all overthe world, and are also celebrated in the lagoon city. For the month of September, here is

a short itinerary in Venice for lovers of Verdi; a late summer or early autumn strollthrough the Cannaregio and San Marco districts in the very heart of the city, taking in thetheatres where Verdi's music was first performed in the 19th century or where Verdi's works, orconcerts dedicated to the maestro, are being staged at the conclusion of the 2012­2013 season.The route begins in the area of San Giovanni Grisostomo, a few steps from the Rialto andthe Grand Canal, at the Theatre of San Giovanni Grisostomo, which was re­named TeatroMalibran in 1835 in honour of the soprano Elvira Malibran following the singer's success inVincenzo Bellini's La Sonnambula. Built in 1677 by the Grimani family on a site once occupied

Long liveVerdi

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by the house of the famous Venetian explorerMarco Polo (destroyed by fire in the late six­teenth century), in the 17th century this wasthe grandest and best­known theatre inEurope and the largest and most sumptu­ously decorated in Venice: an enormouschandelier was raised and lowered through atrapdoor in the ceiling; all the columns werecarved and gilded. In 1875 the theatre stagedan enormously successful performance of theRequiem Mass composed by Verdi on thedeath of Alessandro Manzoni.Continuing towards Campo San Bartolomeoand then Campo San Salvador, after the Pontedel Lovo we arrive at the Carlo GoldoniTheatre, formerly known as Teatro Ven­dramin, also called San Salvador or San Luca.Built in 1622 on behalf of the Vendramin fam­ily, the theatre was named after Carlo Goldoniin 1875. In 1847 the theatre staged Alzira, anopera set in Latin America and one of thecomposer's less successful works, which re­ceived extremely negative reviews. Today

Teatro Goldoni hosts the prose season organ­ised by the “Carlo Goldoni” Teatro Stabile delVeneto, and the festival of children's theatre,as well as opera, concerts and ballets.Leaving behind Campo San Luca and CampoManin, we take the narrow Calle della Man­dola, and immediately on the right is theRossini multiscreen cinema complex,opened in October 2012, whose layout almostexactly replicates the former Teatro di SanBenedetto (subsequently Teatro Venier,Teatro Gallo, Teatro Rossini). Built by theGrimani family in 1755, this was one of thefirst theatres in Europe to have a cur­tain; today it is the largest cinema in the oldpart of Venice. In May 1854 the theatre stageda hugely successful repeat performance ofVerdi's masterpiece La Traviata, a year afterits premiere in the Teatro La Fenice.Symbol of the history of Italian opera, LaFenice, built in 1792, stands in Campo SanFantin, a mere stone's throw from Calle dellaMandola, turning left down Calle degli Assas­

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sini. Composers who have brought fame andfortune to the theatre include GioacchinoRossini with Tancredi in 1813, Gaetano Don­izetti with Belisario in 1836, and above all Gi­useppe Verdi with Rigoletto in 1851 and LaTraviata in 1853. Thanks to these masterpieces,La Fenice became one of Italy's best­knowntheatres, hosting some of the most audacious andexperimental works in the Italian lyrical tradition.La Fenice re­opens after the summer break withthe tragic story of love between Violetta Valéryand Alfredo Germont, marking the 160th an­niversary of the opera's premiere, featuring therecent but classic direction of Robert Carsen andunder the baton of Diego Matheuz. The first per­formance on Friday 30th August 2013 will be fol­lowed by thirteen performances, on 31st Augustand 1st, 3rd, 8th, 10th, 14th, 17th, 19th, 21st, 24th, 25th,27th and 28th September. Bringing the Verdi cel­ebrations to a close on Thursday 10th Octoberfrom 5 PM, the Fenice's Sale Apollinee payhomage to the Swan of Busseto with an eveningof music and readings on the anniversary ofthe composer's date of birth.

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The sunny September days are perhaps the bestdays of the year to discover Venice with a shortboat trip in the Venetian Lagoon and to get to

know the many different faces of Venice ­ in fact, it is saidthat every island is a little world in itself. In few places inthe world is it possible to forget one’s present, immersingoneself in the laid back atmosphere that one feels in someislands of the Lagoon, like Lido and Pellestrina. Whocould impagine that here, not far from the famous PiazzaSan Marco and its busy museums, caffes and boutiques,there would be two protected nature reserves coveringtens of hectares: the sand dunes called Oasi Dunedegli Alberoni and the nature reserve Ca’ Ro­man? Despite Lido and Pellestrina being amongst the

closest islands to Venice, they are very unique: for ex­ample, in the historic city centre the canals are seen asroads and you can’t cycle along the alleys and paths, hereyou can pedal away happily. To get to Lido from themainland is easy ­ also with your bicycle: you get on a ferry(number 17, company name is ACTV) which takes people(and their means of transport) from the island of Tron­chetto to Lido. If you don’t have a bicycle, on the island youcan find several places to hire one. Or, you can choose totake a more comfortable tour aboard ACTV public trans­port: from Piazzale Roma you get on the steamboat num­ber 1, which arrives at Lido via the Grand Canal ­ it is theslowest line but you can see all around you easily as well asthe beautiful old buildings which overlook the canal. Once

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you have arrived at Lido, you get on bus number 11 whichcrosses the whole island and arrives at Pellestrina on aferry. On foot or by bike, from San Nicolò, the mostwesterly point of Lido, you can walk along the wide tree­lined roads and along the sea front towards Malamoccobridge, taking in the Liberty and Art Deco style vil­las and grand hotels. Everyone knows Lido for thefamous international cinema festival, which brings bigglobal stars to the island at the end of August and the be­ginning of September, and has been doing so since 1932.Every year there are shows, events, press conferences,parties and galas. But Lido isn’t only this: there are alsobeautiful beaches, which receive the Blue Flag on a yearlybasis, showing the sea is clean and the facilities are well

looked after. To get to Alberoni you go along the sea frontand up onto on the murazzi which are stone fortifica­tions created in 1751 to protect the beach and the lagoonfrom sea storms. Here you will see the unusual sculpturesmade by local people with materials drifted in from thesea. The picturesque town of Malamocco is worth a visit.It’s the first settlement on the island and looks like a littleVenice with canals, squares and paths. Its fish restaurantsare popular with Italian film makers Mario Soldati, Felliniand Italian comic book creator Hugo Pratt. The magis­trate building (Palazzo del podestà) is nice to visit, itis the permanent home to archeological finds relating tothe history of Lido. Going towards the southerly end of theisland you reach the sand dunes Oasi Dune degli Al­

The eco-friendly fair trade map of Venice

Off course. The other mapof Venice is a brand newmap of the city, the littlevademecum of ideas andadvice for eco­friendly andfair trade holidays in thelagoon, away from the usualtourist routes. It's morethan just a map ­ pro­duced by the Municipalityof Venice in collaborationwith the no­profit organ­isation AEres ­ it is full ofrecommendations for where to go for green and fair tradeshopping (shops, markets, farms), and also suggests eco­friendly and vegetarian places to stay and eat in thecentre of Venice, the other islands of the lagoon and thesurrounding area. The whole publication can be consultedbefore you set out, on the Municipality of Venice tourism portal,www.veniceconnected.com/fuorirotta.

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beroni, set between the Adriatic sea and the lagoon. Itsname comes from the large trees which were clearly vis­ible to those arriving by sea and which indicated the en­trance to the canal port. The oasis surrounds one of thebiggest and best conserved sand dunes on theAdriatic coast, with dunes as tall as 10 metres. There arepaths crossing the pine forest which is 30 hectares big,and is home to flora and fauna. When you get off the boatat the island of Pellestrina, you come across little fish­ing villages ­ San Pietro in Volta, Portosecco andPellestrina ­ where it seems you have gone back to Veniceof the 50s. You see the fishermens’ wives sat outside theirfront doors, bent over their crocheting ­ an island traditionlike in Burano ­ the fishing nets spread out to dry and thechildren playing in each other’s houses. Linked to

Pellestrina by the sea fortifications (Murazzi), the naturereserve Ca’ Roman is the home to unique species ofbirds, both water based ones like the Oyster Catcher, andMediterranean ones like the Horned Owl and the rareEuropean Nightjar. To visit Ca’ Roman is like going backin time and seeing the Venetian coasts of old. The reserveis also an area of interest due to the fort ­ Forte Barbar­igo ­ and the Austrian bunkers, used up until the secondworld war. When the birds migrate, both protected naturereserve areas are a real paradise for bird watchersand wildlife photographers: in winter you can seethe Yellow Legged Gull, the European Herring Gull andthe Black­throated Loon; in spring it is common to see theSandwich Tern and the Mediterranean Gull, specieswhich are not very widespread in Italy.

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Palazzo del Podestàpiazza Maggiore ­ Malamocco (VE)tours by appointment tel+39.333.6143976

Oasi Dune degli Alberonivia dei Bagni marini, località AlberoniLido di Venezia (VE)L'area è aperta alla visita tutto l'anno; laprimavera e l'autunno sono i periodi piùindicati per fioriture e osservazionifaunistiche.www.dunealberoni.it

Riserva naturale Ca' Romanlocalità Ca' Roman ­ Pellestrina (VE)Il periodo migliore per la visita va damarzo a giugno e da settembre anovembre; è possibile prenotare visiteguidate ed escursioni in barca.www.lipuvenezia.it

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S ta te l o t te ry

In 1733 in Venice, the State Lottery wasofficially born, under the name of “En­titled Lottery of Genoa and Rome”.Ninety girls were chosen from parishes,hospitals and religious places, theirnames written down and put into a ballotbox by five magistrates. Every year nineextractions of five names were made.While the magistrates were responsiblefor controlling operations, collaboratorspublished the extracted name but, beforeofficial disclosure, groups of children ranamong the alleyways of the city would re­vealing the extractions in exchange formoney.

The doradori were artisans. Theyworked with the fine gold leafthat resulted from a series of pro­cesses, starting with mixtures ofplaster and red clay right up tothe agate stone­polishing phase.No material could have been bet­ter to celebrate Venice’s splendourthan gold. It was easy to come byduring the rich Byzantium age; itwas the best way to represent thesacredness of a place, an object or afabric and the thousands of squaremetres of mosaic in Venice’s St.Mark’sBasilicawasanearlyexampleof experimentation with it. In theXV and XVI centuries, these artis­ansenjoyedanextremelyhighrepu­tation, so much so as to even berequested abroad. The doradori’s

work became even more popularduring the 1700s with the fashion ofRococò golden doors and furniture,orthestatuesofthefamous“Moors”with turbans holding fruit bowls orbright torches, or in the woodenparts of theatres. And there weremany theatres in Venice; amongthem the jewel of the Fenice, built inthe second half of the 1700s follow­ing the design by GiannantonioSelva. The rich stuccoed decoration,engravingsandpanelsoftheTheatreand the Apollonian Rooms attractedadmiration from all over the worldfor their magnificence. The dramaticfiresitsuffereddidnothingtodestroyits splendour; a splendour renderedimmortal – as is the phoenix itself –throughaccurate renovations.

Venetiancuriosities

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ancient crafts

The doradori

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The island of Saint Erasmushas a strong agricultural vo­cation and as well as thefamous violet artichoke,there are also many vineswhich bring forth a wine of atruly unique flavour. InSeptember the grapes areharvested and then crushedand pressed leaving a cloudyand very sweet liquid: almosta lightly alcoholic grape juicefrom which wine is then ob­tained through fermentation.Traditionally, on the firstSunday in October (this yearthe 6th) the Island’s festivalcommittee organises the“Festival of Must”, a fun faircelebrating this preciousnectar.As well as day­long enter­tainment – including musicwith the local band – andsolidarity initiatives, thefestival starts with a morn­

ing mass of thanks with theisland’s greengrocers, theblessing of agricultural carts,gastronomic stands andmarket­exhibition. In the af­ternoon is the famous,mixed­crew Venetianregatta. And finally in theevening, the traditional pub­lic grape pressing, when youcan even sample the grapejuice directly. There are alsovarious entertainments forchildren.

HOW TO REACH

By steamboat from CavallinoTreporti, where you can alsotake your bike on board, orfrom Venezia Pontile inPiazzale Roma or Fonda­menta Nuove.

Info: Hellovenezia 041 2424

The colours of the flagsThe Republic of Venice used to usedifferent colours for flags to indicatewhether they were in a state of war orpeace. The cloth was white in times ofpeace and red in war. Alliance with asovereign was indicated by a blue cloth,while a period of truce was indicated bya purple cloth. Ships always used redfor both their flags and their uniforms– giving rise to the tradition of display­ing red cloths over the square, consid­ering that the antennas of the squarerepresent the masts of ships.

The bu t t re s sThis is a typical Venetian architec­tural structure consisting in pro­truding wooden or stone trussesused to support the protrusion of abuilding on the first floor level,compared to the alleyways or landbelow. In layman’s terms, from thefirst floor up, the buttresses supportthe protruding part as if they were alarge shelf. The one shown in thephoto is in Istria stone and is foundin Rialto. It was the model for allVenetian buttresses.

tradition

The Festival of Must

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Assessorato al Turismo

LLaauurraa RRiibbaannoo

V­Venezia magazineyear 1 , issue 3, September/October 201 3

Bi-monthly online magazine by the Tourism Department of the City of Venice

Contacts:turismosostenibi [email protected]. it

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