using ink wash and editing with gesso
TRANSCRIPT
![Page 1: USING INK WASH and EDITING WITH GESSO](https://reader033.vdocuments.site/reader033/viewer/2022051707/58ecb5661a28ab6e558b45d9/html5/thumbnails/1.jpg)
Akhtar Hussein – Start light and add darks – light ink wash, darks added
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Fred Martin – Identify and elaborate one large shape with added line
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Aksa Shakil - Gesture and value as focal point
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Lee Trites - Simplify! Try “scattered composition”
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John Barbour – Use light as a focal point
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Joyce Linker - Draw over bright color, adding similar washes at the end to unify
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Sumiko Shimada – crop small images form large ones
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Ibrahim El-Salahie - Use value to create tension, imbalance, harmony, variety of shapes
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Combine several pieces to form one large one
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Use empty space as a focal point (unknown artist)
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Beili Liu – Elaborate on found shapes with value – don’t get attached to raw ink wash
![Page 12: USING INK WASH and EDITING WITH GESSO](https://reader033.vdocuments.site/reader033/viewer/2022051707/58ecb5661a28ab6e558b45d9/html5/thumbnails/12.jpg)
Find unusual shapes and clarify them Stop Making Sense!
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Hong Liu – Prepare paper with layers of ink wash (and/or Gesso) then draw realistically over dried washes
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Use Gesso to edit outdistracting elements
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Use dry brush Gesso over bright washes, re-work with ink
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Use Gesso in layers over dried dark washes; fold paper then cover with ink & gesso, use wash over Gesso (unknown artist)
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Use Gesso and charcoal over ink wash
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Cheryl Brodie - layer, layer, layer