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Firstly, thank you for reading and supporting Untitled Track Magazine, the magazine for Un-derground and Independent Hip-Hop. It has

been a bit wild since the first issue was completed. We have taken the show on the road heading from Tampa to Gainesville, heading to more venues in the Tampa Bay area from Supa D’s to Bulls Club, and even visiting some of the last record shops in Tampa.

We have met many more grinders including guest reporter and upcoming artist Most High of T-Virus Entertainment as well as the Hip-Hop Hybrid whom graces this issue’s cover, iRite TMC! With the new faces in this issue, we have some old friends re-turning to this issue! As UNTK continues to follow SUMMERZ and ELLA ELLA on their grind and ask Instrumentool for his opinion once more, the second issue of Untitled Track Magazine is ready for your consumption. Let’s get started, shall we?

H.D. CampbellEditor-In-ChiefUntitled Track Magazine

Wow. After finishing the first issue, we returned back to the same bookstore that helped inspire UNTK (the biggest inspiration was SUMMERZ…

check out Issue #1 if you are unfamiliar with the story). So as we return to the magazine rack again, we see the cover of Hip-Hop Weekly and lo & behold there he is again! And he is not alone as you can see from the picture shown. If you read the Hot Mixtape Review in the last issue, you prob-ably figured out that we aren’t big fans of him either. Well, to each their own…both taste and opinion. After seeing the cover and the subject topic, our heart, mind, and soul were reassured about the launch of Untitled Track Maga-zine! If this is the best that other magazines can come up with, then a magazine that showcases the grind of upcom-ing artists and producers would be welcomed beside them on the shelves as well. Well, at least with Kendrick Lamar’s “Control” verse, this should give the Hip-Hop magazines a temporary boost in their circulation sales (our money for the magazine with the greatest boost is the one that lands Ken-drick Lamar on their next cover). Our opinion holds that his verse gives current mainstream Hip-Hop artists the needed boot up their asses to at least ignite the fire for better lyr-ics (even if that too may be temporary). We’ll see. Until then, we’ll keep our eyes on the grinders. So moving right along…

A quick introduction, if we may…Franke Benjamin, better known as Most High, is the CEO of T-Vi-

rus Entertainment in Tampa, FL. As an upcoming artist himself, Most High grinds all day with his art and hus-tles many nights doing his thing at The Bulls Club. We here thank Most High for taking some time out of his busy schedule to speak to UNTK during Ella Ella’s Single Release Party. So without further ago, we turn it over to Most High:

Here at 1251 E. Fowler Avenue AKA The Bulls Club was the scene where “Real Hip-Hop” was spot-

ted again! Over a dozen of Tampa’s Underground Hip-Hop artists amalgam-ated for the celebration of Ella El-la’s single release party. Ella Ella, a Tampa native, was clothed by the support of his family and friends. The show opened up with explosive talents such as Pat, Purp Gang, and R&B syndicate Mack-Homie. Intermis-sions were saturated with the tunes from DJ Grand Evil and the comical

Barak Amen. Later in the night, Ella Ella set the stage a blaze with his single “I’m a Ryder I’m a Slider”, then (with fellow Left Lane’s lyri-cal Beethoven SUMMERZ) expressed his need for a Queen on another sin-gle entitled “Passion Fruit”. This event was presented by the UGS (Un-derground Society), with manager Ce-dric Edmonds. According to Mr. Ed-monds, “Real Hip-Hop isn’t played on 95.7, it’s showcased right here at the Bulls Club”. The show was put to rest with the performances of Bigger Squad, the ever so ener-getic G2G, and the lyrical ethics of Jay Scriptz. The show continues next week for Red Mike’s birthday bash/mix-tape release party. It’s safe to say real Hip-Hop is alive! And doing quite well...

And there you have it. We here at UNTK would like to thank Most High for the insightful report. Can’t wait to hear more from him and more about him in the near future!

So should freestyling be considered an art or a sci-ence? As we leave the pundits to weigh in on that question, here is a tidbit from the world of Neu-

roscience…the secret to understanding the neurosci-ence of creativity just might be freestyle rap! Accord-ing to The Inquistr.com, a rapper’s brain flow reveals the secrets of creativity once it enters the “flow state”. The article also mentions that the same cognitive func-tions displayed during freestyle rap are used by ath-letes. Interesting, right? Well if you want to read more,

JUST TAP HERE!

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J. Cole BORN SINNERBorn Sinner was one of our most anticipated album of this year with our major hope was that J. Cole wouldn’t hit the “Sophomore Slump”. So after listening to album, how do we feel about it? Well...we thought is was good and yet we wanted more. It started off strong with mentions of Biggie, Tupac, Trinidad James, and Jay-Z references (“Villuminati”) as well as invoking sounds of old with use of Outkast sounds (“J and the Snakes”) and ended strong with tracks such “Forbidden Fruit” & “Let Nas Down” but yet many moments that we felt that the album would have been better if some tracks were left out. But all and all, we liked Born Sinner...even better than Kanye West’s Yeezus. It was a solid effort for his sophomore album which will help him get more respect...but is it “classic-worthy” like The Blueprint? We’ll let the listener decide.

Kanye West YEEZUSWe understand there’s difference between art and product when it comes to music but we can’t understand the euro centric techno sound of Yeezus. As we reflect on Rolling Stone’s review of the album, we still try-ing to decide why they would give it higher marks than J. Cole’s Born Sinner. Could it been because of its puesdo-anger to same higher class he’s now part of even if you are black? Could it be the shock value of the blasphemy of tracks (“I Am A God”) which similar concepts helped artists like Madonna reach her pinnacle? Could it be that Kanye is now combining his version of Hip-Hop with heavily bass dark sounds that has existed across the Atlantic for years is now being imported by him as a new sound? Our opinion is even if Kanye do slight reminders of the early days with “Blood on The Leaves” or “Bound 2”, Yeezus is a techno album masquerading as a Hip-Hop album...and if we wanted HIp-Hop/Techno, we’ll listen to Daft Punk or the other tracks that plays on 93.3 FLZ on Saturday night. Oh...and you’re the next “Michael Jack-son”? Yeezus just went Gold a couple of weeks ago...and Thriller has sold over 42 million. Good luck with that.

Jay Z MAGNA CARTA HOLY GRAILAs we listen to Jay Z’s new album and the radio favorite “Holy Grail”, we are reminded of an athlete whom is so talented at his sport that he doesn’t have to play as hard to get the victory. This is Magna Carta Holy Grail. The only thing that it would take some time to get use to some of sound effects but once your ears adjust Magna Carta Holy Grail sounds like a con-tinuation of Watch The Throne. We’ll let you decide if that’s a good thing or not. As for us, it’s not so bad...we just feel that Jay Z has gotten comfortable with his skills so its more luxury rap than gritty hardcore...but we were teased with the second half of “Picasso Baby”. And we thought the track with Frank Ocean (“Oceans”) was decent...but not so much with the track with Rick Ross (“Fuckwithmeyouknowigotit”). In a nutshell, it’s not The Blueprint but definitely worth a listen.

Mondon PAY ATTENTIONAs a member of D.I.T.C.M.G and Dy-Nasty, Star Bars lyrist Mondon launches a verbal barrage with his new mixtape Pay Attention. The only problem is why should Pay Attention be considered a mixtape? We mean, the songs are seriously too good to be considered mixtape-quality (no disrespect to mixtapes). From the violin-powered intro (“Exordium”), continuing with “Moment of Silence”, and finishing off with a remix of “Mic Check” with SUMMERZ, Mondon delivers a lyrical skill rarely found in Southern Rap. His lyrical ability is only maginfied with production from D.I.T.C.M.G’s Instrumentool and iRite TMC (whom also lends a verse on “X-Files”) as well as features from SUMMERZ, B-Jynx the Lyric, Rocky Rod, Maniac, Prophit, ReB-eL, and G-3. In conclusion, we see a future as bright as the moon Mondon mentions in “Moon Man” as Pay Attention provides another jewel in the crown of Mondon, Dy-Nasty, and D.I.T.C.M.G. And being this album is available on DatPiff, you can get the “mixtape” for free! Go grab it now!

Dy-Nasty LYRICAL ECONOMY

We went digging in the crates ourself and found some early work of a budding D.I.T.C.M.G. as the early form of Dy-Nasty which consisted of Mondon, B-Jynx the Lyric, Rocky Rod, Maniac, and Instrumentool (be-fore he stepped exclusively behind the boards) decided to step into the booth at Studio 203 and spit some bars on some classic and recent (at the time) beats. Even listening to the maturing flows of this team of artists from this early mixtape, you could hear the lyrical quality that makes the name Lyrical Economy more than apt and definitely bankable. It isn’t just the flows that capture their creativity...you can see production skills at play as you witness B-Jynx gets behind the boards producing the track“Some People”. All and all, the album may be more than two years old but it is a testament to Dy-Nasty’s creative prowess and a great mixtape to get your hand on. Go to DatPiff and get your hands on it now (while you still can).

iRite TMC NUTRITIONIs it possible to create a mixtape in which the artist could spit bars and create original beats them-selves? Yes, you say? Well, do the songs also sound good? Such rarities are hard to find these days yet we here at Untitled Track were simply handed one on our search of good music. Nutrition by iRite TMC is perhaps one of the best overlooked mixtapes on DatPiff that we found refreshing. With its velvety smooth productions and iRite TMC’s laid back flow, the six tracks of Nutrition is a great listen from “Dawn” to “Keep On” (our personal favorite). So would we co-sign with such art? Well, iRite TMC graces this issue’s cover as well as gives us a personal interview so to say that we were impressed with his skill would be an understatement. After listen-ing to his work, you would think so too.Aris An viribus, C. Dam derte tem scri idi

Chief Keef BANG PART TWOWith the promotion Bang Part Two was getting on DatPiff, we were under the impression that this would be Chief Keef’s magnum opus or something. Then we listened to it...and we sighed. Again, here’s an-other mixtape that panders only to the fanbase and to the fans of bass. The only tracks that we felt were memorable were the ones with comedian Michael Blackson (but we do wonder if the comments about Two Chains, Drake, and Rick Ross were just Michael’s words). Excluding the skits, Bang Part Two is only appro-priate as a speaker tester and red meat to the fans. We won’t erase it out of our iTunes library just yet but when we begin to need more disk space, Bang Part Two is on the top of our list.

Trinidad James 10pc MildThis is gonna sound a bit odd but we have to say it...we actually enjoyed 10pc Mild (and we’re not talking Popeyes). We knew what we were getting after listening to Don’t Be S.A.F.E. and this review was more to see if Trinidad James would only be a “one-hit wonder”. Al-though we didn’t find any tracks as powerful as “All-Gold Everything”, many of the tracks were good. And what caught our attention is that 10pc Mild had as many features as a LP (even getting a verse from Childish Gambino, of all people) which fits just well with the direction of the mixtape. Although Trinidad James calls him-self a “one-hit wonder” at the end of “Ro$”, we have to disagree as we continue to bob our heads to 10pc Mild. The way we feel, if Gucci Mane (whom is featured on “Ea”) can maintain a musical career, then Trinidad James is going to be ok.

Childish Gambino CAMPSometimes, the better lyricists can come from anywhere. They aren’t always former drug dealers or from the streets. Sometimes they can be actors (and no...not THAT guy) whom can tell his story in the form of rhyme. Enter Donald Glover. There’s a comedian/actor/producer/DJ/writer/rapper/etc that could put some full time rappers to shame, lyrically. And what is his story? Just being different. A rapper who raps about being called an Oreo? Someone who spits about being a black guy who wear short shorts? And what about his thing with Asian women? It’s a bit different from what most Hip-Hop fans usually listen to and yet some of the subjects he flows about are more relevant to listeners than the dope boy on the corner or being able to drive the fanciest of cars such as the story at the end of “That Power”. We enjoyed the en-tire album and gonna continue being fans if he keeps up the good work. If you are not a fan, keep it mov-ing...there is enough music out there for you to enjoy, For the rest of us, we’ll continue jamming to Camp.

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I’m sorry but I had enough of this. Every day, the same damn song plays nearly every 3 hours (or even less in some cases)… and this epidemic is the same for both

recent releases and older tracks. Songs from Ja Rule and Ashanti are still playing on the radio after 10 years…and not just in the “Back In The Day Buffet” slot…seriously? So I hope that explains why the hammer was put through my old radio. So as the corporate-owned radio stations continue bombarding us with the same crap on the hour by the hour, what is it for a grinder to do to get heard? Getting discovered and signed is an option but do the gains outweigh the losses? And what about the numerous artists whom are signed that doesn’t get any spins on the mainstream radio? Perhaps the hottest of those artists are getting some play on Sirius XM or Pandora but it’s hard to listen to those outlets without a special type of radio or a smartphone. And even if either of these options were easily accessible, the fact still remains that signed artists from major record labels will be given higher priority over smaller label artists and independents. So what is it for an artist to do? Until we find a way to help the upcoming artist, let us brainstorm for a moment.

In a perfect world, there exists a radio station that show-cases underground and independent Hip Hop. Let us call this radio station WHAT 100.1 FM. The radio station would be both terrestrial (you can listen to it on your radio) and you can listen to it online and on an app. The pro-gramming for WHAT 100.1 FM would be Hip-Hop and

R&B (or Urban Contemporary if you want to be political-ly correct) but the twist would be that an equal amount of songs from unsigned & independent artists would get the same amount of spins as signed artists form the ma-jor labels. The programming of WHAT 100.1 FM would include a 3 hour show that showcases Underground and Independent Hip-Hop music and news. For the lack of a better name, we’ll call this program WHATs Up. WHATs Up will play on WHAT 100.1 FM on Saturdays from 7 pm to 10 pm. Sounds good so far, right? Now with everything set up, how would artist get their music to gain the same spin as a Jay-Z song on WHAT 100.1 FM? How about we do it in these steps:

Step 1. When the artist happy with the song, they would upload the song to the WHAT 100.1 FM website. (More than likely, the WHATs Up section of the site.)

Step 2. WHAT 100.1 FM would then tweet and post that this artist has uploaded their song to the station’s website and allow the followers & friends of WHAT 100.1 FM to listen & vote if they like the song. (This will provide enough time for the artist to inform their fan base that they have posted their song to WHAT 100.1 FM and ask for their vote as well. This would both help out the artist and the station as more listeners participate in the voting process and wait to see the outcome.)

Step 3. During this time, voters will have the chance to

vote off which songs they want off the regular airplay. Every song which includes signed, unsigned, and inde-pendent artists are on eligible to be voted off.

Step 4. If the song uploaded gains enough votes to rank into the top 25 highest voted songs of that week, the sta-tion will add the song to the lineup of the coming Satur-day’s show of WHATs Up.

Step 5. During the WHATs Up show, listeners will be al-lowed to vote on the top 5 songs they want to hear in the radio weekly line up. The top 5 songs with the highest votes would get regular airplay on WHAT 100.1 FM. The 6th to the 10th highest voted songs will be allowed to play in next week’s show in a section called “2nd Chance”. Songs ranked 11th to 25th will be asked to try to upload their songs again to be voted back on to the WHATs Up lineup in the future.

Step 6. At the end of the show, the songs that will be dropped from the WHAT 100.1 FM regular airplay will be announced. If listeners want a song back, they would be allowed to “Pardon the Track” by voting on the WHAT 100.1 FM’s website. The song with the most votes will be allowed in the WHATs Up lineup the next week to be voted alongside that week’s uploaded 25 songs.

This is a pretty democratic solution, huh? Doing things this way would help get rid of the junk that continually

plays on the radio, provide new music the opportunity it deserves, and let the people hear what they want to hear. It combines technology that is already present. It gives the return to the old school way of how radio sta-tions work without worrying about concepts like payola and such things. It also builds a wider pool of listeners that would be of great benefit to advertisers on the ra-dio stations to connect to more people to purchase their products and services. In this situation, WHAT 100.1 FM would be a win-win for everyone!

But we know the truth. The radio stations are so in bed with the major record labels that the idea of WHAT 100.1 FM is not likely…but is it possible? Maybe not exactly the way we may have described it but a similar concept could arise. It would definitely help revolu-tionize the music industry. We have put it out there…now only time will tell. So as you can tell by the image, guess who was voted off my regular airplay…

http://youtu.be/-cWFpg20yTI

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mailto:ditcmgroup%40gmail.com?subject=I%27m%20Interested%20In%20Recording%21

Now dear grinder…you have written the vers-es, recorded the flow, mixed & mastered the

song, and the song is complete. Now what? Do you wait until the right person comes from out the blue to ask you about your new song you just fin-ished? Well…we’re sorry to be the bearer of bad news…but there’s a very, very, very, very slim chance of such an event happening . You must promote yourself (at least at first) to get known. So how would you go about doing that? Have you ever thought about creating a Press Kit? Ev-ery little bit helps as you continue your journey to your dreams. Maybe this bit of information from IndieGuides.com may help you. It may also help you get booked for live shows too. So do you have three hours? Well this low cost method may help you gain more for your career than you ever thought. So let’s get started.

ESTIMATED COST: LOW

ESTIMATED TIME:3 HOURS PREPARATION WITH IMMEDIATE RE-SULTS. (ACCORDING TO INDIEGUIDE.COM)

What Do You Need to Do This: A CD of your songs You or your group’s bio Fact sheets All press materials/mentions you have collected Photos of your group or you

Directions:1. Create a cover page.

The cover page should be a letter addressed to the person you are giving the press kit to. This should have your contact information, website, and basic details about your music. Put your contact information on every page of the kit. This page should be eye-catching and visually appealing since it is the first thing that will be seen.

2. Include your bio.A bio is a one-page sheet about you or your group. This should be story-based, easy to read, and interesting.

3. Include your CD.Include your latest CD. Make sure all of your contact infor-mation is on the CD itself, in case it gets separated from the rest of your kit and the case.

4. Include a fact sheet about you.A fact sheet is a one-page reference sheet with basic facts about you. This includes:

Your Stage Name or Group Name Tagline Style and genre of music A list of established groups or artist similar to you

Hometown When you began Discography Group member names (if there is more than one) Instrumentation (if any) Notable coverage or facts about you and/or your group

5. Include any press clippings, reviews, or positive mentions.If you have press coverage, include a page of quotes and reviews of you or your group, live show, or albums.

6. Include a list of where your music has been played.Include notable radio, television, and media play of your music. If you’ve licensed your songs in films or other notable ways, include those.

7. Include an 8x10 photo (optional).Most press wants to be able to download digital versions of your photos from your website.

8. Make sure all this information is also available online at your website.

You should have a section on your website that includes all the above information so the press can download the infor-mation at their convenience. Services such as SonicBids and ReverbNation provide online press kits that can house this information for a fee. (Both links lead to IndieGuide.com’s online guides to these services.)

And there you have it. We hope this helps. You can thank us (and IndieGuides.com) later.

DJ RISK ONE’s press kit providesan excellent example ofa digital variant of the

Press Kit concept!TAP HERE TO SEE HIS

PRESS KIT YOURSELF!

Please excuse us in holding in our laugh-

ter…momentarily. Well, the image you see

to your left is the OFFICIAL album cover for

Prince’s newest single “Breakfast Can Wait”.

When we first saw it, we all just knew that this

pic was just another clever internet meme…

that was until we found out that Prince him-

self tweeted the cover art! Who knew that

Prince had such a sense of humor? Then

again, who knew that Prince had game on

the court like that? And from a marketing

perpective, the promotion is sheer genius!

Hehe…sorry...we can’t hold the laughter in

much longer…

JUST CLICK HERE TO WATCH LISTEN

TO A PREVIEW OF

“BREAKFAST CAN WAIT”!

Game. Blouses.

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