unlimited selection - abet laminati · coordinated by ettore sottsass which deeply influences...
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Unlimited selection
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Più di cinquant’anni di storia da raccontare, le tante e diverse collaborazioni importanti da ricordare, i momenti che hanno segnato il design internazionale da evidenziare, le moltissime collezioni proposte in un susseguirsi di successi e interpretazioni artistiche da rivivere; i progressi in ambito tecnologico, la continua ricerca e la realizzazione di texture, di varianti e di possibilità per il laminato da condividere.
Tutto questo, e molto altro, si trova oggi raccolto in un ambito pensato per esaltare il laminato Abet a tutto tondo. Il Museo nasce, infatti, dal desiderio di creare un raffinato insieme degli stili, delle cromie e delle forme di quello che Gio Ponti definì uno “straordinario materiale per l’architettura elaborato dall’uomo“, dalla volontà di realizzare uno spazio che sia al contempo luogo di informazione, documentazione e area espositiva che raccoglie pezzi importanti, talvolta unici, nati dalla genialità delle matite più creative del mondo.
Più di 600 metri quadrati ospitano arredi, complementi e oggetti che raccontano diversi periodi storici, evidenziandone il valore e la singolarità.Visitare queste sale significa ripercorrere parte della storia del design, immergersi in squarci di realtà significative per assistere al vorticoso mutare dei trend dagli anni Sessanta ai giorni nostri.
Dalle molteplici possibilità figurative e dal fascino indiscutibile che lo ha reso innumerevoli volte scelta dei progettisti, il laminato Abet trova all’interno del Museo il tempo e la sede ideali per spiegare il suo percorso in continua metamorfosi; un percorso che ha assecondato e talvolta anticipato gusti e rivoluzioni culturali fino a rendere questo poliedrico materiale parte imprescindibile dell’evoluzione del design.
Così come il protagonista a cui è dedicato, il Museo si trasformerà per comprendere nel tempo tante altre pagine della storia aziendale, nuove interpretazioni del laminato, il design del futuro.
Le due sale del Museo sono intitolate alle figure più rappresentative dell'azienda, al fondatore Enrico Garbarino e a mia moglie Cesara Garbarino Mazzola, presidente fino al 2011.
Bruno Mazzola
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More than 50 years of history to tell. Numerous and variety of important collaborations to remember. The moments in time that have marked international design to highlight. The countless collections presented in a stream of successes and artistic interpretations to revive. The technological advances, continuous research and creation of textures, variants and possibilities of laminate to share.
All this and so much more are now gathered in a space conceived to fully enhance Abet laminates. The idea of the Museum grew out of a desire to create a refined collection of the styles, colours and shapes of what Gio Ponti described as "extraordinary material for architecture developed by man". Evolved from the will to create a location that embraces at the same time a place of information, documentation and exhibition that gathers important pieces, sometimes unique, born from the creative genius of the most important designers in the world.
More than 600 square metres housing furniture, accessories and objects, which describe and highlight the value and uniqueness of different historical periods.Visiting the rooms means to retrace part of design history, an immersion into fragments of significant realities that followed the swirling changing trends from the Sixties to the present day.
Abet’s laminate, so often the number-one choice of designers for its numerous figurative possibilities and undeniable charm, creates inside the Museum the right time and venue to explain its path through continuous metamorphosis; a path that has supported and sometimes anticipated tastes and cultural revolutions that make this versatile material an essential part of the evolution of design.
The Museum and the protagonist to which it is dedicated will further evolve over time to include many other pages of the corporate history, new interpretations of the laminate and the future of design.
The two rooms of the Museum are dedicated to the leading figures of the company, to its founder Enrico Garbarino and to my wife Cesara Garbarino Mazzola, President until 2011.
Bruno Mazzola
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LA STORIA
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HISTORY
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Nel 1957, A.B.E.T., Anonima Braidese Estratti Tannici, nata nel 1946, diventa ABET e inizia la produzione di laminati plastici decorativi ad alta pressione.
In 1957, A.B.E.T., Anonima Braidese Estratti Tannici, born in 1946, changes to ABET and starts to manufacture high-pressure decorative plastic laminates.
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Gli anni ’60, ricchissimi di fermenti sociali e culturali, sono quelli in cui prende forma la vera storia di Abet Laminati, una storia intelligente e lungimirante che ha portato l’azienda, in poco più di vent’anni, a diventare leader nel mondo.
Fin dall’inizio Abet Laminati è stata capace di capire la strategica importanza del dialogare e del lavorare a stretto contatto con il mondo del design e dell’architettura, interlocutore privilegiato, capace di prevedere le tendenze e di monitorare costantemente l’evoluzione dello stile.
Quegli anni portarono allo sviluppo della serie Colours, la prima storica collezione dai colori forti e vivaci, in perfetto accordo con lo spirito avanguardista del tempo, così come del primo laminato serigrafato e della rivoluzionaria finitura SEI.
Tutte queste innovazioni furono di fondamentale importanza, in quanto modificarono l’immagine del laminato delineandone una identità propria. Sarà proprio questo l’elemento che contraddistinguerà la politica di sviluppo e la storia dell’azienda.
The true story of Abet Laminati starts in the Sixties, an incredibly rich period from a cultural and social view point. An intelligent and far-sighted story that led the company to become a world leader in little more than twenty years.
Since the beginning Abet Laminati has been able to understand the strategic importance of keeping an open dialogue and close working relationship with the world of design and architecture, as a sort of privileged speaker, able to predict trends and constantly monitor the evolution of style.
Those years led to the development of the Colours series,the first historic collection characterized by strong and vibrant colours, in perfect harmony with the avant-garde spirit of the time together with the first silk-screened printed laminate and of the revolutionary SEI finish.
All these innovations were of fundamental importance, as they changed the image of laminate which began to establish its own identity. This element proved to be crucial to the company’s development policy and future history.
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Gli anni ‘70 vedono Abet Laminati presente al Museum of Modern Art di New York quale principale sostenitrice del design italiano, tema della mostra "Italy: the new domestic landscape".
Insieme a un gruppo scelto di industrie italiane specializzate, Abet Laminati promuove "Colordinamo'77", un centro studi sull’uso e le capacità espressive del colore che, attraverso mostre, seminari e manuali, intende diffonderne la cultura.
During the Seventies, Abet Laminati becomes the main supporter of Italian design at the Museum of Modern Art in New York, theme of the exhibition "Italy: the new domestic landscape".
Together with a selected group of Italian industries, Abet Laminati fosters the creation of "Colordinamo'77", a research centre focusing on the use and expressive potential of colours promoting this culture through exhibitions, seminars and handbooks.
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Tra la fine degli anni ‘70 e l'inizio degli anni ’80 nascono prima Alchymia e poi Memphis, movimenti culturali rivoluzionari e straordinari cui l’azienda partecipa. Coordinate da Ettore Sottsass, queste avanguardie segnano profondamente il design italiano e internazionale, rivoluzionando il gusto non solo di quegli anni, ma anche di quelli a venire, diventando un importantissimo strumento di promozione del “Made in Italy” nel mondo.
Nel 1987 grazie al Diafos, innovativo laminato traslucido, Abet Laminati riceve il suo primo Compasso d’Oro, ambìto riconoscimento che la consacra definitivamente parte integrante della storia del design.
Between the end of the Seventies and the early Eighties, Abet Laminati takes an active part into Alchymia and Memphis, two revolutionary, extraordinary cultural and avant-garde movements, coordinated by Ettore Sottsass which deeply influences Italian and international design by revolutionizing the taste not only of those years but also of those to come and becomes a very important instrument in the promotion of "Made in Italy" all over the world.
In 1987, thanks to Diafos, its innovative translucent laminate, Abet Laminati wins its first Compasso d’Oro, the highly desired award for design, which ultimately declares the company an integral part of design history.
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Gli anni ‘90 portano alla presentazione della nuova serie Colori Uniti, selezionati e reinterpretati dalla genialità di Ettore Sottsass.
Sempre in quell’anno, la Comunità Economica Europea attribuisce ad Abet Laminati il Premio Europeo di Design, prestigioso riconoscimento che sottolinea il lungo percorso di ricerca combinato tra tecnologia e design.
The Nineties lead to the presentation of the new Colori Uniti series, selected and reinterpreted by the genius of Ettore Sottsass.
In the same year the European Economic Community awards Abet Laminati with the European Design Award, a prestigious prize that emphasized its long research journey combining technology with design.
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All’inizio del nuovo millennio, precisamente nel 2001, Abet Laminati insieme alla Ferrari di Maranello, riceve il suo secondo Compasso d’Oro, questa volta alla carriera.
Nascono le nuove proposte di Paola Navone - Serigrafia 2008 - e la Collection Digitalia, pensatada Karim Rashid e naturale evoluzione del visionario progetto "Kasa Digitalia", presentato in collaborazione con De Rosso in occasione del Salone Internazionale del Mobile di Milano 2008.
Nel 2010 Ugo Nespolo caratterizza con il MEG in stampa digitale la Città Ospedaliera di Avellino e nello stesso anno Konstantin Grcic disegna l’elegante collezione Crystaline: tre lussuosi pattern realizzati in collaborazione con SWAROVSKI ELEMENTS.
At the beginning of the new millennium, in 2001, Abet Laminati, together with Maranello’s Ferrari, receives its second Compasso d’Oro, this time a Lifetime Achievement Award.
Paola Navone’s new proposals - Serigrafia 2008 - bursts into life along with the Collection Digitalia, designed by Karim Rashid representing the natural evolution of the visionary project "Kasa Digitalia", presented in collaboration with De Rosso at the Salone Internazionale del Mobile in Milan 2008.
In 2010 Ugo Nespolo characterizes with MEG panels, incorporating digital printing, the hospital complex Città Ospedaliera Di Avellino. That same year Konstantin Grcic creates the elegant Crystaline collection: three luxurious patterns made in collaboration with SWAROVSKI ELEMENTS.
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Nel corso della Milano Design Week 2012, l'azienda presenta la nuova Parade Collection firmata Giulio Iacchetti, mentre ad ArtVerona Marcello Morandini interpreta lo Stratificato attraverso la creazione di imponenti sculture.
Abet Laminati è oggi una tra le più importanti realtà produttrici di laminati plastici decorativi, presente in tutti i continenti e in più di ottanta paesi del mondo.
During the Milano Design Week 2012, the company presents the new Parade Collection, designed by Giulio Iacchetti, whilst at ArtVerona Marcello Morandini interprets Stratificato by creating impressive sculptures.
Abet Laminati today is one of the most important manufacturers of decorative plastic laminates present in over 80 countries on all continents.
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IL MUSEO
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THE MUSEUM
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1960Ettore SottsassRolling Stones
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1966Ettore Sottsass
Gli Armadi Neri di Londra
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1966Ettore SottsassHotel California
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1966Ettore Sottsass
L'Amatore del Magnetofono
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1966Ettore SottsassTorno Subito
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1967Ettore Sottsass
Omaggio a Honda
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1968Joe ColomboPoker Table
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1968Joe Colombo
Porta Giradischi
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1968Joe Colombo
Tavolo in Stratificato
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1969Cristiano Toraldo di Francia
Istogrammi
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1970Superstudio
Quaderna 2830
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1970Crepax
Rappresentazioni in Laminato Serigrafato
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1974Achille e Pier Giorgio Castiglioni
Servomuto
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1979Ettore Sottsass
Armadio a Tre Ante
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1979Ettore Sottsass
Cargo
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1979Ettore Sottsass
Factotum
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1979Ettore Sottsass
Mobile da Ingresso
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1979Ettore Sottsass
Seggiolina da Pranzo e Tavolino Primavera
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1979Ettore SottsassSei Shonagon
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1979Ettore Sottsass
Svincolo
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1979Ettore Sottsass
Vetrinetta di Famiglia
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1980MemphisTavolini
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1980MemphisTappeti
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1981Ettore Sottsass
Beverly
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1981Ettore Sottsass
Carlton
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1981Ettore Sottsass
Casablanca
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1981Ettore Sottsass
Mandarin
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1981Ettore Sottsass
Suvretta
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1981Ettore Sottsass
Cantone
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1981Michele De Lucchi
Atlantic
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1981Michele De Lucchi
Kristall
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1982Martine Bedin
Lodge
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1982Ettore Sottsass
Malabar
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1982Masanori Umeda
Ginza
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1982Michele De Lucchi
Lido
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1982Ettore Sottsass
Vasi
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1982Alessandro Mendini - Enzo Mari - Vico Magistretti - Bruno Munari - Adolfo NataliniLimited Fantasy - Disegno Legno - Seurat - Disegno Laminite - Disegno Irregolare
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1983Ettore Sottsass
City
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1984Ettore Sottsass
Diva
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1984Ettore Sottsass
Ospite
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1984Michele De Lucchi
Flamingo
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1984Michele De Lucchi
Polar
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1984Michele De Lucchi
Continental
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1985Michele De Lucchi
Burgundy
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1986Nathalie du Pasquier
Madras
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1987Marco Zanini
Juan
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1987Ettore Sottsass
Luminous Case Piece
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1992Ettore Sottsass
Il Mio Sistema Personale
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1993Alessandro Mendini
Helianthus
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1996 Ettore Sottsass
Alba
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2000Ettore Sottsass
Kapota
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2000Ettore Sottsass
Gala
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2000Ettore Sottsass
Mahapatti
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2000Ettore Sottsass
Torri Blu, Torre Nera
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2000Jean Nouvel
Thickless
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2000Johanna Grawunder
Mike
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2000Martine Bedin
Slate
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2000Johanna Grawunder
Elena
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2000Marco Zanini
Onda
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2000Shigeru Uchida
Kaja
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2000Richard Hutten
S.E.C.
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2003Alessandro PedrettiSedute Basculanti
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2003Barber & Osgerby
Aerial
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2003Bibi & Gutjahr
Chez Fleur
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2003Christian Biecher
Diamond
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2003Harry & Camila
Tavolino Origami
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2003DumofficeSkin Deep
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2003Diego Grandi
Racing
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2003Stefania Di Petrillo
Millerighe
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2003Markus Benesch
Rapango
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2003Tomoko AzumiStep Shelves
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2003EOOS Design
Ritualwood
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2003Patrick Norguet
Dob
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2003Sophia WoodBaby Boxes
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2003Michael SodeauLadder Shelves
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2003Theo Williams
Mandola
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2004Ettore Sottsass
Mobile per Soggiorno
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2004Alessandro MendiniLa Casa di Gulliver
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2004Alessandro MendiniLa Casa di Gulliver
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2005Cahen & GrégoriPoltroncine Verdi
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2008Karim Rashid
Divano
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2008Karim Rashid
Lampada
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2008Karim Rashid
Tavolino / Sgabello
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2008Karim Rashid
Tavolino con Vetro
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2010Alessandro MendiniQuali Cose Siamo
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2010Bethan Laura Wood
Play Time
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2011Mauro Olivieri
Tablò
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2011Caterina Tiazzoldi
Fabulesque
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2011Navone e Magnani
Dea Kalì
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2012Marcello Morandini
Scultura 478 C / 2005-2012
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2013Antonio Cagianelli
The Wall
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ABET LAMINATI S.p.A. Viale Industria, 21 12042 Bra (CN) Italia www.abet-laminati.it Ufficio Stampa Federica Ferraris Bottigli [email protected]
Progetto Grafico e Illustrazioni:David Terzano / www.work-it.itConsulenza Artistica:Manuela Arcidiacono / www.arcidiacono.net
Stampa:L’Artistica SaviglianoMaggio 2013