unit 30
DESCRIPTION
Unit 30 - Music in ContextTRANSCRIPT
Music In Context In this article I will be discussing music in different contexts, how it has been affected and changed through time and specific details which contribute to certain genres. The 1970’s were a key period of time for music as this was when the disco genre began. Disco is dance music and was derived from the elements
in funk, soul, pop and salsa. It also came about due to the gay culture in New York at the time, being the main audience to disco music in clubs, as well as also being a reaction against both rock music and dance music which was involved in the hippie counterculture movement. Famous artists from the disco genre are Donna Summer (I Feel Love, Hot Stuff, Love to Love You Baby), The Bee Gees (Stayin’ Alive, How Deep Is Your Love, Night Fever), KC and the Sunshine Band (That’s the Way I Like It, Give It Up, Shake Your Booty) and Chic (Le Freak, Everybody Dance, Good Times). Disco was a powerful genre of music, in my opinion, as it has made a big influence on today’s music. As well as it not only having an influence to the popular music of it’s time but it also had an influence on fashion, with platform shoes, flares, hot pants, sequins and a lot of bright colours. Disco also had an influence on film, examples being; Saturday
Night Fever, Thank God It’s Friday and Skatetown U.S.A. Coming to the end of the 1970’s to the early 1980’s, contemporary r&b came about in America, made up of elements of rhythm and blues, dance, pop, soul, funk and hip hop. Michael Jackson was one of the first to make the crossover from the disco era into the beginning of contemporary r&b (Rhythm & Blues), which in the beginning was heavily influenced by pop music because of Michael Jackson and other artists such as; Janet Jackson, Whitney Houston, etc. Janet Jackson’s album ‘Control’, released in 1986, was actually a very big influence to r&b as it was the first time anyone had heard disco, funk, rap, synths and electronic drums mixed together.
Moving into the 90’s were artists such as Boyz II Men (I’ll Make Love To You, End of
the Road, On Bended Knee), R. Kelly (Ignition, Bump n’ Grind, The World’s Greatest) and Whitney Houston (I Wanna Dance With Somebody, I Have Nothing, My Love is Your Love). Continuing into the 2000’s and music today more examples of r&b artists are; Beyoncé (Crazy in Love, Irreplaceable, Sweet Dreams), Alicia Keys (No One, Fallin’, You Don’t Know My Name) and John Legend (Ordinary People, So High, Green Light). Contemporary r&b has had a big influence in music, so much so that
it’s still progressing throughout music today influencing pop, such as music from Rihanna, Bruno Mars, Frank Ocean, Pharell Williams etc. I think it will continue to thrive and evolve throughout many more future generations. Disco history Disco started off the very wide genre of dance music, as it was heavily played in clubs in the 70’s, which meant disco is what everyone would dance to. There are many events and factors which lead to the birth of disco starting in 1933 which was when nightclubs became popular in America, where people would dance to swing music. Moving on to 1939 a German group, enthusiastic about jazz and swing music, called The Swing Kids would all come together to show the colourful and elaborate jazz fashions and dance moves. The creation of The Swing Kids was in reaction to the Nazi movement at the time, as to them jazz was seen as a bad influence. There were many specific laws restricting music and
what could be played, as seen below; Also, in France at the time jazz was banned so resistance groups would meet in underground clubs, which were called discotheques. A few years later in 1942 a basement nightclub in Paris was opened called ‘La Discotheque’, the word discotheque in Europe meant a club that did not play any live music. After that in 1947 was when one of the first known nightclubs opened, named ‘Whiskey A-‐Go-‐Go’, which in 1953 hosted a night where the DJ (DJ Regine), used two turntables, had no breaks in the music playing and there were coloured lights and a dance floor. Coming to the end of the 1950’s in London, Soho coffee bars became the place to be for younger people who wanted to dance in the afternoon. Although for the rock and roll hipsters at this time they preferred bars and taverns, nightclubs weren’t popular. In 1962 a discotheque called the Peppermint Lounge in New York was the place to be seen, the twist was very popular at this time and
people would dance with or without a partner. The Peppermint Lounge was also known as the birthplace of go-‐go dancing because of women dancing the twist on tables. At this time in the UK, Manchester at The Twisted Earle, Roger Earle created the root of northern soul music, which had a big influence on disco music. The mid sixties was when more clubs started opening in New York including; Regine’s, Cheetah, Le Club and Arthur's
Figure 1 -‐ owner of Arthur Nightclub dancing inside the club
which was the place known to be where DJ Terry Noel first mixed records. Meanwhile, in Europe the euro disco scene was beginning as the songs ‘Hold Me Closer’ and ‘Baby Come Back’ by The Equals became hits. In 1969, Only the Strong Survive by Jerry Butler was released, this song had the ‘philly sound’ which was later a very big part of what made up disco music. Clubs in the late 1960’s to early 1970’s in New York would gain a diverse crowd of people as they entertained hipsters, Latino’s, African American’s, the gay and lesbian scene and people of the psychedelic culture. The disco scene was also a reaction against the white rock music, which was heavily popular in America at the time. For women the 1970’s was a historical time especially linked with disco as the pill started being prescribed to not only older women with families who did not want any more children but it was also being prescribed in family planning clinics to younger women, which was controversial, but it started a big step forward for women as it gave them a certain amount of freedom.
As well as this, feminism was being talked about more and more in casual conversation and with these big events for women at the time this meant that women had the
freedom to go out and dress up in the new disco fashions, un-‐chaperoned, and disco nightclubs is where they would go. Much of the Disco culture also came from the hippy scene with things like drugs, colourful fashion, psychedelia and free love. There are many songs, which have a hint of disco sound in them before the height of the disco era, a few are; You Keep Me Hangin’ On by The Supremes, Message To Love by Jimi Hendrix’s Band of Gypsys and Keep On Truckin by Eddie Kendricks. Disco reached TV in 1971, with the TV dance show ‘Soul Train’ and in 73 the first ever article written about disco was published by Vince Aletti for Rolling Stone. Also in 1973, a woman called Karen Lustgarten introduced disco dance lessons in
San Francisco and also published a book; ‘The Complete Guide to Disco Dancing’, which was the first book to ever teach the
popular disco moves. The book was so popular that it became a best seller and was translated into several other languages. This was also around the time when specific dance moves were choreographed for specific vocals and sounds of disco music. Many different dances became popular and associated with disco in the 70’s such as the Hustle, Mambo and the Salsa. The height of the disco era was between 1974-‐1977 where disco gained a rapid popularity and songs from the genre were topping charts.
Figure 2 -‐ Group of women protesting in the 1970's
In 1977 the film Saturday Night Fever was released, which was when ‘disco fever’ was at its peak. The film was a huge success and it’s soundtrack, mostly from the Bee Gee’s, became one of the best-‐selling albums of all time. By the late 1970’s disco had become the sound of mainstream pop, even non-‐disco artists began to record disco arrangements, like Perry Como and Ethel Merman.
The disco fashion came hand in hand with the music, it was a very big part of going out to
nightclubs to dance to disco songs but also dress up with fashions such as, hot pants, three piece suits, platform shoes, flares, wrap dresses, boob tubes and a lot of
colour and glitter. It was in the very late 1970’s that the popularity of disco decreased and the music and fashion was replaced with punk rock.
R&b history Moving back to r&b, it originated towards the end of the 1940’s but it’s musical style has changed quite dramatically from then until now. When it started out r&b was a popular African American style of music, around this time was when
rocking jazz type music with a heavy beat was gaining popularity. In the 1950’s-‐70’s typical rhythm and blues bands would usually play with a piano, guitar, bass, drums, a saxophone and occasionally background vocalists, the lyrics would often describe pain and freedom, influenced by early blues music from black slaves in America. Throughout time the term ‘Rhythm and Blues’ has not had a set meaning, first off in the early 50’s it was used to describe blues records, in the mid 50’s it referred to music that incorporated electric blues, gospel and soul, in the 70’s it was used to refer to funk and soul and in the 80’s a new style of R&B became popular, called ‘contemporary r&b’ which has elements of rhythm and blues, soul, funk, hip hop, dance and pop, which is more what r&b is known as today. As music was fading out of the swing period and into when r&b was becoming popularized, artists performed in smaller groups and emphasizing the heavy blues vocals and structure of the song, a lot of the same instruments were still being used but the loudness of bass and electric guitars really added to the early sound of r&b. When R&B was starting out in New Orleans it took influence from Cuban rhythms such as the ‘Rhumboogie’ by Bob Zurke, which had a tresillo bass line, tresillo refers to a three-‐note pattern that repeats itself.
The first time the tresillo was used in r&b was by
Dave Bartholomew in his song ‘Country
Boy’, which shows a small part of Afro-‐Cuban music influenced r&b
music. It was in 1949 that Billboard replaced the ‘race music’ category with the Rhythm and Blues term; the no.1 r&b
song for most of that year was ‘The Huckle-‐Buck’ by Paul Williams, which was described as a raunchy song. Paul Williams and his Hucklebuckers’ concerts were often quite riotous events, which had to be shut down. In 1951, Johnny Otis managed to get ten songs in the top ten including number one’s, ‘Cupid’s Boogie’, ‘Double Crossing Blues’ and ‘Mistrustin’ Blues’. In July of the same year a DJ called Alan Freed began to broadcast a late night radio show, called ‘The Moondog Rock Roll House Party’, which played rhythm and blues music but Alan Freed soon started to refer to it as rock and roll music. In the same year of 1951, Richard Penniman (Little Richard) began recording music in the jump blues style, influenced by Roy Brown and Billy White, but after he made a demo in 1954 and ‘Specialty Records’ record company heard a demo, they took him on to produce a new kind of funky, upbeat R&B style of music with tracks like ‘Long Tall Sally’ and ‘Tutti Frutti’. These songs would later on inspire the likes of Elvis Presley and James Brown. 1954 was also the year that saw the first R&B hit crossover into the top ten with ‘Sh-‐Boom’ by The Chords, and another song later in the year that also crossed into the top twenty was ‘Hearts of Stone’ by The Charms. Artists like Ruth Brown, Ray Charles, The Drifters and The Coasters
dominated 50’s r&b. Around this time was when r&b turned into soul music that was more funky and relaxed compared to the solid beat in classic r&b. Soul became the term to describe a wide range of r&b styles. Into the 60’s the r&b style of music was still very prominent within soul music, but the diversity of it grew even more as it reached different parts of America producing different sounds and eventually different styles of soul. In New York, Chicago and Philadelphia the style of r&b focused heavily on vocal call and response and a smooth feel to the music. In Detroit however, music was much more influenced by the pop genre as well as being influenced by r&b, gospel and rock n roll. Whereas in the South of the US music became much tougher and more raw sounding, using more uncommon rhythm’s, prominent sounding horns and very raw vocals. All these different styles of music were described as Soul, which ruled the charts in the 60’s even crossing over into the pop charts. In the same period of time, Motown `records had its first single which sold one million copies, which was The Miracles ‘Shop Around’. Across the 60’s and 70’s Soul music began to stream off into more individual genres with artists such as Sly Stone and James Brown (I Got You (I Feel Good)) developing funk and other artists like Leon Huff (Get Down with the
Philly Sound), Kenny Gamble (The Jokes on You) and the O’Jays (Love Train) creating music called ‘Philly Soul’. Later on dance r&b became another style of very popular music branching off of soul music. At the same time as all this Soul music happening in America in the 70’s, in Britain, rock music in pubs was also influenced by r&b, as was the mod revival, which started in the late 70’s. Coming into the 80’s and 90’s, hip-‐hop music was popularizing amongst mainly the youth of America and the term r&b was starting to be associated with groups of very high profile artists/producers who would create big R&B hits. By this time it had become harder to sell and hear r&b music because of the rise of hip-‐hop, but some r&b artists adopted the hip-‐hop image to keep popularity and would also even feature rappers on their tracks in the style of hip-‐hop.
The 90’s was where the contemporary r&b started from with new artists around such as; Usher (You Make Me
Wanna), Mary J Blige (Family Affair), R Kelly (Bump n Grind), Boyz II Men (End of the Road) and TLC (No Scrubs). This type of music is what we associate the term r&b with now.
In Britain many bands took influence from r&b music but it ended up forming a very different sound as to what was heard in America, there were generally more guitars and often more energy. The bands took the influence with them when moving on from the genre eventually then influencing the sound of rock and psychedeilia. Different influences on musical genres Now I will be talking about how there are a lot of different factors, which can explain sudden urges in specific genres of music at certain times. For example, rave music. The first rave ever took place in Chicago but later most raves took place in the UK, starting in Manchester. Rave’s started out as an underground movement where a huge amount of like minded people would get together and dance to different types of electronic music, influenced by the acid house genre, usually also on some type of drug. Raves were more than just people dancing to music; there was also a fashion, laser lights and an open mindedness that came along with the rave culture.
Figure 3 -‐ Underground rave in the 1980's
By the time the 90’s came around house music, acid music, old school jungle, electronica and techno music ere all being played at raves. Lots of
big events would gather thousands of people, anywhere up to 25,000. Rave parties have been described to be similar to football matches, as they provided a setting where people were unified. British politicians at the time did not respond well to the emerging rave scene and began to fine people holding rave events. Because of the new law enforcement, rave parties started to move more to the countryside. There was a new law in 1994 stating that ‘a gathering on land in the open air of 20 or more persons (whether or not trespassers) at which amplified music is played during the night (with or without intermissions) and is such as, by reason of its loudness and duration and the time at which it is played, is likely to cause serious distress to the inhabitants of the locality’.(1) Here is some footage of new years day 1993 after a countryside rave. Many people attended raves because of different reasons explaining the surge of popularity. One reason is because there was a decrease in employment at the time, the lowest rate of employment in nearly a decade. Also, because at this time Margaret Thatcher was in power, her government weakened the power of unions in the 80’s making it hard to strike legally, so I think that raves were a way of rebelling against authority at the time. So politics and the social culture of what was going on at this time can explain why there would be a sudden surge of popularity in rave music and the rave scene. Another factor that can actually influence the popularity of music genres is religion. For example, Rastafarianism has been a massive
credit to the popularity of reggae music. Bob Marley (One Love, Three Little Birds, No Woman No Cry) is the first artist that comes to mind when Rastafarianism is mentioned, because he is responsible for spreading the religion and genre worldwide. The Rastafarian religion has rules set in place such as; you’re required to grow your hair or dreadlock and no combing or shaving, you’re not to eat meat or flesh and you must be positive and loving. The ‘fruits of the land’ is their main diet and marijuana (known as ganja) is the herb hey use for healing and also to improve their meditation. It’s also a rule that if anyone should be involved the reggae music industry they must abide by all the rules and live up to the standards set by legends before them, meaning they are to only perform positive and uplifting music. Marcus Gavey, who was a black Jamaican that taught in the 1920’s, founded Rastafarianism. So it’s very clear that the religion of Rastafarianism is heavily involved in reggae music, especially as Bob Marley was a massive influence to many people which lead to many people following the religion he believed in as well as his music, this is why there was a massive popularity for reggae music at this time.
Figure 4 -‐ Bob Marley quote about cannabis.
There have been many, many more factors, which have influenced different genres of music such as religion with gospel music and even the simplest thing like location with Californian surf music. Influential artists I’ll now be talking about just three of the most influential artists on music, Over the years there have been many various artists who have made a huge impact on music and the way music has been shaped to this day. A big name everyone knows is Elvis Presley. Maybe Elvis didn’t create Rock n Roll but he certainly changed its style and shaped artists and music of his future.
Before Elvis was around, white men in music would commonly perform songs in front of a band in a polite way, but as soon as Elvis came along that all changed with his, raw vocals, striking outfits and the freedom of his dance moves, rock n roll was changed, he sang in the style of black artists and black music at the time as he had a love for that style of music as well as blues. It was often said that Elvis stole the style of black music but it didn’t stop him, also because he copied the black style of
music he was helping to breakdown problem of racism. Elvis was also the one to bring heavy use of guitars into rock n roll music, which soon became a very big trend influencing the likes of; The Beatles, Franz Ferdinad, Led Zepplin, Simon Garfunkel, The Clash, Artic Monkeys, Paul Simon, Cliff Richard, Marty Wilde and many more. Elvis has influenced so much in terms of music and influenced so many other big artists; even today there are still many impersonators around.
Another massively influential artist was Whitney Houston.
Narada Michael Walden, the author of ‘Whitney Houston; The Voice, the Music, the Inspiration’ described Whitney as ‘a singer who had a magic about her in the studio that gave him chills’. Billboard senior Gail Mitchell described her as a ‘singer’s singer’ because of the emotion she had in her voice, which could give any song a feeling that anyone could
Figure 5 -‐ Just a small group of Elvis impersonators from around the world.
relate to. Whitney wasn’t just an influence in relation to music; she also tackled the fashion world, modeling and the film industry. One of the
reasons Whitney was such an
inspiration is because when she first started her music career at 18/19 in 1985, she was probably one of the first African-‐American women to be so popular in the R&B and pop charts. Also because of the way her voice connected with people through her songs, she influenced many artists around today such as; Beyoncé, Jennifer Hudson, Mariah Carey, Alicia Keys, Celine Dion, Ashanti, Brandy, Christina Aguilera and even Lady Gaga. Whitney changed music by being so popular; her music videos were constantly shown on channels like MTV, which for an African-‐American female at the time was not seen a lot until Whitney came along which provided inspiration and influence for other artists to follow her lead. She was the first female to get their debut album to number 1, selling 14 million copies. She was, and still is, the only artist ever to chart seven consecutive singles at number one. She was again the first female to
produce a best selling single and has been the most awarded female artists of all time, so you can tell she had so much success during her career so you can see why she was so influential at the time and even now still. Moving on from talking about solo artists, one of the most influential group’s is Kraftwerk. Kraftwerk are a German synth-‐pop group who has influenced music and many artists in a big way. Starting out in 1970 they brought a whole new sound to music, using all electronic instruments, mainly synthesizers but also vocoders, electronic drum kits, sequencers amongst other things. Kraftwerk were the first group to popularize using electronic instruments in music and are even described as pioneers. They were big on experimenting with different sounds and equipment as they often used self-‐built instruments. The lyrics of their songs were about post war life and technology at the time, lyrics were usually quite minimal but had a significant meaning of celebrating but also warning people of the modern world. Kraftwerk have inspired many big names in music including the likes of David Bowie, Joy Division, New Order, Bjork, Depeche Mode, Gary Numan, Soft Cell, Human League, Visage and many more. Every single electronic artist after Kraftwerk has been influenced by their work. Also, because they were
seen as pioneers of the electronic music genre, they are part of the reason that house music, drum n bass and hip hop all exist. They changed music massively by using technology as a massive part of music and therefore bring about all forms of electronic music about today.
Many artists such as Madonna, Jay Z, Coldplay, Missy Elliot and Fergie have sampled their music. Musical genres and their characteristics All genres of music have different characteristics in terms of the typical instrumentation, tempo and rhythm used and it’s this that defines them. Moving back to the rhythm and Blues genre (in the 1950’s-‐1970’s), it typically uses different instruments that make it recognizable to everyone. For example typical instruments used in R&B were a piano, drums, guitar/s, saxophone and bass. The vocals were performed in an emotional way but also very relaxed
and in control as though it had been rehearsed to effortlessness, the lyrics were typically very meaningful and also written in an ‘AAB’ structure so the first sentence was often repeated. Most lyrics of R&B would often tell a story which would be resolved at the end of the song. The songs had a strong backbeat, from it’s gospel influence, but there was never one instrument that was more emphasised, each simple but repetitive part from each instrument meshed well together to create the mellow rhythm of R&B. The songs were often in 4/4 timing and also used what we now call the ’12 bar blues’ progression, if there were lyrics in the song they usually stopped in the last few bars at least before the 11th bar before they started again when the next 12 bars started. On the other end of the spectrum to the classic, laid-‐back rhythm and blues music there is ‘Screamo music’ which is a subgenre of hardcore rock music. The characteristics of this genre are very different in comparison to rhythm and blues. Screamo started out in the 1990’s and is described as an inharmonious form of emo music, the instruments used are typically the same as rock music so, drums, electric guitar, bass guitar and vocals (or screaming). A lot of screamo music has a dynamic of soft to loud vocals, where
Figure 6 -‐ Rhythm and blues band with instruments typical to the genre.
Figure 7 -‐ Screamo band, compared to an R&B band it's a very harsh look and sound.
there will be soft emotional singing but then the contrast of aggressive or even distraught screaming. The use of electric guitars is often very heavy and powerful. Even though the general sound of screamo is loud and aggressive, the lyrics of songs are often about things such as romantic interest, emotional pain, politics and human rights. The tempo in screamo songs often shifts, as does the dynamic. Music and Location Location can have a big affect on music, in terms of how it’s made, lyrically and even where it’s performed, an example is Californian surf music that I mentioned before. A lot of people nowadays do change instrumentation or style of how they perform a song live, in comparison to the studio version, to excite and surprise the audience; they may perform certain songs acoustically so either with an acoustic guitar and vocals or a piano and vocals. For example recently Taylor Swift performed one of her older songs ‘Love Story’ in the style as if she’d written it on her most recent album so added more electronic sounds and different backing vocals and harmonies. A lot of modern artists change things around in live performances nowadays, this could be seen as an advertisement technique to persuade people to buy tickets to see them live and see the different versions. Different artists and genres of music are performed in different locations, for example a jazz artist would usually be found in a jazz club or bar, classical music is often performed at venues like the Royal Albert Hall whereas modern pop artists often perform at stadiums and arenas
where jazz or classical music might seem out of place. Musical genres and its followers A lot of different genres gain a different type of following in terms of audience. A good example of describing this is BBC Radio 1, they have various different presenters doing different types of shows, usually specified to a certain genre or group of certain genres of music. For instance, Nick Grimshaw presents the breakfast show which plays mostly pop and mainstream music, Pete Tong’s show plays dance music, Daniel P Carter hosts the rock show, Charlie Sloth is in charge of the rap show and there are many other examples. All of these different shows will gain a different audience based on the music genre. Radio 1’s current demographic is an age range of 15-‐29 year olds but each show will gain more of a certain age range. Another example of different audience types in the more extreme
differences between the mods and rockers. The mods and rockers were two different British youth groups in the 1960’s. The ‘rockers’ were centered mainly around motorcycling, which also showed in their appearance as the typical rocker would wear things like leather jackets, motorcycle boots, sometimes creeper shoes and they would wear their hair in a certain pompadour type style. Rockers were heavily into rock n roll music, as their title would suggest. The ‘mods’ were centered more on fashion and music, and would ride scooters. Contrasting the rockers, mods would wear more clean cut suits and other smarter outfits and listened to 1960’s soul and rhythm and blues type music of the time.
There were many small
physical conflicts
between the mods and rockers where many people were jailed or assaulted, but it was at one main event
when the biggest conflicts took place
in Clacton on a weekend in 1964 and then on the south coast of England, where many people from London would travel to for the bank holiday
weekend. On the 18th and 19th of May in 64 thousands of mods travelled to
Brighton, Broadstairs and Margate beaches
for the bank holiday but to find that the rockers did the same. It didn’t take long until the fight broke out between the mods and rockers; the worst fight was in Brighton where the fighting carried on for two days and even moved down the coast to Hastings and back. So you can see how different audiences of music genres can really produce a certain type of following, even if it is unintentional. Moving onto more recent times artists like Justin Bieber and One Direction have produced massive worldwide followings, creating what’s known nowadays as ‘fan girls’. This refers to a big following or mainly teenage girls, a lot who are fanatics and potentially obsessed over the artist. The first example of fanatics we saw was for the Beatles. This fantic following starts as a small following at first but usualy when professionals in th music industry know how to market to a certain audience, usally teenage girls, the following just keep getting bigger and it becomes obsessive.
Figure 17 -‐ 1964 Mod vs. Rockers Riots.
Figure 18 -‐ Beatles fans
Figure 20 -‐ One Direction fans
Cultural demands on musicians A lot of musicians work under pressure from how well new music will go down with an
audience amongst other things. A good example of this is ‘Rite of Spring’
by Igor Stravinsky. This
particular piece of music has gone down in history; the piece of music contained a lot of new unheard things such as different tonality, rhythm and dissonance. No one had heard anything like it before and the first time it was publically performed was in 1913 in a Paris Theatre. On the opening night of the ballet as ‘Rite of Spring’ started it was reported that trouble began in its introduction and grew into an uproar, where people were attacking each other and then started attacking the orchestra. The science behind this audience reaction of riot to the music is that because there were so many elements to the music that was unheard of before that evening, their brain’s weren’t used to these sounds and rhythm’s and didn’t know how to process them which then lead to the rioting. It was reported though that it was performed again one year later and was received very well by the audience and that they loved it. This shows, in a extreme way, that there is a lot of pressure for artists because of resistance from the audience on new pieces of music but in the end it can be a good thing as Rite of Spring’ in the end was and is a piece of musical history. It was
even performed at the BBC Proms in 2013, 100 year after it’s debut. Social environment can affect production of music for artists in quite a big way. For example, Sting is an activist and is very involved in human rights and environmental issues, and because of that a lot of the music he produced would reflect his passion of that in it. Another example of social environment taking effect is if an artist is trying to make it but is struggling with employment or no money they can be inclined to write about the struggle which a lot of artists have done, whereas an artist who has already ‘made it’ with unlimited studio time maybe doesn’t have enough to write about and could be producing very generic music. It doesn’t always happen like that but sometimes it does so in this way quality of music can be affected by social environment.
Political legislation and music Political legislation can affect music in some ways. An example being censorship, which has lead to some artists even being banned from making music like Thomas Mapfumo who is a musician from Zimbabwe. Because of the laws in Zimbabwe he was banned from making music, he later moved to the US to carry on
Figure 21 -‐ Cover of the piano music of 'Rite of Spring'
Figure 22 -‐ Struggling artists busking on the streets for money.
making his music but it had had an affect on him. Even though the US censors music to a standard some developing countries are very strict on their censorship laws because they fear that people will take too much influence from what they hear. Another good example of how politics have affected music is when Paul Simon recorded his album Graceland. In South Africa during the apartheid, the rest of the world were trying to boycott South Africa until they topped segregating their country and everyone were given equal rights. Despite this, Paul Simon visited South Africa anyway to create his album ‘Graceland’. There was a lot of controversy over Paul Simon being in South Africa and his making of the album because he was accused of breaking the boycott. Although he was being accused by many people of this, he was also praised by a few for introducing the South African style of music to the rest of the world and even giving south African artists their own worldwide audiences. ‘Graceland’ was heavily inspired by the events of apartheid and the politics going on at the time, so this is a great example of how political legislation can have a big effect on the production of music.
How technology has affected music Technology has also had a massive effect on music over the years in a lot of different ways. For example simple things like, the microphone, electric guitar and amps to things more modern such as digital audio workstations, multitrack recording and loop stations. Every piece of technology used within music has progressed the production and performance of music greatly. Looking in more detail over the years so much has changed to be where we are with music at this point in time. In 1876 an American engineer, Elisha Gray, invented the first electrical synthesizer called the musical telegraph. This synthesizer used steel reeds with oscillations created by electromagnets over a telegraphy line, and it could play up to two octaves. The synthesizer was an accidental discovery but turned out to be a part of music history. This invention advanced music very much as without this over the years people would not have been able to build and improve the design into the many common synthesizers we have today. They are widely used throughout most music, especially in the pop genre. Back in 1877 was when the first recording of a voice took place, when Thomas Edison managed to record ‘Mary Had A Little Lamb’ on the first ever phonograph.
Figure 23 -‐ Thomas Edison with his second phonograph.
Phonograph cylinders were the first ever piece of equipment to record and then reproduce sound. Their greatest years of popularity were between 1896 and 1915. They were hollow cylinders that had an engraving of an audio recording on the outside, which then could be reproduced by playing it on a mechanical cylinder phonograph. A little while after the phonograph was invented, in 1888 the gramophone was invented, which used discs, instead of cylinders, that could hold up to 2 minutes of recorded sound. They were commonly referred to as ‘records’. In 1931 the first electric guitar was invented by George Beauchamp, it was called the Rickenbacker, or more commonly known as ‘The Frying Pan’. It had a flat circle body and a neck. It was invented mostly to contribute to very popular Hawaiian music but also because a lot of classical guitar players needed a louder sound from the instrument when playing along with other instruments. This invention has had a lot of impact on music as the electric guitar has vastly advanced over the years and nowadays is a very common instrument for musicians, some would say it is a necessity,
today you will hear an electric guitar in most genres of music. In the 1980’s the jukebox started to gain popularity, due partly to their popularity at fairgrounds, which kept the Columbia graphophone company afloat in the failing economy at the time and left it to be the only graphophone leasing company to make profit.
Movin
g into the 1900’s now, this was when the record industry really took off and started its peak; over 3 million records were being sold per year by 1900. Because of the popularity of disc records the cylinder phonograph lost its popularity because of its bulkier size as it would not fit suitably in a home, but in 1906 a slightly different adaptation of the phonograph was made which was designed specifically to fit into a home, in a cabinet type set up where the horn was concealed. This new adaptation was very popular during its time.
Figure 24-‐ A Gramophone.
Figure 25 -‐ A 1980's Jukebox.
Figure 26 -‐ The 1906 phonograph adaptation.
In the 1920’s radios began to be mass-‐produced in America, because of the record sales fell but The Western Electric Company’s response to that was to make disc record recordings a better sound quality in hopes to increase records sales. So an electronically amplified electromagnetic disc cutter was developed, which got a very positive response to it. During the 1930’s record companies began to produce what we know as vinyl’s, tapes also started to be developed but were not very popular at first. FM radio also started around this time, which had a much better quality then AM Radio with less static. People of the RCA were first against the idea of FM radio, but in later years this changed. Vinyl later becomes the item chosen by most to listen to music in the early 1940’s and in the late 1940’s there was competition of vinyl speeds with the release of 12 inch and then later the 7 inch record. Without the creation of the vinyl record there would be no such thing as ‘scratching’ which is a common DJ’ing technique even nowadays we’ve incorporated the vinyl scratching feature into electronic decks. There would also be no such thing as hip-‐hop because it was born out of DJ’ing with vinyls on turntables. In 1964 we see a return of the cassette tape as it starts to gain popularity, as the first portable tape recorders were invented and then Phillips introduced a 30 minute tape format for audio, also being a very cheap buy.
The government were against tapes for a while as people would use them
to tape albums and radio broadcasts but a tax was put onto blank tapes to make up for lost money. During the 70’s cassette tapes
popularit
y peaked from the release of the Sony Walkman in 1979, as it had a good sound quality and was very easily portable. A while later in the 80’s was when CD’s were first developed and started being produced overtaking the number of sales vinyl LP’s. This is when vinyl’s started to quickly lose popularity to the rise of CD’s. Just after 3 years of the CD’s first arrival 1 million CD players has been sold. In 1990 was the first time mp3 players came into play, and just 5 years later Internet audio streaming began and despite the bad audio quality it became very popular. A couple of years later in 1997 was the first attempt of selling music on the internet with the Duran Duran album. In 1999 ‘Napster’ debuted as a file-‐sharing network, usually of mp3 files, but later got shut down because of copyright laws. And then in 2003 was the first release of iTunes. From this brief timeline it’s easy to see just how
Figure 27 -‐ A 1940's vinyl record.
Figure 28 -‐ A 1979 Sony Walkman.
Figure 29 -‐ Napster logo.
Figure 30 -‐ First iTunes logo.
much technology has progressed through time to get to the facilities and equipment we have today, and this is only the history of technology for the medium of recording and listening to music. Not to mention things like electric guitars, amps, microphone etc. and all the small pieces of technology we don’t even think about like XLR cables and even MIDI. One of the more recent technological advances that has been the most important has been Digital Audio Workstations (DAW’s) which allow anybody to have a piece of software which allows you to record and edit music from anywhere to a professional recording studio to your bedroom (programmes like Logic, Cubase, Pro Tools and many others). Every single piece of technology we use in music today is so important and have each contributed to the history of music in itself.
The digital revolution has affected the music industry in a big way, because so much happens online now in terms of releasing, streaming, buying etc. At first there was a problem with illegally downloading music that’s caused the industry to suffer, YouTube has given people the ability to watch and listen to anyone’s music without having to pay for an album or watching a music channel on TV.
The making of streaming services such as spotify, deezer and Pandora make it able for anyone with and Internet connection to listen to any music from anywhere. Because of these streaming services and how popular they have become millions of people all over the world use them. For the industry this means artists often have to work a lot harder with touring ect to make money. Big record labels are still making the most money off this though as they are licensing content to the streaming sites, in a way they may as well be part owners of streaming sites. Copyright is also a big problem because it is virtually impossible to enforce the copyright law as there are so many different international laws and international platforms for music. As a result of this artists lose money but in a away make up for the loss by using the international platforms through people sharing content, as a free way to advertise in hopes that people will want to but merchandise, gig tickets or music ect. Mentioned before, DAW’s and the Internet provide anyone to be able to record, produce, upload and even promote their music without any professional help of the industry; this in itself causes the industry to suffer. Some people even have the ability to be able to make their own music videos for their material and post it on YouTube. Thing like these are much easier and affordable to do in todays age, as well as even hiring out a recording
Figure 8 -‐ Logic logo.
studio for a number of hours or days. The impact of Internet on music has been very big and ultimately people like it a lot as it gives both the artist and listener more control and power, which is a huge advantage to the artist ad listener but for the big companies in the music industry it has become a disadvantage. Most of this sounds like a good thing as by making music at home and doing everything yourself entirely gives you all the control but it can have disadvantages, for example just to start off with, money. If you’re making music yourself you are limiting yourself with how much money you have and can spend, which is why people’s main goal is to get signed to have funds behind them to back what they want to do, but if you’re doing it yourself it can be hard. Another thing to keep in mind is that you may have made the music but at the end of the day after all the hard work, the people who you want to notice it probably aren’t, or it will take a long time as it’s mainly down to chance of how well you promote it and who will see it. Whereas with being signed, people in that industry will most definitely have contacts and will attract someone’s attention, so ultimately its a quicker process and will definitely have some form of results. There are pros and cons of being independent and working with a record label but obviously it’s not easy to get signed in today’s industry. Vinyl’s have made a significant come back in record sales, all starting supposedly from ‘Record Store Day’ which first came about in 2008 there were 10 releases on the day and it was reported that there had never
been so much excitement around vinyl’s in so long.
After that day there was a 90% increase in vinyl sales for the year, and the next ‘Record Store Day’ saw 100 releases. This was when the real resurge cam into play, record labels saw the potential of vinyl sales and started to produce a couple of thousand copies of a vinyl with confidence that they would sell. In recent years there have been millions of vinyl sales. With the vinyl come back, it hasn’t surpassed any other medium of music, CD’s are still selling as well as digital copies, a lot of music fans will buy multiple copies of music in different formats. There are a lot of people who do prefer CD’s and vinyl to digital copies just for the nostalgia and also because it’s a physical thing, actually holding the music, as much as digital copies and online purchasing is more convenient and takes up less physical space. People do just like the feeling of holding the music and the physical feeling of it. The biggest percentage of people buying vinyl’s nowadays is actually younger people in the age range 18-‐25 as to them it is mainly something new, vintage and more interesting that a CD on digital file, it’s almost like vinyl has created a new generation of music fans.
Globalization Globalization is the interaction and fusion of international people, companies and governments, driven by the need of growth and trade of economies between nations. Globalization has influenced music massively, it has helped to create more music because it has enabled us to have access to music worldwide meaning we can access any style of music from pop charts worldwide or South African styles of music etc. This can help create music by giving someone inspiration to use various characteristics of different styles of music in their own work therefore integrating international styles of music. An example of this could be someone writing a song in the UK and then going online to browse different styles of music coming across South African music and taking influence from a drum beat/tone and using it in their song. This also means that people can collaborate worldwide, as with todays technology a file can be sent across the globe very quickly so someone could send a file from the UK to Australia for someone to collaborate in the recording or mixing process then just send it back. This eliminates the inconvenience it might cause if someone had to travel to and from Australia, instead it can be done with both ends in the comfort of their own home/workplace. The act of globalization has enabled us to do so much, with a lot of ease that we don’t even think about it because it has become the norm. Whereas years ago before we had the internet and a means of interacting with people worldwide so easily, there may have been restrictions or a close-‐minded approach to the way music was
recorded, mixed and advertised because no one could interact with people worldwide to be influenced by new ideas and techniques. I think globalization has had a massive positive impact on music for enabling us so much access to the world. It can also be disadvantageous as explained before because of sharing things worldwide and so many different international laws it can be hard to enforce copyright laws and can be hard to make money of music but I think the good outweighs the bad as so much music can be shared and advertised internationally which I think also leads to more artists touring in more countries which wouldn’t have happened with the act of globalization and social media.
Bibliography Information from the internet-‐https://en.wikipedia.org/wiki/Disco Information from the internet-‐http://teachrock.org/lesson/the-‐rise-‐of-‐disco/ Information from the internet-‐https://en.wikipedia.org/wiki/1970s_in_music#R.26B_and_urban Information from the internet-‐https://www.quora.com/Is-‐contemporary-‐R-‐B-‐in-‐any-‐way-‐historically-‐related-‐to-‐rhythm-‐and-‐blues Information form the internet-‐https://en.wikipedia.org/wiki/Contemporary_R%26B http://www.promusictutor.com/blog/the-‐history-‐of-‐rb-‐music/ Information from the internet-‐http://visforvintage.net/2012/06/07/disco-‐a-‐complete-‐history/ Information form the internet-‐https://en.wikipedia.org/wiki/Rhythm_and_blues Information from the internet-‐http://www.georgiaencyclopedia.org/articles/arts-‐culture/rhythm-‐and-‐blues-‐music-‐overview Information from the internet-‐https://en.wikipedia.org/wiki/Rave Information from the internet-‐http://djtechtools.com/2013/12/19/history-‐of-‐the-‐rave-‐scene-‐how-‐djs-‐built-‐modern-‐dance-‐music/ Information from the internet-‐https://en.wikipedia.org/wiki/1989_in_the_United_Kingdom Information from the internet-‐https://en.wikipedia.org/wiki/Trade_unions_in_the_United_Kingdom Information from the internet-‐http://www.dancehallreggaeworld.com/rastafarian.html Information from the internet-‐http://www.telegraph.co.uk/culture/music/rockandjazzmusic/3667263/What-‐if-‐Elvis-‐Presley-‐had-‐never-‐been-‐born.html
Information from the internet-‐http://www.mtv.com/news/1701747/whitney-‐houston-‐influence/ Information from the internet-‐http://www.legacy.com/news/celebrity-‐deaths/article/whitney-‐houston-‐the-‐greatest-‐of-‐all Information from the internet-‐https://en.wikipedia.org/wiki/Kraftwerk#Technological_innovations Information from the internet-‐http://www.theguardian.com/music/2013/jan/27/kraftwerk-‐most-‐influential-‐electronic-‐band-‐tate Information from the internet-‐http://www.littlebillandthebluenotes.com/2013/09/17/structure-‐rhythm-‐blues-‐music.asp Information from the internet-‐https://en.wikipedia.org/wiki/Screamo Information from the interent-‐https://en.wikipedia.org/wiki/Mods_and_rockers Information from the internet-‐https://en.wikipedia.org/wiki/The_Rite_of_Spring Information from the internet-‐http://www.pbs.org/wgbh/pages/frontline/shows/music/inside/cron.html Information from the internet-‐https://en.wikipedia.org/wiki/Phonograph_cylinder Information from the internet-‐http://www.socialnomics.net/2014/07/23/how-‐has-‐the-‐internet-‐and-‐social-‐media-‐changed-‐the-‐music-‐industry/ Information from the internet-‐http://www.billboard.com/articles/business/6406630/vinyl-‐records-‐comeback-‐music-‐industry-‐record-‐store-‐day Information from the internet-‐http://musicians.about.com/od/beingamusician/a/selfreleasepnc.htm
Information from the internet-‐http://boingboing.net/2012/03/10/nazi-‐rules-‐for-‐jazz-‐performers.html Information from the internet-‐(1)http://www.legislation.gov.uk/ukpga/1994/33/part/V/crossheading/powers-‐in-‐relation-‐to-‐raves Information from the internet-‐http://truefire.com/blog/inspiration/the-‐evolution-‐of-‐the-‐electric-‐guitar/ Information from the internet-‐https://en.wikipedia.org/wiki/Synthesizer Information from the internet-‐http://cs.stanford.edu/people/eroberts/courses/cs181/projects/2009-‐10/music-‐and-‐copyright/ Information from the internet-‐http://www.global-‐integration.com/video-‐competition/entries/globalization-‐in-‐the-‐music-‐industry Video-‐https://www.youtube.com/watch?v=ROGTduFDTnA Documentary-‐ http://www.bbc.co.uk/programmes/b01cqt72 -‐ The Joy of Disco, Benjamin Whalley, 2012. Book-‐ Popular Music, Peter Gammond, 1993.