unit # 2: relationships mary cassatt ltc 4240: art for children created by mary franco
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Unit # 2: RELATIONSHIPS MARY CASSATT LTC 4240: Art for Children Created by Mary Franco. Cassatt’s art reflects a multiplicity of RELATIONSHPS. INTERPERSONAL RELATIONSHIPS between her models communicated through gaze & expression; gesture, posture, & proximity; muted colors & soft edges - PowerPoint PPT PresentationTRANSCRIPT
Unit # 2: RELATIONSHIPS
MARY CASSATTLTC 4240: Art for Children
Created by Mary Franco
INTERPERSONAL RELATIONSHIPS between her models communicated through gaze & expression; gesture, posture, & proximity; muted colors
& soft edgesCOMPARATIVE RELATIONSHIPS between men’s & women’s experience of their worldSTYLISTIC RELATIONSHIPS with work of other artists & cultural art traditions
Cassatt’s art reflects a multiplicity ofRELATIONSHPS
Mary Cassatt, “The Loge, 1882
• Fused Japanese aesthetic with Western printmaking techniques
Drypoint –image incised into print plate w/ “needle” Aquatint – print plate of copper covered w/ powder blocking agent; marks cut into it w/ acid to permit subtle color tones
Cassatt’s Prints reflect all of these.
Mary Cassatt, “The Tub, 1891”Drypoint, Aquatint, Hand-coloring
Prints can be created in other ways!
Fingers & hands
Vegetables & fruits
Glue Lines
Styrofoam Prints
String Painting
Production of multiples; work in “series”
Reduction of cost per imageWider dissemination of an image
An art form in its own right
Advantages of Printmaking
DESIGN PROBLEM: TSW create a series of original prints from one print plate to depict an important relationship.
OPTION #1 Subtractive Cardboard Print Make a SIMPLE drawing on corrugated cardboard
that depicts an important RELATIONSHIP Using an Exacto knife, cut through the top layer of
cardboard (not too deep!) Using a SUBTRACTIVE PROCESS, peel away desired
sections of cardboard to reveal the corrugated interior.
STUDIO ACTIVITY
OPTION #1 Collograph Print & Frottage
Ink the print plate w/ brayer and printing ink Center inked plate, face down, on print paper; press
down firmly so paper temporarily adheres to plate With plate still stuck to surface of paper, turn the
unit over. Use the bowl of a spoon as a “barren”. Rub in circles over the back of the print paper until sure that you have covered the entire printing area
Carefully peel the paper from the plate (“PULL THE PRINT”)
STUDIO ACTIVITY
Instructor Exemplar: Subtractive CardboardWhat RELATIONSHIPS do you see?
OPTIONS #2 & #3: Additive Collograph Cut simple shapes from thin cardboard and arrange
them on a sheet of corrugated cardboard to produce the image of a RELATIONSHIP. Allow to dry for about 15 minutes. This will become your print plate.
FROTTAGE TECHNIQUE:Place collograph, face down, on a piece of white paperTape in place (top & bottom edge) with masking tapePeel desired crayons. Rub sides of crayons over surface
of the paper to transfer image from the collograph plate that is tapped underneath it.
DO NOT REMOVE TAPE FROM COLLOGRAPH until you are satisfied with the rubbing.
STUDIO ACTIVITY
Instructor Exemplar: Collograph & FrottageWhat RELATIONSHIPS do you see?
COLLOGRAPH PRINTING TECHNIQUE: Ink the plate with a brayer and printing ink. Center inked plate, face down on print
paper; press down firmly to temporarily adhere paper to plate.
With plate still stuck to surface of paper, turn the unit over. Use the bowl of a spoon as a “barren”. Rub in circles over the back of the print paper until sure that you have covered the entire printing area
Carefully peel the paper from the plate (“PULL THE PRINT”)
STUDIO ACTIVITY
Instructor Exemplar: Additive Cardboard CollographWhat RELATIONSHIPS do you see?
Briefly describe the printing option you chose.
Briefly describe the RELATIONSHIP you depicted.
Briefly describe the artistic choices you madeWhy did you choose the lines, shapes, colors
textures, & space used in your picture?How did these choices add meaning to the
RELATIONSHIP you depicted?What problems did you encounter in this
studio & how did you solve them?How might you integrate this studio activity
into non-art subjects with your future students?
PRINTING REFLECTIONS: (1-2 sentences each)
Cassatt, M. (1896). [Image]. Maternal caress. Philadelphia Museum of Art. Retrieved from http://www.philamuseum.org/collections/permanent/66441.html
Cassatt, M. (1890). Mother and her child. Wikipaintings. Retrieved fromhttp://www.wikipaintings.org/en/mary-cassatt/mother-and-child-1
Cassatt. M. (1901) [Image]. Sara with her dog. Wikipaintings.net. Retrieved from http://www.wikipaintings.org/en/mary-
cassatt/sara-with-her-dogCassatt, M. (1891). [Image]. The bath (the tub). Library of Congress. Retrieved
from http://www.loc.gov/pictures/item/2002719192/Cassatt, M. (1882). [Image]. The loge. National Gallery of Art. Retrieved
from http://www.nga.gov/collection/gallery/ggcassattptg/ggcassattptg-46571.html
References