tone. the voice or attitude of a writer towards a subject or audience usually shown through word...

7
TONE

Upload: norma-bradford

Post on 18-Jan-2016

228 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: TONE. THE VOICE OR ATTITUDE OF A WRITER TOWARDS A SUBJECT OR AUDIENCE USUALLY SHOWN THROUGH WORD CHOICE (DICTION) AND THEIR VIEWPOINT

TONE

Page 2: TONE. THE VOICE OR ATTITUDE OF A WRITER TOWARDS A SUBJECT OR AUDIENCE USUALLY SHOWN THROUGH WORD CHOICE (DICTION) AND THEIR VIEWPOINT

TONE

•THE VOICE OR ATTITUDE OF A WRITER TOWARDS A SUBJECT OR AUDIENCE

•USUALLY SHOWN THROUGH WORD CHOICE (DICTION) AND THEIR VIEWPOINT

Page 3: TONE. THE VOICE OR ATTITUDE OF A WRITER TOWARDS A SUBJECT OR AUDIENCE USUALLY SHOWN THROUGH WORD CHOICE (DICTION) AND THEIR VIEWPOINT

•EXAMPLES: FORMAL, INFORMAL, SERIOUS, IRONIC, CHEERFUL, NOSTALGIC, SAD, COMIC, ANGRY, GLOOMY, POSITIVE

•HELPS ESTABLISH THE MOOD OF THE TEXT, HOW THE READER SHOULD RESPOND

Page 5: TONE. THE VOICE OR ATTITUDE OF A WRITER TOWARDS A SUBJECT OR AUDIENCE USUALLY SHOWN THROUGH WORD CHOICE (DICTION) AND THEIR VIEWPOINT

MORE POSSIBLE TONES

CHEERFUL HOPEFUL SAD GLOOMY

APOLOGETIC CRITICAL SINCERE INSINCERE

SARCASTIC IRONIC PLAYFUL DEMANDING

BOSSY INDIFFERENT ANXIOUS RESPECTFUL

DISRESPECTFUL FOREBODING UNCERTAIN THREATENING

MATTER-0F-FACT SOMBER GRATEFUL ANNOYED

HUMOROUS MOCKING DEFEATED UPLIFTING

TIMID JOYFUL SECURE INSECURE

HESITANT BOLD RUDE PROUD

COMPLIMENTARY ANGRY CONFIDENT MISCHIEVOUS

Page 6: TONE. THE VOICE OR ATTITUDE OF A WRITER TOWARDS A SUBJECT OR AUDIENCE USUALLY SHOWN THROUGH WORD CHOICE (DICTION) AND THEIR VIEWPOINT

EXAMPLES TO ANALYZE: PAGE 303, 305

FROM NERVOUS CONDITION…NHAMO WAS FORCED ONCE A YEAR TO RETURN TO HIS SQUALID HOMESTEAD, WHERE HE WASHED IN COLD WATER IN AN ENAMEL BASIN OR A FLOWING RIVER, NOT IN A BATHTUB WITH TAPS GUSHING HOT WATER AND COLD; WHERE HE ATE SADZA REGULARLY WITH HIS FINGERS AND MEAT HARDLY AT ALL, NEVER WITH KNIFE AND FORK; WHERE THERE WAS NO LIGHT BEYOND THE FLICKERING YELLOW OF CANDLES AND HOMEMADE PARAFFIN LAMPS TO ENABLE HIM TO ESCAPE INTO HIS BOOKS WHEN THE REST OF US HAD GONE TO BED.

ALL THIS POVERTY BEGAN TO OFFEND HIM, OR AT THE VERY LEAST TO EMBARRASS HIM AFTER HE WENT TO THE MISSION, IN A WAY THAT IT HAD NOT DONE BEFORE.

Page 7: TONE. THE VOICE OR ATTITUDE OF A WRITER TOWARDS A SUBJECT OR AUDIENCE USUALLY SHOWN THROUGH WORD CHOICE (DICTION) AND THEIR VIEWPOINT

FROM THE MUSIC OF ERIC ZAHN…THE RUE D’AUSEIL LAY ACROSS A DARK RIVER BORDERED BY PRECIPITOUS BRICK BLEAR-WINDOWED WAREHOUSES AND SPANNED BY A PONDEROUS BRIDGE OF DARK STONE. IT WAS ALWAYS SHADOWY ALONG THAT RIVER, AS IF THE SMOKE OF NEIGHBORING FACTORIES SHUT OUT THE SUN PERPETUALLY. THE RIVER WAS ALSO ODOROUS WITH EVIL STENCHES WHICH I HAVE NEVER SMELLED ELSEWHERE…BEYOND THAT BRIDGE WERE NARROW COBBLED STREETS WITH RAILS; AND THEN CAME THE ASCENT, AT FIRST GRADUAL, BUT INCREDIBLY STEEP AS THE RUE D’AUSEIL WAS REACHED.

I HAVE NEVER SEEN ANOTHER STREET AS NARROW AND STEEP AS THE RUE D’AUSEIL. IT WAS ALMOST A CLIFF, CLOSED TO VEHICLES, CONSISTING IN SEVERAL PLACES OF FLIGHTS OF STEPS, AND ENDING AT THE TOP IN A LOFTY, IVIED WALL. ITS PAVING WAS IRREGULAR, SOMETIMES STONE SLABS, SOMETIMES COBBLESTONES, AND SOMETIMES BARE EARTH WITH STRUGGLING GREENISH-GRAY VEGETATION. THE HOUSES WERE TALL, PEAK-ROOFED, INCREDIBLY OLD, AND CRAZILY LEANING BACKWARD, FORWARD AND SIDEWAYS.