time management for video color correction professionals

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Grade Management How Do You Grade 700 Shots In One Day? Presented by: Patrick Inhofer .com

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Page 1: Time Management for Video Color Correction Professionals

Grade ManagementHow Do You Grade 700 Shots In One Day?

Presented by: Patrick Inhofer .com

Page 2: Time Management for Video Color Correction Professionals

Grade Management = Time Management

Page 3: Time Management for Video Color Correction Professionals

Grade Management = Time Management

Page 4: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

Page 5: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

Page 6: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ How much time do you have for the entire job?

Session

Manage Time

Page 7: Time Management for Video Color Correction Professionals

Allocating your time across an entire projectAnatomy of a Grading Session

Page 8: Time Management for Video Color Correction Professionals

Allocating your time across an entire projectAnatomy of a Grading Session

Grade Prep

Find Problems• Check codec, frame rates, frame size• Define your deliverables• Test renders (if necessary)• Try the round-trip or import and slice

Page 9: Time Management for Video Color Correction Professionals

Allocating your time across an entire projectAnatomy of a Grading Session

Hero Shots

‘Getting To Know You’• Work with the client• Understand their eye• Select a few shots to establish a goal for the final look• How do they want the shadows?• How about highlights?• Crush or blow out details?

Grade Prep

Find Problems• Check codec, frame rates, frame size• Define your deliverables• Test renders (if necessary)• Try the round-trip or import and slice

Page 10: Time Management for Video Color Correction Professionals

Allocating your time across an entire projectAnatomy of a Grading Session

Hero Shots

‘Getting To Know You’• Work with the client• Understand their eye• Select a few shots to establish a goal for the final look• How do they want the shadows?• How about highlights?• Crush or blow out details?

Initial Grade

The Initial Grade• Solve big problems, fast• Add tons of value, quickly• Figure out a basic node structure, then stick to it• Save off grades, keep them organized• Don’t get bogged down• Work in ‘passes’ to help manage your time• Pre-build common operations... and append

Grade Prep

Find Problems• Check codec, frame rates, frame size• Define your deliverables• Test renders (if necessary)• Try the round-trip or import and slice

Page 11: Time Management for Video Color Correction Professionals

Allocating your time across an entire projectAnatomy of a Grading Session

Hero Shots

‘Getting To Know You’• Work with the client• Understand their eye• Select a few shots to establish a goal for the final look• How do they want the shadows?• How about highlights?• Crush or blow out details?

Initial Grade

The Initial Grade• Solve big problems, fast• Add tons of value, quickly• Figure out a basic node structure, then stick to it• Save off grades, keep them organized• Don’t get bogged down• Work in ‘passes’ to help manage your time• Pre-build common operations... and append

Grade Prep

Find Problems• Check codec, frame rates, frame size• Define your deliverables• Test renders (if necessary)• Try the round-trip or import and slice

Refining Grades

Fix & Refine• Go back to problem areas and refine• Double- Triple- time... in reverse• Found a better solution? Re-apply it.• Keep your grades organized

Page 12: Time Management for Video Color Correction Professionals

Allocating your time across an entire projectAnatomy of a Grading Session

Hero Shots

‘Getting To Know You’• Work with the client• Understand their eye• Select a few shots to establish a goal for the final look• How do they want the shadows?• How about highlights?• Crush or blow out details?

Initial Grade

The Initial Grade• Solve big problems, fast• Add tons of value, quickly• Figure out a basic node structure, then stick to it• Save off grades, keep them organized• Don’t get bogged down• Work in ‘passes’ to help manage your time• Pre-build common operations... and append

Grade Prep

Find Problems• Check codec, frame rates, frame size• Define your deliverables• Test renders (if necessary)• Try the round-trip or import and slice

Refining Grades

Fix & Refine• Go back to problem areas and refine• Double- Triple- time... in reverse• Found a better solution? Re-apply it.• Keep your grades organized

DeliveryRevisions

Client Revisions• Watch down without sound• Take notes or fix right there?• Resist the urge to say ‘no’

- Clients can have good ideas too- People see differently

Page 13: Time Management for Video Color Correction Professionals

Allocating your time across an entire projectAnatomy of a Grading Session

Hero Shots

‘Getting To Know You’• Work with the client• Understand their eye• Select a few shots to establish a goal for the final look• How do they want the shadows?• How about highlights?• Crush or blow out details?

Initial Grade

The Initial Grade• Solve big problems, fast• Add tons of value, quickly• Figure out a basic node structure, then stick to it• Save off grades, keep them organized• Don’t get bogged down• Work in ‘passes’ to help manage your time• Pre-build common operations... and append

Grade Prep

Find Problems• Check codec, frame rates, frame size• Define your deliverables• Test renders (if necessary)• Try the round-trip or import and slice

Refining Grades

Fix & Refine• Go back to problem areas and refine• Double- Triple- time... in reverse• Found a better solution? Re-apply it.• Keep your grades organized

DeliveryRevisions

Client Revisions• Watch down without sound• Take notes or fix right there?• Resist the urge to say ‘no’

- Clients can have good ideas too- People see differently

Page 14: Time Management for Video Color Correction Professionals

Allocating your time across an entire projectAnatomy of a Grading Session

Initial Grade

The Initial Grade• Solve big problems, fast• Add tons of value, quickly• Figure out a basic node structure, then stick to it• Save off grades, keep them organized• Don’t get bogged down• Work in ‘passes’ to help manage your time• Pre-build common operations... and append

Hero Shots

‘Getting To Know You’• Work with the client• Understand their eye• Select a few shots to establish a goal for the final look• How do they want the shadows?• How about highlights?• Crush or blow out details?

Grade Prep

Find Problems• Check codec, frame rates, frame size• Define your deliverables• Test renders (if necessary)• Try the round-trip or import and slice

Refining Grades

Fix & Refine• Go back to problem areas and refine• Double- Triple- time... in reverse• Found a better solution? Re-apply it.• Keep your grades organized

DeliveryRevisions

Client Revisions• Watch down without sound• Take notes or fix right there?• Resist the urge to say ‘no’

- Clients can have good ideas too- People see differently

Page 15: Time Management for Video Color Correction Professionals

Allocating your time across an entire projectAnatomy of a Grading Session

Initial Grade

The Initial Grade• Solve big problems, fast• Add tons of value, quickly• Figure out a basic node structure, then stick to it• Save off grades, keep them organized• Don’t get bogged down• Work in ‘passes’ to help manage your time• Pre-build common operations... and append

Hero Shots

‘Getting To Know You’• Work with the client• Understand their eye• Select a few shots to establish a goal for the final look• How do they want the shadows?• How about highlights?• Crush or blow out details?

Grade Prep

Find Problems• Check codec, frame rates, frame size• Define your deliverables• Test renders (if necessary)• Try the round-trip or import and slice

Refining Grades

Fix & Refine• Go back to problem areas and refine• Double- Triple- time... in reverse• Found a better solution? Re-apply it.• Keep your grades organized

DeliveryRevisions

Client Revisions• Watch down without sound• Take notes or fix right there?• Resist the urge to say ‘no’

- Clients can have good ideas too- People see differently

Page 16: Time Management for Video Color Correction Professionals

“Do the initial grade in 50% of the allotted time. Use the

rest for polish, troubled areas, significant areas.”

‘The Art & Technique of Digital Color Correction’ Steve Hullfish

Page 17: Time Management for Video Color Correction Professionals

Hypothetical 110 Minute Feature Film, 1100 shotsExample: 5 Day Grading Session

Hero Shots Initial GradeGrade Prep Refining Grades DeliveryRevisions

.5 Days 2 Days 2 Days .5 Days

500 shots per day 100 Shots Left Over

Page 18: Time Management for Video Color Correction Professionals

Hypothetical 110 Minute Feature Film, 1100 shotsExample: 5 Day Grading Session

Hero Shots Initial GradeGrade Prep Refining Grades DeliveryRevisions

.5 Days 3 Days 1 Day .5 Days

375 shots per day

Page 19: Time Management for Video Color Correction Professionals

Not-So-Hypothetical 110 Minute Music Documentary, 1600 shotsExample: 5 Day Grading Session

Hero Shots Initial GradeGrade Prep Refining DeliveryRevisions

.5 Days 3 Days 1 Day .5 Days

500 shots per day 100 Shots Left Over

Page 20: Time Management for Video Color Correction Professionals

The math almost makes it look impossibleHow many minutes per-shot?

Page 21: Time Management for Video Color Correction Professionals

1100 shots, 4 Days9 hour day

The math almost makes it look impossibleHow many minutes per-shot?

Page 22: Time Management for Video Color Correction Professionals

1100 shots, 4 Days9 hour day

The math almost makes it look impossibleHow many minutes per-shot?

36 Hours 1100 Shots÷

Page 23: Time Management for Video Color Correction Professionals

1100 shots, 4 Days9 hour day

The math almost makes it look impossibleHow many minutes per-shot?

30 shots per hour2 minutes per shot

36 Hours 1100 Shots÷

Page 24: Time Management for Video Color Correction Professionals

1100 shots, 4 Days9 hour day

1600 shots, 4 Days9 hour day

The math almost makes it look impossibleHow many minutes per-shot?

30 shots per hour2 minutes per shot

36 Hours 1100 Shots÷

Page 25: Time Management for Video Color Correction Professionals

1100 shots, 4 Days9 hour day

1600 shots, 4 Days9 hour day

The math almost makes it look impossibleHow many minutes per-shot?

30 shots per hour2 minutes per shot

36 Hours 1100 Shots÷ 36 Hours 1600 Shots÷

Page 26: Time Management for Video Color Correction Professionals

1100 shots, 4 Days9 hour day

1600 shots, 4 Days9 hour day

The math almost makes it look impossibleHow many minutes per-shot?

30 shots per hour2 minutes per shot

44 shots per hour1.3 minutes per shot

36 Hours 1100 Shots÷ 36 Hours 1600 Shots÷

Page 27: Time Management for Video Color Correction Professionals

The math almost makes it look impossibleHow many minutes per-shot?

30 shots per hour2 minutes per shot

1100 shots, 4 Days9 hour day

1600 shots, 4 Days9 hour day

44 shots per hour1.3 minutes per shot

Page 28: Time Management for Video Color Correction Professionals

Pressed For Time? Here’s the plan:

Page 29: Time Management for Video Color Correction Professionals

be a good magician... don’t reveal all your tricks all at once.Pressed For Time? Here’s the plan:

Page 30: Time Management for Video Color Correction Professionals

be a good magician... don’t reveal all your tricks all at once.Pressed For Time? Here’s the plan:

‣ Avoid doing anything manually

• Hand-drawn roto-work or extensive keyframing

Page 31: Time Management for Video Color Correction Professionals

be a good magician... don’t reveal all your tricks all at once.Pressed For Time? Here’s the plan:

‣ Avoid doing anything manually

• Hand-drawn roto-work or extensive keyframing

‣ Re-use ‘Grade Snippets’

Page 32: Time Management for Video Color Correction Professionals

be a good magician... don’t reveal all your tricks all at once.Pressed For Time? Here’s the plan:

‣ Avoid doing anything manually

• Hand-drawn roto-work or extensive keyframing

‣ Re-use ‘Grade Snippets’

‣ Pull broad HSL selections

• Again, avoid detailed work that bogs you down

Page 33: Time Management for Video Color Correction Professionals

be a good magician... don’t reveal all your tricks all at once.Pressed For Time? Here’s the plan:

‣ Avoid doing anything manually

• Hand-drawn roto-work or extensive keyframing

‣ Re-use ‘Grade Snippets’

‣ Pull broad HSL selections

• Again, avoid detailed work that bogs you down

‣ Save tracking for later in the session

• Wait until the show is graded, then go back and add spice

Page 34: Time Management for Video Color Correction Professionals

be a good magician... don’t reveal all your tricks all at once.Pressed For Time? Here’s the plan:

‣ Avoid doing anything manually

• Hand-drawn roto-work or extensive keyframing

‣ Re-use ‘Grade Snippets’

‣ Pull broad HSL selections

• Again, avoid detailed work that bogs you down

‣ Save tracking for later in the session

• Wait until the show is graded, then go back and add spice

‣ Experiment but bail quickly

• Move forward, ruthlessly

Page 35: Time Management for Video Color Correction Professionals

Grade Management IS Time Management

Page 36: Time Management for Video Color Correction Professionals

Grade Management IS Time ManagementTwo Rules of Grade Management:

Page 37: Time Management for Video Color Correction Professionals

Grade Management IS Time ManagementTwo Rules of Grade Management:

• Have a plan.

Page 38: Time Management for Video Color Correction Professionals

Grade Management IS Time ManagementTwo Rules of Grade Management:

• Have a plan.

• Work the plan.

Page 39: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ How much time do you have for the entire job?

Session

Manage Time

Page 40: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ How much time do you have for the entire job?

‣ How firm (and ambitious) is the deadline?

Session

Manage Time

Page 41: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ How much time do you have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

Session

Manage Time

Page 42: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ How much time do you have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

Session

Manage Time

Page 43: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ How much time do you have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 44: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ How much time do you have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Macro

Micro

Page 45: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ How much time do you have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 46: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

Shots‣ How much time do you

have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 47: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

Shots‣ Got Control Surface?‣ How much time do you

have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 48: Time Management for Video Color Correction Professionals
Page 49: Time Management for Video Color Correction Professionals
Page 50: Time Management for Video Color Correction Professionals

A mouse is too darn slow

Page 51: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ Got a Control Surface?

Shots‣ How much time do you

have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 52: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ Got a Control Surface?

‣ Attack each shot using a structured approach

Shots‣ How much time do you

have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 53: Time Management for Video Color Correction Professionals

Apple Color’s Structured Workflow

Page 54: Time Management for Video Color Correction Professionals

Apple Color’s Structured Workflow

Page 55: Time Management for Video Color Correction Professionals

Apple Color’s Structured Workflow

Page 56: Time Management for Video Color Correction Professionals

Enforce StructureStructure Builds Habits

Page 57: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ Got a Control Surface?

‣ Attack each shot using a structured approach

Shots‣ How much time do you

have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 58: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ Got a Control Surface?

‣ Attack each shot using a structured approach

‣ Pre-build grade ‘snippets’ of frequently used tasks

Shots‣ How much time do you

have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 59: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ Got a Control Surface?

‣ Attack each shot using a structured approach

‣ Pre-build grade ‘snippets’ of frequently used tasks

‣ Work in passes

Shots‣ How much time do you

have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 60: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ Got a Control Surface?

‣ Attack each shot using a structured approach

‣ Pre-build grade ‘snippets’ of frequently used tasks

‣ Work in passes

‣ Don’t try to do everything in one node / filter.

Shots‣ How much time do you

have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 61: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ Got a Control Surface?

‣ Attack each shot using a structured approach

‣ Pre-build grade ‘snippets’ of frequently used tasks

‣ Work in passes

‣ Don’t try to do everything in one node / filter.

‣ Work procedurally whenever possible

Shots‣ How much time do you

have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 62: Time Management for Video Color Correction Professionals

You can’t manage time if you don’t have a planGrade Management = Time Management

1

2

‣ Got a Control Surface?

‣ Attack each shot using a structured approach

‣ Pre-build grade ‘snippets’ of frequently used tasks

‣ Work in passes

‣ Don’t try to do everything in one node / filter.

‣ Work procedurally whenever possible

‣ Work the Still Store

Shots‣ How much time do you

have for the entire job?

‣ How firm (and ambitious) is the deadline?

‣ Did prep bog you down (and now you have to make up the time)?

‣ Do you have the final decision-maker in the room? If not, leave a lot of extra time at the end.

‣ Don’t forget about render times.

Session

Manage Time

Page 63: Time Management for Video Color Correction Professionals

Grade Management: Grading 500 shots in one dayClosing Thoughts

Page 64: Time Management for Video Color Correction Professionals

Grade Management: Grading 500 shots in one dayClosing Thoughts

‣Know your daily shot count (budget accordingly)

Page 65: Time Management for Video Color Correction Professionals

Grade Management: Grading 500 shots in one dayClosing Thoughts

‣Know your daily shot count (budget accordingly)

- Huge productivity gain moving off the mouse

- Huge productivity gain moving off the NLE

Page 66: Time Management for Video Color Correction Professionals

Grade Management: Grading 500 shots in one dayClosing Thoughts

‣Know your daily shot count (budget accordingly)

- Huge productivity gain moving off the mouse

- Huge productivity gain moving off the NLE

‣ Are you doing something over and over again?

- Save it off to reuse on other jobs

Page 67: Time Management for Video Color Correction Professionals

Grade Management: Grading 500 shots in one dayClosing Thoughts

‣Know your daily shot count (budget accordingly)

- Huge productivity gain moving off the mouse

- Huge productivity gain moving off the NLE

‣ Are you doing something over and over again?

- Save it off to reuse on other jobs

‣Discover each jobs ‘grading framework’ early

Page 68: Time Management for Video Color Correction Professionals

Grade Management: Grading 500 shots in one dayClosing Thoughts

‣Know your daily shot count (budget accordingly)

- Huge productivity gain moving off the mouse

- Huge productivity gain moving off the NLE

‣ Are you doing something over and over again?

- Save it off to reuse on other jobs

‣Discover each jobs ‘grading framework’ early

‣Don’t do a detailed grade on 50% of the job

Page 69: Time Management for Video Color Correction Professionals

Grade Management: Grading 500 shots in one dayClosing Thoughts

‣Know your daily shot count (budget accordingly)

- Huge productivity gain moving off the mouse

- Huge productivity gain moving off the NLE

‣ Are you doing something over and over again?

- Save it off to reuse on other jobs

‣Discover each jobs ‘grading framework’ early

‣Don’t do a detailed grade on 50% of the job

‣Experiment - but manage your time ruthlessly & put a limit on it

Page 70: Time Management for Video Color Correction Professionals

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