2014 ANNUAL REPORT

theatre bay area

LETTER from the EXECUTIVE DIRECTOR

Throughout 2014, we at Theatre Bay Area have been engaging in a robust strategic planning process that has challenged us to reevaluate everything we do. We have sought to better understand our place in the larger arts ecosystem, to measure the impact of our current programs, to listen carefully to our members and the broader field and to imagine a Bay Area where theatre plays an integral role in the lives of individuals and communities across the region.

The process has been at times exhilarating, frustrating, encouraging, overwhelming, and energizing, with hours of long discussion brightened by sudden moments of clarity.

More than ever, we are humbled and inspired by the exceptional community of theatre makers in our region. By the work they create, day after day, night after night, in neighborhoods, cities and towns as diverse as the people of this most diverse area. More than ever, we are convinced that too many individuals and communities around the Bay Area are missing out on this extraordinary art making, on what we think of as the “particular power of theatre”—that is the especially powerful way that theatre can illuminate the

world, reveal our shared humanity, spark empathy and understanding and connect us with our neighbors, our loved ones and ourselves. All while prompting us to laugh, think, rage, sing or cry.

Our member artists and theatre companies are enriching lives, building community and making the Bay Area a better place, every day—one class, one performance, one play at a time.

In boom times and bust, Theatre Bay Area’s purpose is to support the work of these art makers by realizing our mission: to unite, strengthen, promote and advance the theatre community of the Bay Area, working from our conviction that theatre and all the arts are essential to our society and to our own personal enrichment and growth.

We are deligthted to share with you in these pages how we lived out our mission in 2014 as we look forward to serving our community in the months and years ahead.

BRAD ERICKSONExecutive Director

Cover: Erika Chong Shuch and Margo Hall in A Midsummer Night’s Dream with California Shakespeare Theater. Photo: Kevin Berne.

Brian Herndon in Edward Gant’s Amazing Feats of Loneliness with Shotgun Players. Photo: Pak Han.

Our mission is to unite, strengthen, promote and advancethe theatre community in the San Francisco Bay Area, working on behalf of our conviction that the performing arts are an essential

public good, critical to a healthy and truly democratic society, and invaluable as a source of personal

enrichment and growth.

MEMBERSHIPFor almost 40 years, membership with Theatre Bay Area has been the primary way to plug into the Bay Area theatre community, providing access to opportunities and the ability to connect to like-minded theatre artists all over the region. With more than 2,100 individual members (including actors, directors, playwrights, technicians, designers, audience members and administrators) and some 350 theatre company members, Theatre Bay Area is an artist-driven organization that is proud to serve our membership with exclusive benefits, free and discounted tickets and services, career development opportunities, recognition, networking, advocacy efforts and much more.

ANNUAL CONFERENCEFor years now, Theatre Bay Area’s Annual Conference has been the place where hundreds of theatre makers come together to network with colleagues, make new contacts, address key issues, exchange ideas and recharge for the coming season. The 2014 conference offered professional development workshops, roundtables, speed consulting, a playwrights’ cabaret, vendor fair and nationally renowned speakers and thinkers assembling under the umbrella of “Connect. Learn. Celebrate.” Convening again at Berkeley Rep and the Aurora Theatre, more than 400 attendees engaged in a day of conversation and learning.

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GENERAL AND REGIONAL AUDITIONSConnecting artists with opportunities is at the heart of what we do, and our annual General Auditions and Regional Auditions are the most prominent ways we link Bay Area actors with Bay Area theatres. Through a rigorous application process, more than 350 actors were chosen to participate in 2014’s General Auditions, held at San Francisco’s Marines’ Memorial Theatre, where they would be seen by almost 100 theatre professionals. Later in the year, 100 actors were seen at the annual South Bay Regional Auditions held at San Jose Stage.

BAY AREA PERFORMING ARTS SPACES Launched and operated by Theatre Bay Area in partnership with Dancers’ Group and Fractured Atlas, with generous support from the Hewlett Foundation, this searchable database of performing arts venues and facilities has enjoyed tremendous growth. In November of 2013, we listed 449 spaces; one year later, we list 612 spaces across 11 Bay Area counties. Correspondingly, site visitors engaged with the site more deeply over the past year, conducting an average of 92 searches per day in 2013 and 102 searches per day in 2014.

Sahana Vishwanath, Astha Tripathi, Renuka Balwalkar, Lipika Sadaram, Shruthi Thatikunta, Nilufer Jain, Shachi Kumar and Rajiv Nema in Amavasya with Naatak. Photo: Ashima Yadava.

Being a member of Theatre Bay Area has given me a great opportunity to be connected with arts organizations large and small, from Napa to San Jose to the East Bay. It’s nice to have

one place to go and find out what’s happening. Theatre Bay Area plays a lynchpin role in connecting the artists

in the greater Bay Area. - Kuo-Hao Lo, scenic designer

strengthenTHEATRE BAY AREA MAGAZINE Theatre Bay Area magazine continued to be the flagship of our communications services. By writing about the community’s news, successes, milestones and challenges and by maintaining the highest journalistic standards, we strengthened and unified the thousands of individuals working to make our theatre community thrive. Over the last year, we published two terrific plays by local playwrights—Octavio Solis’s Se Llama Cristina and Aaron Loeb’s Glickman Award-winning Ideation—and features on topics as varied as local theatres casting farther and farther in advance, the logistics of parenting while working in the theatre, and the idea of regional theatres adopting the NFL’s model of requiring interviewing at least one applicant of color for leadership positions. In 2014 we also celebrated the long-awaited return of show listings to the print magazine. The magazine worked together with Theatre Bay Area’s up-to-the-minute online journalism to keep Bay Area theatre makers informed, engaged and energized around important issues in our community.

ONLINE JOURNALISMTheatre Bay Area has also expanded the reach and diversity of its online journalism. As part of our recent website update, we launched TBA Online, the digital home for Theatre Bay Area’s journalistic content. In the 2014 fiscal year, we developed a new web-exclusive professional feature series on financial planning for artists (authored by a playwright/investment manager) and published 34 individual pieces of web-only journalism, covering a wide range of topics of interest to the Bay Area theatre community and the larger field. Topics have included arts philanthropy and Silicon Valley; drag performance; all-female casts in shows with male characters and new building regulations for theatre companies following changes to the Americans with Disabilities Act. We continue to seek diversity in our freelancer pool, welcoming new writers of color. Demonstrating our commitment to gender parity, 50% of our web journalism features were written by women.

BLOGSThe transition to the new website in February 2014 allowed us to expand and differentiate our web content in ways that had not been possible previously. We created two new blog channels: TBA Backstage, which shares TBA news and opportunities with our membership, and The Roar of the Crowd, an artist-driven blog that highlights members’ creative processes and projects. Some highlights from the Roar blog include a post on a prominent Bay Area artists’ salon and its successful “Performance Across Disciplines” session; a piece by award-winning writer Peter Sinn Nachtrieb describing the national playwright residency initiative that is funding his three-year staff position at Z Space; and a feature by NAACP Award finalist Arisa White about the process of adapting her poetry for the stage.

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By laying out a clear plan I’ve been able to hold myself more accountable for my professional growth. It’s increased responsibility but also empowering. Ultimately, the program gave me the tools I needed to mature professionally and I am so grateful for the opportunity. - Benjamin Pither, AEA actor, ATLAS participant and Titan Award winner

Kat Cole and Colin Epstein in A Wake presented by 13th Floor Dance Theater at ODC. Photo: Pak Han.

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AUDITION AND JOB LISTINGS Our new online career center allows members to subscribe to different types of job and audition listings, so that they get notified via email each time a new opportunity appears. The new system is also much more interactive than before, allowing prospective applicants to click through directly to start an email to a potential employer or to visit a hiring theatre company’s website.

TALENT BANKAnother way we connect artists to opportunities is through our online Talent Bank. Members of Theatre Bay Area can post their resumes in any number of fields (including acting, directing, playwriting, administration, music, teaching, design, tech and more) so that those looking to fill position may contact them. Members can also post supplemental material with their profiles (such as an excerpt from a play, design sketches or photos) to offer a more complete picture of their work.

THE INSIDERThe open rate of Theatre Bay Area’s weekly email newsletter speaks for itself—at just over 40% for 2014, it’s double the industry standard. The Insider’s popularity has major benefits for our advertisers; with stats like these, the Insider is the way to target working theatre artists with information about classes, services and more.

ATLAS (ADVANCED TRAINING LEADING ARTISTS TO SUCCESS) ATLAS gives actors, directors and playwrights a new way of looking at their career development and a way to evaluate how they can best fit into the Bay Area theatre landscape. Through a series of workshops coupled with personalized artistic feedback and other career evaluation tools, participants are encouraged to take control of their own careers. First by defining what success means to them individually and then identifying steps to achieve these goals, artists write a personalized career plan to help them achieve their vision of the future. Select ATLAS participants receive a Titan Award, each awardee receving a small grant to help implement their plan and a year-long mentorship with the professional of their choice. This year, 37 artists participated in the ATLAS program.

INTERNSHIP PROGRAMThrough our internship program, aspiring theatre professionals work with an advisor from Theatre Bay Area staff to gain hands-on experience in nonprofit arts administration. Our recent interns have gone on to employment at arts groups across California and as independent professional Bay Area theatre artists.

LEMONADE FUND The Lemonade Fund is a confidential resource for theatre workers with terminal or life-threatening illnesses who are in need of supplemental financial assistance to improve the quality of their lives as they deal with medical conditions. Since 2000, Theatre Bay Area has distributed more than $100,000 through the Lemonade Fund to theatre workers in need throughout the Bay Area, much of it made possible by generous donations by fellow artists.

Mark Anderson Phillips, Carrie Paff, Jason Kapoor and Michael Ray Wisely in Ideation at the San Francisco Playhouse. Photo: Jessica Palopoli.

promoteTBA AWARDS PROGRAM AND EVENT For more than a decade, theatre makers across the region have urged us to launch a credible and high-profile awards program with goals of raising the profile of theatre in the region, honoring artistic achievement and building community. After years of research,

community input, program design and enthusiastic response from the field, the inaugural year of the TBA Awards culminated in the first annual awards ceremony on November 10, 2014, at American

Conservatory Theater’s Geary Theater. This year’s event was introduced by Broadway diva Betty Buckley and hosted by comedians Will Durst and Marga Gomez. In a three-hour ceremony, Bay Area theatre luminaries presented awards in 68 categories, as well as three Legacy Awards to Jill Matichak, Joan Mankin and Beach Blanket Babylon.

WHAT’ S PLAYINGTheatre Bay Area’s new online show listings aren’t just eye-catching and easy to scan; whereas previously they were searchable only by region, users can now also narrow their search results by genre, date, ticket price, company, venue and artist names. For our company members, the new interface is a one-stop shop for listing shows online, publishing them in the magazine and registering them for the TBA Awards Program.

TIX BAY AREA TIX Bay Area offers performance tickets, many at discounted prices. Through partnerships with the Destination Center and Goldstar, TIX’s flagship booth in Union Square is stronger than ever. As the go-to destination for San Francisco tourists looking for entertainment, the TIX booth is seeing more repeat tourists and has increased its offerings. TIX’s digital reach is robust: our popular Theatregoer e-newsletter recently reached 21,000 readers, and our website tixbayarea.org saw 28,000 unique visitors.

AUDIENCE DATABASEThe Audience Database is the newest incarnation of Theatre Bay Area’s collective patron list, one of the largest and most comprehensive audience databases in the nation. By putting all their patron contacts in one confidential database, companies are able to comparatively analyze the demographic, geographic, and purchase patterns of their patrons, share database hygiene costs and assist one another with marketing through targeted list trading. The Audience Database is one of the largest and most comprehensive community networks in the nation, and our users continue to affirm its value through conversations, surveys and usage.

THE WILL GLICKMAN AWARD The Glickman Award celebrates excellence in playwriting by selecting the best new play to premiere in the region each year. Named in honor of Bay Area playwright and screenwriter Will Glickman, this award has been presented annually since 1984 and has been administered by Theatre Bay Area since 2004. The winner is chosen by a panel of leading Bay Area theatre critics. In 2014, the award was presented to local playwright Aaron Loeb for his play Ideation, premiered by San Francisco Playhouse in the fall of 2013.

Theatre Bay Area continues to serve as my lifeline to current information about who’s doing what and where things are happening. I value and honor the vital role TBA plays on a national level and their advocacy for Bay Area artistry, reminding folks on the other coast that cutting-edge theatre is alive and thriving in our community. - Lisa Steindler, artistic director, Z Space

Shaun Bengson and Abigail Bengson in Hundred Days at Z Space. Photo: Mark Leialoha.

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ADVOCACY Arts advocacy creates an arts-friendly ecosystem by rallying people to our cause. Theatre Bay Area works with key advocacy organizations both locally and nationally to secure arts-positive public policy. Over the course of the past year, we have regularly appeared before governing bodies at city halls, in Sacramento and in Washington, DC, in order to make our case. We have informed and rallied the field, providing updates and advocacy tools that have empowered theatre makers and supporters to make their voices heard as they have engaged with their school boards, their city councils, their legislators and Congressional representatives.

This last year, a grassroots campaign led by Californians for the Arts (CFTA), an association in which Theatre Bay Area plays a leadership role, led to a breakthrough in state funding for the arts. After a decade of rock-bottom investment in the arts (placing California last or next to last in terms of per-capita spending) the work of California’s art advocates, including Theatre Bay Area, paid off with an increase of $5 million to the California Arts Council (a jump of 500%). CFTA and Theatre Bay Area look to build on that victory, locking the increase in place and increasing it this year and in years to come.

CA$H GRANTS (CREATIVE ASSISTANCE FOR THE $MALL AND HUNGRY) CA$H grants provide invaluable financial support to individual theatre and dance artists and small, professionally oriented companies Since its inception, the program has granted more than one million dollars. In the past year, the CA$H program awarded 18 grants of $2,000 to individual artists and 12 grants of $4,000 to small-budget organizations throughout the Bay Area.

TITAN AWARDSIn 2014, Theatre Bay Area was honored to offer six Titan awards to participants of the ATLAS program in order to support them in the furthering of their careers. This year’s grantees included four actors (Sarah Moser, Alexander M. Lydon, Wiley Naman Strasser, Philip Watt), a director (Noelle GM Gibbs) and one actor/director (Clay David). Titan grantees are also matched with mentors to advise them on their career development.

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RHE ARTIST FELLOWSHIP Through an exciting new partnership with the RHE Charitable Foundation, Theatre Bay Area was pleased to offer the first RHE Artist Fellowship to actor Reggie White. With this $15,000 grant, Reggie was able to undertake a bicoastal project aimed at increasing his national contacts. Mentorship was provided to help him maximize the award.

INTRINSIC IMPACTIntrinsic Impact measures the deeply felt, highly personal impact of the theatrical experience on the audience. In 2009, we launched a nationwide study with the aim of helping theatre leaders to deepen the impact of the work on their stages. This past year, the project continued with two new cohorts of Bay Area theatres engaging in the work. We have begun surveying dozens of companies from around the country to better understand how theatre leaders and artists are using the research to design and implement new methods for deepening the engagement of their audiences and the impact of their work.

TRIPLE PLAY How can theatres excite an interest in new work, attract new people to their stages and deepen the engagement of their audiences? Triple Play—a new national initiative supported by the Doris Duke Charitable Foundation and led by Theatre Bay Area and our partners at Theatre Development Fund in New York—posits that the answer lies in bolstering the “triangular relationship” between audiences, artists and the theatres that produce them. Over the course of the past year, we have commissioned studies from renowned arts researchers, hosted theatre community conversations in six cities around the country, engaged the field at major national convenings, and launched groundbreaking research on the motivations and responses of audiences towards new theatrical work, utilizing playwrights themselves as researchers. Look for more on this project in the year ahead.

STRATEGIC PLANNING This year, Theatre Bay Area also focused on advancing ourselves as an organization by engaging in a robust strategic planning process (generously supported by the Hewlett Foundation). We have worked with top consultants and tapped our staff, board and advisory committees for their thinking. We have conducted a “listening tour,” convening theatre makers throughout the region to better understand their challenges and aspirations and to solicit feedback on our emerging plan, based on a theory of change that envisions a Bay Area where theatre plays a central role in the cultural and civic life of our region.

At a time when small organizations and visionary artists have found very few opportunities available to them that will support their

artmaking process, Theatre Bay Area has been instrumental in providing consistent and ongoing

support for the development of these dynamic new works.- Lenora Lee, artistic director, Lenora Lee Dance

Naima Shaloub, Ryan Nicole Austin, Wilgens Pierre and Brooklyn Fields in Xtigone with African-American Shakespeare Company. Photo: Lance Huntley.

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THEATRE BAY AREASTATEMENT OF FINANCIAL ACTIVITY

REVENUE FY12-13 FY13-14 Membership Dues $204,552 $194,058 Ticketing Services $174,569 $177,799 Advertising Display, Electronic, Classified $98,519 $94,902 Fee for Service $39.788 $105,619 Fundraising & Events $22,822 $15,136 Program Revenue $88,455 $60,444 Publication Sales $14,734 $11,669 Interest & Other $45,599 $137 TOTALEARNEDREVENUE $689,037 $659,764

PUBLICSUPPORT FY12-13 FY13-14 Foundation Support $405,411 $471,707 Government Support $157,300 $165,306 Corporate Support $11,280 $15,500 Individual Contributions $37,513 $53,375 In-Kind Contributions $3,289 $2,695 TOTALPUBLICSUPPORT $614,794 $708,583

TOTALREVENUE&PUBLICSUPPORT $1,303,831 $1,368,347

EXPENSES FY12-13 FY13-14 Program Services $1,050,796 $1,143,718 Management & General $109,200 $96,645 Development $136,938 $169,867 TOTALEXPENSES $1,296,934 $1,410,230

CHANGEINNETASSETS $6,897 $(41,883)

FINANCIALSMEMBERSHIP DUES

30%

PUBLICATION SALES 2%

TICKETING SERVICES

27%

ADVERTISING: DISPLAY, ELECTRONIC, CLASSIFIED

14%

FEE FOR SERVICE

16%

FUNDRAISING & EVENTS 2%

PROGRAM REVENUE 9%

FOUNDATION SUPPORT

67%

PROGRAM SERVICES 81%

DEVELOPMENT 12%MANAGEMENT & GENERAL

7%

INTEREST & OTHER <1%

GOVERNMENT SUPPORT

23%

INDIVIDUAL CONTRIBUTIONS 8%CORPORATE SUPPORT 2%

IN-KIND CONTRIBUTIONS <1%

THEATRE BAY AREASTATEMENT OF FINANCIAL ACTIVITY

REVENUE FY12-13 FY13-14 Membership Dues $204,552 $194,058 Ticketing Services $174,569 $177,799 Advertising Display, Electronic, Classified $98,519 $94,902 Fee for Service $39.788 $105,619 Fundraising & Events $22,822 $15,136 Program Revenue $88,455 $60,444 Publication Sales $14,734 $11,669 Interest & Other $45,599 $137 TOTALEARNEDREVENUE $689,037 $659,764

PUBLICSUPPORT FY12-13 FY13-14 Foundation Support $405,411 $471,707 Government Support $157,300 $165,306 Corporate Support $11,280 $15,500 Individual Contributions $37,513 $53,375 In-Kind Contributions $3,289 $2,695 TOTALPUBLICSUPPORT $614,794 $708,583

TOTALREVENUE&PUBLICSUPPORT $1,303,831 $1,368,347

EXPENSES FY12-13 FY13-14 Program Services $1,050,796 $1,143,718 Management & General $109,200 $96,645 Development $136,938 $169,867 TOTALEXPENSES $1,296,934 $1,410,230

CHANGEINNETASSETS $6,897 $(41,883)

THEATRE BAY AREA STAFF Brad Erickson Executive Director Dana Harrison Managing Director Dale Albright Program Director Sam Hurwitt Editor-in-Chief Brandi Brandes Development Manager/Bookkeeper Alan Kline Marketing Resources Coordinator Laura Brueckner Digital Content Manager Kimberley Cohan Listings Editor Kendra Oberhauser Membership & Marketing Associate Katharine Chin Marketing Associate James Nelson Field Services Associate Toni Press-Coffman Grant Writer Robert Sokol Awards Program Manager

THEATRE BAY AREA BOARD OF DIRECTORS

David Gluck President Beverly Butler Vice President Kathy King Treasurer Janice E. Sager SecretaryCristian Asher, Gina Baleria, Stuart Bousel, Don-Scott

Cooper, Kim Daniel, Edward H. Davis, Brad Erickson, Pat Harden, Dana Harrison, Mark Jansen, Jennifer Kawar,

Yehonatan Koenig Lisa Mallette, Andrew Smith, Anne W. Smith, Devi Vat-Ho, Chuhan Wang, Bruce Williams

ADVISORY COMMITTEESTHEATRESERVICESCOMMITTEE

Lisa Mallette, City Lights Theater Company, chairSuzanne Appel, Cutting Ball Theater; Daren A.C. Carollo, Berkeley Playhouse; Anne Nygren Doherty, New Musical Theater of

San Francisco; Robin Dolan, California Shakespeare Theater; Patrick Dooley, Shotgun Players; Amanda Folena, Broadway by the Bay; Jeanette Harrison, AlterTheater; Melissa Hillman, Impact Theatre; Barbara Hodgen, New Conservatory Theatre Center; Brian Katz, Custom Made Theatre Company; Ken Levin, Berkeley Playhouse; Clark Lewis, Roustabout Theater; Seth Macari, Aurora Theatre Company; Leslie Martinson, TheatreWorks; Nina Meehan, Bay Area Children’s Theatre; Michelle Mulholland, Golden Thread Productions; Karen Altree Piemme, Red Ladder Theatre Company; Alan Quismorio, Bindlestiff Studio; Julie

Saltzman, Aurora Theatre Company; Beverly Sotelo, California Shakespeare Theater; Jonathan Spector, Just Theater; Lily Tung Crystal, Ferocious Lotus.

INDIVIDUALSERVICESCOMMITTEEStuart Bousel, chair

Beryl Baker, Megan Briggs, Marjorie Crump-Shears, Barry Eitel, Jr., Jerome J. Gentes, Leon Goertzen, Sylvia Hathaway, Marissa Keltie, Aaron Murphy, Alan Olejniczak, Shirley Smallwood, Dalia Vidor, Lily Yang

FUNDERS OF THEATRE BAY AREACalifornia Arts Council

Doris Duke Charitable Foundation

The Fleishhacker Foundation

San Francisco Grants for the Arts/

San Francisco Hotel Tax Fund

The William and Flora Hewlett Foundation

The James Irvine Foundation

Kenneth Rainin Foundation

National Endowment for the Arts

RHE Charitable Foundation

The San Francisco Foundation

The Shubert Foundation

The Zellerbach Family Foundation

Marilee Talkington in She Rode Horses Like the Stock Exchange by Amelia Roper with Crowded Fire.  Photo: Pak Han.

www.theatrebayarea.org1119 Market Street, 2nd Floor | San Francisco, CA 94103 | 415.430.1140

Brittani McBride, Kreona Turner and Robert Cornn in A Raisin in the Sun at Oakland School for the Arts. Photo: Jennifer Duff. Ben Needhan-Wood, Terez Dean and Christian Squires with Smuin Ballet. Photo: Keith Sutter. Students at Young Actors’ Theatre Camp. Photo: Bridget Homer. Trish Mulholland in The New Electric Ballroom with Shotgun Players. Photo: Pak Han. Adrian Roberts and Carl Lumbly in Fences at Marin Theatre Company. Photo: Ed Smith. Dashawn Franklin, Kelvyn Wallis, Maurice Jones, Alex Prieto, Katherine Blake, Robert Paige, Marques Conerly in Caught Up with Gritty City Repertory. Photo: Lindsay Krumbein. Rami Margron, Natalie Greene and Soren Shane Santos in Super:Anti:Reluctant with Mugwumpin. Photo: Pak Han. Charisse Loriaux and Eric Gutierrez in Nightmare on Puberty St. with Kaiser Permanente Educational Theatre. Photo: Jared Randolph. Kathryn Zdan and Michael Anthony Torres in The Late Wedding by Christopher Chen with Crowded Fire. Photo: Pak Han. Evan Johnson in Pansy at New Conservatory Thaetre Center. Photo: Lois Tema. Corissa Johnson, Beatrice Tesorero, Dannia Ciolo, and Mary Grace Burns in Dive with MEnD Dance Theatre and Bindlestiff Studios. Photo: Aileen Pagtakhan. Amanda Eckstut in The Taming of the Shrew with College of Marin. Photo: Robin Jackston. Sarah Moser and Wes Gabrillo in Eurydice with Palo Alto Players. Photo: Joyce Goldschmid. Noelani Neal and Safiya Fredericks in Into the Woods at the San Francisco Playhouse. Photo: Jessica Palopoli. Matt Citron, Jennifer Le Blanc, Elena Wright, Sarah Dacey Charles and Lynne Soffer in Silent Sky at TheatreWorks. Photo: Mark Kitaoka. Antoine Hunter in San Francisco Trolley Dances 2014 presented by Epiphany Productions Dance Theater. Photo: Andy Mogg.