the wrong mans digital campaign overview
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The Wrong Mans Digital Campaign OverviewTRANSCRIPT
Doing the right thing
for The Wrong Mans A digital campaign case study. Nov 2013
1
Purpose of this case study
In March 2013 the campaign
support for The Wrong Mans was
being developed in the normal
way, with different teams creating
their own collateral
We wondered what would
happen if people worked together
to support a common aim
Multiple audience
experiences Targeted audience
experience
Different BBC teams
/ genres with different
campaign ideas
Single campaign
idea, executed by
individuals or teams
To do this we’d need a new way of
working
Awareness driving on-air, PR and radio (that would build anticipation
and drive to first TX) was already in development…
How could digital channels compliment this investment and extend
enjoyment and interaction throughout the series?
3
What did we do?
First, we created an additional digital requirements section
within the trails briefing document
4
What did we do?
Formed a cross-group working team to collaborate and
see the campaign through to series completion (not
just first TX)
Orchestrated by the Digital Lab, we met weekly – BBC
Comedy, Creative Marketing, Brand Marketing, Red
Bee, Audiences, Media Engagement, and BBC 2
Social
5
Initial considerations
Replicate what had already worked well for other
campaigns, e.g. ‘Africa’, ‘Psychoville’
Invest into and leverage digital skillset inside the BBC
Comedy Team
Learnings should be shared – so analysis techniques
needed to be as generic as possible
Current tools (e.g. SecondSync) weren’t broad enough,
so the Digital Lab invested in new tools for the BBC
(Brandwatch) and insigated new processes (Social
Media Dips)
Putting this into
practice “This is a game changer Sam. The game has
changed”
7
Beyond first TX
We recognised that digital media had a different role to play at different
points in the lifecycle of the series.
Pre Series
Inform, create
anticipation
During Series
Generate conversation, compel to watch (live
/iPlayer)
Post Series
Activiate fans for
repeats and
commercial
releases/ Series
Two
Pre TX
Introduce
characters
and stories
TX
Curate reaction,
amplify key plot
moments
Post TX
Curate
reaction,
extend story
(create iPlayer
demand)
Listen, measure, review, iterate
How do we get audiences to engage
with us? By understanding their motivations…
9
Most people want light engagement Some want more involvement & deeper
engagement
‘Out of World’ ‘In World’
Our approach: Two strands of
online activity
10
‘Out of world’ badgeable & shareable content ‘In World’ immersive and rolling deeper
How were these
different audience
strands delivered?
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1. Map the user-journey
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2. Translate to a total campaign plan
13
The ‘uber grid’ – all activities mapped onto a single chart
and stored on a shared drive
3. Drill this down into a weekly
communications calendar
14
‘Uber-grid’ reviewed every
week in order to assess
what’s working, what isn’t
and what should be added
for the next 7 days
15
Campaign monitoring The Wrong Mans Team Ninjas met every week.
TV Overnights and Brandwatch were reviewed to
see what content was catching fire (not only what
was being shared but who was sharing)
and who our key influencers were - enabling us to
react accordingly.
Creative examples Out of World; creating shareable content
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Out of world;
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Out of world: BBC Comedy Team exploited every opportunity and
sweated every asset.
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Out of world: personalising for fans
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In World How we rolled deeper - creative examples
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In World:
Meet the show’s anti-hero – Noel:
The TV Production & Online team had created a series of
videos for Noel on Red Button, so we created a wider,
transmedia experience around his fictional world – and ran
it in real-time across the series
This gave super fans the opportunity to explore the world of
The Wrong Mans and roll deeper into the show
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INSERT NOEL ONLINE/BBC2 VIDEO HERE
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In world: The Noel Truth on Wordpress
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Being agile:
70/20/10% A campaign calendar gave us the 70% ‘traditional’
marketing plan with approximately 20%
“programmable” content we wrote in advance of
each episode.
The final 10% of activity was made up by being
reactive to both talent availability opportunities
and monitoring how audiences were reacting
online
Achieved by? Analytics & Agility
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Putting agility into practice – 10%
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Ideas delivered on a weekly basis – GBBO final
Putting agility into practice – 10%
28
Response for viewers confused by plot, post ep. 5
Putting agility into practice – 10%
• Building up to the series finale with a social media countdown
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Putting agility into practice – 10%
30
What happens when you need an immediate fix?
Champions League Celtic
V Barcelona on ITV
Final WC qualifier England
v Poland scheduled 8pm
on ITV
We knew we’d have to do something bold for Ep. 4…
The answer: #wrongmanathon
A live iPlayer tweetalong with James & Mat (an iPlayer
first, we believe)
Continuing through/ trying to protect live audience for
Ep.4
What could be achieved with only 5 hours notice…?
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What can you achieve with 5 hours notice?
Out of world: #wrongmanathon
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Out of world: #wrongmanathon
Fans loved the abilty to get closer to their favourite
characters/ actors. All brought to them via the BBC
#wrongmanathon iPlayer watch-a-long
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Out of World – #WrongManathon
• Straight after England 2 – Poland 0
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So, did it all work?
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So, did it all work?
The Wrong Mans was
BBC2’s biggest
comedy launch since
‘Extras’ in 2005
38
Based on Ep. 1 TX
Online delivered higher recall than radio
39 Source: BBC Brand Tracker
Recallers of the Social Media are more likely to have an improved
perception about the channel/brand
12%
36%
22%
27%
62%
35%
3%
1%
1%
1%
0% 20% 40% 60% 80% 100%
Main marcomms
25-54 recallers
Social recallers
much better a little better didn't change a little worse much worse
63% of Social recallers had an improved perception of the channel
Q9A. Thinking about BBC Two how much did this ad change your opinion about BBC Two?
Source: BBC Marcomms tracker and social media boost
Competing with established programmes
At its peak The Wrong Mans was able to reach the levels of social media engagement that are
enjoyed as standard by well establish programmes such at Doctor Who.
Source: Brand Watch
Audiences clearly driven to watch post-TX
42
iPlayer request data - Barb models this for
average views but The Wrong Mans had over 1 million requests per
episode
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“Who wants to go go-karting?” The Wrong Mans ‘Team Ninja’ were:
Will Saunders, Jon Aird & Clarissa Maycock – Comedy Production
Tom Barker & Natalie Charlton – Digital Lab
Adam Cadman – Creative Marketing
David Dunn – Brand Marketing
Tim Whirledge – Red Bee Media
Ben Tattersall Smith – BBC 2 Social
Houmi Miura – Media Engagement
Claire Hester & Alice Alden – Brand Measurement
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