THE WORKFLOW OF KING’S CHOICE

Film title: KONGENS NEI (THE KING’S CHOICE)

Length of the film: 2. 13min

Country of origin: Norway

Main Producer (s) : Stein B Kvae and Finn Gjerdrum / Paradox

Co-producing countries: Ireland, Denmark an Sweden

Co-producers: Jackie Larkin, Lesley McKimm

Executive Producer: Henrik Zein

Executive Producer: Peter Garde

Production Manager/Line producer: Kaare Storemyr

DIGITAL PRODUCTION CHALLENGE II

LISBON 2016

Director: Erik Poppe

Cinematographer/DoP: John-Christian Rosenlund FNF

Editor: Einar Egeland

Production Designer: Peter Bävman

Set Designer/Art Director: Åsa Nilsson

Colorist: Kaj Ivanovic, Sandra Klas

VFX Supervisor: Arne Kaupang

Post-production Manager: Mette Høst Hansen, Stein B Kvae

Shooting locations/countries: Norway, Sweden and Denmark.

DIGITAL PRODUCTION CHALLENGE II

LISBON 2016

TOTAL BUDGET: 8.106 522 mill. €

Presentation

John-Christian Rosenlund - Cinematographer FNF

Motto from the cinematographer:

• ‘’Reality show’’ first take approach

• Cinema verite shot in 1940

Specificity of the postproduction:

Budget: 1.583 927 mill. € including

700 000 € for the VFX

POST-PRODUCTION

Standard

DefinitionSD

High

DefinitionHD

2K Scan 2K DI

4K Scan

6K Scan

SHOOT

4K DI

CHEMICAL

DIGITALStandard

Definition

DigitalStill

Camera DSLRSuper 8

Super 16

65 mm

Imax

35 mm

2 P

3 P

4 P

FILM SENSORS

High Definition

Digital Cinema

From EX-3 to CANON

C300 MKII, VARICAM 35

RED WEAPON, SONY

F65, ARRI ALEXA 65

Telecine

SCREENING

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

POST-PRODUCTION

Standard

DefinitionSD

High

DefinitionHD

2K Scan 2K DI

4K Scan

6K Scan

SHOOT

4K DI

CHEMICAL

DIGITALStandard

Definition

DigitalStill

Camera DSLRSuper 8

Super 16

65 mm

Imax

35 mm

2 P

3 P

4 P

FILM SENSORS

Digital Cinema

Telecine

SCREENING

Production: KING’S CHOICE

What is the final destination?

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Production: KING’S CHOICE

What is the final destination?

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Production: KING’S CHOICE

VFX

Postproduction

Production: KING’S CHOICE

Norway

Sweden

Denmark

DenmarkNorway

Denmark

Norway Sweden

Ireland

Norway

Norway

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

When the head of department are occupying different

locations (some on-set, some off-set - in several countries

at the same time, shown in the presentation by different

colors) it lead to different strategies of workflows

Distances between shooting

locations, post and editing

room are changing the

approach to design a workflow

Postproduction

Production: KING’S CHOICE

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

VFX

Production: KING’S CHOICE

Production: KING’S CHOICE

Production: KING’S CHOICE

VFX

Postproduction

Another concept of workflow mainly controlled by the

shooting (on set crew) with a on/near set system to

control and share the images with a creation of

metadata

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Gives a possibility to keep the artistic signature (and

technical information) from the filmmakers on set

trough out the workflow all the way to final destination.

Production: KING’S CHOICE

Production: KING’S CHOICE

Production: KING’S CHOICE

Production: KING’S CHOICE

Production: KING’S CHOICE

Postproduction

AVID

Production: KING’S CHOICE

VFX

Production: KING’S CHOICE

Freq: 25pSpherical 1:2,35

extracted

Da

ta v

erifica

tio

n

Camera

file

Scene/Sla

te/Take

TagsCircled/be

st take

Take

notes

Scene/not

es

R & DCreation of

customized LUT’s & Look

Same Lut’s

Same Look

all along the workflow

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

1:1,77 allows

reframing in post

Production: KING’S CHOICE

Production: KING’S CHOICE

1:1,77 allows

reframing in post

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Production: KING’S CHOICE

VFX

Postproduction

Da

ta v

erifica

tio

n

Camera

file

Scene/Sla

te/Take

TagsCircled/be

st take

Take

notes

Scene/not

es

AVID

Freq: 25pSpherical 1:2,35

extracted

Same image shared all

along the workflow through

Encrypted Dailies Viewer on

Ipad 2, controlled in terms

of color

1:1,77 allows

reframing in post

Production: KING’S CHOICE

VFX

Postproduction

Da

ta v

erifica

tio

n

Camera

file

Scene/Sla

te/Take

TagsCircled/be

st take

Take

notes

Scene/not

es

AVID

ALE w/

metadata

and TC

Freq: 25pSpherical 1:2,35

extracted

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Production: KING’S CHOICE

VFX

Freq: 25pSpherical 1:2,35 extracted

Postproduction

AVID

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Production: KING’S CHOICE

VFX

Freq: 25pSpherical 1:2,35 extracted

Postproduction

AVID

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Better communication

between departments

Production: KING’S CHOICE

Production: KING’S CHOICE

VFX

Freq: 25pSpherical 1:2,35 extracted

Postproduction

AVID

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Better communication

between departments

1:1,77 allows

reframing in post

Production: KING’S CHOICE

VFX

Postproduction

Da

ta v

erifica

tio

n

Camera

file

Scene/Sla

te/Take

TagsCircled/be

st take

Take

notes

Scene/not

es

AVID

SAN-Sync

Quantum LTO drives

Freq: 25pSpherical 1:2,35

extracted

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Production: KING’S CHOICE

VFX

Postproduction

Da

ta v

erifica

tio

n

Camera

file

Scene/Sla

te/Take

TagsCircled/be

st take

Take

notes

Scene/not

es

AVID

HDR

ACES

Freq: 25pSpherical 1:2,35

extracted

EDLEDL

HDR

ACES

SAN-Sync

Quantum LTO drives

1:1,77 allows

reframing in post

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Production: KING’S CHOICE

VFX

Postproduction

Da

ta v

erifica

tio

n

Camera

file

Scene/Sla

te/Take

TagsCircled/be

st take

Take

notes

Scene/not

es

AVID

Color grading

project metadata

HDR

ACES

Freq: 25pSpherical 1:2,35

extracted

EDLEDL

HDR

ACES

SAN-Sync

Quantum LTO drives

1:1,77 allows

reframing in post

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Production: KING’S CHOICE

VFX

Postproduction

Da

ta v

erifica

tio

n

Camera

file

Scene/Sla

te/Take

TagsCircled/be

st take

Take

notes

Scene/not

es

AVID

Color grading

project metadata

HDR

ACES

Freq: 25pSpherical 1:2,35

extracted

EDLEDL

HDR

ACES

SAN-Sync

Quantum LTO drives

1:1,77 allows

reframing in post

This diagram don’t reflect the steps of

exchanges of Open EXR files beween the

different facilities during grading and

finishing

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Production: KING’S CHOICE

VFX

Postproduction

2K DCPDCDM

BROADCAST

MASTER

DSM

Mapping in

Rec 709

Lut w/ GammaGrading

1 day

Da

ta v

erifica

tio

n

Camera

file

Scene/Sla

te/Take

TagsCircled/be

st take

Take

notes

Scene/not

es

AVID

25p

HDR

ACES

HDR

ACES

Freq: 25pSpherical 1:2,35

extracted

SAN-Sync

Quantum LTO drives

EDL

1:1,77 allows

reframing in post

Film Projection

35 mm - 70 mm

SD - HD - 2K - 4K

Digital Projection

SD - HD - UHD - 8K

INTERNET PROTOCOL

Internet - VOD

Mobile

OTHER SCREENINGS

360° - Hologram

3D - AR/VR

(Virtual Reality)

Broadcast TV

DVD - Blu-Ray

Production: KING’S CHOICE

VFX

Postproduction

2K DCP

BROADCAST

MASTER

DSM

Mapping in

Rec 709

Lut w/ GammaGrading

1 day

Da

ta v

erifica

tio

n

Camera

file

Scene/Sla

te/Take

TagsCircled/be

st take

Take

notes

Scene/not

es

AVID

25p

HDR

ACES

HDR

ACES

Freq: 25pSpherical 1:2,35

extracted

Dailies

viewer with

direct

access to

Ftrack and

Shotgun

Presentation design ©: Philippe Ros Cinematographer, AFC & Digital Imaging Supervisor

EDL

SAN-Sync

Quantum LTO drives

all RAW

material,

always

available

on the

Ipad

1:1,77 allows

reframing in post