the whirling round, in which Exercise none can equal these Zealots. II.de Partie. Quand le Predicateur a fini son Discours, et tandis que son Compagnon est assis sur le Plancher avec lui, les Dervis changeant leur Habillement en un Veste courte & une longue Jupe, se mettent a tourner sur eux-mêmes de la maniere representée; au Son d’une Musique lugubre; puis s’arretent & recommencent à tourner, Personne ne sauroit égaler ces Zélotes dans cet Exercise. Pl. XX. R Dalton delt. et fecit. [n.d. c.1700.] Engraving. Plate 269 x 422mm. 10⅝" x 16⅝". £220 The Ottoman Sultan and his assistant watch as his Subjects spiritually dance. Ex: Oettingen-Wallerstein collection. Ref: 9251 229. Prince William offering his sword to the Dean, at the Altar, the Knights Standing under their Banners. J. Highmore del: J. Pine Sculpt. [n.d., c.1770.] Etching and engraving, 445 x 610mm. 17¾ x 24". Vertical centrefold as issued. Small chips and tears into image from extremities. £360 Ceremony of installation of knights of the Order of the Bath inside Westminster Abbey. A young Prince William, Duke of Cumberland (1721 – 1765), a younger son of George II, kneels before the altar. The knights stand in plumed hats in rows at either side under their banners, a huge crowd of spectators beyond the altar. The Most Honourable Order of the Bath is an order of chivalry founded by George I on 18 May 1725. The name derives from the medieval ceremony for creating a knight, which involved bathing (as a symbol of purification) as one of its elements. Recipients of the Order are now usually senior military officers or senior civil servants. The Order of the Bath is the fourth-most senior of the British Orders of Chivalry, after The Most Noble Order of the Garter, The Most Ancient and Most Noble Order of the Thistle, and The Most Illustrious Order of St Patrick. Numbered 'III' upper left, this is a plate to 'The procession and ceremonies observed at the time of the Installation of the Knights Companion of the Order of the Bath', London; J. Pine, first published 1730. John Pine (1690 - 1756), engraver, publisher, print and mapseller, was Bluemantle pursuivant at the College of Arms and engraver to the king's signet and stamp office. Very scarce. Ref: 9099 230. The Paris Militia setting out for Versailles on the 5th. of October 1789. Départ de la Milice Bourgeoise pour Versailles le 5 Octobre 1789.

Drawn on the Spot by an eminent Artist. Designé sur le Lieu par un Amateur distingué. [J. Wells aquatinta.] London Publish'd Nov. 24. 1789. by B. Vander Gucht Lower Brook Street.& J.White Tavistock Street. A Londres chez B. Vander Gucht et I. White Nov. 24 1789. Aquatint. Plate 318 x 603mm. 12½" x 23¾". Very fine. £480 Ex: Oettingen-Wallerstein collection. Ref: 9209

231. The Taking of the Bastille on the 14 of July 1789. Prise de la Bastille, le 14 Juillet 1789. Drawn on the Spot by an eminent Artist. Designé sur le Lieu par un Amateur distingué. J. Wells aquatinta. London Publish'd Nov. 20. 1789. by B. Vander Gucht Lower Brook Street.& J.White Tavistock Street. A Londres chez B. Vander Gucht & J. White. Aquatint. Plate 375 x 501mm. 14¾" x 19¾". Very fine. £480 Ex: Oettingen-Wallerstein collection. Ref: 9208

LONDON 232. The London Fish Market At Billingsgate. Erected By The Corporation Of The City Of London. Chromolithographed By C.F. Kell, 8 Castle St. Holborn, E.C [n.d., 1877]. Chromolithograph trimmed to image and laid on publisher's card as issued, image 295 x 650mm. 11¾ x 25½". Card trimmed/damaged. Missing some of the text below image. £450 View of Billingsgate market from the river. In 1849, the famous London fish market was moved off the streets into its own riverside building, which was demolished c. 1873 and replaced by this arcaded market hall. It was designed by City architect Sir Horace Jones and built by John Mowlem & Co. in 1875. This building, known as Old Billingsgate Market, is now used as a corporate events venue. Guildhall Library Record: 21750. Ref: 8814

233. Part of the Bridge at Blackfriars. As it was in July 1766. Edw.d Rooker delin et Sculp. Publish'd Accordijng to Act of Parliament by Edward Rooker, December the 31 1766. Engraving. 420 x 660mm. 16½ x 26". Mint. £850 The first Blackfriars Bridge, built by Robert Milne from Portland stone, opening 1769. Ref: 9089 234. Red Lyon Square. [n.d., c.1750.] Engraving. 165 x 245mm, 6½ x 8½". Tears in margins. £90 Red Lion Square in Bloomsbury, named after the local inn. Laid out in 1698, it was described by Hatton in 1708 as 'a pleasant square of good buildings, between High Holborn south and the fields north'. According to legend the bodies of Oliver Cromwell and two other regicides had been placed in a pit on the site of the square. Ref: 9233 235. The Royal Military Asylum At Chelsea. For Soldiers Children of the Regular Army__Intended for 500 Girls & 500 Boys. Published 20th. May, 1805, by Laurie & Whittle, No.53, Fleet Street, London. Etching and engraving coloured by hand, image 260 x 405mm. 10¼ x 17¾". Trimmed to plate at top. Tear through title. £220 View of the Royal Military Asylum, (Duke of York's Royal Military School) Chelsea, with soldiers, women and children outside. The Asylum was opened as a school for the children of soldiers. It is now the Duke of York's Barracks. Ref: 8737 236. A View of Chelsea Water Works. ~ J. Boydell del & Sculp. Publish'd according to Act of Parliament by J. Boydell Engraver at the Unicorn the Corner of Queen Street, Cheapside. London 1752. Price 1s. Engraving. 430 x 260mm. Trimmed to plate and tipped into album page. Vertical centre crease from fold. A strong impression. £180 The Chelsea Waterworks Company was formed in 1723 and supplied water to Westminster and adjacent parts. It introduced the first iron main in London in 1746. The company held water in reservoirs in Hyde Park and Green Park and pumped water through an elaborate sysstems of canals which covered a large area of today's Pimlico. As the years marched by the water was becoming more and more contaminated and the Company installed the first Sand filtration operation to purify the water. Eventurally in the late nineteenth century the company became part of the Metropolitan Water Board. Numbered 'No.5' lower right. This was reprinted in Boydell's "A collection of one hundred views in England and Wales" in 1770. Ref: 8739

237. A Perspective View of Covent Garden. Vue de Covent Garden. Printed for Robert Wilkinson in Cornhil. & Carington Bowles in St. Paul's Church Yard, London [n.d., c.1750]. Engraving and etching with hand colour, 250 x 425mm. 9¾ x 16¾". Marginal staining. £450 View of the piazza towards St Paul's church, with the market in progress. Ref: 8755 238. Crinoline 1858. Cremorne. T.H. Guerin [in image lower right]. Published by T. Archer [damage] Mortimer Street, Regent Street. Sepia tinted lithograph with colour added by hand, sheet 345 x 435mm. 13½ x 17". Creases; tear into publication line. £180 A satire on mid 19th century female fashion set in Cremorne Gardens, once a popular pleasure gardens by the side of the River Thames in Chelsea. A woman in a huge dress descends from a carriage, the driver above ensuring that his reins are well out of the way. Crinoline was originally a stiff fabric with a weft of horse-hair and a warp of cotton or linen thread. The fabric first appeared around 1830, but by 1850 the word had come to mean a stiffened petticoat or rigid skirt-shaped structure of steel designed to support the skirts of a woman’s dress in the required shape. The crinoline was the subject of much ridicule and satire, particularly in Punch magazine. Dress reformers did not like it either — they seized upon the cage aspect of the crinoline and claimed that it effectively imprisoned women. Given that the crinoline did eventually have a maximum diameter of up to 180 centimetres (six feet), it is easy to imagine difficulties in getting through doors, in and out of carriages, and the general problems of moving in such a large structure. The second problem was the potential impropriety of the crinoline. Its lightness was a curse as well as a blessing, as a gust of wind or a knock could set it swinging and reveal the wearer's legs. Even worse, if a woman tripped or was knocked over, the crinoline would hold her skirts up. Ref: 8997 239. Crinoline 1858. Belgravia. T.H. Guerin. Del [in image lower left.] [London, T. Archer.] Sepia tinted lithograph with colour added by hand, sheet 315 x 415mm. 12½ x 16¼". Trimmed to image top and sides. £180 A satire on mid 19th century female fashion. A woman in a huge dress rather awkwardly descends from a

carriage. Crinoline was originally a stiff fabric with a weft of horse-hair and a warp of cotton or linen thread. The fabric first appeared around 1830, but by 1850 the word had come to mean a stiffened petticoat or rigid skirt-shaped structure of steel designed to support the skirts of a woman’s dress in the required shape. The crinoline was the subject of much ridicule and satire, particularly in Punch magazine. Dress reformers did not like it either — they seized upon the cage aspect of the crinoline and claimed that it effectively imprisoned women. Given that the crinoline did eventually have a maximum diameter of up to 180 centimetres (six feet), it is easy to imagine difficulties in getting through doors, in and out of carriages, and the general problems of moving in such a large structure. The second problem was the potential impropriety of the crinoline. Its lightness was a curse as well as a blessing, as a gust of wind or a knock could set it swinging and reveal the wearer's legs. Even worse, if a woman tripped or was knocked over, the crinoline would hold her skirts up. Ref: 8996

240. Crinoline 1858. Brompton. [T.H. Guerin.] [London, T. Archer.] Sepia tinted lithograph with colour added by hand, sheet 300 x 405mm. 11¾ x 16". Trimmed to image top and sides. £180 A satire on mid 19th century female fashion. A male passenger enjoys the view as a female carriage driver's skirt is blown upwards. Crinoline was originally a stiff fabric with a weft of horse-hair and a warp of cotton or linen thread. The fabric first appeared around 1830, but by 1850 the word had come to mean a stiffened petticoat or rigid skirt-shaped structure of steel designed to support the skirts of a woman’s dress in the required shape. The crinoline was the subject of much ridicule and satire, particularly in Punch magazine. Dress reformers did not like it either — they seized upon the cage aspect of the crinoline and claimed that it effectively imprisoned women. Given that the crinoline did eventually have a maximum diameter of up to 180 centimetres (six feet), it is easy to imagine difficulties in getting through doors, in and out of carriages, and the general problems of moving in such a large structure. The second problem was the potential impropriety of the crinoline. Its lightness was a curse as well as a blessing, as a gust of wind or a knock could set it swinging and reveal the wearer's legs. Even

worse, if a woman tripped or was knocked over, the crinoline would hold her skirts up. Ref: 8993 241. [The Thames and the Embankment looking east, with a view of St. Paul's.] Rowland Langmaid [signed in pencil lower right.] [n.d. c.1920.] Etching. 295 x 230mm. 11½ x 9". £320 A pupil of W L Wyllie, Rowland Langmaid (1897 - 1956) served in the Royal Navy; He exhibited at the R.A. 'Proof' blindstamp lower left. Ref: 8629 242. The Tower & Preparation of the Fire Works, with the Balloon, In the Park Aug.t. 1st. 1814. J.H. Clark Del. M. Dubourg Sculpt. Published & Sold Aug.t 12.th 1814 by EDW.D ORME, Publisher to his Majesty and H.R.H. the Prince Regent, Bond Street, /corner of Brook Str./ London Coloured aquatint, print area 200 x 290mm. £120 On Monday, August 1st 1814, a national jubilee took place to celebrate the return of peace. In the early part of the evening James Sadler, the first English balloonist, ascended in his balloon from the space in front of Buckingham House, after which a two hour firework display took place in Green Park. Ref: 8193 243. St. Bride's Avenue. The Improvement in Fleet Street, Proposed To Be Erected By Voluntary Subscription, 1825. The Committee [a list of members' names follows in three columns below]. The Public are respectfully informed that the Work is commenced and will be completed with all convenient speed. Early Contributions are requested in support of an Improvement so conducive to the general Embellishment of the Metropolis. John B. Papworth, Archt. Thos. Kearnan, Sculpt. Published by R. Ackermann, 101, Strand, Jany. 28th. 1825. Engraving, outline proof with open letters, 505 x 330mm. £260 View of St Brides Avenue as seen from fleet street, with figures and adjacent shop fronts, including the premises of Pitman and Ashfield to the left. John Buonarroti Papworth (1775 - 1847), architect and designer, was a thorough master of drawing perspective and classic ornament. Many of his architectural designs were exhibited at the Royal Academy yearly from 1794 to 1799. For the premises of Rudolf Ackermann, the publisher of this engraving, to whose ‘Repository of Arts and Essays’ from 1809 to 1823 he was a frequent contributor of prose and verse and of drawings, he designed a hall or reception-room, intended as a lounge for customers. In 1826 he worked on the extensive building, No. 96 Strand, at the corner

of Beaufort Buildings, now occupied by Rimmel the perfumer. His most important architectural work in London is here represented - St. Bride's Avenue, Fleet Street. This provided a clear view and a good access for the magnificent steeple of St. Bride's Church, previously screened from Fleet Street by a row of houses. This vision of how the new street might look is intended to encourage subscriptions for the project. The details of where subscriptions were received are provided to the left and right of the caption below the image. Guildhall Library Record: 1693. Also two coloured impressions. Ref: 8758 244. Fleet Street & St Paul's London [pencil, lower left.] Henry Lambert [signed in pencil lower right.] [n.d., c.1950.] Etching with watercolour, 185 x 150mm. 7¼ x 6". £80 A lively view of Fleet Street looking towards St. Paul's Cathedral by Terrence Henry Lambert b.1891. Ref: 8805

245. [The Houses of Parliament from the Thames.] Marcel Schuette, 1928 [signed and dated in pencil lower left.] Etching, 270 x 390mm. 10½ x 15¼". Lightly stained. £220 The Palace of Westminster from the river, some Thames barges in the foreground. Ref: 8626 246. Index to the View of London. [Lettered A-Z; and; Numbered 1-90 listings of specific locations.] [J. Swertner] Published as the Act directs by J. Swertner Aug.t 1.st 1789. Etching with aquatint. Plate 122 x 743mm. 4¾" x 29¼". Some tearing around the platemark, with some creasing through the image. £260 Key to a view of Westminster and the City of London from Islington. Guildhall Library Print Room: p7494442. Ref: 9192

247. Ironmongers Hall with a View of Fenchurch Street. L'Hotel des Ferronniers dans la Rue de Fenchurch a Londres. I.Donowell delin. T.Bowles Sculp. Published according to Act of Parliament Aug 1. 1753. London Printed for Tho. Bowles in St Pauls Church Yard, John Bowles & Son in Cornhill, R Sayer in Fleet Street and H. Overton without Newgate. Engraving and etching, 260 x 415mm. 10¼ x 16¼". Tatty extremities. £180 View of Ironmongers' Hall and Fenchurch Street with a street scene and horse-drawn vehicles. The new hall by Thomas Holden replaced the Elizabethan building which was in use until 1748. Ref: 8741 248. Green House, Kensington Gardens. [old ink mss.] [n.d., c.1790.] Aquatint, titled in old ink mss. 170 x 240mm, 16¾ x 9½". £130 Scarce. Ref: 9221 249. A perspective View of the South Front of Kensington Palace, taken from the End of the Slope... Highmore junr. delin. J. Tinney Sculpsit. [n.d., c.1770.] Etching and engraving with fine original hand colour, image 310 x 470mm. 12¼ x 18½". Trimmed to image and laid on thick paper. Title excised and glued to verso, incomplete. £360 From a collection of views showing Kensington Palace and its gardens. Probably a re-worked and re-issued plate from the series first published 1751 by Bowles and Sayer. Highmore, Anthony 1719-1799, draughtsman, was deaf, and resided principally at Canterbury, where he occupied himself with the study of theology. John Tinney, engraver, practised both in line and mezzotint, but with no great ability, during the reign of George II. He was also a printseller, and carried on business at the Golden Lion in Fleet Street, London, where all his own works were published. His mezzotint plates include portraits. He engraved in line a set of ten views of Hampton Court and Kensington Palace, after Anthony Highmore. Tinney is now remembered as the master of the distinguished engravers William Woollett, Anthony Walker, and John Browne. He died in 1761. See 3187. Ref: 8807 250. Londres (avec le Bourg de Southwark) superficie 3, 900, 000 toises. Indication de Principales Rues et des Principaux Edifices (Principal Street and Buildings). CITY (N.B. On commence par le Sud Ouest) (N.B. On va d'abord de l'Ouest a l'Est) [Numbered locations 1-80.] PARTIE OCCIDENTALE Depuis Hyde

Park jusqu'a la Cité et Grays Inn Lane. (N.B. on commence au Sud Près la Thamise) [Numbered locations 1-47.] PARTIE SEPTENTRIONALE au Nord de la Cité entre Grays Inn Lane à l'Ouest, et N. Falgate à l'Est. [Numbered locations 1-14.] PARTIE ORIENTALE à partir de la Cité et de Northern Falgate (N.B, en commençent au S.) [Numbered locations 1-14.] BOURG de SOUTHWARK (N.B. en començant par le S.) [Numbered locations 1-12.] EXPLICATION de quelques mots Anglois [26 translations of English words.] Gravé par P.F. Tardieu Ecrit par Dubiasson. [n.d. c.1765.] Copper Engraving. Plate 331 x 458mm. 13" x 18". £350 View of the Cities of London and Westminster, Southwark and Lambeth; with a key below. Ref: 9193

251. [A View of London from Greenwich Park.] [Drawn by H.Hascler. Engraved by D.Havell, 31 Chandos Street, Covent Garden.] [Pub.d Feb 20, 1815, by T.Clay, 18, Ludgate Hill, London.] Coloured aquatint. Image 405 x 665mm. Framed. Trimmed to image, mounted on card. Unexamined out of frame. £1250 A fine, rare, view of London. Ref: 8377 252. View of London from Greenwich Park. J. Farington R.A. del. J.C.Stadler sculp. Pub. June 1, 1796, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside. Coloured aquatint. 340 x 560mm. Very fine. With centre fold, as issued. Unexamined out of frame. £680 A Panorama of the Thames. One of the double-page plates from Joseph Farington's 'History of the River Thames', with St Paul's Cathedral in the centre. Abbey: 432. Ref: 8350

253. View of London from Greenwich Park. J. Farington R.A. del. J.C.Stadler sculp. Pub. June 1, 1796, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside. Sepia aquatint, watermarked 1794. 340 x 560mm. With centre fold, as issued. £450 One of the double-page plates from Joseph Farington's 'History of the River Thames', with St Paul's Cathedral in the centre. An early issue, printed in sepia for print 'connoisseurs'. Abbey: 432. Ref: 8349 254. A View of London from Lambeth. J. Farington R.A. del. J.C.Stadler sculp. Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside. Sepia aquatint, watermarked 1794. 340 x 560mm. With centre fold, as issued. £450 One of the double-page plates from Joseph Farington's 'History of the River Thames'. It shows from Westminster Abbey on the left to St Paul's Cathedral on the right, with Lambeth Palace in the foreground. An early issue, printed in sepia for print 'connoisseurs'. Abbey: 432. Ref: 8348 255. The North Prospect of Montague House. James Simon Fecit. Printed for & Sold by I. Smith in Exeter Change in ye Strand [n.d., c.1750]. Copper engraving with etching, image 400 x 585mm. 15¾ x 23". Tear into lower edge of plate. Glue stains in top margin. £480 A prospect of Montague House, Bloomsbury, with figures gardening. The house later became the first home of the British Museum. Ref: 8769 256. [The Monument.] In perpetuam Memoriam celeberrimæ Urbis flammis prope desolatæ A.º prodigioso 1666. Columna hœc ex Basi 27 ped in altitudinem 202 ped: sublime caput elevat Fundata Richardo Ford Eq: Prætore Lond: 1671 finita Josepho Sheldon Eq: Præt: 1676. [n.d., c.1680.] Engraving. 640 x 410mm. Very rare. Folded near bottom, laid on album sheet. £780 The Monument to the Great Fire of London of 1666, designed by Christopher Wren. At the time of construction (between 1671 and 1677) it was the tallest free-standing stone column in the world. A magnificient copper engraving showing merchants going about their business. Ref: 8360

257. New Bedlam In Morefields. Hospitium Mente Captorum Londinense. Sely fecit. [n.d., c.1770.] Etching and engraving, 415 x 570mm. 16¼ x 22½". Centrefold as issued. £360 View of Old Bethlehem Hospital, Moorfields, from a plate originally engraved c. 1700. The Bethlem Royal Hospital of London (now located in Bromley, south east London), which has been variously known as St. Mary Bethlehem, Bethlem Hospital, Bethlehem Hospital and Bedlam, was one of Europe's first and most notorious psychiatric hospitals. The word Bedlam has long been used for lunatic asylums in general, and later for a scene of uproar and confusion. In 1815, Bedlam was moved to St George's Fields, Southwark, into buildings designed by Sydney Smirke now used to house the Imperial War Museum. Ref: 8806 258. A view of the Canal, Chinese Building, Rotundo, &c. in Ranelagh Gardens, with the Masquerade. Vue du Canal, du Batiment, Chinois, de la Rotunda, &c, des Jardins de Ranelagh un jour de Masquarade. Canalet delint. C.Grignion Sculp. Publish'd according to Act of Parliament. Printed for and sold by Robt Sayer at the Golden Buck opposite Fetter Lane Fleet Street [n.d., c.1750]. Engraving and etching with fine hand colour, sheet 265 x 405mm. 10½ x 16". £170 Ranelagh Gardens, adjoining Wren's Chelsea Pensioner's Hospital, became popular as a place to escape the city and take in the cleaner air in Chelsea. Balls, concerts, dinners and of course gossip were shared here almost daily. It quickly exceeded Vauxhall in popularity, but it's popularity waned until the season of 1804 when the fashionable set abandoned it entirely. Revellers promenade in the gardens in their ball costumes. Ref: 8729 259. Shepherd Market. Mayfair. Herbert Reeve [signed in pencil lower right.] [n.d., c.1910.] Etching, 280 x 185mm. 11 x 7¼". £130 View of this fashionable shopping street by Herbert Reeve (b.1870). Ref: 8801 260. View Of Old Smithfield Market, June 1855. Entered at Stationer's Hall. Published by W. Hodsdon, 68, St John St. Smithfield. Lithograph, image 285 x 440mm. 11¼ x 17¼". Trimmed and laid on board with excised title below. £280 View of old Smithfield Market, with pigs and sheep in pens and figures, cattle and horses. The present Smithfield meat market on Charterhouse Street was established by an Act of Parliament: the 1860 Metropolitan Meat and Poultry Market Act. It is a large

market with permanent buildings, designed by City architect Sir Horace Jones, who was also responsible for Billingsgate and Leadenhall Markets. Meat has been traded at Smithfield Market for over 800 years, making it one of the oldest markets in London. A livestock market occupied the site as early as the 10th century. See Guildhall Library Record: 6893 for a coloured impression. Ref: 8786

261. Somerset House. La Maison de Somerset. L. Knyff Del. I. Kip Sculp. Printed & sold by J. Smith at ye Sign of Exeter Change in ye Strand [n.d., c.1725]. Engraving and etching, 355 x 490mm. 14 x 19¼". Filled worm holes, laid on conservation backing. £240 Bird's eye view of Somerset House and its garden and fountain from the Thames. This print was published in vol. I of Mortier/Smith's 'Nouveau Théâtre de la Grande Bretagne' between 1724 and 1729; it was plate 6 in Smith's editions, but plate 4 in Mortier's. Numbered '4' bottom right. Ref: 8723 262. [Somerset House and St Paul's Cathedral from Embankment Gardens.] R.Turner [?] 1879. Pen and watercolour, signed and dated bottom right. Sheet 170 x 250mm, 6¾ x 10". A few spots. £130 Also showing Cleopatra's Needle and Waterloo Bridge. Ref: 9239 263. A Perspective View of the Royal Garden of Somerset. next the River. Vue de Jardin Royal de Somerset__ du cote de la Riviere. J.Maurer delin et Sculp. 1748. Publish'd According to Act of Parliament. Etching, 165 x 275mm. 6½ x 7¾". Some foxing. £150 The garden terrace at Somerset House, enjoyed by Londoners before the Thames Embankment was constructed in the following century. Ref: 8803 264. The South Prospect of the Church of St. Clements Danes~London. To the Right Hon.ble John Coecill Earl of Exeter Baron

Coecill of Burleigh and Patron of this Noble Structure the Church of St. Clements Danes This Plate is Humbly Dedicated by John Kip…. Ino. Kip deliniavit et fecit. Printed & Sold by I. Smith in Exeter Change in ye Strand. Engraving. 600 x 435mm. Centre crease, printed across conjoined sheets. £350 Standing in a dominant position at the junction of Fleet Street and the Strand, the church was not reached by the Great Fire. It was still deemed unsafe by its parishioners and in 1680 the body of the church was rebuilt by Christopher Wren. Joshua Marshall had built the west tower over a decade before Wren designed the main body, and James Gibb added a spire in 1719. Ref: 8250

265. To the Right Honorable and Right Reverend William Howley, D.D. Lord Bishop of London and the Right Reverend the Dean and Chapter; This North West View of the Cathedral Church of Saint Paul, is by Permission most humbly dedicated, by their Lordship's much obliged and devoted Servant, John Buckler. Drawn & Etched by J. Buckler, F.S.A. Engraved by G. Lewis. Published May 1814, by J. Buckler, Bermondsey, Surrey. Etching with aquatint, 520 x 675mm. Mint. £580 St Paul's Cathedral showing the colonnaded west front and the dome, with figures walking in the foreground admiring it. A rich and early impression from Buckler's series 'Views of the Cathedral Churches of England and Wales'. On Whatman paper watermarked 1810. Ref: 8378 266. A View of Stocks Market. Veue de la place nommé Stocks Market. Nichols Pinx.t. Fletcher sculp. Publish'd according to Act of Parliam.t 1753 by J.Boydell Engraver at the Unicorn the corner of Queen Street Cheapside, London. Engraving. 320 x 450mm, 12½ x 17¾". Watermarked 1819. Ink mss. in margin. £260

Stocks Market, so-called because it was originally the site of the only permanent punishment stocks in the City. It was cleared in 1737 for the building of Mansion House. Of interest is the equestrian statue of Charles II. Originally an unfinished statue of King John Sobieski of Poland trampling on a Turk, Sir Robert Vyner had Charles's head added and changed the Turk to Oliver Cromwell! Ref: 9039 267. Admodum Reverendis, Amplissimis, Clarissimisq. Viris, Curatoribus ex Authoritate Senatus delegatis ad extruenda Quinquaginta illa Templa qua Hortante et Auspicante ANNA fælicis Piæq memoriæ Reginâ Londini instaurari cæperunt, Prospectum hunc Templi S.tæ Mariæ in Vico dicto The Strand. Debito Obsequio D. D: Jacobus Gibbs Architectus. Jo: Harris Sculpsit. [n.d., c.1715.] Engraving 600 x 450mm, 23½ x 17¾". Splits in folds. £280 South west view of St Mary le Strand as proposed by the architect James Gibbs, which was not as completed. It shows a statue of Queen Anne above the portico which was abandoned on her death in 1714. St Mary-le-Strand was James Gibbs' first public building, the first of the fifty new churches built in London under the 'Commission for Building Fifty New Churches', at a cost of some £16,000. Building started in February 1715, but work was halted because of the Jacobite rebellion. Gibbs, a secret Catholic and widely believed to have Jacobite sympathies, was dismissed as Surveyor to the Commissioners for building New Churches in August 1715 but was allowed to complete the church without pay. The steeple was completed in September 1717, although the church was not consecrated for use until 1 January 1723. Gibbs complained about how the commissioners changed his plans, including the addition of the steeple, which meant Gibbs was 'obliged to spread [the church] from south to north, which makes the plan oblong, which should otherwise have been square'. Ref: 9029 268. Surrey Chapel. Dedicated by Permission to the Rev.d James Sherman by his Obed.t & Humble Serv.t John T.S. Ping. Drawn by John Flowerdew. Engraved by Cha.s Rosenberg and John T.S. Ping. London. Published for the Proprietor, by David Stroud. 163. Blackfriars Road. Aquatint. 490 x 650mm. 19¼ x 25½". Proof after lettering. Paper scuffing and small tears outside of image. £360 The Surrey Chapel on Blackfriars Road in London. The chapel was built for the non-conformist preacher Rowland Hill in 1783 using an inheritance from his father. The chapel was destroyed during the Blitz. Ref: 8534

269. The Pest Houses, Tothill Fields Commonly Called The Five Chimnies Formerly the Residence of Dick Hubbard. [n.d., c.1825.] Lithograph on india laid paper, india 210 x 235mm. 8¼ x 9¼". Light spotting. £120 View of figures in front of the Hospital for Infectious Diseases in Tothill Fields, Westminster. 'Pest Houses' were built originally to house victims of the Plague. With skaters in the foreground. Ref: 8815 270. A View Of Tottenham Court Chapel. Erected By The Revd. George Whitfield, Anno Domino 1756 _ Enlarged, 1759. Drawn by T. Clark. Pubd. Octr. 1826, by J. Puckett, 52 Goodge St. Tottenham Court Road. Original coloured lithograph, image 220 x 335mm. Tipped into album page. £230 Very rare view of Whitefield's Tabernacle, Tottenham Court Road, also called Tottenham Court Road Chapel, built in 1756 for George Whitefield, (1714 - 1770), one of the leaders of the Methodist movement. Its foundation stone was laid by Whitefield in June 1756, and it opened for its dedication service on November 7th of the same year. In 1890 the building was taken down and re-erected as Whitefield's Central Mission. On Palm Sunday 1945 the church building was destroyed by the last V-2 rocket to fall on London. A new chapel was built in 1957, and the grounds became a public thoroughfare. Since 1976 the latest chapel has been the home of the American Church in London. Ref: 8812 271. [The Tower of London from the south bank of the Thames.] Fred A. Farrell [signed in pencil lower right.] ['faf' monogram scratched in reverse in plate lower left.] [n.d. c.1925] Etching. 160 x 270mm. 6¼ x 10½". £330 b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918. Ref: 8631 272. Place Trafalgar Londres. Trafalgar Square london. Dessine et lith. par Jules Arnout. Imp. Lemercier, a Paris. Paris, Bulla Freres et Jouy, Editeurs. London, E. Gambart & Co. 25 Berners St. Oxf. St [n.d., c.1840]. Coloured lithograph, sheet 340 x 455mm. Slightly trimmed. £290 Trafalgar Square, with the National Gallery, Nelson's Column and St. Martins-in-the-Fields. Ref: 8749 273. The Queen and Prince Albert taking an airing in Hyde Park. Painted by J.Pottera. [*] & [*] by Dean & Co Threadneedle St. [n.d., c.1840.]

Coloured lithograph, hightened with gum arabic. Printed area 210 x 260mm. Part of publication line unclear. £120 Queen Victoria and Albert in a coach near the statue of Achilles (dedicated to the Duke of Wellington, unveiled 1822) in Hyde Park. Ref: 9035 274. Westminster [in pencil lower right.] Grant Edwards [signed in pencil lower right.] [n.d., c.1950.] Coloured etching, 310 x 185mm. 12¼ x 7¼". £75 A view of 'Big Ben' (the Clock Tower, Palace of Westminster). Ref: 8930

275. To the Reverend The Dean and Chapter of Westminster; This North East View of the Abbey Church of Saint Peter, Westminster, and Henry the Sevent's Chapel, is by Permission, most humbly dedicated by their much obliged and devoted Servant John Buckler. Drawn & Etched by J. Buckler. Engraved by R. Reeve. Published November. 1809, by J. Buckler, Bermondsey, Surrey. Etching and aquatint, 504mm x 670mm. 19¾ x 26½". £420 Westminster Abbey showing the rose window and pointed, arched doorway in the north porch, the two gothic towers of the west end and the elaborate, decorative chapel at the east end. Ref: 8484 276. A View of Westminster Bridge and Lambeth Palace. Vue du Pont de Westminster et du Palais de Lambeth. Drawn & Engraved by Rob.t Havell & Son. London, Published August 1. 1820 by Mess.rs Colnaghi & Co. Cockspur Street. Coloured aquatint. 250 x 350mm, 10 x 13¾". Trimmed to plate. £230 Published in Havell's 'Views of the Public Buildings and Bridges in London and its Environs', 1820-1. Ref: 9026

277. The North-East View of the Old Dormitory, in 1788 When the New Buildings Were Begun in Old Palace yard Westminster. W. Courteney fect. 1760. Etching, sheet 145 x 175mm. 5¾ x 7". Tipped into album page. £90 Very rare and interesting etching of a dormitory in Westminster School. The school may have been attended by the artist, William, 2nd Viscount Courtenay (1742 - 1788), amateur etcher and caricaturist, who would have been of schoolboy age when he etched this plate. See Guildhall Library Record: 28413 for a 1788 engraving of the same image by William Angus. Ref: 8778 278. Old Chelsea Seymour Haden 1863 Out of Whistler's window. Seymour Haden [signed in pencil.] Framed Etching, trial proof, 150 x 225mm. 6 x 9". Framed. Light age toning. Unexamined out of frame. £230 Battersea Reach. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818 - 1910) married the sister of James McNeill Whistler (1834 - 1903) and became an important influence on the American-born etcher's style. Harrington: 52c. Ref: 9083 279. Vue du Palais de St. James.. Prospect von dem König & Pallast zu St. Jaes ohnweit London in Engelland ~ Vüe du Palais de St. James du Roi d'Angle terre. Gravé par Jean Benoit Winckler Se vend à Augsbourg au Negoce comunde L'acadenie Imperiale d'Empire des Arts libereaux avec Privilege de Sa Majeste Imperiale et avec Defense ni d'au faire ni de vendre les Copies. [n.d., c.1720] Coloured engraving, 305 x 400mm. Some small stains; small tear inside platemark at top. £320 Vue d'optique from Augsbourg showing St. James's Palace and park.. The scene is reversed for viewing through a Zograscope. Ref: 8413 280. The Yorkshire Irishman, or Adventures of a Potatoe Merchant, Written by Mr. G. Nicks & Sung by Mr. Emery. My Father was once a great Merchant, As any in Ireland was found, / But faith he could ne'er save shilling, ,Tho 'tatoes he sold by the pound... / At last I was drawn up to town, without in my pocket a Farden, / But since I've earn'd many a crown, By the shop here, in sweet Common Garden. [Publish'd Augt. 20. 1805 by Laurie & Whittle, 53 Fleet Street, London.]

Copper engraving 198 x 258mm. Framed. Trimmed within platemark, losing publication line, laid on album paper. £140 Ex: Blackburn collection. Ref: 8242 281. A Perspective Sketch of the North and East Fronts of Wilson Terrace Belgrave Square. H.B. delt. Printed by C. Hullmandel. [n.d. c.1830.] A very scarce lithograph. 147 x 222mm. 5¾" x 8¾". Cut and stuck on scrap. £75 A View of Wilton Terrace on Belgrave Square. Ref: 8998

282. View of Black Fryers Bridge, from Sommerset Place. J. Farington R.A. delt. J. C. Stadler Sculp. Pub. June 1. 1795, by J. & J. Boydell, Shakespeare- -Gallery, Pall Mall, & No. 90, Cheapside. Coloured aquatint, image 220 x 320mm. Faint staining. £220 A view looking east down the Thames from the terrace of Somerset House. St. Paul's can be seen, with The Monument and the Tower of London further down river. From William Combe's 'History of the River Thames' published in two volumes. Abbey: 432. Ref: 8747 283. A View of part Blackfriars Bridge of the Tower and of the Manufacture for Cartridge Balls taken from the Terrace over Somerset House. [Translated into French below.] [n.d., c.1790.] Aquatint and etching, sheet 195 x 225mm. 7¾ x 8¾". Trimmed inside plate. £240 View of part of Blackfriars Bridge and Watt's Shot Tower on the Lambeth bank of the River Thames, London, from Somerset House. After painter Louis Bélanger (1756 - 1816), engraved by Laurent Guyot (1756 - 1806). Numbered '15' above image. Very rare. Ref: 9138 284. St. John's Church, Clapham, Surrey. The first stone of this church was laid on the 24th of September, 1840, by John

Thornton Esq.e The Rev.d W.m Dealtry, D.D. F.R.S. Chancellor of the Diocese of Winchester, Rector. G. Hawkins, lith. T. Marsh Nelson, architect. Day & Haghe, Lith.rs to the Queen. Lithograph, 295 x 400mm. 11½ x 14¾". £230 St. John's Church in Clapham. Ref: 9264 285. The House of Lord Archer in Covent Garden. Published according to Act of Parliament 1754 for Stowes Survey. Copper engraving with etching, image 330 x 455mm. 13 x 17¾". Age toning. Vertical folds as issued. £240 View of Lord Archer's house that still stands at the north west corner of Covent Garden piazza. From the sixth edition printed in 1754 - 1755 of John Stowe's work 'A Survey of the Cities of London and Westminter and the Borough of Sothwark', originally published in 1598 and 1603. Numbered '6' lower right. Ref: 8771 286. Covent Garden Market. Drawn and Lith by T. Turner. Crane Court Fleet Street. [n.d. c.1820.] Lithograph. 164 x 206mm. 6½" x 8⅛". Cut. £65 A bustling street scene of Covent Garden market. Various street vendors fill the cobbled market place. Ref: 9002

287. A view of the Custom House, with part of the Tower, taken from ye River Thames London. [Translated into French to right.] Maurer Delin. T. Bowles Sculp. Publish'd according to Act of Parliament 1753. Engraving and etching in fine contemporary hand colour, image 235 x 390mm. 9¼ x 15¼". Trimmed within plate and laid on album page, the inscription detached and glued to verso, as normal. £320 View of the Custom House with boats on the River Thames and the Tower of London in the distance. Ref: 9140 288. View Of The New Custom House, Taken From The River Thames. Published 12th. Augt. 1822, by Richd. H. Laurie, No.53. Fleet Street London.

Etching and engraving in fine contemporary hand colour, 290 x 440mm. 11½ x 17¼". Margins tatty, with several tears, one into plate (not image) from above. £260 View of the Custom House from the River Thames. Ref: 9143 289. His Majesty George The Forth Proclaimed King at the Royal Exchange London. 31st. January 1820. London Published as the Act directs Jany. 1827. by Sir George Nayler Garter. Hand coloured aquatint, 345 x 450mm. 13½ x 17¾". Fine. £320 Scene of proclaimation of George IV's accession to the throne at the Royal Exchange. George IV is seated in a coach with a crowd raising their hats to him as he receives a fanfare from mounted heralds and guards. Published by Sir George Nayler (1764 c. - 1831), Garter King-of arms. As Deputy king-of-arms, he officiated at the coronation of King George IV. Ref: 8825 290. St James's Holloway District Schools. Boys. Girls. Infants. Cooke & Kinloch. [n.d., 1854.] Tinted lithograph with crayon highlights, image 205 x 285mm. 8 x 11¼". V. Scarce. £75 St. James's Church, Holloway, north London, was built in Victoria (later Chillingworth) Road in 1837-8 and the district schools in George's Road in 1838. Ref: 9165 291. The South East View of Kensington Church._ La Veue de l'Eglise de Kensington au Sud Est._ Printed for and Sold by Henry Overton at the White Horse without Newgate, London [n.d., c.1760]. Copper Engraving with fine hand colour, image 150 x 250mm. 6 x 9¾". Trimmed to plate. £160 The church shown here is St. Mary Abbots, Kensington. It was rebuilt in 1869-72 by Sir George Gilbert Scott, but this drawing shows the previous structure. A child flies a kite in the foreground. A later impression on wove paper. Ref: 9163 292. A Perspective View of Lincoln's Inn. || Vüe de Lincolns Inn. J. Maurer delin et Sculp London. [Published ac]cording to the Act of Parliament 1741. Engraving. 230 x 400mm. 9" x 15¾". Cut with some damage done to the left-hand side of the image. £140 A view of Lincoln's Inn, one of the four of London's inns of courts. Ref: 9007 293. Plan Of Principal Floor [Lincoln's Inn]. P. Hardwick Archt. July 1842. Day & Haghe, Lithrs. to the Queen.

Lithographic architect's plan, sheet 270 x 400mm. 10½ x 15¾". Lithly soiled and foxed. £45 From a drawing by Philip Hardwick (1792 - 1870), architect. In 1842 he commenced designs for the hall, library, and offices of Lincoln's Inn. His health seriously failing him, the work had to be placed in the hands of his son. The first stone was laid 20 April 1843, and the buildings were opened by the queen 30 Oct. 1845. The Honourable Society of Lincoln's Inn is one of four Inns of Court in London to which barristers of England and Wales belong and where they are called to the Bar. Ref: 9167

294. General View [Lincoln's Inn] Shewing The Proposed New Hall And Library , Stone Buildings, &c. P. Hardwick Archt. Day & Haghe Lithrs. to the Queen. [n.d., 1842.] Sepia tinted lithograph, image 185 x 305mm. 7¼ x 12". £160 A general view of Lincoln's Inn. The Honourable Society of Lincoln's Inn is one of four Inns of Court in London to which barristers of England and Wales belong and where they are called to the Bar. From a drawing by Philip Hardwick (1792 - 1870), architect. In 1842 he commenced designs for the hall, library, and offices. His health seriously failing him, the work had to be placed in the hands of his son. The first stone was laid 20 April 1843, and the buildings were opened by the queen 30 Oct. 1845. Ref: 9132 295. South East View [Lincoln's Inn] P. Hardwick Archt. Day & Haghe Lithrs. to the Queen. [n.d., 1842.] Sepia tinted lithograph, image 175 x 295mm. 7 x 11½". £120 The Great Hall of Lincoln's Inn. The Honourable Society of Lincoln's Inn is one of four Inns of Court in London to which barristers of England and Wales belong and where they are called to the Bar. From a drawing by Philip Hardwick (1792 - 1870), architect. In 1842 he commenced designs for the hall, library, and offices of Lincoln's Inn. His health seriously failing him, the work had to be placed in the hands of his son. The first stone was laid 20 April 1843, and the buildings were opened by the queen 30 Oct. 1845. Ref: 9135

296. Interior View From South To North Of Great Hall [Lincoln's Inn] P. Hardwick Archt. Day & Haghe Lithrs. to the Queen. [n.d., 1842.] Sepia tinted lithograph, image 235 x 180mm. 9¼ x 7". £60 Interior of the Great Hall of Lincoln's Inn. The Honourable Society of Lincoln's Inn is one of four Inns of Court in London to which barristers of England and Wales belong and where they are called to the Bar. From a drawing by Philip Hardwick (1792 - 1870), architect. In 1842 he commenced designs for the hall, library, and offices of Lincoln's Inn. His health seriously failing him, the work had to be placed in the hands of his son. The first stone was laid 20 April 1843, and the buildings were opened by the queen 30 Oct. 1845. Ref: 9136 297. London and Westminster. 1669. Published by J. Mawman, London. January 1st. 1821. Aquatint in sepia, image 160 x 820mm. 6¼ x 32¼". Whatman Turkey Mill watermark. Two vertical folds (as issued) torn at lower edge, stabilised tears continue into lower part of image. £280 “Count L. Magalott, Travels of Cosmo the Third, Grand Duke of Tuscany, through England during the Reign of King Charles the Second 1669” (1821). In 1669 Cosimo de Medici III travelled through various countries, including England. He had in his retinue an artist to record the places he saw and Count Lorenzo Magalotti, who was entrusted with creating a written account. The illustrated manuscript was later deposited in the Laurentian Library, Florence, where the section on the English leg of his tour attracted the interest of English visitors. In the 19th century a translation was made along with Indian ink copies of the original drawings by Thomas Hosmer Shepherd. Those copies are now in the British Library Department of Manuscripts. Scaled down engravings in aquatint from these illustrate the 1821 translation. Panoramic view of Westminster and the City of London from Lambeth, looking across the River Thames to Westminster Abbey, and showing the built-up area from Millbank to the Tower of London. The remains of the old St.Paul's Cathedral with its Inigo Jones facade is to be seen, and numerous church towers that survived the Great Fire of London in 1666. Ref: 8818 298. [London Bridge.] J.W. Jackson [pencil signature.] [n.d. c.1910.] Etching. Plate 147 x 175mm. 5¾" x 6⅞". £80 View of London Bridge from the South-side of the River looking towards Monument. Ref: 9231 299. View of London Bridge, Including the Church of St. Magnus, and the Monument.

Josh. Farington R.A. delint. J.C. Stadler fecit. London Pubd. as the Act directs May, 15 1790 by W. Byrne No.79 Titchfield Street. Aquatint printed in grey and blue and etching printed in brown, image 405 x 610mm. 16 x 24". Trimmed to plate top and sides, expertly repaired tear into top of image. £1200 View of London Bridge, including St Magnus the Martyr and the Monument with vessels on the River Thames. Joseph Farington (1747 - 1821) was a pupil of painter Richard Wilson who became a member of RA in 1785. Ref: 9249

300. The Lord Mayor's Mansion House, shewing the Front of the House & the West Side. Vüe de l’Hôtel du Lord Maire, qui comprend la Façade et le Côté Occidental. [Wale del. Fourdrinier Sc.] Printed for Robert Wilkinson in Cornhil, and Bowles & Carver, 69, St..Pauls Church Yard London. [n.d. c.1754] Coloured engraving. Plate 274 x 419mm. 10¾" x 16½". Some marking and spotting. £260 Ref: 9015 301. The Mansion House from the Poultry. [T. Malton] Published Nov.r 5, 1798 by T. Malton. Coloured aquatint. Plate 268 x 343mm. 10½" x 13½". £220 This image comes from 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton London. Published Augt. 21st 1792 By Thos. Malton No. 103 Long Acre. Vol. II. Tomkins Ser. Ashby Sculp'. Ref: 9008 302. The Rev.d C.H. Spurgeon's Metropolitan Tabernacle. W.W. Pocock, Architect. H.M. Ridgway de. et lith. London Published May 1st 1861, by H.M. Ridgway, 16 Argyle St. King's Cross. Lithograph, 340 x 470mm. Slight foxing throughout; tear in title area. £290 The Metropolitan Tabrnacle at the Elephant & Castle in London, published in 1861, the year the building was completed. Ref: 8399

303. [Trafalgar Square.] S m Litten [pencil signature.] [n.d. c.1926.] Etching. Plate 198 x 148mm. 7⅞" x 5⅞". £140 View of Trafalgar Square and Nelson's Column, from Whitehall in the South looking Northwards. Sidney Mackenzie Litten (1887-1949) was a British etcher and engraver who studied at the RCS. The William Monk style of an undated Trafalgar Square suggests there may be works by Litten earlier than those of 1926. Ref: 9232 304. The General Post Office. Sutton Nicholls delin: et Sculp. Sold by John Bowles Print & Map=Seller over against Stocks Market [n.d., c.1730]. Etching and engraving, 340 x 465mm. 13¼ x 18¼". Centrefold as issued. £320 View of the inner courtyard in the General Post Office, Lombard Street in the City of London, with figures. The General Post Office was officially established in England in 1660 by Charles II. Ref: 9131 305. The Queen's Visit to the City. No.v.r 9.th 1837. Drawn on the Spot from the corner of Chancery Lane. W. Lake. lith. 50. Old Bailey. Pub.d by E. Davies, 437. Oxford St. Coloured lithograph. 229 x 330mm. 9" x 13". £100 Queen Victoria in her Royal Carriage coming into the City of London, on Lord Mayor's Day, whereby he presented her with the sword of Justice. Ref: 9003 306. A True and Exact Prospect of the Famous Citty of London from S.e Marie Overs Steeple in Southwarke in its Flourishing Condition before the Fire. Another Prospect of the Sayd Citty Taken from the same Place as it Appeareth now after the Sad Calamitie and Destruction by fire, In the Yeare M. DC. LXVI. [1 - 58 numbered key highlighting specific locations] Designed by W: Hollar of Prage, Boli:en Wenceslaus Hollar delin: et Scvulp: 1666. [1666-1750.] Two engraved sheets. Plate 227 x 343mm. 9" x 13½". Later editions. £280 A panoramic view across two sheets of London before and after the Great Fire of London. Ref: 9184 307. Brewers, Chesters, and Galley Quays 1841. St. Katherine's Dock. Drawn by T.H. Shepherd. On Stone by Sam.l Lumley. Printed by S. Lumley, 1. Nottingham Place Whitechapel. [n.d. c.1841] Coloured lithograph. 330 x 494mm. 13" x 19½". £360 A riverbank scene of small merchant vessels loading and unloading at St. Katherine's dock. Ref: 9005

308. The Fleet of the City Steam Boats passing in Review Order off Chelsea on the Annual Commemoration. Dedicated to the Chairman R. Jennings, Esq., Directors, & Shareholders, by their obed.t Servant, J.B. Burney, Sup.t H.S. Melville, del. Edwin Jewitt, lith. [n.d., c.1859.] Colour tinted lithograph, 385 x 460mm. 15¼ x 18". £750 A print issued by the City Steam Boat Company to celebrate the anniversary of the installation of a dry dock in Battersea. Longford 299 Ref: 9145 309. [Panorama showing Westminster Bridge and the Thames from the Adelphi.] Etched and Aquatinted by Mr. Clark. [London, published by Samuel Leigh, c.1829.] Aquatint, a fine proof impression, image 180 x 620mm.7 x 24½". Three vertical folds as issued. £360 One third of a very large and impressive panorama of the River Thames from the Adelphi. It shows Westminster Abbey and St Margaret, and Lambeth Palace across Westminster Bridge. The panorama would have included the view looking east, featuring the south bank and Waterloo Bridge, with St Paul's Cathedral visible. Ref: 8817 310. [Trafalgar Square from the south west.] Henry Lambert [signed in pencil lower right.] [n.d., c.1950.] Etching, 155 x 210mm. 6 x 8¼". £80 A view of Trafalgar Square, including Nelson's Column, St. Martins-in-the-Fields and the National Gallery, as seen from on top of Admiralty Arch. Ref: 9173 311. [Warehouses at the West India Docks, London.] [n.d. c.1800.] A very rare engraving. Plate 272 x 386mm. 10¾" x 15¼". £180 View of the West India Docks in London. Ref: 9241 312. [Westminster Bridge with the Houses of Parliament and Big Ben] Fred Newman [pencil signature] [n.d. c.1900] Etching. Plate 146 x 228mm. 5¾" x 9". £95 View from Thames, West of Westminster Bridge, with Big Ben and Houses of Parliament. Ref: 9229 313. A View of the Wilderness, with the Alhambra, the Pagoda & the Mosque, in the Garden of Her Royal Highness the Princess Dowager of Wales, at Kew. Vüe

de Désert, de l’Alhambra, de la Pagoda & de la Mosquée qui Sont dans le jardin de Son Altesse Royale Madame la Princesse de Galles à Kew. [Edward Rooker, after William Marlow] London Printed for Rob.t Sayer at the Golden Buck near Serjeants Inn Fleet Street. [n.d. c.1763.] Engraving. Plate 172 x 273mm. 6¾" x 10¾". £120 Royal Collection: RCIN 702947.s. Ref: 9011

314. A View of Sir Charles Asgils House, Richmond. Mr. Spyres Delint. J. Wells Excudit. London, Publish'd. July 1st. 1784, by W. Dickinson Engraver & Printseller No.158 New Bond Street. Etching and coloured aquatint, 265 x 365mm.10½ x 14¼". £330 The home of Sir Charles Asgill (1762 or 1763 - 1823), general. In 1781 he was ordered to America, joined the army under the Marquis of Cornwallis, and on the capitulation of York Town, Virginia, in the following October, he was taken prisoner. A very rare view. Ref: 8718 315. Asylum To Be Erected At Brixton For The Saint Ann's Society Schools. I.H. Taylor, Archt. June, 1829. Printed by C. Hullmandel. Lithograph, sheet 380 x 560mm. 15 x 22". Creases where folded. £280 'Approved G Augustus Frederick R' facsimile manuscript and signature lower right, a reference to the royal patronage conferred by George IV (George Augustus Frederick; 1762 – 1830). The Royal Asylum of St. Ann's Society was founded in 1702 "for the education and support of the daughters of persons once in prosperity, whether orphans or not." The asylum situated on Streatham Hill was erected in 1829 and is described by Edward Walford in 'Brixton and Clapham, Old and New' (1878) as "a handsome building of three storeys, having an Ionic portico and pediment, ornamented by a sculpture of the royal arms." Ref: 9307

316. Chelsea From Cheyne Walk. Drawn from Nature by J.C. Burgess. 1829. Printed by W. Day. 17. Gate Strt. Coloured lithograph on india laid paper, image 270 x 360mm. Marginal stains from old tape on verso. £520 A view of the River Thames at Chelsea with small boats. After John Cart Burgess (1798 - d. 1863), painter and writer. Son of William Burgess, he was the brother of Henry William Burgess and Thomas Burgess. Not in Longford. Ref: 9225 317. Chelsea From Cheyne Walk. Drawn from Nature by J.C. Burgess. 1829. Printed by W. Day. 17. Gate Strt. Coloured lithograph on india laid paper, image 270 x 360mm. Very scarce. Marginal stains from old tape on verso. £450 A view of the River Thames at Chelsea, with a beached boats in the foreground. After John Cart Burgess (1798 - d. 1863), painter and writer. Son of William Burgess, he was the brother of Henry William Burgess and Thomas Burgess. Longford 575 Ref: 9226 318. Chelsea From The Bridge. Drawn from Nature by J.C. Burgess. 1829. Printed by W. Day. 17. Gate Strt. Coloured lithograph on india laid paper, image 270 x 360mm. Very scarce. Marginal stains from old tape on verso. £450 A view on the River Thames at Chelsea, with the tower of Chelsea Old Church behind the waterfront buildings. After John Cart Burgess (1798 - d. 1863), painter and writer. Son of William Burgess, he was the brother of Henry William Burgess and Thomas Burgess. Longford 152. Ref: 9227

319. Cheyne Walk Old Chelsea [in pencil on overlaid strip of paper lower right.] W. Greaves [etched in plate lower right.] [n.d., c.1880.] Etching, 110 x 225mm. 4½ x 9". Some soiling/scuffing to surface. £260 A charming Chelsea scene by Walter Greaves (1846 - 1930), a close associate of Whistler. Ref: 8804

320. A View Near Fulham. T. Thornton, Pinxit. Hassell, Sc. [n.d., c.1800.] Etching and aquatint in sepia, sheet 225 x 275mm. 9 x 10¾". Trimmed to plate, publication line and part of title missing. £220 View of the timber-built Putney Bridge, replaced 1886, also showing the River Thames and All Saints in Fulham. A rare and fine aquatint. Guildhall Library Record: 23148. Ref: 8725 321. Fulham Church. E.H. Browne, Architect, 13 Beaufort Buildings. March 7th 1838. G.Hawkins Jun.r. Lith. _ Day & Hague Lith.rs to the Queen. Lithograph. Printed area 340 x 480mm, 13½ x 19". Centre fold, as issued, some spotting to edges. £220 Elevations and ground plans of the existing All Saints Church Fulham and the proposed enlargement. The plan had to maintain the tower, which dates back to 1440. Ref: 9244 322. [Notepaper from Rosamund's Bower, Fulham, with an invitation to breakfast. from the owner Thomas Crofton Crocker] [n.d., c.1840.] A.l.s, 195 x 240mm, 7¾ x 9½", folded once, with steel-engraved vignette. Some creasing. £220 A house in Parsons Green, owned by the Irish antiquary Thomas Crofton Crocker (1798-1854), collector of ancient Irish poetry and folklore. His work 'South of Ireland' was translated into German by the Brothers Grimm. He was buried in Brompton Cemetery, London. 'A few steps further northward, partly hidden from the road by intervening buildings, was the old house called Rosamund's Bower. Before its demolition in 1892 it was quaintly pretty, with leaded window-panes and red-tiled roof, and was then known as Audley Cottage. It was called Rosamond's Bower first in order to perpetuate the tradition of its standing on the site of a mansion of Fair Rosamund. The earliest mention of it is in 1480, when it was valued at ten marks per annum. It belonged to Sir Michael Wharton before 1725, and when he died in that year it was divided between his co-heirs. It was the residence of Mr. Crofton Croker between 1837 and 1846, and he has written a very full account of it.' From 'The Fascination of London: Hammersmith, Fulham and Putney', by G.E.Mitton & J.C.Geikie, 1903. Ref: 9236 323. [Hammersmith Bridge] Ernest H. G. Cox [pencil signature.] [n.d c.1910.] Etching. Plate 171 x 246mm. 6¾" x 9¾". £130 A view of Hammersmith Bridge with factory in the background. Ref: 9234 324. Hampstead Heath.

N.E. Green, Del et Lith. London, Published 1854, by J. Barnard. 339, Oxford St. Coloured lithograph, printed area 350 x 450mm. 13¾ x 17¾". Scarce. £490 A study of two boys and their donkeys at the end of a day's work. Jenkins and Ditchburn 282. Ref: 8665 325. The East View of Kew and Strand Gree. ~ La Veüe de Kew et Strand Green L'Est. ~ Published by Laurie & Whittle, 53 Fleet Street London. [n.d. c.1780.] Rare coloured engraving. Plate 255 x 400mm. 10" x 15¾". £350 Ref: 9014 326. A View of the Palace at Kew from the Lawn. Jos. Kirby delint: W: Woollett Sculpt. [n.d., c.1763.] Hand coloured etching, 310 x 470mm. 12¼ x 18½". £160 Plate from Chambers' 'Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings at Kew, in Surrey, the Seat of H.R.H. the Princess Dowager of Wales' showing the facade of Kew Palace from the lawn. Fagan: 47. Ref: 8808 327. A View of the Palace, of Her Royal Highness the Princess Dowager of Wales, at Kew. Vüe du Palais de Son Altesse Royale Madame la Princesse de Galles à Kew. [William Woollet, after Joshua Kirby.] London Printed for Rob.t Sayer at the Golden Buck near Serjeants Inn Fleet Street. [n.d. c.1763.] Engraving. Plate 172 x 273mm. 6¾" x 10¾". £120 Royal Collection: RCIN 702947.a. Ref: 9012 328. A View Of Paddington Green. London, Printed for R.Sayer & J.Bennett, Map, Chart and Printsellers, No 53, Fleet Street, 25th Jan.y 1783. Mezzotint printed in sepia. 250 x 350mm, 9¾ x 13¾". £240 Ref: 9036 329. Governor Pitt's House (late Secretary Johnson's) at Twickenham. Maison de Monsieur le Governeur Pitts a Twickenham. A. Heckell Delint. T. Mason Sc. Publish'd according to Act of Parliament 13 Febry. 1749. Printed for John Bowles at the Black Horse in Cornhill. Hand coloured engraving. 255 x 410mm. 10 x 16". Repaired tear through lower left corner of plate (image unaffected). £260

This is the house on the Thames at Twickenham that would become known as Orleans House. An early impression on watermarked laid paper. Ref: 8601 330. A View of Richmond, taken near Twickenham Vue de Richmond, du coste de Twickenham John Boydell Delin & Sculp Sold by J. Boydell Engraver at the Unicorn the Corner of Queen Street in Cheapsode London 1753. Copper engraving coloured by hand, 250 x 420mm. 9¾ x 16½". £220 A later impression on wove paper, with good colour. Ref: 8722

331. A View from Richmond Hill. Drawn by W.Havell. Engraved by R. Havell. Published March 1. 1815, for the Proprietors by Mess.rs Colnaghi & Co. No 23 Cockspur Street. London. Coloured aquatint. 275 x 360mm, 10½ x 14¼". Trimmed to plate. Old ink mss. in title area. £230 A view down to across Petersham Meadows to Ham, St Margarets and Twickenham. Ref: 9027 332. The North West Prospect of St Pauls Church Deptford with the Rectors House &c. Vuë du Nord West de l’Eglise de St. Pauls & de la Maison du Recteur a Deptford. Chez Ryland & Bryer vis avis la Bourse a Londres. [n.d. c.1770] A very rare engraving. 291 x 429mm. 11½" x 17". Some spotting. £190 View of St. Paul's Church Deptford, with adjacent Rector's House. Ex: Oettingen-Wallerstein collection. Ref: 9250 333. A South View of the Church of St. Pancras in the County of Middlesex. Printed for & Sold by Bowles & Carver, No.69 in St. Pauls Church Yard, London [n.d., c.1801]. Engraving and etching with fine hand colour, 275 x 420mm. 10¾ x 16½". £220

South east view of St Pancras Old Church, St Pancras with figures standing in the churchyard, including a grave digger at work and a lady looking through a telescope. On Whatman paper watermarked 1801, numbered '40' lower left. Ref: 8731 334. Totteridge. [n.d. c.1870.] Lithograph. 113 x 164m. 4½" x 6½". £45 View of St. Andrew's Church in Totteridge, North London. Ref: 9238 335. Twickenham. W.T.G. Published by Felix Rosenstiel, 78 Molton Street, London, E.C. [n.d., c.1880.] Etching with remarque of a deerhound's head. 260 x 380mm, 10¼ x 15". Trimmed to plate. £130 View of Twickenham from the Surrey side of the Thames, with St Mary's church in the centre and Eel Pie Island on the left. Anglers fish from the shore and a punt. Ref: 9224 336. Lodge in Twickenham meadows. 19. C. King del.t [n.d. c.1800] Lithograph. Sheet. 254 x 337mm. 10" x 13¼". £140 A rustic scene on Twickenham Meadow. A woman hangs the washing on the line outside the back of the quaint cottage, whilst workers collect the hay. Ref: 9001 337. A View of the Seat of Lord Frederick Cavendish in Twickenham Park. Mr. Spyres delint. J. Wells Excudit. London, Pubd. Jany. 8, 1796, by J. Read, No. 133, Pall Mall. Etching and aquatint in sepia, 260 x 360mm.10¼ x 14¼". £250 A very rare view of the estate of Lord Frederick Cavendish (1729 - 1803), field-marshal. Gascoigne 'Images of Twickenham': 29. Ref: 8717 338. A View of the Earl of Warwick's House at Isleworth. Mr. Spyres Delint. J. Wells Excudit. London, Pubd. Jany. 8, 1796, by J. Read, No. 133, Pall Mall. Etching and aquatint in sepia, 260 x 360mm.10¼ x 14¼". £250 A very rare view of this house on the Thames at Isleworth that has been home to many illustrious occupants. On paper watermarked 1794. Gascoigne 'Images of Twickenham': 12. Ref: 8715 339. Willow Bank, Fulham. Rebuilt, A.D. 1847. The Seat of Arthur. H. Webster Esqr.

Horace Francis, del. et lith. Day & Son. Lith.rs to the Queen. Frederick J. Francis, Architects London. [n.d. c.1850] A rare lithograph. Sheet 286 x 381mm. 11¼" x 15". £180 A view of Willow Bank in Fulham. Ref: 8992 340. South West View of Wimbledon Church, Surrey. As rebuilt 1841. George Gilbert Scott & W.m Bonython Moffatt, Architects. G. Hawkins Lith. Day & Haghe Lith.rs to the Queen. [n.d., c.1841.] Lithograph, 320 x 355mm. 12½ x 14". Pinholes in corners. £180 St. Mary's church, Wimbledon. The church is believed to have existed since 1066 when it was recorded in the Domesday Book. Architect Gilbert Scott's nineteenth century construction incorporated parts of the previous church to keep within a strict budget. Ref: 9259 341. The Grand National Jubilee in Commemoration of Peace August 1st 1814. Published by John Fairburn Jun.r Fountain Court, Minories. Sold also by Champante & Whitrow, Jewry Street. Coloured engraving, 440 x 360mm, 17¼ x 14". With extra scrap glued in centre. Glue stains in left margin, 2 small holes in edge. £360 The celebrations for the short-lived peace while Napoleon was in exile on Elba. The top image and the scrap show the Temple of Concord erected in Green Park; others show the Chinese pagoda (set on fire by the fireworks, killing two people) and bridge in St James's Park, with the Jubilee Balloon, and the mock sea-battles on the Serpentine in Hyde Park. Ref: 8561

342. Covent Garden [in pencil below image.] Edward Bawden [signed in pencil lower right.] [Curwen Prints, n.d., c.1967.] Linocut printed in colour, artist's proof, image 460 x 610mm. 18 x 24". Paper slightly age toned. £950

Covent Garden flower market. An original print in the series of 'Six London Markets' by Edward Bawden (1903 - 1989) first published by Curwen Prints in 1967. Edward Bawden was born at Braintree in Essex iand studied at the Cambridge School of Art (1919-21). He worked under Paul Nash at the Royal College of Art (1922-26) where he made friends with Eric Ravilious and Douglas Percy Bliss. His talent as an illustrator quickly came to the fore and in 1925 he was commissioned by the Curwen Press to illustrate a booklet and design some patterned paper. Throughout the 1930s he taught at Goldsmith's College and the Royal College of Art. In 1935, he and Eric Ravilious took on Brick House at Great Bardfield, Essex and became the centre of the group of artists generally defined as the Great Bardfield School which included John Nash and Ravilious. Inscribed 'A/P' in pencil lower left. Ref: 8835 343. The Crystal Palace and Park. Designed and Executed by Sir Joseph Paxton. Copyright. J. Needham, Lith. London, Printed and Published May 25th 1854, under Authority of the Company, by Day & Son, Lithographers to the Queen, in the Crystal Palace, & at 17, Gate St. Lin. Inn Fields. Lithograph. Sheet 337 x 495mm. 13¼" x 19½". Some tears in the margin. £160 A perspective view of the Crystal Palace and the exotic fountains and gardens. Ref: 9183 344. A Perspective View of David Loudon's Bunn House At Chelsey Who Has the Honour to Sreve the Royal Family. [n.d., c.1750.] Engraving. 210 x 375mm. Framed. Tear near centrefold. Unexamined out of frame. £480 An open loggia, with royal arms and other figures above. Ref: 8366 345. Opera House. Rowlandson & Pugin delt. et sculpt. J. Bluck, aquat. London Pub. 1st. March 1809, at R. Ackermann’s Repository of Arts 101 Strand. Coloured aquatint. Sheet 265 x 325mm. £260 Her (or His, depending upon the sex of the reigning monarch) Majesty's Theatre, Haymarket. After 1709, the theatre was devoted to Italian opera and was sometimes known informally as The Haymarket Opera House. The theatre was established by architect and playwright John Vanbrugh, in 1705, as the Queen's Theatre.This is the interior of the second theatre which hosted performances between 1791 and 1867. On Whatman paper watermarked 1808. Ref: 8327 346. The Parish Church of St Margarets Westm:r where the Speaker & House of

Commons resort on extraordinary Festivals &c. Brooke fecit in Fleet Street. [n.d., c.1740.] Engraving. Sheet 320 x 190mm, 12½ x 7½". Trimmed to plate, mounted on album paper. £75 Ref: 9297

MAPS 347. A Plan of Fort S.t George, part of the Black Town and the Country Adjacent as it was when besieged by the French, 12 December, 1758. T.Jefferys sculp. [n.d., c.1760.] Copper engraving. 260 x 455mm. £180 The British Fort St George, founded in 1639 by the East India Company, known locally as 'White Town'. 'Black Town', on the right, is part of Madras (now Chennai). Ref: 8292

348. Middle-Sex described with the Most Famous Cities of London and Westminster, Described by John Norden, Augme'ted by J. Speed. Jodocus Hondius cælavit cum Privilegio Anno 1610. Solde in Popes head alley against the Exchange by George Humble. Coloured engraving. 385 x 520mm. Split in lower centrefold repaired, some age-toning. Framed with double glass, allowing the verso text to be read. £950 A First Edition example of Speed's map of Middlesex, adapted from the manuscript map by John Norden and engraved by Jodocus Hondius in Amsterdam. In the corners are plans of London and Westminster, also taken from Norden, and elevations of St Peter's Westminster and St Paul's Cathedral. Ref: 8363 349. The London Directory or a New & Improved Plan of London, Westminster & Southwak; with the adjacent Country, the New Buildings, the New Roads, and the late alterations by Opening of New Streets, & Widening of others, 1786. A Table of