The theme of Love.docx

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    The theme of Love

    Romeo and Juliet is the most famous love story in the English literary tradition. Love isnaturally the plays dominant and most important theme. The play focuses on romantic love,specifically the intense passion that springs up at first sight between Romeo and Juliet. InRomeo and Juliet, love is a violent, ecstatic, overpowering force that supersedes all othervalues, loyalties, and emotions. In the course of the play, the young lovers are driven to defytheir entire social world: families, friends and ruler. Love is the overriding theme of the play,

    but a reader should always remember that Shakespeare is uninterested in portraying a prettied-up, dainty version of the emotion, the kind that bad poets write about, and whose bad poetryRomeo reads while pining for Rosaline. Love in Romeo and Juliet is a brutal, powerfulemotion that captures individuals and catapults them against their world, and, at times, againstthemselves.

    The powerful nature of love can be seen in the way it is described, or, more accurately, theway descriptions of it so consistently fail to capture its entirety. At times love is described inthe terms of religion, as in the fourteen lines when Romeo and Juliet first meet. At others it isdescribed as a sort of ma gic: Alike bewitched by the charm of looks. Juliet, perhaps, most

    perfectly describes her love for Romeo by refusing to describe it: But my true love is grownto such excess / I cannot sum up som e of half my wealth . Love, in other words, resists anysingle metaphor because it is too powerful to be so easily contained or understood.

    Romeo and Juliet does not make a specific moral statement about the relationships betweenlove and society, religion, and family; rather, it portrays the chaos and passion of being in

    love, combining images of love, violence, death, religion, and family in an impressionisticrush leading to the plays tragic conclusion.

    The Theme of Light

    The dominating image [in Romeo and Juliet] is light, every form and manifestation of it.When Romeo initially sees Juliet, he compares her immediately to the brilliant light of thetorches and tapers that illuminate Capulet's great hall: " O, she doth teach the torches to burn

    bright!" Juliet is the light that frees him from the darkness of his perpetual melancholia. In thefamous balcony scene Romeo associates Juliet with sunlight, "It is the east and Juliet is the

    sun!" , daylight, "The brightness of her cheek would shame those stars/As daylight doth alamp", and the light emanating from angels, "O speak again bright angel". In turn, Julietcompares their new-found love to lightening, primarily to stress the speed at which theirromance is moving, but also to suggest that, as the lightening is a glorious break in the

    blackness of the night sky, so too is their love a flash of wondrous luminance in an otherwisedark world -- a world where her every action is controlled by those around her. When the

    Nurse does not arrive fast enough with news about Romeo, Juliet laments that love's heraldsshould be thoughts "Which ten times faster glides than the sun's beams/Driving back shadowsover lowering hills". Here, the heralds of love that will bring comforting news about herdarling are compared to the magical and reassuring rays of sun that drive away unwantedshadows. Juliet also equates Romeo and the bond that they share with radiant light. In a

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    The Individual Versus Society

    Much of Romeo and Juliet involves the lovers struggles against public and social institutions

    that either explicitly or implicitly oppose the existence of their love. Such structures rangefrom the concrete to the abstract: families and the placement of familial power in the father;law and the desire for public order; religion; and the social importance placed on masculinehonor. These institutions often come into conflict with each other. The importance of honor,for example, time and again results in brawls that disturb the public peace.

    Though they do not always work in concert, each of these societal institutions in some way present obstacles for Romeo and Juliet. The enmity between their families, coupled with theemphasis placed on loyalty and honor to kin, combine to create a profound conflict for Romeoand Juliet, who must rebel against their heritages. Further, the patriarchal power structureinherent in Renaissance families, wherein the father controls the action of all other familymembers, particularly women, places Juliet in an extremely vulnerable position. Her heart, inher familys mind, is not hers to give. The law and the emphasis on social civility demandsterms of conduct with which the blind passion of love cannot comply. Religion similarlydemands priorities that Romeo and Juliet cannot abide by because of the intensity of theirlove. Though in most situations the lovers uphold the traditions of Christianity (they wait tomarry before consummating their love), their love is so powerful that they begin to think ofeach o ther in blasphemous terms. For example, Juliet calls Romeo the god of my idolatry,elevating Romeo to level of God . The couples final act of suicide is likewise un -Christian.

    The maintenance of masculine honor forces Romeo to commit actions he would prefer toavoid. But the social emphasis placed on masculine honor is so profound that Romeo cannotsimply ignore them.

    It is possible to see Romeo and Juliet as a battle between the responsibilities and actionsdemanded by social institutions and those demanded by the private desires of the individual.Romeo and Juliets appreciation of night, with its darkness and privacy, and their renunciationof their names, with its attendant loss of obligation, make sense in the context of individuals

    who wish to escape the public world. But the lovers cannot stop the night from becoming day.And Romeo cannot cease being a Montague simply because he wants to; the rest of the worldwill not let him. The lovers suicides can be understood as the ultimate night, the ultima te

    privacy.