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Updated Monday March 30, 2020

Dell Hall Tech Specs – FINAL – 20-04-07

The Teresa Lozano and Joe R. Long Center for the Performing Arts

Michael and Susan Dell Hall

Technical Specifications

For Questions concerning Technical Specifications, please contact:

Director of Production – Jim Larkin (512) 457.5130 or [email protected]

General Information:

• The Long Center operates under a collective bargaining agreement with I.A.T.S.E.

Local 205. The Long Center brokers stage labor for work in Dell Hall.

• The following document contains a current listing of our inventory. The Long Center

makes no guarantee as to its future availability.

• There is no house repertory light plot for Dell Hall. There is no repertory goods hang

schedule for Dell Hall. Lighting and goods are hung per event.

• Additional lighting and audio equipment are available for rent, though availability is

subject to change. These items are listed in the Lighting and Audio sections below.

Contact the Long Center Production Department for availability and current rates.

• The Long Center is a safe working environment. All work in Dell Hall is to be

executed with “Safety First”. The Long Center has a Hard Hat Policy; Hard Hats are

required when any work is being done above stage level. Full cooperation with

respect to safety policies set by the Long Center is expected in Dell Hall.

Seating and House Capacity:

Orchestra: 530 Seats

Orchestra Pit: 112 Seats

Parterre: 499 Seats

Mezzanine: 620 Seats

Balcony: 681 Seats

Total: 2442 Seats

All levels are wheelchair and ADA

accessible.

Assistive listening devices are available

upon request.

Stage Dimensions:

Proscenium Opening: 54’-0” wide x 31’-0” high

Adjustable (Width & Height of proscenium is flexible

down to 38’ wide, using the hard portal legs and hard

portal border on line sets 1 & 2 as a false proscenium).

Stage Depth: 52’-6” deep

Hard Portal Border: 60’-0” wide x 20’-0” high

Hard Portal Legs: 14’-0” wide x 35’-6” high

House Curtain: 60’-0” wide x 20’-0” high

Orchestra Pit Depth: 17’-0” deep (U.S. Lift @ 10’-3” deep; D.S. Lift @ 7’-10” deep)

Stage Height from Orchestra Floor: 3’-11”

Stage Floor to Gridiron: 84’-4”

Stage Floor to Fly Gallery: 28’-0”

Stage Floor to SR Pin Rail Gallery: 40’-0”



Stage Floor to SL Pin Rail Gallery: 48’-0”

Stage Floor to Lower-Loading Rail: 70’-0”

Stage Floor to Upper-Loading Rail: 78’-0”

Counterweight Fly System:

The Meredith Stage in Dell Hall is equipped with a double-purchase counterweight fly

system. The operating rail and loading rails are located stage left. The operating locking rail

is equipped with a three-color rope-light cue system. The pin rails, located stage left and

right, are equipped with belaying pins for spot-lines. A fire curtain and dedicated house

curtain are both motorized and are located immediately upstage of the proscenium. There

are no dedicated electrics or lighting battens. A blank hang schedule is located on pages 23

and 24.

Total number of manual line-sets with truss battens: 73 (61 Available)

Batten Length: 72’-0”

Batten Travel: 78’-0”

Batten Height at Deck Level (Bottom Cord): 3’-8”

Standard Arbor Height: 14’-0”

Concert Ceiling Arbor Height: 20’-0”

Standard Arbor Weight Capacity (above “batten” weight): 2000 Lbs.

On Batten Weight Capacity: 1000 Lbs.

Concert Shell:

Meredith Stage in Dell Hall is equipped with a Wenger Diva Series Acoustical Shell Enclosure.

Shell enclosure size is adjustable from small to large, based on number of shell ceilings

used.

Ceilings: There are five Wenger Diva Series Acoustical Ceilings with white finish. They

are hung on dedicated manual counterweight line sets. Each ceiling includes

nine ETC Source Four PAR light fixtures that are divided into 6 circuits.

Towers: There are twelve Wenger Diva Series free-standing acoustical towers with a

cherry finish. Each tower is self-supported and movable. They are available as

back and side walls. When deployed the towers are approximately 12’-0” wide

and 30’-0” high. Tower storage is off stage right.

Soft Goods:

The following soft goods are available in-house.

Description Quantity Height Width

House Curtain (“Sage Green” Color) 1 36’-0” 60’-0”

Black Velour Borders 6 12’-0” 70’-0”

Black Velour Legs 12 40’-0” 16’-0”

Black Velour Legs 12 30’-0” 16’-0”

Black Velour Tabs 8 40’-0” 10’-0”

Black Velour Tabs 2 30’-0” 10’-0”

Black Velour Bi-Part Traveler (Two 40’-0” x 36’-0” Panels) 1 40’-0” 70’-0”

Black Velour Bi-Part Traveler (Two 30’-0” x 36’-0” Panels) 1 30’-0” 70’-0”



Blackout Panel 1 40’-0” 70’-0”

Cyclorama 1 38’-0” 70’-0”

Black Scrim 2 38’-0” 70’-0”

White Scrim 1 38’-0” 70’-0”

Rear Projection Screen 1 40’-0” 70’-0”

Small Projection Screen* (DA-LITE Fast fold) 1 15’-0” 26’-6”

Large Projection Screen* ** (Stewart Film Screen – Ultramatte 130) 1 24’-0” 42’-0”

*This information duplicated in Theatrical Video Systems section.

** Large Projection Screen optimal hang location: 2’11” from plaster line.

House Main Curtain:

The House Main Curtain is made of 24-ounce velour and is rigged on a dedicated winch

assisted arbor drive line set. The House Main Curtain can be operated from the Operating

Fly Gallery and/or Stage Right deck. It is guillotine only, with a center split.

Variable Acoustics:

Dell Hall is equipped with a variable acoustic curtain system. The system uses a series of

motorized Venetian style banners and tracked curtains to alter the acoustics of the room.

This enables the room to become more ‘live’ or ‘dead’ depending on the needs of the event.

Stage Floor:

The stage floor includes a resilient neoprene rubber vapor barrier, sleepers, 2 layers of ¾”

plywood, and is topped with ¼” masonite. It has a flexible trap area located in the center of

the stage. The trapped portion of the stage begins 6’-8” upstage of the plaster line, is 59’-

0” wide, extends 22’-9” upstage, and is on the center line.

A full-stage black Harlequin Cascade Marley Vinyl dance floor with a sub floor is available.

Contact the Long Center for more information.

Orchestra Pit Lifts:

The Orchestra pit consists of two platforms, raised and lowered on Gala Spiralift columns.

Pit Lifts can be set to total 6 preset levels, or at any height within the following range:

ABOVE Stage Level: +1’00” above stage

STAGE Level: 0’00” Stage Level

House (Audience) Level: -4’00” below Stage Level

Orchestra Level: -8’00” below Stage Level

Storage Level: -12’00” below Stage Level

Basement Level: -13’00” below Stage Level

Unit Static Load: 150 pounds per square foot

Static Load Capacity: 87,600 pounds

Unit Lifting Load: 50 pounds per square foot

Lift Load Capacity: 29,200 pounds

Lift Speed: 10 feet per minute

PRESETS



Loading Dock:

The loading dock area has two loading dock doors: (1) 20’ wide x 10’ high, and (1) 8’ wide

x 8’ high, located on the south end of the Long Center, and will accommodate three semi-

tractor trailers simultaneously. Two spaces are equipped with molded dock bumpers and

powered recessed dock-levelers that compensate for differences in height between truck

bed and loading dock. A dock plate is available for the third space. One dock space is to

remain open at all times; this must be discussed.

The delivery/service yard is shared with the Palmer Events Center. The Long Center must

coordinate all deliveries and trucks/buses in advance. Local policy: no idling at dock. For

long-term parking, tractors must be removed from trailers. Call to discuss.

Genie Lifts:

Dell Hall has two (2) Genie Lifts, model AWP 36S, for use with outriggers. Operation must

be OSHA compliant. Genie lift working height is 36’.



Green Room:

The Green Room/Performers Lounge is equipped with audio and video monitors of stage. It

accommodates up to 40 people.

Dressing Rooms:

There are eleven (11) total dressing rooms: (7) Chorus dressing rooms, and (4) Star dressing

rooms. Two of the large chorus dressing rooms can be divided into (4) total rooms. All are

equipped with audio monitors with independent volume controls. Video monitors for a

stage view are available at these locations. Each room contains a thermostat for local

temperature control. Each room has showers, toilets, sinks, and mirrors (makeup mirrors

and full-length mirrors). Contact the Long Center for more information, if needed.

Dressing Rooms Location - Title Capacity (per room)

2 – Large, dividable Basement Level - 1.1 & 1.2 20 (or 10 per side)

1 – Large Basement Level- 1.3 20

3 – Medium Orchestra Level- 2.1, 2.2, & 2.3 6

2 – Star Stage Level- Star 1 & 2 1 artist (typically)

1 – Medium Stage Mezzanine Level- 3.1 6

2 – Star Stage Mezzanine Level- Star 3 & 4 1 artist (typically)

Laundry Room:

Laundry facilities are available at the basement level. There are three (3) standard washing

machines and three standard dryers available to Artist companies. The laundry room has a

household-style sink dedicated for laundry use. The dyeing of costumes is not permitted in

any of the washing machines. Three steamers are located in the laundry room.

Wardrobe Room:

The Dell wardrobe room is located on the basement level, across from the Laundry Room. It

is 400 sq. ft. with seven (7) 20A 120v circuits. Worktables and chairs are provided.

Eighteen (18) rolling wardrobe racks are stored here.

Wig Room:

The wig room is adjacent to the laundry room on the basement level. It is 375 sq. ft. and

has four (4) 20A 120v circuits. This room has a double-bay utility sink dedicated for wig

maintenance. Lighted makeup mirrors, shelves, worktables, and chairs are provided.



Concert and Theatrical Lighting

The Hall is equipped with a first-class lighting system including high rise dimmers dedicated

to the house lights and concert lighting circuits. Concert lighting fixtures are permanently

hung and focused and are not available for general stage lighting use without prior

arrangement and additional labor expense.

There is no set “house light plot”. All lighting equipment is scheduled on an as-needed

basis. Expendables such as gel and templates can be provided with sufficient notice, at

additional expense.

The following equipment is currently in inventory, however, the Long Center makes no

guarantee as to its availability until show/event needs have been reviewed and approved by

the Long Center Production Department during advance. Additional information regarding

the lighting inventory is available upon request (weights, frame sizes, etc.).

Lighting Control:

1 ETC EOS Control System with 4000 outputs and full tracking backup processor

1 Wireless EOS Remote Focus Unit (ETC iRFR application on Apple iPad)

636 20A ETC Sensor Dimmers

18 50A ETC Sensor Dimmers

54 20A ETC Sensor High Rise Dimmers

42 20A ETC Non-Dim Circuits

Portable 2 and 4 Port DMX output Gateways

Lighting Network and DMX distribution:

Ethernet ports for access to the lighting network are distributed throughout the theater. All

data distribution is via the lighting network- there are no DMX dry lines in the facility. Our

dimming system can accept ETCNet2 and sACN protocols directly or DMX via input nodes.

The lighting network infrastructure runs at 100 Mbit speed. To protect the integrity of the

lighting system, only approved equipment may be connected to the lighting network.

Lighting Fixture Inventory (does not include concert fixtures):

12 ETC 5-degree Source Four ERS with 750-watt lamp







12 ETC 15-30 degree Source Four Zoom ERS with 750-watt lamp

12 ETC 25-50 degree Source Four Zoom ERS with 750-watt lamp

69 ETC Source Four PAR with 750-watt lamp

18 Strand Fresnelite 8” with 2000-watt lamp

15 L&E Runt 4-cell Cyc fixture with 650-watt lamps

20 Altman LED Spectra Cyc 200 (200-watt)

12 8’ L&E Zip-Strip lights with 75-watt MR-16 lamps (EYC)

12 SeaChanger Color Mixing Units for Source Four



Truss, Booms, and Ladders:

12 50lb round boom base for 1 ½” threaded pipe

12 21’ long 1 ½” threaded pipe with safety tie off

8 Lighting Ladders (5 Rungs, 3’ wide x 15’ tall). These are usually hung on the side

trusses.

2 Side trusses; located SL and SR past the end of the battens. Each length is

40’ (running DS to US) of 20” triangle truss (orientation: point down), on 2x 1-ton

Motors. Contact the Long Center Production Department regarding use.

Additional accessories (top hats, gobo holders, irises and sidearms) are available with

advance notice.

Additional lighting equipment available for rent from the Long Center:

16 Vari*Lite VL2600 Wash (moving yoke wash fixture; 850-watt)

4 Lycian Model 1293 Follow Spots with 3000-watt Xenon lamp

24 Wybron 4” Coloram IT Gel Scrollers (house gel strings available on an “as-is” basis,

string info upon request)

2 DF-50 oil-based Hazer (Fluid use charged as an expendable)



Front of House Lighting Positions:

All circuits terminate in stage pin connectors. Non-dim circuits are relay switched, suitable

for powering motors and moving lights at 120v.

Position

Available circuits

(not including

concert circuits)

Distance from

Plaster Line

Height from Stage

Floor Throw to 0’-0”

Followspot Booth

4 @ 20A,

2 @ 20A non-dim 93’ 66’ 114’

Far Catwalk

6 @ 20A (SL of C),

6 @ 20A (SR of C),

2 @ 20A non-dim 93’ 66’ 114’

Mid Catwalk

36 @ 20A,

2 @ 50A,

2 @ 20A non-dim 70’ 67’ 97’

Near Catwalk

24 @ 20A,

2 @ 20A non-dim 47’ 67’-3” 82’

Apron Catwalk

12 @ 20A,

2 @ 20A non-dim 14’-3” 46’ 48’

Projection Booth

2 @ 20A,

2 @ 50A,

2 @ 20A non-dim 122’ 33’ 126’

Balcony Rail

12 @ 20A,

2 @ 50A,

2 @ 20A non-dim 88’ 36’ 95’

Mezzanine Rail

6 @ 20A,

2 @ 50A,

2 @ 20A non-dim 83’ 17’-3” 85’

High Opera Box HR

12 @ 20A,

1 @ 20A non-dim 54’-0” to 27’-8” 42’-9” 63’-3” to 82’-0”

Mid Opera Box HR

8 @ 20A,

1 @ 20A non-dim 54’-0” to 27’-8” 26’-9” 54’-0” to 73’-9”

Low Opera Box HR

4 @ 20A,

1 @ 20A non-dim 54’-0” to 27’-8” 18’ 49’-0” to 70’-0”

High Opera Box HL

12 @ 20A,

1 @ 20A non-dim 54’-0” to 27’-8” 42’-9” 63’-3” to 82’-0”

Mid Opera Box HL

8 @ 20A,

1 @ 20A non-dim 54’-0” to 27’-8” 26’-9” 54’-0” to 73’-9”

Low Opera Box HL

4 @ 20A,

1 @ 20A non-dim 54’-0” to 27’-8” 18’ 49’-0” to 70’-0”

High Box Boom SL

9 @ 20A,

1 @ 20A non-dim 16’-6” to 11’-3” 36’ to 28’-8” 53’-6”

Mid Box Boom SL

9 @ 20A,

1 @ 20A non-dim 16’-6” to 11’-3” 22’ to 14’-9” 45’-3”

Low Box Boom SL

None (cable run from

stage as needed) 16’-6” to 11’-3” 7’-9” to 0’ 40’-3”

High Box Boom SR

9 @ 20A,

1 @ 20A non-dim 16’-6” to 11’-3” 36’ to 28’-8” 53’-6”

Mid Box Boom SR

9 @ 20A,

1 @ 20A non-dim 16’-6” to 11’-3” 22’ to 14’-9” 45’-3”

Low Box Boom SR

None (cable run from

stage as needed) 16’-6” to 11’-3” 7’-9” to 0’ 40’-3”

Please note that Balcony rail and Mezzanine rail positions can have a noticeable “bounce”

due to audience movement in those areas.



Onstage Lighting Positions:

There are no dedicated electrics or lighting battens. A total of 312 overhead 20A circuits

can be distributed via six-circuit Socapex cables to any batten. Staggered-length and same-

length breakouts are available. Four 50A circuits are also available at grid level.

All circuits terminate in stage pin connectors. Non-dim circuits are relay switched, suitable

for powering motors and moving lights at 120v. Additional circuits are available at or near

stage level in the following locations:

Location

# of lighting circuits

Pin Rail Stage Left 36 @ 20A, 1 @ 20A non-dim

Pin Rail Stage Right 36 @ 20A, 1 @ 20A non-dim

Downstage Left Proscenium Wall 8 @ 20A, 1 @ 20A non-dim

Downstage Right Proscenium Wall 8 @ 20A, 1 @ 20A non-dim

Upstage Left Wall 12 @ 20A, 2 @ 50A, 1 @ 20A non-dim

Upstage Right Wall 12 @ 20A, 2 @ 50A, 1 @ 20A non-dim

Upstage Center Wall 12 @ 20A, 2 @ 50A, 1 @ 20A non-dim

Orchestra Pit 6 @ 20A, 1 @ 20A non-dim

Trap Room 8 @ 20A, 2 @ 20A non-dim

Cue Light System:

1 Leon Audio 14-channel master control unit mounted in SM Panel (on stage)

1 Leon Audio 14-channel portable master control unit

14 Leon Audio QLS-B Mk3 cue light station

There are a maximum of 14 cue lights with this system. Connection jacks for cue light

stations are available throughout Dell Hall. The fly rail is equipped with three (3) colors of

120v rope light that are used for fly cue lights; these can plug into touring cue light systems

via stage-pin connectors.



Theatrical Audio Systems

The Dell Hall sound system uses QSC amplifiers and EAW speakers. The system evenly

distributes sound pressure levels of 95 decibels average C-weight. Due to our efforts to

satisfy our patrons’ expectations and system limitations, events requiring SPL above 95db

are not allowed through the House System. Many concerts presented in Dell Hall do not

require sound reinforcement due to the reflective surfaces within the space, which is

optimized for natural sound. For performances requiring reinforcement, special attention is

necessary to control stage monitor volume and House PA volume levels. Acoustic curtains

are available throughout the concert hall to help dampen sound reflection.

The following equipment is currently in inventory; the Long Center makes no guarantees as

to future availability.

Loud Speakers:

The permanent loudspeakers in Dell Hall are manufactured by Eastern Acoustic Works

(EAW). The main components are hidden in the proscenium in a left-center-right

configuration. The other components are distributed throughout the hall. The system

utilizes QSC amplifiers and will comfortably reinforce decibel levels up to an average of

95db C-weighted.

Location Quantity Speaker Model Amplifier Model

Center Cluster Array-Top Tier 4 EAW KF737P Custom QSC CX902/1102

Center Cluster Array-Bottom Tier 3 EAW KF730P QSC CX902/1102

Side Towers – Top Tier 2 EAW MQM1343e Custom QSC CX302/702

Side Towers – Middle Tier 2 EAW MQM1364e QSC CX302/702

Side Towers – Middle Tier 2 EAW LF1410 Custom QSC CX902

Side Towers – Bottom Tier 2 EAW MQM1394e QSC CX302/702

Side Towers – Sub Woofers

4

EAW LF1815 Custom

QSC CX1102 &

Lab.Gruppen 68:4

Orchestra Box Fills 6 EAW UB12Se QSC CX254

Front Fill 8 EAW UB52-JHA Custom QSC CX404

Under Mezzanine 8 EAW UB52 QSC CX404

Under Balcony 6 EAW UB52 QSC CX404

Over Balcony 4 EAW MK2394e QSC CX502

Control Room 2 EAW UB12Se QSC CX404

Control Room 1 Bag End S10e-1 QSC CX404

Studio Monitors 4 Mackie HR624 Self-Powered

Effects/Monitor 4 EAW JFX88 QSC CX702

Effects/Monitor 4 EAW SM200iH QSC CX702

Effects/Monitor 4 EAW SM260iV QSC CX702

Spot Monitor 2 Mackie SRM-150 Self-Powered

In addition to the permanently mounted House PA, there is a system of chain motors & I-

Beams available to temporarily rig rental/touring line array systems left & right of the

proscenium. Call to discuss as necessary.



Available Amplifiers:

Amount Manufacturer Model Description

4 QSC CX702

2-Channel Power Amplifier.

These amps can be used for EAW

portable speakers: JFX88, SM200iH,

and SM260iV. 425W @ 8Ω. 700W

@ 4Ω.

FOH Mixing Console:


1 Allen & Heath dLive s7000 Surface

Layout features include 216 assignable

fader strips, 36 faders over 6 layers, dual

12” touch screens, and 26 assignable soft

keys. With an additional 8 input/output

sockets on the rear of the surface.

1 Allen & Heath dLive DM64 Mix Rack

128 input channels/64 mix outputs, 16

Rack FX, and 16 DCAs with full

processing. Physical sockets include 64

mic/line inputs, and 32 line outputs. XCVI

160x64 FPGA Core,96kHz sample rate.

FOH Mixing Console Expandable I/O:


2 Allen & Heath DX168

Expandable D-snake 16 mic/line

inputs, 8 line outputs, 96kHz sample

rate.

1 Audinate Dante 64x64 Slot Card 64 channels of bidirectional digital

audio at 96 kHz sample rate.

Monitor Mixing Console:


1 Yamaha PM5D-RH

48-mono inputs, 4-stereo inputs,

4-stereo effect inputs, 24-mix

outputs, 8-matrix outputs

Playback and Recording:


1 Figure 53 Qlab-3 Pro License for computer/video

1 Denon DN-T625 CD Player and Cassette Deck

1 Tascam MD-CD1 Minidisc and CD Player

1 Tascam MD-350 Minidisc Recorder

Outboard Processing Equipment:


1 Ashley Protea 4.24G Graphic equalizer - 4 channel

Assisted Listening System:

A Sennheiser Infrared assisted listening system is available from Guest Services. Call for

more information.



Theatrical Intercom System:

Dell Hall has a built-in four-channel Clear-Com system. There are connections in all

production areas and backstage areas.


2 Clear-Com V-BOX Portable Wall Station Box

8 Clear-Com RS-601 Belt pack

2 Clear-Com RS-602 Belt pack, 2 Channel

8 Radio Active Designs UV-1G 2 Channel Wireless Intercom

2 Beyerdynamic DT-109.28 400B Headset- Double Muff

2 Beyerdynamic DT-108.28 400B Headset- Single Muff

2 Clear-Com CC-260 Headset- Double Muff

6 Clear-Com CC-95 Headset- Single Muff

2 Clear-Com HS-6 Handset

1 Clear-Com TW-40 Walkie-Talkie Interface

2 Clear-Com RS-701 Beltpack

2 Clear-Com cc-300-X4 Headset Single Ear

Paging System:

A networked paging system serves to page the lobby, backstage, and stage areas. Paging

may be performed from the portable SM Rack and from the Guest Services office.

Console Positions:

Positions for the FOH mixing console include the audio control booth (center back of

orchestra parterre), a “front porch” position (house right in back of center orchestra

parterre/in front of lighting control booth), and a “center mix” position (house right in

center orchestra). The “front porch” and “center mix” positions require house seat pulls to

activate.

House Mic Lines & Tie Lines:

A 56 input snake runs from the stage to either the sound booth, front porch position, or

center mix position. There are 20 wall-mounted mic lines stage left and stage right, plus an

additional 4 mic lines, and various tie lines on stage. 12 mic lines are positioned upstage

center in the pit. There are a few mic lines and tie lines in all levels and positions in the

catwalks. There are 24 tie lines between the booth and the stage, 8 tie lines to the Rollins

Studio Theatre, and 8 tie lines to the loading dock. We can utilize (2x) Allen & Heath DX168

anywhere we are not limited by Cat5 length limitations.

Microphones and Direct Input Boxes:


6 Shure SM57-LC Dynamic Instrument Microphone

6 Shure SM58-LC Dynamic Handheld Vocal Microphone

2 Shure SM81-LC Instrument Condenser Microphone

2 Shure Beta 87C Vocal Condenser Microphone

4 Sennheiser MD421 II Dynamic Microphone

6 AKG C 535 EB Handheld Condenser Microphone

8 BSS AR-133 Active DI

2 AKG C 451 B Condenser Instrument Microphone

2 Audio-Technica ES935ML (ES935S/C) Condenser Gooseneck Microphone



2 Shure Beta 52A Kick Drum Microphone

4 Crown PCC-160 Boundary Microphone

6 Shure Beta 98D/S Condenser Percussion Microphone

4 Audio-Technica AT3035 Condenser Microphone

2 Audio-Technica U857 QL 16” Gooseneck Microphone

6 Shure Axient AD-2 Handheld* Handheld Mic (58,87) W/L Transmitter

8 Shure Axient AD-1Beltpack* Beltpack W/L Transmitter

2 Shure Axient AD4Q Receiver 4Ch. W/L Receiver

*Battery Expendables charge.

Ancillary Equipment:


1 Whirlwind PRESS POWER 2 Press Box With Case

3 Whirlwind MS-12-0-NR-050-SS Microphone Sub Snake

1 Roadmaster 50’ 8 channel subsnake

1 Roadmaster 100’ 8x4 channel subsnake

1 Whirlwind 8x8 (tails to tails) subsnake

1 Whirlwind Concert 58-NR 58 Input Rackmount Splitter

1 Ashley Protea 4.24G Graphic EQ-4 channel

Additional audio equipment available for rent from the Long Center:


2* DPA SMK4061 Stereo Condenser Microphone Kit

2 DPA Dfine 4088 Dual Ear Headset Microphone

5 DPA 4088 Dual Ear Headset Microphone

7 Countryman E6 (medium weight) Single Ear Headset Microphone

1 TC Electronics M3000 Effects processor

1 Eventide Eclipse Effects processor

1 Millennia HV-3C Dual Channel Microphone Pre-Amp

1 DBX 162SL Dual Channel Compressor/Limiter

4 EV ETX 15S 15” 2000w Powered Speaker

4 EV ETX 18SP 18” 2000w Powered Subwoofer

1

Allen & Heath

SQ5

48 input channels/12 mix outputs with

full processing. Layout features include

96 assignable fader strips. 7” touch

screen along with 8 assignable soft keys.

Equipped with Dante 64x64 slot card.

*Matched Pair



Theatrical Video Systems

The Long Center projector is available for a fee. See Fee Schedule in the general conditions

of your rental contract. The following equipment is currently in inventory; the Long Center

makes no guarantees as to future availability.

Projector*:


1 Christie Digital CP2000SB

2k Resolution (2048x1080),

22000 ANSI Lumen, DLP Cinema

Projector.

Accessories:


1 Christie lens 38-809069-1 (3.0 – 4.3:1) lens

1 Christie CineIPM 2k

Video Scaler which allows

composite, S-Video, Component

SD, Component HD, DVI, VGA,

RGBHV, 2x DVI, SDI, and HD-SDI

input.

1 Pioneer DVD-V8000 DVD Player w/ DVI Upscaling**

1

Analog Way

PLS-200

Video scaler which allows

composite, S-Video, Component,

VGA, and DVI input with cross

fading

1 Analog Way PLS-300 Remote for Pulse LE

Projection Screens:


1 DA-LITE*** Fast Fold

Front Projection Video Screen

26’-6” x 15’-0” Viewable Area

Aspect: 1.6777

1 Stewart Film Screen***

Ultramatte 130 Screen

CinePerf perforations

Front Projection Video Screen

42’-0” x 24’-0” Viewable Area

Aspect: 1.75

Movie theatre style screen

*The distance from projector location to plaster line is 127’-7”. The Christie Projector is permanently installed and cannot be moved.

**This DVD player cannot upscale a copyrighted DVD.

***This information duplicated in Soft Goods section. Large Projection Screen optimal location: 2’11” from plaster line.

Video Hardwire Information:

Dell Hall is wired with BNC video connectors. BNC panels for composite/digital video are

located in all technical areas. These connections route to a patch bay equipped with

BlackMagic 40x40 SmartHub switcher as well as an AutoPatch system located in the

projection booth. Video for cameras and monitors can be routed from this location. There

are also Cat-5 panels for video as well as a patch bay in the projection booth for video-over-

Cat-5 solutions.



Ancillary Equipment:


1 Magnum Clock DT4040 Large LED Digital Clock

4 Panasonic PL5072N

50” 720p Plasma Video Monitor

with stands, converters, etc.

Various Various Various

A fair amount of various portable

video format converters – please

contact the Long Center Production

Department for further information about

what is available.



Stage Area Power

All connections and disconnections to these panels must be performed by house personnel.

Nominal voltage is 120/208v 3 phase, 60Hz. Stage area 400A company switches are fed

from the same transformer as house dimmer racks and have a higher voltage: 127v H-N,

219v H-H. All Cam-Lok connections have neutral and ground reversed.

Company Switches:

Amperage Location Connection Type Notes

400 Amps DSR on Proscenium Cam-Lok / Tie-In Double Neutral, 127v H-N

400 Amps DSR on Proscenium Cam-Lok / Tie-In Double Neutral, 127v H-N

100 Amps DSR on Proscenium

Cam-Lok,

Panel with Stage Pin

and Edison on Wall

8 @ 20A stage pin,

8 @ 20A edison

60 Amps DSR on Proscenium 60 Amp Pin and Sleeve* Isolated Ground, Audio Only

60 Amps DSL on Proscenium 60 Amp Pin and Sleeve* Isolated Ground, Audio Only

100 Amps DSL on Proscenium

Cam-Lok,


and Edison on Wall

8 @ 20A stage pin,

8 @ 20A edison

200 Amps DSL Wing Wall Cam-Lok Isolated Ground, Audio Only

100 Amps MSL Wing Wall

Cam-Lok,


and Edison on Wall

8 @ 20A stage pin,

8 @ 20A edison

100 Amps USL Upstage Area Wall

Cam-Lok,


and Edison on Wall

8 @ 20A stage pin,

8 @ 20A edison

100 Amps USR Upstage Area Wall

Cam-Lok,


and Edison on Wall

8 @ 20A stage pin,

8 @ 20A edison

100 Amps USR Upstage Wall

Cam-Lok,


and Edison on Wall

8 @ 20A stage pin,

8 @ 20A edison

400 Amps DSR on Mid Rail Cam-Lok / Tie-In Double Neutral, 127v H-N

400 Amps DSR on Mid Rail Cam-Lok / Tie-In Double Neutral, 127v H-N

100 Amps USR on Mid Rail Cam-Lok

100 Amps USR on Gridiron Cam-Lok

100 Amps USL on Gridiron Cam-Lok

100 Amps DSR on Forestage Gridiron Cam-Lok

400 Amps

Loading Dock Receiving

Area Cam-Lok / Tie-In Double Neutral

100 Amps Trap Room Under Stage Cam-Lok

*Dell Hall is also equipped with Pin and Sleeve cables and breakout boxes:

Amount Manufacturer Part # Description

2 Leviton Connectors are 560P9W 50’ 60-Amp Pin and Sleeve Cable

2 Union Connector 56DBT-06122U-IG

60-Amp Pin and Sleeve Breakout

Box with 12 circuit breakers with 2

Edison connectors each.

On Stage Audio Power:

Throughout Dell Hall there are duplex and fourplex outlets that are orange. The orange

outlets are isolated ground outlets specifically for audio and are not used for any other

purpose.



Visiting Production Office

This visiting production office is located in the Production Hallway on the entry level, under

the Dell stage, next to the trap room.

Office Information

• Phones

512-457-5100 ext. 138

512-457-5100 ext. 139

The phones are IP-Phones and

are provided.

• One jack for wired Internet access

available

• Three desks, shelves on the wall,

and two chairs.

• TV Monitor with stage view

• Copy machine & fax machine.

(512) 457-5140



On Stage Crew Office

This office is located just off the stage right wing in Dell Hall.

Office Information

• Phones

512-457-5100 ext. 210

The phone is an IP-Phone and is

provided.

• Two jacks for wired Internet

access available

• Three desks, shelves on the

wall, and two chairs.

• Four desks, one 8’ table, and

five chairs.

• Clear-Com Squawk Box on wall.



Long Center Photos

The Long Center’s Grand Staircase to main entrance of Dell Hall on the right

Rollins Lobby Doors are to the left of the stairs at ground level

Aerial photo of the Long Center & Palmer Events Center Parking Garage



2019-2020 Long Center Hang Schedule

the teresa lozano and joe r...the orchestra pit consists of two platforms, raised and lowered on...

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