the streaming revolution - turtl downward trend among millennials who indicate they watch live tv...
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THE STREAMING REVOLUTIONExploring the future of entertainmentIssue No. 8
A Changing LandscapeThe state of media & entertainment
The StreamingFrontierIn 2016, pay TV lost 1.6Msubscribers because of theeasy, 24/7 access toentertainment via streamingservices, but the major cableand satellite companies aren'tgoing anywhere yet. Throughefforts like skinny bundles andcross-industry partnerships,there is still a lot of room tocompete for consumers'attention.
In this issue, MEC andBloomberg unpack whatmarketers need to know mostabout what's happening nowand what's coming next, fromkey trends to new businessmodels to how to stay ahead ofit all.
Relentless pace of change
In the decade since the iPhone redefined the
smartphone industry, "watching TV" has changed
forever.
More than ever before, consumers have choices for
both content and how to consume it. Improvements
in handset-screen quality, ever-more-robust mobile
networks, and now-ubiquitous unlimited data plans
only increase the momentum.
In 2017, expect the competition for audience
attention, especially from the coveted 18-34 year old
demographic, to foment new strategies, new
products, and new opportunities.
KEY FACT
+80% of 18-34 year-olds in the U.S. are
using mobile platforms to consume
content – via Bloomberg.com
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"Content on demand is thenew reality in the medialandscape, and that presentschallenges andopportunities for brands -we can't rely on old admodels to be relevant topeople who consumecontent where and whenthey want it."– Noah Mallin, Head of Social, Wavemaker, MEC
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Blurring boundaries
Tech, telecom, pay TV and media companies are
coloring outside the lines in an effort to come out on
top with consumers, Bloomberg reports.
Carriers like AT&T now want to deliver big-ticket
television events like the Olympics to stay relevant
with younger consumers.
Tech giants Amazon, Netflix and YouTube have
become original content producers. Content
creators like Time Warner and Disney are becoming
streaming giants.
And it doesn't end there. Pay TV companies
Comcast and Charter plan to offer wireless service;
and Dish Network's Sling TV, once the only "skinny
bundle," is increasingly just one of many options.
Industry deal making intensifies
This year, AT&T expects to acquire Time Warner,
and Verizon plans to close its deal to buy Yahoo. At
the recent Mobile World Congress in Barcelona,
partnerships that would deliver content to mobile
environments were a key focus.
Read more: MEC at MWC: Key Takeaways and
Trends
2017 could see an additional wave of cross-industry
partnerships and takeovers. Bloomberg Gadfly sums
up the possibilities in this graphic:
Potential mergers and partnerships among media, telecom, payTV and tech companies this year
Click to enlarge
Content is still king
Walt Disney Co. Chairman and CEO Bob Iger distills
what's important to consumers amid this changing
environment in an interview with Bloomberg.
"The consumer is interested far more in content than
they are in how they get that content – although
that’s important too," said Iger. "I look at the AT&T-
Time Warner planned merger as a distribution
company needing to own content, as opposed to a
content company needing to own distribution."
Click to watch the full interview: Disney Chairman & CEO BobIger on Content, Distribution and Data
Assessing consumer touchpoints
Utilizing MEC Consumer Pulse, MEC’s proprietary
online survey panel, we’re able to glean insights into
consumer-reported viewing habits.
From January 2016 to February 2017, we have seen
a downward trend among Millennials who indicate
they watch Live TV (defined in Consumer Pulse as
"television that is viewed at regularly scheduled
time") in a typical week.
Click to enlarge
Accordingly, in January 2016, 70% of Millennials said
they watched Live TV frequently or very frequently in
a typical week; this amount dropped to 58% a year
later in February 2017.
However, despite this overall decline, MEC
Consumer Pulse reports slight spikes in Live TV
viewing that align with key moments of interest, such
as live events like the 2016 Rio Olympics in August
and the U.S. election season.
So what does this mean for marketers? Brands can
still leverage the broad reach of Live TV for key
moments or events that are relevant and speak to
Millennials.
However, as marketers move towards more
audience-centric planning over simple
demographics-based targeting, the key is to
supplement these mass-reach moments online by
reaching the right audience where and how they
actually consume content.
The New World OrderDriving the future forward
Re-engineeringOTTEntertainmentAs consumer expectationsdramatically shift, thereinvention of content and howit's accessed is critical tostaying relevant - and absolutefor those who want to stay ontop.
In this section, we highlight fourcompanies at the forefront ofthese changes, looking at boththe tactical toolbox and thebroader implications each hasfor critical topics for marketers,including: Global thinking;customer-centricity; balancingaction and consistency; andembracing new technologies.
Netflix's reality TV push: innovation with a global
focus
Netflix, the world’s largest paid video service, spent
about $6 billion on content last year; it is expected to
spend a similar amount this year, with $2 billion of
that going to original series, according to Bloomberg
Intelligence.
The streaming leader, with almost 94 million
subscribers worldwide, has upended entertainment
industry traditions by releasing its content
everywhere at once.
That strategy will extend to the 20 new unscripted
TV shows it plans to launch in 2017. The first of
those, "Ultimate Beastmaster," which launched in
late February, plays to the company's international
ambitions with 12 hosts, 108 contestants and six
different versions tailored for audiences around the
world.
Photo: Daniel Acker/Bloomberg
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51% of adults overall say theyuse Netflix compared to 74%of Millennials.Source: MEC Consumer Pulse
2,500 U.S. respondents, Adults 18+, Feb. 2017
Amazon's Oscar turn helps deepen consumer
relationships
Amazon, the world’s largest online retailer, spent $3
billion on content last year, according to estimates. It
also has global ambitions, announcing plans last year
to stream its own new reality show "The Grand Tour"
in 200 countries and territories.
But it has played more by Hollywood’s rules, giving
motion pictures a serious run in theaters. That
strategy helped deliver a big payoff: the first-ever
best picture nomination for an online video service
with "Manchester by the Sea."
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The brand equity that builds helps the company
attract members who pay a yearly fee that includes
media streaming. Members are more likely to stick
around on the site and spend; in turn, video watchers
are also more inclined to renew their memberships.
Last year, Amazon also introduced a standalone
service featuring on-demand access to thousands of
movies and Amazon originals for $8.99 a month. In
all, Amazon had about 65 million members in the U.S.
at the end of September, up 38% from a year earlier.
32% of adults overall saythey use Amazon comparedto 41% of Millennials.Source: MEC Consumer Pulse
2,500 U.S. respondents, Adults 18+, Feb. 2017
YouTube's big bets stay true to brand identity
YouTube's ad-supported premium content model
remains successful. It also wants viewers to pay for
original programming via its subscription service
YouTube Red.
Its shows are by the aspiring filmmakers and
vbloggers who got their start on YouTube, which
helps it stand out. But the unfiltered strategy hasn't
been without risk, as its biggest stars are also its
most outspoken.
YouTube also announced a new service just last
month that will deliver an assortment of major
television channels to paying customers via the
internet. For $35 a month, starting this spring,
subscribers to YouTube TV will be able to watch the
top four broadcast networks and 35 or so of their
affiliated cable channels.
YouTube CEO Susan Wojcicki announces YouTube TV. Photo:Patrick T. Fallon/Bloomberg
Time Warner's Boomerang brings tech in-house to
stream back catalog
Meanwhile, Time Warner is mining its huge catalog
of content to launch its own distribution channels,
according to Bloomberg.
First up is a new animation-themed service, called
Boomerang, that will offer more than 5,000 episodes
of TV shows - but won't carry ads. It will debut this
spring and cost $4.99 a month, about half the price
of Netflix’s monthly fee.
Every division of Time Warner, in fact, is exploring
the streaming business - and Warner Bros. will
provide the technology to support Boomerang,
thanks to the acquisition of a streaming service. The
studio may build online services devoted to its film
franchises in coming months.
The four big players spotlighted in this section will
continue to aggressively compete to shape the new
media landscape - but they are far from an
exhaustive list of all the activity happening in this
explosive space. For brands, honing in on which
developments offer the right opportunities is key.
Traditional MediaNot the same disruption story
Evolving andAdaptingWhile the streaming revolutionmay hold more change to come,the news isn't all bad fortraditional entertainmentproviders.
Cable TV has shown resilience,with both recent subscribergains and broadband growth;music streaming has deliveredrevenue growth for the musicindustry as a whole.
In this section, we look at threeexamples that demonstrate howtraditional media is seizing thestreaming moment.
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"It would be a mistake toignore the enduring value oftelevision...It would equallybe an error to forget thateven in 'traditional' mediathere has always been adividend for creativity– more people remember– and relevance – morepeople act."– Rob Norman, Chief Digital Officer, GroupM
Streaming positively impacts music
Spotify and other paid streaming services have
boosted the entire record industry, according to
Bloomberg.
Recorded music sales grew 7% in 2016, the fastest
pace in decades. Streaming accounted for $5.4
billion of $16.1 billion in global record sales.
That follows significant revenue growth for the
recorded-music industry in 2015, thanks in part to
streaming. In fact, revenue from music streaming has
multiplied fourfold in five years.
Online streaming has become the music industry's #1 revenuesource - but that's lifted the entire industry. Source: Bloomberg
Click to enlarge
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A surge of new subscribers
Meanwhile, Comcast, the largest U.S. cable operator,
is enjoying a golden age of TV - cable TV. The
company gained TV customers in four of the past
five quarters and added to its subscriber rolls,
reclaiming market share from some telecom carriers
and satellite-TV providers, Bloomberg reported in
January.
Executives attribute the momentum in their cable-TV
business largely to their new video platform, called
X1, which makes it easier to search for shows and
movies on TV and on Netflix from their cable set-top
box.
Executives attribute themomentum in their cableTV business largely to theirnew video platform.Source: Bloomberg
In February, Comcast added YouTube to the X1
platform as well; the move lets customers avoid the
hassle of toggling between their cable service and
web-connected devices.
And the company's high-speed Internet service is
also growing. It signed up 385,000 new broadband
customers in the quarter, topping analyst
predictions.
TV service from cable and satellite companies is in roughly 85%of U.S. households; online TV options have increasingsubscribers
Click to enlarge
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Beating expectations
Time Warner reported fourth-quarter sales and
profit that beat analysts’ estimates. That growth
came largely from negotiating new, more lucrative
deals with distributors for its premium content,
according to Bloomberg.
The company's divisions also posted positive results.
At Turner, which owns CNN, TBS and TNT, revenue
increased 7% due to higher subscription sales.
At HBO, revenue rose 6% thanks to higher
subscription and content revenue. HBO Now, the
premium channel’s web-only service, has surpassed
2 million total online subscribers in the U.S.
2 millionTotal online subscribers HBO Now has in the U.S.
Source: Bloomberg
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What's next from media companies?
The traditional TV industry is divided on whether to
welcome internet streaming and video-on-demand
providers onto set-top boxes - while Amazon has
said it's open to pushing content through cable
boxes, and Netflix already has such partnerships.
Streaming consumption trends are sure to keep
accelerating -- but the technology that powers it will
need to keep pace. Several high-profile live-
streamed recent events experienced hiccups, and
consulting firm Activate estimates that only 12% of
U.S. households have fast enough internet speed to
support multiple people watching TV online.
12%Estimated share of U.S. households that have fast
enough internet speed to support multiple people
watching TV online. Source: Bloomberg Gadfly
In coming months, Unisphere Research and
StreamingMedia.com will release the most recent
annual OTT Video Services survey, offering a
window into where industry members see the market
headed.
You can also expect plenty of new digital video
content and product ideas from media companies
during the two week-long IAB Digital Content
NewFronts starting May 1.
MEC will be on the ground reporting live from the
NewFronts – look out for our MEC@ Digital Content
NewFronts Takeaways Report.
Cable and pay TV operatorsare making sizableinvestments in their future,including those listed below.Which do you see as mostimportant?
Leveraging new technologies to create
advanced set-top boxes
Expanding network capability to meet
growing data demands
Increasing business services offerings
All of the above
See results
LookingForwardPhones, tablets, computers andsoon to be cars are whereconsumers are increasinglyspending their time beingentertained.
In the near term, that puts thefocus squarely on how wellbrands leverage all the availableways to connect.
In the longer term, as industryplayers consolidate and 5Gbecomes available, the ease ofthe journey across devices andtouchpoints is where the futurelies.
Here are three key strategicpoints to consider.
1. Watch for wireless and video convergence
While 5G service isn’t expected to be commercially
available until 2020, Verizon and rival AT&T are
bringing the technology out of the lab and into the
hands of actual users with market testing.
Improved connections and capacity will help
companies offer fast Internet speeds while relieving
congestion created by consumers who demand
video streamed directly to their phones.
It is essential for marketers to understand the
opportunities that can come with undisrupted
streaming experiences and how they can change
expections and pathways for consumers.
2. Creative chops and tech skills both matter
The question of whether content or distribution is
more important may not have an answer; each is
dependent on the other to disseminate ideas, foster
relationships and spur action.
For example, vertical video ads haven't yet gone
mainstream - but that may be about to
change. Marketers must consider both sides of the
equation, evaluating how brand content interacts
with means of distribution and what opportunities
new technologies afford for creating brand content.
3. Planning ahead helps strike the right balance
Understanding where, when and how to act on new
capabilities requires steadfast alignment, not only
with core brand values and assets, but also with the
needs of consumers at each stage.
Planning for the resources needed to seize new
opportunities will help marketers execute on
strategies while maintaining focus on paramount
brand attributes.
The streaming revolution is nascent, but the shift in
entertainment consumption habits and preference is
real. That requires a content strategy hard-wired to
the purchase journey in order to transform brand
performance.
For more MEC thought leadership,
check out MEC Global Publications
Thank you for reading
THE STREAMINGREVOLUTIONwww.mecglobal.com#MECideas
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